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Pride and Percocet
Avengers fic
1,090 words
-
Itâs been a hell of a day. Theyâre back at the compound at last, and now that theyâve all cleaned themselves up, the team is filtering into the kitchen. Tony, as per usual, has ordered a ridiculous number of pizzas, and Steve is picking a movie. Between the super soldier and Thor, there are plenty of classics they have never seen, so the choice usually comes down to them. Clint is making as much popcorn as he humanly can, and there seems to be an endless supply of beer coming from the various fridges in the kitchen. It feels a little like the old days. Then a worried voice cuts through the low chatter and the introductory fanfare of a Universal Studios film.
âRomanoff,â says Tony, âyouâre bleeding.â
Natasha twists around to look over her shoulder. Sure enough, through the layers of her shirt and the hoodie she stole from Clint, a dark patch of blood is spreading.
âShit,â she sighs. She stands, and suddenly sways. Clint rises immediately, and puts a steadying hand on her back, mindless of the blood.
âEasy,â he murmurs. All eyes are on them now. Clint guides her through the lounge towards the door, focusing on her as the team make various noises of alarm. He walks her out of sight down a corridor before he speaks again.
âHow bad is it?â he asks.
âIâm fine,â she mumbles. He swears quietly, but doesnât press the issue. She is leaning more heavily on him now, and he canât believe he didnât notice how pale she was.
The first room they come to is his, so Clint diverts them inside, and into the bathroom. There, he helps her pull off the hoodie. The back of her shirt is soaked through with blood. He strips that off too, and is confronted by a soaked gauze patch, which in turn reveals a bullet wound below her left shoulder.
âFuckâs sake, Nat,â he mutters. She hangs her head, but he doesnât know if thatâs shame or blood loss and exhaustion. The wound has been clumsily stapled, and she obviously thought that would do it, but performing a wound closure on herself while reaching over an already injured shoulder has punched the staples half into the wound and half into untouched skin. She must be in agony. Clint knows where she stands on painkillers.
He cleans his hands and makes quick work of the first staple, but as he pulls the second out, covering his fingers in blood, he hears an intake of breath from behind him. He and Natasha turn, and find Steve holding a first aid kit loosely in one hand. His mouth is half open, but he is frozen, staring at the ragged hole in Natashaâs skin, and the blood dripping down onto the bathroom floor.
âIâm fine,â Natasha manages, but itâs less than convincing coming from her pale lips.
âYouâre not fine,â Clint snaps. âDonât be an idiot.â
âClint,â Steve protests.
âIf youâre not going to help, get out,â Clint snaps. That seems to hit Steve where it needs to, and he kneels down, opening the kit.
âDonât,â Natasha mumbles, swiping at Steve. She leaves a streak of red down his clean shirt.
âStop it,â Clint says, firmly. She responds to his tone, and lets him work. Clint ignores the glare from Steve. He cleans the wound and grabs the suture kit.
âWait,â Steve says, his voice panicked. âShe needs-â
âShe wonât take anything,â Clint interrupts. âRight, Nat?â
âNo drugs,â Natasha says faintly.
âBut-â
âShe wonât, Rogers.â Clint pushes him gently but firmly out of the way, leaving more blood on his shirt. Steve watches in detached horror as Clint sews Natashaâs wound closed. Natasha doesnât make a sound. When heâs done, he wipes her skin with antiseptic, and helps her up. Steve watches them walk unsteadily to Clintâs dresser, where he finds her a new shirt.
âYou okay to stay here?â he asks her, and she nods. He helps her into bed, and Clint rests his hand on her shoulder for a long moment. Then he strips off his shirt, grabs a clean one for himself, and washes his hands.
âCome on,â he says to a stunned Steve as he goes for the door. Steve, shirt still bloodied, follows him.
âWhat the hell was that?â he demands, when theyâre out of earshot.
âPretty standard,â Clint answers. They enter the living area, and Clint ignores the sudden wave of alarmed questions from the team, who have instantly spotted Steveâs bloodied shirt. He waves them all off, and gets himself a beer.
âSheâs fine,â he says, finally. âDonât worry about it.â
âIs she seriously so proud that sheâd rather bleed out than ask for help?â Tony asks sharply. Bruce elbows him, far too late.
âItâs not pride,â Clint yawns. âItâs just how she is.â
âHow is it not pride?â Steve asks. âClint, she wouldnât let you give her painkillers before you sutured her.â
âWhat?â Bruce gasps. Even Thor looks horrified. Clint looks around at them, and remembers that these men have only known Natasha a few years at most. They still have a lot to learn.
âShe was trained to be like this,â he says. âYou can look it up in the files SHIELD has on the Red Room program. They desensitised the girls to the point where they would fight until they dropped.â
A heavy silence settles on the group as they process this.
âItâs been so long,â Steve says, finally. âHasnât she⊠you know, broken the programming?â
Clint shrugs. âMost of it. But there are parts that are so ingrained that no one could undo them. There are some things sheâs always going to do, or believe, no matter how insane they are.â
âPain is weakness,â Thor says, musingly. The others look at him, surprised. He chuckles, but itâs not a warm sound. âMy father taught me the same thing,â the god says. âI was lucky. My mother did not think that way.â
Clint nods. âShe lived a whole life before I met her,â he says. âAll those years, she never had anyone she could trust enough to ask for help. Sometimes she still wonât let me help her. Thereâs nothing I can do about it, except be there when sheâs ready to need me again.â
The silence pervades again. Clint grabs the remote and unpauses the movie. One by one, the team sit back on the couches and try to focus on the story on the screen, rather than the story in Clintâs bedroom.
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And we turn against the darkness with intention
Author: cofeejunkii
Fandom: The Avengers
Description:Â Clint is happy with his life. He loves his job at the Parks department, loves the birds he works with, and loves his weekly lunches with Natasha. But then Phil Coulson stumbles into his life, and Clint realizes that what's been missing from his routine existence is a middle-aged homicide cop with a list of issues that rivals Clint's own.
Or, a story about falling in love in New York in the springtime.
Characters/Ships: Phil/Clint, Natasha, Steve, Tony, Maria
Topic Warning: mentions of suicide, sexual content
Suggested Rating: M
Word Count: 49518Â (9 Chapters)
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Faking it
Avengers fic
1,829 words
-
It was all part of the plan. That was what Steve kept telling himself, even though every fibre of his being was screaming at him to warn Natasha about the men stealthily creeping up behind her. He knew she was aware of their presence. Everyone was, from their various observation points. They needed someone inside the facility, and Natasha had been the one to put herself forward as bait. The goons below would have picked her anyway, she had said. She was a woman, and they wouldnât know any better. She would play damsel in distress, and use the information she gleaned on the inside for the benefit of the team. It was a play they had used a dozen times, and it still didnât sit right with Steve. He knew she would tease him about it later, but he found it hard to worry about that as he watched the thugs grab her.
Natasha cried out, and allowed them to knock her sidearm out of her hand. With uncharacteristic clumsiness, she wrenched herself away and threw a weak punch. To anyone who knew Natasha Romanoff, it was obvious she was acting. Apparently to the men dragging her towards the compound, this was not so obvious. Natasha kicked and screamed until one of them clamped a hand over her mouth, and as Steve watched, she disappeared into the compound. Her decoy commlink was wrested from her in a flurry of static and shouting. The backup comms kicked in, and the noise settled into a clear feed of sound from inside the compound.
âYou wonât get away with this,â Natasha was telling her captors.
âShut up,â one of them growled. There was a thump, and Natasha grunted in pain. Steve winced. It had sounded like a kick from a heavy boot. Nothing too serious. Nothing worth breaking his cover over, he reminded himself.
âAlright, sheâs in place,â Tony said. Steve blinked, and took a breath. They had to monitor the situation. He and Tony were Natâs only safety net on the ground. Clint was above them, hovering high with Bruce in the shielded quinjet. Everything was in place. All they had to do now was wait until Natasha made her move.
She couldnât yet, though. Steve knew it was going to be at least a few hours until the bugs she had dropped on the way in could work their way into the system and get them the information they needed. Until they could send Natasha the signal to go, they were stuck with a one-way link to her. They could hear everything, but they couldnât talk to her.
âGood evening,â a voice said, over the comms. Steve had to assume it was one of the guards. No higher ranking HYDRA personnel were in the area, and the base was manned mostly by a skeleton crew.
âMind telling me what you were doing snooping around our facility?â the voice asked. Steve focused on details. It was a man, and he had an American accent, which had a tinge of Southern to it. Steve couldnât place it.
âChester,â Natasha recited. It was a cover sheâd selected earlier. âOne-five-seven-nine-Alpha-Theta-four.â
âI just want to have a conversation.â
âChester one-five-seven-nine-alpha-theta-four.â
âChester, is it?â the man asked. âAre you an agent?â
âChester one-five-seven-nine-alpha-theta-four.â
âAgent Chester, then. How did you get inside?â
Again, Natasha repeated the phrase. The man asked more questions, and was answered each time with the recitation of numbers and letters. He didnât sound particularly frustrated, and Steve started to relax.
After almost fifteen minutes of brick wall questioning, there was a sigh, and the sound of a door closing. Steve shifted to get more comfortable, and listened. The door soon opened again, and Steve heard multiple sets of footsteps.
âChief says you ainât talking.â
âChester one-five-seven-nine-alpha-theta-four.â
âSo he said to come have a little fun with you.â
âChester one-five-seven-nine-alpha-theta-four. Chester one-five-seven-â
Natashaâs recitation was cut off abruptly, and Steve jerked when he heard the sound of a slap crackle over the comms. Natasha gasped, and then spat.
âChester one- Ches- no- what are you-â
She cried out, and Steve curled his hand into a fist. What followed sounded like a flurry of punches. Steve had prepared for this. He knew torture was always a possibility, Nat had even talked to him about it before theyâd left. Donât let it get to you, sheâd said. It might happen. It might sound real. I can take it. I can handle it. He had believed her, but now⊠now it was different. It was actually happening, and he had to sit there listening to it. It was a lot to bear.
