#as long as this post on its own lol

[that-was-anticlimactic]

falling feels like flying

[ID: Digital illustration of Sokka and Zuko from ATLA. The boys are depicted mid-fall, Sokka above looking down, and Zuko below, looking up at him. Their right arms are outstretched and are holding the other's hand. They are wearing Water Tribe and Fire Nation-inspired clothing, which flows up and around them in the air. Sokka looks down with a joyous smile on his face, as though he is in the middle of saying something. Zuko gazes up at Sokka with a soft and wondrous expression. There is a riot of colour streaming up from behind Zuko, symbolizing this moment of romantic realization in passionate rainbow fire as the two fall. /End ID.]

the AMAZING @britishmuffin drew art for my @zukkabigbang2024 fic and gave me permission to post, so, here you go! thank you so much for the gorgeous rendition of zukka falling! and s/o to @beachytablecloth, my incredible beta!

The only thing that could possibly quell his anxiety, his brain decided, was holding Sokka’s hand again.

Well, they’ve only held hands once before, and that time it was because Sokka was about to fall to his death.

… well…

Uncle once described Zuko as “stupidly impulsive”, so he may as well live up to that description.

[or, zuko likes holding sokka's hand but they only did that when sokka fell off the gondola, so zuko decides to fall to make sokka catch him]

[rendevok]

Bite me <3

[medicalunprofessional]

never change, man !

[couch-house]

yippee knuckles comic done! wanted to try several things: tell a story in 4-7 pages, attempt to style layouts and writing a bit more like stc comics, and lump my "knuckles raised unknowingly by the m.e." headcanons together. mixed results I think but I still think it turned out nice :)

[corvidcall]

None Of You Know What Haiku Are

I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.

If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?

Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!

First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.

For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.

In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).

Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?

Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.

(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)

Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.

Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.

Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:

古池や　蛙飛び込む　水の音 (Furu ike ya　kawazu tobikomu　mizu no oto) (The old pond — A frog jumps in The sound of the water.)

You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.

English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.

Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.

Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)

The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel

We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.

"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:

meteor shower . . . a gentle wave wets our sandals

When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.

"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?

I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards

a year at most . . . we pretend to watch the hummingbirds

Sources: (x) (x) (x) (x) (x) (x)

Further reading:

Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine

[dandp]

I'm watching through the early Phil younows for the first time and boy, we understandably harp on Dan the most for the 2012 era denial/overcompensating but Phil's contributions are fascinating. So far my highlights include:

"Dan and I don't do everything together because then we would get sick of each other...as friends" ok no one was reading into it as if you weren't friends

Him willingly reading out "would you rather marry Dan or lick a hobo" and having an extended moment of silence that lasts way too long to be casual as he fights for his life trying to figure out what to say before saying hobo and quickly trying to move on. Then Dan joins later on and he unprompted tells Dan about this. Also should be noted shortly after he answered he was like "huh weird my chat is suddenly being slow and there's nothing for me to read out" which seems a little too convenient to me

[socksandbuttons]

HAPPY BIRTHDAY LUNAR! Supposedly. Had this thought about Lunar's bday today and how he must've seen Eclipse smile nicely before. And totally doesn't think about that and what could've been. He's alluded to things like this before. It's not that he wants his Eclipse back, it's just knowing what you know now vs then. Anyway, he was made from Eclipse's 'happy thoughts'. Now he's someone else. And he remembers it.

[ganondoodle]

(totk rewritten)

finally, all the arm and spirit abilities- for the first half of the game (rauru) and for the second half with the shiekah arm replacing links arms instead and the spirit abilities gained through ganondorf

(please excuse my handwriting and sometimes repeated info on the first two, i lost motivation/patience at the end and couldnt get myself to basically redo it all from scratch just to make it a bit more cleaner)

note, the camera rune is unconnected to the arm, its the shiekah stone copy link has (zelda carries the one from botw, a copy was attempted to be made for link but it lacks all runes except the camera, the map and its teleportation, and journal/archive)

note for the heal effects of some spirit abilities- im also reworking the healing system, making it more like the older games, so healing isnt as easy and much more restricted, thus making those effects of spirit abilities more valuable ( lil potion icon on the d pad will act a little bit like in skyward sword, opens your limited selection of healing items and if chosen link switches to holding it and letting you consume it with -a- while walking around in real time- to avoid more pausing and mass healing on regular items while in menu)

additional note, the automatic recharging of the magic meter depending on the environment gives you a reliable but less abusable way of using abilities and allows for even more creative dungeon/challenge design by using it effectively- it works by absorbing magic from its surroundings, so if its an area with little magic it recharges slower, if its a very spiritual or healthy place it will recharge faster, it can be used to make things more challenging and also as subtle storytelling (example, theres a graveyard with the magic energy around being off the charts, even if there are no spirits to see, it could hint at the people buried not having died peacefully, no matter what their gravestone says...)

