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jonnyvangelis · 4 years

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lyfrassir edda needs hobbies and enrichment

2051 words, fluff, artistic nudity and some implied nsfw. In which Lyf paints nude portraits of the crew of the Starship Aurora. Jonny takes a nap. Lyf gets cuddled. It's a good time.

MARIUS

Marius von Raum is laying nude on the couch in front of them. Their brush stills, and they squint a touch, gauging the distance between his relaxed metallic hand where he holds his wine and his knee where the bottom of the glass rests in a way that should be precarious but looks altogether… Bacchic.

And that’s all they can think to describe him, really, the short man so lovely draped before them with the comfortable, crooked smile on their lips.

Indulgent. Exciting, dangerous, beautiful.

Beautiful… the painter’s hand moves again, detached now from their thoughts, laying thin washes of tempura to be elaborated on in a while in oils.

He lays sideways, one leg crooked as to give their wine-hand a perch and to show thick, dark curls between his strong, soft thighs while the leg closest to Lyfrassir dangles off the couch. The hand that is flesh rests on their stomach, curled loosely around the rise of a plush belly, and the artist’s eyes trace up- following the dark, thin stretch marks that rise from his hips and lower belly- and mull over the surprisingly soft slope of their shoulders and the steady rise and fall of his chest, down to the two lighter scars just under each pectoral and back up to the curling hair between and over their pecs. His head leans back comfortably against the cushions, their beard recently trimmed to show the light indent of a double chin and the corners of his eyes slightly crinkled with their easy smile.

The light Aurora provides from two angled overhead lamps casts soft shadows on his golden skin. They are divine.

Lyfrassir presses their thighs together.

Marius takes another drink.

(Later, they lay next to each other in their bed and Marius braids Lyf’s hair and he doesn’t have the energy to talk, but they laugh at one of Lyf’s jokes and hum happily when their fingers make their way into his hair and he murmurs, in the morning, how much they love Lyfrassir and the latter kisses them and whispers back the reply in the breaths after and they are wordlessly happy.)

IVY

Ivy Alexandria sits on the same couch a week later, book in hand, and Lyf nearly forgets how to breathe.

But they paint her nonetheless.

Roving eyes wander over round pink cheeks, the slightest knit in her brow as she focuses on the story in her hand, the way her free hand rests on her chest and fidgets with the necklace there, resting between small breasts. She sits cross-legged and leans back into the couch, giving them a view from the front, and they note the resting downturn of her lips. Her sides roll with the way she’s curled up, and with the positioning of her surprisingly strong legs, nothing much else can be seen. The same lamps are dimmed for her pale complexion, and she nearly seems to glow against the wine-dark fabric she lies on.

Her portrait is more… closed, than Marius’. The moment is for Ivy alone, and where the previous pirate beckoned in every inch of their canvas, Ivy sits for Lyfrassir alone.

Ivy turns the page.

Lyfrassir smiles and rinses their brush.

JONNY

They were not expecting Jonny to be third. They’re more surprised by his request at lunch that morning, though— the mate asks if he can sleep. Lyfrassir nods, a touch puzzled, and when they sit at their easel and wet the canvas, there Jonny is, asleep on the couch and stripped bare.

Jonny d’Ville is… calm. His hands folded over his chest— his right thumb occasionally rubbing back and forth over the skin over his heart, arms too loose and surprisingly un-calloused hands too alive to show any real resemblance to the bodies in caskets he mimics. His pink lips hang parted, small sighing breaths slipping past that bring with them the rise and fall of what Lyfrassir would lovingly be inclined to call a bear belly, blonde hair in a line from the thicket between his thighs to the one on his chest that isn't quite thick enough to mask the white scarring around his nipples. His hair— longer now than when they first joined the crew, to his shoulders maybe— is splayed on the pillow under his head, framing round cheeks and what was a goatee, now a short beard. The most rowdy thing about him is his makeup, smeared from two days’ wear, and even that seems faded some in the quiet of the moment.

Aurora provides no extra light for Jonny’s portrait— Lyfrassir works by the light of the aged sun she passes, casting a dull red on his skin.

Jonny looks almost peaceful. Almost, if not for the weariness etched into every line of his face.

Lyf thinks about the nineteen year old who died on New Texas and chokes up, and Jonny— for all his usual bluster— just gestures for them to come lay down next to him and pets a hand through their long hair, letting them weep into his firm, ticking chest without a word.

ASHES

Ashes O’Reilly is next, a cigarette on their lips.

