#badal sarkar

[akultalkies]

Radhika Apte, Sumeet Vyas, Rajesh Sharma, Roy Angana, Satish Badal, Roshni Bhattacharyya, Biswajit Chakraborty, Saheb Chatterjee, Akshay Kapoor, Amrita Chattopadhyay, Rudrashish Majumder, Varun Nag, Indrasish Roy, Laboni Sarkar

[mixmediacreation]

#गुरु प्रार्थना | #सदगुरु नैय्या भंवर से उभारो | गुरु वंदना | #Naiya Bha...

[smvdu]

Badal Sarkar’s modern classic play ‘Pagla Ghoda’ staged at Matrika Auditorium, SMVDU

Hill Thespians staged an absorbing presentation of Pratibha Agarwal’s Hindi translation of Badal Sarkar’s iconic Bengali play ‘Pagla Ghoda’, on the second day of the ongoing Festival of Plays, organized by Shri Mata Vaishno Devi University Katra at Matrika Auditorium, here today. The modern Indian classic play written in 1967, deals with women question and emphasizes her subjugation in the patriarchy-entrenched Indian social system and its influences on both men and women.The play which uses surrealistic elements opens in a cremation ground at night, where four men are waiting for the incineration of the corpse of a young woman who has committed suicide. To pass the time, they play cards and drink liquor. The spirit of the young, nameless girl on the pyre motivates men to share their stories. They narrated love stories by each man in a roundabout revealing guilt in sacrificing his love instead of taking a risk in fear of social disapproval.

Directed and designed by young Sunil Sharma, today’s play was an engaging presentation by five amateur actors who were able to glide between the intense layers, subplots, and intertwining backstories of all five characters. Sunaina Kumari effortlessly slipped into multiple roles of Malti, Mili, Laxmi, and Ladki. Her perfect timing of intermittent dialogues and free-flowing on-stage movements knitted the narration. She successfully modulated her sonorous voice along with changing the colors of her dupattas rendering individuality to all four women characters. Sunil Sharma as Satu, Javed Gill as Kartik, Neeraj Sethi as Shashi, and Shubham Rajput as Heemadari, spoke respective lines with the flow and drove the play forward. The production design was marked by well thought and executed blocking, movements, and physical behavior. The music and light design also added emotional intensity to the scenes. Prof. RK Sinha Vice Chancellor, Sh. Nagendra Singh Jamwal JKAS Registrar, Sh. Neeraj Gupta JKAS Finance Officer, deans, directors, faculty, staff and large number of students were also present on the occasion.

[don-lichterman]

Anirban Bhattacharya opens up about horror-comedy Ballabhpu...

Anirban Bhattacharya opens up about horror-comedy Ballabhpu…

Anirban Bhattacharya is riding high on the phenomenal success of his first directorial series Mandaar, an adaptation of Shakespeare’s Macbeth. The prolific actor turned director is now all set to woo the audience with his debut feature film Ballabhpurer Roopkotha that blends the genres of horror and comedy by pulling inspiration from the play of thespian Badal Sarkar. As the film releases today…

[bollywoodirect]

Remembering great theatre director Badal Sarkar on his 94th birth anniversary.

Badal Sircar (15 July 1925 – 13 May 2011), also known as Badal Sarkar, was an influential Indian dramatist and theatre director, most known for his anti-establishment plays during the Naxalite movement in the 1970s and taking theatre out of the proscenium and into public arena, when he founded his own theatre company, Shatabdi in 1976. He wrote more than fifty plays of which Ebong Indrajit, Basi Khabar, and Saari Raat are well known literary pieces.

A pioneering figure in street theatre as well as in experimental and contemporary Bengali theatre with his egalitarian "Third Theatre", he prolifically wrote scripts for his Aanganmanch (courtyard stage) performances and remains one of the most translated Indian playwrights. Though his early comedies were popular, it was his angst-ridden Ebong Indrajit (And Indrajit) that became a landmark play in Indian theatre. Today, his rise as a prominent playwright in 1960s is seen as the coming of age of Modern Indian playwriting in Bengali, just as Vijay Tendulkar did it in Marathi, Mohan Rakesh in Hindi, and Girish Karnad in Kannada.

