#ask-thunder-man | Explore Tumblr posts and blogs

bonebabbles · 9 months ago

Text

Slash's Famous Scene

Here we are, lads. Everyone's favorite scene in the totally best arc of WC. The one where Slash pins a pregnant woman to the ground and licks her face, while threatening her fetuses and cutting her cheek open so Clear Sky can have more man pain.

So far I've been using "fridging" as synonymous with the brutal killing of a female character to advance a male character's arc; but I do want to remind everyone that the term "fridging" describes disproportionate violence done to women in the service of their husband/brother/father/son's arcs. It doesn't HAVE to be death; it can also be battery, maiming, depowering, or sexual assault.

So far, 8 women have died to serve male arcs, most of them for Clear Sky specifically. Fluttering Bird, Bright Stream, Storm, Misty, Bumble, Turtle Tail, Rainswept Flower, and Petal. Now Star Flower gets sexually harassed and kidnapped, bringing the arc's fridge total to 9.

Anyway content warning, obviously. It's still Warrior Cats and doesn't get too graphic, but this bag contains a dead dove.

First, Clear Sky gets another toesucking from the ghost of his wife who died after leaving his controlling ass. Specifically, after he threw his disabled brother out of his Clan, and after his lust for seeing random people (including his brother) get mauled at the border resulted in the death of Fox.

She tells him that his behavior never drove anyone away, it was all totally not his fault. I'm waiting for a laugh track and it never comes. The apologetics in this arc are unrivaled.

Then, Clear Sky wakes up and his pregnant wife is not next to him. So he goes looking for her and sees her being flanked by Slash and his memorable minions, Grunt 1 and Grunt 2. Star Flower is so possessed by fear that she doesn't move.

They REALLY need to sell that Slash is TRUE evil, PURE evil, because of the wet fart that is Clear Sky's redemption arc. They're saying that Clear Sky ISN'T bad, because he is not this. A dirty, sadistic monster who coos evilly about how he's going to hurt the kittens in his wife's belly and cruelly twitches his whiskers.

(as a petty side detail, please also note that this passage cannot even keep Slash's fur color straight. Behold, a cat so evil that he cannot even remain a brown tabby! He turns gray when he commits nefarious deeds! Ashfurification included!)

Star Flower is the one being pinned to the ground and having her face cut open as Slash screams about how she promised her father she'd be his mate, but this scene is about Clear Sky's distress. Star Flower is an object to this narrative, which these two men are in conflict over.

The pinning, the violence, the sexual implications, are being done to make Slash as monstrous as possible to contrast to Clear Sky. Slash doesn't kill anyone, so the narrative needs to make you SO UPSET your emotions are thrown into overdrive, so you'll accept how truly terrible he is.

The simple truth that this rancid book is trying to make you ignore, is that Clear Sky is exponentially more deadly. He has caused harm so unspeakable that they have to describe his bloody murders in passive voice. They "died" now, instead of "were killed," and the violent system he created is presented as "making up" for the trauma he's caused to the survivors.

"Pushing his muzzle close to her injured cheek, he licked the blood from her fur with a long, lingering lap."

Think critically about the characters they are presenting and the actions they make them do. None of these are real people. They are writing choices. They have portrayed Slash as a perverted, domineering, child-abusing savage, so Clear Sky the Settler can look good in comparison.

then Star Flower gets dragged off, kicking and struggling, feeble and completely unable to defend herself as clear sky thinks about how she might die along with his fetuses.

Obviously Clear Sky is so very stressed out by all this and needs to blow off some steam, so he smacks the nearest woman and starts screeching about how Star Flower is more loyal than the son he abuses

The first thing he does after the Slash event was physically assault the nearest woman. I can't... I don't have the words. Are you seeing this. Do you see what I am fucking dealing with. literally the first woman he sees.

"DOES THAT FEEL LIKE AN ACT??" He bellowed like a fucking wifebeater at the girl whose face is bleeding because he cut her in a fit of rage. That's fine as long as you don't lustfully lick it afterwards I guess!!!