Ashes’ gaze is caught on Lyfrassir, and though they seem genuinely interested in their working hands, the artist still feels their face grow hot.

Ashes is less stoic than they had expected. The quartermaster is comfortable, a flickering curiosity in their dark eyes and the quirk of their pierced lips. Lyfrassir can’t help but wish they could stand and walk over and cup those round cheeks, brush their fingers over the curling peach fuzz at the sides of their face; they stop themself, though. They’re painting wet on wet, the break would show. And so they paint, and let their gaze wander, and fight with the flicker of the candlelight they’re working by, glad at least that Ashes looks positively dreamy in their element, the tips of their coiled hair diffusing the warm light nicely on their round face and thick neck.

The way their legs part, the way they slump comfortably back into the couch, and the hand not holding the cigarette behind their head all scream power; the hang of their belly, their plush breasts, the shine in their sharp eyes and the thoughtful furrow of their brow… that’s all just Ashes, laid naked without any great scheme or alias.

It isn’t their expression the painter finds themself lost in, though. It’s the lightning-strike stretch marks on their thick inner thighs and on their strong arms and the stretch of their fat belly, sharp lines on plump flesh that catch their attention like a cat watching a laser pointer. Ashes huffs a pleased laugh, drawing attention to their glossy lips and the shimmer of firelight on their dark skin, in their eyes.

The portrait, in the end, is as stunning as the quartermaster, and they kiss the painter gently in thanks. Lyfrassir feels their heart melt a little.

(Later, Lyf makes a point of having dinner with just Ashes; lights some candles, makes their favorite dish, and they talk for hours, giggling from good company and whiskey.)

TIM & BRIAN

Gunpowder Tim, like Marius, doesn’t sit still long enough normally. So he is laid against Brian’s side with a large metal hand in his hair and another splayed across his flat tummy, nimble fingers occasionally tracing light circles into his skin.

That keeps him still enough.

Tim is dozing off as time goes on, idly chatting with Brian whose hands appear to do wonders on his scalp and general tension. In the same way, his whole countenance loses some of its… high-strung nature— his jaw unclenched, limbs loose, metal eyes slipping closed. Metal eyes surrounded by lines of metal like veins where they couldn’t fit under the skin, still doe-eyed and gorgeous. His hair tumbles loosely around him on the pillow, auburn curls like rolling gunsmoke, trailing over his thin cheeks and well-kept beard and muttering lips. The gunner’s own hands rest on his small breasts. The smooth V of his hips leads to a bit of pudge just under his navel, the bulge of it sitting pretty on his otherwise lithe frame. His long legs are crossed, hairy, all smooth muscle and usually ready to break off in a dead sprint at a moment’s notice— for now, though, they’re almost limp. He is small in Brian’s arms, no matter how tall the painter knows him to be.

Brian, wrapped around Tim as he is, is partially hidden by the smaller man (everyone’s smaller than him, he’s got to be over seven feet tall). And for all the hardness the brass and copper of his body should hold, he’s inarguably… the man is shaped like a friend. Round face; kind, drooping eyes; a neat mane of waving copper wire. Whoever sculpted him did so with love and skill— every curve and contour Lyf finds is natural. He peers out over the top of Tim’s head, presses a soft kiss to the gunner’s head, and cuddles him just the slightest bit closer once he’s confident that Lyf has solidified their poses. They look longingly over his barrel chest, the way his sides still somehow form a roll above the hip.

Lyf has to blink to pull their attention back to the canvas.

Brian and Tim have their few quiet hours together, until Tim gets antsy again and the portrait is done and Brian lets him go, sitting for Lyf to sketch him one last time. He kisses them as he goes, and they hum happily into it.

RAPHAELLA

Raphaella la Cognizi proves the painter’s theory that the crew of the Aurora just never sits still, and that Ashes and Brian are anomalies. (Lyfrassir has reached the point of accepting that they can’t get a portrait of the Toy Soldier for a different reason; without its animated movements, it just looks wrong and lonely. They settle for giving it a few dozen sketches of itself in action with its companions, and it delights.)

Raphaella wakes late in the morning cycle to find Lyfrassir sat beside her in the bed— they had been cuddled up together, her wings around them, and she nearly whimpers for them to lay back down before she sees the canvas in their lap and the tray of paints on their knee. She hums, remembering their conversation about this from the night prior, and rolls over onto her back with a wing pulled up around her side and a hand on her stomach, her head turned to face Lyf on the pillow.

They smile fondly down at her and brush a hand through her curls, letting out a coo when she presses her head into their hand. They ask if she’s comfortable, she nods, and they pull away to start their work.

