#asburyparkmusic
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marksphotos · 5 years ago
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Connor Bracken and the Mother Leeds Band at The Wonder Bar, Asbury Park, NJ - 12/26/19 What A Wonderful Year 2019 - Telegraph Hill Records @connor_j_bracken @jefflindenmusic @viking_drums @motherleedsband @benechris_dooberbatch #fenderguitar #concertphotography #livemusicphotography #tamronusa #instagram #asburyparkmusic #asburyparkboardwalk #asburyparkmusicscene @telegraphhillrecords @joepommusic #telegraphhillrecords @thewonderbarofficial #thewonderbar @wonderfulyear_ap #nikon 📸 @markashephotography (at Wonder Bar) https://www.instagram.com/p/B6vbq7KHA0v/?igshid=v2ve9tiwtevy
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The Carrie & Morgan Show Insights Strength, Discomfort, Beauty, & Humor in Death in Asbury Park
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Above photo by Ashley Rosas (@ashleyrosas)
Walking into 529 Bangs ave. brought shift to the surrounding city of Asbury Park. As white walls speak to the twisting sculpted vulnerabilities by Carrie Ruddick; the sharp vigilance of black ink to papers by Morgan Daly. Unlike the art experienced in the surrounding streets, there is a sense of darkened magic sewn into the white stoic untouched space, The Carrie and Morgan Show.
When looking at the curvature of Carrie’s sculpture I rouse the thought of female and female presenting organs. Sighting the intensity of mother nature’s dying plant to that of feminine rebirth of new growth. Feminine energy cultivating an understanding of life’s cycle while finding soft laughter amid it. Whether said be intentional, I think that intention is sewed in:
The space looks so different during the day than at night. At night, the LED ceiling lights clinch the softness away. There is a coolness in the warm colors of sun bouncing off the whipped cream  white walls. Conversing with Carrie shawls the glow of an afternoon sun over the artist’s being. The energy of sun spurs texture to the pulse of the walls and floor. 
The honey oak floors creak with the step of slow feet to the curling arms of death ridden flowers grounded in naked space. Purple, pink, and yellow pastels illuminate beneath cream plaster. Color becomes a shadow that cradles some sense of what life is left of the limping petrified vegetation. Just as the ceiling fan spirals shadows on the eyes, you can turn to the intimacy of Morgan’s drawings on the walls. Each line retraceable in sharp turns taking flight in a hot air balloon, flowers, clothing, machinery. Objects of memory lofting from change. 
“Even if you don’t look at these and think flowers or plants, they all have this subtle pastel. It’s not a completely dark moment.” 
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“We had no definite idea for these pieces,” shares Carrie.
However through discussion, inspiration flowered within the relationship of death and humor. A like minded train of thought Carrie and Morgan couldn’t ignore.
Looking over to my left stands the face of a half oval ushering from the ground. Pointing in my eye stands tusks peeling out from a purple and grey tombstone made of foam, plaster and acrylic; the common half oval of a body’s remembrance pointing mountains of light sits. Pulling myself into a cartoon, each tomb stone blooms after growing a belly full of flowers left by living company before hibernation. I, a passerby, feel the warm sun burrow into the ground—night upon us. 
Each sculptor a bouquet to rest beneath a tombstone--a sort of memorial. 
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Speaking to Carrie is as if part of entering a cloud of imagery. She composes each sentence a rich song of her heart. The artist explains the stream of consciousness that over took her senses for sculptor. As her pieces would change per application of plaster on foam tubing she decided to let nature curate her work’s growth. “I’m going to let these pieces be what they become,” said Carrie noting gravity’s might to pull her work to the ground. 
“Because I was thinking in ways of death, these weighed droopy things felt in line to me,” the sculptor sighs in memory of having only a month to ready herself for opening night earlier this July. 
Working with sculptor, she says, is working with reality. 
Whilst crafting each piece Carrie noticed she hadn't watered her own plants. “I was subconsciously creating versions of my dying wilting plants. I let that stay in my mind as I continued to work.”
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Morgan, decided to use drawings that aligned with the rumination of death and humor. In fact, Carrie notes how on lookers felt her sculptors and Morgan’s drawings were purposefully in sync. However, their work was build separately and Morgan had been drawing the pieces before the show was in purview. 
