#assignments and then christmas which... the past two years has involved family drama and like we just don't need that this year especially
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#had a bit of a weird day -#stayed at home because been in a lot of pain b ut also my emotions have been all over the fucking place#think i'm stressing myself out as we get close to christmas#assignments and then christmas which... the past two years has involved family drama and like we just don't need that this year especially#after everything my mums been through with her health and just#i think i've been slowly building all that up?#i've been taking the evening to read a book that i found though about mindfulness and healing and it's actually connecting which feels so..#nice??#maybe i'll do some painting too#; ooc
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If the Spit Hits the Fan (Glee) pt XI
Follows pt I, pt II, pt III, pt IV, pt V, part VI, pt VII, part VIII, part IX and part X.
Kurt's experience with show choirs and preparation is limited to the rumors about Vocal Adrenaline, and practicing like mad for months, and being part of the New Directions, and not practicing at all.
The thing about being part of a group that does prepare for competitions more than a couple of weeks – which, truth be told, is a sometimes too generous amount of time for Mr Schue – is that you have the time to both prepare properly and have fun. Having made the decision to sing Michael Jackson the Warblers go all out on deciding which songs. Everyone gets to pick songs they think should be part of the setlist, and get to perform it as they please. Solos, duets, group numbers... They have it all.
And the best part is that each song actually is a contender.
It's the best part of the New Directions, with the parts Kurt hated taken away. It's glorious.
It's also everything the Warblers hadn't been for him the year before.
He claps until his hands burn when Jeff does an impressive imitation of MJ's dancing and laughs himself silly when Rob goes Weird Al in full costume. When David, Thad, Peter and Trent join him for 'Man in the Mirror' he's warm with happiness. And getting to see Trent moon-walk is an absolute treat – Kurt never would have guessed that he was so good at it.
And he fights back a blush when he and Sebastian sing 'Human Nature', somehow turning it into a duet that feels like more than a song. They sound amazing together, and it's a shame that they can't sing that for Regionals, but they all know it's impossible.
If part of him keep expecting Mike to pop up and show off – and that same part wants to strangle Rachel and Mr Schue for depriving him of seeing Mike dancing to Michael – well. That's for him to know and noone else to find out. And if sometimes wishes Finn was there to sing with him, especially during 'Man in the Mirror'... Well. Same goes for that..
But in the end it's fun, and amazing, and it makes him feel alive. Kurt might not as bad as Rachel, but out of everyone in Glee he was probably the one who understood it the best when she claimed she needed applause to live. Nothing else feels quite like performing, and Kurt's not willing to be without that.
(That's why he never complained about the useless weekly themes and assignments Mr Schue used to pull out of thin air. Because they allowed him to perform.)
As the Christmas break draws close they've got their setlist ready though, and everyone's got a good feeling about it.
Something Kurt doesn't have a good feeling about however is Sebastian. He's been looking more and more pensive the close to break they get, and it's obvious he's thinking hard on something. On one hand, people are allowed secrets. On the other, Sebastian has been looking at Kurt while doing a lot of his thinking, so chances are it involves him.
That means Sebastian gets two weeks to hopefully get over whatever it is. If he's still brooding after that he's going to have to talk to Kurt or get dragged to the student counselor's office.
“Do I have to talk about it?”
The pout on Sebastian's face is definitely not cute, and Kurt's definitely not affected at all. Really. So instead of giving in he gives Sebastian his third best “bitch, please” look and waits.
“Fine, fine. You know, life was a hell of a lot easier when I didn't care about people.”
“Cute. Really. Good job on making yourself sound like a sociopath. Except we both know that's not true. Now, cough it up. What's wrong?!
“You're going back to Lima for the break. What's not wrong? No, really. You've told me how you've been treated there, about the bullying, and the abuse, and the harassment, and I'm supposed to feel good about you spending the better part of three weeks there?
“And yeah, I know you can avoid going out, but there's also the fact that the reason you're here this time is that your so-called friends were taking part in the harassment. You've said yourself that it was most likely one of them that caused you to almost get suspended. And unlike those jocks these are people with access to your home. Even if you don't invite them, they're your stepbrother's team. How the hell am I supposed to think you're going to be safe there?”
The words come faster and faster, and Kurt can't hear Sebastian's breathing pick up, and the anxiety is almost catching.
“I can take care of myself, you know.”
“Yeah, but will you? Because from what I can tell, you haven't exactly done that in the past.” Which, true, but. “And I know you miss your family, but the thought of you being in Lima is leaving a really bad taste in my mouth.”
“Calm down, please. Look, I understand. I do. From your point of view I guess I've done a pretty good impression of a doormat. As for the general bullying, there are reasons I haven't done as much as I maybe should have. Possibly not great reasons, but still.
“As for the Glee kids... I'm not going to let them walk all over me. Yes, they've been my team, and my friends, and I've let that influence me in the past. But I'm not going to let that happen again. If they are willing to apologize, and listen instead of accusing, then fine. I'll give them a chance. If not, then I'm done.
“High school is going to be over in less than six months. I have every intention of going to New York after graduation. Chances are I will never see most of them again – maybe not even between now and then. Thus I have very little reason to let high school drama and high school relationships dictate how I live my life. The only one who's ever even mentioned New York is Rachel, and while I'd rather not have to deal with her again, it's a big city. I'll be perfectly capable sharing it with her.”
