#as much as i don't like the idea of character assassination i also think having him win is more interesting than the conductor ig.

[obsessedwrhys]

hi baby, you can make an hcs of the characters from The Boys with a Harley Quinn! readers?? With all characters including Soldier Boy

ᶻ 𝗓 𐰁 .ᐟ THE BOYS X HARLEY QUINN!READER

ᯓ★ looots of goofy shit, dark humour, gore, sensitive topics (abuse, toxic relationships, etc), toxicity, reader is fem!!

ᯓ★ Characters included (I couldn't do everyone so I just did these guys, I know yer kind missy 👴): Homelander, Black Noir (Old and New), Butcher, Soldier Boy

HOMELANDER

He's honestly so fed up with you.

Sure he loves watching you mess with people but he does not like it when YOU DO IT TO HIM!!!

"Quinn!" He'd shout for your name and you'd open the door to see him standing outside your room. You laugh when you see him covered in ketchup. One of your many pranks.

"What?? You needed the upgrade for the suit cupcake" You smiled all innocently.

That being said you LOVE pulling pranks on him.

Whether if it's putting hair dye in his shampoo or stealing his suit so he wakes up searching for it.

It's just your favourite thing to do.

There have been times he's tried to kill you due to his rage but it takes every cell in his body to stop himself because he knows that he's not able to do that.

Because why? Because he thinks you don't even deserve to be killed by him directly.

You disgust him that much.

He just wishes that you weren't such a pain in his ass.

If the pranks weren't bad enough that it had him double checking every item he uses, AKA worsening his trust issues. You've also came up with nicknames to mock his superhero status.

"If it ain't the flying dick!" You'd address his entrance to everybody the moment he walked in the meeting room.

Just imagine him suddenly stop and standing at the door like 🧍‍♂️

If you wanna know more nicknames, we've got captain narcissist, america's buttplug and sperm cell.

Trust you are never sent on safely planned missions, only the ones he knows are highly dangerous in hopes of you dying...

There was this one time he sent you on a suicide mission and he was all proud of himself, but just as he thought he finally got rid of you, the elevator door slides open to reveal you, some fabrics of your clothes were ripped and there were bruises all over your body but it didn't seem to bother you.

"What's up toots?" You'd smile even though your nose was bleeding. That's when he looked down to see the head of the guy he asked for you to assassinate.

Who also happened to be one of the most protected men in the nations by the way.

Like how the fuck did you do it?

You're not even an ACTUAL supe!!

Regardless, he has his respects for you but really why WONT YOU LEAVE HIM THE FUCK ALONE.

PLEASE STOP FLIRTING WITH HIM SO CASUALLY ITS WEIRD??!???!?

ALSO DONT PINCH HIS BUTT!!!

You once did that during a meeting and the sight of him yelping as his body jumps was unforgettable!!

You're JUST like a bee addicted to its pollen. P.S, he's the pollen.

BLACK NOIR (OLD)

He.. doesn't... understand you??

Why do you enjoy showering him with love??

You say it's in your nature but why do you always ask to be carried around the tower??

And why does he obliges each time??

Apparently how your mindset works is that you find extremely deadly things to be adorable.

In this case, he's the extremely deadly thing.

With his silent nature, you just NEEDED to get a reaction out of him.

You tried tickling him or making him sneeze but he always just stares at you in confusion.

You can't see his face but you can tell he's giving you the "What are you doing?" Face.

That's when your bright ass thought of a plan.

A dumb and reckless idea... but hey! You have suicidal tendencies so this is fine!

You'd put yourself in danger on purpose just for him to always come rescuing you. He has lost many body parts when doing so but you could care less, you would give him those heart eyes as he carried you back to Vought in bridal style...

Just for the managers to lock you up in a small prison cell to prevent you from pulling more of these stunts.

Though they were never enough to hold you back.

Naturally there would be rumours in the industry if you two were dating and you never hesitate to push those rumours even more.

Imagine for a premiere for your movie, you'd walk on the red carpet in a dress with Noir beside you, still in his signature suit.

"You're looking real good tonight, handsome. I'm liking what I see" You'd say with your arm wrapped around his. He looks at you as you winked at him seductively.

Someone save this poor boy from your endless flirting.

Jokes aside, there has been times he's seen you in your lowest, like that time you trashed your room with your makeup melted from your tears.

Apparently you got rejected from a movie role you wanted to get so badly. Which was Mario but stupid Chris fucking Pratt got it instead.

Seeing the state you were in, he'd grab you by the shoulders firmly and make you sit down, then putting a blanket around you. He'd leave the room for a couple of minutes... to come back with a bucket of ice cream for you to happily snack on as you rest your head on his shoulder.

BLACK NOIR (NEW)

"EW!! Get this mo'fuckin' bastard away from me!" Literally your words when you heard about the replacement.

Is a bit hurt by your disgust towards him??

But that just means he knows what he's doing right or wrong with this new role.

No because seriously everything he does, he would stop to watch for your reaction, most of the time you are never impressed.

Like how he killed those homelander fans to frame the starlighters. He'd hold the bat, his mask all bloody as he turned to see you, arms crossed, no reaction to his performance.

UNTIL at the end of season 4 where he began killing people within the company, that was what got you to start growing interest in his character.

Even though you're fine with him, for now, you really don't like it when he pushes things.

As in trying too hard to replace the old Black Noir. You just don't fw it 😡

"Hey! Hey! Harley wait up!" He'd call out for you while you ignored him and decided to speed walk away. Anyways, he manages to catch up with you.

"The team wants us to attend the premiere of your next movie together.. since.... y'know... we're rumoured to be dating??" He said and you had to stop walking to put your entire energy into giving him the most NASTIEST look. The second he sees you take a deep breath, he knew it was over.

"I ain't yer GODDAMN babysitter, and don't you think that for a second that wearin' the suit makes you my damn boyfriend, alright? I ain't here to hold yer hand and coddle you. I got better things to do than listen to yer constant whining and need for attention. So knock it off, ya copy-cat!" You'd point at him before walking off, hand on your hip.

You can bet that he asks Deep for advices on how to win your heart.

BRO IS TOO INVESTED IN HIS CHARACTER 😭

That's why he thinks making you fall for him is one of Noir's characteristics.

You love mysterious and threatening looking people? Okay gotcha.

You want hyenas for pets? Cha-Ching! Got it!

But seriously someone please tell him to stop before he gets his ass beat. He does not want that Brooklyn smoke.

BILLY BUTCHER

Ah great another crazy chick.

The only possibility to why you'd be apart of the boys is if someone vouched for you.

50/50 it's either Hughie or Frenchie.

Though surprisingly enough, you were the first to notice the symptoms of his virus. Like he could be fidgeting at the office and you'd point it out so casually that everybody turns to look at you in confusion.

Everybody thought you were crazy at first, it's to be expected, but the second his virus was confirmed to be lethal. Everybody has started to take you a bit more seriously.

Read carefully. A bit.

He finds your weapons fascinating though. Like how your gun has words engraved in it, your initials being the biggest. Not to mention the designs being the inspiration of poker cards.

"That must make you the clown" He once said when you whipped it out to shoot someone. You smile mischievously at his remark.

"Oh you'd better watch your tongue before I make you the punchline of my next joke!"

He likes you.

ONLY if you don't fuck anything up.

Sure you guys do argue a lot but theres also strange moments of understanding between you two.

There was this one time he found you alone in the office, your legs placed on the table and you were literally downing a bottle of alcohol. It was when he came closer that he noticed the bruises on your body.

"What the hell happened to you?" He said and you sniffed as you quickly wipe away the tears in your eyes.

"Oh, I'm just peachy, tough guy... Can't you see I'm having a little cry-fest over here after a lover's spat with my oh-so-darling ex-boyfriend. Yeah, he just looooves to use me as his personal punchin' bag, y'know? But don't worry 'bout me. I'll be back to my ol' crazy self in no time. Just need a minute to let the tears dry and the bruises heal"

For the rest of the night he'd stay to talk about how shitty both your lives are. You guys actually BOND over your past traumas.

The booze just making the conversation ever more fun.

Will go out of his way to take you to places for shopping or eating at a restaurant to make you feel better.

After understanding you better, he realised you're just a once normal person who became a psychotic sociopath after whatever the supes did to wrong you.

He may not show it to you but he really cares about you and would not hesitate to protect you despite how much he says he wish you'd just fuck off.

SOLDIER BOY

You have to be some kind of masochist right??

He says the most disrespectful shit to you and you just squeal in excitement from it.

It's starting to weird him out.

Everything he does or say, you love to mock him, like he could be giving orders and you'd be at the back using your hands to mimic his talking like a puppet as you mouthed along and made faces.

But he has to say, he finds your insanity amusing. Because deep down, he sees a tiny bit of himself in you.

He calls you Looney Tunes. Why exactly? Nobody knows its for his own entertainment.

He's into older women but that doesn't stop you from flirting with him. He finds your efforts interesting.

"You're a tough nut to crack, Soldier Boy, but I'll get you to crack a smile eventually" You'd say and it'll be enough to have him grinning at you.

"You gonna tickle me?" He'd say, returning the same energy.

But that doesn't mean he's interested in you, he's just toying with you.

AND YOU KNOW IT. But apparently red flags just look like a go flag to you 🤷‍♀️

Despite that, if any other guy did the things he did to you, he would be fast to knock out the fucker. That's because he knows you value loyalty and he does too.

Everything aside, he really appreciates it when at the end where everybody turned against him you stayed by his side. Just imagine him driving the car while you're in the passenger seat singing your heart out to Cherry Bomb by The Runaways.

He'd simply shake his head with a smile on his face.

But the more relationship develops, he'd actually start to show you his softer side. Not soft side. Soft-er side.

Will literally lecture you into standing up more for yourself and stop being a doormat for every man in your life.

How ironic huh?

"You might act all tough and macho, but I see that big, marshmallow heart under there, sweetheart" You'd boop him on the nose that has him rolling his eyes with a smirk.

"You already said that. Are you a broken record or just dim?" He said.

If you stay obedient and don't push the wrong buttons, he might just keep you around.

[illubean]

Can you write a scenario/headcannons where the hxh characters have a crush on Zoldyck!reader? (I think reader would have such overprotective brothers, killua and illumi lol)

HXH with a crush on Zoldyck!reader

Characters: Kurapika Kurta, Leorio Paladaknight, Chrollo Lucilfer Type: Fluff?, Headcanons, Gn!reader

why is illumi the only one with eyebrows and a mouth in this photo

Warnings: none

Kurapika Kurta

out of his two older friends Killua thinks Kurapika is the better option

but he still doesn't like the idea of you dating anyone

like his dear older sibling is giving their attention to someone other than him? unacceptable!

Kurapika is a lot more reserved with his feelings than Leorio, leaving not much room for Killua to meddle

so the younger boy just watches from afar

he gives the blonde glares and intense side eyes, and when he feels he's getting too close he won't hesitate to swoop in and steal you away

Kurapika is pretty smart so he's probably found a few ways to get around your brother

after a while of you two talking without Killua's knowledge you eventually get together

one day he caught you two holding hands under a table at the diner or sitting at a bench

he actually screams

with erratic gestures to your guys' hands he's like "WHEN DID THIS HAPPEN"

the boy is slack jawed

he thought he did such a good job keeping you separated

"watever just...don't hurt them or anything!"

Leorio Paladaknight

Killua's first reaction to learning this information is "No way, you're too old for my sibling!"

Killua babes he's only like 19

Leorio is by no means subtle with the way he feels about you even if he thinks he is

Killua makes it his life mission to keep you separated 💀

The group is splitting up and Leorio volunteers to go with you? So does Killua. He wants to sit next to you on the train? Aw too bad, your little brother is already sitting there

but if by some miracle you get away from your brother he doesn't waste a single moment in asking you out

after learning that his attempts to keep you separated failed, Killua gets a little pouty

"Seriously? You chose THIS guy!?" "What the hell is that supposed to mean you little shit!"

knowing you guys got together doesn't stop the boy from trying to get in the middle of things though

he's a pro at this point

he will find a way to crash literally any date you plan on going on soo you guys gotta be secretive about it

you probably had to come up with code words in order to plan dates 💀💀💀

Chrollo Lucilfer

the only way I see this working is if you were already part of the troupe so lets go with that

out of literally anyone on the planet he just HAD to have a crush on a Zoldyck

to say your family wasn't pleased would be an understatement

especially Illumi

the Zoldycks typically don't do -ships...like friendSHIPS or relationSHIPS so Chrollo pining for you is definitely an issue

and when two of your brothers end up joining the troupe after you

let's just say Chrollo isn't having the best time.

Kalluto is a lot less aggressive or opinionated on the matter than his eldest brother, but he still isn't fond of the idea of you ending up with the leader of the phantom troupe

he finds ways to draw your attention away from Chrollo

whereas Illumi isn't so passive

if he catches the head of the spiders so much as glancing at you he's going to stand in his line of vision with a stern "Stay away from my sibling."

and just to keep things easy on himself Chrollo heeds these warnings

well..until he's able to catch you alone

you guys are gonna have to date on the dl and be SERIOUSLY sneaky

dating while coming from a family of assassins is not an easy feat

In conlusion alongside being professional assassins, the Zoldyck boys are also professional cockblockers

[kazz-brekker]

hotd episode 2 thoughts

aegon screaming hysterically and smashing up viserys's model of old valyria…alicent unable to get through a sentence without sobbing…helaena staring blankly at the wall and clutching jaehaerys's blanket…i love acting but also that all kind of broke me.

genuinely i am enjoying tom glynn-carney as aegon SO much, he's quickly becoming one of my favorite actors on the show and gives his character so much nuance.

otto using his grandson's horrific death as a pr stunt…truly that man never stops working, he's always on the clock.

i also LOVED the big blowout fight scene between rhaenyra and daemon, it's about time someone dragged that man to hell and back. "the darkness you sheathe within yourself like a sword" and "i don't trust you" and "you're pathetic" go OFF rhaenyra!

criston please don't send someone else on a suicidal assassination mission because you were slacking your duty and banging alicent while the heir to the throne got decapitated. oh, who i am kidding, that man has never had a normal reaction to anything in his life.

i'm so glad we got an actual scene with baela (and the promise of more with her and moondancer in future weeks!) since she and rhaena have been horrendously underused so far.

aemond you have so many issues please go to therapy not a brothel. also i've blogged about this before but the idea that he really thinks he's an equal threat to daemon honestly is so silly.

alyn AND addam of hull spotted, we've got the complete set, and a little teaser of seasmoke as well!

the scene between corlys and rhaenys where corlys was like "if daemon would just submit to rhaenyra and enjoy being a bottom as i do on occasion" made me laugh so hard my sister asked me if i was okay.

i'm very intrigued by the scene between rhaenyra and mysaria (especially the mutual bonding over being exasperated by daemon) since they're technically on the same side but very much at odds in the book and i'm curious to know if this will continue in future episodes.

i really like that this season is emphasizing the perspectives of smallfolk like the hull brothers, hugh hammer, and the brothel mistress, it's something i felt was missing in season 1.

this really was an episode of targaryen men getting absolutely dragged by others for their poor political decisions. can't say i support otto's decisions most of the time but he was 100% correct about aegon.

also the moment where otto realized he had schemed for 20+ years to land a total idiot who just fired him on the throne…delicious, but rhys ifans played it so well i honestly still felt bad for him.

daeron mention! at this point i was honestly starting to think they had cut him from the show so that was a surprise.

as an identical twin i very much enjoyed the erryk and arryk drama but i must admit that i ALSO could not tell the twins apart when they were dueling. someone please revoke my twin card.

alicent walking into a room, seeing aegon crying, and just walking out was kind of funny ngl.

i really didn't expect criston and alicent's dynamic this season but i'm honestly enjoying it a lot. the mutual self-flagellation over their affair, alicent repeatedly slapping him and criston allowing it…really fun honestly.

caraxes is properly coming back next episode and it's true, i HAVE missed that noodle boy <3

also it looks like our first proper looks at harrenhal, moondancer, and a bracken vs. blackwood fight!