âRogers.â
It was Tony. Steve started guiltily.
âHere, Tony.â
âYou okay?â
âMmhmm.â
There was a silence between them, broken only by the grunts Natasha was making as she was struck repeatedly.
âItâs okay,â Tony said, although his voice sounded slightly quiet. âShe knows what sheâs doing.â
There was a little more silence.
âNo,â Natasha said, sounding frightened. Steve bit his lip. âNo, donât- please- please-â
She screamed, and Steve let a huff of air escape his lips. He didnât want to listen, but he couldnât. If she said the password - Tony had joked about safewords before - then he had to be ready to jump into action.
âSheâs a good actor.â It was Clint, chiming in from above. âDonât worry. Sheâs okay. She-â
A louder scream cut them off. It was ragged, and full of pain and fear.
âClint,â Steve said, uneasily, âare you sure? It sounds real.â
âIt always does,â Clint said. Steve wasnât sure, but he thought he might be hearing doubt in Clintâs voice too.
âPlease!â Natasha shouted, hoarsely. âPlease, donât- donât! No!â
More screaming, then soft sobbing. Steve could feel bile in his throat. This was worse than feeling the pain himself. He wanted so badly to jump in and do something, but he knew he couldnât. She hadnât said the phrase he needed to hear.
âWhat if she canât say it?â he asked.
âWhat?â said Tony.
âWhat if she forgets it? What if she canât say the word, and she needs an extraction and we canât get to her?â
âCalm down, Rogers,â Tony told him, although there was a shake to his voice as Natashaâs sobs echoed down the link. âSheâs⊠sheâs just acting. Itâs fine. Sheâs fine.â
âHelp me,â Natasha moaned. âGod, please, someone- no, no no no, please, no-â
She screamed again, crying out for help, praying out loud. Steve had never heard anything so horrendous. He could only picture what was going on in there. Horrible things. Terrible things. He could barely contain himself. He knew the others would be feeling the same way, so ready to jump in and save their teammate, their Natasha. They couldnât let this go on much longer.
âGot it,â Clint said. âBruce has the data. Sending the signal now.â
Steve heard three distinct beeps, and suddenly the crying stopped.
âThis has been great, guys,â Natasha said, suddenly sounding like her old self. âBut I have to be going.â
There was laughter, which abruptly turned to shouts of alarm and screaming from the men as the link hissed with noise. Steve couldnât follow what was happening just from the sound, but it was definitely violent. After a few minutes, he heard Natasha again.
âReady for pickup,â she said. âIâll be at the rendezvous point in two minutes.â
Steve got to his feet, and began the jog through the trees to the meeting point. When he got there, Natasha was already waiting at the treeline, and Tony was just emerging from the forest. He heard the sound of engines, and before he could say anything, the quinjet appeared. The three of them clambered on board, and before they knew it they were away.
Steve immediately cast off his shield and went to Natashaâs side, grabbing the medical kit as he went.
âWhereâs worst?â he asked feverishly. Tony opened the kit and began rooting around in it. Bruce climbed out of the copilotâs seat and joined them.
âGrab gauze,â he directed. âSuture kit- get that disinfectant. God, Tony, get out of the way, Iâll do it.â
âNat,â Steve said. âNat? Nat, are you okay?â
âGet off me,â she said, waving him off like he was an irritating insect. âIâm fine, what- Bruce, what are you doing? Get that out of my face.â
Steve moved back, bewildered. Natasha pushed Tony away with her foot, and took hold of the kit herself. She zipped down her suit and rolled it off her top half, revealing some shallow cuts and bruises.
âWhatâŠâ Bruce mumbled.
âYouâre notâŠâ Tony continued.
âI told you,â Clint said, shaking his head. Natasha looked at the three of them, and her gaze softened a bit.
âIdiots,â she sighed. âThose guys barely knew how to hold a knife, let alone torture someone.â
âSoâŠâ Steve mumbled. âYou⊠that was allâŠâ
âIâm excellent at faking it,â she smiled. She looked to Tony, expecting a quip, but he just sank down into a seat and ran his hands over his face. Steve felt embarrassment pulling the blood to his face, and he took a seat beside Natasha.
âItâs okay,â she said, her voice gentle. âI take it as a compliment.â
âI thoughtâŠâ he mumbled.
âI know,â she said, taking his hand. âCome on, Steve. Itâs okay. Iâm alright. Here, help me with my back.â
She turned, and handed him a pack of band-aids. Sheepishly, Steve took the box, and stuck the little plasters down over the cuts on her back.
âTony,â she said. âCould you grab the antiseptic wipes from the kit?â
Tony did as he was told, and Natasha handed Bruce the suture kit.
âThereâs a deeper one on my shoulder that probably needs a stitch or two,â she said. Bruce sat on her other side and began to clean out the cut. Natasha sat back and let the three men tend to her. Only Clint caught the amused glance she threw him, and he chuckled to himself as he piloted them towards home. If the team needed to look after her to recover from their ordeal, then so be it. Apparently, it had been harder for them to listen to than it had been for Natasha to endure it. So, she squeezed Steveâs knee, and Bruceâs hand, and nudged Tony gently with her foot, making contact with all of them one by one. They seemed calmer, and each one felt better knowing they were helping a little.
When they arrived back at the compound, the three of them stood awkwardly by as Natasha climbed down from the jet. She smiled, and kissed each of them on the cheek as she passed.
âThanks, boys,â she murmured, turning away. âIâll see you tomorrow.â
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The Sentinel
Avengers fic
1,819 words
-
After Tony has recovered enough to know where he is, he talks with Pepper. Natasha doesnât hear what is said, but itâs easy enough to guess that Tony is done, done with the Avengers, done with all of it. Pepper helps him out to the car, and Natasha stands and watches. Witnesses. Thereâs nothing else she can do.
âLook after the place,â Tony says, as he passes her. She just nods. Pepper kisses her on the cheek, and she watches as they drive away from the facility.
Three days later, Rocket says his goodbyes and boards the Guardiansâ ship with Nebula. They arenât used to this world, and staying here on the planet where their friends died canât be a fun prospect. Natasha understands. She goes out with the others to wave them off, and to watch the spectacle of the ship rocketing up through the atmosphere until it is out of sight.
Conversations are thin on the ground when Carol announces sheâs leaving, and Natasha almost wants to ask her to stay. Itâd be nice having another woman around the place, but Carol is a superhero, and superheroes have places to be, things to do. Itâs been a week since Rocket and Nebula left, and they havenât heard from them.
âIâll call when I can,â Carol promises, and hugs her. Theyâve never hugged before, but it feels appropriate. Who knows where theyâll be the next time theyâre in contact range? Natasha feels another piece of her life slip away as Carol follows the same path as the ship. Sheâll call when she can, Natasha repeats to herself. Steve squeezes her shoulder, and Natasha clasps his hand. Everything is falling away, even now, even after the battle is done.
Two weeks after that, Thor leaves quietly in the night. They donât realise heâs gone until Bruce goes to check on him and finds a note. Itâs not much, just a few lines saying heâs leaving to be with his people. Itâs not personal, Natasha knows. Heâs got better things to do than to hang around with whatâs left of the Avengers. This is their new reality, and they have to make do with what they have. Half of the Asgardians might still be alive, and Thor is their leader. He had to go. She wonders if he really had to go without saying goodbye.
It stings a little more when Rhodey departs in their second month together, mostly because he doesnât really have to. The facility has all the tech he needs to pick up the pieces of the military, but heâs always been a boots on the ground man and he doesnât like directing from behind the scenes. There are only so many high ranking officials left, and heâs one of them. He tells her all this while she tries not to let her emotions show. Theyâre drinking, as they so often are, by the big windows overlooking the lake. The others are around somewhere, milling in the quiet space of the empty complex.
âThey need me,â Rhodey says, and she nods.
âYou get them in line,â she tells him. âThen you can come back.â
âIâll be back,â he promises. Itâs empty, she knows it. No one wants to be here anymore, in the hub of everything that failed. The home of the team that is no longer here.
Itâs a few days before she realises that itâs only the three of them. Bruce is here and there, mostly pottering, trying to distract himself. Steve is reaching out to SHIELD contacts, trying fruitlessly to plan, to network, to do his job. Natasha spends a week tracking Clint down. She went to the farm, in the very first days after the Decimation. She found the ashes, still lying where they had fallen. She found the tossed house, and knew he was alive straight away. His cell and broken ankle monitor were in the master bedroom, and she lay there for a long while, on his bed, wondering how the world had come to this. There was no note. Maybe he thought she was dead. She left one for him anyway, left it on the kitchen table where she had eaten breakfast with his family so many times. All gone now. All gone to dust.
Six months after the end, Bruce announces his plan to leave. Natasha feels that same heavy feeling in her chest, the same feeling as when Rhodey left, the same feeling she gets every time she sees a picture of what Clintâs doing all around the world.
âIâm sorry, Nat,â Bruce says, even though she hasnât said anything. She doesnât have to, and she canât hide her sadness anymore. Sheâs tired, and thereâs no one left but Steve to be strong for. But heâs an old hand when it comes to tragedy, and heâs moving on faster than she can keep up with.
âYou do what you have to,â she says, taking his hands. âWhatever you need. Then you can come back.â
He nods. âI will.â
âPromise?â
âI promise.â
Bullshit, she wants to say, of course you wonât come back. Who would want to be here? Why would everyone have left if this was a good place, a place where they could hold on to what little they have left? But she canât ask him to stay when he doesnât want to, so she helps him pack, gets him a car, and sees him off on his way. Later, Steve offers her a hug, and she takes it gratefully. Thereâs no one to hide her weakness from anymore. Itâs just the two of them, and the big, empty facility.
For a while, it seems like it could work. They get up, train together, run around the lake path sometimes. They work together, setting up the new networks, consolidating the contacts they have left. A system emerges, and the rhythm lasts for months. Itâs been a year and a half since the Decimation when Natasha sits down to breakfast one morning, and Steve, across the table from her, looks up nervously.