It takes the better part of an hour to calm Sebastian down, and even after that he admits to having an urge to stuff Kurt into his bag and bring him along for Christmas break – and yes, he's perfectly aware of how insane that sounds. Kurt just shakes his head, smiles and doesn't let on to how part of him would love to spend his break following Sebastian through Europe.
The first day of break Kurt and Finn spend hours singing along to karaoke videos of MJ songs, just enjoying themselves, and singing together in a way that they've never really taken the time to do before. It's amazing, and Kurt never wants that feeling of togetherness to go away again.
Of course that's when the downside to coming home over Christmas break shows itself, in the shape of Rachel Berry. When she slips into his room, clearly using the fact that Finn’s out for a bit, Kurt sighs and promises himself he's not going to let Sebastian know how right he was about what'd happen.
He's not, he tells himself, going to give Rachel the satisfaction of getting to him. Instead he's going to give her five minutes, and then kick her out. Politely.
He manages to hold on to that conviction for about three minutes before he's had it with once again being told he's a cheat and being lectured on “driving poor Blaine away”.
“Shut up.
“My boyfriend left. He didn't break up with me, or anything, he just disappeared. One day he was there, and the next he was just gone. And instead of being there for me, instead of being my friend and helping me, what did you do? You punished me for it.
“He fucking ghosted me, and then you made me pay for it.
“So tell me Rachel, when you rigged the election, did you do it with the intention of getting me into trouble or did you decide on that afterwards?”
Her face is priceless, and under different circumstances Kurt'd laugh. This is no laughing matter though.
“Oh, you didn't think you got away with it, did you? Because let me tell you, you are nowhere near good enough of an actress for that. It was obvious you knew more than you were saying, and that you didn't actually believe I'd done it myself. Didn't exactly take a genius to figure it out from there.”
“I am an amazing actress!”
“That's what you're focusing on? Really?” Only, Kurt realized, of course she is. Nothing's ever mattered more to Rachel than her supposed star-dom.
“Eh, what am I saying, of course you are. To do anything else would mean you'd have to care more about someone else than about yourself for once. And we all know that's not how Rachel Berry operates, don't we?”
To himself Kurt can admit that he's being a bit too harsh. Because while Rachel does tend to put herself first most of the time there have been instances where she's been selfless and caring. They never really last though, is the thing.
The truth is that Rachel is more like Sue Sylvester than either of them would ever care to admit.
“You ruined Kurt's election? You're the one that almost got him suspended? What, how, why? Who the fuck even are you?”
And oh, Finn's back.
Damn.
#chocoholic fics#kurt fic#kurt hummel#a wild sebastian appears#sebastian smythe#in 2020 we finish our wips#scraps and snippets#if the spit hits the fan
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Fandom Trades: Tips and Tricks
I’ve been running a secret santa for five years now, and a few people expressed interest in a sort of ‘guide’. It does take some elbow grease to get things up and running, but it’s very rewarding and gets easier as you go. Click the ‘read more’ for some stuff I’ve picked up over the years! It’s a bit general to try and cover anything, but if you have any questions, you can ask! (And if you’ve run one yourself, feel free to add on!)
FAQ: Something that’s a really good idea to have. Here’s the most important stuff on it that would probably be applicable to most trades:
-Basic summary of what the trade will be- some could be fic-only or art-only, or even specific-ship-only. Mine’s general to ‘all sonic sfw content’, but setting guidelines so people know what they’re getting into is a good idea so you won���t have to answer the same question over and over.
-Deadlines. Make them clear. Mine’s easy (Christmas Eve) but depending on what size the gift is expected to be, the time frame can be adjusted.
-Related, set up rules for if people need to drop out. It happens, so be prepared. (This is why I ask now if people are alright giving a second gift.)
-Any particular rules for your trade- is it sfw or is nsfw acceptable? (In that case, set age limits.) Are there ships that will or won’t be allowed? Is there a punishment for violating the rules or turning things in late, like not being allowed to participate in the trade again?
PROMOTION:
A promo image is a good idea! I’ve been using the same one for a few years that was put together by a friend no longer on tumblr, but images catch people’s eyes faster than a text dump. Make something that’s easy to understand but gets the point across, and the text below should have enough information without overwhelming the casual scroller.
Space paragraphs often to make it less intimidating. Include links to the FAQ, the sample entry, and the submit box right in the post, as well as a way to contact you- you want things to be as easy as possible for anyone interested. Here’s my promo post.
You also want to start promotion early- I start posting and reblogging my promo a full month before the entry deadline, to give as many people the chance to see it as possible. Any earlier, and they might not care- (who wants to see a Christmas trade post in October when you’re hyped for Halloween?) and any later and you might not get as many participants as you could have. A month-ish is a good time frame. (I also have a tag for the promo post, so people can blacklist it if they aren’t interested and don’t want to see it 15 times.)
SAMPLE ENTRIES:
Also something that’s good to have. Having a template for what you want entries to look like will make sorting easier for you. Here’s mine. It’s a good idea to scout around for other trades to find out what would work for you.
MAKING ASSIGNMENTS:
Next, setting up how to arrange who gets assigned to who. I personally use google spreadsheets. These are the categories I use, feel free to steal them: Username, medium (art, writing, amvs, ect), whether they’ll work with fan characters, what they’d like to receive, what they won’t do (one year I even added ‘if there’s anyone you won’t work with’ so if it’s a fandom with drama, that one might be good), who they’re gifting to, who they’re receiving from, if they’ve submitted their piece yet, if their piece is in the queue, and if they’re alright with doing backup.
