#artist: naya rivera

[haveyoulistenedtothisalbum-poll]

Tracklist:

Express Yourself • Borderline/Open Your Heart • Vogue • Like A Virgin • 4 Minutes • What It Feels Like For A Girl • Like A Prayer

Spotify ♪ YouTube

[gleesongtournament]

Glee Song Tournament Redemption Round

[cunninghamh2014]

View this post on Instagram

A post shared by Hannah Cunningham (@hannahcunningham2014)

Glee - Take On Me

[renateharris]

What?!

also since i know none of you have tiktok amber literally said that she DIDNT RECOGNIZE THIS WAS CHRIS UNTIL JACOB ARTIST POSTED A VID TO THIS SOUND

[checolorehaunanimabruciata]

io lo dico, se non vi piace glee è perché non siete mai stati bullizzati a scuola e non potete capirlo nè tantomeno capire i personaggi.

ciao.

[historyofglee]

On this day in 2012:

members of the cast of Glee attended the premiere of “American Horror Story: Asylum”.

The event was held at Paramount Studios in Hollywood, California, and was attended by Chris Colfer, Naya Rivera, Kevin McHale, Cory Monteith, Lea Michele, Chord Overstreet, Melissa Benoist, Jacob Artist, Becca Tobin, Alex Newell, Dean Geyer, Lauren Potter, Dot-Marie Jones, and Jane Lynch.

[homosandhomies]

My favorite solo from each main character on glee (because why not)

SUE: Vogue. “WILL SCHUESTER I HATE YOU”

KURT: Rose’s Turn. Chris Colfer rarely got songs that highlighted ALL his vocal strengths. This song used everything. He had a strong head voice, an amazing mix, and he can EMOTE WITH EVERY INCH OF HIS LIFE. No wonder he got the Golden Globe.

QUINN: This Is A Man’s World. This scene is ridiculous, but out of context the song absolutely slaps. Diana can BELT and she deserved to do it more.

ARTIE: Stronger. Probably my favorite Britney song. Kevin ate. That is all.

PUCK: Only the Good Die Young. This song is so fun and I think Puck’s voice is very underrated. A good ol’ jam. Thank you for repping the Jewish community king ❤️

WILL: Sway. It’s a shame that we never talk about his voice because HOLY SHIT MATTHEW MORRISON IS INCREDIBLE. This man is so talented and we never acknowledge it because of Will Schuester’s shenanigans.

BLAINE: Somewhere Only We Know. You can hate Blaine all you want but you can’t deny the POWER of this song. The love in his eyes is sickening I am not okay right now

FINN: I’ve Gotta Be Me. Given the fact that Cory didn’t have any singing experience before, this song makes me so fucking happy because you can see how much he had grown as a singer, but also how proud he was of himself! Look at him go!!! (Bonus: If I’m bending the rules in terms of what qualifies as a solo I would 100% make his Paradise By the Dashboard Light. That was his undoubtedly his very best vocal performance. It’s SO FUCKING GOOD it makes me go batshit.)

RACHEL: My Man. “She may be difficult but boy can she sing.”

BRITTANY: Run the World. The dancing is definitely the more impressive part of this number, but it still sounds great! This song really highlighted Heather’s strengths, when most of her songs weren’t very memorable in my opinion.

MIKE: Cool. Maybe Tina should be a professional vocal coach because damn look at him go!! Idk why an Asian kid wanted to play the role of a leader of a white supremacist group but at least he sounds great 🤷‍♀️

MERCEDES: I Will Always Love You. Literally every single Mercedes song is perfect, so this was the hardest one for me. This means I had to base it on acting. And she DELIVERS here. It should be illegal to be this talented.

TINA: Because You Loved Me. The fact that this is one of TWO solos that Jenna actually got to finish infuriates me. She was ROBBED because she is an amazing singer.

SANTANA: Nutbush City Limits. LADIES AND GENTLEMAN, MISS NAYA RIVERA. HOLY SHIT. Finn saying before the song, “They say that true divas aren’t really mortal” is so true. This woman was an absolute icon and I will always be blown away by her talent.

