#as someone who has loved bastille since first hearing 'pompeii' in 2013

[silhouettecrow]

Just as an addition (as someone whose favourite band is Bastille and is not scared of the Swifties), Bastille will regularly cover songs, and when they do, they keep the lyrics the same, including referring to a (potential) love interest with he/him pronouns and with masculine terms. This also includes Dan Smith, Bastille's lead singer, sometimes referring to himself with feminine terms, such as "queen bee" (from "Royals" by Lorde) and "girl" (from "Only Girl in the World" by Rihanna).

This is a regular occurrence for the band, so it is not out of the ordinary to hear Dan sing a song with the pronouns and those types of terms completely unchanged.

The whole band cares deeply about the LGBTQ+ community, and they have since the very beginning of their career. They've been very vocal about supporting the community (iirc, when I was more active on Instagram and Twitter, I would see the band as well as Dan himself make posts explicitly stating support for the community and saying/doing other things that I saw as implicit support). They've also regularly demonstrated that support, from Dan holding up pride flags on stage for various performances to Chris "Woody" Wood, the band's drummer, having rainbow drums.

Tldr: Bastille has done so much for the LGBTQ+ community, in both subtle/implicit and dramatic/explicit ways, and that is multitudes more than what Taylor Swift could ever wish or care to do.

bastille has done more for the queer community by just making all of their love songs about "you" instead of specifying a gender than taylor swift has in all of her discography. thanks for coming to my ted talk.

[omegalomania]

I think tumblr ate my ask or it just didn't sent but what are your favorite Bastille songs / what are some songs you recommend?

i did NOT get this ask im very sorry anon.

it's genuinely hard for me to narrow down cause bastille is pretty up there in terms of favorite artists. i love all their shit, but a special mention goes out to their second studio album wild world since it's the one that made me a Fan

uh so here's a primer i guess i spent too much time on this lmao.

if you wanna listen to their big hits:

flaws - their first single in the uk. if you ever listened to ship playlists on 8tracks in like 2013-2015 then you've probably heard this song or a variant on it at some point.

pompeii - this is the song that really put them on the map and you definitely know it. it dominated the charts all over the place.

happier - the marshmello song that you've definitely heard before too. i think bastille wrote this for justin bieber or some shit but then decided they liked it too much to give it to him? lmao. anyway if you're not digging the version you hear on the radio all the time i recommend trying the stripped down version

good grief - their big hit off their second album. big in the uk, didn't really make as many waves elsewhere, but it's a really solid song anyway. one of those "upbeat tunes that's actually really fucking sad" ones

things we lost in the fire - another one off their first album. if you live in a wildfire area this might not be one to turn to. or maybe you'll find it cathartic idk i certainly do!!

quarter past midnight - a song about escapism, as was fitting when it was released in 2018 and equally fitting now. running away for a night of fucking around with friends, craving any kind of brief departure from the chaos of the modern world

skulls - this one was not a hit or a single and is technically a bonus track but i'm including it because once again if you ever clicked on a ship playlist on 8tracks in like 2013-2015 you've heard this one. and you know what that was justified this one is also good

if you wanna feel existentially depressed:

their whole discography. i mean i kid but i also don't. that's just kind of how bastille does it. BUT IN ALL SERIOUSNESS ones that hit me in particular would beeee

two evils - kind of a grim, haunting one introspecting about morality of the self.

oblivion - musing about the afterlife, love, and how time changes all of us.

those nights - contemplating what it is we seek when we plunge into reckless escapism, and the inherent loneliness of it; how even when surrounded by people there's still the pressure of the world outside, continuously coming to pieces

the draw - this one was written about the pull of pursuing a career in music vs. staying home with family and friends. in a broader sense, it can apply to a lot of things. i always felt it resonated with feelings of paranoia and displacement

winter of our youth - discusses childhood, nostalgia, and regret. if it feels like everything's slipping away, is it easier to relive the past, especially if the past is tinted rose?

sleepsong - loneliness, desperation, and the cyclical, abyss-like nature of all it encapsulates

if you want discussion of serious topics:

final hour - a bonus track off their second album that also became a bonus track off their third album? anyway this song talks about climate change and gun control. happy stuff

doom days - this one talks about, uh, everything! doomscrolling, political divides, escalating national tensions, climate change again, etc.

the currents - a song centered on political rhetoric and the power that figureheads have over the masses, the way they can orchestrate hate. basically it's not so subtly aimed at donald trump lmao, dan's literally sung it as much in a few live settings

WHAT YOU GONNA DO??? - social media addiction and the way capitalism and corporate interests have annexed our online experiences, fighting desperately for our attention as they seek to monetize every available aspect of our lives

four walls (the ballad of perry smith) - well this one is about uh. perry smith. who was charged with the death penalty for killing 4 people in the late 50's. but it's less directly about him and more a discussion of the morality of the death penalty and capital punishment

snakes - burgeoning anxieties and the impulse to turn to easy outs, like ignorance or alcoholism, to escape the world's global problems

if you want some pop culture sprinkled on top:

icarus - greek mythology. i like this one because it addresses something that i feel isn't addressed enough in discussions of this myth, which is that icarus is a very young lad. less about the pride of the fall, and more about the inherent tragedy of that.

laura palmer - the whole song is a david lynch shoutout. i've never seen twin peaks myself but the song still slaps.

daniel in the den - christian mythology. discusses the biblical tale of daniel in the lion's den and links that up to themes of betrayal and family.

poet - this one's a double feature, referencing both william shakespeare's sonnet 18 and edmund spencer's sonnet 75. also one of my favorites.