#dotc hate #bones reads dotc #Slash dotc #this arc is going to END me #ill also get into how slash's description of events is a lie #but the fact he is a liar and pulling a bluff is a plot point later #Starf is around the same age as Thunder based on her order of events and Clear describes her as 'young'#Starf also does not lie. They talk about 'manipulation' and 'betrayal' but no. she's very honest #the only misleading she ever does is through vagueness like when thunder asks her 'do you know one eye'#and she says 'yes' but doesn't elaborate #a woman will have absolutely no choice in her actions and do nothing wrong by telling her dad about an assassination attempt #and the writers will put that on the same level as a man who beats kids and kills women and commits war crimes

76 notes · View notes

artist-issues · 3 months ago

Note

please trash Marvel's Phase Four with your mad skills, I hate it so much (the Hawkeye TV show was the best thing that came out of it) and Im in the mood to have someone share my rage over it lol

It’s been so long since I’ve seen most of them! Sorry. I’ll try to put my vague disappointments in them from back then into words:

Black Widow: The main problem with this one, if I remember correctly, is that there’s no build-up to Natasha’s connections with her family, or the other Widows. We like and accept Yelena because of the good writing and Florence Pugh’s charm; we like and except her parents for the same reasons—but do we feel for Natasha when she’s figuring out how much to love and worry about them? No. Not like we did when Pepper had to choose to blow up the roof Tony was on in the final battle of Iron Man. Not like we felt when Steve lost Bucky. Why? Because the whole “family,” all the “other Widows,” have no real, human depth to them, and no time for us to see that humanity displayed.

The dad’s a caricature, not a guy we can relate to. So’s the mom. And the other Widows are non-characters; they’re pretty faces representative of a conflict, who can have tragic music played over their death scenes so we remember “why Natasha fights.”

Pepper and Tony fear for each other’s safety and wonder what they are to each other, just like the sisters are supposed to in Black Widow. But we care about Pepper and Tony, because we’ve seen what a day at the office looks like with them. We’ve seen their normal. We’ve seen who they are as people, and how they interact on a normal level—so that when the extreme interactions come, we’re already invested. Black Widow doesn’t have that. It’s “weird caricature group gets turned into weirder super-spies and they spend a few minutes worrying about each other out of nowhere at the climax of the film.” That was my impression of that one. But I only saw it once, and liked it better than the others.

Shang-Chi and the Legend of the Ten Rings - Normal human moments, but way too much time spent on retroactively revealing layers of backstory. Heres the dad’s backstory. Just kidding, that’s not all of it, here’s some more. And here’s the part you missed. And here’s the backstory of this magical world. Just kidding, here’s some more. And here’s backstory on the main character. Sorry, he forgot to reveal the Big Emotional Part, we saved it for the pre-climax, so have a little more backstory.” You’re so busy keeping all that straight that you don’t have as much capacity leftover to care about the main characters, even if those main characters do have some human moments to appreciate.

Compare it to Thor. Both movies have “hard-to-swallow magical realms existing near the Normal World.” But not both movies set the audience up to accept, believe, and keep up with that. Thor does. Shang-Chi doesn’t.

The whole introduction to Thor carefully tells you the full “outer boundaries,” the hardest stuff to swallow about the magical world of Asgard. And it helps you understand and swallow those things well before you need to be really invested in the emotional reactions of the characters. In the first half of the movie, they neatly go: “Guy walking out of a tornado and getting hit by a car, seemingly impossibly; he must not be normal. Let’s show you why. Ready? Here: 1) Frost Giant war + how this realm relates to the normal world, 2) Asgard & the king’s sons, plus their different motives 3) how the rainbow bridge and Thor’s banishment works. Got it? Back to the Normal Story.”

By the time you’re jettisoned into the Normal World part of the movie, you care, emotionally, about everything Thor and Jane care about, from her losing her lab equipment to him thinking his mother hates him—without having to take breaks in their story to remember how a rainbow bridge works or what the Frost Giants want, etc. But Shang Chi is all over the place, back and forth, up and down, three layers of tragic hard-to-believe backstory on top of each other. …And it delivers all that backstory in bits and pieces, as interruptions to the “normal world” or “present adventure” part of the story.

Plus, the “normal world/present adventure” part isn’t even that good, I’m so sorry to say it. Our previous heroes had normal-human obstacles to overcome, sure, but those relatable obstacles were still severe. Big character flaws that would come back to haunt them. Steve wonders if he’s all alone in his resolve and responsibility—and that keeps coming back up no matter what his circumstances are. Tony wonders if he can ever accomplish his full potential and make up for his past mistakes—and that keeps coming back up, no matter the circumstances.