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Downtown Asbury Park art seems to venture away from the sentiments of death better tackling the love that is known here. The art presented by Morgan and Carrie exudes as much soul as the live show bills Little Dickman Records organize Downtown; there is distinction—a new color of expression listening to Fruit Tones, Shark Muffin, and so many more. Parlor Gallery derives from that same distinction, bound in the heart of punk where and when DIY music spaces curated to more intersectional narratives. Carrie and Morgan showed up. No one asked them to be here. Carrie said she felt she has yet to share her art with this city she has built such community with.
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When looking at the curvature of Carrie’s sculpture I rouse the thought of female and female presenting organs. Sighting the intensity of mother nature’s dying plant to that of feminine rebirth of new growth. Feminine energy cultivating an understanding of life’s cycle while finding soft laughter amid it. Whether said be intentional, I think that intention is sewed in:
Morgan and Carrie went to school in a small sculptor department where they learned under male professors who were very influential and supportive of them. “We often have that conversation of what would we be making or what would it be like if we were taught under a woman. what would it be like if we had a female role model in sculptor that we had a direct relationship with? Being in their early twenties then the two artists also hadn’t come to realize how they felt about their genders, so there was this subconscious pressure to be more like a man in sculptor. 
 “In being a sculptor, you are a builder; it is a labor I really enjoy. I love physical labor, I love building things.”  Although their male role models were amazing lot of their work had took from male reference or critique. They loved mastering this craft. They loved the ability to be self sufficient with stereotypical masculine tasks such as melding or foundry. 
“I think that this work is subconsciously has been, and will always be, in someways a response to those things.” As a result, these sculptors represent all the things a woman does not have to be in terms of a clean cut and crafty stereotype. To create something smooth and beautiful. 
“I feel like as a woman it means so much to have the power and choice to make a beautiful thing ugly because I can.” 
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Please come back with your truth and hearts Carrie and Morgan. Much love. 
Follow their work at Carrie’s website: welcome.carrie.studio/ Instagram: @crudddd and Morgan’s website: morgandaly.com Instagram: @morgandaly and @carrieandmorgan.show
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myincubusupdate · 6 years ago
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#Repost from @thepopbreak ••• @incubusofficial embodied the heart, spirit, and energy of @seahearnow! Iconic headlining performance! Photography by @mattheasleyphotography! 📸🎸 . . . #incubus #incubusofficial #makeyourself #morningview #acrowleftofthemurder #lightgrenades #ifnotnowwhen #8 #brandonboyd #asburypark #asburyparknj #asburyparkmusic #asburyparknow #asburyparkboardwalk #seahearnow #seahearnowfestival #musicfestival #concertphotography #instapic #instadaily #musicphotographer #bestmusicshots #instagramers #instaconcert #musicphotography #livemusicphotography #livemusicphotographer #concertphotographer #concertphotos #audioloveofficial (en Sea Hear Now) https://www.instagram.com/p/Bpwau1UgqGS/?utm_source=ig_tumblr_share&igshid=16jhhm71i110u
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p-dubs · 3 years ago
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Nobody move, nobody gets hurt 🎸 📸 : Albert Varosi #telecaster #reggaeguitar #asburyparkmusic #dirtyjerseyreggae (at Asbury Park, New Jersey) https://www.instagram.com/p/CdY2vCDpCkQ/?igshid=NGJjMDIxMWI=
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shearintegrity · 3 years ago
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Posted @withregram • @larrycadillac 🎸 . . r o c k s t a r . . freshly “undone” style cut by thommy . . @thesartorialbarber . . you can see this smile rockin’ on stage with remember jones! . . #asburypark #asburyparknj #asburyparkhair #asburyparkbarber #cookmanave #larrycadillac #rememberjones #asburyparkmusic #imwiththeband (at The Stone Pony) https://www.instagram.com/p/Cc6ZLUVLcwn/?igshid=NGJjMDIxMWI=
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thecoldseasmusic · 7 years ago
