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🍔 Discover the Irresistible Charm of Smash Burgers at CANNA Coffee Ice Cream Cafe MockTail Bar Dispensary! 🍔
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Minneapolis Commercial Painting: Elevating Spaces with Timely Expertise
Step into a world of transformative aesthetics with Minneapolis Commercial Painting, where our dedication to delivering impeccable results meets the imperative of completing projects on time. As a trusted name in the industry, we understand the paramount importance of efficiency in the commercial realm. Our skilled team of painters brings a blend of creativity and precision to every project, ensuring that your space not only receives a vibrant and professional finish but does so within a timeframe that aligns seamlessly with your business needs.
At Minneapolis Commercial Painting, our commitment to minimum on-time delivery is the cornerstone of our service philosophy. We recognize that time is a precious resource for our clients, and our streamlined processes and meticulous project management reflect this understanding. Whether you require a fresh coat for your office, retail establishment, or industrial space, our expert team is equipped to provide top-notch commercial painting services, ensuring a timely and efficient transformation that meets and exceeds your expectations.
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Minneapolis Commercial Painting 315 W. 33rd St. C, Minneapolis, MN 55408 (612) 230-7233 https://www.google.com/maps/place/Minneapolis+Commercial+Painting/@44.9204885,-93.491222,10z/data=!3m1!4b1!4m5!3m4!1s0x0:0x5c939dc64af8b771!8m2!3d44.920831!4d-93.21104?hl=en
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Final Project
Final Project
Final Project
Saraan Fareez Mamun Sharla Stolhandske
GEOG 100 FIC
08/08/2023
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Vancouver, Canada. Dhaka, Bangladesh, and Paro, Bhutan. Chosen theme: Culture Introduction
History, traditions, ideas, and practices that characterize a civilization form a compelling tapestry called culture. A community's soul reflects its individuality and helps us grasp its essence. On our cultural adventure, we explore Vancouver, Canada; Dhaka, Bangladesh; and Paro, Bhutan. These sites are a microcosm of their areas, with centuries-old customs and lifestyles. Culture, which encompasses human life, is the focus of this task. Shared experiences, ideals, and manifestations form a society's culture. It affects our identities, habits, and feeling of belonging. We want to discover the differences between these three places and the commonalities that unite us by studying their cultures. Vancouver is a model of cultural tolerance on Canada's west coast. This vibrant metropolis blends Coast Salish traditions with global influences. The city's culture reflects its past as a commercial station, Pacific gateway, and cosmopolitan metropolis. From Chinatown and Little Italy to the Punjabi Market, Vancouver's streets are a perfect mix of languages, cuisines, and cultures.
Indigenous art, artifacts, and storytelling are shown at Vancouver's Museum of Anthropology, demonstrating its devotion to Indigenous history. Indigenous performing arts survive thanks to the yearly Coastal First Nations Dance Festival. Diwali, Lunar New Year, and Vaisakhi show the city's tolerance for many cultures. Moving continents, we arrive at Bangladesh's bustling city, Dhaka. With a 1,000-year history, Dhaka proudly displays its culture. Here, old and modern live in dynamic harmony. Ahsan Manzil Palace and Lalbagh Fort symbolize the city's Mughal past, while rickshaw art on the busy streets captures its dynamic creative energy. Bangla, crucial to Bangladesh's liberation, remains central to its culture. Culture
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shapes history, as seen by the Shaheed Minar, which commemorates language movement martyrs.