He was awarded the Padma Shri in 1972, Sangeet Natak Akademi Award in 1968 and the Sangeet Natak Akademi Fellowship, the highest honor in the performing arts by Govt. of India, in 1997.

Badal Sircar influenced a number of film directors, theatre directors as well as writers of his time.

Film director Mira Nair in an interview mentioned, "For me, Kolkata was a formative city while growing up... I learned to play cricket in Kolkata, but more than anything, I learned to read Badal Sircar and watch plays written by him for street theatre. "

To Kannada director and playwright, Girish Karnad, Sircar's play Ebong Indrajit taught him fluidity between scenes, while as per theatre director-playwright Satyadev Dubey, "In every play I've written and in every situation created, Indrajit dominates."

To Actor-director Amol Palekar, "Badalda opened up new ways of expression."

[facespatna]

नाटक पगला घोड़ा - कथानक एवं रंगदृष्टि (Badal Srakar's Pagla-Ghoda: A revi...

[banglabooksme]

Badal Sarkarer Natya Sangraha Boi pdf

Badal Sarkarer Natya Sangraha Boi pdf

Badal Sarkarer Natya Sangraha Boi pdf

Number of Books- 20 File type- pdf Qualities- Best, no watermark

Badal Sarkar (July 15, 1925 – 13 May 2011) is an internationally renowned Bengali theatrical personality who is known as the proponent of the theater of a different genre called Third Theater. This great dramatist became known for writing anti-government drama during the Naxalite movement of the…

[tellywoodtrash]

Have you seen Uri tho? Like sure I agree that it shouldn't have been released in an election year, but India has Freedom of Expression, it would be gross violation to stop/delay a film, esp. after the kind of nonsense Padmavat and Udta Punjab had to go through.

No, I haven’t seen it. I have no issues with Uri being made or released, but I do have a problem with the language of the movie. It’s an election year, and right from the dialogues in the trailer, it was blatantly obvious that it was pandering to the hate-mongering right-wing nationalists. Yes, Freedom of Expression in media is absolutely imperative, but I feel media makers have a responsibility to ensure that their stuff doesn’t propagate and inflame such opinions and sentiments, especially in the divisive climate we have right now. The movie is about an army operation; they should have focused entirely on the specifics of the strikes, how they planned and executed it, the technical aspects, etc. Of course, I recognize that a military movie cannot be completely objective and there will be some amount of negative sentiment expressed against “the enemy”. But filling the trailer itself with dialogues like “Pakistan jo bhaasha samjhta hai ussi bhaasha mein unko samjhaane ka waqt aa gaya”, “Yeh naya Hindustan hai, ghar mein ghusega bhi aur marega bhi” (notice the use of “Hindustan”, when the official name of the country is Bharat [Gannrajya]), “Khoon ke badle khoon”, “Unhe Kashmir chahiye aur humein unka sar”, “Apni bahattar hooron ko humaara salaam bolna; kaho daawat pe intezaar karein, aaj bohut saare mehmaan bhejne waale hain…” is plain hate-mongering and in increasingly poor taste. There’s a difference between patriotism and jingoism, and it’s clear which one of these Uri chose to espouse. You can already see the rise of such movie-making in the country, encouraged by the success of Uri.

My discontent with this movie cannot be compared to the protests against Padmavat/Udta Punjab, because those protests were created and propagated BY elements of the BJP, the same party that profits from Uri’s uber-nationalist rhetoric. Nihalani said so himself that he was directed by the Ministry of I&B to block the release of Udta Punjab (clearly because one of the biggest driving forces of the drug problem of Punjab was the Badal government in power at the time, who were/are an ally of the BJP). The BJP came outright and called for a ban for Padmavat, even with the movie already portraying the Rajputs as saintly and the Muslims as “barbaric”, and it glorifying a regressive custom like Jauhar, based on god-knows-what khayali pulaao (they also wanted a ban on Bajrangi Bhaijaan based on its name.) Basically, the BJP has been amply using the medium of Bollywood to influence/further its agenda; that Muslims are to be otherized and “defeated”, problems caused by the BJP and their allies don’t exist, glorifying their campaigns (Toilet: Ek Prem Katha), women are not to have sexual agency (Lipstick Under My Burkha), movies vilifying the opposition (Indu Sarkar, The Accidental Prime Minister) are to be given absolute free reign, etc.