[m1ckeyb3rry]

Hello,

I have a writing prompt for Michael Kaiser (Blue Lock): Kaiser gets into a pr relationship with an actress and they eventually bond and fall in love.

I think he would have a hard time because of his feelings of worthlessness, but this guy has so much potential, I swear, I love him so much.

If you want to go for a "dark side of Hollywood" type of concept, imagine: a young girl who was raised under the pressure of becoming "the perfect star" and surrounded by the chaos of the industry (Idk, the movie Black Swan comes to mind, or the typical representation of Marilyn's life, something along the lines). I think he could bond with someone who is in a similar mind space as him, but who externalizes it differently, remaining kind and such. He definitely needs someone who is empathetic and can see through his insecurities, and I really like the concept of two characters who are hurt helping each other heal.

If you don't want that much drama, scratch the idea of a hurt oc. Think about someone with an "entrepreneur" mindset: someone ambitious, confident, and level headed, who (again) is empathetic and would call him out and help him grow (I'm thinking about sae, but emotionally competent lol).

You don't really have to go for any of this though, it's just meant to get you inspired to write something for my boy Kaiser. I hope it's not too much. Also, there's no rush at all!!

Thank you in advance. I hope you have a good day 🩷

── THE INSTRUMENT

Synopsis: Michael Kaiser is like a rose, and you are the songbird he cannot bear to lose.

Event Masterlist

Pairing: Kaiser x Reader

Chapter Word Count: 6.8k

Content Warnings: fake dating trope, implied/referenced abuse, call me tabito karasu the way i assassinate kaiser’s character in this, open ending, relationship dynamics many would consider…interesting…

A/N: hiiii anon ty for requesting!! i hope that i wrote kaiser in a somewhat satisfactory way 😫 this is my first time writing for him so idk if i got him right 😓 also i have NO idea why but for some reason i decided to write this in the present tense which i literally have never done?? so if it sounds off that’s why 💔 i’m so sorry i really don’t know what possessed me SKDJFSHKL

Additional: part of my 500 follower event! see the event description and rules to make a request of your own.

It’s hot and like a bruise, your first phone call with Michael Kaiser. He’s that brand of aggravating and just shy of painful to speak with; morbidly, you wish for the conversation to manifest as some kind of actual injury, perhaps on your upper arm, so you can poke at it until it is tender and blooming. But of course, that sort of thing isn’t possible, so you amuse yourself by tapping your fingers against the counter and considering what you might eat for dinner.

“Did you hear me?” he snaps when you do not respond to his proposition immediately. He speaks with an accent, clipped and short, lending severity to his words even when he’s saying nothing of note. “Miss L/N. It’s in both of our best interests to cooperate.”

He’s not wrong about this. It’s the only reason you’ve stayed on the call for as long as you have — it’s in your best interest. It’s the same for him, too, and the thought almost makes you laugh, because who would’ve expected your interests and his to ever align?

“Of course I heard you,” you say, twisting open your bottle of water, taking a sip and idly wondering if he can hear an accent when you speak, too. It’s difficult for you to notice your own, but maybe to him, you sound as odd as he does to you. “You should learn patience, Mr. Kaiser. Such a heavy request you’re making of me, and yet you demand my answer immediately?”

He huffs. “It’s not something you need to dwell on.”

“It might be,” you say, though it’s not at all. Your mind was made up the moment he asked; everything after that has been nothing more than a ploy to irritate him. You’re good at that, at irritating people. Michael Kaiser is not an exception.

“Miss L/N,” he says again, something like a darker version of pleading creeping into his tone. “Your answer. Now.”

“Well, you already knew before you asked, didn’t you? Naturally, I’ll do it,” you say. “It’s a mutually beneficial partnership. Though I expect you to really try your best, Mr. Kaiser, or else it’ll all be for naught.”

“I could say the same to you,” he says.

“Between the two of us, who is the actress?” you say, chuckling when he is silent. “I am sure that I will be convincing. It’s you who I worry for. Hiding your true feelings has never been one of your strengths, has it? Or you wouldn’t be speaking to me at all.”

“Shut up,” he says after a moment has passed. “I doubt your acting skills are anything to brag about.”

“I know you’ve watched my movies,” you say, and when he doesn’t refute this, you beam. “Have you really?”

“Only because someone I know suggested I should,” he says. “If I want to love you, then I have to understand you. That’s what he told me.”

“And what did you think?” you say.

“I thought that I don’t plan to love you at all, and then I told him as much,” he says, the force of his eye roll transmitting even over the phone. You’re not sure if he’s acting deliberately obtuse or if he really thinks you care about this inane conversation he’s describing, but either way you sigh, because his answer is so telling of his personality.

“I was talking about my movies,” you say.

“I don’t prefer the genre,” he says, and then he’s hanging up with a promise to call you later, if he is so inclined. He doesn’t tell you not to call him, but you feel like he implies it, so you vow to set your phone aside and pay him no mind for the rest of your evening.

I’m dating Michael Kaiser, you type in the body of your email to your manager, who you are certain will be so delighted by this news that he will combust spontaneously upon hearing it. You want to type it again, this unbelievable turn of events, so you do. I’m dating Michael Kaiser. Then you delete the repetition, reverting it once again into a formal email, instead of a giddy celebration over an event which should not prompt giddiness or anything resembling it.

It’s a relationship meant to salvage his ruined reputation and boost your career in one fell swoop, and so it’s a relationship that can only work if it’s formed between you two in particular. He, who is a foul-mouthed soccer prodigy, known better for his crass treatment of others than any actual skills he may possess, and you, a rising star who will do anything to be famous and are already of a serviceable status to be seen with him.

Despite your burst of excitement, the prospect of dating Michael Kaiser isn’t actually a thrilling one. The rumors of his horrid demeanor aren’t rumors, and you know this well, albeit through secondhand accounts. Cruelty is the way that he operates, his so-to-speak basal mode, and because it is so intrinsic to his being, you do not fancy that he will deviate from that malicious rule, even for you.

But you are accustomed to a false existence. Donning a facade and masquerading as a person who you are not is the only thing you are good at, are good for, and this time is no different than every other. You will put on the mask of a woman who is loved by Michael Kaiser, who has tamed that mad emperor and turned him into her sweet pet, and you will once again fool the world into believing you.  

He’s doing an interview today. You’re only aware because he texts you right before and tells you to turn on the TV to a channel you’d never choose if you had a say in the matter. But you’re intrigued and he refuses to explain further, so you do as he commands and find yourself watching as he reclines back in a leather armchair and smirks at the host, who’s clearly nervous.

She’s pretty, her hands shaking but her expression serious. You’ve never seen her before, which means she’s new. Of course, that’s not a surprise; only someone very inexperienced or very stupid would invite Michael Kaiser to their show, and she does not seem to be particularly stupid, so her affliction is the first. 

“Um, Mr. Kaiser, it’s a pleasure to have you with us,” she says, like she cannot quite believe that he is actually there, or like she is afraid of what he might take offense at, or some combination of the two.

“It’s a pleasure to be here,” he says, all roguish and self-assured, which is such a contrast to his typically surly demeanor that you have to commend the girl for keeping her composure.

They speak at length about his soccer career, throwing around words you do not understand and do not care to. It’s so boring you almost power down the television and tell him you think as much, but then the girl clears her throat, her face turning a comical shade of red as her fists clench the paper she’s been reading off of.

“This last question is from our viewers, but it’s personal, so if you don’t want to answer, then it’s not a problem,” she says, squirming in her chair, probably hoping he does not humiliate her. It will be bad for her career if he does, even if by now everyone knows what kind of person he is.

“Go on, then. I feel like we’ve built a rapport here, so I don’t mind it as much if it’s from you,” he says. It’s a perfectly packaged sentiment. His PR team must have tortured him into this new persona. You try to imagine it — it’s definitely a humorous thought, picturing the Bastard München representative slamming Michael Kaiser’s face into a bowl of water for every snarky comment he makes. Unrealistic, though. They would never risk compromising his performance like that.

“There’s rumors that you’re seeing Y/N L/N, the actress. A source who claims to be close to you both mentioned it online, and people can’t stop talking about the possibility. Neither you nor Miss L/N have addressed it, though, and our viewers were hoping you might…?” She cringes back, already preparing for one of his tirades, but he only smiles genially and winks at the camera. You remind yourself to tell him later that he’s laying it on too thick, even if you are enjoying this new character that he’s playing up for the sake of it.

“Y/N L/N? I’m shocked that you think I’m handsome enough to date someone like her,” he says. Your phone buzzes — it’s your manager, crowing about how impressed he is with your ‘boyfriend’ and his presence of mind. 

“So it’s a no?” the interviewer says, almost hopefully. He’s mysterious when he shrugs, mysterious and more than a little coy, as if she’s flattering him and he’s too shy to accept the praise.

“If Miss L/N ever deems me to be worthy of her, then it’s a yes in a heartbeat,” he says. It’s an excellent setup for his redemption, and the girl plays into it so beautifully that you tell your manager to send her flowers or some chocolate at the earliest possible opportunity.

“I think that you’ve shown yourself to be an excellent candidate today,” she says.

“Have I? I’ve really been trying to prove myself,” he says. Dreamy sighs ripple through the live studio audience. Someone whistles. It’s all very romantic and fairy-tale-esque, although he is far from being any kind of prince.

“You’re doing great,” the girl assures him. “I’m sure that, if Miss L/N is watching, she’ll have no choice but to be smitten.”

“If she’s watching? Oh, the thought didn’t even cross my mind,” he says, rubbing the back of his neck. You shouldn’t have doubted him and his audacity; he’s fallen into the role as if he were born to play it. “How embarrassing. I’ve just confessed to her on live television without even knowing if she’s interested…”

He’s actually blushing. You are doubly awed — he’s a natural-born talent. It’s a shame that he’s devoted to soccer; he could make it out like a bandit in the acting industry.

“No, no, don’t be embarrassed. How could she ever reject someone like you?” she assures him. How, indeed! At the moment, you are so pleased that you could kiss him. He’s better than any co-star you’ve ever had to work with, in that he is making your job exponentially easier instead of exponentially more difficult.

“If she really is watching, then I can only pray she heard you say that part,” he says, waving in greeting, presumably at you. “Hello, Miss L/N. I really admire you, so if you find me at all agreeable, then I would quite like it if you would say yes to the date I’m going to ask you on.”

He’s made the world swoon and your social media mentions triple. People are begging you to say yes, to give him a chance, to see how he has changed. They want to live through you, and you will let them.

When he calls you, you tell him you were thrilled by his performance. This causes him to shoot back that he finds you insufferable and condescending, to which you say that it’s what makes you and him such a perfect pair. Then you recite an address, and he asks you what you’re going on about. You answer that it is the place where you will have your first date, and then you hang up before he can respond, just so that you can deny him the chance to do it to you first. 

Cameras flash in your faces as you enter the restaurant your manager has booked a reservation at. Michael Kaiser’s arm is wrapped around your waist, and it’s nauseatingly domestic, the kind of scene that would be the cover for one of those coming-of-age movies your agent loves booking for you. You wait for the frantic sound of camera shutters to slow, and then you tug on his sleeve.

“What is it?” he says. It’s quiet enough that no one else can hear, which is why it’s devoid of any warmth, but you are unruffled.

“Your tie,” you say. “It’s not crooked, but we will pretend that it is, and I’ll fix it so that there is something sweet to accompany the tabloid articles that will come out tomorrow.”

Your hands reach for his neck, and he does something you do not comprehend — flinching back, he shakes his head. When he realizes he’s done this, he grits his teeth, like the anger can make up for the temporary weakness. You do not press the issue, merely furrowing your brow and gazing up at him, doing your best to ensure that your eyes remain soft, so that the exchange is not misinterpreted by the parasites around you.

“No,” he says. “Do something else, but leave my tie alone.”

“Alright,” you say. It’s not sensible for you to argue, and anyways it doesn’t matter much what you are doing, as long as you are doing something. Humming to yourself, you adjust the lapels of his jacket. The cameras go off again. You pretend like you do not notice, like the world consists of only you two, and then you interlace your fingers with his, allowing him to drag you into the restaurant behind him.

It’s your turn to be interviewed. You’re wearing a dress, your legs crossed at the ankles — it’s demure and practical and prevents anyone from leering at you, so it’s been a habit of yours for quite a while. The interviewer is female, though, which calms you a bit. She’s older, around your mother’s age, and the wrinkles on her forehead remind you that you should call your parents and arrange for them to meet your doting boyfriend.

“Miss L/N, I can’t begin to tell you how excited I am to finally meet you!” the woman says. You think her name may be Anne, but she hasn’t introduced herself to you yet, so you’re not certain.

“You are too kind. If anything, it’s an honor for me to be here,” you say. The audience really likes that, when you are humble and shy and so darling. It’s palatable and easy for them to digest, or that’s what your manager tells you. 

“Tell us about your upcoming projects,” she says after giving you the appropriate amount of praise for your charming personality.

“I’m currently shooting a new romantic comedy, but I’m afraid it’s all very hush-hush, so I can’t say too much about it. I think you all will really enjoy it, though, and I’m looking forward to the day that we can discuss it at length,” you say. 

The conversation goes on like that for a bit, but you know she’s going through the motions because she has to, not because she wants to. There’s only one question she cares to ask, but if she just talks to you about your boyfriend and not your own accomplishments, then she’ll be blasted online as an anti-feminist. You hear quite frequently that this is akin to suicide in the world of marketing, so you can’t blame her.

That doesn’t stop you from having some fun. When she’s exhausted every possible avenue of questioning you about your future plans and past successes, you make as if you’re going to stand up and leave. Panic leaps across her face, and you snicker.

“We’ve spoken at such length about my acting career. You can’t possibly have any more questions about it, hm? You probably know more than my manager does!” Your attitude is balanced out by the joke. The audience laughs. It’s a fine line that you walk, but if you do not have the chance to act sharper every now and again, you believe you will die — internally if not externally — so you take such risks when you can justify them to yourself.

“You’re dating Michael Kaiser now, aren’t you?” she says. It’s a rancid curiosity she hides with a motherly type of concern. You brush off your legs, recross them, and tuck a piece of hair behind your ear.

“I am,” you say. You don’t have to play the games that he did; you both are established now. Official. A bona-fide couple. Anyways, it’s more appealing if you are outright with it.

“How has that been? You’ve really made a difference in that young man’s life, it seems,” she says.

The best way to lie is to tell the truth. “Yes, I suppose I have, but he has made an equal difference in mine. He is as good for me as I am for him; truly, I never understood what it meant when my parents called each other their ‘better halves’ until we met.”

In an hour, there will be thousands of posts online about this. If Y/N and Michael break up, then I don’t believe in love anymore! Maybe soulmates are real! Couple goals! These are the kinds of captions you are anticipating. The two of you will send screenshots to one another and laugh about how gullible the world is, and then you will strategically plan which comments to like and posts to favorite so that your message goes through. That’s the extent of your relationship with him, really, at least when the two of you are alone. The detachedness makes things much easier than they otherwise would be.

“There’s a popular theory going around that the two of you have had a secret wedding already. Is it true? Am I speaking to Mrs. Kaiser at the moment?” she says, eyes glittering like a vulture’s. She’s ready to pounce on any hesitation, any brief indecision that you might show, but you have spent more time in the spotlight than in your own parents’ home, so you don’t even waver.

“Marriage! I think we’re a bit too early in our relationship to be considering such things, and a bit too early in our lives to be rushing into major decisions like that,” you say. “If and when the time comes, you’ll be the first to know, but it won’t be for a while.”

It won’t be at all, actually. This relationship is not going to last for more than another month. Once the buzz surrounding you two dies, you and he will quietly split. It’ll be as if you never met in the first place.

Your phone rings as you’re leaving the studio. The caller ID says that it is Michael Kaiser, and the thought that he was watching your interview in the same way you watched his makes you feel odd.

“Hello?” you say.

“I’m not gonna marry you. Never-fucking-ever. If you’re expecting a ring, then put it out of your mind.”