âIâm going to head back to Brooklyn in a couple of days,â he says. Natashaâs hand tightens on her spoon. She stares at her cereal.
âJust for a few days,â he says. âYouâll be okay on your own, right?â
She is embarrassed by her own relief.
âYeah,â she says. âOf course, Iâll be fine.â
He goes, and for the first time in eighteen months, Natasha is alone. Of course, sheâs spent most of the past year and a half alone anyway, but there have always been others around. Now sheâs entirely alone in the facility, free to drift around like a ghost. She remembers when Tony finished the rebuild here, how they came to see it, how it felt for the first time in her life to have a real team, and some semblance of a family. Now sheâs alone. Perhaps this is how it should be.
Steve comes back after three days. They fall back into their routine. Itâs comfortable, and Natasha is grateful that Steve, at least, hasnât left her.
âIâll be in the city next week,â he says, the next month. âIâm helping to set up a few support groups with the VA.â
âGreat,â she says. âIâll miss you, though.â
She does. Itâs a long week, though she fills it up with emails from Rocket, a call from Carol, checkins on Rhodey and Thor, and a fresh report on some horrific activity sheâs pretty sure is Clint rampaging in Cairo.
Natasha has a knack for reading people, and she realises what Steve is going to say before he says it. They are nearing the two year mark of this new life, this life that Natasha is struggling not to call an afterlife. She knows Steve has built new things for himself, new relationships, and he has a new purpose. So she knows what heâs going to say, and she holds up a hand to stop him.
âItâs okay, Steve,â she says. âBrooklyn is your home. The city, thatâs⊠itâs your home. You donât have to explain yourself.â
âIâll visit all the time,â he says. Heâs not terrible at reading people either, and it doesnât take a genius to figure out that Natasha, faced with a life alone in the facility, is scared.
âYouâd better,â she smiles, forcing it, pretending that this is okay. Itâs not, of course, but she doesnât need to burden Steve with the fact that she needs him, that heâs the last person standing between her and absolute solitude.
He packs up and leaves within the week, and then there is just silence. There are parts of it that are nice. She doesnât have to worry about crying in the common areas. She can cook whatever she wants, and she can get up at all hours of the night without worrying anyone. And there are parts of it that are bad, like the crushing loneliness, like the feeling of failure, like the lack of arms around her when she needs them the most.
Some of them visit, of course. Steve comes when he can, although after the third year she barely sees him. She reminds him of the past, she knows, and he doesnât want to live in those memories anymore. Rhodey comes in and out when heâs in the country. She gets calls from Bruce, and her reliable emails from Rocket and Nebula. Carol drops by once in person, and on the video conferences when she can. Natasha remains, as she always does, and fills her days with her work, keeping the place going, being a constant source of information and support for her friends who are out there in the universe.
Itâs something of a surprise when Tony checks in on her. He doesnât come to the facility, but sheâs invited out to a house she didnât know existed, and when she gets there, she meets a two-year-old named Morgan and comes face to face with a Tony Stark she didnât know could exist - a happy, fulfilled Tony Stark, married to Pepper, father to a beautiful baby girl.
Natashaâs heart is full for him, before it breaks for herself on the way back to the facility. Alone again, at the wheel of a black sedan, she cries her heart out. The steering wheel is marked by her fingernails and when she finally gets out of the car, her shirt is wet from her own tears. She goes inside, straight to the comms hub, and works through the night. She reorganises her file on Clint. She cleans up the office. She drinks too much coffee.
As the sun comes up, Natashaâs eyes are burning and her hands are shaking. This is her life now, alone in the facility. She sets her jaw, and goes about her duties. She will carry on.
Thereâs nothing else she can do.
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Nightmares
Avengers fic
2,124 words
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The floor is cool under her feet. The marble countertop is too, under her splayed fingers. Itâs black, like the sky outside, littered with stars. Points of light. She is trying to focus on them, through the thick glass of the window. Trying to remember how to breathe again. Her heart is still racing.
Just as Natasha is thinking sheâs lucky that no one else is awake, she hears footsteps. In walks Steve, wearing pyjamas, probably seeking out a cup of tea or something. He goes straight into worry mode when he sees her, and she tries to wave him off but he starts up anyway.
âNat?â he asks. âYou okay?â
âNot really,â she sighs, letting herself fold down so her forehead is pressed against the counter.
âBad dreams?â he asks. She turns her head to look at him, and he shrugs.
âIâm getting predictable,â she mutters. She might have passed it off as a joke, but then her lip wobbles and she straightens up. He motions for her to come over and she does. Sheâs frightened, and Steve gives really good hugs. She even lets herself rest her head on his shoulder for a moment before she breaks off.
âYou gonna be okay?â he asks. She knows he badly wants to offer help, but heâs learned that she wonât (canât) accept it, so she just shrugs, as if she knows what the answer to his question could be. He makes his tea, and she follows him out of the kitchen. He gives her a smile when he reaches his door, and she carries on back to her own room.
Her bed is a yawning mouth, and she hovers in the door. This is stupid, she thinks. Sheâs not afraid of her own bed. No, not the bed. Itâs not the bed thatâs the problem. Sheâs afraid of what her own mind is going to show her when her head hits the pillow.
She lies down anyway, because Natasha has never shied away from a challenge. Itâs a competition she loses every night, but sheâs trying again, because what else can she do? Stay awake forever? Tempting, but impossible.
The nightmares come back in what feels like moments. She can feel herself being cut open, noise and fear coming at her from every angle. Her loved ones are cut down around her like wheat by a scythe. She is at the centre of the maelstrom and when she wakes, gasping, sweating, she can only curl up on her side, shaking violently. She looks at the clock. Only two hours have passed. She gets out of bed and walks around her room. The bed is taunting her. Sheâs so tired. Sheâs been tired for weeks.
âRomanoff?â
Someone is knocking at the door. She goes to open it.
âItâs three in the morning,â she tells Tony. Heâs still in his clothes, and has clearly just emerged from the labs.
âIs it?â he asks. âHuh. Want a drink?â
Natasha doesnât know why heâs here. He either heard her calling out as he passed, or he genuinely just wants a drink. Either way, she canât go back to bed, so she follows him away from her room and back to the lounge.
âCanât sleep?â he asks, as he hands her a whiskey. She sips it. Itâs a good one. She shouldnât be surprised. Everything Tony stocks in his liquor cabinet is top notch.
âBad dreams,â she says. He looks at her like heâs surprised, and she realises she hasnât talked with him about this before. Itâs weird, but it feels kind of good to admit that sheâs struggling. Plus, sheâs taken him by surprise. He has no witty retort for an admission of this sort.
âHave you tried sleeping pills?â he asks. âI use them sometimes.â
âDonât work on me.â
âMore alcohol?â
âMakes them worse.â
âAh.â
Heâs actually trying, she realises. Heâs not making fun of her. Tony is genuinely offering her solutions to her problem. She feels herself relax a little, but that wall is still there, preventing her from admitting any more of her weaknesses. He canât know. Heâll never respect her again if he finds out the true extent of all of this.
âWhat do you dream about?â
âStark.â
âCome on, you can tell me.â
Natasha shakes her head. Her throat is tight, despite the alcohol. No. She canât tell him. She doesnât have the words to encapsulate the whirlwind of red and blood and black and fear that is every night for her these days. Tony might understand PTSD, but he remembers what itâs like to sleep calmly.
âHey,â he says, and his voice is awkward, uncomfortable. âHey, donâtâŠâ
Natasha realises with a tired wave of horror that sheâs crying. She doesnât have the energy to stop. Tony shifts off the couch and moves over to crouch in front of her. She tries to bat him away, but he sits there, squatting in front of her, and itâs so fucking awkward that she almost stops crying, but her emotions have got her by the throat now, she can feel her airway constricting in time with her ragged breaths. Natasha can only dip her head as she feels Tony patting her knee in whatever semblance of sympathy he is able to muster.
âSorry,â she manages, when she catches her breath. Tony, mercifully, has not tried to hug her. He does look concerned, though, even more concerned than when she gets injured in the field. She hates that mix of pity and sadness on his face. He knows as much about her past as everyone else does nowadays, and thatâs what she sees when he looks at her like this. Poor little Natasha. Such a terrible childhood. So much pain. So broken. She looks away from him.
âDonât,â she says, as Tony opens his mouth. âDonât- I canât deal with you if youâre going to pity me.â
He shrugs, and gets up. He goes to say something, and thinks better of it. He looks annoyed, which causes a weird twinge in Natashaâs chest, but is otherwise a relief. If heâs mad at her, he canât feel sorry for her.
âFine,â he huffs. He flops back into his own chair, irritated, and sips his drink. Natasha downs hers, and gets up to leave.
âIf you decide you want help, you know where to find me,â Tony calls after her. She ignores him, and goes back to her room.
When the door shuts behind her, she leans back against it and stares down her bed for the third time tonight. The clock reads 3:28. There are still a few hours before she can reasonably get up for the day, so she climbs back under the covers and tries to imagine somewhere warm and pleasant.
She dreams, of course. At first it all seems fine. Sheâs in her room at Clintâs farm, and the morning sun is streaming in through the window. The curtains move in a light breeze, and Natasha wonders for a moment if the facility is the dream, and this is real. She gets up, and goes to the door. The house is silent, but as her feet hit the landing she is filled with a deep sense of dread. Something bad is at the bottom of the stairs. She knows it. She can feel it. She hears a noise, and descends despite the buzzing fear in the back of her head.
Natasha calls out for Clint, but her voice falls flat and at the same time echoes in her own ears. The ground floor seems dark, even though she can see perfectly. Natasha trips as her foot hits something solid. She looks down, and recoils. Itâs Cooper, lying sprawled on the ground. Heâs covered in blood. A few feet away lies Lila, and as Natasha struggles over to her, her feet weighed down by some force of her nightmare, she knows itâs too late. Her nephew and her niece, Clintâs children, are dead. The grief overwhelms her and she stumbles backwards, tripping again. She falls, and next itâs Laura she sees, hunched over as if to protect something- itâs Nate, still in her arms, both of them pale and covered in blood. Natasha knows there is only one more person to find, and her head is spinning, nausea rising in her stomach and tears on her cheeks, but she has to find him, she has to know where he is, has to warn him before he sees all of this.
