#autonomous filmmaking

[gael-garcia]

PALESTINE FILM INDEX

Palestine Film Index is a growing list of films from and about Palestine and the Palestinian struggle for liberation, made by Palestinians and those in solidarity with them. The index starts with films from the revolutionary period (68 - 82) made by the militant filmmakers of the Palestine Film Unit and their allies, and extends through a multitude of voices to the present day. It is by no means a complete or exhaustive representation of the vast universe that is Palestinian cinema, but is only a small fragmentary list that we hope nontheless can be used as an instrument of study & solidarity. As tools of knowledge against zionist propaganda and towards Palestinian liberation.

The century long war against Palestinians by the zionist project is one waged not only militarily but also culturally. The act of filmmaking, preservation, and distribution becomes an act against this attempted cultural erasure of ethnic cleansing. The power inherent in this form as a weapon against the genocidal project of zionism is evidenced in the ways it has been historically & currently targeted by the occupation forces: from the looting & stealing of the Palestine Cinema Institute archives during the siege of Beirut in 1982, through the long history of targeted assassinations of Palestinian filmmakers, journalists, artists, & writers (from PFU founder Hani Jawharieh, to Ghassan Kanafani, Shireen Abu Akleh, Refaat Alareer, and the over 100 journalists killed in the currently ongoing war on Gaza).

It is in this spirit of the use of film and culture as a way of focusing & transmitting information & knowledge that we hope this list can be used as one in an assortment of educational tools against hasbara (a coordinated and intricate system of zionist propaganda, media manipulation, & social engineering, etc) and all forms of propaganda that is weaponized against the Palestinian people. Zionist media & its collaborators remain one of the most effective fronts of the war, used to manufacture consent through deeply ingrained psychological manipulation of the general public agency. Critical and autonomous thought must be used as a tool of dismantling these frameworks. In this realm, film can play a vital roll in your toolkit/arsenal. Film must be understood as one front of the greater resistance. We hope in some small way we can help to distribute these manifestations of Palestinian life and the struggle towards liberation.

This list began as small aggregation to share among friends and comrades in 2021 and has since expanded to the current and growing form (it is added to almost every day). We have links for through which each film can be viewed along with descriptions, details such as run time, year, language, etc. We also have a supplemental list of related materials (texts, audio, supplemental video) that is small but growing. We have added information on contacts for distributors and filmmakers of each film in order to help people or groups who are interested in using this list to organize public screenings of these films. The makers of this list do not control the rights to these films and we strongly urge those interested in screening the works to get in touch with the filmmaker or distributors before doing so. This list was made with best intentions in mind, and in most cases with permission of filmmaker or through a publically available link, but if any film has mistakenly been added without the permission of a filmmaker involved and you would like us to remove it, or conversely if you are a filmmaker not included who would like your film to be added, or for any other thoughts, suggestions, additions, subtractions, complaints or concerns, please contact us at palestinefilmindex@gmail.com. No one involved in this list is doing it as a part of any organization, foundation or non-profit and we are not being paid to do this, it is merely a labor of love and solidarity. From the river to the sea, Palestine

[trans-axolotl]

I went to the anarchist/abolitionist healthcare conference this weekend, and it was really a beautiful experience that I don't even have words for. Being able to share resources, knowledge, dreams, and joy together with other people invested in this work was so special, and I gained a ton of hope by seeing the many ways that other people are actively engaged in resisting these fucked up systems and building care into our communities. I gave a presentation about psych abolition, talked about resistance within the psych ward, and got a standing ovation from a room filled with 50 people, many of whom were mental health professionals looking to build solidarity. I legitimately almost cried because of being to have that experience with my mad comrades. I met so many beautiful crazy people who intimately understand what it means to survive as a mad person, and just gained so much knowledge from people actively putting their abolitionist values into practice. I want to share a few of my favorite resources that I became aware of at this conference, and I'll make another post later with some of my key takeaways.

Mutual Aid Self/Social Therapy: This is a support framework designed by one of my friends that provides an intentional structure for providing therapetuic support within communities, especially organizing communities where there's a lot of burnout. It offers so many resources for skills training to allow anyone, whether you have a background in emotional support or not, to set this up within your community. The framework is purposefully not hierarchial or transactional, and allows for actually addressing people's material conditions as well as providing space for emotional processing.

Of Unsound Mind: Incredible archive and research on psychiatric history. Mostly focused around America, but also has some info on other countries. The author of the website will be coming out with a book later this year, which I think is mostly going to be about the Trieste, Basaglia, and that history of psych resistance in Italy.

Power makes us Sick: Collective that focuses on autonomous healthcare and emotional support, especially in terms of autonomous trans healthcare. Has some fabulous zines and resources.

A Corpse among Corpses: Incredible documentary about asylum graveyards in the Midwest and the trade of graverobbing for experimentation in medical schools, and how this connects to settler colonialism, slavery, eugenics, and modern gentrification. Really do want to emphasize a trigger warning for genocide, eugenics, medical violence, self harm, antiblack racism, instituionalization, and lots of discussion of death. I talked a lot with the filmmakers, and really appreciated their care and intent in making this film as a way of bearing witness rather than exploiting atrocity in the name of art, but do want to be very clear that this film is incredibly heavy to watch and might be something worth doing with other people. It was deeply impactful for me, and made me tear up many times.

The Living Museum: Through transforming the old Creedmoor hospital grounds into a musuem and workspace for current patients to showcase their art, this space celebrates psychiatric resistance, transformation, struggle, and joy. I really want to go visit and share in that space, as it seems just so fucking cool. It seems like you might need to contact directly to schedule a visit.

Cahoots Crisis Response Model: This is one model for crisi intervention teams that respond instead of police. They are not perfect, still have some enagement with police, but are an interesting example of how to try to implement these types of programs. Since theyv'e been around for 25 years, they have a lot of knoweldeg and could be a good first group to reach out to if you're trying to create this in your community.

Overall this whole weekend was a beautiful example of how to put our values into practice, and really just wanted to share these projects with you all!