But you’re telling me I need to not only believe that Shaun and Katy “wonder if they’ll ever take life seriously enough, like adults”—not only believe that—but that after this adventure, that’s the struggle he’ll always have to overcome?

Seems to me it should be something more along the lines of “have mercy instead of controlling everything through conquest like my father.” They kinda tried to do that. But the problem is, it doesn’t connect back to his “relatable human flaw.”

Steve had to realize he wasn’t alone fighting Nazis and Hydra and Thanos—sure—in big moments, like the one where Shaun chooses to spare his father. But guess what? Steve also had to learn to overcome his flaw in little moments, too. He has to realize he’s not alone in waiting for “the right partner;” Peggy is also committed to waiting. He has to choose to believe he’s not alone even though he’s a man-out of-time—by taking an active role in the present, by asking his neighbor out on a date.

Shaun’s little “when am I going to grow up and be an adult” thing only pops up in his human moments. It doesn’t have a parallel in his superhero moments. So then I don’t care as much, or relate as much, to his character.

Because honestly, not every member of the audience can even relate to worrying about that. Only young adults and teenagers. Maybe some 30-40 year-olds. But it’s not a universal thing, like Steve’s broad loneliness or Tony’s broad pride.

Eternals - Without a doubt the most horrifyingly bad MCU movie I ever saw. Worse than Captain Marvel.

I don’t even know where to begin. This movie had no idea what it wanted to be, except a direct smack in the face to anyone who believes that humans should submit to a deity who made them and accept their purpose. Obviously that most closely fits the description of a Christian audience, but this movie really alienated audience members with worldviews that have any monotheistic religious leanings. Or just…audience members with a worldview that values humility, and service, and self sacrifice, and knows that love without this values is not actually love, in general.

The characters have no humanity. They lack depth. There’s a weird fixation on slow suffering and memory loss with Angelina Jolie’s character. Not one character is likeable because we spend barely any time with any of them. Not one is relatable because they do that whole “live for thousands of years” thing, without taking their time and showing us a believable version of ‘what’s normal” to these characters.

And like I said, the message is garbage. It’s appalling.

Spider-Man: No Way Home - This movie was good, I have no notes.

I have a brother who likes to say that the whole first half of the movie is worthless because you only care after the other Spider-Men show up, but I totally disagree, because the point of the movie was “who is (MCU) Peter Parker?” So at the beginning you have him trying to figure that out based on public opinion of Spider-Man and a college;s acceptance of him, and trying to fix his “image” of himself, essentially, so his life can go back to normal. Then by the climax he’s got two other Peter Parkers there, reminding him of what being “Peter Parker” means. You take responsibility to do what you can to help people, no matter what everybody else does. No matter what it costs you. That’s who Peter Parker is.

And they needed to speed-up the maturity level and raise the stakes of their particular version of Peter Parker, because he’s supposed to be a recurring part of this high-stakes universe they created—but they also needed him to return to feeling like a more traditional, “friendly neighborhood” Spider-Man, within that context. And they solved both those problems. And they did it with Andrew Garfield and Toby MacGuire, so I liked this movie, sorry.

Doctor Strange and the Multiverse of Madness - Stupid and wrong.

I have never liked Sam Raimi, but I didn’t have a problem with his editing style or over-the-top drama this time around. I had a problem with the way the characters were handled.

We still barely know Stephen Strange, and we certainly weren’t given the impression that his love interest from the first movie was the great love of his life, so that emotional thread in this movie was flimsy.

The America character was barely a character.

But the worst of the worst of it was Wanda.

You mean to tell me, Raimi, that the Wanda who was experimented on and used for her power from an early age would have willingly murdered a superpowered little girl in a demonic rite? You mean to tell me that the Wanda who just spent a whole expertly-written television show showing me that she’s learned she can’t manipulate people’s lives, and she’s willing to sacrifice her own happiness if it means sparing other people suffering—you mean to tell me that THAT Wanda, the one I’ve spent five stories over several years getting to know—you mean to tell me that Wanda read one vaguely evil book and now she’s willing to slaughter her friends and a little girl so she can steal children from other, weaker versions of her own sad self?

That doesn’t make any sense.

You COULD have it make sense. You could show me her corruption. Show me what the Darkhold’s doing to her. Show me how she got from point A (WandaVision’s ending) to Point B (murderous careless rampage and smiling at the thought of murdering a little girl.) Use your runtime to do that.