JAKE: Let Me Love You (Until You Learn to Love Yourself). It’s so EARNEST and HEARTFELT and Jacob Artist popped off with the acting. And the falsetto!! God it’s just beautiful.

EMMA: Getting Married Today. This is a trio, not a solo, but it’s so fucking good that I HAD to do it. That is literally one of the hardest female songs on Broadway, and for some reason they had Jayma sing it even FASTER than the original version? I can’t imagine the stress of trying to do that, but she was perfect.

SAM: Copacabana. This is just a really fun song! Everyone’s having a good time and Chord sounds amazing.

RYDER: Your Song. This is my favorite Elton John song, and boy was it done justice. The acting is really good in this scene. The mix of anxiety and earnestness coming from Ryder is adorable. He had great chemistry with whoever that girl was. (On a storyline note, I hated how this all developed though. If it had gone my way, Unique would confess it was her, then Ryder would sing this directly to Unique.)

KITTY: Signed, Sealed, Delivered I’m Yours. I just really like this number. Obsessed with Becca’s high notes.

MARLEY: Wrecking Ball. The cheating storyline with Bree was so fucking stupid and shouldn’t have happened. That being said, Melissa ATE what they gave her and left zero crumbs. She really came in like a wrecking ball.

UNIQUE: I Know Where I’ve Been. THIS SONG MAKES ME GO FUCKING CRAZY!!! THE TRANS CHOIR!!!! THE ACTING!!!!! THE FUCKING HIGH NOTE!!!!!! IT’S JUST SO GOOD I CAN’T HANDLE IT!!!!!!! This is the best part of season 6, full stop. THE most underrated Glee song ever. I will not accept criticism towards this opinion.

[colorisbyshe]

what have been ur favorite concert experiences?

in no particular order:

i saw one direction five times (once during good morning america, twice during wwa, twice during otra, i think... now this sounds wrong to me but i don't think it is) and my favorite was seeing them at metlife during wwa. my feelings on him have... soured... but harry styles threw water on me and i have video of it and it did change my brain chemistry. sorry.

hawthorne heights in a tiny lil bar in new haven. i was in middle school, my mom defended me and my friend from a mosh pit, why were people moshing to ohio is for lovers?? iconic

tim fite and man man. never listened to either artist beforehand, went in blind. VERY theatrical and so stupid. there was a powerpoint led singalong and this dude carried ladders through the crowd and we got covered in feathers.

babymetal!!!!!! the audio at the venue SUCKED FUCKING DICK but the choreo was good and it was so fun and the energy was so high it was SO FUCKING GOOD and i need to see them again. got barricade :3

carly rae jepsen would be up here if the show wasn't canceled four songs in because we were on a rooftop during a lightning storm

SUNMI WHEN SHE WAS RIGHT THERE WAIT A SECOND I HAVEPICTURES I'M POSTING PICTURES AT THE END OF THIS POST OF GREAT CONCERT MOMENTS second row saved my LIFE

absolutely tinashe!!!! CHOREO! VOCALS! OUTFITS! STAGE CONSTRUCTION! CROWD PARTICIPATION!!!!!!! FRONT ROW BARRICADE BABY!!!!!!!!!

naya rivera showed up as a surprise guest at a darren criss show. so... her performance of valerie is ym favorite concert. the rest... well it was good but NAYA

KESHA AT A COUNTRY FAIR IN VERMONT!!!

i saw a group at projekt rev which has since been Canceled in My Heart because the lead singer is a piece of shit who should die in a fire but uh... the show was incredible. Got sprayed with a hose

you know what? the national put on a really good show

OH FUCK AGAINST ME ALSO PUT ON A REALL GOOD SHOW

honorable mentions: the national, two door cinema club, the first time i saw sunmi, honda civic tour, the academy is cause i got to meet william beckett

all of these are my pics and the two sunmi pics are from two different shows:

WOOO I LOVE CONCERTS WOOOOOOOOOO

[spaceorphan18]

Glee Musical Retrospective: You Can't Always Get What You Want (Sectionals)

Sung by: New Directions Original Artist(s): The Rolling Stones

Oh where to begin with this...