[businessnewsupdates]

Shyam Maheshwari, The Grate Man Behind Film Industry

Shyam Maheshwari is an Indian director and writer, who is noted for his work primarily in the Marathi TV and film industry. From 2000 to 2002, he assisted directors like Ashish Patil, Nivedita Basu, Suraj Rao, Santosh Badal, and the famous television series Kyunki Saas Bhi Kabhi Bahu Thi. Having started his career as an assistant director with the popular TV series, Kyunki. Saas Bhi Kabhi Bahu Thi (2000-02), he made his directorial debut with Kuchh Jhuk Palkein in 2002. His other notable directorial credits include Maat Ki Banno (2010), a TV series, and eventually made his feature film directorial debut with Charandas Chor (2017).

Shyam Maheshwari is a well-known personality of the Indian television industry. His notable work during the television career was Kyunki Saas Bhi Kabhi Bahu This in which Anil Nagpal, Anand Gandhi, and Rajesh Joshi have penned the script. Kyunki Saas Bhi Kabhi Bahu was a touching work for Shyam Maheshwari. Ekta Kapoor and her mother, Shoba Kapoor, produced the family drama. The show’s story is about the perfect daughter-in-law Tulsi Virani and her family. The notable cast members of the television serial are Smriti Irani as Tulsi Mihir Virani, Dinesh Thakur as Govardhan Virani, Shakti Singh as Mansukh Govardhan Virani, Amar Upadhyay as Mihir Mansukh Virani, Sudha Shivpuri as Amba Govardhan Virani, etc.

Shyam Maheshwari directed some shows like Kuchh Jhuki Palkein in 2002, Maati Ki Banno in 2010, Charandas Chor in 2017, Pyari Dadi Maa in 2020. One of the most popular stars of the Bhojpuri cinema, Dinesh Lal Yadav shared the first look of Pakkhi Hegde’s upcoming Shyam Maheshwari directorial ‘Pyari Dadi Maa’. Both the actors have been featured together in several hits and received praise for performances.

 While sharing the poster, the actor urged fans to watch the trailer of the film directed by Shyam Maheshwari. In the trailer is about an old woman who takes care of small children and manages her family.

In 2016 Shyam Maheshwari composed the script of the movie M.S. Dhoni: The Untold Story. M.S. Dhoni: The Untold Story is a biopic of the famous cricketer Mahendra Singh Dhoni, the former captain of the Indian National Cricket Team. The story depicts the struggle and efforts of Mahendra Singh Dhoni to become the most loved cricketer all over the world. On 30th September 2016, the movie hit the box office and gained lots of appreciation, awards, and positive reviews.

 Apart from Hindi, M.S. Dhoni: The Untold Story was also dubbed in Tamil and Telugu languages. Neeraj Pandey has directed the film. Sushant Singh Rajput as Mahendra Singh Dhoni, Anupam Kher as Paan Singh Dhoni, Kiara Advani as Sakshi Singh Dhoni, Bhumika Chawla as Jayanti Gupta, Disha Patani as Priyanka Jha, Shantilal Mukherjee as Station Master Shishir Sarkar, and Kali Prasad Mukherjee as Animesh Kumar Ganguly are the cast members of the film. In 2017 Shyam Maheshwari directed and wrote a movie titled Charandas Chor.

[gazetteweekly]

Upcoming Writer Director and The Creative Man Behind Film Industry-Shyam Maheshwari

An Indian director and writer, Shyam Maheshwari is noted for his work primarily in the Marathi TV and film industry. He started his career as an assistant director with the popular TV series, Kyunki. Saas Bhi Kabhi Bahu Thi (2000-02), he made his directorial debut with Kuchh Jhuk Palkein in 2002.

Shyam Maheshwari is an Indian director and writer, who is noted for his work primarily in the Marathi TV and film industry. From 2000 to 2002, he assisted directors like Ashish Patil, Nivedita Basu, Suraj Rao, Santosh Badal, and the famous television series Kyunki Saas Bhi Kabhi Bahu Thi. He started his career as an assistant director with the popular TV series, Kyunki. Saas Bhi Kabhi Bahu Thi (2000-02), he made his directorial debut with Kuchh Jhuk Palkein in 2002. His other notable directorial credits include Maat Ki Banno (2010), a TV series, and eventually made his feature film directorial debut with Charandas Chor (2017).

