#as yet another narrative device to very faintly fictionalize a very real story

[wavesoutbeingtossed]

I absolutely adore the (thinly-veiled) story in "Fortnight" because as I said on album release day, it's like "ivy" but in the suburbs.

I love the conceit of some sort of sanitized, suburban wasteland being a veneer for the seedy underbelly of these unhappy couples, acting out their secret fantasies as a cover for how unsatisfying their pristine lives are. It feels so "Desperate Housewives" turned on its head.

The narrator is drinking away her troubles, but nobody notices because everyone else is just as miserable and doing the same thing. (Or don't care.) The love interest moves in to the house behind hers, captivating her across the fence line. His wife upkeeps the perfect suburban duties, tending to her garden, and it drives the narrator crazy because her own home is in shambles on the inside. How dare she make something so beautiful that hides something so ugly? How dare she be happy when she has the one thing the narrator thinks she wants?

The would-be lovers circle each other, make pleasantries like good neighbours always do, sublimating their desires for each other over idle chit chat, which only highlights how that spark has gone out with her husband. And the image of their presumed perfect marriage to their neighbours is also a lie, because while she's feeding these fantasies about the other man in her mind, her husband is openly unfaithful. And the fuck of it all is that she knows and she isn't doing anything about it. The implied reading of "my husband is cheating, I want to kill him," to me is that this is an ongoing affair, but she's just put up with it, letting the resentment build but continuing to play the role of dutiful wife. (After all, good wives always know.)

The story is suburban gothic. The pressures of up keeping the day to day of the British? American dream do nothing but kill the spirit of the people inside them when they can't admit that it's wrong. The call is coming from inside the house: the danger isn't from some monster lurking in the shadows invading their neighbourhood, but quite literally in their own backyards. The only options are to stay stuck in the mundane reality of day to day in this sterile cage, or to break free and escape to Florida, the bastion of evading the law and lovers and time. You can buy the car (or the house or the boat or whatever), but it won't fill the hole inside you if you can't admit what's wrong and follow through.

I could soooooo see this playing out as a movie or TV show and I freaking love it. (I mean, it already has, it's a whole genre lol.) There's the whole ~real life~ situation filtering through these characters, being used as a cautionary tale that would probably veer a shade too far into speculation for another post. But I do love me some storytelling about the dark side of suburbia as a foil to people's darker impulses and psychological breakdowns.