Story Analysis

You can't always get what you want But if you try sometimes, well, you just might find You get what you need

There's a set up for this song earlier in the episode -- where Will is talking Finn into returning to New Directions, and tells him that he can't always get what he wants. Which inspires Finn to pick this song for their big sectionals number.

Thematically - the song works for the story, and works for the whole concept of Glee. In life - you can't always get what you want (hence the general popularity of the song). But sometimes you do get what you need out of your circumstances.

Finn doesn't get the girl - but at least he still gets to be a leader and have those who rely on him (and bonus not having to be a teenage dad).

The glee club doesn't get to rise to the top of the hs hierarchy but, they at least get a family in which they can safely be themselves.

Even Will doesn't get a working marriage - but at least he finds that love still exists.

The song is very on point for the message the show is trying to create. The world sucks - but at least you can find people who are like you enough to make it worthwhile. Glee has never been a subtle show - and this song hits the nail on the thematic head a bit hard.

And I went down to the demonstration To get my fair share of abuse (Singing, we're) Gonna vent our frustration (If we don't we're gonna blow) A 50-amp fuse

Understandably - they don't sing any of the verses that are more related to drugs and drug culture. By the do include the one about civil rights. While it's not a one-to-one comparison, it makes sense that the ND would sing about standing up for being different -- getting shoved down because of those differences and singing about how they want to be them anyway.

Technical Analysis

So, fun fact - apparently Dijon Talton, Harry Shum Jr., Heather Morris, and Naya Rivera helped with the choreography for this number - I wonder if the scripted line about Matt, Mike, Brittany and Santana doing the choreography was a nod to this.

That said - the dancing here is a bit rough and loose. It's intentional (and I'm just completely sidestepping away from the conversation that it's in anyway believable that the ND could pull this off hours before) but it does feel more like the kids bopping around the stage haphazardly than any cohesive dance number.

The cast sounds fine, even if it's a lot of the same arrangement of group numbers we've heard consistently throughout the Front 13. Finn and Rachel lead the group, with Mercedes coming in at the end with that big note. The back up vocals are blocky - and while yes, in the style of a show choir, feels (as usual) too big to be just twelve voices. It's a fine number - but maybe it's me personally - it's one rock number that I don't know if works in its translation to show choir number.

Just a couple of minor things -

The cast is hilariously over the top happy in this number. I can't tell if they're breaking or laying it on too thick.

I can't with the audience standing up as if it were a rock concert. I'm already beyond having to suspend my disbelief for this illogical plot, the audience just breaks my brain a little.

I should mention the ending bit - the hands raised as a call back to DSB.

vs. The Studio Recording : It's becoming apparent to me just how much other sound mixing they do for the episode performances - such as adding audience cheering, atmospheric sounds, etc. Also - there's about another minute of added song. But instead of including the other verses - there's a strange turn in the song that feels very Glee-ish, and less Rolling Stones. It was kind of unexpected since most of these songs have been diligent copies of the original. I wonder if there was a note that the original lyrics were a little too risque but they wanted a longer version of the song?

vs. The Original Version : There are a lot of different 'original' versions of this song - including the one on the album that features a choir - which Glee does mimic in its own performance. I linked one that has a really young Mick Jagger in it, though, cause I thought it was kind of fascinating. Of course - the other thing that picking one of these classic rock songs is a nod to Don't Stop Believin' - the song that set the tone for the series. Glee, of course, does a very much watered down version of it, and unlike how Glee's DSB feels inspired and magical, I think this one feels a little more Kidz Bop-ish.

Anyway - I did a whole deep dive into the original inspiration for the song, and what the verses mean (the chorus is, perhaps, pretty self explanatory). I couldn't find one single account - even Mick Jagger has conflicting thoughts on it. But a lot of it revolves around dealing with culture at the times -- and a lot of it drug culture. As I said above, it doesn't surprise me that almost all of these references are cut from the Glee version - which I have to wonder if it was a note from the network, or a choice that Glee itself made.