“I wasn’t,” you say. “How else would you have liked me to answer that question?”

“Fuck if I know.”

Neither of you hang up on the other — you don’t think you can summon the wherewithal to, which is out of character for him but typical for you — though you both also don’t speak any further. He stays on the line while you drive home, breathing softly like he is sleeping, but you are sure that he is not. The point of it is lost on you, but then you drive into a tunnel and the call ends on its own, so it’s moot anyways. 

Your parents are excited to meet Michael Kaiser. They’ve read up on him extensively, watched all his interviews and even his game highlights. Your mother calls you the night before just so she can gush to you about how handsome he is, how you’ve really done well for yourself this time around. Her approval is nice to have, though superfluous, like a luxury soap or perfume. 

Your father is the one who suggests you all go golfing. You don’t know how to play, and neither does your mother, but you recognize it’s his attempt at connecting with who he thinks is your boyfriend, so you accept. You’re not sure if Michael Kaiser knows how to play golf, or really anything besides soccer, but he is game enough to come that you suppose he must.

It’s warm out, the sun beating down on your father’s brow as he lines up the ball with his club. Michael Kaiser stands on his left, and you think he’s somehow beautiful in this lighting. Not beautiful how your many attractive coworkers are, but in a manner which is distinctly him and therefore utterly irreproducible. His body is lean and graceful, his hair shaggy and gold, though he’s dyed the tips blue in what you’re sure is a statement. The shade matches his eyes, and also the inked roses on his neck. You have long ago come to the conclusion that the flowers are also a part of that same statement, but you have yet to discover what that statement might be. 

“He’s an improvement from that last boyfriend of yours,” your mother says, leaning back so that she can pour the last few drops of soda from her empty can into her throat. You and her are sitting together in the golf cart, seeking refuge in the shade of its plastic roof, sharing the drinks that your father had bought for himself and forgotten about the instant he stepped onto the golf course.

“He is,” you say. That’s not an exaggeration, nor is it something incredible. Your last boyfriend was an old classmate of yours who loved your celebrity more than he loved you. Michael Kaiser doesn’t love you, either, but he is honest about it, and you do not love him back, so there is no resentment between you and him.

“I like the way he looks at you,” your mother says. There’s a hiss as she opens a new can of soda. It’s a vice, but whenever you remind her of it, she dismisses you. She wants to have fun while she’s on this earth, apparently. Maybe drinking five cans of soda in one sitting means her life will be shorter, but life without soda isn’t worth living anyways, or something like that. The reasoning is stupid, but you know she is loyal to it, so you have to accept it. “It’s refreshing. So gentle. You’ll be talking to someone else, and he’ll just be staring at you like he can’t quite believe you’re his.”

“I hadn’t noticed,” you say. 

Your mother is about to say something else, but she is interrupted by a loud whoop. Michael Kaiser has hit a hole-in-one, and before you can tell him to stop embarrassing himself, your father is cheering, throwing his arms around him and calling him son.

“Your father likes him, too,” your mother said. 

“Oh, he needs to stop that! I can’t believe he’s making things so awkward,” you say, getting up to reprimand him before realizing that there is an entirely foreign sheen to Michael Kaiser’s eyes as he rests his chin on your father’s shoulder. He is not quite smiling, but it is a close approximation of the expression, and when your father ruffles his hair and says that it may have been beginner’s luck but he’s proud regardless, the curve of his lips becomes deeper.

You don’t understand, but you don’t need to. You may have facilitated it, but the moment belongs to him, and your presence is as unwanted as it is unnecessary.

You sit back down and take a sip of your mother’s soda. She grins knowingly and says that you look like you are in love, too. You don’t have the heart to tell her the truth, so you hum noncommittally and say that you might be.

You are growing fond of Michael Kaiser. It isn’t a slow realization — actually, it hits you very suddenly one day. He hands you a bouquet of flowers before opening the passenger door of his car for you. You ask him why he’s brought you peonies instead of roses, and he says it’s because he despises roses. It’s such an absurd answer and he says it with such a straight face that you have to cough in order to disguise your choked laughter. 

“Those must be some other kind of flower, then,” you say, pointing at but not touching his tattoos, at the delicate petals which fold over his pulse, azure and bright and silky. 

“No, those are roses,” he says, his knuckles growing white on the steering wheel. Normally, you wouldn’t ask further, but today you want to prod at his bruise of an existence, so you turn the music down and hug the peonies to your chest.

“But you despise roses,” you say.

“It’s a good reminder,” he says. “No flower lies quite as well as a rose does.”

That is when you are certain that you are partial to him. It is an unavoidable fact and also a treacherous one, but true notwithstanding. 

You put the peonies in a vase of water when you get home that night and hope they never die, although you know that they will be gone within the week. It’s how time works. The peonies will die and you two will break up and you’ll have nothing but a bare kitchen counter and thoughts of his intricacies to remember him by. 

There are no paparazzi around on the night when he wraps your hands around his throat. You are alone with him, sequestered away in the living room of his mansion, a bowl of popcorn shoved between the two of you while a movie plays in the background. This seclusion defeats the original purpose of the relationship entirely, but you sense that that original purpose is no longer fully applicable, so you do not refuse when he calls you and demands you come.

There’s a blanket tossed over your legs, the brilliant colors of his soccer club’s emblem faded from repeated washes. It’s warm, and if you were not busily eating most of the popcorn, you’d pull it up around your shoulders. As for Michael Kaiser, he’s facing the screen, his hair tied back in a knot, a pair of glasses resting on the bridge of his nose and reflecting the visage of the lead actress as she laughs. You observe him as you snack. You’ve seen this movie before and didn’t really like it, so you’re not missing much. He’s more interesting by far.

“I know that woman,” you say, so that he has to acknowledge you.

“Hm,” he says.

“She’s a jerk,” you say. 

“Sounds like your kind of company,” he says. You scoff, because he’s not wrong. He keeps watching the movie, and you keep watching him, until a thought occurs to you.

“Can I call you Michael? Even when it’s just us two,” you ask. He purses his lips. The actress screams. Her character has just died, but the scene is poorly shot and even more poorly acted, so it’s not as heart-wrenching as it should be. You would’ve done better, but your agent doesn’t want you taking any gory roles, and your manager agrees. In his professional opinion, it’ll ruin the doll-like persona you’ve spent so long cultivating. He’s probably right. It’s hard to adore a doll once you’ve watched it die so gruesomely.

“You can do whatever you want,” he says.

“Okay,” you say, swallowing another mouthful of popcorn, the salt lingering on your tongue long after the popcorn itself is gone. “Michael.”

“Yes?” he says.

“Nothing,” you say. “I just wanted to say your name.”

“Okay,” he says. “Y/N?”

He’s never called you that in private. Of course, when you’re out and about, he must refer to you with such familiarity, but in private you’ve never been anything but Miss L/N. It’s a change but a good one. You don’t want to ever be Miss L/N again. Not to him.

“Yes?” you say.

“I’m trying to watch this movie,” he says. “It has high ratings, so be quiet and allow me to finish.”

“It’s shitty,” you say, yawning and leaning back against the mountain of pillows you’ve created for yourself. “Overly gratuitous with its use of fake blood.”

“Right, because that’s a cardinal sin,” he says dryly.

“Sorry, but it’s hard to enjoy films when you know how they’re made,” you say. He picks up the remote and pauses the movie. You blink, because that’s about the last thing you expected from him. Then he turns the TV off entirely and you realize you’ll probably never be able to predict what he does next, so you should stop trying already.

“I know how movies are made,” he says.

“Did you have a secret acting career you never told me about?” you say. It’s a joke, but you also wouldn’t be surprised if it’s true. He’s taken to performing like a fish takes to water, and every day you tell him he should quit soccer and devote his life to cinema because of this uncanny skill.

“Not me, but my mother was an actress, and my father was a director,” he says. 

“Was?” you say.

“Maybe they still are,” he says. “I don’t know. We’re not on speaking terms.”

“Why not?” you say. He takes your hands in between his, and you can make out immediately that his instinct is to hurt you, to press his fingertips into your wrists so hard that they leave marks. It’s to his credit that he fights back the urge, fights it back and arranges your palms against his carotid arteries. His jaw clenches and his pupils dilate as he waits for you to realize; when you do, you rip your hands away for fear of wounding him further.

“Don’t pity me,” he instructs you, unpausing the movie like nothing happened. “And don’t ever bring it up again.” 

Now that you have his permission to refer to him only by his name, you develop a strange fascination with saying it. He’s amused by your new fixation, answering you in a lilting tone every time you call for him.

According to him, you are like a small nightingale, always warbling, always happy, fluttering around beside him and changing his mood for the better. Well, if you are like a nightingale, then he is like a dog, and you tell him as much when you are sitting across from him at a coffee shop.

“A dog?” he repeats, his face pinching. He’s just taken a swig of the black coffee he always orders, but you know his disgusted expression isn’t a symptom of the beverage’s bitterness. “Take that back.”

“Not in a bad way,” you say. Your own drink is sweet, so you sip on it slowly to prevent a stomach ache. “I’m not calling you pathetic. I just mean that you are amiable and lively. It’s a compliment.”

“It’s not who I really am,” he says. “Have I deceived even you? Amiable? Lively? Remember why this entire scam began in the first place — because I am neither of those things.”

“Right,” you say. “A peacock, then. Terribly vain and entirely alluring.”

He relaxes and raises his cup to his mouth again. He’ll be up late tonight, he always is when he has coffee, but it never stops him from drinking it. “That’s better.”

The reminder that whatever you have with him is not real stings more than it should. You throw away your drink almost untouched, which does cause him to raise an eyebrow, but thankfully he refrains from commenting. It’s a relief, because you don’t even know how to explain it to yourself, let alone him.

He walks you to your front porch and waits with crossed arms as you fish for the key in your purse, shoving it in the lock once you have it in your grasp. His farewell when you open the door is stilted and abnormal, so you stop him with a hand on his arm before he can go.

“Michael,” you say. You’ve never said his name like this before. It comes from a place raw and deep within you, a place that you are certain is purple and black like a wound. You say it like you love him, and you think it must be because you do.

“Yes?” he says. It’s the way he always responds to you, his voice like a song, a small smile on his ordinarily strict face — though today, he is not smiling. Instead, he is frowning, like he has come to an understanding that he would have rather not reached.

“Never mind,” you say. “Goodbye.”

“Goodbye,” he says. He drives away, his car disappearing around the corner, leaving you standing alone in the still-open doorway and wondering how you will survive the day when he disappears permanently. 

You’re not sure what it is about him that makes pretending difficult, but suddenly, it’s a struggle for you to maintain your aloof front. You find it disconcerting, that he has taken this aspect of your identity and rendered it entirely null and void; it’s even more disconcerting that he has done it unwittingly and unsympathetically. If you loved him any less, you would hate him, because he has stolen who you are and left you blind and fumbling, but you fell for him, and the way you landed broke something fundamental, so that it is impossible for you to get back up. 

“I think that I love you,” you say. You are on his couch again, and there is a movie playing again, which is all too similar to a past scenario that you think about when you are lonely. Tonight, it’s some soccer documentary that you find so tedious you are driven to irrationality. 

He drops the glass of water in his hands; you reach out and catch it before it can spill, setting it on the table in front of you. 

“What?” he says. You shrug.

“I love you,” you say again, and you’re flippant about it because you’re not telling him in the hopes he loves you, too. In fact, you know that he does not, so you are using him as a confessional; after all, the minimum he owes you is sharing the burden of this sin.

“There’s no one around,” he says. “You don’t have to lie. It won’t gain us anything.”

“It hasn’t gained us anything in a long while,” you say. It’s true — your relationship isn’t trending anymore, and most of your dates are in locations where you will not be recognized. 

He stands up. The documentary continues as he paces, and a referee blows a whistle while he tangles his fingers in his hair and pulls. You stay on the couch, your eyes following his erratic movements, your hands folded in your lap.

“No, you don’t,” he says.

“I don’t what?” you say.

“You don’t love me,” he says. He wants to sound callous, you are sure of it, but the effect is lost on you. He sounds more lost than anything.

“But I do,” you respond. “Who are you to tell me I don’t?”

“Don’t,” he says. “Stop it. This instant.”

You laugh incredulously. “Do you think it’s that easy? I wouldn’t feel like this in the first place if it was.”

“Why?” he says. He’s still pacing. It’s like watching a tiger in a zoo. You want to study him, but he demands your attention in a different way. “Y/N. Why me? Why at all?”

“The reasons don’t matter, do they? I can tell you, but they won’t change anything,” you say, shrugging. “If you find yourself in the kitchen, bring water back for me. I’m thirsty.”

“Drink mine,” he says, pointing at the cup you had narrowly saved from disaster. “And quit your avoidance. Tell it to me plainly. Why?”

“Because you are you,” you say once you have drained half of his glass and your tongue is not quite as papery. “It’s a series of things; there’s not just one concrete reason. You hate roses and only drink black coffee. My mother thinks you’re handsome and my father is convinced you’re a golfing genius. You are a dog but also a peacock and then again an emperor. Don’t ask ridiculous questions and expect me to answer them when I cannot.”

“I’ll hurt you,” he says. “I’ll hurt you, Y/N, and I don’t — I don’t want to. You’re the only one who I don’t want to hurt, so just give up. It’s for the better if you do.”

“You won’t,” you say. “I don’t think you can.”

“Of course I can,” he says. “It’s the one thing I’m capable of. The only way I know how to love someone is by hurting them. I’ll do the same to you if you let me, and if you’re telling the truth, then you will let me.”

“Because I love you?” you say. “You think I’ll let you hurt me because I love you? For shame, Michael. I thought you knew me better than that.”

“Please,” he says. It’s a word he’s never said, not to you and not in his life. Its weight hangs before you, pulsating in the air like it’s tangible. “If I love you, I’ll destroy you. And then you’ll leave, and it’ll destroy me.”

It’s a selfless desire that he’s disguising as a selfish one. You’re good at pretending, but you’re not good at telling when others are. That much is obvious, because if you had any talent at the latter then you would’ve seen that he’s loved you for as long as you have loved him, maybe longer. He loves you and so he’s urging you to flee, to destroy him before he can do it to you first.

“Damned if I do and damned if I don’t, huh?” you say, exhaling and finishing off the rest of his water. “Listen to me.”

“No,” he says. His obstinance is endearing, but you throw a pillow at him instead of cooing like you want to. He catches it and tosses it back. It lands beside you with a thump. You pat it for emphasis.

“Yes,” you say. “I love you.”

He plugs his ears with his fingers. “Nope.”

“I love you, I love you — hey, I know you can hear me!” you say.

“La la la,” he shouts over your voice, sticking his tongue out petulantly. “I can’t hear you, I can’t hear you!”

“You’re cruel,” you say. “I won’t deny it. I know who you really are, Michael Kaiser. You possess cruelty in spades, but it’s in the way that a rose does. You have grown malice like thorns so that no one may come near your heart, and you think these thorns will tear me apart when I extend my hand past them. What you aren’t accounting for is that I have done so already. I have reached your heart and still I am intact. Now, what is there to cause me harm — a mere flower? But a flower can’t cause anyone harm, least of all a person such as myself. You can’t, or more importantly you won’t. I believe that you won’t.”

He stares at you. The soccer team in the documentary still playing behind him scores, and the crowd roars in approval. You stare back at him and wait.

“I hate roses,” he finally says. “I hate them a lot. They’re the worst kind of flower.”

“I don’t know about that,” you say. “I quite fancy them.”

“They prick your fingers,” he says.

“Not if you are gentle,” you say. “Not if you understand them.”

He buries his face in his hands. “Go home, Y/N.”

You do as you are told, flagging a taxi and shivering while you wait for it. You wish for things to be different, but the amount of unfulfilled wishes you’ve made outnumber the stars in the sky, so you add this one to the list and vow to move on.

You have no desire to leave your bed the next morning, but you are also hungry, and your hunger wins out over your despair. You muster up the energy to roll out of your sheets and trudge downstairs, but you are miserable as you do so. You are utterly miserable, and the fact that you are only worsens the feeling, trapping you in an endless kind of loop.