[dizzymoods]

Black Skin White Screens

Another email response that I think might be useful here. Person was asking a question about why nobody cites Black film as influences: When Moonlight dropped nobody was talking about Clockers even though there were clear visual and dramatic elements referenced. Instead everyone (the filmmakers, critics, etc) was talking about French and Hong Kong cinema. So people even deny Spike's influence.

But, I think you might be mistaking a symptom for the disease. Tons of Black filmmakers were influenced by nonBlack filmmakers. French Impressionism & German Expressionism influenced Julie Dash; Charles Burnett loved British Kitchen Sink cinema; Bradford Young and I had a great convo about Apichatpong Weerasethakul one time; Haile Gerima almost killed me bc I interrupted a screening of Solaris by one of his GOATS Andrei Tarkovsky 😂 Even John Akomfrah's affective proximity, which AJ loves to employ, is an evolution of Eisenstinian montage.

The difference is that most of these filmmakers were steeped in, trained in, and worked in Black film. They weren't working within the studio system (though Burnett would go on to work with Disney in the 90s). There were Black spaces from Studio Museum in Harlem to Performing Arts Society of Los Angeles. There was public funding for TV that Marlon Riggs, Chamba Productions, etc. were able to take advantage of. Now all of these programs are either severely underfunded or gone completely. I think this is the primary reason: There aren't that many (semi)autonomous Black film/cultural spaces left. And so there's no cultural push for such things. 

All the money and attention is in white spaces. I know some filmmakers who either did a concept short for a feature or are in prepro on their first feature. The people around them have told them that they need to find European equivalents to their Black influences or else the money and attention will dry up. It's a structural thing. Two suggested comparisons that stuck out to me were Bill Gunn & Steven Soderbergh and Kathleen Collins & Maya Deren. These directors are not doing anything close to the other. It's just "scrappy indie director" and "known female director". I guess that's how things are commodified now.

Back in the 90s John Singleton went to Senegal to study under Ousmane Sembène. Part of the conversation is in Manthia Diawara's Sembéne: The Making of African Cinema. Diawara screened a bunch of cut footage from this conversation a couple years back but I don't think it's online. So literally 30 years ago there was still a connection to the past. What you're describing is a recent development.

So much of the last decade of Black cinema is animated by liberal identity politics and white guilt. from How They See Us to Birth Of A Nation. Even films that aren't so explicit about the white gaze like Moonlight are still affected by this phenomenon. It's not shocking that it won best picture after #OscarsSoWhite nor is the volume of Black cinema represented that year surprising. I have my suspicions that Barry was affected by the same antiBlack forces my friends are fighting now. He was tweeting about Clockers in the months preceding production. 

The industry is in flux right now + the transition from Obama to Trump (which we're still in btw) are all at play here. Film, especially Black film, is in retreat right now. The best we can do at this moment is be torch bearers of our lineage. I always feel like I'm mopping the ocean but every now and then a legend messages me a thank you or a new subscriber shows their appreciation.

In this climate of "Black firsts" (well firsts in white spaces) it's good to see you articulate how you want to build on the past. Being the Black 101st means that despite colonialism and slavery and Jim Crow and prison and everything else, nothing can stop the force of the Black camera and that should be honoured and celebrated.

[officialpenisenvy]

review of supersonic 2016: extremely well-made documentary that should serve as a blueprint for any would-be band documentarian. massive chapeau to the director mat whitecross and especially the editor paul monaghan who for two hours managed to make me feel interested and involved in a subject i have zero autonomous desire to explore. genuinely appreciated the story told and the people partaking in it through the great judicious use of archival footage mixed with more recent material. it was a very interesting storytelling choice to end the documentary where it does and not cover the downfall of the band but it also makes sense as that would require covering a much longer period of time as well as a relatively recent one for the people involved — and the choice not to cover the end gives the documentary an eerie quality where people hint at something terrible happening but it is never directly shown. very sensible filmmaking and very masterful editing in service of an interesting and dramatic narrative so elegantly portrayed it seems almost fictional. i have no care at all for the band itself but this is an excellent piece of documentary film which i would recommend to anyone who is interested in the genre and has the ears to stomach the unfortunate-sounding music.

[littlefalls]

"For a long time, I have felt suffocated by the atmosphere of my divided country, which permeates my everyday life. In 2021, the University of Theatre and Film Arts, Budapest lost its autonomy when it was completely reorganized from above as directed by the state, and the professors and students did not agree with this at all,” Reisz says in his director’s notes.

“The young people blockaded the university – for lack of any better means – and events soon took a party politics turn, even though the students’ only aim was to be able to take part in autonomous education. As a filmmaker and former student of the university, I joined their struggle, and one day, on the way home from a demonstration, it occurred to me that we need to talk about the situation that surrounds us, and that every art form, including film, should be a medium through which to do this. This is what prompted the main idea of ‘Explanation for Everything,”

Hajrá Reisz Gábor!!!!

[mingminii]

"CINEMATOGRAPHY" by: JCeniza

The science and art of making motion pictures is known as cinematography. It involves methods like general scene composition, lighting of the set or location, selection of cameras, lenses, filters, and film stock, camera angle and movement, and integration of any special effects.

The director of photography, sometimes known as the cinematographer, first cameraman, lighting cameraman, or director of photography, is in charge of getting the director's desired photographic images and effects. All these issues may involve a large crew on a feature film.

The Lumière Brothers invented the Cinèmatographe, which means "writing with light and motion" in Greek, in 1895, combining a camera and a projector, allowing Parisians to view projected films for the first time. Technicolor was invented in 1917, making it possible to exhibit films in color for the first time. Formerly, color had to be added after filming, which took time. Yet, color film did not become widely used until the 1970s. The Jazz Singer, the first sound movie, was released in 1927.

The introduction of sound in movies posed a problem for cinematographers. In order to hide their noises, cameras at the time had to be put in big boxes because they were loud. This made moving around challenging. Moving a camera swiftly was almost impossible before the "barney" was created. Cinematographers are no longer required to carry about heavy equipment in the present Hollywood period; instead, it is their technological expertise and proficiency with the camera that make them so vital to the business. Perhaps more than any other gadget, the motion picture camera can simultaneously be autonomously active and indefinitely passive (Deren 1960). Filmmaking would not be possible without cinematography. It is about using imaginative images to support a narrative and elicit a response from the audience. Modern filmmakers frequently neglect the reality that it is less about the tools you use and more about how you utilize them. Filmmaking would not be possible without cinematography. It is about using imaginative images to support a narrative and elicit a response from the audience. Modern filmmakers frequently neglect the reality that it is less about the tools you use and more about how you utilize them.