send them off! - this is another one of my favorites of theirs. it's also been described by dan as "othello meets the exorcist" and it very much delivers there

if you want something uplifting:

joy - while bastille (understandably) has a bit of reputation as a band that makes sad music about sad things, they've definitely got some happier songs in their catalogue. pun intended cha ching. this one's one of their more straightforwardly happy tunes

survivin' - this was a song they wrote while they were touring and then felt weird about releasing once the panini hit because it felt a bit on the nose. they ended up releasing it anyway and i am so glad they did cause it's a mood

act of kindness - the "happy" part here is debatable but i'm gonna include it anyway. it’s when someone does something nice for you and that impulse Changes you way down deep you know???

warmth - one of those "the world's going to shit but at least we have each other" kinds of tunes

the anchor - one of those "the world's going to shit but you're the one fucking thing that's still keeping me here" kinds of tunes

give me the future - their latest single as of this writing and one of the more optimistic tracks in their catalogue imo! it's yearning, but it's also with a genuine hope for the future.

and LASTLY. because im going to take every chance i can to plug this band. im going to throw some collabs and covers at you because there's one thing this band does SUPER well and it's collabs and covers.

of the night - this is the big one. it mashes up rhythm of the night by corona and rhythm is a dancer by SNAP! and it's so good they still do this one live and it goes off every time.

no angels - a mashup of "no scrubs" by TLC and "angels" by the xx, poured into a strangely mournful tune with clips from the hitchcock movie psycho. doesn't sound like it should work but it does. kinda really does.

torn apart - with GRADES and lizzo no less!!! it's got two parts but they're both excellent listen to them both

weapon - collab with angel haze, dan priddy, and F*U*G*Z and one of my absolute favorites

remains - remix of their song "skulls" but featuring rag'n'bone man and skunk anansie that adds an entire new dimension to the song, really fucking excellent

old town road mashup - lil nas x's old town road meets lizzo's good as hell meets radiohead's talk show host meets talking heads' road to nowhere meets the osmond's crazy horse. "what the fuck that shouldn't work" i KNOW and yet here it is!! BLATANTLY BANGING!!!

we can't stop - one of the few times dan smith subtly changes the lyrics of the song he's covering (most of the time he opts to keep the original pronouns and the like, which is very nice to see). anyway this one mixes miley cyrus's we can't stop with eminem's lose yourself and billy ray cyrus's achy breaky heart. and also the lion king's i just can't wait to be king is there. yes i know it sounds batshit especially because the whole thing is surprisingly melodic and heartfelt and you know what it works.

anyone but me x nightmares - mashing up joy crookes' anyone but me with easy life's nightmares and absolutely one of my favorites.

bad guy mashup - how many songs can they include with the word "bad" in the title? we've got bad guy (billie eilish), bad decisions (bastille), bad romance (lady gaga), and bad blood (taylor swift). bastille even has a song called bad blood and they didnt use it. they used taylor swift's version. also the distinctive guitar riff from dick dale's misirlou is there.

somebody mashup - how many songs can they include with the word "some" in the title? someone like you (adele), somebody told me (the killers), somebody to love (queen), use somebody (kings of leon), and someone you loved (lewis capaldi). seriously these guys take mashups to a new level.

final song - this is a cover of MØ's final song. it also adds in craig david's 7 days and, impossibly enough, europe's final countdown. how does it work. how.

ALL RIGHT. THATS ALL IVE GOT IN ME. HOPE THIS HELPED ANON AND IM SORRY IF THIS IS TOO MUCH

[johannesviii]

Top 12 Personal Favorite Hit Songs from 2014

The “least good” of the three best years of the 2010s. This is still a top 12. Because I can, and I will.

I know. People also call it a bad year. And I think they’re wrong.

Disclaimers:

Keep in mind I’m using both the year-end top 100 lists from the US and from France while making these top 10 things. There’s songs in English that charted in my country way higher than they did in their home countries, or even earlier or later, so that might get surprising at times.

Of course there will be stuff in French. We suck. I know. It’s my list. Deal with it.

My musical tastes have always been terrible and I’m not a critic, just a listener and an idiot.

I have sound to color synesthesia which justifies nothing but might explain why I have trouble describing some songs in other terms than visual ones.

New job, which is the one I still have currently. Also, I discovered Doctor Who in December 2013 and you know exactly what happened in 2014 because I dived head first into the extended universe as soon as I finished New Who and I’ve never really recovered since then. The end of the year was highly stressful, with my cat being sick, my father needing a very dangerous surgical intervention, and me being so stressed out I was basically unable to sleep for days. Might explain why there’s a lot of cute songs on this list, I needed cute stuff.

That year wasn’t very generous in good albums from bands I liked. Epica released The Quantum Enigma, and it was okay, Within Temptation had Hydra, and it was also okay, and Coldplay had the very underrated (in my opinion at least) Ghost Stories, a mostly melancholic album full of bittersweet post-breakup songs. So I’m left with no choice but to declare The Birthday Massacre’s album Superstition my album of the year for 2014. They had stayed at a consistent level since Pins And Needles so I wasn’t expecting anything better from them, but boy do they delivered. Here is Divide, it’s about a subterranean world and it might be a metaphor but as you know I’m very literal-minded! Here’s Beyond, about a lady falling in love with a strange woman who might be some sort of fae or supernatural entity!! I love most of the album and there’s only one subpar song on it. I know they’ll never get a crossover hit but they’d deserve it so much. Look at the state of the world. We’re so ready for a new mainstream wave of energetic, angsty, weird music. Just bring it on.

There’s only one non-elligible song that truely pisses me off this time, and it’s Traffic Girl by Indochine, another single from their Black City Parade album. It’s about a policewoman in North Korea who has to wave and smile at non existant traffic all day long and the song presents her as a modern hero. It’s one of my favorite songs on the album and I’m so mad it didn’t make the French year-end list.