the usage of magic and how much the different abilities cost also allows for a much more dynamic fighting style for players to choose and try out, balancing them all out with their cost instead of a fixed timer, and the recharging beign affected by the environment perhaps forcing players that favor high cost magic abilities to use the lower cost ones for example, or not being able to charge one up bc the enemy is too fast and doesnt give you enough time to charge it

about half of the small overworld dungeons (not shrines) are also locked/inaccessible for the first half and new quests appear as the second half commences- together with the additional changes raurus return brings with it (sonau buildings, enemies being mostly cosntructs that he summoned etc) and whole set of new abilities giving you a fresh new way to play while (hopefully) not making you feel too restricted for the first half

... making these detailed concepts took me longer than id like to admit q-q

[lucabyte]

If you wouldn't mind, could you explain to me in detail how your sifloop works? Would there ever be a romantic relationship between the two (and how do you think they would get to that stage) or do you just think they'll be stuck in this weird messed up obsession and loathing loop forever? Anyway your takes on sifloop are my favourite if you couldn't tell

Oh, I've been depicting it as romantic the whole time (remembers I'm asexual and aromantic and thus my depictions of such are alien at best) Er, though you'd be forgiven for not noticing.

I know I don't draw them being particularly traditionally cute (kissing, cuddling, etc) (even though I do envision that any time it's not literally extremely inconvenient that they are entangled like a pair of magnetised squiddles) particularly often.*

(Though, I do have some hints at that kind of behaviour: (x) (x) (x)) But this is where, hm, my particular readings of these characters' self-assessment comes in.

I believe that I (an aroace tumblr user who has been immersed in nuianced language about such things since i was an early teen) and Siffrin/Loop (a guy approaching their thirties who seems to have escaped social pressures primarily via isolation from their peers) will have some different views on things. Hell, Sif/Loop don't even have words for Asexuality and Aromanticism even if they seem to be able to point toward the feeling with roundabout language.

I think that their relationship, in the way that it would manifest, would first and foremost be Physical. Some real Maslow's hierarchy shit. Both of them are viciously touch starved and given the whole shared-ownership-of-body thing I keep alluding to (x) (x) I think they are prone to being a tangled pile of limbs both clothed and unclothed.

Now I (enlightened modern day asexual) do not think that physical/sexual/romantic are in any way synonyms unless you want them to be. I believe that literally all associated behaviours of these can be platonic if that's how you feel about it. Howeverrrrrrr. I really cannot envision "black-and-white-thinking-world-champion siffrin and/or loop" being able to disentangle that so easily. I think they would have trouble squaring the circle of certain actions not being reserved for romance, at least not until after several years of continued unpacking and philosophical discussion with Mirabelle and Odile.

And then there's the part where Siffrin/Loop (and also Isabeau!) have some absolutely insane Jealous streaks. Not even on the downlow, they just do. I think that combination of jealousy and posessiveness when paired with unevenly splitting time between A Guy You're Established To Be (at the very least on his side, romantically) In Love With, and Your Weird Fucking Clone Who You Keep Being Intimate And Intensely Emotional With, is going to cause some problems when it comes to labelling things.

I do not think Sif/Loop are stupid, but man do they ever lack emotional intelligence in a lot of areas (a thing the whole game hammers home). I do not think that they would be level-headed enough to independently invent the idea of "QPR, but the kind where you do basically fuck sometimes". I think they would just (agonise over cheating, first of all.) call it a romantic pairing and be done with it.