"In the digital age, everybody may buy and own their own camera," says Los Angeles-based cinematographer Alicia Robbins (The Wedding Invitation, Dawn of the Planet of the Apes). Producers and filmmakers are led to believe that their film will not qualify as a movie if they do not use the Arri Alexa to shoot it. When did filmmakers and producers stop looking for a cameraman who understood strong storytelling, lighting, and composition? "Cinematographers are just as good at telling stories as directors; the difference is that they work with images rather than performers.” We are not only generating beautiful pictures; we are telling emotional stories with the visuals. I believe that to be a major misconception. According to Rodrigo Prieto, during this year's awards season The Hollywood Reporter cinematographers’ roundtable, "People think it is good cinematography because it's beautiful.” Prieto was the cinematographer on The Wolf of Wall Street, 8 Mile, and Brokeback Mountain in addition to being nominated for an Oscar for his work on Martin Scorsese's Silence.

[strangemusictriumph]

Small Unmanned Aerial System (UAS) Market - Forecast (2022 - 2027)

The market for Small Unmanned Aerial System (sUAS) is estimated to be $24.1 billion by 2026 and is analyzed to grow at a CAGR of 16.38% during the forecast period 2021-2026. APAC is growing at the highest CAGR of 19.08% in the forecast period owing to the rapid rise in investment for the defense, commercial and law enforcement bodies in the Asia Pacific region, which are mostly dominated by the countries such as China, India, Australia and South Korea. These countries are allotting a considerable budget for their defence & law enforcement grooming purposes. Besides, growing incidences of interpersonal stand-offs, border surveillance, asymmetric warfare, terrorist activities, preparation for the forthcoming combats, along with higher economic development and enhancement in the manufacturing industries, construction sector, and others are enhancing the market growth in the forecast period. South America is analyzed to grow at significant CAGR of 18.17% in the forecast period owing to the procurement of small UAS for ISR applications with synthetic aperture radar especially in countries like Brazil due to increasing defence budgets. Further in South America, small UAS and micro air vehicles are increasingly being adopted for industrial purposes, like surveying, mapping, mining, agriculture, and construction in the region. North America has dominated the market growth with 33% in 2020, owing to rising investment in the defense & homeland security budgets, especially in the United States, and higher development in the information technology & microelectronics industry is expected to fuel regional market growth substantially.

Report Coverage

The report: “Small Unmanned Aerial Systems Market Industry Outlook– Forecast (2021-2026)”, by IndustryARC covers an in-depth analysis of the following segments of the Small Unmanned Aerial Systems Market

By Type: Multi-Rotor, Fixed-Wing, Single-Rotor Helicopter, Fixed Wing Hybrid VTOL

By Size: Very Small UAS, Small UAS

By Range: Very Close Range, Close Range, Short Range, Mid Range, Long Range

By Endurance: Low Endurance-Low Altitude, Average Endurance-Low Altitude, Average Endurance-Average Altitude, High Endurance-High Altitude

By Energy Source: Traditional Fuel, Battery Cell, Fuel Cell, PVs and Others

By Level of Autonomy: Autonomous, Automatic

By Application: Recreation, Education, Industrial, Filmmaking, First Responder Services, Government Agencies, GIS, Oil and Gas, Agriculture, Others

By Geography: North America (U.S, Canada, Mexico), Europe (Germany, UK, France, Italy, Spain, Russia and Others), APAC (China, Japan India, Australia and Others), and RoW (Middle East and Africa, South America)

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Key Takeaways

Adding up to this the significant rise in the investments and contracts from defence sector of various countries is boosting the small-UAS market during the forecast period.

In January 2021, the French Defense Procurement Agency DGA chose Parrot SA, to supply its micro drones, ANAFI USA for three corps of the French Army.

In FY 2019 budget, the Department of Defense had requested around $9.39 billion fund for unmanned systems and associated technologies. This includes funding for the procurement of 3,447 new air, ground, and sea drones.

Small Unmanned Aerial Systems Market Segment Analysis – By Size

Very Small Unmanned aerial system is projected to reach US$ 12,787 million by 2026 and is estimated to grow at a CAGR 16.26% during 2021-2026. Very small unmanned aerial system consists of nano and macro UAS. Nano unmanned aerial systems are upto 250 gm and macro UAS are generally from 250 gm to 2 kg. This small size unmanned aerial system is hugely adopted for recreational purpose. There has been a high adoption of very small UAS owing to the rising demand for nano and macro-UAVs in precision agriculture offering strong potential to improve the efficiency of water, nutrient, and disease management. Such a wide range of applications of nano and macro UAS in agriculture sector is augmenting the market. Technological advancements in unmanned aerial system such as sensor miniaturization, flight precision, autonomy and cloud-based image processing are boosting the adoption of very small UAS in agriculture sector. Increasing penetration of nano and macro UAS in construction site for measuring real-time work progress or in mining sector to provide volumetric data on excavations has contributed to the growth of the market.

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Small Unmanned Aerial Systems Market Segment Analysis - By End Users

Among all the applications, the Recreational applications held a significant amount of market share in 2020 as they have a market share of $1.3 billion in  2020, growing at a CAGR of 18.37% during the period 2021-2026. The market is growing due to its wide adoption of monitoring and surveying of remote locations in the region. Moreover, commercial or recreational drones are also being used for monitoring disaster-affected areas, providing aid to the victims, and for search & rescue missions. The commercial small unmanned aerial system (UAS) market continues to grow globally and was accelerated in the wake of the COVID-19 pandemic response. Autonomy and artificial intelligence (AI) are, and will remain, the main drivers promoting commercial UAS adoption and associated market growth because autonomous flight reduces the need for expensive manpower whereas AI-driven data collection and processing reduces the time it takes to produce results that directly impact decision-making.