But no. We’re going to use our runtime to throw in pointless cameos with no build-up, no real weight or gravity, no genuine excitement. To play with out special effects and CGI. To spend lots of runtime on arbitrary horror-movie scenes and gore.

And then kill Wanda off? …What?! It was idiotic. It was so contrived. I felt like I was watching a forgettable DC movie, or a Batman movie where the star of the story is just shock-and-awe.

Thor: Love and Thunder - This movie couldn’t decide if it wanted to be funny or serious. So it failed at both. First Thor’s making a joky explanation retconning Jane, breaking up with him, as a silly rom-com parody. Oh, then he’s holding her in his arms crying and claiming he’d rather be with her than win a fight, like that’s the big momentous moment-of-change for his character.

Sorry, I don’t believe you. I don’t believe you that Thor loved Jane. Because they barely show any serious, grounded, genuine, human affection to each other the whole movie. All I’ve seen is a parody of that, and de-masculatung mockery of Thor himself. You want me to believe he’s losing the love of his life and it’s devastating to him because he’s a human being with depth of emotion? Then don’t set him up as the star of a bad Will-Ferrell comedy.

And of course the “message” is crap. And every situation they get into is unbelievably stupid and unfunny. This is actually the movie that made me give up on Marvel.

Black Panther: Wakanda Forever - I didn’t see this movie. I love Leticia Wright, I’m on her side. But I had to give up on the MCU after Love and Thunder. I wanted to give up on it after Eternals, but I told myself I’d stick it out for the OGs (any movie about characters from the original Avengers squad or Guardians.)

The television shows during Phase 4 were all pretty good, for what they were, except for Moon Knight, in my opinion.

To sum it up: Phase 4 rushed everything, cut out the grounded human moments and feared all genuine displays of emotion in their characters. Instead they jammed in heavy action sequences, some more gore, and soulless, arbitrary, quick-flash cameos. The only exception was Spider-Man: No Way Home.

Thanks for asking! I could be open to changing these opinions; I’d have to go back and watch them over again, it’s been so long. But I think I’d rather put on wet socks, heel-to-toe, than watch Eternals or Multiverse of Madness, ever again.

#MCU #marvel universe phase 4 #marvel cinematic universe phase 4 #Phase 4 #wandavision #multiverse of madness #Loki #Thor: love and thunder #spider-man: no way home #asked #answered

18 notes · View notes

scraps-n-starters · 9 months ago

Text

Reading a bunch of Thunderrod (ala Lush_Specimen), Delight in Domestic Tasks, and listening to Can't Sleep Love (Spencer Kane cover) has landed me

Humanformers au (I'm leaning towards "the Lost Light is some kind of apartment block") where upon entering the Communal Laundry Room at fuck you in the morning Rodimus comes across Thunderclash singing/dancing with all the pizzazz of someone completely alone and vibing while in the midst of swapping loads around

Cue adorable shenanigans over domestic tasks

optional-

amount of clothing (or lack thereof) currently being worn (Personally partial to sweatpants+Zip up hoodie+no shirt, big sweater+tiny shorts+thigh highs, just underoos while holding clothing suject to post party contamination, or the most god awful combination of patterns and colors for fun and flavor)

(If Thunder is shirtless I need him to have surgery scars that's non negotiable)

tiny shorts or ridiculous boxer prints

an internal or external dialogue on the upkeep of dyed hair (non optional is that Rod occasionally rocks pink bc that is Simply How Fashion Red Fades ur honor I don't make the rules)

"Hold on that looks like it needs to be hand washed!" ". . . . . . And?" *throws in the washer anyway*

if everything is top load there is absolutely ogling and/or deliberate butt wiggles

#ThunderRod #HotClash #Idk man I've just been vibing #Thunderclash #Rodimus Prime #Hot Rod #Transformers #Humanformers au #Fluff #avoiding packing with fanfiction and domestic tasks #am personally very partial to Rod holding contaminated clothing (probably just a spilled drink) in his boxers and Thunder offers him #A Toasty Warm Fresh Outta The Dryer Sweater that is So Big On Him #Ask Me How I Know Abt The Hair Dye Thing

27 notes · View notes

narsh-poptarts · 3 months ago

Note

NARSH YOU LU ART IS SO TASTY!!!!!!!!!!!!!!!!!! I have copies saved on my computer to look at and use as inspo and AAAAAAAAAAHHHHH! THEY ARE ALL SO GOOD!!!!!!!!!