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TOMORROW NIGHT WE ROCK THE NEW @asburylanes Do you like synchronized headbanging? We might do that for one song. Do you like a band who has been deemed by some as "least punk rock band in Asbury Park?" ✔ Check. Those who have heard us proclaim "yup, sounds like music." Gonna be a night to remember, don't miss it. Tickets still available, link in the bio. @wearewyland @listentogods Thanks to @carouselmediahouse for the sweet footie. #mdw2018 #mdw18 #rockshow #alternativebands #altmusic #indiescene #indieelectronic #wearetherobots #asburylanes #asburyparkmusic #asburyparkbeach #notpunk #grungey #softgrunge #headbanging #longhairdocare #playerhatersball (at Asbury Park, New Jersey)
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sinojikai · 4 years ago
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Today I am 24. Here’s a haiku I wrote eleven months ago: “Twenty” Just twenty years young, Right at the triad, of these tones— Zeitgeist, youth, and age. 1/17/20 Needless to say, it doesn’t apply to me as much as it would have four years back! But it is a reminder that as time ticks, I still do have that centrality of temporal cultural relevance to cling to while my twenties still dwindle. It’s a nice reminder that time is irrelevant. Bwahahaha Photo taken November 7, 2020 by @bieberkenny #twentyfour #poetsofinstagram #modeling #manasquan #asburyparkmusic #transandproud #newyear #2021 #sealab (at Manasquan Beach) https://www.instagram.com/p/CI395tdgdg-/?igshid=1ub9mpz9mjyia
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amandalombardo · 8 years ago
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@jacobmoore21hs of @ellefantband at Asbury Park Music Foundation on January 21, 2017 in Asbury Park, New Jersey more photos available on my website (link in bio) -- #amandalombardophotography #amandalombardo #concertphotography #concertphotographer #concert #photography #photographer #audioloveofficial @iconcertphoto #iconcertphoto #apmf #asburyparkmusicfoundation #asburyparkmusic #ellefant (at Asbury Park Music Foundation)
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michaelsquillacemusic · 5 years ago
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"WAITING" IS NOW STREAMING!! Thanks to all who've streamed it already! Let us know what you think. 🙏🏽 @nickryanandthemess • #Repost @nickryanmusic_ (@get_repost) ・・・ “WAITING” IS NOW STREAMING EVERYWHERE! I’m so happy and blessed that this song is finally out. It’s been near and dear to my heart for the last couple years. This song sparked the drive to get back out there and sing my own tunes again. I hope this tune brightens your day and makes you dance like crazy. • • • #newmusicfriday #streaming #spotify #waiting #newsong #originalmusic #positivemusic #instamusic #asburyparkmusic #nickryanandthemess #asburypark #newjersey #jerseyshore #blessthemess #heartlandrock #rootsrock (at A Blessed Mess) https://www.instagram.com/p/B-iDqqTF4D9/?igshid=1pm5vatmlwstc
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tylersarfert-blog · 7 years ago
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• • • • • #studiovibes #studio #recordingstudio #recordingengineer #audioengineer #studioporn #studioportrait #njartist #njtalent #njmusicscene #nycmusic #nycmusician #nycmusic #nyctalent #newyorkmusic #producerlifestyle #asburypark #asburyparkmusic #indieartist #newmusic #musiclifestyle #nyclifestyle #phillygram #phillymusic #phillytalent #singerlife #musicianlife #vscomusic
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massappealphotography · 7 years ago
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9.23.2017  -  The Parlor Mob performing at Indian Summer 2017 this year right off the Asbury Park Boardwalk at @ The Anchor's Bend.  Excellent night!!! @theparlormob @sambey @listentogods @erikrudic @gianniscalise @markamelicia @indiansummerap @asburyparkbazaar @asburyparkboardwalk @theanchorsbend #PaulRitchie #indiansummer2017   #asburyparkbazaar #parlormob  #NJ #asburyparkmusic #apboardwalk #jerseyshore #NJconcertphotography #massappealphotography #Nikon #Beachconcerts #conventionhall #asburypark #asbusyparknj  #asburyparkboardwalk  #localmusic #slowroar #supportlocalmusic #listentogods (at The Anchor's Bend)
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marksphotos · 5 years ago
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Bobby Mahoney and the Seventh Son “Behind-The-Scenes” In The Studio 2019 Checkout the awesome new video for "Should Have Called You Up (Last Night)" - https://www.youtube.com/watch?v=cDB7K9GdVJw Produced by @zackmorrison18 and @christopherpasi @bobbymahoneymusic #bobbymahoneyandtheseventhson #bobbymahoney @jchangsoon @andrewdirtysaul @mcintoshhh @telegraphhillrecords @joepommusic @i_amthebandit #asburyparkyachtclub #singersongwriter #concertphotography #concertphoto #livemusicphotography #livemusicphotographer @livemusicnewsandreview #tamronusa #instagram #asburypark #asburyparkmusic #asburyparkboardwalk #asburyparkmusicscene @black35guitars #rocknroll #nikond750 #bandphotographer #bandphotography #behindthescenes 📸 @markashephotography (at New York, New York) https://www.instagram.com/p/B0jDMcMnKXn/?igshid=1p8q7zhhq2e04