When you enter your kitchen, you are surprised to see a pot of flowers sitting innocently on your counter. You didn’t put them there, so you should feel afraid, but they’re roses, and they’re the same arresting shade as the sky, so you don’t. You only grin, slowly and then all at once as you begin to giggle helplessly.

There isn’t a card or an explanation provided, but you don’t need either. You already know who they are from.

[walpu]

Hi, it’s me again!! >_<

When I tell you I gobbled that headcannon post up, I went down on two knees and howled /hj

Anyways, do you think you can do some headcannons on Aventurine with Bodyguard! Reader if you have the time? But this time, with a twist :3

See, reader does care for Aven, you truly do, but before that, you were tasked by Everflame mansion and by Duke inferno himself to kill Aventurine. But you can’t bring yourself to, no, not when you’ve fallen head over heels for him.

When reader does become Aven’s bodyguard, you maintain that serious, no nonsense demeanor, but if he looks closely enough, he’ll see the lovestruck puppy hiding under the hardened shell that they’ve put on.

But the guilt catches up. One day, at least a few months after reader’s betrayal to Duke Inferno, you catch sight of an assassin sent to finish the job they couldn’t do. And so, the secret is finally revealed.

Personally, I think Aventurine would be betrayed, like very, how could he not be? He’s always kept people at an arm’s length away, and when he finally lets you in his walls, and starts falling for thier charm, this secret of yours comes out. He fires you almost immediately, but the way he stares after you with misty eyes doesn’t go unnoticed.

The next months were absolute hell. Reader found a new job as a barista, and is quite enjoying the quaint and simply life it provides, even if you do miss Aventuirne. He’s probably still seething at you, right?.

Wrong. Because you’ve gone MIA, Aventurine been scouring all over the place, trying so hard to find you. He’s loosing sleep, forgetting to eat, all things that you would chide him about. Aeons, he misses you so much.

And when he does find you, he’s overjoyed, and when the two finally reunite, the first thing you do is to apologize deceiving him. But he forgave your silly ass a long time ago, why else would he have spent the last months trying to find you?

Long story short, it’s a happy ending, Aventurine couldn’t be more grateful he has you to be his bodyguard, his closest confidant, and most importantly, his lover <33

I’m so sorry if I went on a ramble, but this idea’s been plaguing me so bad I literally can’t focus on anything else 😭😭

I'VE BEEN LOOKING FORWAR TO WRITIG FOR THIS REQUEST SINCE THE MOMENT I SAW IT I ADORE YOUR BODYGUARD!READER x AVEN SERIES btw thank you for sharing the c.ai bot

I feel like the only thing I do with each post is apologize for taking so long but right now I like from work trip to work trip so I'm actually really really sorry this madness should end soon 😭😭😭😭 Hope you'll enjoy this post, it was my goal to finish it before version 2.1

bodyguard/assassin!reader x Aventurine

characters - Aventurine notes- gn!reader, angst, hurt/comfort, pining, no beta

It was not a fast prosses for the both of to form a genuine connection. Moreover, you know goddamn well you shouldn't get attached to him.

And at first it seems easy, like yeah another rich playboy, no big deal, you've delt with people like him before, right? Right??????????????

Yeah until suddenly he's not just a rich playboy.

The more you notice how deeply lonely and unhappy he is, the more your heart softens towards him. And the more your heart softens, the more he relaxes around you, seeing behind your cold exterior.

He's not used to people caring about him. And yes, of course he knows it's your job but still, for a man who never had a real friend before, he surely can appreciate having someone who not only won't leave him but also will listen to him and look after him.

And the part about you being paid to do it? Oh well. It's the same guy who offers you to use him as you wish and who's greeting line is "I can play a role of a friend :)"

Mf is FRIENDLESS, LONELY and PATHETIC /affectionally

He'll take what he can get okay.

But goddamn. Don't think he doesn't notice how you started going out of your ways to take care of him. How you make him eat, tend to his small injuries ("my, my, you're my bodyguard, not a doctor. perhaps someone wants a raise, hm?~"), how you drag him out of casino or his office when it's too late.

It drives him crazy. It's not beneficial for you, right? The w h y.

He won't ask. Instead he will watch and slowly fold.

You are probably suffering tho lol. You should just kill him already, you've had so many opportunities to end him. Instead you spoon feed him soup because he claims he has a hangover after a night in the casino. And this little brat looks so smug about it too!!!!

Sometimes he feels like it's too good to be true: you being here, taking care of him, looking after him. The line between professional relationship, friendship and... something more is way too blurry already, and he knows it's dangerous but it just feels so good. Too good.

Duke inferno gets tired eventually. He sends someone to remind you of your mission. To remind you who you really work for.

Well, the duke receives a warning of his own. The dead body of his little messenger.

You know, of course, that the Everflame mansion thugs are not easily intimidated. They will be back. So you better warn Aventurine and tell him everything.

You can't keep lying to him, can you?

Well. It's surprisingly not as easy as you thought. After all, even if they will send someone, you'll just protect Aven like you always do, right? He doesn't have to know. Not about your past, not about your original mission. He keeps his secrets too, so why can't you?

You know goddamn well why tho. You know and yet you still can't bring yourself to tell him the truth.

It goes on like that for several months and Aventurine notices that something is clearly off, something is bothering his darling protector. He tries to pry, to tease, to cling, to pester you. Something to make you open up. Or, at least, get distracted. He can't help but feel anxious. Why are you suddenly so reversed? Do you want to leave his side? Does he not pay you enough? Does he bother you too much? It eats him alive while he tries to mask it by pestering you even more. As if to test you. As if to make sure that it's not the case.

All the hell breaks loose one day when you discover that Duke inferno has sent another assassin to finish the job.

I you spare the details but yeah, your secret was unraveled. And it wasn't pretty at all.

You have never seen emotions so vivid on Aven's face. Part of you always wanted to see him more vulnerable, more open with you. But not like this. Not this look of utter betrayal.

He collects himself quick enough, hiding behind the mask of mock disappointment.

"Hm, well, I recall mentioning that treachery is just another tool of the trade. But it seems like our little deal is not paying off for me anymore" he says with a cold chuckle, shaking his head a little. "After all, you have very little to offer outside of your dog-like loyalty. But seems like this dog bit both hands that fed it".

You were expecting him to call for your arrest but instead he just fires you. It hurts nevertheless.

What hurts even more is that look he gives you when you part ways. It's like his pretty eyes are even more lifeless now.

At first he feels this overwhelming emptiness. It truly feels like the fate is mocking him. One time, just one time, he allowed himself to relax around someone. Just this one time, with this one person who took care of him, who listened to him, who looked out for him. And this person was supposed to kill him.

Then his stupid brain finds another way to torture him. He keeps thinking about the way you have always protected him, the way you took the hit even during the last attack, when Duke Inferno's new assassin tried to get to him. You were ready to leave your past life behind to stay by his side, weren't you?

As soon as he realizes it he goes frantic. Of course he tries to find you asap but of course someone as competent as you would be able to disappear without a trace in no time. You were an assassin, after all. A skilled one too, since he never even suspected you.

This connection the two of you had, this realization that you really cared enough to betray your client, all of this makes him realize that he needs you so, so much. He needs to feel this care again, he need to look at you again, to know that you're here by his side.

He misses you so much. Your nagging, your reassurance, your touch. He's like an addict who felt what it feels like to love and beloved in return for the first time and now he can't live without it.

He doesn't eat or sleep properly, his head plagued by the thoughts about you. What if you forgot all about him? What if you're wounded? Where are you even? His fingers itch to trace your face and your scars.

He thinks about how you would scold him for not taking proper care of himself and it makes him miss you even more.

Aven finds you after a few months. It was honestly a coincidence, one of his subordinates saw you in the coffee shop you were working at.

He though that finding you will calm him down but seeing you from afar, looking somewhat peaceful and cozy, having a regular job... it's too much. And what if you really don't need him anymore? Maybe you never did? After all, he's painfully aware that he probably needs you much more than you need him.

And yet, he decides to take this risk. He's a gambler, after all.

"Somehow I'm not surprised you're good even at that. How come you have never made me coffee before, hm?"

You literally freeze on the spot after hearing this familiar voice next to you.

When you finally get to talk, you can see he's really trying to look calm and collected but how can he? His hands are shaky and his voice cracks. It breaks your heart.

He doesn't even let you finish your apology, pressing a finger to your lips.

"Hush, darling. All is forgiven. In fact, I even have an interesting proposal. I'm can be a generous man after all".

He can't fool you. Not with this shaky soft voice. And he knows it as well.

Please hug that fool and kiss him. Swear that you won't ever leave him again. Swear that you want to be by his side. As his bodyguard, as his friend, as something more. So much more. That's all he really need to feel like he's at home.

[trainsinanime]

The following post is intended to be seen as levity and joking, not salt.

Chloé this, Chloé that, "Redemption started?", "Redemption interrupted?", "Redemption cancelled?". The discussion is getting old. What I haven't seen enough yet is how the show did Sabrina really dirty, by giving her the worst thing of all: A conscience.

The early parts of the show toyed a lot with how exactly Chloé and her relation to Sabrina works, which was clearly not well established when the first episode came out (hell, they didn't even seem to know who Max and Kim were yet, they only had their character models). Sabrina's deal is easy enough in the abstract, but difficult to pin down in the early episodes: Is she more meek or mean? More of a victim or more of a bully? Does she share Chloé's values whole-heartedly, opportunistically, or is she pressured into it? Does she have scruples or is she just a coward? Those are all elements in her character to some extent, but the exact mixture did not really solidify until she got an episode to shine and be away from Chloé, in Evilstrator.

That episode did the fairly obvious plot of Marinette going, "you can stand up to your bully instead of doing their homework for them!", and then showed us how Sabrina reacted. And the reaction was: Sabrina is every bit as unhinged as Chloé, just in completely different ways, and their dysfunctional relationship might just be the only one in which either of them can function.

This choice is not fully unproblematic, but ultimately okay in my book. I think die-hard Sabrina stans might call this character assassination, but I don't think there are any die-hard Sabrina stans. I feel like I should become one just to even out the numbers. Anyway, the choice clearly telegraphs that the show is not interested in long-running redemption arcs, which, you know, fair enough, it is designed for six-year-old French kids after all. (Yes, season 2 and 3 looked rather different here, but that's later)

The show did not exactly use Sabrina consistently after that, but for a while, they leaned into it. Early Sabrina was often mean, materialistic, codependent (I don't actually know what that word means I'm just guessing) and toxic in her own way. She broke into Marinette's room, helped steal Marinette's designs, lie and cheat for Chloé.

And then that was basically it. The show mostly forgot about her. She was an appendage to Chloé, usually frightened and a bit incompetent, but not much more. When Chloé showed signs of a bit of a hint of a redemption arc, Sabrina was not part of it. When Chloé gained a sister for, I actually don't know (I still maintain that "replacement bee" makes no sense for anything but selling merch), and there were hints that this might be relevant to her story, Sabrina wasn't there.

What did happen in the moments we saw Sabrina was that Sabrina got more meek, more scared of Chloé, and less mean. There were no more hints of her playing superheroes with Chloé and being at least somewhat of a friend, and also none of the meanness of Miraculer, one of the worst Akuma names in the show. Instead she was now in a closet doing Chloé's homework.

As she becomes less effective, she becomes more sympathetic, with some moments e.g. in the New York special, until she finally becomes Miss Hound. At this point we have basically the exact same thing that Evilstrator rejected: Sabrina is really just an oppressed underling who is too scared to tell Chloé to stop, instead of someone with at least some of her own ideas that happen to overlap with Chloé's in all the worst ways.

This all comes to a head in confrontation, when Sabrina's defining character trait is suddenly, out of nowhere, that as a police officer's daughter, she hates lying and stealing and hates that Chloé makes her do it. Since when!? Sabrina, weren't you around for Darkblade!?

Sabrina breaks off her friendship with Chloé and is now officially a good girl. And that sucks.

Old Sabrina had a certain edge to her. She made sense as an Akuma threat on her own, and even as a threat to Chloé as Vanisher and Miraculer. Now, she's only an Akuma effectively when Chloé tells her to, and she stopped listening to Chloé anyway. Her personality is now strictly: A good girl. Not like Chloé.

Ironically, in her emancipation, she has lost almost everything that made her unique, and become entirely defined by Chloé in every way. She's her own person, but with barely any personality traits except "not like Chloé anymore". No hobbies, no meaningful relationships with anyone, she's just there, and nice now I guess.

There are so much more interesting things you could have done with a mean Sabrina, which we know for sure because the show already did some.

But that's really part of a wider issue: When people talk about Chloé, they mostly forget Sabrina, and Sabrina isn't interesting enough to stand on her own. The ideas of a Chloé redemption throughout season 2, 3 and in some form 4 focused on Chloé's relationship with Ladybug, Marinette, a bit Adrien, Audrey, and a bit Zoé. Chloé's super-duper villain arc in season 5 focused on her relationship with Lila. Sabrina, who has been here from day one, who has the longest and most complex relationship with Chloé out of any character, is not a part of it at all.

I think that sucks. I think Sabrina has more potential, but in particular I think Chloé is more interesting if we include Sabrina in the discussion as well. Their relationship is something deeply weird and unique, and any Chloé redemption that brushes it off leaves a lot of very tasty crumbs on the table. It sucks that it ended like that. Yes, Sabrina is now redeemed, but as a result of that, she's boring, and isn't that much worse than being evil?

In short: We should all write more Chloé/Sabrina fanfics.

[accirax]

Danganronpa: Despair Time Chapter 2 Episode 13 Dissection

Jesus CHRIST, the hits keep on coming (/pos). I don't think anyone could have predicted everything that came to light in this episode. But, hey, at least we're finally cooking on the murder method a bit more...?

SPOILERS for Danganronpa: Despair Time though Chapter 2 Episode 13! Also, CW: discussions of suicide.

Similarly to last time, I tried not to look at too many other people's major reactions/theories as to not influence my opinions as they were when I watched the episode. (Although I think I failed to do that more than last week...) Here's what this episode got me thinking about!

Genocide Jack, Junko, Mukuro, Peko, and Korekiyo:

On that note, though, this is... debatably relevant lore about Hope's Peak as it exists in DRDT? We know from Chapter 2 Episode 2 that Veronika (and likely all of the non-Terukos as well) don't remember Trigger Happy Havoc, and, based on this, it's likely that they don't remember much of the history of the old HPA either. Ace being so adamant that HPA wouldn't scout a murderer implies that the new HPA has fully regained its spotless reputation, potentially even more than the Tokyo school ever had.

I want you all to know that I tried to write out a little theory about whether or not Levi could have killed any plot-relevant characters here, but I came to a dead end at every venture. Levi killed Mai? No, he has no motive, and the murder happened before everyone attended Hope's Peak. Levi killed Elliot? No, Ellie was probably killed by dogs, and the timing is all wrong. Levi killed someone at the North C and Chariton incident? That didn't even happen. I was just getting that confused with my theories about what Xander might have done at that incident in FF's DRDT Milgram AU. Not even what actually happened in the AU. Just my theories on what might happen.

The only option I couldn't fully rule out was the idea that Levi killed some of the ~5 missing members of the altDRDT cast, but, holy shit, can you imagine how funny that would be? Teacher and the gang get to the sixth Class Trial and ask all dramatically, "so, what happened to the rest of our class that didn't make it to the killing game...?" and Monowhatever is just like "actually, Levi Fontana just straight up merced those dudes years ago." Hilarious.

Anyways. That goes to show that I do think these were just random guys, and the only specific relevance they would have is in the realm of Levi's backstory specifically.

RIP to the "Levi used to be an assassin" theory. I actually kinda liked that one myself.

(Also, hijacking this image to point out the background music here. You hear the ticking clock motif? Very suspicious indeed...)

Yup, even more confirmation that HPA highly valued having an incredibly pure and righteous image. Of course this HPA was also corrupt. Is it even possible to make an HPA without some level of corruption?