Shyam Maheshwari is a well-known personality of the Indian television industry. His notable work during the television career was Kyunki Saas Bhi Kabhi Bahu This in which Anil Nagpal, Anand Gandhi, and Rajesh Joshi have penned the script. Kyunki Saas Bhi Kabhi Bahu was a touching work for Shyam Maheshwari. Ekta Kapoor and her mother, Shoba Kapoor, produced the family drama. The show’s story is about the perfect daughter-in-law Tulsi Virani and her family. The notable cast members of the television serial are Smriti Irani as Tulsi Mihir Virani, Dinesh Thakur as Govardhan Virani, Shakti Singh as Mansukh Govardhan Virani, Amar Upadhyay as Mihir Mansukh Virani, Sudha Shivpuri as Amba Govardhan Virani, etc.

Shyam Maheshwari directed some shows like Kuchh Jhuki Palkein in 2002, Maati Ki Banno in 2010, Charandas Chor in 2017, Pyari Dadi Maa in 2020. One of the most popular stars of the Bhojpuri cinema, Dinesh Lal Yadav shared the first look of Pakkhi Hegde’s upcoming Shyam Maheshwari directorial ‘Pyari Dadi Maa’. Both the actors have been featured together in several hits and received praise for performances.

While sharing the poster, the actor urged fans to watch the trailer of the film directed by Shyam Maheshwari. In the trailer is about an old woman who takes care of small children and manages her family.

In 2016 Shyam Maheshwari composed the script of the movie M.S. Dhoni: The Untold Story. M.S. Dhoni: The Untold Story is a biopic of the famous cricketer Mahendra Singh Dhoni, the former captain of the Indian National Cricket Team. The story depicts the struggle and efforts of Mahendra Singh Dhoni to become the most loved cricketer all over the world. On 30th September 2016, the movie hit the box office and gained lots of appreciation, awards, and positive reviews.

Apart from Hindi, M.S. Dhoni: The Untold Story was also dubbed in Tamil and Telugu languages. Neeraj Pandey has directed the film. Sushant Singh Rajput as Mahendra Singh Dhoni, Anupam Kher as Paan Singh Dhoni, Kiara Advani as Sakshi Singh Dhoni, Bhumika Chawla as Jayanti Gupta, Disha Patani as Priyanka Jha, Shantilal Mukherjee as Station Master Shishir Sarkar, and Kali Prasad Mukherjee as Animesh Kumar Ganguly are the cast members of the film. In 2017 Shyam Maheshwari directed and wrote a movie titled Charandas Chor. 

[amardwivedisworld]

Play - Pagala Ghoda (Scene work)

Playwright - Badal Sarkar

Date - 18/10/2021

#pagala_ghoda #badal_sarkar #avtar_sahni #amar #amardwivedi #amar_dwivedi #mpsd #mpsdbhopal #madhyapradeshschoolofdrama #bhopal #mp #madhyapradesh #bharat #actor #theatre

[mensrightsff]

"Sarkar sirf Adani Ambani ki baat sun rahi hai. Gareeb aadmi ki avaaz koi nahi sun raha. Ye dictatorship hai. Jaise ki koi martial law laga hai. Indira Gandhi ke samay bhi aisa nahi tha" : Sukhbir Badal, Shiromani Akali Dal at Parliament today. https://t.co/NPNu1Gw7Ox

— Smita Prakash (@smitaprakash) Jul 28, 2021

[bollywoodirect]