I also had a category for if they’ve confirmed they’re still in once assignments were sent out. (Boy, was that one nerve-wracking during the whole tumblr purge debacle of last year- I didn’t know if anybody had just quit tumblr mid-month.)
You will run into people who only want two or three things nobody else wrote on their sheet. If you can’t find even one match, then just put them with someone who had a wide variety on theirs, or who doesn’t have anything on their ‘won’t do’ list. Trying to match with multiple likes is a better bet, though, so encouraging longer lists of what people want makes things easier for you in the long run!
I personally just went in a line- I picked one person, found who they would give a gift to, and then found who THAT person would give a gift to. Rinse and repeat down the list, and it’ll end with everyone paired. I ended up making a closed loop and then sorting the last 8 or so, which was fine. An easy way to check that you didn’t double-classify anyone is control-f and searching names. If their name pops up 3 times, you did it right.
SENDING OUT ASSIGNMENTS:
Just copy-pasting the part of the entry that includes the person’s name and their likes makes this way easier for you over trying to type them out individually. Ask for confirmation that people got their assignments so you don’t have to worry if they missed it.
HOW TO KEEP THINGS ORGANIZED:
My system is this: I’ve mentioned it before, but I utilize a combination of my spreadsheet and the queue function. Let’s say Sally’s making a gift for Jake, Jake’s making a gift for Taylor, and Taylor’s making a gift for Sally. Sally submits her piece of art for Jake. I mark that off on the sheet, so when Taylor submits the gift for Sally, that gift will go in the queue to be posted whenever the deadline is up because she turned hers in already.
This keeps people motivated to complete their parts of the trade, since they won’t get their gifts until they do. If someone drops out, tell the person making the gift for them- if you’re lucky, they can rework what they have for the person that the drop-out was supposed to make something for, but if not, bring in someone who didn’t mind making a second gift. Person making the gift for the dropout can choose if they want to continue making it or not- if it’s mostly done and not a fan-character, they can just post it on their own blog unrelated to the trade.
It’s also a good idea to have a ‘hub’ where things are posted. If it’s a fic trade, ao3 has a function specifically for this, but I’ve found having things submitted directly to you makes it a million times easier to keep track of who’s finished their pieces, as well as keeping things ‘secret’ until the big day. (People have gotten confused or excited and posted early before.)
If people want to post elsewhere after it’s posted on the main hub, set your own rules- I say it’s fine as long as it links back to the blog and links the giftee, particularly if it involves fancharacters. You make your own judgement.
BE PATIENT:
This is one that’s very important. Some people don’t check the FAQ, and some people are going to be new, asking questions that you swear you’ve answered before or thought would be obvious. They generally just want to know, so take a deep breath. They don’t know they’re the fifth person to ask that question. Answer politely, or steer them towards the FAQ. (Running the same event year after year, you run into this a lot- they’re just new, be nice!)
Don’t start an event that you expect to have plenty of people participating if you aren’t prepared to hear the same questions a couple of times. Things might get a little annoying- take a step back for a few minutes, cool off, but try to remain professional. You signed up for this. For me, it’s always worth it to see how happy people are about their gifts, but know yourself and your limits- running a themed week where people post art at their own pace is less hassle, so you could try that if you don’t feel up to organizing a full trade!
If you can have a friend to bounce things off of, that can help too, but don’t use them as just a dumping ground. Tumblr allows multiple ‘mods’ on a blogs, so splitting work can make things easier, particularly if it’s your first run doing something like this. I had a friend who helped me the first few years before leaving tumblr. Be sure you trust the person, though! They’ll be able to edit posts and delete submissions, so if any drama happens, beware. (This never happened to me, but it doesn’t hurt to be careful.)
TAGGING:
Add tags to the submission box. I don’t know why this took me four years to think of, but it saved me a lot of time last year. If it’s a trade that covers an entire fandom and dozens of ships, you can add the shipping tags as they come in, but adding the ten or so most popular character tags helps a lot. If it’s going to involve potentially triggering content, common trigger tags are a good idea too. (A Halloween trade might need this, for example, or one that involves nsfw content.)
PEOPLE TURNING THINGS IN LAST MINUTE:
It’s going to happen. I think one year I was panicking on the 23rd because I only had half the gifts, and all but one had been turned in by the time I went to bed on the 24th. People procrastinate- if you get in most of the gifts ahead of time, you can thank your lucky stars. Try not to stress over it, but feel free to post reminders in the week before/days leading up to the deadline. My family travels around the holidays a lot, and I managed to get everything queued up properly through airport and hotel wifi more than one year, so you’ll be just fine if you try and stay calm.
OTHER/GENERAL:
It’s absolutely worth it, in my opinion- I’ve been doing this for years for a reason. My favorite thing is knowing I’ve done something that made others happy. Going through all the excited responses Christmas morning is equal or above getting presents from my family, because I know it’s on some level because of me facilitating the trade in the first place. I hear over and over this is something people look forward to, and it genuinely warms my heart.
It might take a few years to get established, but if you find a niche (there was a blog called sonic secret santa, but it hadn’t been updated in years) you might be surprised how fast you can gather people! I like seeing people show up year after year, it’s how I know I’m doing something right.
It is definitely work, and there is stress involved, (especially if people drop out or don’t send in their gifts on time) but the benefits outweigh the negatives, I say. People are generally understanding if there’s a problem, as long as you make it known you’re working on it.