She finds him in the kitchen. Heâs lying on his back, blood pooling under him. His eyes are open, and as Natasha falls to her knees beside him, he looks directly at her.
âWhy?â he rasps. Natasha doesnât understand, then she looks down and she sees a knife- no, her knife, lodged in his chest. She reels back, and suddenly her hands are covered in blood, her clothing is wet with it, her hands are littered with scratches and scrapes, with fingernail marks-
âWhy, Nat?â he asks.
âIâm sorry,â she whispers. âIâm sorry, Clint, IâŠâ
âYou killed us,â he accuses. âYou killed my family.â
âI didnât,â she pleads. âClint-â
The world dissolves into fire and itâs burning her, dragging her backwards to the heart of the inferno, and Natasha screams, clawing at nothing. She wakes, ripping at her bedsheets, and thumps hard onto the floor as she tries to escape the dream. She grips her knees, leaning back against the bed as the room comes into focus. The clock blinks 6:02, and the sun is finally peeking through the blinds. Natasha fumbles for her phone, and dials.
âHey, Nat.â
âClint,â she mumbles. âHi. Sorry⊠sorry to call so early.â
âItâs fine,â he says. âNateâs already up, and Cooper and Lila want pancakes, so Iâm cooking while Laura has a little sleep in.â
She wants to weep from relief. âCan I talk to the kids?â
âSure,â he says. âIs everything okay?â
âNo,â she answers. âDonât wanna talk about it.â
Clint hands off the phone and Natasha hears a rustle.
âMorning Auntie Nat!â Cooper says. âHow are- Lila, get off! How are you?â
âIâm good, baby,â she murmurs. âBe nice to your sister. Iâm just calling to say good morning, and to tell you I love you guys.â
âWe know that,â Cooper says. âDid Dad show you a picture of my new bike yet? Itâs a ten-speed.â
âWow,â she says. âThatâs amazing. Can I talk to your sister?â
âSure,â Cooper says. âHere- Lila! Come here! Auntie Nat wants to- hey!â
There is a brief scrap, and Natasha listens to the sound of Clint scolding his kids while he cooks breakfast. He probably has Nate in one arm while he mixes pancake batter with the other. She can just picture it, the sunrise filling the farmhouse with golden light, the kids in their pyjamas. Itâs a far cry from her dark room at the facility.
âHi Auntie Nat,â Lila chirps.
âHi, sweetheart,â she says. âIâm just calling really quick to tell you I love you.â
âI love you too,â she says. âCan I go? Me and Cooper are playing with legos.â
âOf course,â Natasha says. âGive me back to your dad, okay?â
âOkay, love you!â Lila calls. She is handed back over.
âCome visit us,â Clint says. âIâve got your room made up, so just come by whenever.â
âI will,â she promises. âThereâs just a lot for me to do here at the moment.â
âOkay,â he says. âAnytime. Got to go, I think Cooper just started World War Three over a lego spaceship.â
He hangs up, and Natasha grips her phone. Theyâre all okay. Theyâre fine. Her weird little adopted family are living their lives safe and sound several states away, and she hasnât done anything to hurt them. Clint knows something is up, but when is something not up? Everything will go on like it usually does.
Natasha gets up, and stretches. She makes her bed, ready for the next round of battle when she eventually has to sleep again. She goes straight to the kitchen and makes a beeline for the coffee machine. With a black coffee in hand, she reads the newspaper, and tries not to remember the visions of her dead loved ones. She gets to an article about wheatgrass on page three, and folds the paper closed, instead opting to gaze into the depths of her mug and watch the steam swirl off the surface of the coffee. Itâs okay. With the sun in the sky, itâs all okay. She doesnât have to worry about sleep for a while yet.
With that not-so-comforting thought in mind, Natasha pushes back her chair and meets the day, weary but determined.
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All that there is
Avengers fic
3,070 words
Special thanks to @quietlyimplode, who listened to me go off on tangents about this fic for over a week and gave me endless support and suggestions. This oneâs for you <3Â
-
The afternoon sun plays gently across the gravel drive as a car pulls up to the facility. It isnât one of Tonyâs sports cars, or a black sedan. Itâs a stolen Nissan, driven all the way to New York non stop from a driveway in Missouri, a few blocks from an abandoned warehouse. The car skids to a stop, and the door creaks open. Natasha Romanoff gets out, and slams the door behind her.
She walks into the lobby. Her leg (she suspects a broken fibula) makes her gait a little awkward. The blood dripping off her hits the polished floor of the lobby. The elevator pings. Steve emerges, and rushes towards her. She hasnât slept in four days, so his questions sound jumbled, garbled. Where have you been? What happened?
âI figured you werenât coming,â she says. Her voice sounds almost normal, which takes effort. âSo I got myself out.â
He is asking more questions, but her body has just registered that sheâs finally safe, and the adrenaline thatâs been running through her veins in place of all her lost blood dissipates. She registers the elevator opening again, but thatâs the last thing sheâs aware of as her legs give out beneath her and she falls to the floor. She hears someone shouting, and then she hears nothing.
-
âDid you see her fingernails?â
âYeah.â
âDid you see what they did-â
âI saw everything,â Clint snaps, rounding on Steve. âJust- stop.â
Steve sits back heavily in his chair, and swirls his drink around his glass. The ice clinks, and it does nothing to distract him from his thoughts. He canât get drunk, but this feels like an appropriate time to have a drink in his hand.
âWe should have found her,â Steve murmurs. Itâs late, and the lounge is empty but for the two of them. Natasha is still in surgery with Helen Cho, who has been flown in by Tony.
âWe did our best,â Clint says, but itâs hollow, and the subtext is exactly what Steveâs just said out loud. His voice is bitter. Their best wasnât good enough.
The door opens. Tony walks in. He looks as exhausted as the two of them feel.
âIs she-â
âSheâs stable,â he says. âWhoever did this to her knew what they were doing, but sheâll heal with time. Bullets are out, she bled a lot. Helen says sheâll need a lot of looking after, but sheâll be okay. She⊠yeah. Sheâll be okay.â
Itâs not much, but it does a little to ease the tension. There have been at least three times in the last twelve hours that Clint has been sure his partner is going to die. They only know what happened before they lost contact with her, although her laundry list of injuries has gone some way to solving the mystery of what happened to her. They donât know who took her, or why, or where. Thereâs a beat up old Nissan parked outside on the gravel, which hasnât provided many clues other than a Missouri license plate and a shitload of blood on the driverâs seat and the console.
âWe should all get some rest,â Steve says, ever the voice of reason. Tony nods, and Clint tries to look like heâll be doing anything except sitting by Natashaâs bed until she wakes up. Maybe Steve already knows this, because he claps Clint on the shoulder, and leaves him to it. Clint snags a bottle of something brown from the bench and walks the long way to the medical unit. Helen is typing when he arrives, and she has mercifully changed out of her bloodied scrubs.
âHow long will she be out?â he asks. He doesnât ask if sheâs okay. He knows sheâs not. He doesnât ask if sheâs going to be okay. Neither of them know the answer to that.
âThe anaesthetic should wear off in about two hours,â she tells him. He nods, and she gestures to the door of one of the recovery rooms. He pushes inside and goes to sit in the chair Helen has left there for him. Is he really so predictable? If he shares such an obvious bond with his partner, why didnât he find her before this violence was perpetrated? Why didnât he stop them from torturing her? She looks exhausted, even while unconscious. Clint swigs at the bottle in his hands, trying to wash the guilt from where it sits lodged in his throat. It doesnât work, but the burn is nice.
He dozes for a while, always waking to check, sometimes drinking.
âBarton.â
He rouses. Natasha is sitting up. She hasnât ripped out her IVs, so she probably knows where she is. That, at least, is comforting.
âUh oh,â he chuckles. âLast name. Am I in trouble?â She doesnât reply, just gazes evenly at him. He is put in mind of the early days, long before they were working together. âTasha?â
âEight days.â
He tastes bile. âI know. We were looking, I barely slept-â
She interrupts with a scoff, and he falls silent.
âYou barely slept,â she mutters. âEight days, Clint.â
He doesnât know what to say. She stares him down, daring him to make an excuse when he knows there are none to make.
âIâm sorry.â
âI donât care,â she tells him. It hits him in the gut, and he wishes she would just punch him. Then he would know she was okay. This, this quiet anger from a woman who can barely move from her injuries, this is so much worse than a physical blow.
âGet out.â
âTash-â
âGet out.â
He rises, and thinks about arguing, but sheâs looking at him with a coldness in her eyes that he hasnât seen before. This is new, and it scares him. He leaves the room, presses a button to summon Helen from wherever sheâs sleeping, and then goes to his quarters. He passes out on top of his blankets.
-
Natasha is begrudgingly released after three days, on strict instructions from Helen that she is to remain on bed rest for at least the next week, an instruction that no one in the facility will have the nerve to enforce. They can only hope that Natashaâs self-preservation instinct extends to injury recovery.
Bruce is the first person to be refused entry to her quarters, swiftly followed by Steve. Clint thinks sheâll let him in. Heâs sure of it. Sheâs never gone this long without talking to him, and heâs never been so completely unable to check up on her.
He comes back to the lounge and throws himself down on the couch. The others donât need to ask if he was admitted into her rooms. Heâs only been gone ten minutes.
Tony slips out quietly, while Steve and Bruce try to talk Clint through it. He makes his way to her door, and with Fridayâs help, he overrides the locks and lets himself in.
The blinds are all open, letting the sunlight in. The space is neat, which is unexpected. Natasha is sitting by the window with a cup of tea, and as she watches him walk through the door, she sets the mug down on the coffee table beside her. She turns the mug so the handle is facing away from the edge of the table.