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The Foes of Fern, The Indiegogo & What to Expect
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Written by Lana Leonard for Telegraph Hill Records
With the help of fans they call foes, The Foes of Fern are calling out to all lovers of music and the Asbury Park music community in an Indiegogo campaign to assist in raising funds for their first record, Girl In All My Songs (Ghosts). Produced by Matt Fernicola and Joe Pomarico through their label Telegraph Hill Records, the new musical release has already rendered a rich sound and personality with the release “April Came in the Rain.” The single and its lyric video can be found on YouTube with an edgy rock n’roll flair that indubitably makes you laugh and smile away a sort of cynicism towards life. With a music video and new single, “Sun Day” dropping May 14, and the end of the Indiegogo campaign coming by May 17, the time to give to The Foes of Fern is now. After listening to “April Came in the Rain” you can expect a diversity in sound with the release of the record’s second single “Sun Day.”  With a swing and a wave, the melancholy motions of “Sun Day” will insist the desire to take out your lighter and awaken all the ghosts in this record.
Giving to The Foes of Fern’s Indiegogo campaign will only help instill the high standards the band and Telegraph Hill Records hold themselves to—to make Girl In All My Songs (Ghosts) the difference between good and great. Look out for The Foes of Fern’s newest single this May 14 and the release of their foe-filled music video.
Give to The Foes of Fern here before May 17 comes in the rain!
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shauneheath · 8 years ago
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I'll be performing at @theasburyhotel with the @themaydarlings and @farinthemaples Come out for a good time. Oh and it's my second wedding anniversary 🖤 #shauneponyheath #shauneponyheathmusic #themaydarlings #farinthemaples #theasburyhotel #thesoundboothattheasbury #independent #independentartist #music #supportlocalmusic #asburypark #asburyparknj #onmyweddinganniversary #lovewins #ponathan #instagay #instagood #nj #thingstodoinasburypark #asburyparkmusic (at The Asbury Hotel)
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p-dubs · 3 years ago
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We will be special guests of the Jamily this Wednesday at The Asbury! 💃🏻🕺🏾 #livereggae #asburypark #dubreggae #dirtyjerseyreggae #dubassassins #asburyparkmusic (at The Asbury) https://www.instagram.com/p/CahLLU9Ogsd/?utm_medium=tumblr
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lana-humanlove · 8 years ago
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Support Syrian refugee’s with  the power of art by donating to Mercy Corps this Tuesday @ 8:30, The Inkwell
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All interviews done over text message or social media messaging
Write ups will be published as they are written
Gregory Dube
“For me writing is less about making a name for myself but effecting a positive change in the hearts and the minds  of those who read or hear my words,” said 28-year-old Gregory Dube an artist, writer, philosopher and friend.
Dube says that art is the bridge between souls and the more we consciously travrse the distances between them, the more well rounded and compassionate we are.  With that being as it may, Dube wants to be what closes that gap. He himself, by reading at this event, is to help build a more compassionate humanity.
“Considering the cause,” said Dube, in regards to the event’s support for Syrian refugees, “[building compassion and humanity] is very much needed in this time.”
The writer goes on by saying that there is nothing more that gravitates him to this event than his own life, which is enveloped by all the lives in proximity to his own, including the known and unknown. His manifested destiny—desire—is for our species as a whole become more considerate and kind towards one another.
Greg, thank you for the beauty and eloquency you have brought to not only my life, but The Inkwell. It is a great privilege and honor to have discussed the world, its treasures, humans, and all the unknowns we and our universe possess.
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