#bad form series
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dogerbooger ¡ 8 months ago
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Roomies
The original !
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hyakunana ¡ 3 months ago
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Episode 41: The Jet-Black Shogun
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mo-mode ¡ 11 months ago
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As a screenwriter, I can think of literally so many ways they could have padded this episode to make it more gripping and satisfying for the audience. Like, there’s a lot of things I would like to expand on, but specifically who agreed to make the fight scene so short?? Give us Percy swinging desperately until he can’t even hold up his sword. Give us the chimera playing with him like a cat plays with a mouse. Give us Annabeth and Grover screaming and banging on the door until Grover, their protector, has to be the logical one and drag Annabeth back to the pod, not because he’s abandoning Percy but because Annabeth is also his to protect, and for once, she isn’t in her right mind, and he can’t lose them both.
Anyway, Rick, if you need another writer on your team—
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w3ndytheraccoon ¡ 1 month ago
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Thinking about the fact Show Thalia Annabeth and Luke all look similar. Thinking about the fact Thalia was probably the only who teaches Annabeth how to braid her hair. Thinking about the fact after she’s gone Luke would’ve been the one to do it. Thinking about the fact Annabeth only learned to do it from other campers after her family Luke and Thalia left died betray abandon her again just like her dad did aren’t there to do it for her. Thinking about how she must feel because hair braiding used to be a thing they do together and now it’s a constant reminder of what it was and isn’t anymore. Thinking about the fact-
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bardandbear ¡ 2 months ago
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I have a couple of main problems with the removal of world state interactivity in DAV and the way it's being presented.
The big one for me is the missed opportunity for what is allegedly the game's central theme: regret. You're telling me that Hawke being left in the Fade isn't weighing on Varric's conscience? Or that Morrigan might regret accepting apotheosis because to protect her son she could no longer have a relationship with him? We don't even need to find out about the outcomes of those particular choices the regret should be there regardless.
The devs acting like they're doing people a favour by not 'invalidating worldstates' is so insulting. World states become invalidated by not acknowledging them where they should logically come up. Morrigan's motherhood was a major part of her character arc. The Well of Sorrows was presented as something that will take away that which you cherish most - not only does this threat never eventuate, there's no mention of what happens to the knowledge associated either, does an Inquisitor who drank just suddenly lose that overnight? Talk about invalidating choices.
It would be one thing if the game had been in Early Access and fans demanded Morrigan get added or something, but the devs chose to include these callback characters. They're coasting off prior good will for fan favourites while effectively having them act like entirely separate people to the ones people fell in love with. Commit to the bit: either do a proper reboot so we can make up our minds about a new cast of characters or actually have returning characters mean something.
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sapphoismymuse ¡ 10 months ago
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thank GODS i LOVE hades in the show!! no more brooding mysterious dark satan characters, cool uncle hades absolutely strutting and serving is the ONLY portrayal of hades i will accept in media from now on please and thank you
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keepyourpantsongohan ¡ 4 months ago
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While we're talking about Naruto and JJK parallels, I think in the Stupid Alignment Chart format, Kakashi and Nobara hold the exact same type of stupid, which is neither lawful stupid, neutral stupid nor chaotic stupid. I like to call it Stupid Soluble. It's that they will asborb the stupidity genre of whoever they're nearest to at the time
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archduchessofnowhere ¡ 11 days ago
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In case you're confused about how I feel about the two latest Sisi series, it's something like this:
Netflix Die Kaiserin: awfully historically inaccurate trashy series (derogative)
RTL Sisi: awfully historically inaccurate trashy series (affectionate)
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call-me-cosmic ¡ 7 months ago
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“Th’ names Blitz, the O is silent.”
I just started watching Helluva Boss and I had to try my hand at drawing Blitzø’s human design. I feel like it fits him
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mallleus ¡ 1 year ago
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I need to know, do y’all make different OCs for every sort of name/self/oc insert in games/fictional media or do you have [OC] across the universe?
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taz-writes ¡ 1 year ago
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here's a hot take for today
the narrative function of sex is the same as the narrative function of fight scenes is the same as the narrative function of songs in a musical
no i will not explain
#taz talks#writing#actually i WILL explain but i'll do it in the tags#these each serve the same function within their respective appropriate genres#each one is a kind of revelation#they heighten the connection between 2+ characters and highlight relationships and feelings and needs#they are out of place in genres where they do not belong and/or as curveballs when the narrative did not provoke them from the start#but they have the same sort of emotional/dramatic build-up#talk -> sing -> dance (talk -> yell -> stab) ((talk -> flirt -> You Know))#and they are all expressions of intense physicality and intimacy through physical gesture and interaction#they are fundamentally empty and boring if there is not a deeper purpose or drive behind them#although they can still occasionally be entertaining on their own if your audience is specifically seeking that experience out#people who do not like them will be very unhappy to encounter one where it isn't supposed to be#it is very easy to ruin the mood with poor word choice#many people have an inherent sense for terrible ones but it's often difficult or complicated to explain precisely why a bad one fails#when executed properly they are a very raw and intimate expression of a character's most fundamental needs and desires#the fluff is stripped away and there is nothing left but a series of needs. conflicting or cooperating.#and even when you're lying during one it's still a form of truth#none of these things are remotely necessary to tell a powerful or compelling story but if you're going to use them you need to do it right#also all 3 of these things are difficult if not impossible to write if you are not both interested in them and personally invested#this post brought to you by me trying to write smut about my dnd characters and failing because i generally hate /reading/ smut#so i have none of the vocabulary or instinct for it that i do for. say. graphic violence (or lyrical poetry)
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lord-squiggletits ¡ 11 months ago
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There are two wolves inside of me
One recognizes MTMTE as the peak of IDW1 and possibly all transformers writing in general so is happy it gets that recognition
The other is sooooo fucking tired of MTMTE overshadowing every other worthwhile series in IDW1 to the point that half the fanbase hasn't even read anything besides MTMTE can we please talk about something besides MTMTE I'm begging you to read a Transformer comic besides MTMTE please please please
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askblueandviolet ¡ 11 months ago
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how are the joys of motherhood treating you as of late, macaque?
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MASTER POST
Asks Start 💜🩷
Previous 💜
Next 💜
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waddles-ex-machina ¡ 1 year ago
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also hey what the HELL is this place and - is that David and his shovel
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aestheticsfandomsandmore ¡ 1 year ago
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Episode 1 of Bad Buddy is really not that great when you watch it for the first time, for a variety of reasons. But it is such a treat to rewatch it, and it gets so much better in retrospect: now you already know who these characters are and what they’re thinking and feeling—of course, Bad Buddy’s writing has always been grounded in the ‘show, don’t tell’ method, therefore they rarely spell it out, hence more than one single interpretation of their actions’ motives is valid, but overall we know what’s going through their heads.
And to see Pat show this level of vulnerability and openness breaks my heart a little, because you can really sense (especially, like I said, in retrospect) how much he missed Pran and how happy he is to merely be allowed to stand next to him; to have him back in his life, with the hope that nobody will take him away again. 
Let’s not forget that Pat blames himself for Pran’s transfer, which explains why, when Pran says ‘Things don’t end well whenever I’m with you’, he does look a bit sad, but he immediately shakes it off and smirks, as if to say “Yeah, I know, right? I know. But at least this time you’re still here. With me.” And then he smiles softly (and shyly!) at Pran, although Pran has literally just insulted him. 
Oh, Pat, my beautiful baby boy. 
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brotherslayer ¡ 7 months ago
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you could've been my Red Queen
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