(Levi. My guy. I need you to use a different sprite; the quadruple image combo is starting to look ridiculous.)

What I find really interesting here is that, even in the realm of forgetting about murders, Levi remembers the three random guys before his father. Like, I know that Levi says that he kinda equally doesn't care about everyone (and I believe him to be telling the truth on that), but you would think that, just by virtue of having spent more time with his dad or the people around him's reactions, Levi would have remembered killing his father before offing three random thugs.

I don't know if this is meant to A) really drive the point home that Levi sees no difference between those he "knows" and those he doesn't; B) imply that Levi might have sustained some greater amount of trauma from killing his father that caused him to block that memory out more; C) suggest that killing the guys was more recent than killing his dad, which might lead him to remember it with more clarity; or D) some combination of the former three. However, I think it's an interesting detail to note.

The foils are foiling........

This was hilarious. And lowkey evidence that Nico was the one who tried to kill Ace.

You know, I actually almost made a theory once that the clauses "you're a murderer" and "you have no remorse" could be read as two separate secret statements! Not to say that Levi didn't have no remorse for the killing part, but that having no remorse was a state of being not solely tied to the murdering.

Alsoooo... just gonna say, Levi on Drawing Pins is looking better and better all the time...

Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

WE ARE BACK AT IT AGAIN!!! "GOOD PERSON" SPECIFICALLY IN THE LEVI/EDEN CONTEXT AAAAAAAAA

Beyond the further "good person" jumpscare, I found this line interesting due to how Eden describes Ace. Someone who "always pushed [Levi] away." Sounds a lot like Arei, huh? In fact, a lot of it sounds like Eden is applying it to herself.

"But I'm a good person. Why am I thinking these things when it's clearly not true? I'm so kind to everyone. I'm always helping others out, even when it'd be easier not to. Like that time Arei yelled at me. I kept trying to help her, even if she always pushed me away. Isn't that what "a good person" does?"

Obviously, I'm reading into this in the "Eden is the blackened" context, but I think that it's still an interesting read of Eden's mental state even if she isn't the blackened. We know that, to some extent, Eden blames herself for both Min and Arei's deaths. Therefore, despite likely feeling like she's fucked up, she wants to cling onto the idea that she's a good person so she doesn't lose faith in herself.

That leads into some super interesting parallels when it comes to this speech versus what Arei said, but I'll talk about that more once we get to the Arei monologue.

This week, acevi shippers take the L. Really, Levi x anyone shippers, but I think acevi shippers got the worst of it.

Except, they also took the W. "Ace lowkey confirms he once had feelings for Levi" was NOT on my bingo card. Or Star's.

(Also I LOVE this new sprite)

I saw some people talking about Ace's friend (Taylor?) but I do not remember and cannot find any information about this character (so I can't even tell if they're just fanmade :( ). If anyone knows what I'm talking about and has a link, please send it to me. Anyways, "insult to his memory" definitely makes it sound like Ace's friend is dead. I wonder if the way in which he died has anything to do with Ace's fear of horses/cowardice in general.

I want to see more Levi and Veronika interactions so bad. It's no surprise that Veronika was the first to pick up what Levi was putting down. Both of them don't have the "normal" way of processing their feelings and interacting with others, but while Levi has decided to try to be what society deems as "good" anyways, Veronika has decided to fully live by her own creed. I wonder if Levi could be at all convinced by Veronika to go back to his old ways.

Veronika: You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want.

I'm excited to see Levi and Nico interact too, obviously. I suppose Nico is kinda like the midpoint of Veronika and Levi-- doesn't understand people and wants the world to work the way they perceive it, but also has been bullied enough to feel forced to play along with how others want them to be. Characters like these have become some of my favorite archetypes to discuss. I'm so glad that DRDT has so many of them!!!

The foils are foiling AGAIN...

Why the fuck are you so pressed about the secrets now??? I thought you were all about privacy?????

Well, thank you for "confirming" that swap, ladies! This talk of a pact is very interesting, though. I guess Hu must have gone to Veronika pretty early to ensure that her secret wouldn't get out-- makes sense, as without that there's a good chance Hu could believe that Veronika would reveal her secret at the most unflattering time to create drama.

It does slightly recontextualize Veronika's "A little mystery makes this Trial more exciting, don't you think?", though. I wonder if that was just straight up a lie, or if that was the rationale Hu used to appeal to Veronika. I doubt we'll get a flashback of this scene now that this moment's passed, but I'd love to see it. FTEs...? 👀

David you have to stop this right now or you're going to become my new favorite character. Dude's been dying to don the mantle of the comic relief character, apparently.

Is The Motive Scoreboard Accurate?

I'm including this because I've seen some other people say that it is, specifically on Teruko's front. I strongly believe that this motive board is incorrect, and Teruko and Xander's secrets are swapped.

The blaming yourself secret mentions parentS and siblingS. Back in Chapter 1 Episode 4, Teruko says that she never knew her parents (and therefore may even just be assuming that she has two), and she only had one biological brother. Furthermore, she has no idea if they're dead or not. On the parents front, she could assume that being sent to an orphanage is confirmation enough that her parents are dead instead of just not wanting her. Being sent there with her older biological brother is a further implication of that.

However, Teruko specifically says that her brother "left with some other family." She makes no mention of believing he's dead at all. Therefore, for Teruko to have the secret she claims to have, Teruko would have to be constantly mourning parents and an additional sibling that she never knew, and to believe that all of them are dead despite having no reason to believe that her known brother died.

Obviously, all of these things were said aloud to Charles and Whit, so there is a possibility that Teruko lied about or concealed parts of her past to keep her walls up around those two. However, what does this face from David mean if not "I've caught you in my trap?"

(DRDT sprites are SO GOOD--)

To me, this sprite clearly indicates that David knows that Teruko is lying about something, but has chosen not to bring it up to save it for later purposes. I don't know if he has something specific in mind or just wants to hold the potential blackmail over her head, but I strongly suspect that we'll come back to this someday-- either in later daily life or a post-Trial scene in this chapter.

It's also interesting to note that, while David knows that this is Teruko's for sure, Charles and Whit also have the opportunity to recognize the discrepancy. I definitely wouldn't be surprised if Charles kept notes about what he knows about everyone somewhere. We'll have to see if either of them ask her about it down the road as well.

Eden: I know that she's dead!! I know that she's dead and that she's never coming back. I know that I'll never be able to talk to her ever again. But even then... I have to know that when she was alive, she was still trying to become a good person. That if she lived, then maybe there'd be a world in which we would both be friends. If you really say that you lied about making Arei kill herself, then tell me the truth. Tell me that you didn't make her lose hope. Please! Tell me what happened last night between you and Arei!

Oh boy.

Can Eden Still Be the Culprit?

Look. I understand if you look at this and believe that Eden couldn't possibly be the culprit-- or at least, not without being a completely different character than we know her to be. Because I almost did. Zel's performance did a really good job of selling Eden's heartbreak in a way that makes it feel like she couldn't have possibly been the one to end Arei's life. However, upon further review, I do think that Eden's words could be that of the killer, with minimal levels of intentional manipulation thrown in.

If it would cause you emotional distress to listen to me continue to accuse Eden, I'll write the rest of this section in purple so that you can skip it if you'd like. I don't want to make anyone sad, so I fully understand if you want to avoid these bad vibes. However, for those of you who are still on the fence, and those who have stuck with Eden!culprit all along, here's my justification. I think it'll be easiest to break it down block by block.

Eden: I know that she's dead!!

Okay, well, maybe skipping this section a bit. More points for Arei truly being the one who's dead, I guess?

Eden: I know that she's dead and that she's never coming back. I know that I'll never be able to talk to her ever again.

Alright, so, this can fairly easily be read as the same thing as what Eden was doing back when she was talking to Levi: reassuring herself.

Well, maybe "reassuring" is the wrong word. Basically, she's repeating the same mantra that she told herself when she was trying to justify her decision to kill Arei. When making the decision to kill anyone, the killer (if they care) has to process that they will have to kill every other person in the game if they want to escape for themselves. Therefore, if Eden is the killer, she already had to grapple with the fact that she can't turn back time. ("You can't go back, no matter how hard you try.")

I think that Eden might have it in her head that, even if it wouldn't fully erase her wrongdoings, as long as she doesn't just forgive and forget the whole affair, it makes things slightly better. That's why she was yelling things like "You forgot about all the things you did just because you didn't face any consequences for them? That's incredibly selfish!" at Levi.

Feeling bad about things is her punishment to make sure that Arei is never fully forgotten. She knows that, if she goes through with killing, she'll never be able to talk with any of these people again. However, if there's something more important to her than these 13 lives that she has to escape the killing game to reach, it's a consequence she'll have to accept. She knows it's selfish-- but she at least won't be so selfish as to also forget everyone else's sacrifice.

Eden: But even then... I have to know that when she was alive, she was still trying to become a good person. That if she lived, then maybe there'd be a world in which we would both be friends.

This is probably the part that feels the most damning. Why would Eden care about whether or not Arei was trying to become a good person if Eden is the one who killed her? Wouldn't it be better for Eden if she wasn't?

Well, that's what Eden is trying to figure out, too. In Venus' Narrative Defense of Eden Culprit Theory, Venus says that Eden didn't believe that Arei actually changed and wanted to be her friend. And, it really makes complete sense if she didn't-- Eden had no idea that David and Teruko continued to talk so seriously with Arei after her departure, and Arei saving Eden from Arturo literally happened the same day that Arei had her breakdown. It had probably been, like, 4 hours since Arei chewed her out for her worldview being stupid, and then Arei's suddenly turning around and declaring that she wants to protect Eden at all costs. Of course Eden might just believe that Arei was setting her up for a fall! (Murder pun not intended.)

Venus also adds that, at this point in the Trial, David knew something that Eden didn't: namely, that Arei actually wanted to change, and saw Eden as her inspiration for doing so. Under the assumption that that revelation has been bothering Eden the whole time, it makes perfect sense that Eden would want to know more about what David knew about Arei. She needs to know exactly how terrible she needs to feel for doing this terrible thing.

I think the quote becomes a lot less defendable if you just swap out the "that" for an "if."

"But even then... I have to know if when she was alive, she was still trying to become a good person. That if she lived, then maybe there'd be a world in which we would both be friends."

Now, obviously, you could say that this is an unfair point-- Eden didn't say "if," she said, "that"! How can you excuse Eden based off of evidence that isn't actually real?

My point is that, even if DRDTdev didn't have Eden phrase it that way, it would be an incredibly easy swap to make. Thus, the only way in which Eden would have to be lying is to swap out one word. With that one word, "if," we see how she's still doubting whether Arei really was trying to be a good person, and can read into why she's bringing that up at this time. To disguise it, all Eden has to do is trade "if" for "that"-- she doesn't have to be some masterful lying manipulator to pull off a quick exchange that makes her look more innocent.

Eden: If you really say that you lied about making Arei kill herself, then tell me the truth. Tell me that you didn't make her lose hope.

Eden needs the truth so that she can know how despicable she actually is (in her opinion). She needs to know how bad she needs to feel for taking Arei's life, so that she won't wind up as "inhuman" as Levi.

I also think that "tell me that you didn't make Arei lose hope" could be interpreted in a killer-ish way. There is a rhetorical device in English that sorta turns words like that on their head. Like, if I said, "don't tell me you spoiled DRDT for all of your followers!," it's often interpreted as "I know that you did spoil DRDT for all of your followers, but I don't want to hear it." In this case, Eden might not want David to tell her that he made Arei lose hope because she doesn't want to believe that Arei had any hope in the first place. It's better than if Eden was the one to directly crush those hopes, sure, but if Arei approached David talking about wanting to be a better person mere hours before her death, that still means that Eden was killing a hopeful Arei. She doesn't want David to confirm her worst fears.

I don't know if I phrased that section exactly how I imagined it in my mind, but hopefully you understand what I'm getting at.

Eden: Please! Tell me what happened last night between you and Arei!

In the end, though, Eden knows that she has to face the music to figure out how she wants to proceed with this trial, whether that's sinking the cost of her fallacy or owning up to her crime. And that's how I think you can justify this outburst of Eden's within the context of her being the blackened, without having to fully corrupt her character.

What Arei Meant

This part isn't a theory, exactly; it's more of an analysis of the point I think Arei was trying to convey in this section. I've seen some people be sad about the new note that Arei's character is "going out" on, but I actually think that this is a pretty realistic, thematic ending for where Arei's story and the themes of the chapter are headed. Time to praise DRDTdev's writing for a bit!

Arei: I'm a manipulative, two-faced bitch. I pretend to be cute so that I can treat others like trash. I only care about myself, and I always hurt others for selfish and stupid reasons. Of course I wanted to change myself. [...] Still, for the longest time, I thought it was stupid to even try. I'm rotten to the core, and I might as well be a different species from saints like you and Eden. [...] No matter what, I'll never be a good person. And yet, despite all that... David, you... It turns out that you might be a total piece of shit after all. If even a perfect inspirational speaker like you turns out to be an asshole, then there's no such thing as "a good person." [...] And that makes me relieved, because it means I'm not too far gone. It's okay that I'll never be a good person, because no one else can be either.

I don't think that Arei is saying that the world is a lost cause.

Instead, she's saying that no one is a lost cause. She's applying that Syndrome logic: "if everyone is a bad person, no one will be." Arei thought that, because of her upbringing, there was no possibility that she could ever Be Good, because she'd already done too much wrong. Good People are perfect, unerring gods who do nothing but help others and reach out to wayward souls. However, David's manipulations proved that that wasn't true.

Good People fuck up. Good People do good things for bad reasons, and bad things for good reasons, and, hell, if David is a Good Person, then Good People do bad things for bad reasons sometimes, too! Arei confessed to us that she felt like her life was over because she was given an unfair start. However, now she knows that the bar has been lowered, and that being a good person can be done by anyone, anywhere, at any time. Perfection doesn't exist. Now that she knows that there was never any need to be perfect, the chance she sought for so long has finally been granted.

(Dipping back into purple for a sec to talk about Eden culprit stuff)

After this, I feel like the theme of this chapter has to be about deconstructing the myth of "The Good Person." You think that Nico is just a soft and shy bullying victim? No, they're just as willing to kill as anyone else. You think that Hu is a gracious motherly figure? No, she has an angry streak and talks over other people. You think that Levi is a softhearted giant who just struggles with what to say sometimes? His kill count is higher than everyone who's died to the killing game so far, and he doesn't really care that that's the case. You think that Whit is just a silly guy who cares about others? Fuck, even he's willing to stall out the trial in an attempt to fulfill his own agenda.

The main person who hasn't yet been proven so be not as good as they seem so far is Eden, who in this episode has been clinging to the idea of being a good person harder than ever. I know that some people believe that Eden needs to survive to fulfill the role of the optimist, but I feel like this episode proves that that isn't true. We don't need A Hopeful Person because anyone can step up to the plate and believe in hope if they want to do so. Eden isn't A Good Person, but a real person, who's just as capable of laughing and crying and living and dying as anyone else.

A good person is not gold. That's why everyone who tried to cling to the idea that they were being A Good Person-- Xander, David, Levi-- has always wound up hurting others in the end. Xander believed his actions were morally justified, and thus decided to kill Teruko, causing Min's death and lots of anguish for Teruko. David wanted to follow in his footsteps, and beyond his inspirational speaker persona causing damage to himself, he was also about to kill everyone else to do "what's right." Levi (Arei pending) hasn't killed anyone since trying to become A Good Person, but pretending to follow those guidelines without actually wanting to change anything about himself emotionally hurt Ace, who was set up with false expectations.

If Eden is so convinced that she's a good person, she's only blinding herself to the ways that she's inevitably not.

Back to Arei, while it is sad that her development was cut off just as she made this revelation, I believe that clarifying this additional bit of content is a way to allow her to rest in peace. Even if she didn't get to transform as much as she wanted to, she at least got to die knowing that she wasn't as wretched as she convinced herself that she was all these years, and having done at least one good thing-- saving Eden from Arturo-- before she passed. It's an amazing character arc to squeeze in for your second victim.