You have to commit to the responsibility if you do this- people who are making gifts are putting their trust in you that you’ll keep things organized and they’ll get something for the gift they’re giving. You can’t guarantee everything will run exactly as planned, but you can be as transparent as possible when you hit a bump- ‘I’m sorry, but your person said they’ll be late because they were having internet problems/personal life issues and is doing their best’ is going to get a lot better of a response than radio silence. Be sympathetic, but be firm on the rules if need be.
I hope this helped a bit, and thanks for reading!
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So another year came to an end. But not just the end of a year, but the end of the decade! The '10s have come to an end. With the end of every year there is always a reflection. What happened? What was great? What really sucked? What could I have done differently? What do I hope for in the new year? Well, this was not just a single year but an entire decade to process! In the past 10 years I have lived in 3 different states. I've worked 4 different jobs. And like a typical drifter, I am a bit private with my past. I seem to just appear at a new job in a new state every couple of years and apart from some lingering drama I seem to have an undisclosed past. There are many of you who did not know me before I came to North Carolina. There are quite a few of you who did not know me before I was in recovery. And only a few of you who knew me before I lived in New York (the first time). I have lived several lives and have displayed countless shades of personality. Well, here is your chance to catch a glimpse of what my life has been like. Well, for these past 10 years anyways. The ups, the downs, the shitty heartaches, and the bitchin' experiences. A lot has happened and my memory is absolutely horrible, so I will recruit the assistance of my timeline on The Facebook and a few Spotify playlists. I have added a few songs to give a soundtrack as you are reading. I carefully selected these to be specific to the time period as well as where I was during that era. So now, here is a walk down memory lane. The Tens of Haber.
I welcomed 2010 in at a 12 Step Recovery function in Lawton, Oklahoma. I had recently moved back to Lawton after spending a year working in Washington, DC. You see, I had grown roots while stationed in Oklahoma during my time in the service. Life apparently felt like that I needed a second tour, but this time as a civilian. I had carried a lot of emotional baggage with me from my year living in Maryland, and I believed that running and starting a new life was the best course of action. When I returned to Lawton I was losing my mind. I was straight off my rocker! I was at the height of one of my worst mental breakdowns. I recently moved back to Lawton, Oklahoma. By choice. From Maryland. Yeah. See the previous statement. Anyways, I was waist deep in 12 step programs and played a very active role in my local Narcotics Anonymous group. But one thing that I had always had was a weakness for women. I would fall hard for girls that I had no business being with. At this particular time I was messing around with girls from the local halfway house. And I was getting the results that you may expect. I had fallen hard for a girl named "Lori" (no need to drag her real name into this), who I allowed to tear into my life and my heart like a goddamn tornado! She had recently started coming to meetings after ending up how most addicts end up in the rooms. The courts. She was what you would refer to as "adorable". Short dark hair that seemed to reflect light with its shine. She had deep, sultry blue eyes with long, fluttering eyelashes. When she started to show attention to me I was immediately became hooked. When things came crashing down and my heart got crushed I started sliding down the slippery slope of sanity. Fortunately I had an amazing friend, Nicole, who lived in Oklahoma City. Nicole is one of the most enjoyable people that I have had in my life. We briefly dated and she has played an incredibly important role in my story! I have so many wonderful stories and experiences involving us. Stories that I will save for another post.
Anyways, Nicole and I share the same birthday, and we both love to go big so we both took a trip to Boston to celebrate my 31st birthday. As it turns out the Yankees were in town so I fulfilled a lifelong dream of watching the Sox and Yankees play in Fenway Park! We got lost in downtown Boston and had to find our way back to our hotel using public transportation in the middle of the night. Nicole, who has lived in Oklahoma all of her life, got to get a wonderful glimpse of the not-so-nice parts of South Boston. It was a great birthday weekend for the both of us.
I got back from our trip with a clear head and I decided to get my ass back in school. I remained active in my NA group (shoutout to Different Way in Lawton, OK! That place was my home for a long time!) I may appear salty sometimes when speaking of my time in NA, but recovery mad a lot of positive changes in my life. One of those changes was gracing me with the motivation to complete my Bachelor's Degree. My apartment was an 8 minute ride away from the local university (Cameron University…GO PIONEERS, BITCHES!!!). I was able to focus my energy on studying. I have always had a knack for school, and I really enjoyed studying psychology and sociology so I was easily able to focus on my schoolwork. I was working a side job as a per diem psychometrist for a neuropsychologist named Dr. Hamil. I have so much credit to give to him for taking me on as a mentor. He saw something special in me. He saw talent. And I was happy to work for him whenever he needed me to. I was taking a lot of trips to Oklahoma City for testing assignments in assisted living facilities. And to be honest I was making a decent amount of scratch doing it. Now my full time job was working with the trainees going through Fort Sill that were having a difficult time adjusting to military life. On slow days I would have plenty of opportunity to work on the testing data that I had collected over the weekend. One day while scoring testing paperwork that I had sprawled all over my desk there was a knock on my office door. It was the chief of the clinic giving a potential psych tech the grand tour. "Mr. Haber, I would like you to meet one of the interviews for the tech position." She was slim and stylish, with long, dark hair and a smile that seemed to radiate comfort. And that was the first time I laid my eyes on the woman who I would eventually ask to be my wife. She extended her warm, slender hand. "Hello! I'm Amanda."