Here’s a list of honorable menti-holy shit why is this list so long

Albatraoz (AronChupa) - Riiiiiight at the limit between catchy and annoying. But it’s blissfully short.

Chandelier (Sia) - I would like this more if it wasn’t that painful to listen to, I swear.

Magic in the Air (Magic System) - Insert my usual comment about these guys and their fun & happy songs.

Un Jour Au Mauvais Endroit (Calogero) - Great music, good lyrics. It’s still Calogero and I tend to dislike how overdramatic he usually is. Not enough to ruin that one song for me though.

Je Garde le Sourire (Black M) - This isn’t the last time he’s gonna appear in this post.

Prayer In C (Lilly Wood & The Prick) - A bit repetitive but in a good way.

Budapest (Georges Ezra) - A bit repetitive but in a good way 2, the return but in a completely different genre.

The Monster (Eminem & Rihanna) - We’ve now entered the songs which I considered putting on the list, and yeah, there’s a lot of them even if this is a top 12. “Bad year for pop music”. Yeah. Right.

Addicted To You (Avicii) - This is good, and the music video is great, and I want to stop feeling emotional about Avicii. Please.

Don’t Tell Em (Jeremih) - I. Uh. What the f█ck. Okay. There’s no way I can justify this. I simply adore this beat even if the lyrics are really, really bad. It’s just visually stunning and I really wish the song itself was better.

Photomaton (Jabberwocky) - I don’t think this would have charted without the success of Kavinsky the previous year. But still. Wonderful stuff. Well deserved.

Madame Pavoshko (Black M) - This was on the first version of the list but in the end I really had no room left for it. It’s a song about a guy telling his old teacher he made it in life despite the fact she labelled him a hopeless case at school. With such a premise, it could be an angry song, but no, it’s upbeat, sarcastic and fun. Wonderful stuff.

Le Graal (Kyo) - Kyo? Wait, you mean the embarrassing emo guys from my 2002 and 2003 lists? These guys?? They were back on the charts after ten years?? And suddenly everyone thought it was cool to like them again?? Including me??? Sounds fake but okay

Turn Down For What (DJ Snake) - The last cut. Stim music at its finest, sharp, aggressive and colorful. Everything I ever wanted from a hit song.

Well, that was long. Here’s the actual list.

12 - Wake Me Up (Avicii)

US: #22 / FR: Not on the list

“So wake me up when it’s all over, when I’m wiser and I’m older” should make no sense. You can’t get wiser if you’re asleep. At least that’s what I would probably say if I didn’t feel this. There’s a lot of times in my life I wished I could be switched off and woken up a couple of years later and be like “hello I’m back, I feel better now, what did I miss”. I totally get it.

The only reason this song is so low on the list is the drop. I don’t like it very much. The rest is damn good.

11 - Boom Clap (Charlie XCX)

US: #34 / FR: #84

Boom! Boom! Boom! CLAP. That song got me after its first seconds. Love its atmosphere, very cotton candy-like, very fluffy, with a sharp voice. Doesn’t work well if you listen to it on a loop, though, and that’s the only negative thing I can say against it.

10 - Stay The Night (Zedd)

US: #94 / FR: Not on the list

This on the other hand works very well on repeat and that drop is golden. I’m afraid I don’t have anything very interesting to say about it. It stayed on my playlist from 2014 to summer 2019, though, so that’s an impressive feat.

9 - Rather Be (Clean Bandit)

US: #41 / FR: #18

Several critics I follow have commented this song is 1) mostly meaningless 2) too perfect to say anything about it and I agree. It’s also too perfect to be really passionate about it, unfortunately, but still, very, very good stuff.

8 - Magic (Coldplay)

US: Not on the list / FR: #66

You already know I don’t really like lowkey emotional songs and I also hate the first act of Coldplay’s career, so why on earth did I like Ghost Stories so much and why is Magic making me feel so emotional, you ask? Well it’s because the music itself isn’t bland. It’s lowkey but rich, dense and colourful, and it works much better than whatever they were doing before with their slow boring songs. Also, I really struggle with dramatic vocal performances on quiet emotional songs (which is why I tend to have issues with Adele’s voice on some of her stuff), and here the balance is just ideal. Soft colors, soft textures, soft voice, this is like a colorful plushie you’ve lost for years and just found in the attic and it brings you to tears. I adore it.

Also the part of the lyrics that goes “And if you were to ask me / After all that we've been through / Still believe in magic? / Oh yes I do”, that makes me want to hug someone and never let go.

7 - Waves (Mr Probz)

US: Not on the list / FR: #15

This is completely hypnotic. It’s perfect to drive, to walk, to draw. to sit on a bench and look at the trees. It’s just wave after wave of pastel colors with a good beat and it washes away your anxiety slowly but surely. Therapeutic and beautiful without ever feeling bland. Wonderful stuff.

6 - Uptown Funk (Bruno Mars & Mark Ronson)

US: Not on the list (#1 on the 2015 year-end list) / FR: #3

Everyone loved it and I wasn’t an exception. You all know it and I’ve got nothing new or interesting to say about it. A ton of fun. Love the lyrics.

5 - Sur Ma Route (Black M)

US: Not on the list / FR: #7

If you’re wondering what’s going on in this picture, the guy is parodying a lot of famous movies or series in the music video. It’s a simple but super energetic song about trying to trace your own road in life and all the problems you encounter and how you can’t always count on people you thought were your friends. It’s very propulsive and motivating and it’s my favorite song from that guy even though he made a lot of good songs. Just great stuff. Check it out if you’ve never heard it.

Speaking of being on your own...