âIâm sorry for the invasion of privacy,â Tony says, holding his hands up. âYou know I wouldnât do it unless I had to.â
âIâm gonna give you one chance to leave,â Natasha says. She stands up out of her chair, and moves towards him. When he doesnât move, she stops about half a foot away from him. For a terrifying second, Tony wonders if theyâre going to hug.
âRomanoff, I know you blame us for not saving you.â
âI donât need to be saved,â she says. âAnd that was your chance.â
She swings, and before he can duck, her fist collides with his solar plexus. There is so much force behind it that he doubles over, barely catching himself on the couch as he staggers backwards. She doesnât have to tell him to leave. Heâs already on the way out, trying and failing to straighten up as he convinces himself heâs not running for his life. The door locks behind him.
Clint finds him lying on the floor in the lounge, slowly getting his breath back as Steve watches on. Thereâs not much any of them can do.
-
By the time six days have gone past, Clint has formed a rough plan. After Tonyâs encounter with her, Natasha has been spotted here and there around the facility. Whenever anyone enters a space sheâs already in, she leaves. If anyone tries to talk to her, she ignores them. Clint is watching Steve slowly fold in on himself from the guilt, and heâs had enough. Thereâs always a solution. His might not work, but god damn it, he has to try.
At his request, Friday lets him know when she enters the kitchen. Clint goes after her, and finds her at the toaster. She hears him coming, and goes to leave.
âDonât,â he says. He catches her shoulder and she pulls away from him, glaring. He stands between her and the door.
âGet out of my way.â
âNatasha-â
âMove.â
He puts his hand on her shoulder and she grabs his wrist, twisting his arm painfully behind his back.
âDo you want me to hurt you?â she demands. She lets him go, and makes for the door. Clint grabs for her again, and she whips around and knees him in the stomach. He gasps, and drops to the ground. Natasha advances on him. Her eyes have that same cold look he saw in the medical unit.
âI donât know what else to do,â he wheezes. âSo do what you have to.â
She looks like sheâs about to help him up, but instead her foot connects with his side. Clint grunts, and tries to get to his feet. Natasha swings round and he catches another kick, this time to the back of his knees. He goes down again, and again, he staggers to his feet. Natasha punches him square in the jaw. He doesnât make a move to defend himself, and she doesnât seem to have a problem with that as her next punch breaks his nose. Clint can feel himself choking on his own blood, and another punch splits his brow. Sheâs methodical, and calculated, and Clint realises that this plan was garbage. Sheâs not breaking, sheâs not emotional, sheâs just doing to him what he asked her to do. What he wanted her to do. She knees him in the stomach and he drops like a stone.
Steve finds him lying there twenty minutes later and helps him to the medical unit. Helen has departed, so Clint cleans himself up as best he can, and Steve puts him to bed.
âWeâve got to do something,â he says to Tony, after the sun has gone down and the two of them are the last ones left in the lounge.
âMmm,â Tony says. Steve canât tell if heâs agreeing or not.
-
âWhat the hell is this?â
Natasha has her hands on her hips, and even with bruised eyes and awkward injury-protecting posture she still looks formidable.
âNatasha,â Steve says, rising from his seat. âWeâre worried about you.â
âA fucking intervention?â she demands, looking around at the team. They are sitting in a semicircle, with an empty chair waiting for her. In the centre, opposite where she is expected to sit, Clint is watching her. Despite two black eyes and the gauze covering his nose, he still looks at her with pity in his eyes, and she despises him for it. She turns for the door, contempt plain in every taut muscle. Steve is up and blocking her exit before she can blink.
âMove,â she says. Even. Calculated. Steve shakes his head. Natasha switches tactics.
âThe last people who locked me in a room were the people who tortured me,â she says. Steve visibly blanches, and he almost lets go of the handle.
âRemember?â she asks, hardening her tone. âThe ones you didnât bother to come save me from? The ones who ripped out my fingernails and cut lines into my skin? The ones who raped me?â
âGive it a fucking rest, Romanoff.â
Everyone turns to look incredulously at Tony, including Natasha. He is leaning back in his chair, arms folded.
âTony,â Steve exclaims, his scolding hushed as if Natasha canât hear him.
âWhat?â Tony retorts. âYou see what sheâs doing, right?â
âStark,â Natasha warns.
âNo,â he says, and raises a hand. âI know what youâre doing, and this kind of shit isnât going to fly with me.â
He stands, and the corner of his mouth twitches. âYou know how many times youâve manipulated me? Youâve used every trick in the book on me, Iâve watched you do it to other people too. But not this time, not to us. You can snap Rogersâ will like a twig but not mine.â
Natasha, for once, is lost for a response. Steve is still gripping the handle, staring at Tony with a mix of confusion and apprehension.
âWeâre your friends,â Tony says. âNo, more than that. Hold onto your hats, cause this clicheâs a doozy. Weâre your family. You canât guilt us into letting you beat up Barton, or me, orâŠâ  Tony glances at Steve. âHurting Steveâs feelings, I guess?â
âTony,â Clint protests.
âShut up, Barton. Iâm defending you and your broken nose.â
Tony walks over to where Natasha is still being blocked by Steve.
âWhat happened to you was terrible,â he says. âI know what itâs like to be tortured. It sucks ass. We should have found you sooner, and we didnât. And weâre sorry. You know we are, and you also know we did everything in our power to find you. So you go take some time to yourself, and if you beat on anyone else, I swear to God Iâll tattle on you to Fury.â
He motions, and Steve lets go of the door. Natasha leaves, and Steve sags. For a long few moments, itâs quiet in the room.
âYouâre such an asshole,â Bruce groans, his face in his hands.
âHeâs right,â Clint admits. Steve nods.
Three corridors away, Natasha stops. She clenches a fist, and stops herself before she hits the wall. Her fingers gently touch the cool plaster, and then she rests her head against it, willing her heart to stop racing, pleading with her own pulse to stop strangling her.
Heâs right. She knows heâs right. She should go back there, talk to them, apologise. But part of her is still aflame with the injustice of it all, that she was taken because sheâs a woman, because they could hurt her in ways they couldnât hurt the others, and the others, the others- they didnât come for her, they didnât save her. After all this time, all these years of learning to trust Barton, to be vulnerable, and then to trust this team, after all this time, she still had to save herself. It is a small comfort that she is strong enough to do their job for them, although Natasha has always known this to be true.
There is strength in forgiveness, Clint told her once. Oddly poetic for a man who prides himself on being able to eat two pizzas in under twenty minutes. What he meant is that holding a grudge only corrupts a person, poisons them until the hatred is all that there is. She doesnât want to be that way. Sheâs tried it, and that path wrought nothing but destruction, endless violence and death. Clint saved her from all of that. Her Clint. Her boy with the bow. It is a strange life she lives, and she knows that any life at all is more than she hoped for when she was younger. In the Red Room, all she wanted from life was to leave it quickly and painlessly. Now she is allowed to want so much more, and she does, and the result is these emotions she was never permitted to explore before. Love. Trust. Heartbreak. Disappointment. Itâs a wild pastiche, this life.
Her head is still resting against the wall when she hears footsteps. She arranges herself, and prepares to greet her partner.
Itâs not Clint. Tony emerges from a doorway, and she huffs, annoyed.
âYou okay?â he asks. Regret rises in her as she realises heâs truly worried for her, and that heâs suffering as much guilt as the others.
âI shouldnât have punched you,â she says.
âThatâs not technically an apology.â
âWell, Iâm not technically sorry.â
He smiles wryly. Natasha sighs, and faces him.
âIâm sorry I blamed you,â she says. âI know you did everything you could.â
âYouâre home now,â he says. âItâs okay.â
Something in her wavers. Itâs such a comforting thing to hear from someone sheâs only really ever traded insults with.
âThank you, Tony.â
She doesnât expect the hug, and when it comes, she wants to cry. These people love her. Heâs right, theyâre more of a family than sheâs ever had. She lets her head rest on his shoulder, and marvels at the terrifying vulnerability heâs letting her show, without mocking, without passing any comment at all. He just hugs her, happy that sheâs here. He cares that sheâs alive, and Natasha canât help but be amazed at how that feels.
Tony finally pulls back, but surprises her one last time by pressing an awkward kiss to her forehead. Itâs the most intimate theyâve ever been, and she sees him put his guard back up as she punches him gently in the arm.
âA few of us are going to watch shitty movies in the lounge tonight,â he says. âYou donât have to come, but if you want to come-â
âIâll be there,â she says. He nods, and walks away. Natasha wanders down the corridor, lost in whatâs just happened.
-
Itâs dark outside the windows as the movie starts. Clint is draping a blanket over his legs when he feels pressure on the couch beside him. Natasha, as if out of nowhere, has appeared. The others havenât noticed yet, except for Tony, who spares her one glance and a quick smile. Clint just wraps an arm around her, and they settle into the comfortable cushions for movie night.
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Dusk
Avengers/Clintasha fic
692 words
Read Part 1
Read Part 2
-
Natasha passes Tony in the hall. He doesnât think of them as the best of friends, but itâs odd that she doesnât acknowledge him. Tony swivels to make an accusatory remark, but sheâs already sweeping towards the kitchen. He frowns, and follows.
The sun is low in the sky, and the orange light is carving through the windows of the kitchen, striking the benches and turning them red. Tony admires the sight for a second, then returns his attention to Natasha, who has sought out the liquor cabinet with frightening efficiency. She uncorks a vodka bottle, and leans back against the bench as she necks a significant amount of it.
âBad day?â he asks, as he enters the kitchen. Thereâs an energy here that he doesnât like, and he wants to leave. Something tells him he shouldnât. Something is wrong.
âBad life,â she mutters. Tony doesnât know how to respond to that, but before he can, she throws the bottle back again and swallows.
âWoah,â he says. âAre you- is everything okay?â
Natasha shrugs, and sets the bottle down. Instinctively, Tony reaches out and moves it out of her reach. She looks at him, but thereâs no derision, no anger. Thereâs an expression on her face that he doesnât recognise, and Tony suddenly wants to call for backup.