Small Unmanned Aerial Systems Market Segment Analysis - By Geography

Small Unmanned Aerial Vehicle Market in North America region held significant market share of 36.6% in 2020. The adoption of sUASs in military applications, commercial applications and others are also witnessing the growth of sUASs in North America. Furthermore, many organizations like AirMap, Drone Map, Teal, Drone Seed, Cape and Others have also funded different technologies related to Small Unmanned Aerial Systems thereby driving the growth of the market. In addition, the presence of countries like Canada, Mexico in North American region most of the drones used are commercial ones owing to recreational purposes. In 2019, the government has announced to spend $738 billion in Defense sector by 2020 for various operations including modernization of equipment's. Moreover, the Defense spending in the country is rapidly increasing due to increased threats from other countries. In the year 2018 Mexico had a defense budget of around $ 6,568 million in 2018, a 13.6% increase from 2017 and it is expected to increase in the forecast period. These factors have driven the growth of the market in this region.

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Small Unmanned Aerial Systems Market Drivers

Rise in application of small UAS by Armed forces and Other government agencies

The market for Small Unmanned Aerial Systems is likely to benefit enormously from the rising safety concerns of Armed forces and different agencies around various parts of the globe. The rise in the application of small UAVs by different Government agencies has been promoting the growth of Small Unmanned Aerial Systems in the global market. Increasing safety concerns of armed forces and government agencies, such as to conduct reconnaissance missions and track illegal activities without risking their lives has been a major driving factor for the growth of small UAS in global market. For instance, applications of autonomous small UAS for surveillance in army bases, border regions and places of gatherings provide visual data of any sort of threats instantly to the operators. Moreover, the application of small UAS for surveillance in base camps, military convoys to safeguard army personnel has been a major driving factor for its growth. On April 2021, Exyn Technologies, a leading manufacturer of aerial robotics launched their new ExynAero, an autonomous small UAS which is considered to be the highest level of aerial autonomy especially designed for high-risk environments.

Growing Applications in Logistics Sector

Growing applications of small UAS for Logistic applications due to the current Covid-19 pandemic, the Logistic sector of global level has been facing a severe decline in their growth. Several governments imposed strict lockdowns to safeguard their economies and reduce the spread of the virus by reducing human contact. To overcome this severe damage, many countries across the globe have opted for Logistic operations using small UAS. For instance, in March 2020, Zipeline International set up small UAS delivery facility and distribution center across South Africa and Ghana. They have been delivering various medical products, live-saving drugs and other healthcare requirements in quick time without human interaction. The application of small UAS is expected to increase over the near future. This is expected to drive the market for small UAS in global level. Moreover, in India, Directorate General of Civil Aviation (DGCA) gave approvals to brands like Dunzo, Spicejet, Zomato, and Swiggy to go ahead with BVLOS deliveries. These developments will bring major boost in forecast period for small UAS Market.

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Small Unmanned Aerial Systems Market Challenges:

Breach of Privacy

There has been several instance of  breach of privacy in Europe with the application of small UAVs. The small size, ability to fly through low altitude and hard to detect makes small UAVs perfect for spying on people.  This has also led to the ban of small UAVs across many countries in Europe. This is a key constraint for market growth for small UAVs in the region. Further, some countries have made it mandatory to have license to own any UAVs. Thus, this is for many consumers who were looking to purchase UAVs for leisure photography or as a entertainment device are now reluctant to go through the process of applying for license for purchasing small UAVs. In Jan 2021, EU announced its final set of rules for small unmanned aircrafts. The remote identification of UAVs has been levied to identify any UAV flying in the air. This is a key constrain in the market growth in small UAVs in Europe

Small Unmanned Aerial Systems Market Landscape

Product launches, acquisitions, Partnerships and R&D activities are key strategies adopted by players in the Small Unmanned Aerial Systems Market. Small Unmanned Aerial Systems Market top 10 companies include DJI, Aerovironment,Inc., Parrot Drones SAS, Precision AWK, Airbus SAS, Boeing, Lockheed Martin Corporation, General Atomics, Textron, Inc, Thales Group  among others

Acquisitions/Product Launches

On October 2020, Parrot entered into a strategic partnership with Colorado Drone Chargers, the global leader in field ready, high speed small UAS charging systems. The partnership aimed to design a revolutionary charging system for the ANAFI USA batteries, allowing professionals to simultaneously charge four Parrot ANAFI USA 3400mAh flight batteries in the field and in less time than a standard charging system.

In 2020, UMS Skeldar launched V-150 UAV. The V-150 UAV is lightweighted with a takeoff weight of maximum 150kg. This UAV used signals intelligence equipment and infrared camera.

 For more Aerospace and Defense Market reports, please click here

[appu143]

Gimbal Robot in USA

The three main axes of a gimbal system—yaw, pitch, and roll—allow a mounted camera or other device to move independently of the robot's motion. Sensors, gyroscopes, and motors are used by gimbal robots to counteract vibrations and ensure smooth motion. By continuously adjusting the motorized gimbal, the stabilization is accomplished, minimizing sudden movements and jerks in real time. Gimbal robots provide precision without sacrificing mobility for sectors that depend on it, including engineering, cinematography, and even medicine.

Key Applications of Gimbal Robots in the USA

Film and Media Production

In the American film and media industries, gimbal robots are quickly becoming indispensable equipment. They enable cinematographers to produce high-quality film by capturing dynamic pictures and maintaining camera stability during fast-paced scenes. Gimbal robots, as opposed to conventional stabilizers, may follow predetermined courses, giving filmmakers the ability to create intricate shots that would otherwise be unachievable with handheld equipment or conventional dollies.

Military and Surveillance

Particularly in surveillance and reconnaissance, accuracy and stability are critical. Camera systems are supported by gimbal robots, which enable them to take sharp pictures while traveling uneven terrain or keeping an eye on dangerous locations. During crucial missions where reliable imaging and clear visuals are necessary for decision-making, our technology plays a significant role in maintaining data integrity.

Scientific Research

Gimbal robots have a lot of promise for scientific research, especially in fields like autonomous research, agriculture, and environmental monitoring. To collect reliable, high-quality data, researchers can equip gimbal robots with sensors and send them out over different terrains. For instance, without sacrificing data accuracy, these robots may traverse mountainous or forested areas to examine wildlife or assess soil conditions.