Visitors may immerse themselves in the native lifestyle in the city's "bazaars," a sensory explosion of colors, noises, and smells. We next go to Bhutan's tranquil Paro valleys. Bhutanese culture and spirituality are embodied in this gorgeous town in the Himalayas (Fry & Chun, 2023). Bhutan's exclusive focus on Gross National Happiness rather than GDP shows its commitment to holistic well-being and cultural preservation.
https://www.google.com/maps/place/Bhutan/data=!4m2!3m1!1s0x375b92a573c595cf:0x bb0cac652836bcda?sa=X&ved=2ahUKEwj-
weKC186AAxXLVKQEHToOAIwQ8gF6BAhbEAA&ved=2ahUKEwj- weKC186AAxXLVKQEHToOAIwQ8gF6BAheEAI
Perched on a cliff, Paro Taktsang, or Tiger's Nest Monastery, is famous. This hallowed location symbolizes Bhutan's spirituality and Buddhist devotion. Bhutan's colorful religious festival Paro Tsechu features traditional dances, rituals, and art, revealing the country's deeply ingrained culture.
Description and discussion of 3 important places
Vancouver, on Canada's Pacific coast, is known for its multiculturalism and cultural variety. The city has a mix of people, languages, and customs. Vancouver is multicultural because people from throughout the world live there. This cultural blend makes Vancouver
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cosmopolitan in its neighborhoods, food, festivals, and everyday life. Vancouver has many diverse cultural places and activities. Chinatown is one of North America's oldest and most significant. Its bustling marketplaces, historic buildings, and genuine restaurants immerse visitors in Chinese culture. Vancouver's English Bay hosts the annual Celebration of Light, an international fireworks competition that attracts thousands. The event's pyrotechnics synced to music symbolize numerous nations and cultures and demonstrate Vancouver's dedication to cultural exchange.
Bangladesh's capital, Dhaka, is rich in history and culture. The city has been crucial to many emperors and kingdoms from ancient times.
https://www.google.com/maps/place/Bangladesh/data=!4m2!3m1!1s0x30adaaed80e18ba 7:0xf2d28e0c4e1fc6b?sa=X&ved=2ahUKEwjQ2__00s6AAxV_V6QEHd6gD3EQ8gF6BAgtEAA
&ved=2ahUKEwjQ2__00s6AAxV_V6QEHd6gD3EQ8gF6BAguEAI
Dhaka's architecture, culture, and lifestyle reflect its history. The magnificent Lalbagh Fort captures Dhaka's heritage. Built-in the 17th century during the Mughal Empire, the fort's complex architecture and rich gardens reveal the city's cultural history. Pohela Boishakh, the Bengali New Year, is a boisterous April event. Dhaka's unique culture is celebrated with colorful parades, traditional music, and sumptuous feasts at the opening of the Bengali year.
Paro reflects Bhutan's cultural preservation and Gross National Happiness (GNH) focus. Bhutan's architecture, dress, and lifestyle reflect its cultural uniqueness. Bhutanese society is
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shaped by GNH, a development concept that values well-being above money. The annual Paro Tshechu religious festival is a major cultural event in Bhutan. It draws residents and visitors with colorful mask dances, ceremonies, and shows. The event connects individuals to their spiritual origins via religion and culture. Bhutanese Gross National Happiness promotes sustainable development, environmental protection, and citizen well-being. Vancouver, Dhaka, and Paro provide different perspectives on culture and tradition. Vancouver's multiculturalism and cultural events show its variety, Dhaka's monuments and customs show its history, and Paro's dedication to cultural preservation and happiness exemplifies Bhutan's development model. These locations demonstrate the depth and variety of culture, making them significant destinations for tourists exploring human civilization.
Impact on the chosen places
Culture is the dynamic web of human experiences, connections, and endeavors that define a place. This essay examines cultural influences in Vancouver, Dhaka, and Paro, Bhutan. Each city has a unique story of how individuals like me developed its rich culture. Vancouver's unique culture is shaped via personal connections. Residents engage, creating a cosmopolitan metropolis of cultures, languages, and ideas. As a Vancouver cultural activist, I've observed how personal experiences influence the city. Interacting with varied people has helped me appreciate Vancouver's diversity.