Our first encounter was short and sweet. And to be honest, it really did not leave much of an impact. A few months would pass before I would learn that she was hired. So this would be the first time that Amanda would actually enter into my life. By the time she was hired I was back working at the main behavioral health clinic on Fort Sill. I shared an office with several other psych techs. At any one time there could be 8 or more of us fighting over a computer. I walked into the clinic and was told a crop of newbies had started. I went in to introduce myself. And there she was. I reintroduced myself and blushed a little when she told me that she remembered me from our first encounter. We commenced with the getting-to-know-you chit chat. As the weeks went on we talked more and more, and flirting began. She knew about my side job in the city and asked if she could sit in on a session with me to learn more about what I do. So one night after work her and I drove to OKC for a 4 hour testing session with an ADHD child who was bouncing all over the room. Afterwards we stopped at McDonalds on our way back to Lawton and shared a 20 piece Chicken McNugget (because yo boy Haber is classy!). I would later find out that she had no interest in learning about psychometry. She just wanted a reason to spend time with me. Anyways, while driving back I mentioned that MC Hammer was going to be at the Oklahoma State Fair and if she would like to go. And that, my friends, is how my relationship with Amanda began. At an MC Hammer concert! In TRUE Haber form!
Eventually Amanda and I started dating. And it was incredible! She was a great woman. And she was great for me. When we had met I was going through a lot of internal strife, and being with her was calming me down. That November, after discussing the idea with Amanda (and after we got back together following a HUGE argument and eventual "break") we decided to adopt a pup. I went to the pound on Fort Sill. I walked down the row of cages and looked at every one of the hopeful pups. I stopped at this scrawny auburn-colored little shit who was barking as loud as he could as he put on his meanest look. But there was something in his eyes that told me that he has been in some shit and he was just needing someone to love him. I could relate to that. I asked the Poundtender (I'm really not sure what the manager of a pound would be referred to as, so we will go with this) about him and he told me that he was surrendered by an elderly couple for being too aggressive. I asked if I could take him for a walk in the yard. I sat on the grass and reached out my hand and he timidly came over to me, not certain whether to trust me or not. This was all it took for me. On November 8, 2010, I took Fennie into my home and into my life. Which means that it has been him and I for an entire decade! Women and jobs would come and go, but he has remained by my side through all of it. He truly is my Ryde or Die!
The winter this year was unusually harsh in Oklahoma. It seemed as if at least once a week work was closed due to ice and snow. I was living in a shitty 1 BR apartment on the borders of the Lawton hood and the heat just was not capable of handling the cold temperatures for so long. There were several days where Amanda, Fennie, and I would just huddle around the fireplace and turn the oven on to keep us warm. December rolled around, and we were still in the still-kinda-dating-but-not-sure-where-this-is-going phase so I chose to spend Christmas with my family. My sister had been living in Georgia at the time and my mother had recently moved up there as well. Two days before to make the long drive to Atlanta I received a call from an old friend Jake. Jake and I had worked together at a treatment center in Tampa. He informed me that a mutual friend of ours, Emilio, was reported missing. Emilio was a gentle soul who, like most of us that got deep in the drug lifestyle, had his share of demons. But he was a kind and fair man who had a heart that was filled with love for others. He was a new daddy and one night he just vanished. While walking into Moe's to have dinner with my family Jake called to let me know that Emilio's body had been found. I will never forget that Christmas. I sat in front of my loaded burrito with a dazed feeling all over my body. Emilio was a remarkable human being, and the world lost a great man the day that he was taken from us.
2011 began with Amanda and I…well…shit was getting kinda real.
Amanda and I ended up making the decision that I would move into her apartment. The reasoning that she gave was that it would be more economical, but I am sure that her being afraid of staying at my shitty apartment played a major role. Around this time I also started getting an itch to do something more with myself. I was one year away from completing my Bachelors degree and I was starting to question what I was going to do with myself now that I had no schoolwork to complete or classes to attend. This was when the idea came to me….BAM! I am going to become Dr. Haber! So this was when I made the decision to pursue my PhD in Psychology. If I had only known how much of an uphill climb the next 3 years would be on me because of this decision, perhaps I would have reconsidered. I developed a plan of action. I would boost my vita with extracurricular positions and accolades. I was asked to join the psychology honor society and attend the Psychology Club meetings. I worked with an outstanding neuropsychologist and mentor named Dr. Jason Albano, who pushed me to be the best PhD candidate that I could possibly be. I would spend hours in his office just asking for direction and recommendations. He suggested that I take the Psychometrist Certification exam, the gold standard in the field of psychometry. Dr. Albano would help me find time to study and my colleagues were an invaluable resources.
I will get more into the certification exam. But first, I am aware that I dropped a bit of a twist earlier with the Starting Attending Mass Again comment. As you could probably deduct from my postings on The Facebook that this just ain't me! Well, let me tell you about my Catholic Jon phase. Gowing up I attending Mass every Sunday with my grandfather. This was mostly due to the fact that he would buy me McDonalds afterwards. I never really had a strong belief in a god. Even as a kid I remember reading my CCD workbook and would think "Hey, wait a second. Something does not add up." It was once I got sent to rehab that I slowly started to build a belief in a higher power. We would get taken to 12 Step meetings and I would hear everyone talk about how you can't make it in recovery without a Higher Power. So, I guess I better get one of those! So I would work with my sponsor and talk about it at meetings and eventually I had some sort of Higher Power of my own. It hit all of the qualifications that they told me. It was loving. It was forgiving. It was greater than me. Cool cool cool. Let's go full speed ahead with this whole recovery thing. It wasn’t until I started seeing a girl named Jill in Oklahoma that I was able to call it by the name God. I would attend church with her and one day I decided to go up and get "saved". And ever since then I started learning more about Christianity and my idea of God would change as I grew. I started going back to Mass after encouragement from a friend who was heavily into the Catholic Life. One thing about me is that I latch onto something and go deep into whatever that might be. Catholicism was no different. Before too long I was absorbing anything involving Catholic Dogma that I could get my hands on. Every night I would pray the Rosary. During Lent I would practice self-mortification. When Amanda and I started she started attending Mass with me and it became a fairly strong bond in our relationship. She was accepting of my zeal towards my beliefs at the time and would support me however she could. This was something that I would eventually take for granted, and what would be a major factor in the demise of our relationship.