Birthday wishes to Girish Karnad who turned 81 today. Girish Raghunath Karnad is a contemporary writer, playwright, screenwriter, actor and movie director in Kannada language. His rise as a playwright in 1960s, marked the coming of age of modern Indian play writing in Kannada, just as Badal Sarkar did in Bengali, Vijay Tendulkar in Marathi, and Mohan Rakesh in Hindi. He is a recipient of the 1998 Jnanpith Award, the highest literary honour conferred in India. For four decades Karnad has been composing plays, often using history and mythology to tackle contemporary issues. He has translated his plays into English and has received acclaim. His plays have been translated into some Indian languages and directed by directors like Ebrahim Alkazi, B. V. Karanth, Alyque Padamsee, Prasanna, Arvind Gaur, Satyadev Dubey, Vijaya Mehta, Shyamanand Jalan and Amal Allana. He is active in the world of Indian cinema working as an actor, director, and screenwriter, in Hindi and Kannada flicks, earning awards along the way. He was conferred Padma Shri and Padma Bhushan by the Government of India and won four Filmfare Awards where three are Filmfare Award for Best Director - Kannada and one Filmfare Best Screenplay Award.

[shankarjaikishanfansassnintl]

By

Mukund Marulkar

Shankar Jaikishan and Their Directors

Shankar Jaikishan’s immense talent, professionalism, success and popularity, made them the number 1 choice of movie makers.

Following is a list of all directors who worked with them and the movies with their release dates.