She moves away from him, and he walks out as though heâs leaving. He pulls his phone out, and shoots a message to Clint, then Steve. Within a few minutes, Steve arrives, and pauses where Tony has stopped, outside the entrance to the kitchen.
âWhatâs going on?â he asks.
âIâm not sure,â Tony answers. âSheâs⊠somethingâs up, I donât know what.â
Steve moves through the entrance, and Tony hears him swear loudly and heâs gone, sprinting towards something. Tonyâs blood freezes and he follows, running after Steve. The scene by the kitchen bench is not something he could have prepared for.
Natasha is sitting on the floor of the kitchen. It takes Tony a moment to piece together the images heâs seeing. A knife, knocked out of her hand and skittering across the floor. A pool of red, splatters on the cabinets. Steveâs hands clamping down on a gash running down her wrist. Natashaâs eyes, red - how did he miss that? - her head moving as she shouts something.
âNat!â
Itâs Clint, skidding around the bench. Steve has his hand around the wound but thereâs blood spurting from between his fingers. Tony crouches beside him, and Steve is saying something. Whatâs he saying? Tonyâs own blood is roaring in his ears.
âSam!â Steve shouts again, and shoves Tonyâs chest with his free hand. âGet Sam!â
Tony stumbles back, and tries to tear himself away from the sight of Natasha struggling against Steve, who has her in a bear hug from behind while Clint tries to talk to her. Sheâs screaming, and gnashing her teeth, and itâs like watching an animal struggle to evade capture. Tony turns, and runs, and realises as he goes that thereâs blood on his shirt.
He manages to gasp out whatâs happening to Sam, who follows him back to the kitchen. He seems to know how to deal with this, and Tony lets him instruct the others. Wanda has appeared in the doorway, her eyes wide, Vision behind her, trying to pull her away and protect her, and Tony wonders who he should be protecting, and how he could have let this happen.
Itâs only later, when Natasha has been pinned down and forcibly bandaged, and Clint is holding her securely in an observation room, that Tony finally lets his head fall onto his arms. Heâs not asleep, but heâs lost in thought when a hand lands on his shoulder.
âGo change,â Sam says. How is he so calm right now? Tony opens his mouth to say something, but Sam raises a hand and Tony, uncharacteristically, closes his mouth again. He nods, and goes to his apartment, peels out of the clothes that have Natashaâs blood on them.
His phone buzzes. Steve. Theyâre going to have to watch her through the night. Tony dresses himself, then heads towards the observation room.
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Too Late
Buckynat/Clintasha fic
2,014 words
-
Bucky isnât used to any of this. Heâs technically still on the run these days, but there seems to be an understanding that while he lives under Steveâs roof, heâs protected. So thereâs not much for him to worry about, and with his mind unfettered by escape plans and tactics, he finds he is starting to remember things. Just small details here and there, mostly when heâs on his own in Brooklyn. Heâll happen upon a street corner and remember a deli that used to stand on the corner, or heâll pass an alley and picture a skinny blond boy being beaten to a pulp behind the dustbins. Little things are enough, and every recollection makes Steve smile, and Bucky likes it when he does that.
Spending time with the others is harder. Buckyâs rational brain knows that these are Steveâs friends, and while some of them are wary of him - understandable, heâs tried to kill at least half of them - they trust Steve enough to relax around him, and by extension, around Bucky. Itâs still strange to be handed a drink and included in conversations.
âWhat do you know about Natasha?â he asks Steve one night, after heâs hosted his friends in his apartment. Everyone is long gone, but Bucky is troubled.
âNot a whole lot,â Steve says. âEven with the SHIELD file leak, there was a lot I couldnât read. Digital decryption is still kinda beyond me.â
âItâs justâŠâ What is it just? Bucky canât quite pin it down. Natasha hasnât paid him much attention, and yet thereâs something about her that feels⊠familiar.
âBucky?â Steve prompts.
âI think I remember her,â Bucky says.
âYou did try to kill her a couple of times,â Steve offers.
âNo, itâs⊠itâs not from that.â
Bucky shakes his head, and turns in for the night. He mulls it over as he lies awake, unable to sleep. During the evening, every time he looked at Natasha, there was some spark of recognition in him that was beyond the times theyâd met on the field. He knows her. He just doesnât know how.
Itâs another week before heâs in the same room as her. Steve and Bucky are invited to drinks again, at Samâs place this time, and when theyâre a few rounds deep he finds himself sitting across the room from Natasha, who is in Clintâs lap. Clint plays with her hair, and has one arm draped around her in a comfortable embrace. Very occasionally, his lips stray to her jaw to press a sneaky kiss there, or her ear to whisper something. Natasha shifts back into Clintâs chest and suddenly Bucky remembers sitting like that, with his arms around - no, surely not Natasha. He doesnât know her, heâs never met her, but somehow he remembers sitting with her, kissing her, his arms around her.
He stands up and leaves the room. Itâs abrupt enough that Sam comes after him to the hallway - Steve is getting a drink and hasnât noticed.
âYou okay, Barnes?â
Bucky nods. âYeah, yeah, I⊠think so.â
âMemories?â
God, Samâs impeccable empathy and observation can be fucking annoying. Steve often says that Sam knows better how to deal with trauma, but itâs like having someone inside his head, and Buckyâs had enough of that for several lifetimes.
âItâs about Natasha,â he finally admits. âI think I remember her. But⊠from before all of this.â
Sam, to his credit, doesnât immediately dismiss him, and Bucky is grateful for that.
âOkay, so you know her?â he repeats. âThat could make sense, you were both trained in Russia, and you could have been around in the⊠what, the eighties? She was born in â84, right?â
âI donât know,â Bucky admits. âI just remember her face, and⊠being around her.â
Sam looks over his shoulder. Natasha and Clint are being unusually affectionate tonight. âAh.â
âDo me a favour-â
âBarnes,â Sam interrupts, âI wonât tell her. If you want, I can look into the records and see if thereâs any correlation.â When Bucky looks surprised, Sam waves a hand. âDonât worry about it.â
They return to the party, and Bucky tries to put it out of his mind.
Itâs a few days before Sam sends him a message. He wants to meet up and talk in person. For some reason, that makes Buckyâs stomach sink.
âGoing for a walk,â he calls to Steve, who waves him off.
He meets Sam at a cafe, where they order coffee and Sam hands him a slim file.
âYou were right,â he says. âYou did know each other.â
That brings Bucky an overwhelming sense of relief. Heâs not crazy, or projecting. Heâs actually remembering.
âThere arenât records of any relationship,â Sam adds. âBut I guess there wouldnât be. Everything was pretty tightly sealed.
Bucky takes the file and flips through the first few pages. Thereâs the name, Natalia, and details of her admission into the Red Room. There is a picture of the burned wreckage of a house, and then, on the next page, a picture of a very young Natasha, possibly nineteen or twenty, and Bucky has to set down the file and breathe deeply for a moment. Sam just waits, patient as ever.
âI remember,â Bucky says. âI trained her, I think. I wasnât supposed to get attached, but IâŠâ His face hardens. âThey found out. We were both punished. I went back in the ice.â
âIâm sorry,â Sam says. He doesnât have to, but itâs nice to hear it.
âThank you for this,â Bucky says, clasping the file to him and standing up. He walks away, leaving his coffee untouched.
Back at Steveâs apartment, in the safety of his room, Bucky spreads the file out on his bed. He reads every detail, saving things he canât place in his own head, and memorising details. As he reads, more of it comes back, mostly just in montages of feelings, or images of her hair, her face, her voice. They spoke in Russian, he recalls. He loved her. Thatâs the worst thing to remember, how she was the one point of light in the dark stretch of years where he didnât even know himself. He wanted to save her, and he failed. But, he reminds himself, it turns out she saved herself. SHIELD found her, through their instrument Clint Barton, and she joined up and never looked back. Bucky wonders if she ever thinks about him, or if perhaps she doesnât remember either. That would be better, he thinks. Better for her not to remember. It wouldnât make looking at her with Clint so very painful.
Once again, Bucky finds himself at a social gathering of heroes. Everyone is chattering, drinking, and he is grateful for Samâs friendly clap on the shoulder. Sam never looks at him with anything like sympathy in his eyes, which is one of Steveâs great weaknesses. The super soldier canât quite stop the pity leaching in sometimes, and as much as Bucky loves him, that drives him insane.
Natasha and Clint arenât quite as entwined as last time, and Bucky tries not to think of that as a blessing. Sheâs not his, he knows that. Sheâs happy with Clint, and thatâs all that matters. Thereâs no salvaging anything they had two decades ago, and Bucky isnât sure thatâs even what he wants. All he needs is to know that she doesnât remember him. She canât. She would have tried to talk to him, to make some connection. They are each the only fragment of each otherâs past that has any good attached.
So, even though he knows he shouldnât, he goes out to the balcony when he sees her go out for some fresh air. He leans on the rail, and sees her look at him, always assessing threats even when she doesnât mean to. He understands. Heâs tried to kill her at least three times.
âHow are you?â she asks. Measured. Unbiased. He remembers that tone so well now.
âGood,â he nods. âYeah. Good.â
âSteve said youâre enjoying going to the movies,â she prompts. God, sheâs talking to him like heâs an idiot, or a child. Someone to be congratulated for tiny milestones. He reminds himself that a few months ago he couldnât leave the house for the noise and bustle of the streets outside.
âYeah,â he says. âTheyâve really improved since the forties. CGI blows my mind.â
She laughs. âThey can do amazing things, thatâs for sure.â
He is silent, and she takes it as a cue to leave. He doesnât know what to do, what to say, how to ask her if she knows him as anything more than one of the countless people who have made attempts on her life. A name comes to him, not something remembered from a file, but something thatâs been in his head for years, just hidden.
âĐŒĐ°Đ»Đ”ĐœŃĐșĐžĐč паŃĐș,â he says, quietly. She stops.
