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[artbychelcie]

Murder on the Dancefloor: The Chokehold of Oliver Quick

'Saltburn' has catapulted leading actor Barry Keoghan into our daydreams, revitalised music careers stagnant since 2007, and ensured we never look at a bathtub the same way ever again. It's delicious darkness has amassed a huge audience, some revelling in its lurid glory and others questioning what the f*** they just watched. There’s so much to say about this film, so many parallels and Easter eggs that tickle the brain notice - for today, I’m focusing on why Oliver Quick intrigued me the most.

As a devoted horror fan, some of the more controversial scenes served to stimulate rather than disturb… The vampire scene? That's just an average Tuesday night for some. The grave scene? Nothing compared to the visual impact Patrick Bateman’s hobbies. But what did succeed to unnerve me was the turning point of the film, when Felix suprised Oliver with a trip home for his birthday. You watch with stunned panic as she says his dad has been pacing all day waiting for him - in real time the web was unravelled and Oliver's traumatic background was quickly proven to be a façade. For me this scene positioned the 'real' Oliver to the audience, realising the person we thought we knew isn’t real at the same time his friend does. And this is where my interest peaked. For me, this film suddenly turned from a critique of the upper class, to a mythological study of a sociopath, and the subsequent events demonstrate how someone with an apathetic disposition could easily infiltrate and dominate a household of such wealth and status.

On a second watch, I couldn't help but laugh at Felix's naiveity as he pulled into the driveway of this enormous house, and noted that it looked as though his mother 'had really turned things around'. Anyone watching this would immediately question how someone allegedly suffering with severe mental illness and drug abuse issues manages to, in the space of less than 6 months, become the owner of a property of that scale. This small observation highlights just how out of touch Felix is anyone outside of his social class, and how Felix's pity towards Oliver, be it through kindness or ego or a convenient blend of the two, blinded him to the manipulation.

Another incredibly successful aspect of the film is the iconic soundtrack. It has brought some early 2000 musical classics back into the spotlight (we all know the best one) and I can admit I have listened to 'Loneliness' more times in the past two weeks than ever in my 26 years of life. The soubdtrack embodies the nostalgic and romanticised qualities of the film, set in 2006 before smartphones dictated every aspect of daily life, especially as a fresher. I may have been only 10 when Oliver Quick started university, it still made me long for the simplicity of this era of my life, when getting to know another person was fundamentally down to face to face interaction.

The choice to turn back time to the mid 2000s contributes to maintaining the mystery of Oliver's identity, depriving the characters of the ability stalk his social media profiles and forcing them to take his personality at face value. His manipulation, and eventual dismantling of the Catton family, was arguably possible through his ability to present himself without the hinderance of a digital footprint. There was no evidence available to anyone in Oliver's immediate circle of the sisters we found out he had, of the father that had infact not died, nor been an alcoholic drug dealer. So why did he lie?

In analysis I've seen online, many people contribute his deception to a need to be noticed by Felix, or in Oliver's own words, to 'perform' for his attention and friendship.

Revisiting the film, I picked up on certain phrases Oliver used to describe his home life, describing it as 'dirty' and proclaiming he could 'never go back'. To us, this sounds like the way you would describe his chaotic home life he described. But when the reveal comes, you can’t help but question why he’s adamant to distance himself from a seemingly stable, and privileged background.

During the scene, his parents also mention how he is the top scholar at Oxford, a member of the rowing team, participating in the school play... his chronic deception extends beyond the Catton family to his own. They also share with Felix that he was 'such a loner' and was 'so clever' that he struggled to make friends, both earmark characteristics of someone with sociopathic tendencies. This illustrates an individual who has never been satisfied, who always saw himself as superior, and who's fixation with Felix was just a desire to climb up and out of all the menial and average and into a position of absolute control.

The grandiose and self-absorbed lifestyle of the Saltburn estate allowed for someone like Oliver, whatever his original or developed intentions, to blend in without being truly seen until, both before and after death came knocking. The need to stifle emotional expression (We don't want to hear your American feelings, Farleigh!) and the uncomfortable obligation to uphold the British sentiment to 'Keep Calm and Carry On' gave him an invisibility cloak, blending in with his surroundings. It reframed Oliver's awkward disposition as one of politeness, and his manipulative sexual deviancy was guarded by members of the household behind a wall of upper class social etiquette.

I can safely say I have fallen into the deliciously depraved world of Saltburn, so much so I’ve felt like I had to write this. I love experiencing and analysing media, but this one really had me captivated. This is a maze will happily lose myself for weeks to come, especially when it comes to the complex and captivating portrayal of Oliver Quick - I would definetly sign my estate over to that beautiful crazy bastard.