Raj Kapoor-5

Barsaat-April 22, 1949

Awara-December 14, 1951

Shree 420-September 16, 1955

Sangam-June 18, 1964

Mera Naam Joker-December 18, 1970

Amiya Chakravarthy-6

Badal-May 1, 1951

Daag-July 4, 1952

Patita-January 1, 1953

Badshah-January 1, 1954

Seema-1955

Kathputli-January 1, 1957

Kishore Sahu-5

Kali Ghata-January 1, 1951

Mayur Pankh-April 9, 1954

Kismet Ka Khel-February 3, 1956

Dil Apna Aur Preet Parai-March 4, 1960

Hare Kanch Ki Chudiyan-January 1, 1967

Ravindra Dave-1

Nagina-January 1, 1951

O. P. Dutta-1

Parbat-January 1, 1952

M. Sadiq-1

Poonam-January 1, 1952

Raja Nawathe-6

Aah-March 22, 1953

Prema Lekhalu-December 24, 1953

Avan-March 22,1953

Basant Bahar-December 7, 1956

Gumnaam-December 24, 1965

Bhai Bhai-1970

Devendra Goel-1

Aas-January 1, 1953

Bhagwan Das Verma-3

Aurat-1953

Pooja-January 1, 1954

Baaghi Sipaahi-1958

D. D. Kashyap-2

Naya Ghar-January 1, 1953

Halaku-January 1, 1956

Ramesh Saigal-1

Shikast-September 18, 1953

Prakash Arora-1

Boot Polish-March 26, 1954

Ananth Thakur-1

Chori Chori-January 1, 1956

Mohan Segal-3

New Delhi-September 14, 1946

Krorepathi-1961

Kanyadaan-January 1, 1968

Vijay Bhatt-2

Patrani-January 1, 1956

Hariyali Aur Raasta-January 1, 1962

Sohrab Modi-1

Rajhath-January 6, 1956

Narendra Suri-1

Begunah-January 1, 1957

Nitin Bose-1

Kathputli-January 1, 1957

Bimal Roy-1

Yahudi-September 5, 1958

Hrishikesh Mukherjee-5

Anari-January 16, 1959

Aashiq-January 1, 1962

Asli Naqli-April 5, 1962

Sanjh Aur Savera-January 1, 1964

Gaban-July 1, 1966

L. V. Prasad-2

Chhoti Bahen-February 6, 1959

Beti Bete-January 1, 1964

Om Prakash-1

Kanhaiya-July 30, 1959

Subodh Mukherjee-3

Love Marriage-December 14, 1959

Junglee-October 31, 1961

April Fool-March 8, 1964

Naresh Saigal-3

Main Nashe Mein Hoon-January 1, 1959

Ujala-January 1, 1959

Boy Friend-August 11, 1961

Harnam Singh Rawail-2

Shararat-August 1, 1959

Roop Ki Rani Choron Ka Raha-1961

T. Prakasa Rao-6

College Girl-January 1, 1960

Sasural-April 4, 1961

Hamrahi-January 8, 1963

Suraj-March 25, 1966

Duniya-December 28, 1968

Rivaaj-January 1, 1972

Bhappi Sonie-7

Ek Phool Char Kante-January 1, 1960

Janwar-1965

Pyar Hi Pyar-October 7, 1969

Brahmachari-April 26, 1968

Tum Haseen Main Jawan-July 24, 1970

Jawan Mohabbat-January 1, 1971

Preetam-January 1, 1971

Radhu Karmakar-1

Jis Desh Mein Ganga Behti Hai-January 1, 1961

Shakti Samanta-4

Singapore-January 1, 1960

An Evening in Paris-March 10, 1967

Pagla Kahin Ka-January 1, 1970

Jane Anjane-May 17, 1971

Mohan Kumar-3

Aas Ka Panchi-January 1, 1961

Ayee Milan Ki Bela-January 1, 1964

Aman-January 1, 1967

Nasir Hussain-1

Jab Pyar Kisi Se Hota Hai-May 5, 1961

B. R. Panthulu-1

Dil Tera Diwana-January 1, 1962

Lekh Tandon-5

Professor-January 1, 1962

Amrapali-January 1, 1966

Jhuk Gaya Aasman-January 1, 1968

Prince-January 1, 1969

Jawan Pyar Miley-January 1, 1970

Amar Kumar-2

Rangoli-January 1, 1962

Mehfil-1981

C. Sridhar-3

Dil Ek Mandir-January 1, 1963

Dharti-January 1, 1970

Duniya Kya Jane-January 1, 1971

R. C. Talwar-1

Ek Dil Sau Afsane-January 1, 1963

Ajit Chakrabarty-1

Apne Hue Paraye-January 1, 1964

K. Shankar-5

Rajkumar-January 3, 1964

Sachhai-January 1, 1969

Pardey Ke Peechhey-January 1, 1971

Bandagi-January1, 1972

Chhote Sarkar-November 22, 1974

Ramanand Sagar-2

Zindagi-January 1, 1964

Arzoo-January 1, 1965

Sachin Bhowmick-1

Janwar-January 1, 1965

Manmohan Desai-1

Badtameez-January 1, 1966

Krishan Chopra-1

Gaban-January 1, 1967

Pramod Chakravarthy-2

Love in Tokyo-January 1, 1966

Tumse Achha Kaun Hai-January 1, 1969

Shankar Mukherjee-1

Pyar Mohabbat-January 1, 1966

Basu Bhattacharya-1

Teesri Kasam-January 1, 1969

S. Pachchi-3

Around The World-January 1, 1967

International Crook-July 22, 1974

Eent Ka Jawab Pathhar-January 1, 1982

Alo Sircar-1

Chhoti Si Mulaqat-January 1, 1961

Mahesh Kaul-2

Diwana-January 1, 1968

[srgoi]

Wonderful interactive webinar with Hon Mathur Sir n Dr Badal (at Shri Rawatpura Sarkar Group of Institutions) https://www.instagram.com/p/CONGBbDDHf0/?igshid=10hnxzkyuuwbp

[niamhpfetzing]

Hindi Attitude Dialogues Images and Status

Dil Se Aapka Khayal Jata Nahi, Aapke Siva Koi Yaad Aata Nahi, Ji Chahta Ki Aapko Roj Dekhu Par, Wo Waqt Kabhi Aata Nahi

Teri Yaadon Ke Sahare Duniya Mein Rah Lete Hai, Teri Juddai Ka Gam Chupchap Sah Lete Hai, Samjhaya Dilko Yeh Raaz Chupana Hai, Par Aansu Banke Wo Sab Kah Dete Hai…

Waqt Nur Ko Benur Kar Deta Hai, Thode Se Jakhm Ko Nasur Kar Deta Hai, Kaun Chahta Hai Aapno Se Door Hona, Per Waqt Sabko Majboor Kar Deta Hai…

Chand Utra Tha Hamare Aangan Mein, Ye Sitaro Ko Gwara Na Huaa, Hum Bhi Sitaro Se Kaise Gila Kare, Jab Chand Hi Hamara Na Huaa… Click here : http://www.rdshayri.com/hindi-attitude-dialogues/

Jaane Meri Aankhon Se Kitne Aansu Bah Gaye, Insaano Ki Bheed Mein Bhi Dekho Tanha Rah Gaye, Karte The Jo Kabhi Apni Wafa Ki Baatein, Aaj Wohi Sanam Mujhe Bewafa Kah Gaye….