And that is where I will end this chapter. I will get further into all of the changes that 2011 would bring. I will label this period the "Amanda Era".
Now I will say that there was a lot of heartache involved in the ending of our relationship. However, I will only write about her in a positive light. She played a very important role in my story, and there were so many great memories in my story that involved her. At this point time has faded most of the hurtful memories and the good ones are what remained. So stayed tuned for the next chapter where we will tag along with Amanda and Jon on their journeys around the country.
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What’s missing from our list of 2018’s best TV?
As we wind down 2018, our best-of coverage continues with the following question:
What’s missing from our list of the year’s best TV?
Kyle Fowle
There’s hardly reason to argue with almost any year-end list these days because of the sheer number of good TV shows out there, but I’m genuinely surprised that HBO’s High Maintenance didn’t make our list. The second season of the HBO run keeps with the anthology-esque spirit of the show, but it goes deeper in ways surprising and touching. So, there’s still the random characters that populate New York and The Guy’s life, but what’s different this time around is a narrative through-line involving The Guy’s ex. That character arc, one of pain and jealousy and moving on, adds so much to a season that’s already achingly honest. Add in the fact that one of the year’s best episodes—“Globo,” reckons with the election of Donald Trump, and the completely indescribable feeling of moving through the world on the morning of November 9, 2016 in a smart, poignant, and stirring way—and you have a season of TV that’s more than worthy of any year-end list.
Myles McNutt
It’s difficult for an established reality show to make it into a best of TV list: Beyond the fact that critical conversation privileges scripted programming, reality shows are built on iteration, and that feels less novel or memorable when we reach the list-making time of year. And I’m part of this problem, because I failed to put CBS’ Survivor on my own list despite the fact that its fall cycle has been absurdly enjoyable for a show in its 37th—not a typo—season. Yes, the David Vs. Goliath theme is profoundly dumb. No, I couldn’t tell you a single thing that happened during the season that aired in the spring, so 2018 wasn’t all great for the series. But something about the alchemy of casting and game-play has created a season with a succession of satisfying twists and turns, reminding us that although we may not instinctively think of it as list worthy, a reality show 18 years into its run can still create some of television’s best drama and comedy. (I’ll never hear the name “Natalie” without laughing now.)
Eric Thurm
Making reality TV really pop is an artform: There are hundreds of hours of interactions to film, comb through, and precisely edit into a narrative that will make sense, delight viewers, and feel just slightly off, like humans hanging out too many years in the future to quite make sense to us. So every year, I become more and more impressed with the reigning queen of the genre: Vanderpump Rules. The sixth season is one of the show’s best; over half a decade in, Vanderpump Rules remains an examination of fame, misfired charisma, and the terrors of tenuous social status that would put any 19th century novel to shame. Whether it’s Jax Taylor maybe falling in love with his reiki master Kelsey while his relationship with Brittany Cartwright festers like an untreated sore, Stassi Schroeder’s then-boyfriend creating a new god tier of social faux pas by grossly hitting on Lisa freaking Vanderpump, or the slow-moving car crash of James Kennedy ignoring the “best friend” he was clearly sleeping with (not that anyone else cared), Vanderpump Rules remains mesmerizing. The cast of past, present, and future SUR employees are stuck with each other forever, and it’s incredible. It’s not about the pasta; it’s about dread.
Clayton Purdom
Aw, come on—am I the only person who thought Maniac was one of the year’s best? Well, apparently. Cary Joji Fukunaga’s 10-parter was far from perfect, but it aimed admirably high, wrangling spy action, elven fantasy, late-capitalist malaise, intense family dynamics, corporate psychotherapy and more into a freewheeling caper across several levels of reality. It also got career-best comedic performances out of Emma Stone and Justin Theroux and a fine, sad-sack turn from Jonah Hill. And Ben Sinclair! Not all of its ideas stuck, but it was messy, smart, and light in a way I’d love to see more sci-fi attempt.