Vancouver is lucky to have cultural events. I've hosted ethnic celebrations to celebrate community traditions. Several groups present music, dance, and cuisine at the Vancouver Cultural Fusion Festival. These programs foster intercultural understanding and tolerance. Vancouver has altered culture by encouraging inclusiveness and dialogue. Diversity has shattered stereotypes and crossed obstacles. Sharing stories and cultures in Vancouver has promoted
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diversity and respect (Curran & Dolkarb, 2022). Dhaka, Bangladesh's capital, is historical and cultural. Exploring its culture has enhanced my connection to the city and its people. Visiting Old Dhaka markets and chatting with local crafters taught me about the city's culture. Cultural experiences in Dhaka transformed me. Local artists and crafters helped me save ceramics and weaving. These projects preserve culture and enhance the local economy.
Through cultural exchange and preservation, my Dhaka experiences have molded its culture. By supporting local artists and customs, I have preserved Dhaka's past while embracing modernization. Bhutan's magnificent scenery makes Paro a unique cultural experience. Bhutanese culture shaped my values. Gross National Happiness and human-nature harmony define my perspective. Cultural exchange and collaboration in Paro have broadened my worldwide view. My culture and local celebrations have promoted cross-cultural dialogue and learning, strengthening the links to the Bhutan world. I recognize my Paro interactions and experiences are cultural. The links, stories, and love for Bhutanese traditions foster cross-cultural understanding. Personal experiences and interactions may transform city cultures in a connected world. Cultural engagement and variety power Vancouver, Dhaka, and Paro. These cities flourish as global cultural hubs where personal stories, collaborative projects, and open-minded connections combine with collective narratives.
The Story in The Context of Geography Concepts
Space, location, and region help us comprehend how physical surroundings affect human activities and civilizations. Explore how Vancouver, Canada, Dhaka, Bangladesh, and Paro, Bhutan exemplifies these concepts: Vancouver exemplifies urban space. This enormous metropolis sits between the Pacific Ocean and the Coast Mountain Range. The physical layout and infrastructure influence urban space, affecting people's movement and interaction. The
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various Vancouver neighborhoods of Chinatown, Little Italy, and Punjabi Market each contribute to the cultural environment. The place is shown in how Gastown and Yaletown have separate identities owing to their history or urban development. Vancouver's skyscrapers, parks, international cuisine, and festivals give residents and tourists a feeling of place.
Vancouver is part of North America's Pacific Northwest. Stanley Park's rainforests, seashore beaches, and mountains give the city its regional character. Additionally, its closeness to the US border has led to economic and cultural relations with adjacent American communities. Dhaka, one of the world's densest cities, exemplifies urban congestion. The Buriganga River restricts the city's size. Rapid urbanization and population increase have caused vertical and horizontal expansion through high-rise structures and adjacent regions. Dhaka's neighborhoods, such as Old Dhaka, with its antique buildings and bustling marketplaces, reflect the place. Each neighborhood has cultural and social value, shaping the metropolis. The tiny alleys, busy bazaars, and traditional buildings depict Dhaka's past and present. Dhaka's regional prominence comes from being Bangladesh's capital and economic center. A hub of government, business, and culture, it links the nation.
Paro is a unique cultural zone owing to its individuality and preservation of traditional traditions. Bhutan's Gross National Happiness program emphasizes cultural and environmental integrity. Paro's Himalayan scenery defines its culture and how people connect with it. The regard for Paro's cultural icons, including the clifftop Paro Taktsang (Tiger's Nest) monastery, shows the location. These spiritual and historical sites make the area unique. Bhutan's focus on cultural distinctiveness has led to intentional seclusion from other influences, changing the region's meaning. Bhutan's regional identity as a symbol of cultural preservation and sustainable
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development in a rapidly changing world is strengthened by Paro. Migration and demographic trends shape Vancouver, Dhaka, and Paro's cultures:
Vancouver: Migration shaped the city's diverse culture. Asian, European, and other immigrants have enriched Vancouver's culture with their customs and languages. Chinatown and Punjabi Market honor Chinese and Punjabi contributions. This multiculturalism has contributed to gastronomic fusion, heritage festivals, and a multicultural mindset. Dhaka: Bangladesh's metropolis has seen rural migrants seeking economic possibilities. This inflow has shaped the city's diverse terrain with rural and urban cultures. Traditional and urban lives influence architecture, gastronomy, and social standards. This influx has caused informal settlements and infrastructural pressures.