âThatâs what I called you, right?â he murmurs. âLittle spider?â
She turns around and walks the three paces back to him. The look on her face cuts him down, devastates him. She knows exactly who he is. She has known all this time, while heâs been struggling, and searching, and remembering. She has known, and she hasnât come to him.
âJamesâŠâ
Ah, there it is. The pain he has forgotten. The last time he felt this, he was being dragged away from her, and she had been screaming his name, and he had seen her being struck, and he had known this was all his own doing.
Her hand cups his cheek. His right cheek, so his real hand can cover hers. A movement made so many times under the cover of darkness.
âI know it doesnât matter now,â he says. âAnd⊠Iâm sorry, for what thatâs worth. Itâs just memories, but⊠I loved you. I want you to know that.â
âI loved you too.â
He realises his eyes are closed, and he opens them to find pity in her face. Itâs worse than anger. He has remembered far too little, far too late.
âDonât worry,â he says, and drops his hand from hers. âIâll keep it under wraps. Sam helped me find the documents so⊠I guess you might want to talk to him.â
âJames-â
âMy friends call me Bucky,â he tells her. He tries to smile, in a friendly way, like friends do. It doesnât work, but she nods. She leaves, and he ducks his head for a moment, sucking cold air into his lungs like it will soothe the burning in his chest, and in his throat. For a horrifying moment, he thinks heâs going to cry.
He doesnât. The past doesnât bury itself, he thinks, and he goes inside to get another drink. He goes to sit by Steve, and delights him by recounting partially remembered war stories that his best friend can fill in, tales of the Howling Commandos at their prime, the best of Bucky Barnes before HYDRA, before the Soviets, before Natasha. It feels good to remember things other than pain, and Bucky is grateful that his memories arenât just trauma. Sam devours the stories, and for a while Bucky is able to forget that his heart, newly rediscovered, is broken.
She loved him. She knew him. She knows him. These thoughts return again and again as he fails to sleep that night. He wonders what is next. Heâs moved on from worse, surely. It doesnât feel like it, but in the numbers game that is his life, statistically he has to have endured something more awful.
He gets up to make tea. Thatâs a luxury he loves. He can have a hot drink in his hand pretty much whenever he wants, and he can make it as disgustingly sweet as he wants. It is past midnight, so heâs surprised to find Steve in the kitchen, already on tea duty, two mugs in front of him. He hands Bucky his sugary mess without a word. Bucky sits in the warmth of the kitchen, and gives silent thanks for the one good thing he has left.
#AC19#day 12#this one got away from me#fic#buckynatfic#avengersfic#bucky barnes#steve rogers#sam wilson#buckynat#winterwidow#avengersangst#long
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Father Figures
Avengers fic
1,237 words
-
It had never been a policy of Tonyâs to avoid drinking straight liquor. In fact, he often actively â and loudly â endorsed the practice. But not where emotions were involved. And God, were they involved today.
Fatherâs Day was always shit. Plain and simple. Tony hadnât even learned of its existence until he was fourteen or fifteen, by which point his father had made it fairly clear that he didnât want any sort of bond with his son. No amount of sentimental speeches captured on old film could undo the experience of Tonyâs childhood. Pepper had advised him to talk to someone about it, but it all felt so pathetically clichĂ©d that he chose instead to drown himself alive in expensive whiskey. Less trouble for all the others.
Slumped on the couch, Tony knew he cut a miserable figure. His father was dead, so surely he should have felt less like crap, but apparently not. He was dredging up memories of past Fatherâs Days spent in a similar fashion when the door to the lounge opened. He looked up to find Bruce entering the room.
âHey,â he muttered.
âStarting early?â Bruce asked, raising an eyebrow as he took the seat opposite Tony.
âItâs not that early.â
Bruce sighed as he took in the slouched figure of the man opposite him. âItâs ten PM. Early for you.â
Tony shrugged, and took another swig from the glass he was holding.
âYou want one?â he asked, cocking his head at the scientist. He knew full well that Bruce didnât drink. It was a courtesy.
âWhatâs the occasion?â the scientist asked. Tony let his head fall back onto the comfortable cushions of the couch.
âFatherâs Day,â he muttered. At least Bruce might understand.
âAh,â the man replied, his tone a bit softer. Tony looked up to see his friend had lapsed into something like thoughtful silence.
âAre you sure you donât want a drink?â
Bruce shook his head again, but he looked less sure. âI forgot that was today.â
It only took Tony a moment to remember what little he knew about Bruceâs personal life.
âYou too, huh?â he murmured, swishing the amber liquid around his glass.
âYeah,â Bruce sighed. He slid further down in his seat, resting against the cushions as Tony was. âI guess I hadnât thought about it in a while.â
The door opened again, and the two of them looked over. Clint swung into the room, heading for the bar. He spotted Tony and barely managed a guilty glance before he grabbed a bottle of Natashaâs favourite vodka and poured himself a glass.
âAlright if I join the party?â he asked, and flopped down onto Tonyâs couch. Tony was jolted a little, but barely reacted.
âJesus,â Clint sighed. âWhatâs gotten into you two, then? And donât tell me Nat beat you in a fight again, Stark, I swear to God-â
âItâs Fatherâs Day,â Bruce supplied. Clintâs fingers tightened momentarily on his glass, and he too sank back into his seat.
âFuck,â he sighed. âIs that today?â
Tonyâs only answer was to take another swig, and Clint did the same, his mind suddenly clouded with memories he would have rather forgotten.
The three of them sat in silence for a few minutes, Tony and Clint drinking, and Bruce apparently happy just moping in his chair. Another Avenger entered the room, and Clint looked around, desperate for someone to distract them from this melancholia. When he saw Thor, he groaned.
âJust what we need,â he sighed, flopping back onto the couch. The demigod looked affronted.
âI was not expecting such a response, Hawkeye,â he said, settling into the chair beside Bruceâs. He made the large piece of furniture look like it had been made for a child. âHave I offended, somehow?â
âItâs not you, big guy,â Clint sighed. âItâs your dad.â
If anything, Thor looked more confused. âHow does my father enter into this?â
âItâs Fatherâs Day,â Tony muttered.
Thor took a breath. What followed was a thorough interrogation of the celebration of fathers, and why there was a specific day for it, and after explaining in detail what it was supposed to be about, all four of them descended into that same miserable silence, two staring into drinks, two lost in thought.
âWho died?â
Natashaâs voice came as a shock to the moping Avengers, and they looked around to find Natasha fixing herself a drink at the bar.
âSeriously,â she asked, swinging herself nimbly over the bar and taking her drink in hand. âWas it someone we know? You all look like youâve watched a puppy die or something.â
âItâs Fatherâs Day,â Clint said, miserably.
âSo?â
The archer seemed confused by the question. Natasha waited, expectantly, looking from one of them to the other.
âAs far as I know, only one of you actually has a father, â she pointed out. âAnd yeah, Odinâs not exactly Parent of the Year. Any year. Thor has an excuse. Whatâs yours, Barton?â
He seemed taken aback at the challenge to his right to be miserable for no reason.
âWe all had fathers, once,â he protested. âCâmon, Nat, even though they were giant dicks about ninety-nine percent of the time, they were still our dads.â
She shrugged again. âI donât remember my father. As far as Iâm concerned, I never had one.â
âA father figure, then,â Tony contributed, by now quite drunk and feeling utterly sorry for himself.
âNot really,â she said, and took a sip of her drink. âThere was one guy I sort of remember. Must have been the Red Room, way back when. He was nice for a few days, smuggled in food for me when they had me in one of the Isolation cells on starvation punishment. But he ended up pulling one of my fingernails out for insubordination, so I guess thatâs not exactly what youâd call a father figure.â
The shocked silence seemed to confuse her even more, and she took it as a challenge to locate some sort of paternal figure in her life.
âLetâs see,â she murmured. âOh, there was Aleksandr in Magadan. He only tried to kill me four times while we were working together. Um⊠there was a scientist in Saratov when I was recaptured who slipped me morphine a couple of times. He was nice. There was a guy who lived down the street from where I was staying on assignment in Romania once. He used to talk to me when I passed him in the street.â
Clint was the first to move. Natasha frowned as her partner stood, setting his drink down. He walked over to her and wrapped her in a hug. She stiffened slightly, unsure of how to take it. He let her go, and she breathed a sigh of relief, followed quickly by a noise of alarm as Thor followed suit, hugging her firmly. Then Tony was up, and replaced the demigod, and finally, Bruce.
âYouâre right,â Tony said, his voice thick and layered with things Natasha couldnât quite place. âNone of us need to think about Fatherâs Day.â
Natasha ducked out of the way before any of them could hug her again. âYouâre⊠welcome?â she murmured, picking up her drink again. She left the room as the others fell to talking quietly, and she wondered on her way out if all men were as emotional and fragile as hers, or whether it came with being a superhero.
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Flying Rainbow Flags
Avengers fic
591 words
-
The debate starts when the team sits down to watch the Winter Olympics broadcast. Natasha makes tea for everyone, which strikes some of them as quite odd. Clint knows itâs because sheâs spent time in Sochi, and doesnât need to see any more of it than is absolutely necessary, but thatâs not something heâs about to share with the group.
âNot seeing any rainbow flags,â Tony points out, as he lounges back with his feet up on the coffee table.
âThatâs not really surprising,â Bruce says quietly. Someone is being interviewed, a skier or a boarder, and the footage keeps cutting to images of the crowd, including the officials and important guests in their boxes.
âYeah,â Tony snorts. âIt is Russia after all.â
Clint glances warningly at the billionaire, but he seems to be in one of his this is my tower Iâll say what I want moods, and heâs not about to stop.
âWouldnât want to be gay up that way, would you?â Tony sighs, deliberately glancing at Natasha. Steve doesnât try to intervene â heâs long since learned that when Tonyâs out to press someoneâs buttons, thereâs no stopping him â so the captain just rolls his eyes and sits back, waiting for it to blow over.