[strawberrymilk4k]

MUSIC ASKS

I’m bored and I thought this would be fun to fill out

I don’t know who to credit this to because I found this on Pinterest

^ If you know who originally did this, then please reblog and credit them ^

also one more thing- I’ll be using this “🖤” emoji to indicate my favorites

______________________________________________________________

1. a song you like with a color in the title:

“Black Hole Sun“ by Soundgarden 🕳 ☀ (< I’m hilarious) 🖤

2. a song you like with a number in the title:

“7 Weeks & 3 Days″ by yungatita (it’s 2 numbers so I hope it counts lol)

3. a song that reminds you of summertime:

“Can’t Do It Without You” by Austin Moon (yes- the “Austin and Ally” theme song)

 4. a song that reminds you of someone you would rather forget about:

“Because Of You“ by Kelly Clarkson (my dad 🗑)

5. a song that needs to be played LOUD:

“AMERICAN HORROR SHOW“ by SNOW WIFE 🧎‍♀️🧎‍♀️ 🖤

6. a song that makes you want to dance:

“Magic Dance“ by David Bowie (from the soundtrack of “Labyrinth“) 🖤

7. a song to drive to:

“Those Eyes“ by New Coast (I can’t drive but I’d imagine it's nice to drive to) 🖤

8. a song about drugs or alcohol:

“Medicine“ by Daughter (this song fucking kills me-) 🖤

9. a song that makes you happy:

“In a Week” by Hozier & Karen Cowley (Hozier my beloved-) 🖤

10. a song that makes you sad:

“Lithium” by Evanescence (it’s so powerful yet so sweet and sad)

11. a song that makes you angry:

“Would’ve, Could’ve, Should’ve“ by Taylor Swift 🕛 🖤

 (GIVE ME BACK MY GIRLHOOD- IT WAS MINE FIRST) 

12. a song that you never get tired of:

“Breathe“ by Anna Nalick (it’s so- 😫) 🖤

13. a song from your preteen years:

“More Than a Band“ by Lemonade Mouth 😭🖤

14. one of your favorite 80s songs:

“Come on Eileen” by Dexys Midnight Runners 🖤

15. a song you would love to be played at your wedding:

“But I Do Love You“ by LeAnn Rimes (from the soundtrack of “Coyote Ugly”) 🖤

16. a song you like that is a cover by another artist:

“Lovely“ by Lauren Babic & Seraphim (originally by Billie Eilish) 🖤

17. one of your favorite classical songs:

“Für Elise” by Ludwig van Beethoven 

18. a song you would sing for a duet at karaoke:

“Dead Girl Walking“ by Barrett Wilbert Weed & Ryan McCartan 🎤🎤

(^ from the musical version of the original 1980s “Heathers” ^)

19. a song from the year you were born:

“Hey Ya!“ by OutKast (my birthday is February 4th, 2004)

20. a song that makes you think about life:

“Slipping Through My Fingers“ by Meryl Streep & Amanda Seyfried

(^ originally done by ABBA ^)

21. a song that has many meanings to you:

“We’ll Never Have Sex“ by Leith Ross 🖤

(the different meanings I see in it are: pure affection, asexuality, and TW-

trauma from sa and dealing with that during a relationship)

22. a favorite song with a person’s name in the title:

“Thérèse” by Maya Hawk 🖤

23. a song that makes you want to move forward:

“The Show Must Go On“ by Queen (and it never fails to make me cry) 

24. a song that you think everybody should listen to:

“That’s A Woman” by Celtic Thunders Ryan Kelly & Paul Byrom 🖤

(I recommend watching the performance- if you decide to look it up) 

25. a song by a band you wish were still together:

“I Want To Hold Your Hand“ by T.V. Carpio (originally by The Beatles)