4 - Ain’t It Fun (Paramore)

US: #47 / FR: Not on the list

I miss hearing that kind of thing on the radio and yes, I’m aware that makes me sound like an old idiot. Oh how I wish this had been released in 2010 when I just started to work, that would have been perfect. I know the song is supposed to be sarcastic with the whole “ain’t it fun being on your own” angle, but yeah, when your life wasn’t great before, it’s actually liberating to “live in the real world”, even if it sucks at times, even if it’s difficult and you have responsibilities and all.

Also the music video is super cute. Love it.

3 - Pompeii (Bastille)

US: #12 / FR: Not on the list

I’m honestly surprised this is only #3 on this list considering how much I loved this one back when it came out, and don’t get me wrong, it’s still a song I love to this day, just... a bit less. Maybe it’s because of overplay? I’m not exactly sure considering #1 was also played very often and I never ever got tired of it. And it’s well written, and it’s not every day that you hear a song about two dead people talking about the wrath of the gods after their city was engulfed in ash.

So yeah. Not sure what happened there. I hope this band is eventually gonna have another hit like this one. Bastille, more of Pompeii and less of Happier, please.

2 - Dangerous (David Guetta)

US: Not on the list / FR: #8

A few months ago I heard Memories by Maroon 5 and I was instantly filled with a truely disproportionate amount of rage for such a bland pop song. See, I love it when music uses well-known classical tunes and completely changes their context and tone, but Memories doesn’t do any of that, it’s just the Pachelbel canon with some bad lyrics on top. So yeah, it’s a pet peeve.

Dangerous, on the other hand, is a song mixing a small loop of Toccata & Fugue in D minor and it basically uses it as an ominous pseudo-police siren in a song about illegally cruising a car with your possibly criminal, possibly gangster crush and not knowing if you’re scared, in love or feeling the thrill of adventure, or all of that at once. I. Love this damn song.

When the only bad thing I have to say about a song talking about driving at night way too fast is “eh this isn’t as good as Kavinsky”, you know you’ve found gold.

1 - A Sky Full of Stars (Coldplay & Avicii)

US: #51 / FR: #9

As much as I love Dangerous, there wasn’t any doubt about what would top this list. I’ve spent about ten lists explaining how my appreciation of Coldplay kept growing over time and four lists explaining how much I loved Avicii, and this song is the best of both worlds. The first time I heard it, I was driving and, no joke, I was so overwhelmed I had to park my car to properly concentrate on the song.

One day I will have to paint this song to explain how fantastic it looks and I’d have to use purple, china blue and pink watercolor inks and basically paint a psychedelic night sky full of little lights and yeah, this is basically another of these songs that are deeply satisfying on a synesthetic level, and it joins this very select club with the blue song called “Blue”, the song full of bright flashes called “Lights” and the song that looks like gentle pulsing lights called “Fireflies”. I’m trying (and failing) to learn how to play it on the piano. I know the chords, and I suck, but I’m very determined.

On top of that deeply satisfying visual, there’s the soft vocals so specific of the Ghost Stories album, and the very simple, very cute lyrics, and I simply hear “'Cause you're a sky, 'cause you're a sky full of stars, I'm gonna give you my heart” and I die instantly. This is high quality musical fluff. Come to think of it, this list is full of it, and this is the Ultimate Fluffy Song. One fluff to rule them all.

Sidenote, considering I fell into the DW audios right when this song came out, that’s one of my theme songs for Eight and Charley. Because of course it is.

Next up: The beginning of a progressive drop in quality but you wouldn’t be able to tell considering how long this list of honorable mentions is

[sonicawareness]

Phil Herring’s Best Albums of 2016

Phil Herring is a close friend of Sonic Awareness and a concert aficionado, regularly attending 100+ concerts per year. He has listened to a large number of albums throughout the 2016, and we’re happy to have him provide a guest column: his personal picks for the 40 Best Albums of 2016! 

Browse the full list below and check out the key tracks on Spotify!

40) BRIAN FALLON – Painkillers

After relentless touring and five records with his main act (The Gaslight Anthem), Brian Fallon steps out on his own with a collection of lovely mid-tempo roots-rock that establishes him as the singer-songwriter we always knew he was. While not quite as personal as the previous Gaslight Anthem record, Fallon allows himself to expand his sound. Fans of The Gaslight Anthem will still find plenty to enjoy but Painkillers is able to retain its own identity.

KEY TRACK: “Steve McQueen”

39) THE NAKED AND FAMOUS – Simple Forms

These Aussie electro-poppers always tend to have a few banging singles and then a bunch of so-so album tracks so it was nice to hear them to put together their first all killer no filler collection. The hook on “Laid Low” alone will ring in your head for days while elsewhere they strip their sound down to focus on vocal interplay between the two leads

KEY TRACK: “Laid Low”

38) CHAIRLIFT – Moth

Sadly this Brooklyn art-pop duo will be coming to an end next year but they really went out with a bang on this one. Their previous records tended to collapse under the weight of their own pretension so it’s nice to hear Chairlift (formerly most well known for their track “Bruises” featured in an iPod commercial) lightening up a bit and indulging in their pop fetishes that were only hinted at before.  

KEY TRACK: ”Cha-Ching”

37) GROUPLOVE – Big Mess

Parenthood hasn’t softened indie-poppers Grouplove. They still are able to bring the ruckus to your local festival’s 4pm time slot. Grouplove is one of the last bands standing which can still readily be played on alternative radio and keep a straight face when referring to themselves as “alternative”. The vocal connection between husband and wife duo Christian Zucconi and Hannah Hooper continues to be leading anchor to this band’s sound.  Big Mess also plays well because it avoids getting slowed down by too many mid-tempo anonymous numbers, a trend that many bands in this category fall into. As we go into a very uncertain 2017, Big Mess is a nice joyful break.