âWhat is that supposed to mean?â
Natasha has just handed Clint a cup of tea, and is holding one in her own hand. It occurs to Clint that it may well be a very dangerous situation â the combination of a riled up Natasha and hot liquid has not ended well in the past.
âHe didnât mean anything,â Clint says, hoping that Stark will take the hint. âRight, Stark?â
âAll I meant,â Tony clarifies, âis that seeing as the spectators are mostly Russian, itâs not surprising thereâs no one openly supporting gay rights.â
âSo Russians are homophobes, thatâs what youâre saying?â Natasha demands. Her grip on the mug tightens, and Clint almost wants to shut his eyes.
âPretty much,â Tony says, coolly, entirely aware of what heâs starting. âViolently, in fact. Proud of it, too.â
âYouâre full of shit, Stark,â she says, with venom, sitting on the couch beside Clint.
âAm I?â he asks, cocking his head. âBecause I still donât see anyone flying rainbow flags.â
âThey canât,â she hisses, narrowing her eyes. âStark, Russia is not like the U.S. You canât just do or say whatever you want and then scream freedom of speech whilst misquoting the Constitution and assume that youâll get off scot-free. If any of those people pulled out a rainbow flag, theyâd be dragged off into a dark cell somewhere. Maybe theyâd be shot.â
âItâs not that bad,â Tony scoffs, but his voice is a little paler now.
âAnd youâd know how?â Natasha asks, her voice icy. âFrom your extensive experience of life under the regimes of Russia? From the weeks you spent locked in a cell for just being at a pro-gay rally?â
Tony is silent, and Natasha settles back. âThatâs what I thought.â
âIs it really like that?â Steve asks after a while. Clint can almost hear the yearning to bring freedom to Russia in his voice.
âWorse,â Natasha says bluntly. âYou can assume whatever you want about Russians. But until youâve lived in a place where supporting a cause is unsafe, you donât get to pass judgment.â
Clint puts an arm around her, and Natasha finally relaxes.
âSorry,â Tony mutters. It isnât exactly heartfelt, but itâs more than anyone would get under normal circumstances. Even Steve looks surprised.
âForgiven,â Natasha murmurs. They watch the skiing in silence.
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Pursuit of Perfection
Clintasha domestic fic (Merida)
1,278 words
Read Part 2
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When Merida looks at her mother, all she sees is absolute perfection. Natasha Romanoff is beautiful, strong, fast, and seems to be able to do anything. Merida, however, is not perfect. Not nearly.Â
It starts innocently enough, just with a diet. Her mother leaves for yet another mission in a sleek black dress, showing off her perfect body, and Merida knows that she could have that too, if only she could just eat a little less, and exercise a little more. Natasha and Clint kiss their daughter goodbye and leave. Merida heads straight for the gym.
It continues, and Merida finds herself able to cope with her new regimen. She eats a little less at every meal, and trains every day. Within a week, the pounds begin to drop off, but she sees no difference when she looks at herself in the mirror. She doesnât let it get to her, just decreases her meal sizes again, and spends an extra half hour in the gym when she can.
It is not until she goes to the lab with Tony to help with a few experiments that she starts to feel weird. She canât focus, and she feels faint, and sick.
âYou okay, kiddo?â Tony asks, lifting his safety goggles. Merida nods, and tries to hold the beaker in her hand steady. It wonât stop shaking no matter how hard she tries, and she sets it down.
âCan we take a break?â she mumbles. Tony nods, frowning a little.Â
âAre you sure youâre alright, Merida?â he asks. âYou look like youâre about to pass out.â
As ever, Tony is correct. Merida stands up, takes a couple of steps and then the world goes black.
When she wakes, Tony has carried her to the sofa in the lounge upstairs from the lab.
âHey there,â he says, worry etched into his brow. âYou passed out.â
âMâfine,â she mutters, trying to sit up. Tony passes her a glass of water.
The door opens, and Natasha hurries in.
âOh, thank God youâre okay,â she sighs, perching on the sofa next to her daughter. Merida looks at how there is not even a hair out of place on Natashaâs head, and she turns her head away.
âIâm fine, Mom,â she mutters.
âWhat happened?â Natasha asks. âAre you feeling sick, baby?â
âIâm fine,â Merida snaps. âLeave me alone.â
She gets unsteadily to her feet and storms out, leaving her mother and Tony staring after her.
-
It takes Tony almost a month to figure it out, and when he does, he doesnât know who to talk to. Clint would overreact, of course, and Natasha seems to be the enemy at the moment, though Tony doesnât know why. So he decides to talk to Bruce. The scientist observes quietly - surely he will have noticed it too?
âHey, Bruce,â he says, wandering into the lab.
âHi,â Bruce replies, straightening up. âYou said you wanted to talk?â
âItâs about Merida,â Tony sighs.
âWhat about her?â
They sit, and Tony explains what he has noticed. Bruce looks confused at first, then horrified.
âAre you sure?â he asks quietly.
âSheâs stick thin, Bruce,â Tony says. âI know Iâm not the best guy to be dealing with teenagers, but someone needs to talk to her. She needs help.â
Bruce nods, looking shocked. Merida has always been a healthy, happy kid. To imagine her starving herself... itâs a shock.
âShe trusts you, Tony,â Bruce says at last. âYouâre her teacher, not a parent. Sheâll listen to you.â
Tony looks downright scared. âWhat if she doesnât?â
âThen you talk to Clint,â Bruce says. âShe needs you, Tony. You have to do it.â
-
After two days, Tony finally gets up the courage to go up to Meridaâs room and knock on the door. He almost runs away. Almost.Â
âCome in,â Merida calls. He goes in.
Even though he has seen her several times over the last few days, it is hard to see Merida looking so unhealthy. Her face is gaunt, and her ribs are visible through her singlet top. She looks exhausted.
âWhatâs up, Tony?â she asks. Even her eyes look tired.
âI wanted to talk to you, kiddo,â Tony murmurs. She is immediately on guard, and it reminds Tony strongly of Natasha.Â
âWhat about?â she asks.Â
âItâs about how youâre feeling at the moment,â he says softly. âIâve noticed youâve lost weight.â
She beams at him, and he feels sick.
âThanks,â she smiles. âI didnât think anyone had noticed.â
âMerida...â he murmurs. âItâs not good. Youâre losing too much weight, too fast. Itâs not healthy.â
Her face falls into a stony, stubborn look.
âYou donât understand,â she says flatly. âI have to look better.â
âBetter than what?â Tony frowns.
The teenager seems to struggle for a moment, then she shakes her head. âItâs nothing. Donât worry about it.â
âMerida, people die from under eating,â Tony says. âI donât want to have to tell your mother that while she was away you starved to death.â
Itâs the look she gives him on the word mother that gives her away.
âItâs your mom, isnât it?â he asks. She turns her head away.
âNo,â she snaps, her anger not quite disguising the tremor in her voice.
âTalk to me,â Tony begs. âPlease, you can talk to me. You know you can.â
Merida turns to him and there are tears in her eyes. âSheâs so beautiful, Tony. Sheâs beautiful and perfect, and Iâm fat and ugly. Iâm nothing like her.â
Tony is so shocked by her words that all he can do is let her lean against him and cry.Â
âYou are so beautiful,â he whispers at last.
âNo one looks at me like they look at my mom,â she whispers.
âIf they ever did, Iâd kill them,â Tony says savagely, wrapping her in a hug. âIâm not talking about pretty, or sexy, or hot- youâre beautiful. Properly beautiful. Inside and out.â
Merida burrows into his arms and he holds her tight.
âTheyâre never here, Tony,â she whispers, looking up at him with those wide, sad eyes that makes him want to protect her with his life. âTheyâre always away.â
âI know,â he says, blinking rapidly to stop himself from crying. âBut you know that if they could come home they would. And Iâm always here when you need me, and Steve, and Bruce, and Pepper. Sometimes even Thor. You know weâre all here for you.â
âBut I want them,â Merida sniffed. âTheyâre my mom and dad.â
âI know, sweetheart,â Tony murmurs. âBut this... this is something we have to deal with.â
She shakes her head. âTony, I have to be like my mom. Just a few more months and Iâll get there.â
âYouâre killing yourself,â he says, his voice heavy. âAnd I canât let you do that.â
She glares at him, and pulls away. âYou canât make me stop.â
Tony stands up. âI can do whatever I damn well please,â he says, his tone harsh. âThis is my home too, and your parents are my friends. I will do whatever I can to protect their daughter, and if that means knocking you out and sticking a feeding tube down your throat, then I will do it, because I love you, and I love them, and you are not going to waste away on my watch.â
She is so shocked by his anger that all she can do for a moment is stare. Then she bursts into tears and collapses against him, and he holds her tight, soothing her.
âYouâre going to be okay,â he whispers. âYou were already perfect. Youâll see.â
She clings to him, and he holds her until her tears are gone.
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This is one of my favourite headcannons(?) if thatâs the right word. Natasha not saying anything but Clint patching her up and nonchalantly sticking up for her. Youâre leaving us on such wonderful last lines - that air of things arenât ok guys and now you gotta sit with the uncomfortable feelings despite what you think. Itâs makes me want more instances of this happening and Natasha trusting the others to help out and then Clint nodding his head in approval lol. You have thus ability to just give the perfect description of whatâs happening and the angst is just so spot on. This I reckon, is my favourite so far. Brilliant. Thanks for writing.
Pride and Percocet
Avengers fic
1,090 words
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Itâs been a hell of a day. Theyâre back at the compound at last, and now that theyâve all cleaned themselves up, the team is filtering into the kitchen. Tony, as per usual, has ordered a ridiculous number of pizzas, and Steve is picking a movie. Between the super soldier and Thor, there are plenty of classics they have never seen, so the choice usually comes down to them. Clint is making as much popcorn as he humanly can, and there seems to be an endless supply of beer coming from the various fridges in the kitchen. It feels a little like the old days. Then a worried voice cuts through the low chatter and the introductory fanfare of a Universal Studios film.
âRomanoff,â says Tony, âyouâre bleeding.â
Keep reading
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