Phew, finally, a chance to talk about objective lore instead of heavy and divisive character themes! Except, uh...

WHAT THE FUCK???

Remember when, at the beginning, I said that no one could have predicted everything that came to light in this episode? This was the main point I was talking about. I don't think anyone saw this reveal coming, especially in this moment.

For starters, even though this CG does appear in David's memories, I don't think that he or Arei actually remembers whatever this was taking place. Beyond me attempting to debunk the idea that David had additional memories of Hope's Peak last week, Arei or David specifically referring to this moment means that they had to... be there? When whatever this was happened?

I say "whatever this was" to briefly create suspense before connecting the dots everyone's already talked about: that Eden was probably the one to scratch out Xander's eye. This would make Eden the "she" that Xander (er, I mean, "the guy with the bloody hands") talks about in the intro scene.

It also gives some more context to the clock with the fork stabbed into it depicted in LGI.

I don't know if "non-functional" and "I didn't expect her to" mean that Eden could have been brainwashed or otherwise broken down into not acting like herself when this happened, but it certainly seems out of character for what we know of Eden. Even her facial expression seems to suggest that she might not have wanted or intended to attack anyone with that fork.

Anyways, for Arei or David to know about the contents of that CG, they would've had to both be there when Eden attacked Xander and then also have regained/had their memories of it, which seems unlikely given how both of them treat Eden. Like, even if Arei is sure that Eden "did something to hurt someone in the past," this seems a bit extreme, and David probably wouldn't be so neutral on her if he knew that she attacked his man.

Another really clever point that I saw someone make (AND THEN COULDN'T TRACK DOWN WHO OR IN WHICH POST IT WAS--) was that Eden is wearing her current outfit in this CG. Interestingly, I looked back at A History of Hope's Peak and Visiting Graves to see what Min and Xander were wearing, and while Min was wearing her typical killing game uniform, Xander was wearing something different. Given that Min's scene takes place in HPA and Xander's doesn't, this could imply that Min was wearing the HPA uniform? That's fitting, for her.

We also know that the DRDT cast were all wearing these outfits believing that they were headed for the HPA entrance ceremony. Therefore, we know that Eden would wear this getup to school, but we don't know if she'd wear it elsewhere. Once again, assuming it was Xander who got forked, we can place this CG some time between Visiting Graves and the start of the killing game. I have a hunch that Visiting Graves might have taken place during HPA's spring break-- in A History, Min and Mai (er, I mean, "Unnamed Student") are at school studying for a test with "Spring Break next week" on the chalkboard, while in Visiting Graves, Mai and Xander have traveled elsewhere-- but that's not confirmed, so we can't lock it down.

Maybe we can get more information about this in Eden's bonus episode! Because, well, I at least do think that most of the mysteries of this CG could be solved within a bonus episode and/or other characters talking about her posthumously in later chapters. Again, I understand if you want to use this CG as evidence that Eden is important enough to need to stick around, though.

AREI I MISS YOUUUUUUUUUU

Also, I didn't catch this at all, but credit to everyone who noticed how similar this scene is to the "Diana Chiem" scene in LGI! Fascinating implications that I have no additional thoughts on at the moment. Mostly because we don't know shit about Diana, if that even is her who's portrayed in that CG. I'm sure I'll come back to this someday, just not right now.

Oh, and I don't think you can really argue that Ace made up this conversation anymore. Idk how much of it he stuck around to listen to, though.

See like why is she so pressed about it???

I'd like to say that this is a win for Whit not being the mastermind (because he doesn't seem to know what MonoTV is talking about), but he could probably just be going "why are you saying that at this time?" or something like that. Sigh (/j)

Why Does Whit Know So Much About Hanging?

Alright, so, obviously, this could be a super-suspect hint that Whit knows all of this stuff about hanging and therefore decided to use that knowledge to kill Arei. But, I don't care about that! What I don't understand is how Whit came to know all of this in the first place!

Well, after a quick review, there's one option that stands out more than all the others: Whit's mom was killed by hanging, likely self-inflicted. The only thing we "know" about Whit's mom dying (assuming that secret really is his) is that she is dead, and Whit omits it. It's phrased pretty vaguely. We also know that Whit thinks his mom is awesome, but that doesn't tell us anything about how she saw herself. Sadly, I think this lines up all too well.

Whit's main character flaw, as we've seen throughout the story so far, is ignoring things that stress him out or make him sad. He represses, and chooses not to get involved in others' fights because it's "not his business." It would make sense if the same extended to what he was like before the killing game. If Whit always chooses to ignore things that worry him, there's a possibility he blames himself for his mom's death via not paying enough attention to any warning signs that her mental state might have gotten so dire. Of course, if repression runs in the family, she might have been doing her best to not make it obvious as well.

So, even though he hates himself for not giving his mom enough support in her darkest hour, he still can't (yet) make any changes in his life because ignorance is the only way he knows how to cope. Yet, he still won't let himself pass up on helping another soul in clear need of support, like Charles panicking over the blood, or Eden suffering over seeing Arei's body. He can push himself to help others that are sad, as long as he never focuses on himself.

Or, he's the time loop mastermind who's heard Class Trials discuss hanging a billion times before. You never know with this guy.

CONGRATS TO FF AND BADJOE FOR BEING THE SMARTEST PEOPLE IN THE WORLD!!! 🎉🎉🎉🎉 Man, even seeing Teruko explain this mechanism as the truth, I still don't know if I would've been able to come up with it myself. This fandom is so smart :D

(Also, why was Whit a dog? Goddammit, is this more MonoTV coding?! /lh)

FUCK YES, WE'RE ACTUALLY GOING TO GET ANSWERS ABOUT THE GYM MURDER IN THIS TRIAL? HALLELUJAH! IT'S ABOUT TO BE T A P E T I M E, MOTHERFUCKERS! (/j)

Phew, barely squeaked it within 30 images! I'm impressed and amazed that DRDTdev keeps managing to make such gripping episodes week after week.

Get it? Gripping? Like grippy tape?

I'd apologize, but you're almost certainly going to hear more of that from me next week. Until then!

[tainbocuailnge]

we're told and shown very little of what shalem and phantom's bond was and is like, so there's a lot of ways to interpret it. but personally I think it's a bit of a waste to show them straightforwardly getting along when they're both extremely insane in conflicting ways. the only on-screen interaction they have is shalem reprimanding phantom, and then testing him, and phantom's response is that he'll do something really detrimental to himself if shalem asks. so to go with their first impressions as looming ominous guy and modest nervous guy and portray shalem as losing composure & getting all blushy at phantom's advances doesn't feel right to me.

shalem actually presents himself to doctor as the one you go to when /you/ lose composure. his profile is clearly written by the troupe instead of rhodes HR like everyone else, and it tells you "you don't remember meeting, but you trust him and rely on him," like a command for the situation to develop as such, rather than a report of how the situation developed. his colleagues think shalem is weirdly pessimistic sometimes, but he's capable and reliable. his role as "modest and gentle shalem" requires him to be composed. in those new CN lines where doctor hands him an outfit to put on he doesn't sound embarrassed about it either. I don't think flirtatious attention would get him to blush that easily.

all the glimpses of what he's like outside that role show him as pretty decisive. every instance of breaking character is him being more forceful than his image allows. if something needs doing and nobody is doing it shalem will go "this is stupid why are we letting this happen" and step in. when he loses composure in his oprec he tries to :/ through the pain before getting screaming mad. when he's scared he gets mad too. shalem tries very hard to be a meek person and his life would be easier if he actually was, but he's not. he's mentally stronger than a lot of people including himself give him credit for. he just doesn't like when it's quiet.

and phantom clearly trusts shalem enough to completely submit to his judgement. the one interaction they're shown having is phantom saying he'll sing if shalem wants him to. phantom will explicitly do what shalem tells him to even if he thinks its a bad idea.

his codename may be phantom and his cat's name christine, but lucian is the christine in this situation. he's the young actor kidnapped and forced to sing by his shadowy teachers. they're making him play the phantom of the opera but that doesn't mean he actually is the phantom. shalem is far more like the phantom of the opera than lucian. shalem can't exist without the mask that lets him pretend to be a real person or leave the theater that mask was made for. it's just that his mask is also salome, which makes him extra insane (love) because salome was a no-name normal girl used as a tool in political machinations until she got written into a play that reinterpreted her as insane and a willing participant. so shalem's nightmares try to convince him he actually did want that guy's head on a plate.

phantom's second module says he doesn't see any art in killing despite how much the troupe hyped it up to him, but he works as assassin and went back to kill the troupe. shalem does still see the art in it, but he works in logistics and ran away because he didn't want to kill. we know phantom left after he realized his teachers were villains and that he completely trusts shalem's judgement, so while there's no clear proof it's likely that shalem's betrayal is what inspired phantom to leave as well. everyone in the troupe was raised to look up to lucian, and told that they had no worth if they couldn't make it to his level. shalem didn't have what it took to become like lucian, but that's exactly what made phantom want to be more like shalem.

and again, we know very little of what their relationship was like, or is like now. we know phantom completely trusts shalem, but the only opinion shalem expresses about phantom is "we're certainly similar, but I'd like to stay away from all that" and their only interaction is shalem reprimanding and testing phantom. so it's possible that shalem doesn't like phantom at all, and is only saving him because the situation is stupid and someone has to do something. phantom is the only person who could begin to understand shalem, but shalem doesn't like being seen closely because he's scared he has no "self" behind the act, so phantom understanding him might not be a good thing to shalem.

I think that kind of resentment between fellow survivors is really interesting. they both left, but lucian is still the troupe's favourite while shalem is called a cowardly traitor. even if shalem does get along with phantom, that would still be simmering below the surface right? their experiences were similar, but lucian was the standard that the others were held to, and the punishment for not being able to live up to that standard was death. isn't it a sick joke to have to go back to save the man whose mere existence made yours harder?

phantom knows that he was the bait the troupe used to draw in fresh blood, and he feels deeply guilty over it. so I think his willingness to submit to shalem's judgement is also because he knows he's at least partially to blame for what's wrong with shalem. meanwhile shalem's nightmares taunt him by saying the troupe was wrong and he's a great actor, so I think part of him still wants to prove himself as an actor. he wants to escape the audience in his head, but can't fully let go of the promise of getting to be on the stage either. and while phantom is the more outwardly insane one, he's making new friends and picking up new hobbies in his oprec while shalem has to be in the eternal nightmare vortex. even in rhodes island phantom is the one who actually gets what shalem wants.

so you have shalem, who wants a normal life he can't have because he was raised to be an actor-assassin with no self, and phantom, who is willing to do whatever shalem says to make up for being the symbol used to ruin shalem's ability to live normally.

phantom in general tends to punish himself. he refuses both medical treatment and gratitude until folinic corners him and chews him out. he feels guilty over being a dangerous person to associate with, but also over rejecting the help he is offered in spite of this. he's willing to submit to shalem's judgement and accept any punishment from him, but shalem wants to be normal and just helps him because it's the right thing to do and this whole situation is stupid, but that only makes phantom feel even more guilty. that too is unresolved resentment.

there's a tension between them where phantom repeatedly shows a desire to leave his decisions to others, while shalem desperately tries to take his decisions from the hands of others. there's clear incentive for phantom to just hand all his agency over to shalem, especially if we assume that shalem leaving is indeed what inspired phantom to follow, and depending on how you read the scene it's phantom's willingness to do what shalem says rather than his reluctance to sing that confirms to shalem that phantom is back to usual. phantom through this respect for and trust in shalem gives shalem a lot of power over him that shalem doesn't actually want to have, because the only decisions shalem wants to be controlling are his own.

they certainly are similar, but they cannot recognise themselves in that mirror, because the part of them that wants to be like the other is at odds with their actual desires. phantom left the troupe like shalem did, perhaps even to follow shalem's example, but shows no indication of wanting a normal life. shalem is a valued coworker, and phantom is an elusive mystery that schwarz warns you as someone familiar with the underworld to stay away from. he speaks of guilt and punishment and truth, but not of what comes after, and he's largely dependent on miss christine to be his moral compass. he's making friends and getting hobbies only because miss christine pushed him to. phantom values justice, but struggles to make his own judgements, and seems to reason that since he's already a murderer he might as well keep killing.

shalem meanwhile values normalcy, but doesn't seem to care nearly as much about justice. his reasoning for defying the troupe and letting his target go wasn't that it was wrong to kill, but that the situation was ridiculous and there had to be a different way. what shalem's nightmares taunt him with isn't the morality of his actions, the way phantom stumbles over his words to justify himself in his own nightmares, but whether they were really his actions. violence excites shalem in a way it doesn't for phantom, and he has no hesitance about threatening murder to secure his agency.

so phantom values justice, and he values shalem's judgement, but he appears unaware that shalem doesn't actually share those values. a normal life just generally doesn't require or involve murder. so while phantom is frequently punishing himself out of guilt and is implicitly looking to shalem to deliver some of that punishment, shalem doesn't really give a shit, because he doesn't really want to think about let alone reckon with their pasts at all. what shalem reprimands him for is causing trouble for the doctor.

their relationship is, by virtue of both operating through externally imposed personalities, inherently somewhat out of sync. you might even call it somewhat parasocial. I think there's probably a lot of pity involved too, pity for the one made to chase your shadow, and pity for the one who cannot escape that shadow. as fellow survivors they're the only ones who could possibly understand each other, but their values and priorities don't line up, and so neither do their expectations and images of each other.

but crucially, i think if any moves are to be made between them, it has to be shalem who makes those moves. because phantom wants to leave his choices to others while shalem is far more decisive than he appears and in fact much of shalem's character tension is based in being forced to finally step up and do something. phantom has very decisively put the ball in shalem's court by establishing that he'll literally do whatever shalem says. all of which is a very long way to say. i respectfully disagree with some of the fanart ive seen on twitter dot com lately.

[lookingforhappy]

Hi! I just wanted to say I really like your blog and the ideas you have for TUA. I have a question if you don't mind? If you've read the comics (I just got to read You Look Like Death and....my head hurt alot after) is there anything you wished they had kept from the comics for the show or vice versa? Personally I wish they had kept Luther and Five being twins in the show. I get why they chose not to do so but come on.

Five doesn't get his dog and then he also doesn't get his biological brother? I love the Pub scene from season 2 and it would have fit really well for them to learn it (just my opinion)

Thank you and I hope you have a lovely day! :)

Thank you, I'm glad you enjoy my ideas!! I love asks lmao so no problem at all!

I have read the mainline comics and a few spin offs (the Diego & Vanya band AU one comes to mind??) but I'm a show main sadly. I like the comics as an informant to the show, so generally I prefer how the show depicted things.

I do want to briefly (edit: it was not brief... i am so sorry) talk about the Five DNA thing because that's one of the things I love in the show.

in the comics Five is genetically altered by the commission

this only works in the comics for me because every character is an asshole, Five especially (he literally prefaces this moment by bragging that he's fucked a lot of women). So for Five to have this excuse? to show horror at the very idea? that's a redeeming quality.

but in the show, they make every character likeable to an extent (recall that in the comics Allison rumours Luther into loving her), so this wouldn't have the same impact because it just makes Five less of his own person - removes the agency from his actions.