KEY TRACK: “Cannonball”

36) BEAR HANDS – You’ll Pay For This

Not totally indie, not totally retro, not totally electro-pop, not totally rock, Bear Hands refuses to sit into any sort of comfort zone. Led by unique instrumentation and singer Dylan Rau’s slacker-influencer vocals, every record these guys do sounds fairly different. Sure, you could probably draw some sort of comparisons to the likes of Passion Pit, Foster The People, etc. but that wouldn’t be telling the whole story. These guys have made their own brand of Brooklyn indie rock that thankfully isn’t indebted to all the passing trends the genre (and city) sees every few years. 2016 gave them their biggest single to date (“2AM”) but the whole record shows each of the band members bringing their biggest strengths to the table which results in their best record yet.

 KEY TRACK: “Winner’s Circle”

 35) DRIVE-BY TRUCKERS – American Band

 There are still American rock and roll lifers in this world and Drive-By Truckers are one of the few who continue to, er, truck on year after year logging endless miles on the road and putting together and incredibly consistent catalog. No Drive-By Truckers record has ever been light subject-matter wise but American Band is likely their most somber and reflective album to date. No doubt inspired by the political landscape and racial tensions in America over the past few years, American Band contemplates exactly what it means to be a southern rock band during this unstable time. Patterson Hood and Mike Cooley have always been excellent story tellers and this record continues to see them evolving in their craft while pleasing their core.

 KEY TRACK: “Ever South”

 34) SLEIGH BELLS – Jessica Rabbit

 Nothing about Sleigh Bells is ever subtle. Like Beach House in their approach (not sound), they continue to tweak and make small changes while still sonically assaulting the listener with gritty guitars and hard dance beats. This time around, the “rock” in their formula is less pronounced which leaves room for more pronounced melodies, beats and overall rhythmic pleasures. It makes for an overall lighter affair but since the songs still stick with you, Jessica Rabbit now makes them 4 for 4.

 KEY TRACK: “Rule Number One”

 33) DAUGHTER – Not To Disappear

 British mope-rock has provided us with plenty of gloomy soundtracks for rainy days. Daughter proved to be one of the stronger candidates with their successful release, If You Leave in 2003. Touring the world a few times over hasn’t softened lead singer/first class mope Elena Tonra. She even wonders if she should “get a dog or something” at one point. If anything, Daughter’s second full length release sounds even more brooding and morose than the first! Years of playing live will beef up anyone’s sound and Daughter doesn’t resist adding a bit more bombast and weight to their post-punk bitter neon-folk. There are still plenty of dark tones and delay pedals present to please fans of the first while giving this young band a whole new sheen. It might sound sad but there’s plenty of joy to be found when listening.

 KEY TRACK: “Alone/With You”

 32) THRICE – To Be Everywhere Is To Be Nowhere

 After going on hiatus back in 2012, Thrice were never actually gone for that long. They bounced back in 2015 playing a slew of festivals while putting together ideas for their 9th proper studio album. The band members, now in their mid-30’s, have put together a fine collection of post-post-hardcore. No longer infatuated will fast tempos and rifts, To Be Everywhere Is to Be Nowhere is one of their most straightforward collection of songs. There’s a new sense of comfort in the music which, to some, might indicate the band is on auto-pilot but Thrice sounds perfectly comfortable streamlining their ambitions in an effort to make a record that pleases both them and their dedicated fan base.

 KEY TRACK: “Wake Up”

 31) THE HUNNA – 100

 Rock and Roll’s true death happened about five years ago at this point but leave it to the UK to still export some excellent guitar-based pop year after year. The Hunna may never get to play a venue bigger than Irving Plaza but their adolescent charm still gets me every time. Here’s hoping that bands like this still continue to exist even after the idea of rock stardom is completely impossible

 KEY TRACK: “You and Me”

 30) WET – Don’t You

 I have no idea why I was so turned off to R&B in the mid-90’s yet when there’s a bunch of pasty white folks from Brooklyn who make it I’m all ears in 2016. There’s a bigger discussion to be had about that topic but in the meantime, Wet’s debut record is a totally competent and fulfilling update to the indie/r&b fusion we’ve been hearing in the past few years. Somber, reflective yet also not excessively melancholy, this was one of my favorite new acts of the year.  

 KEY TRACK: “Don’t Want To Be Your Girl”

 29) THE LAST SHADOW PUPPETS – Everything You’ve Come To Expect

 On the previous Lash Shadow Puppets record it was really all about Alex Turner. Most people, myself included, forgot that Miles Kane was also a force to be reckoned with. The most likely reason for this, if you’re American, is that Miles Kane’s previous accomplishments were usually only recognized within England and nowhere else. On their second album, eight years after the first, Turner and Kane make it a more democratic practice while taking the R&B-infused rock blueprints from their day jobs. The end result is a sexy, smoky, hazy trip full of late nights out, late-night burnout accompanied by swelling strings in the right places. Both personality’s shine through and all the songs are keepers.

 KEY TRACK: “Bad Habits”

 28) BASTILLE – “Wild World”

 Bastille is a band that is constantly working. In today’s age, you have to be creating constantly to not only get attention but remind your hardcore fans you’re still around. After the success of 2013’s Bad Blood, the band kept busy touring, releasing mix tapes, and more touring. During this time they tightened up their modern approach to pop music and crafted an ambitious 20-song (if you have the deluxe edition) collection of arena-level pop/rock. Their sonic approach remains consistently modern as front man Dan Smith demonstrates the level of influences one would expect from someone who likely grew up with all music available at the click of a button. Lead single “Good Grief” might not have captured the public’s conscious like “Pompeii” did a few years back but Bastille remains one of the most interesting and dynamic pop/rock acts out there.