(^ from the soundtrack of “Across The Universe” ^)

26.  a song by an artist no longer living:

“You Send Me“ by Sam Cooke 🖤

27. a song that makes you want to fall in love:

“Home“ by Edward Sharpe & The Magnetic Zeros 🖤

28. a song that breaks your heart:

“Pretty” by Korn (it’s a ROUGH song so please listen with caution)

29. a song by an artist with a voice you love:

“Songbird“ by Naya Rivera 🕊🖤

30. a song you remember from your childhood:

“Little Wonders“ by Rob Thomas (from the “Meet The Robinsons” soundtrack)🖤

31. a song that reminds you of yourself:

“Eye of the Tiger“ by Survivor (I played a lot of Guitar Hero 😂)

(I went to a drag race when I was little and don’t know what happened but there was a long intermission between rounds, so I stood up on the bleachers and sang “Eye of the Tiger” for everybody’s entertainment. I got a “Cars” poster to color in, by a guy who worked there and I was SO happy- to this day I don’t know if he did it because he thought I was funny or to get me to shut up lmao)

______________________________________________________________

okay! this took a lot longer than I planned but I’m all done :) I hope y’all enjoyed 

if you want to check out my Spotify it’s “strawberrymilk4k” 🖤🖤

[gleesongtournament]

Glee Song Tournament Round 1

[nityarawal]

7/16/2024

Trumpleberry Trap

Morning Songs

He's Got You In The

Trumpleberry Trap

He's Got You

And He Won't Let Up

He's Got You

In The Trumpleberry

Trap

Growing Orange

In Institutionalism 

He's Got You In The

Trumpleberry Trap

He Headhunted

You With Zealots

He's Got You In The

Trumpleberry Trap

He Forced Dyke Rapes

And Expects You

To Like It

He's Got You Triangulated

Collared To Your

Desk

In The Bathroom

While The Dykes

Benefit

You've Got A Harem

Of Lesbians

Working For Their

Investor Dad's

A Harem Of Lesbians

Makin' Justin Trudeau

Feel Like A 

Divorced Man

A Harem Of Lesbians

Hatin'

To Barter On My

Prototype

But We Don't Want

To Touch Them

Their Molds Are Alive

A Harem Of Lesbians

Rape Lex Fridman

Every Day

My 18 Year Old Son's So Busy

He Can't Clear

His Messages

Or Play

With Friends

A Harem Of Lesbians

Kidnapped And Raped

My Children

From England

Since 2016

A Harem Of Lesbians

And Their Officers

Raped Me

A Harem Of Lesbians

Bartered

On My Prototype

A Harem Of Lesbians

Sold Our Artists

To The Football

Boys' Club

And Left Moms'

To Die

A Harem Of Lesbians

Brings Fentanyl

Fairies To You

A Harem Of Lesbians

Put Down

Anne Heche

Naya Rivera 

Too

A Harem Of

Lesbians

Look Like Us

But The Heshes

Are On Crystal

Amphetamines 

And Stole Our

Kids 

A Harem Of Lesbians

Wants My Cyberbeast

My Mother

My Daughter too

And

Cybertrucks

A Harem Of Lesbians

Steering Keanu Reeves

Watch Out For The

Heshes

Some Of Them

Are Really BIG

Careful Of The 

Concerts

Trannies Shootin' Themselves

In Foot

On High Alert

Or Ears

We Heard

I Don't Want You

To Catch Their

Disease

Israel Sodomised

Half Their People

Gay Kill The

Rest With

STDS

Palm Springs 

Infected 

San Francisco

Deserted

With AIDS

San Diego

P.S. I Think We're

In A Tech Coo

P.S. Our Writers

Need To Be Paid

Before Trump

Murders Or Rapes

Another

First Lady

Our Writers Need

Refunds

Rewind The Scams

Fast Forward

Procure Tips

Lose Your Demons

No Mamma

Is Going In The

Back Door

For Uranus

Orgies

Ever Again

Merci

Peace,

Nitya Nella Davigo Azam Moezzi Huntley Rawal 

Encinitasbeachhome.com 

[theversevision-rp]

[Updated] Casting Protocols

To: Verseprods, applicants

Subject: Updated Casting Protocols

Date: Jan. 12, 2024

By: Gianlorenzo

Updated Casting Protocols

TheVerse Vision follows a strict and meticulous process in casting to ensure that roleplayers are permitted to be one of the agency and share enough of an honest overview of their mindset and personality; so that the personnel have a scratch paper on to base their observations from whether the artist stayed consistent, true, or exceeded expectations from their performance during casting.