Five in the show is someone forced into a corner, and his actions in accepting and carrying out his job as an assassin, as well as his willingness to kill innocents and his own brother throughout s1 show how his experiences have made him desperate and ruthless in his pursuit of love and happiness.

it's a psychological exploration/study.

which to me, is infinitely more interesting. Five doesn't kill the board because his DNA dictates he will, he kills them because he chooses to. He is not cruel because his DNA dictates it, he is cruel because his experiences have made him that way.

and I think overall, this approach is adapted very nicely to fit the tone of the show, as all the same beats are hit. Five has been made into the Commission's killing machine against his will, and he is resentful of it,

but that doesn't mean he can undo the damage done, his psyche is forever attuned to this line of thinking no matter how much he hates it he doesn't know how to break the cycle of violence inflicted on him,

but because Five hasn't been genetically altered, he is fully responsible for his actions and he has to live with that.

the DNA altering in the show would feel like a cop out to me. and also the interesting aspect from the DNA altering is that he is essentially made into a psychopath (most famous serial killers are - Charles Manson, Ted Bundy, Jeffery Dahmer, etc.), which means removing his empathy.

because despite his dislike of the non-consenual genetic surgery, comics!five doesn't have empathy.

and show!Five is interesting because he has so much empathy, yet he remains a killer. he is never given the opportunity to use that for good.

without that empathy we wouldn't get scenes like this where he admits guilt,

and in all honesty, isn't it more interesting that the best and most prolific killer in the show possesses a large amount of empathy?

idk sorry I got sidetracked - I've seen a lot of people who say they prefer the DNA plot of the comics and I just feel like it's very contradictory to what a lot of people love about Five.

anyway, the only element of the DNA plotline that i'd want to see adapted further is the non-consenual surgery itself

largely because I love Five!whump and despite comics!Five claiming it was painless it's fairly obvious to see that it wasn't (and I love when this is expanded on in fics so much - no time, no time, dear brother o' mine is an amazing read because it deals with this)

but I also think it would do a good job at reinstating the commission as the villians they are rather than the weird, nebulous thing it currently sits as (Five would never entrust Herb or Dot to the Commission it's so ooc and it's canon??? Dot and Herb were both 100% in support of the commission's ethos, even if Herb was a bit shit at his job. Dot literally was in charge of the apocalypse and saw Five arrive & at no point thought that this was fucked actually).

plus, we already know they waited until Five was hopeless, alcoholic potentially passively suicidal, weak both physically and mentally, desperate. all likely to better control him.

what's to say they didn't also pick up him just in time to prevent his death? 45 years in a polluted wasteland can't be good on the body - and I don't about the general population, but most of the people I know in their 50s aren't fully grey. the stress was probably killing him all on its own.

they could have seen his death and gone back a few years/months/days to recruit him. but then that would mean they still have to fix whatever illness was killing him, and how do you do that? surgery.

perhaps that's how they recuit all of their agents. maybe that's how they get away with it not disturbing the timeline, take someone who was going to die anyway, and then force them into a debt of gratitude for saving their lives. idk.

I also think AJ was criminally underused. He's supposed to be the big bad of the commission, his character was originally adapted into the Handler but then they decided they wanted his design in the show or something.

I think his role in the comics is much more interesting, as a person who selected Five from a line up of assassins already in the commission and gave Five personal training, and assigned him to the JFK case,

I think he could have been adapted a lot better than he was, and like the surgery, he could have steered the commission back towards the villains they were always supposed to be - instead of The Handler (as amazing as Kate Walsh is to watch on screen I love her) we could have had AJ manipulating Five throughout s2.

as for Five & Luther, I don't mind them not being twins, because honestly their genetics are so different (Aidan is 20 something and he's probably going to stay at 5'5" while Tom is like 6'5", plus hair colour, skin tone, bone structure etc.) and we already know that they weren't planning on making them twins from the pilot script (Five is born a singleton to a polish teenager I believe).

I do think it would have been fun to repurpose this plotpoint for another pair. of the Umbrella's I actually think Five and Viktor pair quite well as they both have similar heights, hair colour, they both have that square jaw too. but I also think that this could have been an interesting way to give depth to the sparrows - Jayme and Alphonso could have been the twins.

Pennycrumb was... a let down? I don't think he should have been a big part of Five's character, but I also don't think he should have had 0 affect on it either.

otherwise??? honestly Hotel Oblivion was wayyy more interesting in the comics than in the show. I would have preferred something more in line with the comics but I think they were afraid of the classic horror elements and the classic superhero elements.

like the faceless bus boy guards

the hotel rooms, seemingly ordinary, being prison cells

the prisoners having enough freedom to move around the hotel and have relationships with each other but not enough to feel safe hanging around the hotel

i just.. i wish more of this had been incorporated into the show.

also.. art deco buildings.. my beloveds

this could have been the hotel Oblivion..

like ik they planned to go to japan to film s3 and that got fucked over by covid but like.. art deco is such a good aesthetic for a horror setting compared to the japanese style hotel we got (i've heard it called hotel orientalism as well so, theres that too).

if I had been in charge I would have had s3 focus on the mothers, develop their stories & why the umbrellas were given up for adoption & then linked this all to the 43 being the 16 instead. have the reveal be not that theyre dead but missing, non existant. because the children were taken by hargreeves to power Oblivion. if we somehow keep the kugelblitz then we use that as a distraction as to where and why all the sparrows keep going missing, and eventually the umbrella's numbers start to dwindle. until Oblivion is discovered and we find that every hotel room corresponds to a member of the 43 - maybe even have the brellies/sparrows numbers correspond to their door numbers somehow, or floor level.

idk I'm not a good writer but thats a bit of how i feel about the comics being adapted into the show..

sorry idk if i even answered your question? thank you again for the lovely ask!

[annabelle--cane]

im listening to mag again and damn do the archival crew HATE jon. listen i get it supposedly your lives would be normal if he hadn't brought you here... but he didn't? (minus og archive crew, jon requesting them and all) if anything he was just kinda there when you made decisions, bro wasn't EVEN THERE when melanie got hired like??? like how r u gonna wish him pain rn, he's ltrly sopping wet and on the verge of dying💀

like another anon I got a month or so ago, this is one of my sleeper agent trigger phrases, so this might be another marina monologue moment.

as I'm also in the middle of a (for my standards) incredibly slow relisten, I've been thinking about this topic, too, but I've been coming at it from a slightly different angle than I normally do. in tim's case, we don't get an actual look at the circumstances under which he transferred to the archives, it is theoretically possible that jon laid it on a bit thick in asking him to come with him to the department and tim wouldn't have even thought of it otherwise, but with melanie we have several scenes of her hiring and onboarding where jon is not present and she continually rebuffs people who tell her she's making a mistake, so the text very clearly sets up that her blaming jon for being trapped there doesn't make sense. and, even with tim having been requested by jon, he still had to make the ultimate decision to switch departments himself, so, yknow, what gives?

most people, I think, and myself in the past, have come at this question from a very jon-centric pov because he's the main character and it's a jon-centric show, but I think putting it down to "they lash out at him because he happens to be there and stops defending himself after a while" misses something, as does "they lash out at him because elias sets everyone up to think they have an adversarial relationship to jon." more than that, I think it's about the rejection of agency.

tma is a show that's very much About agency and choices, so it's important to keep track of where characters suddenly balk and try to offload their choices onto other agents. martin, despite being very proactive and efficient when he sets his mind to it, has a consistent habit of thinking of himself as fundamentally unimportant and unable to affect real change. jon, someone who is usually culpability_acceptor_4000, really tries to convince himself that the web made him pull statements out of strangers. and melanie and tim, on realizing that they've gotten themselves stuck in the archives, have similar reactions of trying to retroactively make those decisions jon's.

they hate being stuck there and they can't bear the idea that it might be their fault, and they don't know how to reconcile the choices they did make with the greater forces outside of their control that shape their lives. tim swings right from seeing jon as fully responsible to seeing everything as the result of cosmically inevitable bad luck, and this hits him so hard that it leads directly to his suicide. post-bullet melanie gets a better handle on it; accepting that she chose to fall further into the slaughter opens her up to accepting that she made other choices, like joining the archives, as well as accepting future choices, like quitting the archives.

and yes, in the moments where tim and melanie are most vulnerable and just starting to realize how deeply screwed they are, jon (at least from their pov) does something to make it worse. when jon tells tim that jane presntiss wasn't his fault, tim says "well you sure made me feel worse afterwards! and then everyone had to pay attention to how you were feeling to get you to stop stalking us!" when melanie goes in for a second assassination attempt on elias, elias makes jon talk her down instead of doing it himself, presumably to try and get the slaughter mark done with. neither of these are the inciting incidents for tim and melanie's situations, but they stand out. and because jon is culpability_acceptor_4000, a man who feels like the weight of the whole world is on his shoulders and is even right some of the time, the accusations stick. tim and melanie don't want anything to be their fault, jon thinks everything is his fault, and it's a bit of a vicious self-fulfilling cycle.

[theamityelf]

Okay, I'm trying to familiarize myself with Batfam stuff, because I lowkey think they'd be fun to write for. (Never seen any of the animated series or read any Batman comic with Robin in it.)

What I have so far:

Bruce Wayne. Obviously. That's a Batman. Parents killed in an alley outside a theater, he maybe trained with some assassins (and Talia al Ghul is a character who's related to that somehow I think; she might be an assassin), and he's Batman. I know who Batman is. He doesn't kill; that's his rule.

Alfred. Butler. Secretly really good at weapons? Just generally hypercompetent and would probably be killing people if not for Bruce.

There's a bunch of Robins, which I will list. It seems like a lot of them have straight black hair and blue eyes; if true, it's wild that they didn't vary that more. I hope the fandom does something else, lol.

Dick Grayson first. He's the circus one who got adopted when his parents died. He's good at flips and stuff because circus. Not sure the specifics of his parents' death, but I suppose it triggered Bruce? And so Bruce was like, "I gotta adopt this kid." And he later became Robin. And then he did Teen Titans (which I haven't seen, but one of my college roommates watched Teen Titans Go a lot) and dated Starfire. I think he's the one whose costume is sometimes blue? But I'm not sure. Personality-wise, I think maybe he's generally positive and responsible. This is the first Robin, so he's probably got standard Robin characteristics and grew up with the standard amount of superhero angst. Not too much, not too little. I feel like I'd like Dick Grayson if I knew the character well. Oh! He's also called Nightwing, right?

Jason Todd next. He's, like...a street orphan? And I think he's the one with the white in his hair. He got killed by Joker with a crowbar and then came back angry because Batman didn't kill Joker. And I feel like things remained tense with him after that in canon but fan works have them resolve things, but like I said, I have not consumed any of his canon. I'm just going on vibes. Personality-wise, I'm thinking rougher-edged than Dick. Um, Red Hood, right?

Tim Drake is next. I genuinely don't know if and when he was adopted, because I'm pretty sure everything I've consumed about him was just like, "No, he has parents. But he figured out that Bruce Wayne is Batman, so he gets to be Robin." But I also think he lives with them? I think he's more upbeat than Jason; he fully opted into all of this.

Wait, Barbara Gordon is somewhere in there, right? Probably before Tim. I don't know what she's really doing, but she's Jim Gordon's daughter and I think she becomes Batgirl. Does she get killed by Joker? Jim Gordon is like, Batman's favorite police guy. He's the one who's always lighting the bat signal.

Full disclosure, I know Stephanie Brown is someone, but I have no idea who she is or what she's doing or when she comes into play, and iirc I think I saw a Tiktok that implied she straight up lives somewhere else. I guess Barbara probably does, too. And I guess Dick probably moved out to do Teen Titans, although it would be very funny if he didn't. I'm sure a lot of fan works just have them all live together; if the Marvel fandom could put everyone in Stark Tower, the DC fandom can move everyone into Wayne Manor.

I know that Cassandra Cain is deaf, and I think she's a street orphan, too? And I feel like there was some connection between her and the kid from the Birds of Prey movie. Maybe same character; I feel like I remember reading criticism about her not being deaf in the movie. I also don't know when she comes into play, but I'm pretty sure she's one of the straightforwardly adopted ones. But I'm just guessing that because I'm not aware of any reason for her not to be.

Duke Thomas is the black one, and I think he was kind of on the Tim Drake track of figuring out the Batman stuff. I don't know how he came into play either. I think he's called Signal? Does he have an electricity thing, or am I mistaking him for a different character? There are a lot of black superheroes with electricity powers. Personality-wise, I think he's just generally cool and good-natured, but I'm not sure whether that's an actual canon thing, or if I've just consumed content that misrepresents his whole deal. Whatever the case, I'd probably love him if I knew more about him. I feel like I'll like all of these characters.

Damian Wayne, biological son of Bruce and Talia. (Though, if I'm mistaken about that, then that's really funny.) He's, like, an analyst type, which means we've got a lot of characters who are specifically characterized as analytical. (I hope knowing more about them will make it easier to vary the kind of intelligence. I want them to have different specific strengths and weaknesses. They probably do.) And I think he might have also been trained by the assassins, but I'm not sure. Personality-wise, I'm pretty sure he's distinctly creepy. Like, I think he's the creepy genius child trope, and all serious and formal. I like that trope.

[felassan]

Thoughts on the latest companion feature. (this post contains spoilers from the August 30th dev Q&A).

This feature/these blurbs were fun hh. I know these features were more like a fun and light-hearted thing rather than sth we should like overanalyze for character backstory info or read too much into for details and stuff, but I still cant help but kick my feet and think about the blorbos anyways 😊

Emmrich: I felt like art makes total sense :D Nevarra is renowned for its art, even its gardens, food and arrangements for the dead are pieces of art. this blurb combined with yesterday's Q&A had me wondering if any of the companions would like pieces of art like paintings as their personalized gifts. that reminded me of Sten and his paintings in DA:O, which was nostalgic. :') the IT bit of his blurb had me thinking about how Emmrich & Taash don't see eye-to-eye on necromancy. like obviously as a necromancer he doesn't have a problem with it. I wonder what Taash dislikes about it? is it its reputation (per Josie in DA:I)? Solas freed the weak spirit the Mortalitasi in Tevinter Nights had bound to stir her drink. maybe Taash doesn't like the binding part, the servants part?

Neve: I loved that leadership was the top vote for Neve ^^ finding the issues, testing and finding solutions, solving problems.. I wanna investigate a crime scene or case or something with Neve so bad. I also like the idea that Neve, Davrin and Harding could all lead teams of their own in their own right (with Rook as the Veilguard's leader, it reminds me a bit of the Shadow Broker's dossier on Garrus.)

Bellara: Bellara is a renaissance lady fr 🙏 a genius, good with her hands and at building things, magically talented, creative, and also apparently great at cooking! multi-skilled.

Lucanis: "mastermind at piecing things together", like Detective Neve! I'm really curious to hear their banter and see how they interact. with them both around you can't hide anything from the Veilguard!! "Assassination is an art form, and his work is beautiful" made me curious to hear Lucanis and Davrin discussing their respective artforms. Lucanis kills people, Davrin kills monsters. different targets and contexts, but for both of them it's like an artform and a very honed skillset. I think it could be cool if they talked about their varying approaches :) and this one "Lucanis lives off of coffee and hides in the dark" just sent me, like Lucanis pls 😭

Taash: for some reason I kept thinking about Taash sending all the bugs back not only with a grin but also by hitting them back over with a racket or something like it's some kind of ball game hh. I loved "bombastic yet subtle" coming up as a descriptor related to her ^^

Davrin: In a previous blurb we learned Davrin was raised in a Dalish clan, and craved excitement and adventure. reading this new one, I thought that leadership because you can count on him to step up when things get tough sounds like a great quality for a Warden to have. that made me wonder whether he set out from his clan specifically to join the Wardens, or whether it was more like he set out to go on adventures, then established himself as an adventurer, and then was recruited by the Wardens due to his reputation as an adventurer. like what the sequence of events there was like. and I wondered about Assan's in-game noises - like whether it's audio effects or sounds made by an actor. ^^

Harding: leadership here made me hark back to Harding's previous life as the Lead Scout of the Inquisition. "she works hard".. punny :D

[very-straight-blog]

I’m so confused as to what they’re doing in this show. This is meant to be a civil war. Both sides should believe completely in their cause. Yet they’ve written it in a way where basically none of the Greens even want to be there or believe they’re in the right. So, what’s the point of this show then? Why should we care about it?

Also, they’ve removed so much of Alicent’s power and agency that she had in the book that the writers seem to not know what to do with her anymore. Is Alicent’s entire storyline this season just going to be her fucking Criston? I feel like she’s being character assassinated, even more than she already was from the books, but now she’s not even staying in tune with her previous show characterisation.