 KEY TRACK: “Good Grief”

 27) TOVE LO – Lady Wood

 Tove Lo tightens up on her second album of dark pop. This is the sort of thing that can easily sit alongside Katy Perry and Rihanna but there’s a certain darkness that Tove Lo brings to the mix. Added to the fact that the girl has songwriting chops writing hits for the likes of Icona Pop and Amelia Lily. Lady Wood is an overall darker affair than her previous release and a lot more concise. The beats are colder but that suits the bummed-out songs, even if you can still easily sing along to them.

 KEY TRACK: “True Disaster”

 26) AGAINST ME! – Shape Shift With Me

 Laura Jane Grace (formerly known as Tom Gabel) coming out as transgender in 2012 gave Against Me a much needed publicity bump along with, at least somewhat, making the world a bit more tolerant place. What we didn’t know was, perhaps not surprisingly, her marriage was falling apart during this time period due to the recent transitioning. As such, Shape Shift with Me isn’t a traditional break-up record but explores love in broader terms. What is it we all look for and what is it we all need? The band’s snarling punk approach now coupled with a higher level of pop-punk hooks provides a relentless attack and proves this band is still a force to be reckoned with.

 KEY TRACK: “Crash”

 25) SANTIGOLD – 99 Cents

 The usual M.O. after the “difficult follow-up” is to bounce bank with a brighter, more nimble and user-friendly record. Santigold started her career out as an A&R rep for a major label so she has first-hand experience of what artists should deliver in order to maximize return. As such, 99 Cents sounds exactly as its cover art implies. Bright, snappy, sharp and a blend of many genres. This is pop music by any means but its executed extremely well and with a nodding wink that lets the listener know the artist is well aware that it might seem like pandering, but this is pop music constructed by a master.

 KEY TRACK: “Banshee”

 24) JAGWAR MA – Every Now and Then

 Jagwar Ma are one of those groups that gets classified as “electronic” strictly because they don’t normally use traditional rock instrumentation. To be fair, is there is a fair amount of loops and electronic beats but the way they blend both psychedelic melodies and deep house makes for an intoxicating listen. Guitars chime in now and again to add a light human touch but this record is an absolute dance-fueled blast from start to finish.

 KEY TRACK: “Give Me A Reason”

 23) DEFTONES – Gore

 Now all in their 40’s, these nu metal survivors are elder statesmen which usually means diminishing returns for the listener. However, Deftones have aged rather gracefully from their skate metal origins to fully embracing their love of melodic atmospheres, ambient sounds all pushing back other boundaries the metal genre usually does not forgive bands for going past. It’s rare to see a band getting better and better as the years pass which makes Gore even more of a treat.

 KEY TRACK: “Hearts/Wires”

 22) TEGAN AND SARA – Love You To Death

 Playing it safe after a big blockbuster is a common move, particularly for a veteran act like Tegan and Sara who spent years and years building their audience with their polite and charming indie folk. After going full on electro-pop on 2013’s Heartthrob they stuck to the same formula this year and, while it didn’t exactly allow for lightening to strike twice, it still allowed for plenty of replay value with its shiny hooks.

 KEY TRACK: “U-Turn”

 21) KINGS OF LEON – Walls

 I never imagined I’d ever be including any Kings of Leon album ever on my year-ends lists. Don’t get me wrong, I don’t have much against the band. I found their early releases and “Southern Strokes” press-boasting was completely off base as they basically just sounded like any bar band you’d find down south. They started to wear me down by injecting more U2 arena pomposity in their music throughout the years (even if their big hit “Use Somebody” was EXTREMELY hokey). Since then, they’ve settled comfortably on being a hooky mainstream rock band without excessive posturing and/or forced Southern rock throwbacks. Walls is their most consistent set of songs to date and I’m glad the band made it through their rough patch struggling with success.

 KEY TRACK: “Reverend”

 20) TAKING BACK SUNDAY – Tidal Wave

 Like Kings Of Leon this is a debut for Taking Back Sunday on my list and, again, like Kings of Leon it is their 7th full length release. After going through a number of ups and downs in the 00’s with a rotating cast of band members, Taking Back Sunday sound fully comfortable moving into middle age while playing tribute to the acts that inspired them. Lead single and title track sounds like a straight up Ramones-tribute amongst 12 other tracks that find the band coming full circle. It may not please the MySpace-core users of the previous decade but this is a great example of an emo band aging gracefully and not letting their sound become dated.

 KEY TRACK: “Tidal Wave”

 19) FITZ & THE TANTRUMS – Fitz And The Tantrums

 After the breakthrough success of their second record, Fitz & The Tantrums tighten up and aim to please even more on their third full release. Their self-titled album is almost like a how-to guide for how you get a late afternoon festival audience up and jumping after hours of dull jangly guitar rock. There’s no omnipresent theme here, other than wanting to make the listener dance, the hopes of love and also the disappointments. Throughout the whole endeavor, the band keeps the beats sharp and the hooks sticky which ensures listener fatigue is not an option.

 KEY TRACK: “Fadeback”

 18) PANIC! AT THE DISCO – Death Of A Bachelor

 Of the mid-00’s emo boom there are very few survivors. Panic! At The Disco (now down to just one member, Brendan Urie) can count themselves among the few. Urie has taken time to slowly reinvent the project to be a post-emo Jock Jam delivery service. Previous records didn’t have much in the way of one consistent theme but Death Of A Bachelor isn’t subtle in that all the tracks throwback to the “glory “days of Urie’s bachelorhood. There’s plenty of camp and sometimes unnecessary pomp but Urie makes it all work through his likeable personality, sharp assisted hooks from various songwriting teams along with a modern production scene that keeps him sounding contemporary. The record is a total blast and who would have thought, in 2006, that the group would be headlining Madison Square Garden a decade later.