And then Isabeau is also there I guess. I gesture at him and at my aforementioned Iseabeau Torment Nexus thoughts (x)(x). I believe this polycule can work and even be healthy but hahahaha oh man they are gonna have some weirrrrrrd fuckin tension beforehand lolllll.

as for how i think they'd get to that stage? lol, lmao. I think of things with a lens of 'what would be the most narratively intense' a lot of the time, so my answer there is:

They basically act like one right out of the gate, at least to the average onlooker**. This makes the fights feel worse. This makes them both paranoid in different ways about how this affects Siffrin's relationship to Isabeau. This makes it more difficult for the party to go "hey so, your friend, we're all being very accepting of their sharp edges because they're clearly someone who's struggling, but why are they suuuuch an asshole?". They fret about this and it causes more push and pull as either side feels guilty about this relationship they're not 'supposed' to have. Even if their relationship woes could easily be squared away by either categorising it as a QPR or talking to Isa (who is vaugardian and probably thus lax about polyamory) neither of them are going to do that right out of the gate because they lack the language, are prone to being wracked by guilt, often assume the worst will happen should they talk about difficult topics, and straight up maybe just see intimacy/sexuality/romance as a package deal due to lacking the social expertise... You see what I mean.

I don't Know if what I envision is... The literal platonic ideal of "A Romantic Relationship". I don't know that if Cupid came on down and inspected my brain that they'd agree that this is romantic and not just like, something really fucking weird, man. I don't even know if I would call it romantic, necessarily. BUT. I Do Think. That These Two. Would Maybe Label It That Way. Because it would make it easier for them to understand and come to peace with that way. Which is what matters. Labels are Descriptive, not Prescriptive.

What I DO think i envision however is something so fucking aroace brained that i can point to sif/loop's canon labels, point to MY labels, and then give you a big thumbs up hoping that you won't get on my ass for implying several sentences upstream that "they probably basically fuck, or something, idk, does star-sucking count as sex? i'm not a doctor nor medical professional of any kind. you probably shouldn't drink whatever comes out of it though"

Implicit question 2: "Jesus Christ you make them seem to hate each other, is that not contradictory? Is that all supposed to be during them being romantically involved?" Yup! Sorry for the subtle undercurrent I haven't previously explicitly and overtly established literally at all but a good chunk of that percieved hatred is a byproduct of Loop keeping their identity secret. That's the space wherein I set most of my fanart. (x) Once that cat is out of the bag I think the heat cools off significantly because then they aren't both talking around each other trying not to actually say what they're fighting about. They can actually bond about shared experiences out in the open rather than keeping their traps shut in case the party overhears. They still fight and have problems thereafter, but it's not made worse by being unable to directly discuss the core issue (+ the party can actually contribute/try to shut things down rather than being unclear on what exactly the issue is)

The above ALSO not helping when it comes to jealousy/feelings of infidelity re: Isabeau. (When specifically in the context of Romantic Frustration here, since that jealousy extends to the whole party when generalised) So that adds another thing to, not necessarily fight about, but be bitter over.

As for hatred being contradictory. Mmm. Nah.

The opposite of Love is not Hate. It is Indifference. (A theme ISAT notably gets at). Hate is distinctly something you do if you care. Often if you care Way Too Much.

I try not to write them hating each other, so much as feeling extremely intensely about each other. (x)

Feeling intensely Thankful, Understood, Sorry, Trapped, Devoted, Jealous, Protective, Pitying, Indebted...

^ Scary ! Complicated ! Hard to deal with ! Even the positive ones can be overwhelming! It's gonna make things weird!

So uh, Yeah. There's your answer? I suppose tl;dr: I view relationships as nebulous and only defined by those in it. (This is something I have previously yapped about at length in essays about my OCs lol) And generally view that there's no "true" label for any relationship except the one that doesn't cause undue distress. (which. i mean it does here. but it probably works out in the end with enough talking)

Asking me to define if something is romantic is like asking me to pin down the true form of the Human Soul. Like dawg i dont know how to do that i dont even know if that shit is real. there are merely actions and their constructed societal categories. If i tell you I think they kiss sometimes does that clear it up? (It shouldn't, obviously, but you get what I mean)

But yeah. Gestures broadly. Shipping an ace (and maybe even aroace based on some shit that little fella says) character like this means it comes with an essay. Because it necessarily interfaces with their nonstandard mode of interaction in that arena. The part where its weirdo fucking ♠ ♥ ♦ ♣ selfcest merely adds a layer.***

... Anyway I'll leave you with this. The mirasifloop qpr "so what is.... romance?" discussion sessions are probably downright dialectical aren't they. Feelings Buddies discuss the phrase "Self-Love" 23467324235 dead 3 injured

*i do have like . 2 wips. that would. include this kind of behaviour explicitly. but i simply have not gotten around to them yet. and also don't worry neither of them are purely fluff both of them still have an air of worrying fuckedupedness about them. yay !