https://www.google.com/maps/place/Dhaka,+Bangladesh/@23.7808405,90.419689,12z/d ata=!3m1!4b1!4m6!3m5!1s0x3755b8b087026b81:0x8fa563bbdd5904c2!8m2!3d23.804093!4d9
0.4152376!16zL20vMGZuYjQ?entry=ttu
Paro: Bhutan's isolationist policy has preserved its culture by limiting migration. However, economic forces are driving rural-to-urban migration. Paro's culture is changing as more Bhutanese youngsters leave agriculture.
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https://www.google.com/maps/place/Paro,+Bhutan/@27.3996499,89.437251,13z/data=! 3m1!4b1!4m6!3m5!1s0x39e19de85a6c39b7:0x1fa780f5a070190!8m2!3d27.428684!4d89.41636
54!16s%2Fm%2F047vntd?entry=ttu
Maintaining cultural roots while accepting economic progress is difficult. Vancouver, Dhaka, and Paro demonstrate how geography and culture are linked. These localities accept their surroundings, form different identities, and contribute to regional contexts. Population dynamics and migration influence their cultures, stressing the relationship between human mobility and cultural change.
The personal impact of selected locales
Vancouver, on Canada's west coast, thrives on its ethnic variety.
https://www.google.com/maps/place/Canada/@56,- 96,3z/data=!3m1!4b1!4m6!3m5!1s0x4b0d03d337cc6ad9:0x9968b72aa2438fa5!8m2!3d56.1303
66!4d-106.346771!16zL20vMGQwNjBn?entry=ttu
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My worldview and admiration for diverse cultures have been shaped by the mosaic tapestry spun by ethnic populations. I encountered a variety of languages, cuisines, cultures, and worldviews on Vancouver's busy streets. This encounter opened my eyes to new viewpoints that enhanced my life. Vancouver's many cultures allowed me to meet individuals from different backgrounds. Conversations with other people showed me the richness of different beliefs, practices, and traditions. The lively Chinatown, Little Italy, and Punjabi Market revealed others' lifestyles. These experiences taught me to appreciate diversity and realize that humanity is more important than culture (Roman, 2018).
My Vancouver experiences helped me grow personally. Exposure to diverse cultures forced me to face my preconceptions. This self-examination challenged my preconceptions, encouraging empathy and humility. The city's focus on inclusivity and tolerance allowed me to express myself without criticism. Through this, I learned the value of constant learning and flexibility for personal progress. Vancouver allowed individuals from many countries to bond. These interactions shaped my identity. Sharing tales, meals, and experiences with people from quite diverse backgrounds broadened my worldview. These interactions reminded us that our narratives are intertwined and that our links form us.
Dhaka, Bangladesh, is a vibrant cultural hub that has shaped my identity and belonging. From its bustling marketplaces to its ancient landmarks, Dhaka is full of history and tradition, revealing an intriguing and transformational world. Exploring Dhaka's culture was like travelling across time. The city's history is remembered through Ahsan Manzil and Shaheed Minar. Immersing myself in traditional music, art, and food gave me a feeling of belonging to a place that, despite its differences, shared my beliefs and experiences. The friendliness and hospitality of Dhaka residents strengthened this relationship.