Medical and Healthcare Applications

Additionally, telemedicine and robotic-assisted surgery employ gimbal robots. Medical practitioners can perform precise remote consultations or treatments with the use of stabilizing technology. In addition to improving patient outcomes, this innovation makes it easier for medical personnel to execute precise procedures or diagnostics, particularly in high-motion, crucial settings.

Drones and Autonomous Vehicles

Gimbal systems are fitted to stabilize cameras or sensors, guaranteeing steady video regardless of weather or altitude variations. Similar to this, gimbal technology, which stabilizes sensors to efficiently monitor road conditions even on uneven or unpaved roads, can help autonomous cars.

Benefits of Gimbal Robots

Precision and Stability

Enhanced Efficiency

Adaptability in Challenging Environments

Gimbal robots, which provide accuracy and stability in a wide range of applications, are a revolutionary development in the robotics sector. Gimbal robots should become more and more essential in a variety of industries as the USA makes more investments in automation and robotics. Gimbal robots are already having a big impact on everything from scientific study and medical treatment to film production and military surveillance, and the impact is only growing. Gimbal robots will develop more as technology progresses, creating new opportunities and expanding the realm of what robots in the USA and abroad are capable of.

To know more click here

[vpsets]

Revolutionizing Filmmaking: Rent Digital Assets with VP Sets

In the ever-evolving field of filmmaking, technology persists to compel limits, delivering creative solutions to improve imagination and streamline production. One such groundbreaking evolution is the emergence of virtual movie sets. 

VP Sets, a pioneering organisation in this arena, presents a special chance to rent digital assets. Including brand word VP sets, and altering how filmmakers balance their projects. This blog explores the benefits of leasing digital assets. 

The abilities of VP Sets, and how this technology is reshaping the fate of film production.

The Rise of Virtual Movie Sets

Virtual movie sets are digitally designed conditions that filmmakers can use to manufacture. Using different establishments and environments without the requirement for physical structure. Using state-of-the-art virtual production 3D modelling and rendering methods, creators can access unlimited creativity and flexibility in production to create these collections. 

Renting virtual sets is usually more thrifty than constructing physical climates. It reduces expenses linked to materials, labour, and transport. Placing up a physical set can take weeks or even months. With virtual sets, filmmakers can now access pre-designed settings, especially decreasing the time needed for production. 

VP Sets are at the fore of the virtual filmmaking process. Delivering a comprehensive library of digital aids for filmmakers, content creators, and advertisers. 

Conclusion: Transforming the Filmmaking Landscape

VP Sets is revolutionising the filmmaking enterprise by delivering the key to high-quality virtual movie sets and digital assets. The advantages of renting these assets rise beyond mere comfort. They symbolise a substantial shift in how narratives are told and made.

Whether you’re an autonomous filmmaker, a corporate brand, or an academic institution, renting digital assets from VP Sets unlocks the door to unlimited opportunities. Take a dip into the planet of virtual filmmaking and find how VP Sets can promote your tasks to new extremes. The future of storytelling is here, and it’s more thrilling than ever before.

[kvibestudios]

Unlocking Filmmaking Magic: Innovation in Storytelling and Technology

TITLE-format: A New Era of Filmmaking: Exploring Innovations in Storytelling, Technology, and Audience Engagement

The filmmaking sector is witnessing an extraordinary transformation, propelled by revolutionary technological and creative advancements. The manner in which stories are portrayed on screen is being reimagined, providing filmmakers and viewers a more engaging and visually striking experience. Especially in locales such as New Jersey, these advancements are altering how filmmakers engage with their craft.

Cinematography stands at the forefront of this shift. Recent breakthroughs in LED technology and virtual production are revolutionizing scene lighting and shooting. Combining LED lighting with extended reality technology allows for vibrant color fidelity, seamlessly merging virtual and physical settings. Progressions in camera technology, such as the transition to 24V cameras and enhanced stabilization techniques, are making it easier to achieve smoother and more fluid shots. Meanwhile, drones are offering new perspectives in aerial cinematography, capturing stunning overhead views.

Revolution in Editing Techniques

Editing techniques have evolved considerably, opening up new realms of creativity. Algorithmic video editing empowers software to autonomously manage and process footage, with high customizability to match distinct visual styles. This accelerates the editing workflow and maintains uniformity throughout projects. Storytelling is advancing through non-linear narratives, as filmmakers weave together multiple timelines and viewpoints to produce intricate and engaging plots.

Enriched Sound Design

Sound design plays a crucial role in enhancing the film experience. Spatial sound technologies like Dolby Atmos create a three-dimensional audio space, wrapping audiences within the story. Sound elements are carefully positioned to craft a convincing sense of presence. Moreover, subjective sound design echoes characters' internal experiences via tailored audio cues, such as heartbeats or altered voices, to construct a deeper psychological narrative.

Reimagining Special Effects

The domain of special effects is evolving, with a blend of practical and digital components reaching new levels of sophistication. Motion capture technology records actors' performances in fine detail, transitioning them into digital characters with all nuances retained. Real-time rendering technology permits filmmakers to visualize and adjust CGI instantly, further boosting creativity and efficiency in filmmaking.

Interactions between audiences and films mark another boundary of innovation. Virtual Reality (VR) and interactive videos immerse viewers in the story, offering customized experiences through branching narratives and user-directed choices. Dynamic data analysis enables narratives to adapt based on the viewer's emotional responses, adding an extra layer of personalization to the storytelling.

Production Marvels

Production design and lighting are vital in immersing audiences in the film universe. Virtual sets with LED light panels allow for precise color control and stunning visuals. Filmmakers adeptly blend practical and digital elements, using virtual reality to pre-visualize elaborate sets before actual construction commences.

If you're a filmmaker looking to leverage these groundbreaking techniques, consider experimenting with contemporary technologies in cinematography, editing, and sound design. Embrace algorithmic editing systems to refine your processes and explore non-linear storytelling to engage audiences. Investing in spatial audio can notably enhance the immersive quality of films. Blending practical effects with digital ones fosters seamless cinematic experiences.

