#artnotoil
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http://twitter.com/ArtNotOil/status/1283329458250887168
.@BP_plc was later found to have been 'grossly negligent' and to have shown 'wilful misconduct' over its role in the disaster. It was issued with the largest environmental fine and corporate criminal fine in US history. 2/3 pic.twitter.com/nhzh777Uqm
— Art Not Oil (@ArtNotOil) July 15, 2020
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Video
vimeo
Anthropocene sat down with Mel Evans from Liberate Tate to discuss art, activism and why it is absolutely necessary to remove corporate sponsorship from cultural institutions. Liberate Tate have been campaigning for the dissolution of Big Oil sponsorship from Tate for the past six years; using performance as an act of civil disobedience, the collective have infiltrated, occupied and ultimately brought the twenty-six year sponsorship to an end.
Full interview available in our Print Issue coming out this September.
Mel Evans is an artist and activist associated with the arts collective Liberate Tate.
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Photo
The photo is from the '25 Portraits in Oil' performance by the Art Not Oil coalition in the National Portrait Gallery, which this year has been sponsored by BP for 25 years. You may like to read this story of Britain, fossil fuels, power and war, linked to 25 portraits of historical British figures in the NPG's collection. Â
Exercise
Find out more about the Art Not Oil coalition campaigns. What do you think individually about the ethics of oil companies sponsoring the arts and culture? Try not to repress debate and keep the discussion confidential.Â
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Photo
Government Advice on Climate Change - poster design by Jai Redman. Carbon transfer on recycled paper.Â
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http://twitter.com/ArtNotOil/status/1283329453322575872
On 15th July 2010 - exactly 10 years ago today - the Macondo oil well in the Gulf of Mexico was plugged. Crude oil had flowed into the ocean for 87 days following a blowout and explosion on board @BP_plc's #DeepwaterHorizon drilling platform. 1/3 pic.twitter.com/uXW0msXTlC
— Art Not Oil (@ArtNotOil) July 15, 2020
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