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I experienced significant realizations while walking through Dhaka's busy streets. The city's resiliency, the contrast of technology and history, and people's steadfast spirit taught me to accept change while respecting the past. I learned that unity and variety are strong during religious holidays, which changed my view of societal cohesiveness. I learned to appreciate simplicity and personal connection in Dhaka. I learned the significance of human contact in dynamic marketplaces, where merchants welcome customers warmly. My appreciation for education and spirituality shaped my view of lifelong learning and reflection. Dhaka's tenacity and the people's commitment to retain their tradition despite modernization reminded me of the value of roots.
Paro, amid Bhutan's beautiful countryside, prioritizes happiness and spiritual well-being. Paro changed my life, helping me develop and connect with this magical nation's culture. Bhutan's Gross National Happiness (GNH) ideology challenged my achievement standards. I like the focus on overall well-being, community, and environmental care. The peaceful monasteries and prayer flags in the air made me rethink my contentment. I discovered myself in Paro's tranquillity. I discovered peace in reflection away from contemporary distractions. My program included mindfulness and meditation from Bhutan, which helped me gain self- awareness and purpose.
Bhutanese culture has shaped my health. The happiness, mindfulness, and environmental connection I learned in Paro have shaped my life. The feeling of connectivity with myself and the world has changed my priorities, creating a more balanced and satisfying existence. Vancouver's cultural richness, Dhaka's rich legacy, and Paro's focus on well-being have shaped my worldview. These three destinations have helped me develop, extend my viewpoint, and find
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my identity. Learning and connecting in these varied places continue to influence my self- discovery and personal satisfaction.
Interconnectivity of the places and experiences
Cultural tapestries are constantly changing due to numerous influences. Exploring the connections between Vancouver, Dhaka, and Paro reveals surprising linkages. Personal experiences in each area have illuminated the cultural and global factors that define our environment. These encounters have made me realize cultural connections and their tremendous influence on my thoughts. Multiculturalism is evident in Vancouver, a booming coastal city in Canada. Its diversified population matches the city's thriving food scene, which offers international cuisine. Dhaka, Bangladesh's capital, has a diverse cuisine that reflects its past as a cultural hub. On the Bhutanese Himalayas, Paro has a unique cultural identity founded on Buddhist traditions and stunning scenery.
Despite their distances, all three locations have mixed cultures. Global influences assisted by technology are partly to blame. Social media and easy travel have facilitated the cross-border interchange of ideas, art, and customs. Vancouver's Chinatown, for instance, blends Chinese and Western cultures, echoing Dhaka's Silk Road commercial history. Traditional Bhutanese architecture and contemporary influences in Paro demonstrate the worldwide tapestry of civilizations. I've been lucky to live in Vancouver, Dhaka, and Paro and experience their unique cultures. Each location has molded my viewpoint. Vancouver exposed me to a "cultural mosaic," where variety is valued and adds to the city's vibrancy. This attitude shaped my visits to Dhaka, where diversity was celebrated despite problems. The busy streets of Dhaka's Old Town and Vancouver's Gastown reflect their metropolitan vibrancy.
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My stay in Paro was different yet complementary. Bhutan's serenity and strong spiritual undercurrents reminded me of mindfulness, which I learned at Vancouver's yoga facilities. This contrast helped me realize how common ideals vary by culture. The Bhutanese devotion to the environment and Vancouver's dedication to sustainability made me realize the need for connectedness in Paro. Reflecting on these interrelated cultural experiences shows that common ideals, historical linkages, and cross-cultural exchanges weave our global civilization. Vancouver, Dhaka, and Paro show that civilizations are nodes in a vast network of human experience. The popularity of yoga studios in Vancouver and Dhaka and the enthusiasm for local handicrafts in Paro and Vancouver's artisan markets show these linkages.