** inkeeping with my "geared for maximal conflict" mind, this can be flavoured with some "technically nobody can say it's not canon, I guess?" during-the-game Sifloop. By handing them the 'started leaning on each other for comfort more blatantly toward the end of a4' thing, since, well, I think exploring the "Loop expected at least one of them to be dead by the end of this/Loop never expected this to end, and thus began filling in that 'Lover' role as comfort/pity/selfishness/mercy given their knowledge that Isabeau is forever out of reach for both of/at least one of them" angle is... Well it's certainly fuckin' compelling that's for sure. Like oops, you let the timeloop malaise get to you and maybe started a trist because you thought you'd be dead before there'd be any lasting consequences. Here's those consequences, motherfucker !! But you won't catch me putting that explicitly in my comics because I don't want to change anything about the raw text of canon when I'm exploring its consequences. However, nothing I do is Incompatible with this read. And I enjoy making things more tortured so. Shrugs and hands this to you. Be free. (....x)

*** those of you that know what i mean by this just had all of it click just now didnt you. lol.

[sophiphi]

Guys. GUYS. listen to me- kate carter is a natural brunette. no i’m not just saying that because daisy edgar jones has brown hair naturally, there’s a picture of young kate and her mom that is shown in the scene where she comes back home. I caught it on my second rewatch. I mean ofc you could chalk up her darker roots to it just being a dirty blonde but no, she really is a brunette.

Which brings me to this thought- I wonder what Tyler’s reaction (along with the others ofc) would be when they see Kate with brown hair. Let’s say her blonde dye was growing out enough for her to decide to dye it back. Maybe she does it when she went back to NY for a bit before going back to Oklahoma. Will there be chaos? Definitely. Will Tyler Owens get a heart attack? Duh. Like, imagine the possibilities guys, hellooo

[summerslushies]

motor city/monster posting simulator

🧠 deadguysincorporated Follow

don't even think about interacting with me if you're a construct of any kind. some of us had to be turned to be considered monsters, you guys had to be built into it smh

#being metal or flesh cobbled together doesn't make you special #it just means that whoever made you took extra steps to make a human😒 #rattle groans #constructs DNI

🌕 fullmoonmayhem Follow

why are you mad about some people not going through an experience that can be severely traumatizing? that's weird, dude.

🩷 cybercds Follow

yeah wouldn't it be easier for someone to be a monster at the start rather than going through something horrific?

🧠 deadguysincorporated Follow

i don't want to hear anything from you. you're a corpse faker.

🩷 cybercds Follow

HUH???

🩷 cybercds Follow

NO NO. WTF IS THAT???

🧠 deadguysincorporated Follow

you're not even fully undead! you have NO business commenting on this.

🩷 cybercds Follow

i literally come back to life every time i die?? i'd say that counts as being pretty frickin undead LMAOOO

👽 sleepspacenine Follow

i went and checked op's blog and their description says they were zombified three months ago.

🌕 fullmoonmayhem Follow

of course.

#not even the slightest bit surprised by that tbh #i cant even imagine acting like that on TOMBLR of all places

💀 bonezzz Follow

I swear it's always newer undead pulling this gatekeeping shit. It's so fucking embarrassing, you guys.

#i am so sorry on ops behalf #i doubt they'll apologize but i'm so sorry you guys had to deal with them #i thought we got out of what makes a monster discourse years ago this is ridiculous

👻 ghostbriide Follow

anyone in this thread haunt warehouses

( 234 notes )

[tennessoui]

so i've been thinking about this premise for so long but it wasn't working for obikin (which of course i took as a challenge) and i think i finally got it where i want it so

au where 35 yo obi-wan is a music sensation across the world but he's recently divorced and going on tour again after releasing a very cutting, personal, and well-received album

and 19 yo anakin joins his tour with his very small band of two other people (ahsoka, padmé) to be his opening act - they have a small but loyal following, a pretty big social media presence, and there are even people who ship anakin and padmé which you know means these are die-hard fans

anakin has definitely looked up to obi-wan and his music for a good portion of his life and he's like. beyond excited that he's going to tour with The Obi-Wan Kenobi - this is big, not just for his music career but also for himself and the little boy he was listening to obi-wan's music for the first time!!