They’ve heard vague descriptions of angels in their travels, heard Raphaella compared to them over and over again, but they don’t think any comparison is right. Raph is Raph, with her slightly crooked lips and wide face and dark brows that they want to pepper in little kisses. She radiates a sleepy sort of contentment, and everything about the scientist is so soft and lovely (at this point in any of the other portraits they would have stopped themself— but she said they could fawn over her, so they fawn). Her breasts are uneven, as their own are, and the smooth curves of her body lead into wide hips, thick thighs, and a pillowy tummy that they’d do anything to rest their head on. Her legs are thick, sturdy, and her arms soft and Lyf is forced to think of the stolen paintings of sprenaissance women that Marius keeps in his quarters. Her pose is simple, and they’ve drawn her so many times before, the painting goes quickly.

Raphaella waits for her painter to set their canvas and paints and brush on the nightstand before tugging them down into the bed with her, pulling a yelp out of them.

Lyfrassir dobs a dot of paint on her nose and she gasps, mockingly affronted, before rubbing up against Lyf’s face like a cat and smearing a bit of yellow paint across their cheek. They grumble lovingly and pull her a little closer, tugging the sheets over their heads.

#the mechanisms #my fic #lyfrassir edda #marius von raum #jonny dville #ivy alexandria #ashes o'reilly #gunpowder tim #drumbot brian #raphaella la cognizi #the toy soldier #there are. so many of them #polymechs

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athanzafirovwinefood · 5 years

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5 good places to drink a glass of rosé in Paris - Bars & Terraces

Hep! A little rosé! And yes, in a few days, it is officially summer and the sun (even shy) is the tip of its radius. Desires for glasses of rosé on the terrace burst in you? We already imagine the question that will follow: where to ask to enjoy a glass of rosé in Paris? Here are our 5 good places to drink rosé in Paris.

Where to drink a glass of rosé in Paris?

Paris capital of France, capital of the fashion, becomes thanks now this capital article of the rosé and the good drink. Let's go in search of our canon of rosé harbinger of the good weather.

The Rosa Bonheur, Paris 19

The time of a rose, change the scenery and leave Paris In the park Buttes Chaumont is this pretty tavern. Arty, hipsters, locals celebrate here, throughout the year (in music and good banquette) the life and the little balloon. Bring out your casual outfits with a trendy hat and you're ready for the festive "hype" vibe of this place. For his change of scenery, we say a big thank you to Rosa Bonheur.

Recycling, Paris 18

In a disused station very green, find a warm team. In a spirit of exchange, this is the ideal place for your aperitifs with friends. Between the flea market and DIY workshop, relax around a little fresh rosé. We go to the Recycler!

The Javelle, Paris 16

On the docks of Javel is in summer time an ephemeral tavern, as we like them. It is an ideal place to meet friends or family and have a good time. Music, food truck and rosé are de rigueur. Be careful however to arrive early because the places are quickly taken. Arm yourself with your most beautiful smile, your hobbyist kit, and everything will be at its best.

The roof terrace of Molitor, Paris 16

In the old Molitor pool is now the hotel Molitor (Accor group). Place hype par excellence, the terrace will make you dream, colorful and design. You can sip your rosé in peace in a very Saint-Tropez atmosphere. Come on, hop! We leave the jerseys and his best outfits for the Molitor!

The Niçois, Paris 11

To find the cicada of the cicadas and a taste of holidays in the south, go for a walk in the Nice. With its regional products and petanque, everything is done to open a pin of rosé. The little extra: they even have their own rosé de Provence!

So she is not a beautiful life?

The Rosa Bonheur, the Javelle, the Recycling, the Molitor or the Niçois here is a top 5 suitable for all purses. For the ambitious, the teuffeurs, the small budgets or the lovers of the cocooning, you know now all our addresses to drink a cannon of rosé between friends (family) or family with moderation always.

Maureen (The Athan Zafirov Wine Blog)

In love with history, wine and spirits, Maureen grew up between the vineyards of Cognac and the Paris region. Passionate about this world, it was obvious to him, at the time of the choices of life, to return to studies "bacchic" on Paris then Bordeaux. In her life, everything is a pretext for opening a good bottle, which is why she transmits her passion through "Les Petites Bouteilles". Based on the Paris region, she tells you stories in a colorful and narrated way, in order to better understand the fascinating and offbeat universe of our delicious bottles.

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For 15 years, Athan Zafirov has traveled the vineyards around the world and worked with some of the greatest chefs including Francois Duc and Alan Brown.

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#travel #wine #food

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