Dastan Soon Lo Jara Ghame Zindgi, Bewafa Samajh Baithe Tumhe Dilagi, Gairon Ki Baahon Main Machlati Ho Tum, Behad Mehesoos Hoti Hai Hame Shermindagi…

Bedaag Or Begunah Meri Sarkar Hain, Humse unki Bewafai Se Waqt Ki Maar Hain, Woh Bhale Hain Kitne Sitam Karein Hum Par, Phir Bhi Mere Liye Wo Jaane Bahar Hain….

Mujhe Kisi Ne Bewafa Ka Naam Diya, Sathi Ne Jaise Jahar Ka Jaam Diya, Jo Kabhi Kaha Karte The Bhula Mat Dena, Unhone Hi Bhul Jane Ka Paigam Diya…

Huyi Toh Hai Yeh Khata Humse Bahut Bhari Sanam, Na Chahte Huye Bhi Hum Aapse Pyar Kar Baithe, Roka Tha Humein Sab Ne Ki Na Kar Tu Sagar, Na Jaane Fir Bhi Kyu Tera Aitbaar Kar Baithe….

 Mujhko Rulakar Woh Bhi Roya Toh Hoga Yaaro, Muh Ashko Se Usne Bhi Dhoya Toh Hoga Yaaro, Agar Na Kiya Hai Kuchh Hasil Hamne Pyar Mein, Kuchh Na Kuchh Usne Bhi Khoya Toh Hoga Yaaro…. Dialogues From Avengers Series

Unki Yaadon Ko Abhi Bhi Seene Mein Chhupaye Baitha Hun, Haay Main Kis Jaalim Se Dil Ko Lagaye Baitha Hun, Inhi Raahon Se Aayenge, Bhale Hi, Baad Mere Marne Ke, Kitna Nadan Hun Abhi Bhi Dil Ko Samjhaye Baitha Hun…

Mujhko Rulane Se Milta Hai Sabko Na Jaane Kya, Na Jaane Kyu Us Khuda Ko Bhi Raham Aata Nahi, Maine Kabhi Bhi Na Ki Sikayat, Bhale Hi Laakh Gham Mile, Magar Mere Moulal Sagar Se Ab Aut Jiya Jata Nahi…

Hindi Attitude Dialogues for Facebook

Yeh Manta Hun Main, Ki Har Koi Bewafa Nahi Hota, Magar Teri Tarah Har Koi Sab Kuchh Toh Nahi Khota, Yeh Bhi Sach Hai Ki Agar Mujhko Gham Nahi Milte, Toh Is Duniya Mein Shayad Yeh Sagar Nahi Hota…

Aapki Yahi Adayein Toh Hain Eh Mere Humdam, Jo Humko Aap Par Marne Ko Majboor Karti Hain, Magar Yeh Bhi Suna Hai Ke Hote Hain Sabhi Hasin Bewafa, Aap Bhi Hasin Hain Yehi Baatein Aap Se Door Karti Hain…

Tu Bhi Hai Sangdil Bewafa Eh Dost, Yeh Sochkar Dil Ghabrata Hai, Ab Karun Bhi Kya Ke Bin Tere, Sagar Se Jiya Nahi Jata Hai…

Koi Toh Bataye Itna Mujhko, Kyu Bewafa Ho Jaate Hain Sab, Saya Bhi Nahi Hai Saath Rahta, Gham Ke Badal Chhate Hain Jab…

Kisko Farebi Hum Kahein Kisko Kahein Hum Bewafa, Kismat Hi Shayad Aisi Likha Kar Laaye Hain Hum, Aaj Wakif Hai Yaaro Hamse Sahar Ka Har Ek Aadmi, Magar Apno Ke Liye Hi Dekhiye Paraye Hain Hum….