FILED BY GIANLORENZO AND TODIEFOR

Principal Policy Authors: Gianlorenzo, Windbythesea

Final Approval: Paradise Lost

Date Effective: January 2022

Date Revised and Revisions' Author: January 12, 2024, Gianlorenzo

Scope of Implementation: Verseprods, applicants, THEVERSEPLAY, Down The Universe

Conditions: Qualifications

Applicants should be eligible for application through passing the needed requirements and initial standards.

Must be a Filipino roleplayer.

The account used for the application should have a defining roleplay forte. According to the standards of TheVerse Vision, the general classification of roleplay fortes are In Character (IC), Original Character (OC), Canon, Alternative Universe (AU), and General Art - as long as the account takes after a roleplay account [has a muse].

Has a recognizable faceclaim, of any nationality, profession, or field. Self-drawn OCs and animated fictional characters are allowed. Deceased personalities (ex. Michael Jackson, Naya Rivera) and children as faceclaims are prohibited. Specifically, for children, prohibited are those who are non-celebrity; a faceclaim below 18 years old (in the current year the roleplayer is joining) is only acceptable if the person is an artist (ex. Leeseo, IVE. Hyein, NewJeans)

Willing to abide by community policies by being responsible, respectful, and active.

Applicants with a known history of issues in character will be automatically rejected or have a lower chance of being recruited, depending on the case. Examples of issues can be but are not limited to plagiarism, catfishing, bullying, seen with below-the-belt remarks in public, spying, unapologetic behavior, harassment, cheating, and too much inconsistency in activeness such as repeatedly joining in and signing out of affiliations. If rejection in evaluation is grounded in the cases mentioned above, the evaluators should have proof of actions projecting the cases to avoid ungrounded judgments.

If an applicant was turned down the first time for medium-level reasons such as lacking substantial answers, and applies again, the roleplayer will be given the right to an interview and evaluation as consideration for persistence and choosing the agency again. Roleplayers with known issues are excluded from this consideration. A roleplayer can reapply after not less than 25 days.

Returning members, or artists who would rejoin after previously resigning or being terminated from purge, are allowed.

Conditions: Requirements

A submitted application form with complete answers, written in English or Filipino, through TheVerse Vision’s pinned post, in its application section within the comments section. Forms with incomplete answers are automatically rejected. Forms submitted through a third-party person such as an officer or mutual in the group are not allowed unless the reply section is restricted.

Any timeline pinned post that expounds the roleplayer’s forte and disclaimer.

Conditions: Protocols and Process

Interviews are scheduled only on weekends.

The Casting Director has the right to turn down an applicant if the objectives of the interview are not met or there is insufficient depth, with three days to finalize the decision to which the applicant will be made aware of.

Applicants, if caught copying an answer from the Internet without citing it, would automatically be turned down.

1st step: application form, 50-50 chances. Submitting a form doesn’t guarantee consideration, as it would depend on whether the answers are substantial. 2nd step: casting interview, 50-50 chances. If the applicant’s form is considered by the Casting Director, the applicant will be invited for an interview that should be conducted in any official panel room of TheVerse Vision. Members of the management are in each panel room, but only the Casting Director or designated panelist for an applicant will share the floor with the interviewee. 3rd step: completion of requirements, if the verdict arrives as passed.

Returning members are considered not required to undergo a casting interview for the second time unless the returning member was formerly terminated due to sudden inactivity during their previous time in the group; only an application form. Members previously terminated for being involved in known issues or causing damage to the group are excluded from this consideration.