YOU!!!!!!!!!! Aaaaaaaaaaaa I LOVE THAT IM SO FLATTERED!!!!!!!! man I was out all day today and did not have service for most of it so then coming home and seeing all the love in the tags was a WONDERFUL surprise aaawwww thanks!!!!!!!!! Saved on your computer,,,, used as inspo,,,,,,, I'll sob and cry forever (LOVINGLY!!!) QuQ

I've been really kind of wanting to go back and redraw an lu thing or two because I have definitely grown SO MUCH as an artist since I made all those (like 4 years ago for some of them!!! CRAZY)

All y'all liking and sharing my stuff is a lot of fun, I see my notifications just tick up and up as one person just goes through liking my entire tag hahahah it's so fun I love it!!!! (Genuinely!!)

#asks #needfantasticstories #i dont have as much of a drive as i used to but sky/ss definitely still is my everything #maybe i draw an angy sky for old times sake heheh #i still have a lot of like. comic ideas in my head for lu that i just never executed #one with like. hyrule getting handed the thunder medallion or whatever it is and just going INSANE with his thunder spell on some enemies #man and that fic i wrote a while ago #i still kind of want to go back and finish it #because as i thought about it it became something different than what it started out #and i liked it better #i just need to sit down and do it #went from like a story that was spread a lil bit too thin #to something hyrule focused #and specifically hyrules like. self worth. in terms of like. hero worthiness #and finding some of that in the space sky left behind #(Possessions of a Tired Man is what its called on ao3)#(i think about it all the time. might go respond to some comments because i received some really long nice ones)#(would love to give maybe an update about what i am/was thinking)

16 notes · View notes

julietsbb · 3 months ago

Note

julie <3 i am here to give your last three updates love. once again, vampire phuwin au is my salvation. in the nights you update, i live.

oki, so. i waited to see how their conflict concludes before i sent you an ask. (i can't communicate properly on twt because that account has a lot of history and i'd rather not use it much. contemplating making one from scratch so i can quote you my madness for every update properly)

but i also enjoy sending you unhinged asks here, ngl.

okay, back to what's important. the conflict was so nice to see. because, you know, i felt throughout the story that there's this (understandable) carefulness in phuwin. even when he would let go for a few seconds or during feeding, his manner of speech and his actions still express it so loudly. mindfulness for pond to be alright, for everything to be consensual and for phuwin to not /slip/, almost.

like i said, very understandable. he's battling with understanding how much he enjoys certain (bloody, you could say) aspects of this deal they have, and not ruining things with pond. because he cares so much for pond, right? he wants him to be happy, always. pond comes first before everything for phuwin, it feels. even feeding. (this is my dedulu ass just rambling to you my understanding of your writing, some interpretations. i just feel like there's a lot expressed in your narration.)

point is: to see pond go through that tumult of thinking that phuwin found it disgusting - by proxy found /him/ disgusting for being so into it. having a breakdown; actually, breaking down. and then transition into something almost intolerant of phuwin's carefulness, was absolutely wonderful.

like, let me explain a bit more. the way you write pond: he's so sweet, so pliant under phuwin's needs, his rules in their deal. he's so understanding and so quick to comply to what phuwin thinks is best.

that's what i got from him. so to see him be stern, to see him say "can you stop assuming how i feel?" to see him put his foot down in the face of phuwin's overthinking and fears was glorious. you see another side to him. it's clear that their morning talk was horrible for him (for both of them, but i talked about phuwin a little bit before, so I'm focusing on pond now) and he doesn't want a repeat of it, wants to be as clear as possible. wants phuwin to get it, to maybe even /let go./

and then comes phuwin's turn to listen and comply and accept pond's requests and JUST *GRIPS HAIR* their communication is 1000000000/10. Even if they go through it, suffer a bit, they succeed in making things alright in the best way.

also, side note. phuwin thinking 'it's always nice' about pond being shirtless was just sjfhsfhs the obvious gay thoughts are amazing. he's so whipped he thinks it's all normal. thinking your friend's chest is nice is normal homie behavior, you're right phuwin.

overall awesomeness. all three updates had me as entranced as ever. the healing kisses in the elevator had me gagged. it's interesting how you can still spot so vividly phuwin's apprehensiveness/careful nature in it.

can't wait to see how they develop after these talks they had. how the feeding will go. once again, thank you for writing this wonderful au and thank you for letting me be delulu about your ppw au.

i am very tired today because i woke at 4am for no goddamn reason so this ask made me emotional T_T <3

I love when people qrt their reactions to the updates on the megathread of doom (don't want to think about how mant tweets 102 google docs pages are.....) BUT I also really really fucking love and adore your asks so DO WHATEVER YOU WANT it's a win/win for me!!