Dennis Perkins
I’ll admit, I was worried going into the new, Mary Berry-less (not to mention Mel- and Sue-less), Great British Baking Show era, but I am pleased as rum baba to say that this enduringly endearing and delightfully stressful baking competition series has marched on just as sweetly. Sure, there’s a lingering bitter aftertaste to the great British baking show schism that led to those departures, but not on the Great British Baking Show itself, which rides remaining judge Paul Hollywood’s gruff charms alongside new judging partner Prue Leith and celebrity goofballs Noel Fielding and Sandi Toksvig without missing a trick. The key ingredient to this series’ success has always been the utterly generous heart that goes into every episode, and Fielding and Toksvig, if anything, seem more emotionally invested in the fates of the contestants they have to expel, one-by-one, from the show’s famous tent. And if Hollywood and Leith continue the necessarily merciless judging of soggy bottoms, overworked and under-proved doughs, and the occasional collapsing confectionary disaster, they, too, provide warmly constructive criticism rather than the traditional reality show scorn. A series—as the departed Berry was wont to say—“cram-jammed” with delights, The Great British Baking Show remains one of the most cozily exciting TV experiences going. [Dennis Perkins]
Alex McLevy
Maybe it’s the curse of distance that comes from being released way back in January, or maybe it’s simply a victim of the era of Too Much TV, but I’m bummed out to find the Steven Soderbergh-helmed Mosaic failed to crack our top 25. The miniseries is everything you could want in superlative television: a sharply nuanced and well-written mystery, performed by a coterie of uniformly strong actors at the top of their game (longtime character actor Devin Ratray deserves to be getting award nominations for his star turn), and an ace director brilliantly shooting and editing the whole thing into an intriguing puzzle? It’s the one thing I have felt comfortable recommending to anyone all year long who’s asked me what great show they should check out, regardless of individual tastes, and sadly, not a single person to date has responded with, “I’ve already seen it.” (Feel free to ignore the accompanying multimedia app as an experimental lark on Soderbergh’s part.) You’d think an HBO series from an Oscar-winning director wouldn’t need underdog-status championing, and yet here we are. Give it a watch if you haven’t yet—and odds are, you haven’t.
Caroline Siede
Come on you guys, Netflix’s Queer Eye gave us two full seasons and a special in 2018, and we couldn’t even give it a spot on our list?! I get that it can be hard to stump for reality TV when there’s so much great scripted stuff out there, but Queer Eye at least deserves a special award for being one of the most unexpected joys of 2018. The new Fab Five offered an updated spin on the early ’00s Bravo original, emphasizing self-empowerment, confidence, and empathy along with styling tips and home makeovers. Karamo used his vague “culture and lifestyle” assignment to deliver some really thoughtful therapy sessions, Tan invented a whole new way to wear shirts, Jonathan established himself as an instant icon, Antoni put avocado on stuff, and Bobby did five times as much work as everyone else while getting barely any credit for it. Whether we were bonding over tear-jerking transformations or mocking Antoni’s complete inability to cook, Queer Eye was the rare cultural unifier based on something lovely and uplifting, rather than dark and depressing. I’m guessing we’re still going to need that in 2019, so it’s a good thing the show has a third season on the way. Until then, I’ll just be rewatching A.J.’s episode on a loop.
Lisa Weidenfeld
I watched and loved a lot of TV this year, but it’s possible Wynonna Earp is the show I looked forward to the most, and also the one I wish I was seeing on more best-of lists this December. It’s a Western, a procedural, a Buffy descendant, a horror comedy, and probably a few other things as well. But mostly it’s fun. Its wildly entertaining third season was the strongest yet, and featured a potato-licking mystery, a Christmas tree topper made out of tampons, and one of TV’s sweetest ongoing romances—the usual stuff of great drama. The show’s mythology keeps expanding into an ever larger battle between forces far more powerful than its scrappy team of heroes, but it’s the writing and character work that make the show shine. Wynonna may be tough and merciless in her pursuit of victory, but it’s her sense of humor that keeps her human and compelling, and the bond between her and sister Waverly has provided a grounding emotional force on a show with an increasingly complex central plot. There just aren’t enough shows on TV that would work a Plan B joke into their heist sequence.
Vikram Murthi
Even correcting for James Franco’s involvement, which might put people off for legitimate reasons, it blows me away that The Deuce didn’t crack AVC’s main list. David Simon and George Pelecanos’ bird’s-eye view of the inception and proliferation of the sex industry in the United States represents some of the most mature, compelling television of the year. Simon’s detail-oriented, process-focused approach comes alive when examining a side of American culture that functions as a metaphor for everything: gentrification, the rise of cultural conservatism, urban renewal, late capitalism, and, most potently, the filmmaking process. This season, Simon and Pelecanos pushed their subjects toward broader freedoms that quickly revealed themselves to be traps in disguise. Not only does all social progress come with a price, but also it’s limited to those pre-approved by those controlling the purse strings. Yet, Simon and Pelecanos never forget that the tapestry of human experience is neither exclusively tragic nor comprehensively optimistic. Some people discover happiness, and others lose their way. Rising and falling in America has always been a permanent state because social environments and political context circumscribe life-or-death choices. It’s been a decade since The Wire ended, but its worldview lives on through Simon’s successive work: everything’s connected, follow the money, and bad institutions fail good people every damn day.
Danette Chavez
Although the show’s title addresses a certain demographic, Dear White People has so much to say beyond calling out the oblivious and privileged. Yes, Justin Simien’s adaptation of his 2014 film of the same name wears its politics on its sleeve, but they’re right next to its heart. The show is much more a winning coming-of-age dramedy than it is a polemic, and even then, it’s still miles ahead of most college-set series in both style and substance. Simien’s created his own visual language to capture both the intimacy of the relationships among the core cast, as well as the microscope they’re under as black students at an Ivy League school. And I really cannot say enough about the dialogue, which crackles and informs. Season one had such a moving coming-out storyline, made all the more so by DeRon Horton’s vulnerable performance; the new season follows Lionel’s adventures in dating and dorm sex, with hilarious and poignant results. Really, the whole cast should be commended, from Logan Browning, who provides a wonderfully complex center as Sam, to Antoinette Robertson, who may have given the series’ best performance in season two’s “Chapter IV.” Dear White People still makes a point of punching up—at racist and sexist institutions, tangible and otherwise—but many of its most extraordinary moments have come from characters like Sam, Gabe (John Patrick Amedori), and Reggie (Marque Richardson) recognizing their personal foibles. Thankfully, Netflix has already renewed Dear White People for a third season, giving you all a chance to get it together.