Exploring the timeless three-act structure, which divides narratives into setup, confrontation, and resolution, remains a time-honored method to sustain audience attention from beginning to end. This enduring storytelling framework ensures viewers remain thoroughly invested throughout the narrative journey.

How can filmmakers effectively apply these strategies in their projects to boost audience engagement and film quality, especially those operating in distinctive environments like New Jersey?

#filmmaking #innovation #cinematography #sounddesign #VR

Innovate your filmmaking techniques. Explore new methods at https://www.kvibe.com

[avocodedigital]

Meta AI's MovieGen - Advanced Media Models

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Unveiling the Future of Media: Meta AI's MovieGen

In an era where artificial intelligence is rapidly transforming various industries, Meta AI is at the forefront, reshaping the landscape of digital media creation with its groundbreaking innovation, MovieGen. This new series of advanced media foundation AI models promises to revolutionize how movies and other media content are generated, offering unprecedented levels of sophistication, creativity, and efficiency.

An Introduction to MovieGen

MovieGen represents a quantum leap in AI-assisted media generation, blending cutting-edge technology with creative exploration. Developed by Meta AI, this suite of algorithms transcends traditional media creation methods by employing sophisticated AI-driven processes that craft intricate animations and vivid media elements in real-time.

By using neural networks, MovieGen not only generates scenes but also ensures they are rich in detail and aesthetics. It's more than a tool; it's a media creation companion for filmmakers, animators, and digital artists seeking to push creative boundaries.

Key Features of MovieGen

MovieGen is built on a solid foundation of advanced AI models, showcasing several standout features:

Real-time Scene Generation: MovieGen is designed to generate movie scenes dynamically, allowing creators to visualize their ideas instantaneously and iterate over concepts with unmatched speed.

Advanced Neural Networks: At its core, MovieGen utilizes deep learning algorithms that understand and replicate complex artistic nuances, producing media content that is both innovative and visually appealing.

Scalable Creativity: Whether for blockbuster films or indie projects, MovieGen scales to meet the creative ambitions of any project, enabling diverse storytelling avenues.

Streamlined Production Workflows: By automating routine tasks, MovieGen streamlines production pipelines, reducing time-to-market for content creators and enhancing productivity.

How MovieGen Transforms Media Creation

The introduction of MovieGen into the media landscape is not just an upgrade; it's a transformation. Here's how:

1. Empowering Filmmakers

MovieGen empowers filmmakers by removing technical barriers. Filmmakers can now focus on storytelling instead of bogging down in technical details. With AI handling scene backgrounds, lighting nuances, and even character movements, creators have more room to experiment and innovate.

2. Revolutionizing Animation

For animation studios, MovieGen offers a new level of precision and creativity. The AI models can autonomously generate character animations and complex scenarios, providing animators with a robust tool that complements their artistic skills.

3. Enabling Personalized Content

As consumer demand for personalized content grows, MovieGen provides a means to deliver. Through sophisticated algorithms, content can be tailored to individual viewer preferences, creating more engaging experiences.

Meta AI's Vision for the Future

Meta AI's vision with MovieGen is to democratize media creation. By providing creators of all sizes with powerful AI tools, Meta is enabling a generation of content that is not only quicker to produce but also more imaginative and diversified.

This vision extends beyond mere technological achievement. It reflects Meta AI's commitment to fostering creativity worldwide, encouraging a synergy between human creativity and AI intelligence that produces content beyond what was previously conceivable.

Innovative Uses and Applications

Beyond traditional filmmaking, the potential applications for MovieGen are vast:

Virtual Reality Experiences: MovieGen could revolutionize how VR content is created, offering immersive environments crafted almost entirely by AI.

Interactive Storytelling: Through AI-driven narrative paths, MovieGen enables a new genre of interactive stories that adapt to viewer decisions in real-time.

Marketing and Advertising: MovieGen can generate captivating ads that adapt based on viewer data, making marketing campaigns more effective and personalized.

The Journey Ahead

As Meta AI continues to refine MovieGen, the industry will undoubtedly witness more breakthroughs and possibilities. The ongoing advancements will likely foster even deeper integrations of AI in media, enhancing both the technical capabilities of creators and the immersive experiences of audiences.

Conclusion

Meta AI's MovieGen stands as a testament to the remarkable potential of AI in media creation. By bridging the gap between technological prowess and creative expression, MovieGen is poised to redefine not only how media content is made but how it resonates with audiences.

As this AI technology continues to evolve, the future of media is set for a transformative journey, where creators are limited only by their imagination, and audiences are treated to an ever-expanding realm of cinematic possibilities.

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[jigarreportprime]

Exploring the Depths: The Rise of the Underwater Drone Market

Underwater Drone Market : Imagine a world where diving into the depths of the ocean is as straightforward as a stroll in the park. This is the domain of underwater drones, specialized remotely operated vehicles that navigate the deep sea on our behalf. Originally developed for military reconnaissance and espionage, these drones ventured into civilian use driven by the excitement of uncharted territories. Emerging in the mid-20th century, they've since proven invaluable across various sectors such as marine biology and filmmaking, representing a perfect fusion of thrill-seeking and scientific exploration.

The Journey of Innovation

The journey of underwater drones is a tale of constant evolution. From their covert military origins during the Cold War to today’s versatile civilian applications, these machines have transcended their initial designs. Advances in technology have turned them into sophisticated tools that boast longer operational times, withstand tremendous underwater pressures, and capture stunning visuals from the ocean’s depths. The once bulky and tethered devices are now sleek, agile, and more accessible to everyday enthusiasts and researchers alike.

Why Embrace Underwater Drones?

The allure of underwater drones lies in their ability to safely and efficiently explore where humans cannot. These mechanical explorers offer a window into mysterious underwater worlds, proving invaluable for inspecting submerged structures, conducting scientific research, or capturing breathtaking aquatic footage. Their capability to venture into uncharted waters without risking human lives makes them a cornerstone in modern exploration and conservation efforts.