AAAHHHH i love your take and how you view phuwin so much because like that was his starting point like POND IS WILLING TO GIVE ME THIS??!?!!?!?!?! must treasure must be worthy wow wtf and now i'm discovering there's not only annoying parts to this major part of my identity? this aspect of myself and my life is something i can enjoy??? wow pond is magic. basically. so he's just so pathetically grateful but also so aware of, like, HOW TO BE WORTHY OF IT, basically. silk gloves for pond. i'm so glad that's coming through <3

which just makes him dealing with his sudden suppressed urge to hurt rearing its "ugly" head that much harder, like, he's so certain about this but suddenly his body and his yearning is attempting to tell him the opposite? like it's so unthinkable it's how he could be in denial about it for so long, which is a big part of what ends up hurting pond.

I am so fucking glad pond's transition in this conflict worked for you because they've both developed so much re: each other already in this that my brain is like "what is even in character anymore?" and it's not like we have any points of reference to pond standing up to phuwin in any way, but like, i knew pond having that shift was NECESSARY for them and their relationship to work, like it felt right. pond is a sweetheart and pond accommodates, but i also don't feel like he's someone who would just let others walk all over him after they've hurt him. thankfully, we've seen stand up to the stalkers now for instance. my point being: i was writing it and it felt right as i was doing so and it was needed to push them to a better place, but if i asked myself 'how would pond handle this' my answer would be '???' but one thing we DO know is how much phuwin values and appreciates honesty and pond knows that too, so one thing I could see pond do is cling to that, phuwin begged him to speak on the bathroom floor and pond knows phuwin values truth and directness, so i could see him cling to that aspect as a way forward.

'can you stop assuming how i feel' came to me in the middle of doing something else, i was probably biking to work or something, so i had to open my note doc on my phone to jut it down and not forget, because i felt it was the key cause of their miscommunication, because phuwin was so set in his conviction of how he was supposed to threat pond with this that he... forgot to ask pond about it lol so as i was writing that scene it was very "okay so how do i work their conversation from where they are to pond interrupting with that without it seeming forced" 😂

ye i made a point of phuwin folding completely to pond from that point on and show that like.... if phuwin CONSULTS POND they can actually find compromises that work better for both of them together. i also needed phuwin to see that. like, pw, you CAN do things differently than you thought you were supposed to and they WORK. it was important for me to showcase them trying to maneuver that new ground, of being in it together.

"he's so whipped he thinks it's all normal." PRECISELY yes thank you - as i said to alan on twitter, he goes from 'passively easy-to-ignore into dudes' to 'actually actively into one particular dude because suddenly their bond and intimacy have rapidly tightened and he's seen him in a completely new light so everything is the same but different'

oh the healing lift kisses were tough for me to write because they were both so conflicted about them. both knew it had to be done but there was no chance to communicate/get on the same page about it first. but also the act itself is something they are kinda both enjoying despite themselves? like neither of them wants to be into it at that moment but it's a) closeness after their fallout, which they both crave and b) an act they're so used to enjoying, their bodies are hardwired to respond somehow to it, even if just a tiny bit. so trying to somehow get the balance of 'this is kinda sexy but also really not, because we don't want it to be, neither of us do, but it's also YOU and CLOSE and THIS THING WE BOTH LIKE but also our interpersonal relationship is still relatively rocky at this point, like, you're on my neck and it feels nice and i both do and very much do not want it for multiple reasons also i'm still kinda pissed at you. and then only from pw pov and i had to convey pond's side entirely through the reactions phuwin were privy toobecause i couldn't even describe pond's face because pw's face was in his neck skdhskflhsl no idea if i succeeded but i'm glad you mentioned it!!

there's no 'letting' about it pls always delulu about my ppw au i think at this point i might just turn to dust without it T_T

#ask #thunder-point #certain solid fragrance #pondphuwin #COOOOOOOOLEEEEEEEEEEEEEEEEEE 😭😭😭😭😭😭😭😭#i dunno man writing is weird

13 notes · View notes