Gwen Ihnat
The odd Amazon sitcom Forever had a lot to say about the monotony of monogamy and marriage: Can you really stay with someone happily for the rest of your life? (Or afterlife, as the case may be.) With anyone but Fred Armisen and Maya Rudolph cast as that main couple, Forever might have slowly slid into bland drudgery. But the two gifted comic actors injected a lot of life into the monogamy question, aided by a spirited supporting cast including Catherine Keener, Julia Ormond, and Noah Robbins. Sure, there are some days when you want to talk to anyone but that person sitting across from you at the breakfast table. But who else would discuss with you, ad nauseam, banal topics like the perfect way to spend a half-hour, or the best way to sit in a chair? The standalone episode “Andre And Sarah” makes achingly clear how much finding (or not finding) that person who makes you shine steers the path your life will eventually take, all in a mere 35 minutes.
Allison Shoemaker
While I’d love to praise one of the many things that aired this year that I’m sure to revisit in future—someone else is going to mention Wanderlust, Salt Fat Acid Heat, and the dazzling Jesus Christ Superstar Live In Concert, right?—I feel compelled to bring up a program I’m almost certain I’ll never watch again. It’s unlikely that when HBO snapped up The Tale at Sundance this year, the network was thinking of the benefits of the pause button. Yet it’s a benefit all the same. The debut narrative feature from documentarian Jennifer Fox follows a fictionalized version of the director (played by Laura Dern) as she re-examines a traumatic childhood experience she’d filed away in her mind as loving and consensual, managing to be both gentle and almost unbearably upsetting all at once. Dern’s simple, seemingly relaxed performance belies the nightmare which fuels it, and that pause button may prove invaluable to some—it certainly was for me. The Tale is a film which seems to demand that you witness, rather than merely watch it. Should you need to walk away for a minute, it’ll keep.
Noel Murray
I know, I know: At least once or twice a year someone tells you about some cool animated series you should be watching, and talks about how trippy and ambitious and strangely deep it is. But guys, trust me: You need to catch up on Cartoon Network’s Summer Camp Island. Only half of season one has aired so far (20 10-minute episodes, mostly non-serialized), with the rest of the first batch reportedly set to debut before the end of the year. It’s a show parents can watch with grade-school-aged kids or on their own—a treat for animation buffs, and for anyone who enjoys a the kind of surrealism that’s more adorable than upsetting. With its snooty teen witches, dorky monsters, and never-ending parade of anthropomorphic clothes, toys, plants, and foodstuffs, Summer Camp Island is like a weird old Disney cartoon crossed with an ’80s teensploitation picture. And it is glorious.
A.A. Dowd
Mike Flanagan is a Stephen King guy. You could guess that from his adaptation of Gerald’s Game and from the news that he’s doing King’s Shining sequel Doctor Sleep next. Or you could just watch his work and marvel at how plainly influenced it is by the author’s, at how well it captures that signature King touch—the division of perspective among multiple characters, the interest in history and trauma, the graceful juggling of timelines. There’s much more King than Shirley Jackson in Flanagan Netflix take on The Haunting Of Hill House. The miniseries didn’t scare me as much as it seemed to scare a lot of my friends and colleagues—while well-executed, its jolts were mostly of the familiar James Wan spirits-slithering-up-walls variety. But I loved the intricacy of the storytelling, the way Flanagan moved fluidly from the childhood scenes to the adulthood ones and back again, mapping the entwined lives of these damaged siblings to suggest the way that our past and present remain in constant conversation. (It’s memories, of course, that are really haunting the Crain family.) In the end, I found Haunting Of Hill House a better, more spiritually faithful adaptation of It than the real one from last year. Guess that makes me a Mike Flanagan guy.
Erik Adams
The contents of The Big List demonstrate that it’s a great time for television comedy of all stripes: Animated, musical, workplace, detail-oriented genre parody, surrealist examination of the agony and ecstasy of existence. And while I would’ve liked to have seen some notice for the humble charms of NBC’s Superstore or a nod to that episode of Joe Pera Talks With You where Joe hears “Baba O’Riley” for the first time, I’m surprised that we didn’t heap more praise on another Michigan-set cable show co-starring Conner O’Malley. Like Myles with Survivor, I’m willing to accept that I’m part of the problem: Detroiters didn’t make my ballot’s final cut, despite all the hearty laughs, shoddily produced TV commercials, and General Getdown dance routines (“He’s a general—he’s the best”) the Comedy Central series gave me this year. Sam Richardson and Tim Robinson’s love letter to their shared hometown will always be powered by the stars’ explosively silly onscreen connection, but season two did some stellar work at fleshing out their characters as individuals, whether it was Sam reuniting with an ex to record a sultry grocery-store jingle or Tim (loudly) grappling with the family legacy of Cramblin Duvet Advertising. If nothing else, these episodes proved that when it comes to comedic news anchors, sometimes the inspiration for Ron Burgundy outstrips the legend himself.
Source: https://tv.avclub.com/what-s-missing-from-our-list-of-2018-s-best-tv-1830979080
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