Yes, it's true - at the moment the green team is just a bunch of people who exist separately from each other and don't even really communicate. Their actions are illogical and sometimes even stupid. For example, I really don't think why Otto decided that putting the king out of action emotionally by telling him that no one wanted to see him on the throne was a good idea. After that, should Aegon get some special motivation or what? Aemond calls them usurpers, Alicent doubts, Otto thinks Aegon is an idiot - what's going on? As for Alicent, I love Alicent from the book, I even loved Alicent from the first season, albeit with some "buts", but this Alicent - no, thank you. The scene where she just turns around and leaves to have sex with Criston while Aegon is crying pushed me away from this character forever.

[sexy-sapphic-sorcerer]

1: Magic is a Metaphor < 2: Morgana is a Lesbian > 3: Merlin is Gay > 4: Arthur is Bi

Building off of the whole metaphor idea, Morgana's character arc is basically that she starts to question her identity because she's having all of these dreams and thoughts that she doesn't understand. Then Gaius, who is straight up a conversion therapist, literally gaslights her and is like, 'no no, you're just going crazy, you're overreacting, here, why don't you take all of these drugs to suppress those thoughts?'

Meanwhile, Uther is saying all of this stuff about how sorcerers are all evil and should be killed, and Morgana will try to argue with him and he will just be like, 'well, why do you care so much?' And she's all, 'oh, no reason. I'm just an ally. I'm just really passionate about social justice.' Like, girl, we've all been there.

And then once Morgana does come to terms with her identity and she realises how fucked up the way that she was treated is, she goes batshit and starts a revolution and assassinates her dad. And good for her! I honestly think that all repressed lesbians deserve a little bit of murder, it's only fair, especially if they look so hot doing it.

Also, Morgana doesn't have any male love interests. I mean, she will sometimes flirt with men to manipulate them into doing what she wants, but it's very clear that that is what she is doing, she never actually cares about them or follows through.

Besides, Katie McGrath has never played a heterosexual in her life. She's basically straight up said that she played Morgana as a lesbian. You know where she said that? Here:

Hear me out.

Are they technically half-sisters? Yes. But omg the sexual tension between these two is undeniable. You really do think that they're just going to kiss at any given moment. This has been straight up confirmed. This is a quote from the same conversation as earlier between the main producer and Katie McGrath, where they fully admit that there are definitely lesbian undertones there, and not only did both actresses play it that way, but it was written that way. So I rest my case.

Gwen knew about Morgana's prophetic visions from the start and she was never scared of it or tried to deny that it was magic. Instead, she was always by Morgana's bedside (or in her bed) so she could hold her face and stroke her hair and tell her she would be okay. Gayasses.

Although, as Iori Miyazawa can attest, yuri is often best found in the absence of it. Because once Morgana accepts her identity and her magic becomes an unavoidable part of of her life rather than thoughts she could repress, she begins to push Gwen away, often in the form of telling her not to undress her anymore.

Then this tension between them is emphasised when Morgana starts having nightmares of Gwen marrying Arthur and is really upset by it for some reason. I know that she justifies it by saying that she doesn't want Gwen to take her place as queen, but if you think about that for more than 5 seconds, it makes absolutely no sense. Arthur is still going to be king regardless of who he marries, so unless Morgana is planning to follow the legend a bit too closely and marry her brother, then Gwen is absolutely not taking her place.

And yet Morgana spends the entire rest of the show obsessing over Gwen, including: planting false evidence to break up Gwen and Arthur, using necroLancey as a puppet to seduce her, kidnapping Gwen only to tenderly caress her face and force her to have dinner with her, and then of course enchanting Gwen to kill Arthur so that Morgana can be queen, and Gwen will seemingly also still be queen. And they will be two queens, together, platonically. Hmmm

[autumnmobile12]

Helluva Boss S2 Trailer:  “You don’t love mother and you don’t love me!”

I have a problem with this line, and I’ve had a problem with Octavia’s character for awhile now, so I’m going to talk about it.

To cut her some slack, her house and family life is a mess.  Fighting parents, cheating dad, feeling neglected by both parents, and she’s a teenager on top of that.  I get it.  Moody, angsty teen with a really good reason for being moody and angsty.

And Stolas isn’t blameless in all this.  With the cheating, he’s actively a problem, but we can see that he loves his ‘little owlet.’  But he is a terrible father.  In the Seeing Stars episode, I thought that it was going to be a lot more Stolas and Octavia-centric on their relationship, but no.  He and Blitzo spend most of the time looking for her just dicking around in some human comedy act when they really didn’t need to be there.  Seriously, it wouldn’t have been the first time Blitzo massacred a group of humans to get out of an awkward situation, but if Stolas is so concerned about his daughter, then why didn't he do something about their situation? If he loves his daughter so much, why is he okay with this distraction? He's not even the one who gets him out of it in the end.  That was the first time Helluva Boss actually disappointed me.  I don’t think the brief bit of backstory we got with Blitzo and Loona justified the rest of that whole bit, so it was really pointless.  That piece could have been handled better.

Throughout the Stolitz ship, Stolas is 100% ignoring Octavia.  But terrible dad aside, the line from the Season 2 trailer, “You don’t love Mother and you don’t love me!” should be emotional.

Except…. “You don’t love Mother….”

…why would he?

Does Octavia not see what a violent, toxic bitch her mom is?  She has seen her screaming, getting violent, and throwing things. I suppose Octavia could have the opinion that Stella's anger is justified with the cheating and all, but then that explanation implies she thinks reacting violently like that is acceptable behavior. And let’s not forget Stella straight up ordered a hit on Stolas, which nearly succeeded.  Does Octavia not know about this?  Again, Stolas being a terrible dad for not taking steps to get the daughter he supposedly loves away from the psycho who ordered an assassination, but did none of this get back to Octavia?

Not that any of it makes Stolas' infidelity okay. If you're unhappy in a relationship, leave it. But with the way Stella behaves, there's no rational way Octavia can expect her parents to love each other. It sucks to be the child in that position, especially a teen still figuring things out, but that is very much an 'it is what it is' situation and you gotta make the best of it in whatever way you can.

As it stands, it isn't fair for Octavia to entirely blame Stolas for their family falling apart.

"You don't love mother and you don't love me," makes it sound like Octavia is consciously choosing her violent, narcissistic witch of mother over her dad. This also doesn't make sense with the plot because there's no sign of Octavia having a close relationship with her mom. There are no portraits of them together in a loving embrace as we see with her and Stolas. Plus, Stella doesn't care about Octavia. The only two times in the show she vaguely mentions her is as the 'one egg that finally dropped out of her' and when she and Andrealphus are discussing the inheritance that will go to Octavia. She doesn't care about Stolas either. The only effect the cheating had on her was the idea of public embarrassment for their family.

Neither of Octavia's parents care for her the way they should, so for the, "You don't love mother and you don't love me," line to work to its fullest impact, it should have been phrased as, “You don’t love me!  Neither you or Mom love me!”

I do love Helluva Boss and Hazbin Hotel…but Octavia’s character is really poorly handled.  I remember it being said in an interview that Helluva Boss does have heavier focus on its male characters while Hazbin Hotel was supposed to be more female-centric, but when it comes to Octavia, that structure in the storytelling is crumbling under its own weight. There is a story here and it has some major gaps that need addressing.

To give them some benefit of doubt, maybe this’ll be addressed in an episode before that line hits, so maybe it’ll make more sense. Or they could make it clear she said it out of anger.  At least, I hope so because I really need some righteous retribution for how Stolas behaves with his daughter.

...

Edit for clarity: The point of this post is a criticism of the lack of story we get for Octavia that justifies her motives, not a criticism of why she herself behaves the way that she does. The dysfunctional family is heavy stuff and since it is a front and center issue with Stolas' background, it needs more attention than the series gives it.

[deliciousangelfestival]

3 Billion Divorce - Lloyd Hansen Series (Completed)

Character: Lloyd HansenxFem!Richreader

Summary: Reader became a rich heiress after her grandfather chose her as his successor. This reason was enough to make her relatives want her gone. Our reader is a fighter; when she finds a chance, she offers a fake marriage proposal to a sociopath mercenary. 

Words Count: 1750

A/N: Finally, I'm back. Never thought that I could make a post with Lloyd. It's been a while since the last time I posted. Hope you like it. Feedback and Reblogged are appreciated. Thank you!!!

The Italic font shows a flashback scene.

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Sometimes, simple things like waking up from a good sleep and having a coffee in the morning sound easy. To you, it sounds impossible. 

Because of everyday… 

Dangers always come to you. You must pay this price when you accept your grandfather's will. 

Four years ago,

Your grandfather wrote your name on his will to become his successor and owner of all his assets. But you have to be 35 years old before you get everything.

After the lawyer revealed the will, your relatives wanted you dead, so the grandfather's money would go to charity, and they could use it. 

Since then, your quiet life has turned to hell. 

Your relatives have hired multiple killers and assassins to kill you or make it look like a suicide. It's been four years of living like this. 

And there's only one more year left, the chasing getting more intense that you can't bear it anymore. 

Like today, you’ve been hiding in the back seat inside your car because a black Cadillac has been chasing you all day.

“I had enough with everyone who wanted me to die. What a family huh? They were born as elites but they’re monsters.”

Your old bodyguard Jimmy, an ex-Navy hired to protect you who was busy shooting the other car, said, "Y/N. To beat a monster, you have to make yourself a monster."

His words got you thinking. You want revenge on your relatives, but you don't have the ability since they have already bribed the police and judges. You are already powerless; the only person who always stays beside you is your old bodyguard. 

Before you could even get any idea, another car appeared from nowhere and hit yours.

“Jimmy!” You screamed the name that protected you before you lost consciousness.  

When you woke up, you already being tied down on the chair.

You look at your surrounding where you got kidnapped. It’s different than usual. Usually, it’s a dark basement with a horrible smell. 

But right now, you’re inside a nice room with a marble floor and Roman pillar. There’s also Renaissance painting and sculpture.  It seems like you’re in a mansion or something like that. 

The door suddenly opens, making you nervous because you are mentally unprepared to meet someone who will kill you. 

A group of men who wear bulletproof come inside the room. Lastly, a man who wears a black turtleneck and light brown pants. But you can see everything he wears is from a luxury brand. 

He leaned down and smiled at you. 

"Hello Princess, my name is Lloyd Hansen. Welcome to my home”. His voice was low and deep. 

‘His mustache looks ridiculous.’ You thought. 

His hand grabbed a screen tablet to show you the money that had been transferred.

“Someone really wants you dead. Look at the money they gave me. This is the biggest payment that I have received." You could feel the joy when he explained while you have a life crisis.

You wonder how much your relatives pay to make you go. When you saw the number… 

Ooh, it made you fume with rage. 

40 Million Dollars?!

Your life is only worth 40 Million?! 

With all the money you will get from your grandfather, your life is worth more than 40 Million. 

‘You have to make yourself a monster.’ You remembered those sentences from Jimmy. 

That gave you an idea. 

This man Lloyd Hansen, you could use him to be the monster to finish all relatives that want you dead.

"Mr. Hansen, I  don't want to die."

He nodded. "Me too sweetheart. But I've already got the money. They really want you to be gone quickly. Such a shame."

"If I gave you a proposal to make you richer, would you listen to my offer?"

Lloyd tapped his watch. "You have 3 minutes, sunshine."

“First of all, are you single Mr.Hansen?”

Lloyd let out a big laugh. 

But you didn’t laugh; you studied his character. After spending time with your bodyguard Jimmy, he taught you how to read people. You figure this man Lloyd is a sociopath, and seeing him acting childish like this, you take a bet that he is still single. 

With this, you took a chance and gathered your confidence. “I assume you are, that made my plan easier.”

You took a moment before offering the proposal because he would end your life if he didn’t like it.

"3 Billion Dollars."

'WHAT!' His soldier gasped when they heard the number.

Your offer got the attention, "I will give you 3 billion, but I want you to do something for me."

Even Lloyd never expected that. He did a background check on you. 

You’ve been trying to stay alive for 4 years. That's when he knew you're an extraordinary woman.  

One of his soldiers steps in, "I volunteer Miss Y/N."

Before you could see who it was, Lloyd had already shot him.

He smiled. "I could swim in that money, what can I do for you?"

"Marry me."

Lloyd's brain circuit stopped for a second. He laughed again, but he stopped when he saw you being serious.

"I didn't expect I would get proposed like this."

"You know I'm a rich heiress, and I will get my money next year. While waiting, I need someone to protect me and keep me alive. After that we will get a divorce and you will get other 2 billions. Right now, I could give you 1 billion. What do you think?"

There was a moment of silence. You could only hear the clock ticking. After he hears your offer, Lloyd turns his back and looks at the big French window. You couldn't see his expression. 

Suddenly he turns around and walks towards you. Lloyd got on his knees and grabbed your hand. "You got yourself a husband, Mrs. Hansen."

'Yeah, you caught a monster.'

-One year later-

Lloyd arrived at your company and saw your bodyguard, Jimmy. Lloyd clicked his tongue. “Where’s my wife?” Jimmy pointed to the door behind him.

Lloyd pushed the door and saw you look busy signing some documents, not glancing at him. 

He told your secretary, who was already scared, "Get out shithead."

After your secretary left, he turned around and saw you had crossed your arms while looking at him. Ooh, so you’ve been waiting. 

He always loves your confidence. This trait must be one reason your grandfather chose you as the successor. 

Lloyd smashed a piece of paper on your table. "What the fuck is this?"

"It's a divorce paper."

"Yeah, and you didn't even think to discuss it with me first ?"

"It's been a year Lloyd, we made a deal. Remember?"

It made Lloyd silent. 

Of course, he remembered. 

Lloyd wishes he could stop the time.

After he agreed to marry you, his life became more exciting. 

Lloyd always dealt with different hitmen, politicians who wanted to steal your assets, assassins, and taking revenge on your relatives who wished you were dead. 

With the 1 billion, he could get all the resources and finish his job quickly and quietly. He got new clients every day. 

But most of all, Lloyd cherished the time spent with you. He loves every moment. You have a sharp mouth, don't take No for an answer; he likes it when you act like a boss to him. He wants to obey your order. 

And… 

The sex was also excellent. You weren't tempted at first. But who can't resist the charm of Lloyd Hansen? At first, it was just pretending to act like husband and wife. Give each other kisses on the cheeks, then move to the next step because of the alcohol effect that leads to sleeping together. 

When you fell asleep on his chest, his fingers brushed your hair. You gave him a soft kiss on his forehead; it made him like a teenager who was drunk in love. 

You were there every time he got hurt. You hired the best doctor to treat him. No one ever does that to him. He knew because you needed him to stay alive. But when he saw you holding his hand while he was bleeding, Lloyd knew you cared for him. 

He likes having you near him and can't bear letting you go. 

Lloyd realised his feelings when Jimmy came and gave him the brown envelope. 

Lloyd knew what was inside the paper, so he ignored it. But that damn envelope keeps coming after you get the inheritance and you have left the house that you two shared.  He felt like a used rag that you could just throw away. 

He can’t imagine seeing you being single, and another man will try to pursue you. 

"If you sign it today, the other 2 billion will be transferred to your account."

"I don't want to."

"6 billion then."

Lloyd's hand touches his left chest.

"What hurts me more is that you have the money and could finish this as soon as possible."

Then both of you will be strangers; NO, he didn't want that. 

"After you use my body, you throw me away? You hurt my feelings sunshine."

You walk away from your table to stand in front of him. 

"Lloyd, that's part of our deal. You protect me and I owe you one.” 

You couldn’t believe he’s the same man who wants to kill you, and now he’s begging you not to leave him.

“And I paid my debt with money that I promised."

He sighed and said, "I do love money."

Lloyd held your hand that still wore the wedding ring; he rubbed it gently. 

"But my dear wife, I love you more."

Your breath hitched when you heard his sudden confession. You were stunned to speak. 

Lloyd grabbed your chin and gave you a passionate kiss. "I won't let this marriage end with divorce." 

Lloyd kissed your forehead before he left you. Before he reached the door, he saw from the mirror your reflection. Your fingers touch your lips. At that moment, he knew you shared the same feelings. He will give you an offer that you can’t resist. 

A/N : This Series has Completed.

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