Global Hubs of Drone Innovation

The heartbeats of underwater drone manufacturing pulse strongest in cities like San Diego, Tokyo, and Stockholm. These hubs are celebrated for their cutting-edge technological landscapes, pools of skilled professionals, and close ties to academic and research institutions. Here, the fusion of innovation and expertise propels the development of drones that are not just machines, but pioneers of the aquatic frontier.

Diverse Designs for Diverse Depths

Flexible Plastic Drones: Tailored for light-duty tasks in benign environments, these drones are perfect for educational purposes or amateur exploration.

Rigid Plastic Drones: Built tough, these drones are the go-to choice for tackling challenging depths and complex missions requiring durability.

Metal Drones: When the going gets tough, metal drones get going, especially in industrial applications where strength and endurance are paramount.

Other Materials: Innovations continue with drones crafted from advanced composites, balancing agility and resilience for a variety of underwater adventures.

Applications as Vast as the Oceans

Freshwater Ventures: Ideal for ecological studies or monitoring freshwater ecosystems, these drones help scientists and conservationists protect our aquatic natural resources.

Processed Applications: From the silver screen to the search for sunken relics, these drones are equipped with state-of-the-art features that make them essential tools for professional-grade tasks.

Looking Ahead: The Future of Underwater Exploration

As we peer into the horizon, the future of underwater drones shines bright. Driven by an insatiable curiosity and the push for sustainable technologies, the market is set to expand further. Innovations such as artificial intelligence and autonomous navigation are making drones not only smarter but also more integral to tackling global challenges like climate change and marine conservation.

In Closing

The underwater drone market is not just surviving; it's thriving, buoyed by a wave of technological advancements and expanding horizons. As we continue to unlock the mysteries of the deep, these drones not only enrich our understanding of the world but also ensure that the final frontier is within our reach, safe and sound.

This report captures the essence and excitement of a market that's as dynamic as the oceans it explores. As underwater drones continue to chart unknown waters, their journey is a testament to human ingenuity and the endless quest for knowledge.

Read more :

The Refuge Chamber Market provides essential safety solutions for hazardous work environments.

The Chain Conveyor Systems Market offers robust transport solutions for industrial applications.

The Environmental Test Chambers Market simulates diverse conditions for product testing.

The Ionisation Chamber Market is critical in radiation detection for healthcare and monitoring.

The Submersible Dewatering Pumps Market supports efficient water management in various sectors.

The Downhole Tools Market enhances oil and gas extraction and well performance.

The Diverter Valves Market facilitates efficient material handling across industries.

The PVA Brush Market offers innovative solutions for effective cleaning.

The Commercial Ice Machine Market is vital for ice supply in the hospitality industry.

[thejacksmit]

TheJackSmit.com at the 2024 Lytham International Film Festival

August Bank Holiday meant only one thing - the mother of all storms - but also the second edition of a film festival that's making waves in the North and far beyond. LYIFF returned to the Lowther Pavilion, with 105 submissions from across the globe, 15 world premieres, 3 'foot in the door' workshops for aspiring filmmakers, and plenty of opportunities to meet the talent behind the films in competition. As usual, here at TheJackSmit.com we're quite proud of the North, so it is always a joy to be able to cover the event, and actually talk to the movers and shakers in this industry.

HERE'S SOMETHING WE MADE EARLIER: LYIFF becomes the first festival to feature on The Journal

Usually we'd have a huge written piece on all of the highlights when it comes to the shorts - but we doubled our coverage to see 35 of the 105 selections across features, shorts and music videos in the 2024 festival. So, naturally... we went all out and added The Journal to the mix. Seeing as we made the episode before knowledge of the award winners came through to Smit HQ - we had to wait to be able to name them. So without any further delay, here are this year's winners, all films you should 100% have a read up about.

THE LYIFF AWARDS 2024

BEST FEATURE: The Way to Happiness (dir: Nicolas Steil)

BEST SHORT: Good Boy (dir: Tom Stuart)

BEST REGIONAL FILM (sponsored by Chris Allen Mazda): Autonomous Winter Shelter (dir: Dean Cooper)

BEST ACTOR: Tillman Eckardt (Once and For Real)

BEST ACTRESS: Daria Panchenko (A Day in February)

BEST DIRECTOR: Parker Croft (As Easy As Closing Your Eyes)

BEST SCREENPLAY: Baby On Board (Stephen Volk)

BEST CINEMATOGRAPHY: The Last Embrace (Paul Meyers, dir: Diego Contreras)

BEST EDITING: [Insert Short Film Title] (dir: Kory Orban)

BEST VFX: Wild Summon (Saul Freed, dir: Karni Arieli & Saul Freed)

BEST ORIGINAL SCORE - Judged by John Parr (best known for St Elmo's Fire [Man in Motion], and LYIFF 23 winning short Unconquered): The First Time I Never Met You (Joseph Alexander, dir: Eric Kole)

BEST MUSIC VIDEO - Judged by John Parr: You Feel It Too (Moxy the Band)

LYIFF CREATIVITY AWARD: Sound 7406 (dir: Goran Sporcic)

BEST COMEDY: The Snip (dir: Ben S. Hyland)

BEST AFTER DARK (Horror/Thriller): Rain, Rain, Go Away (dir: Sebastiano Pupino)

BEST EXPERIMENTAL: Ava (dir: Stella Brajterman)

BEST ANIMATION: Nerd (dir: Gus Menese)

BEST FACTUAL: Beyond the Beach: The Hell and the Hope (dir: Graeme Scott & Buddy Squires)

BEST DRAMA: In 100 Years (dir: Hektor Hornsleth)

BEST FIRST TIME DIRECTOR: Kathryn Georghiou (Changing Tides)

LYIFF RISING STAR: Csnad Noll (dir: The Files - aged just 15 and showcasing his debut short at the Festival, judges have identified him as a talent to watch in the future)

During our day on site, I got to chat with Kathryn Georghiou (director of Changing Tides), Johnny Herbin (director of Cakes!), Rosie Fox (writer/composer/star of Bonny Chip) and Goran Sporcic (director of Sound 7406) at the various Q&As and between screenings, and this is what makes LYIFF unique- as one minute you can literally be sat with the filmmakers, talking shop about the business, before seeing their work on the big screen. It's a proper family vibe, and I know a lot of the people who attended the festival can attest to that.