 KEY TRACK: “LA Devotee”

 17) GREEN DAY  - Revolution Radio

 Don’t listen to anyone telling you this is a “return to from”. Green Day already attempted to do that with the ill-fated trilogy which was immensely enjoyable to some (including me!) but to most, was a bit too much and in all fairness, some of those tracks should have been delegated to a rarities compilation. Using this as a lesson, Green Day comes full circle and finally embraces simply being Green Day without anything to prove. There’s a few melodic pop-punk bangers but also a heavy amount of acoustic balladry and leftover rock-opera theatrics from the 00’s. The band still sounds as confident as ever and it’s nice to see them finally accept their status as elder statesmen while still crafting quality records.

 KEY TRACK: “Still Breathing”

 16) JAMES BLAKE – The Colour In Anything

 James Blake is essentially what Justin Vernon (a.k.a Bon Iver) is working towards (more on that in a little). The Colour In Anything is Blake’s third record and his most sonically ambitious by far. Previously, he was delegated to the less-douchey part of “dub-step”. Here he devotes all resources available to his craft, constructing a full-on adventure in sonic wilderness. There’s no vocal effect or digital nuance he won’t touch during this sprawling 76-minute adventure. All digital glitches aside, his songwriting hasn’t missed a beat since he first was heard from back in 2010 and, at this point, The Colour In Anything stands at his crowning achievement.  

 KEY TRACK: “Modern Soul”

 15) GARBAGE – Strange Little Birds  

 Unlike many of the 90’s holdovers, Garbage has little interest in relevancy. That’s not to say they haven’t built upon their sound but they no longer have an interest in sounding youthful which makes sense as all band members are now post-50. Strange Little Birds functions as an adult break-up record. There’s a lingering melancholy unlike the usual break-up records because singer Shirley Manson has been around the block a few times and knows, as she reflects in several songs, that sometimes she’s to blame for her transgressions. The band’s dark modern pop still sounds thrilling as they update their sound here and there with a few new tricks but with Manson still leading the way, the band never stumbles.

 KEY TRACK: “Even Though Our Love Is Doomed”

 14) BILLY TALENT – Afraid Of Heights

 While Billy Talent continues to play arenas in their native land of Canada, as soon as they cross the U.S. border they’re reduced to a club band. That’s a shame because these punchy Buzzcocks-style rockers continue to put out great records with snarly melodies, vicious guitar attacks and plenty of pit-ready rhythms. Of course, the band members are easing into middle age so there’s a lot of reflecting and more sensitivity here than previously but that doesn’t take away from the band’s passion. I’m tempted to dock them points for the silly anti-EDM “Louder Than The DJ” but part of growing old is finally succumbing to the fact that you no longer fully understand youth culture. Also, the song still rips so no hard feelings. Here’s to aging as gracefully as Billy Talent.

 KEY TRACK: “Leave Them All Behind”

 13) BUTCH WALKER – Stay Gold

 Butch has noted this is his last full length release so Stay Gold functions as a welcome send-off. Throughout the record, Walker finds himself looking back on his several past lives and reinventions. His love of guitar pop via Tom Petty style never completely disappears but, since this guy has been on pop radio via songwriting in one form or another for nearly two decades, the songs never fail to disappoint. Bonus points for the heartbreaking ballad at the end which is able to be perfectly nostalgic while also, begrudgingly, accepting the future at the same time.

 KEY TRACK: “Record Store”

 12) SIA – This Is Acting

 Hard to believe that so many of these songs were presented to various pop tarts and turned down. Most alarmingly, how did Rihanna turn down “Cheap Thrills”? Their loss is our gain as Sia has a different type of personality and seasoned passion which only comes with years of experience and false-starts. Fully embracing the sounds of today, she crafts her own world (with help) to deliver a stunning set of pop gems. Next time around, something tells me Rihanna will be more open-minded.

 KEY TRACK: “Cheap Thrills”

 11) ST. LUCIA – Matter

 There’s always a lot written in the press about acts being an “80’s or “90’s throwback these days. The real reason for this is those two decades were the last ones where distinct sounds could be tied to them. St. Lucia, the project of Brooklyn via South Africa Jean-Philip Grobler made no secret of their love of 80’s campy synth-pop with their 2013 full length debut. Matter takes that same template and kicks it into overdrive, fully allowing Grobler to embrace his love of huge hooks, cheesy synth lines and 80’s dance beats. They might still function as a “rock” band but this lovely record will delight anyone who has missed when synths ruled the world in the 1980’s.

 KEY TRACK: “Help Me Run Away”

  10) WEEZER – Weezer (White Album)

 In terms of redemption stories, Weezer might not be at the top of the list but they’re coming close. Once they re-engaged with popular culture in the early-mid 00’s they spent the rest of the decade tragically undoing all the good will they built up with old and new fans alike. 2014’s Everything Will Be All Right In The End put them back on track and allowed them to deliver the “White Album” (actually their 4th self-titled) which is a record they’ve been destined to make since their debut in 1994. A classic California beach guitar-pop record with modern flourishes, Rivers Cuomo dreams up his version of Southern California complete with soaring hooks, Beach Boys harmonies and crunching guitars. This isn’t a nostalgia trip by any means as producer Jake Sinclair, a Weezer fan growing up, steers the group to still sound modern and sleek without losing the nerdy and awkward charm that made us all fall in love with Weezer in the first place. Similar to Green Day’s record this year, Weezer finally sounds comfortable simply being Weezer.  

 KEY TRACK: “L.A. Girls”

 09) MIIKE SNOW – iii

 Swedes and note-perfect pop music go together extremely well. Miike Snow, the band (not a guy), took some time off after their synth-pop had fully penetrated the U.S. in 2012. Since then, they’ve come back with 10 more bangers stripping their music of pretension and focusing on the important stuff: beats, hooks, melodies and charisma. Some reviews focus on “style over substance” but style is one of the most, if not the most, important characteristic in pop music. It doesn’t always matter what is being sung about so long as there is swagger and personality which Miike Snow offers in spades.

