#available design choices

[vawtee]

We need to go forward and Kamala Harris is the only right now for that to happen. Vote blue this November! If you believe in the USA dream and democracy she will uphold those values.

[pixelpastry]

hemlock’s serenade

for Rose Magazine Issue 4: Papillon

[mrbingley]

which color shirt should be my sample/promo shirt for trans atlas? poll at bottom!!!

[mariocki]

Inspector Morley, Late of Scotland Yard, Investigates: The Case of the Scarlet Letters (1.3, WGN-TV, 1952)

"Mr. Mullins, I have in my possession sixty-eight letters, none of which has begun to outlive its usefulness. I'm quite prepared to admit that blackmail is risky, but then murder has its disadvantages too - that is why I gave up murder."

[zincbot]

(voice of a guy who thinks drawing noses is the most fun part of the face) the noses in avatar are too boring

[grim-echoes]

i'm so glad that keeping production art is much more common within the gaming industry now because i'm utterly enthralled not only by the preservation of people's work and old ideas that might be revisited one day, but by imagining what some of these ideas might have been used for and if there's any traces of them left in the final product. it's the type of information you won't get from a dime a dozen cut content youtube video, but instead what you can reasonably draw a connection between based on what's in-game, and what you can only speculate on and i know that there's so much more we never get to see so i'm constantly left wondering, "what else are we missing out on that wasn't considered worth compiling, and will it ever surface one day?"

[furballfaggot]

hi gang just as a heads up Samba de Amigo: Party Central dropped a couple days ago and unfortunately i have brain worms. expect to see this idiot bastard ⤵ around my blog for a while

[dbphantom]

WHOAG I slept for 14 hours and had a very long dream about Bl/3 H2O au

[skeuo]

where would therians be without kinksters truly. I just want a collar to chill out in and affirm my beast nature. and every body is selling them to suck and fuck. and I benefit from this. we're two ships passing in the night

[mcmansionhell]

we've found it folks: mcmansion heaven

Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.

Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.

It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.

The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.

It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.

And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.

Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.

A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.

Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.

At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.

And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.

If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams.

Not into recurring payments? Try the tip jar! Student loans just started back up!

[tronform]

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[orangeflowerpetals]

Downloaded episode this morning in a haze of obviously misguided judgement and deep curiosity of what cishet dating sims were like

Got forced to play a story that was the most dysphoria inducing game I’ve ever experienced and was swindled out of my living money for the next week by peer pressure from the characters and the game itself

Wild af

0/10 never doing this again

[racke7]

So, last night I was thinking about FF14 and Skyrim again.

Specifically, my feelings of "I played this game all day - do I feel like I actually did anything today, or not".

If I manage to play Skyrim for basically a full day (instead of some random burst of an hour), I usually feel like I've "advanced the story" of that character, gotten better gear, established the character's personality a little bit (doing X instead of Y, prioritizing this quest over that, commentary through regular gameplay, etc).

So I don't necessarily feel like I "did a lot of things today", but it does feel like there's an "accomplished" feeling, kind of.

If I play FF14 a full day, I feel like-... It feels a bit as if I've watched a really long movie (especially if I played MSQ)? It's a sometimes-good movie, so I don't necessarily regret it, but... that's it. Between the queues for dungeon-diving and travel-time, a lot of the gameplay really amounts to "watch a cutscene".

So, I learn new stuff about FF14-lore, I might get inspired into creating a fancy new outfit for a class, and... a few numbers go up? The aftermath of playing FF14 really does feel as if I've spent the day watching a weirdly prolonged movie.

[s-imagination]

Japandi | Living Room CC Pack |Early

Suprise, Suprise Simmers! I'm back with brand new CC pack for The Sims 4!

🌿✨ Discover the serene beauty of Japandi design in this Sims 4 living room setup, featuring 44 unique elements. This space blends Japanese minimalism and Scandinavian functionality with natural materials and a calming color palette. Highlights include a low-profile sofa with green cushions, a woven coffee table, a traditional shoji screen, and elegant wall art. The room exudes tranquility with its harmonious design and thoughtful decor. Perfect for creating a cozy and stylish home in your Sims 4 game! 🌱🪑

With this set you can create your own shelving system, open doors, closed doors, open space with doors, or closed closet, the choice is yours :) I'm continue my Japandi Collection with another room that is Living Room. In future I create more inspired Japnadi rooms so be sure to follow me on Instagram where I upload my progress on current projects.

Set contains:

Sofa

Arm chair

Loveseat

Coffee Table

End Table

Japandi poster

Single Shelf 1x1 ( Short/Medium )

Double Shelf 2x1 ( Short/Medium )

Double Shelf 2 2x1 ( Short/Medium )

Media Cabinet

Long Shelf

Short Shelf

Open Pillar ( Short/Medium/Tall )

Closed Pillar ( Short/Medium/Tall )

Closed Doors ( Short/Medium/Tall )

Open Doors Right ( Short/Medium/Tall )

Open Doors Left ( Short/Medium/ Tall )

Stereo System

CD Player

Mixer

Collection of Books ( 4 diffrent versions )

Book Organizer

Tea Pot

Ink Tray

Ceilling Lamp ( Short/Medium )

Little Weave Frame

THINGS YOU NEED TO KNOW!