WORKSHOPS FOR THE FUTURE

New for this edition was the LYIFF Foot in the Door programme, a way for the filmmakers of the future to learn from those involved in the festival's selections. On the Friday, festival director (and also the director of The Renata Road) Ed Greenberg lead a workshop on exactly what it takes to produce a quality short film, on any budget, that will do well on the festival circuit - including all the ways to get funding, in a 45 minute workshop that ended up going an hour because there was so much valuable information on offer. On the Saturday, the aspiring screenwriters got to talk to filmmaker and author Andrew David Barker about writing for the short form, ahead of a screening of his short film Baby on Board later that evening. Then on the Sunday morning, Richard Albiston gave the workshop most filmmakers want to hear: the inside line on getting your film seen and distributed. Richard knows his onions about all this, as owner of The Cannon Film Company (as well as being the protege of the late Menahem Golan), he has an eye for identifying promising low budget films that will do big things internationally, as well as being a filmmaker in his own right.

2025 AND BEYOND: Northern Film Matters

Artists impression of the Lowther Pavilion's new Education Centre and Studio, due to open April 2025

Speaking to the team at the festival, as well as staff at the Lowther Pavilion, the next two years for LYIFF are going to see some serious evolution - all being well, next April the Pavilion will open their Education Centre and Studio, providing a second indoor venue to supplement the main 450 seater screen and The Tent, as it has become known. There is a serious passion amongst everyone involved in putting it on to take this as big, and as far-reaching as it can, just like the music festival held on Lytham's promenade every July has done since 2015.

All of these chats have prompted us here at TheJackSmit.com to start developing a very special little strand, which we'll reveal more about once submissions open for next year's festival - that hashtag in the Journal is a small hint as to what it's called...

Submissions for LYIFF 2025 open on FilmFreeway.com/LYIFF on September 1st.

[afnews7]

Japanese Visual Artist and Animator Keiichi Tanaami Passes at 88

http://www.afnews.info segnala: Revered independent filmmaker played a role in the development of autonomous and experimental animation film in Japan… Vedi il resto su Animation World Network – News https://www.awn.com/news/japanese-visual-artist-and-animator-keiichi-tanaami-passes-88 Debbie Diamond Sarto oppure leggilo in Italiano, tradotto alla buona: click qui. Quel…

[mindcraaft]

Top 10 Drones for Professional Photography: Capture Perfection

In the realm of professional photography, the ability to capture stunning aerial shots has become increasingly important. Whether you're a seasoned photographer or a budding enthusiast, investing in the right drone can significantly elevate your work. To help you make an informed choice, we've curated a list of the top 10 drones for professional photography, ensuring you can capture perfection with every shot.

1. DJI Phantom 4 Pro V2.0

When it comes to the best drone for professional photography, the DJI Phantom 4 Pro V2.0 is a top contender. This drone boasts a 1-inch 20MP sensor, capable of shooting 4K/60fps video, and an impressive 30-minute flight time. Its intelligent flight modes and obstacle sensors make it a reliable choice for photographers who demand precision.

2. DJI Mavic 3

The DJI Mavic 3 is another exceptional option for professional photographers. Equipped with a dual-camera system featuring a 4/3 CMOS Hasselblad sensor, this drone delivers incredible image quality. With a flight time of up to 46 minutes and advanced obstacle avoidance, the Mavic 3 is designed for capturing stunning aerial shots with ease.

3. Autel Robotics EVO Lite+

Autel Robotics EVO Lite+ stands out with its versatile camera options, including a 1-inch CMOS sensor that excels in low-light conditions. This drone offers 6K video resolution and a flight time of up to 40 minutes, making it a strong contender among drones for professional photography.

4. DJI Air 2S

For photographers looking for a compact yet powerful option, the DJI Air 2S is a great choice. It features a 1-inch 20MP sensor, capable of capturing 5.4K video. With its compact design and a flight time of 31 minutes, the Air 2S is perfect for those who need portability without sacrificing image quality.

5. Skydio 2+

The Skydio 2+ is known for its unmatched autonomous flight capabilities, making it ideal for dynamic and complex shots. While it doesn't boast the highest resolution, its 12MP camera and 4K/60fps video still deliver impressive results. It's a perfect drone for photographers who need to focus on the shot while the drone handles the flying.

6. DJI Inspire 2

The DJI Inspire 2 is a powerhouse designed for professional filmmakers and photographers. It supports dual operators, with one controlling the drone and the other the camera. The Inspire 2 is compatible with various camera options, including the Zenmuse X7, which offers a Super 35 sensor and up to 6K resolution. This drone is a favorite among industry professionals who need top-tier performance.

7. Parrot Anafi

The Parrot Anafi is a compact and lightweight drone that doesn't compromise on image quality. It features a 21MP camera with 4K HDR video capability and a unique 180-degree tilt gimbal. With a flight time of 25 minutes, it's a solid option for photographers seeking portability and flexibility.

8. Yuneec Typhoon H3

Yuneec Typhoon H3 is a hexacopter designed in collaboration with Leica, featuring a 20MP 1-inch sensor and 4K video at 60fps. Its six-rotor design ensures stability, even in windy conditions, making it a reliable choice for capturing professional-grade aerial shots.

9. DJI Mini 3 Pro

Don't let its small size fool you—the DJI Mini 3 Pro is a highly capable drone for professional photography. With a 1/1.3-inch sensor, it captures 48MP photos and 4K/60fps video. Its lightweight design allows for easy transportation, making it an excellent choice for travel photographers.

10. PowerVision PowerEgg X

The PowerVision PowerEgg X is a versatile drone that doubles as a handheld gimbal camera. It features a 12MP sensor and 4K video capability. Its waterproof design and AI-powered features make it a unique option for photographers who want a multi-functional device.

Conclusion

Selecting the right drone for your professional photography needs is crucial for capturing those perfect shots. The options listed above represent the best drones for professional photography, each offering unique features to suit different styles and requirements. Whether you prioritize image quality, portability, or advanced flight capabilities, there's a drone on this list that will help you elevate your work and capture perfection from the skies.