One applicant only per interview room. The applicant will be given a schedule to meet with the panelist but the duration to complete the interview is given 7 days. Failure to accomplish the interview [and requirements, if passed, will nullify the process.

If an applicant gives no response a day after being summoned to their last reply, they will be asked in the Interview Room if they wish to continue. If there is no response still, they will be temporarily removed from the Interview Room and be moved to Room 4 until their 7th due day.

Applicants who pass the casting shall receive an evaluation result or receipt.

Applicants applying to be an officer and passed the casting, but have no history in the group as a member would undergo 1-month probation first.

Conditions: Privacy

As stated in the application form, answers to the application form, a copy of the full interview, and responses in the contract record are to be documented as part of the management’s archival purposes to ensure everyone who applies and enters the group properly undergoes evaluation and process, and history tracking. Records are limited to Verseprods only.

Conditions: Free Pass

All of the measures above are applied in Free Pass phases except for the following changes:

Interviews can be scheduled on weekdays.

For officers, no probation period.

[checolorehaunanimabruciata]

io che: "la playlist di Glee mi ridà le good vibes"

sempre io che piango nel cuscino guardando i video e non solo quelli della 5x03.

🥲🥲🥲

[historyofglee]

On this day in 2013:

Glee won 4 awards at the 2013 Teen Choice Awards- including Choice TV: Comedy, Choice TV: Male Scene Stealer (Chord Overstreet) and Choice TV Actress: Comedy (Lea Michele).

The awards were held at the Gibson Amphitheatre in Los Angeles, California, and were attended by Kevin McHale, Jenna Ushkowitz, Amber Riley, Lauren Potter, host Darren Criss, Jane Lynch, Matthew Morrison, Lea Michele, Naya Rivera, Chord Overstreet, Melissa Benoist, Becca Tobin, Alex Newell, and Jacob Artist.

[crystalmodelsafrica]

Over the centuries, artists have used children as models for countless works.

In Uganda, child modeling has become a distinct activity because of the explosion of commercial media over the past several decades. Many young actresses and actors notably, Naomi Campbell, Jennifer Connelly, Katherine Heigl, Jessica Alba, Ashley Benson Lindsay Lohan,Naya Rivera, Miranda Cosgrove, Hayley Kiyoko, Liv Tyler, Brooke Shields, Taylor Momsen, Peyton List, Gigi Hadid, Yara Shahidi, Maddie Ziegler, Skai Jackson,Anastasia Bezrukova, and Frankie Muniz began as child models.

The visible success of child models who became media celebrities has led numerous children (and their parents) to pursue modeling as a part-time career.

In practice, most of this success has their parents, guardians, and agents behind it.

While it's considered a great opportunity for the children by their parents since they learn a solid work ethic and are also taught about the responsibilities that come with working in a professional environment, it’s very important for them to get approval from their parents first.

Over the centuries, artists have used children as models for countless works.

In Uganda, child modeling has become a distinct activity because of the explosion of commercial media over the past several decades. Many young actresses and actors notably, Naomi Campbell, Jennifer Connelly, Katherine Heigl, Jessica Alba, Ashley Benson Lindsay Lohan,Naya Rivera, Miranda Cosgrove, Hayley Kiyoko, Liv Tyler, Brooke Shields, Taylor Momsen, Peyton List, Gigi Hadid, Yara Shahidi, Maddie Ziegler, Skai Jackson,Anastasia Bezrukova, and Frankie Muniz began as child models.

The visible success of child models who became media celebrities has led numerous children (and their parents) to pursue modeling as a part-time career.

In practice, most of this success has their parents, guardians, and agents behind it.

While it's considered a great opportunity for the children by their parents since they learn a solid work ethic and are also taught about the responsibilities that come with working in a professional environment, it’s very important for them to get approval from their parents first.

https://nsubugaronnie.com/post/42-as-a-child-model-do-i-need-my-parents-approval-to-model