All items are Base Game compatibile

All of the textures and meshes are made by me, if you like to use them please mention me

Some of the objects are high poly so be careful

If you see any issues let me KNOW!

NOW AVAILABLE ON EARLY ACCESS!

Public realse June 27th!

You can find objects by typing "Japandi" or "S-im" in search bar in game!

[rochadesignstudio]

Commercial & luxury residential interior architect & design firm in Los Angeles

[soulprompts]

SITTING IN SOMEONE'S LAP PROMPTS.

listen. i want to tell ye that i have infinite reasons for making this. that i've been designing this for weeks, months even. but i can't. this happened because i saw one (1) meme and aligned that with two (2) cups of coffee. either way besties, you're all getting a strangely detailed list of reasons to drop your muse into another muse's lap. you wanna switch the roles? add a [ REVERSE ] if you want your muse to be the lap that's being sat in! don't add to this list, don't claim it as your own, i'll curse all your potatoes to be soapy and sad to consume.

[ SHAVE ]: sender sits in the receiver's lap so they can carefully shave the last of the receiver's stubble from their face.

[ MAKE-UP ]: sender sits in the receiver's lap in order to get a better vantage point to apply makeup to their face.

[ SNIP-SNIP ]: sender sits in the receiver's lap whilst giving them a haircut.

[ HAIR ]: sender sits in the receiver's lap so that the receiver can style or just play with their hair in peace.

[ CAR ]: sender ends up sitting in the receiver's lap whilst in a very crowded car together.

[ STUMBLE ]: sender loses their balance and trips backwards, falling into the receiver's lap in the process.

[ INTIMIDATION ]: sender, in an effort to frighten the receiver by invading their personal space, sits in their lap to try and inspire discomfort or fear in them.

[ LOOK ]: sender, wanting to see something that can only really be seen from where the receiver is sitting, sits in their lap in order to see it as well.

[ HEAL ]: sender ends up in the receiver's lap trying to tend to their wounds to the best of their abilities.

[ FEAR ]: a frightened sender sits in the receiver's lap in an effort to feel some measure of safety and protection.

[ COMFORT ]: sender, after a challenging and emotionally draining experience, settles into the receiver's lap in search of a feeling of comfort.

[ ADJUST ]: sender sits in the receiver's lap in order to fix their collar or tie or other item of clothing.

[ STRADDLE ]: sender sits in the receiver's lap with one leg on either side of their legs, straddling them effectively.

[ EMBRACE ]: sender settles in the receiver's lap to give them a long, well-deserved hug in comfort.

[ CARRY ]: sender, having been carried by the receiver for other reasons, winds up sitting in their lap once they sit down.

[ THROW ]: sender flings themselves at the receiver, so eager for a hug that they end up in their lap.

[ DROP ]: exasperated (or maybe just exhausted) the sender drops down into the receiver's lap to rest.

[ CUDDLE ]: eager for some well-earned cuddling, the sender finds it much easier for everyone involved to sit in the receiver's lap during the cuddle session.

[ MOVIE ]: while watching a movie together (and possibly being so distracted by the film that they don't realize what they're doing) the sender settles back into the receiver's lap.

[ CHAIR ]: the distinct lack of available chairs in a room results in the sender having no choice but to sit in the receiver's lap.

[ CLOSENESS ]: after having been apart for a considerable length of time, the sender sits into the receiver's lap just to be close to them.

[ PRETEND ]: in a bid to persuade others that they're in a relationship (even though they're probably not) the sender climbs into the receiver's lap to convince the on-lookers of their legitimacy.

[ LEARN ]: sender sits in the receiver's lap so they can teach them a particular practical skill (e.g. pottery, knot-tying etc.)

[ ACCIDENT ]: the sender, unaware that the seat they're trying to claim is occupied, drops into the receiver's lap without realizing it.

[ EXHAUSTION ]: the sender, surrounded by nothing but uncomfortable places to rest in, finds a solution by sitting in the receiver's lap in order to rest and possibly sleep.

[ CHILLED ]: the sender and receiver find themselves in a particularly cold room, leading the sender to sit in the receiver's lap in order to share body heat.

[ KISS ]: the sender lowers themselves into the receiver's lap in order to kiss them properly.

[ FLIRT ]: the sender, only just beginning to explore the romantic side of a relationship with the receiver, sits in their lap in order to express their feelings clearly.

[ ROMANCE ]: the sender, in a well-established romantic relationship with the receiver, sits in their lap just because they can.

[ THRONE ]: having found the receiver sitting in their throne, the sender sits in their lap in order to symbolically and physically share the seat.