#astrid heeren

[chicinsilk]

US Vogue September 1, 1964

Astrid Heeren wears a blue and black herringbone tweed suit. The jacket, short, is double-breasted with a wide open notched collar, the walking skirt is composed of ample pleats. By Monte-Sano & Pruzan. Necklace, Marvella, gloves, Shalimar, Fedora hat by Lilly Daché.

Astrid Heeren porte un tailleur en tweed à chevrons bleus et noirs. La veste, courte est croisée avec un col cranté grand ouvert, la jupe de marche est composée de plis amples. Par Monte-Sano & Pruzan. Collier, Marvella, gants, Shalimar, chapeau Fedora de Lilly Daché.

Photo Irving Penn vogue archive

[thatbitchsimone]

[chaoticdesertdweller]

Silent Night, Bloody Night, 1972

Dir. Theodore Gershuny

[letterboxd-loggd]

Night of the Dark Full Moon (Silent Night, Bloody Night) (1972) Theodore Gershuny

December 19th 2024

[o-link]

Astrid Heeren, “Dos D’Astrid”. Harper 1964

© Jeanloup Sieff

[dozydawn]

Elizabeth Arden by Oscar de la Renta, 1964.

Photographed by Helmut Newton.

Model: Astrid Heeren.

[burtlancster]

it's six o'clock, sir... i'm sorry. you can't do anything about that, beckman.

[ludmilachaibemachado]

Model and actress Astrid Heeren circa 1969🌺🌺🌺

Via @thereal60sbazaar on Instagram🌺

[petiteclover]

Astrid Heeren in a promotional photo from “Castle Keep” 1969.

[roxysretrodrive-in]

Retro Trailer: Silent Night, Bloody Night (1972)

Disclaimer: I am not associated with the uploader nor the creators of this trailer.

[chicinsilk]

US Vogue November 1, 1963

Astrid Heeren wears a black silk evening dress with only bare shoulders, a variation of the backless back almost as covered as "A" the front. The skirt because it is cut on the bias in front, straight in back, falls beautifully, moves with an inherent grace. Necklace by Van Cleef and Arpels.

Astrid Heeren porte un robe de soirée en soie noire avec seulement les épaules dénudées, une variante du dos nu le dos presque aussi couvert que "A le devant. La jupe parce qu'elle est coupée en biais devant, droite derrière derrière, tombe magnifiquement , bouge avec une grâce inhérente. Collier de Van Cleef et Arpels.

Photo Horst P. Horst vogue archive

[thatbitchsimone]

[forever70s]

1968 Ford ad

[watching-pictures-move]

Movie Review | Silent Night, Bloody Night (Gershuny, 1972)

Mild spoilers in the second paragraph.

If you're looking for a Christmas horror movie, this certainly fits the bill. As far as the Christmas goes, there's some pretty nice lighting, in or away from the presence of Christmas lights, while the interior scenes have a very cozy brown look, let's call it the Hot Cocoa aesthetic, the kind of colour scheme you just want to curl up in. As far as the horror goes, the violence is surprisingly gnarly, more blood and severed limbs than you'd expect. So the movie certainly does justice to the second part of the title, with all the blood and what have you, but maybe not the first part, given all the screaming in pain characters do as they're being killed.

After we see a man burned to death in flashback, the plot moves to a lawyer played by Patrick O'Neal who comes to town with his girlfriend played by Astrid Heeren so he can sell the creepy old house now belonging to the son of the guy who burned to death. You'll notice right away that his girlfriend is a few decades younger than he is, but before you chime in to criticize the age gap, I'll have you know that ***SPOILERS*** both of them get horrifically murdered a third of the way in. So I hope you'll think twice about criticizing their relationship. Let us exercise some tact. Let us remember them fondly, instead of lecturing their corpses about the "half your age plus seven" rule. ***END SPOILERS***

Anyway, this is gonna be the weirdest fucking thing I've ever written here, but Astrid Heeren's eyebrows are like cute little caterpillars. I don't even like caterpillars, but the point is that her eyebrows are pretty striking. And she's not the only one in the cast where that's the case. Mary Woronov and James Patterson, the latter of whom looks like he could be the lovechild of David Hess and Jean-Paul Belmondo, have some pretty striking eyebrows too. So the casting director probably had a thing about them.

Anyway, I wouldn't call this a lost classic, but I enjoyed it. It's nice and cozy and bloody, and there's also the off-kilter tone to the affair, thanks to the weirdly deadpan performances by most of the cast, but in particular Woronov and Patterson. And there's some stuff that anticipates another Christmas horror classic, like the POV scenes and creepy phone calls, so you can turn it into a double feature if you're in the mood.

[serienoire]

Astrid Heeren

[miseducation-of-laura-palmer-2]

ASTRID HEEREN 1964 HARPER'S BAZAAR JEANLOUP SIEFF