 KEY TRACK: “Genghis Khan”

 08) THE STRUTS – Everybody Wants’

 As I’ve mentioned several times, I’m glad the Brits won’t fully give up on glam-infused rock and roll. The Struts pick up where previous British burnouts The Darkness and Jet left off. Their US full length updates their previous UK debut with a welcome 5 new tracks as well as all the keepers from their first release. If you’re cynical, this is the typical “save rock and roll” album a lot of people turn to when feeling bummed about the genre but there really are plenty of treats here for even the most jaded listeners. Big riffs married with big hooks and big crescendos will never stop being exciting to me.

 KEY TRACK: “Kiss This”

 07) PHANTOGRAM – Three

 Phantogram has been building up to this moment for a while. What started as a lo-fi electronic atmospheric pop project has now turned full-blown arena atmospheric pop. The duo has always been dark but there’s an even darker lingering theme throughout Three as the band had a number of people close to them pass away in the past year, most notably lead singer Sarah Barthel’s younger sister which is reflected in the devastating “Destroyer”. They turn pain into some wicked pleasures, all culminating in the excellent “You Don’t Get Me High Anymore” which will rattle around in your head for days.

 KEY TRACK: “You Don’t Get Me High Anymore”

 06) KALEO – A/B

 If you didn’t do any research, you’d likely think Kaleo was another gang of Southern boys re-purposing the blues for modern times. I had that same impression until I learned they were actually from Iceland, a place far removed from American blues rock. For cynics, it’s easy to scoff at these foreigners doing their best impression of southern rock but Kaleo pull it off with great success. There’s everything on here from straight-up Black Keys rockers to Bon Iver tributes all while maintain the band’s own identity. For rock and roll purists, Kaleo was as good as it gets in 2016.  

 KEY TRACK: “All The Pretty Girls”  

 05) RADIOHEAD – A Moon Shaped Pool

 Many were afraid to admit it, but with 2011’s The King Of Limbs Radiohead had painted themselves a little too much into a corner. Bouncing back with A Moon Shaped Pool, they learned to embrace the beautiful non-glitch elements of their sound including instruments played by actual humans while Thom Yorke’s melodies take on prettier pastures. Don’t be fooled, there’s still plenty of “end of the world” type executions here but, being Radiohead, they make it all sound so effortlessly easy and beautiful. Bonus points for finally giving us a recorded version of “True Love Waits”!

 KEY TRACK: “Burn The Witch”

 04) JIMMY EAT WORLD – Integrity Blues

 While the mainstream fell off a long time ago, Jimmy Eat World has been remarkably consistent in their career post breakthrough in 2001-02. I’m realizing there’s a reoccurring theme in this list of addressing getting older (NO idea why that might be, of course) and Integrity Blues continues that trend. While they’ll forever be pegged an “emo” band in the eyes of most, Jimmy Eat World toss off earnest sincerity with such ease its’ second nature to them at this point. After putting out a “grown up break-up record” in 2013, they’ve come full circle with the incredibly well-rounded Integrity Blues. There may not be as much bite in their sound these days but that’s due to continued maturity and also a wider range of influences. They still wear their hearts no their sleeves and Jim Adkins, now in his 40’s, can still easily soundtrack any high school.

 KEY TRACK: “Sure And Certain”

 03) BON IVER – 22, A million

 Justin Vernon is still portrayed as the sad bastard strumming solemn acoustic songs in the woods by the media. Any listen to this record, as well as his previous Grammy-winning self-titled release in 2011, should dispel that notion. 22, A Million is a strange, jarring but still extremely fulfilling listen that finds Vernon adopting a kitchen sink type approach to his music-making. There are still sad moments, yes, but they are spliced up between random glitches, beats and strange vocoder effects. It’s almost as if Vernon is still trying to shake off his success with a healthy dose of sonic confrontation. Underneath it all, the songs are still extremely pleasant and deliver in way listeners want Bon Iver too, even if you can’t fully figure out the odd song naming convention.  

 KEY TRACK: “7:15 (Creeks)”

 02) LUKAS GRAHAM – Lukas Graham

 Turning pain into pop songwriting is nothing new. Lead singer/songwriter Lukas Forchhammer grew up a child actor but also lost his father at a young age. He turns his autobiography into a charming theatrical musical-like record bringing you up to speed from his early childhood (“7 Years”) to even imagining his death being a huge party (“Funeral”). Even with the grim subject matter, Forchhammer never totally sounds bummed out, always keeping hope alive in his darkest moments. Perhaps the most honest and charming pop record of the year, I’m excited for what this band has to offer next.

 KEY TRACK: “What Happened To Perfect”

 01) THE 1975 – I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It

 If this list were titled “the 40 most obnoxious album titles of 2016” this record will still be number one. The 1975 has a lot that can get on people’s nerves, most notably the pretentious presentation and unnecessary pomp that American audiences aren’t used to from acts that present themselves as “rock” bands. The 1975 may feature the usual combo of vocals, guitar, bass, drums and keyboards but they are a straight up pop band, through and throughout. Note pop band and not singer. It’s amazing that the band member, who were all born in the late 80’s and early 90’s, have such a fascination with all thing 80’s. If this were a collection of songs, it’d still be great, but their ability to balance the anthemic pop bangers with moody introspective instrumentals and sparse acoustic tracks makes them a fully competent album band. Judging by the band’s success of selling out Madison Square Garden this spring without a true HIT hit single (they’ve done well on the modern rock charts), they might be well on their way to becoming a stadium act in a few years. Plus, try getting “The Sound” out of your head once you’ve heard it.

 KEY TRACK: “The Sound”

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