Zamane Wale Mil Gaye Hain Sabhi Ek Doosre Se, Milkar Sabhi Ne Mujh Akele Ko Mara Hai, Tu Bhi Mat Ho Jana Bewafa Sabhi Ki Tarah, Eh Mere Dost Sagar Ko Bas Tera Sahara Hai…

20 best dialogues

Apne Aap Kpo Toh Hum Samjha Lenge, Magar Dil Mera Yeh Manta Hi Nahi, Humne Toh Dekhi Hai Bewafayi Aapki, Aap Bewafa Ho Dil Jaanta Hi Nahi….

Koi Bhi Nahi Yahan Par Apna Hota, Is Duniya Ne Yeh Sikhya Hai Humko, Uski Bewafayi Ka Na Charcha Karna, Aaj Dil Ne Yeh Samjhaya Hai Humko…

Yeh Mana Ke Mohabbat Karna Hai Jurm Magar, Yeh Jurm Yaaro Baar Baar Karte Hain Hum, Woh Bewafa Hai Sangdil Hain Jaante Hai Magar, Unpar Yaaro Aaj Bhi Aitbaar Karte Hain Hum…

Bewafa Nahi Hai Woh Yeh Manta Hun Main, Woh Bhi Chahte Hain Hamein Yeh Jaanta Hun Main, Magar Itna Bhi Toh Yaaron Nadan Nahi Hun Main, Unki Badli Huyi Najrein Toh Pahchanta Hun Main…

Hindi Attitude Dialogues Shayari

Main Toh Yeh Bhi Nahi Kah Sakta Sagar, Ki Is Mein Galti Mere Yaar Ki Hai, Bewafa Bhi Usko Main Kahun Kaise, Kyun Ki Toheen Yeh Mere Pyar Ki Hai…

Hamne Toh Apni Mohabbat Ka Ijhaar Kiya, Magar Usne Fir Bhi Na Hamara Eitbaar Kiya, Sagat Toh Jahan Se Lada, Ek Uski Khatir, Us Bewafa Ne Sikwa Fir Bhi Hazaar Kiya…

Jaisa Karoge Aap Vaisa Hi Paaoge Sada, Aaj Sabke Hoton Par Yeh Sachhayi Mili, Magar Kaise Maan Lun Main Is Baat Ko Sach, Mujhko Toh Wafa Ke Badle Bewafayi Mili…

Khafa Hokar Humse Fir Maan Jana, Yahi Ada Toh Humko Bahut Bhati Hai, Baaki Toh Sabkuchh Bhool Chuke Hain Hum, Magar Sagar Woh Bewafa Bahut Yaad Aati Hai…

Wafa Sabse Karne Ka Hamein Yeh Sila Mila, Humko Is Jamane Se Hamesha Gila Mila, Ab Aur Kya Kahu Main Aapse Eh Mere Dosto, Hamein Toh Jo Bhi Dost Mila Bewafa Mila… Sridevi Famous Dialogues

 Aap Kyu Sarminda Hote Ho Apni Bewafayi Par, Hamein Maalum Tha Ki Gham Ko Hamara Hona Tha, Bas Aap Muskarate Rahein Yeh Dua Hai Sagar Ki, Hamati Kismat Mein Toh Likha Hi Rona Tha…

Hindi Attitude Dialogues from Movies

Woh De Denge Humko Daga Kabhi Na Kabhi, Yeh Dil Hamara Humko Bata Chuka Tha, Magar Kya Karta Yeh Sagar Bhi Yaaro, Dil Iska Us Bewafa Pe Aa Chuka Tha…

Hamari Zindagi Hai Mout Se Badtar Tumhare Bina, Sukhon Ke Sarjamon Mein Chubhe Nastar Tumhare Bina, Katati Hai Hawa Ki Narmi Nahin Jab Paas Tum, Khuabuon Ki Mahmahat Jahar Tumhaare Bin,

Pyar Karne Waale Diwane Kabhi Darte Nahi, Log Majnu Kahte Hain Par Woh Chidte Nahin, Hamare Pyar Ki Majburiyan Koi Dekhe, Khud Apne Aap Ko Hum Bewafa Bana Baithe,

Nadaani Mein Hum Kise Apna Samajh Baithe, Jo Dikhaaya Us Bewafa Ne Sapna, Hum Haqeeqat Samajh Baithe Dekho Aaj Chhod Diya Hamein, Usne Eik Gair Ke Liye, Jise Hum Apna Humsafar Samajh Baithe…