i'm just imagining like....obi-wan and anakin meeting after a few days of rehearsal for opening night, and it's not the most auspicious start because obi-wan's going through like 20 different emotions at any given moment (he's on tour, he's divorced, he's tired, he loves the music, he can't be the person he was in his twenties when he was first on tour but that's a whole different matter, he has all the media training and charismatic instinct to cover up these less than savory emotions with flirtatious empty words) and anakin is just like. sorta starstruck sorta shy sorta eager sorta awkward so:

"i'm uh, i'm a singer it's nice to meet you. hi yeah. hello. i'm on tour. as well. with you. actually." "ah no, are you one of my backing vocal artists? we can't have that - you're much too gorgeous and my ego is much too dependent on the audience focusing on me." "um 😳"

so it's a relationship that begins with a lot of flirting and being flustered and progresses through moments of vulnerability and honest emotion which turns into mutual affection which turns into anakin's celebrity crush becoming very real....meanwhile obi-wan googled anakin and the opening band after the first show/introduction and finds all the stuff about him and padmé being together and that's. that's fine. young love. how sweet. any sort of disappointment obi-wan feels is because he's recently divorced and bitter about it and he's going to have to spend at least half his tour watching the lovebirds snuggling up together.

and even when all the misunderstandings about relationship statuses have been addressed and the pretense has fallen away to leave just attraction, both have to think about their careers - it's all well and good for obi-wan to date someone sixteen years his junior, post divorce, but that's an image he's never wanted to deal with or be associated with. and this is the biggest shot of anakin's career - his best chance to make it in the music industry. in the words of his bandmate, is he really, honestly thinking about risking it for a chance to sleep with The Obi-Wan Kenobi?

but what his bandmate doesn't seem to really understand is that for anakin, obi-wan hasn't been The Obi-Wan Kenobi in a long time. he's just been obi-wan. and that makes a world of difference.

[autisticlancemcclain]

Could you explain your position on Shallura? Since Allura was established as a teenager when she started dating Lance and Shiro was very clearly an adult. I can understand the bi shiro headcannon but the shallura thing worries me

i am going to remind yall that i have been in this fandom since 2016. and in the early seasons, allura was not established as a teenager. in fact she was coded as older, as closer to shiro's age -- there was a specific divide between her and the younger paladins that she did not have with shiro. they made her younger (both explicitly and in mannerisms) as the show went on. and i do not give a fuck about voltron like...post s4 and i didn't even watch s7-8. so like. especially with older fics, im going to enjoy shallura.

[relaxxattack]

every time someone calls moirallegience just an alien qpr i wilt a lil like YEAH thats more or less the CLOSEST human thing but its also Literally Not That. like a qpr is fundanmentally not romantic and thats not even going into moirails whole Actual Purpose of calming ppl down. its just. aughhhhh pisses me off i see the confusion but, as aformentioned, aughhhhh

OH MY GOD THIS HAS BEEN BOTHERING ME TOO.... but i don't want to get petty at the people in my notes always saying "moirails are QPRs!" because in some ways that is the closest human thing so it's hard to be mad...

i think there's definitely some overlap in some ways. but NOT because moirallegiance and qprs are the same at all really, but INSTEAD because both relationships have unconventional boundaries defined by the people within them.

you know... like every relationship.

like the only reason the two have overlap is because they are both partnerships that emotionally care for each other but can choose to not bang (which is true for any romance anyway, even if it's considered abnormal). they're both just romances* that are unconventional to human norms, which makes people view them as the same thing when they're not.

i think the REAL issue here is that humans insist on using human words to understand things that are just, fundamentally, alien. can't we just appreciate alien romance for being... alien romance?

no, it's not platonic, it's romantic. it's just romantic in a way you aren't quite wired to understand, is all.

*in generalization, most QPRs are not romantic, because they are made up of aroaces who are life partners in a non-romantic way. however i want to disagree with you that none of them are romantic, because that is up to the partners in question.

[finalgirlsamwinchester]

Alex Irvine, "John Winchester's Journal" | 3.07, "Fresh Blood"

[tinukie]

oh man i dont know what im cooking with this au

Icons because yeah idk why not:

yes um anyways