This connection has drawbacks. The fast spread of global influences might eclipse local customs. It's important to remember that civilizations change. Global and local influences produce dynamic cultural manifestations that reflect our changing reality. Dhaka's rich art scene, influenced by global trends yet grounded in local storytelling, exemplifies this delicate balance. Vancouver, Dhaka, and Paro represent global culture (Quainton, 2022). The features and global influences that link these sites demonstrate the power of human contact, communication, and invention. My experiences in each area have deepened my knowledge of this interconnectivity, proving that cultural exchange is two-way. As I travel, I am reminded that each connection adds to the mosaic of cultures, creating greater understanding and a more integrated human experience.
Conclusion
In Vancouver, Canada; Dhaka, Bangladesh; and Paro, Bhutan, we explored the unique fabric of culture and geography, learning how they impact human experiences and worldviews. The investigation has shown how interconnected we are as a varied global society, encouraging
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everyday experiences and opinions across borders. Vancouver, known for its diversity and natural beauty, was our starting point. We found a happy cohabitation of many cultures that strengthen the city's personality. The mix of cultures and religions has created a thriving cultural landscape with festivals, foods, and art from across the globe. We next went to Dhaka, a city that embodies Bangladesh's history and perseverance. We saw old customs and new goals blend in the rush and bustle, capturing the nation's history to the present. Finally, we enjoyed Bhutan's Gross National Happiness ideology at Paro. Preserving Bhutanese customs in stunning settings showed how the environment affects culture. We learned that culture and geography shape individual experiences and views throughout our journey. Exposure to many cultures in Vancouver fosters tolerance and understanding. Dhaka's dynamic interplay between tradition and modernity forces citizens to question their identity in a changing world. Paro's natural scenery and spiritual focus have fostered a contented and harmonious lifestyle. Culture and geography blend to foster personal development and a better understanding of the world. As we finish our trip, interconnectedness emerges. Vancouver, Dhaka, and Paro are separated by distance, but their human experience is not. Culture and location show how intertwined our world is. Each city's distinctiveness weaves human civilization. Vancouver's multiculturalism festival shows how people from different countries can coexist. Dhaka's lively mix of old and new shows the worldwide battle to retain cultural identity despite modernization. Pero's emphasis on spiritual well-being reminds us that all humans seek meaning and satisfaction, whatever of culture.
Culture and location are more than labels or geographic markers; they offer life flavor, color, and significance. They give us a feeling of identity and belonging, helping us connect with people and the world. The vast human experience is shown by Vancouver, Dhaka, and Paro's diverse cultures. These expressions reveal people's values, history, and goals. As we stand at the
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intersection of these three locations, we see the necessity of honoring cultural variety. An aesthetically and emotionally fascinating tapestry is created by sharing ideas, customs, and experiences. As the globe grows more linked, we must value our humanity. Understanding and valuing the cultures and locations influencing people worldwide strengthens our relationships as a varied but cohesive global society. The trip to Vancouver, Dhaka, and Paro reaffirmed that our shared story transcends our tales. Culture and place celebrate the kaleidoscope of humankind. These cities teach us to be open, adaptive, and polite and discover beauty in our world's variety. Each culture is a thread that weaves our ordinary existence.
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References Currana, D., & Dolkarb, T. (2022). Legal pluralism and environmental governance: the regulatory
design potential of Bhutan's gross national happiness and Canada's reconciliation
approaches. Fry, G. W., & Chun, H. (2023). Happiness Education. Happiness Education: Holistic Learning for
Sustainable Well-Being. Quainton, A. C. (2022). Eye on the World: A Life in International Service. U of Nebraska Press. Roman, M. (2018). The Internationalization of Teacher Education Faculty in Two Global Cities: A
Case Study of Two Universities in New York and Hong Kong. Seton Hall University.
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closertotruth · 2 years
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Iker Jimenez  "Analisis"  ------------------------- 1) CAdena SEr --> Cuatro --> Grupo Prisa -->Jesus de Polanco  2) https://arucasblog.blogspot.com/2010/05/masoneria-invisible-en-espana.html 3) https://odysee.com/@noticiasdemisterio:f/iker-jimenez-se-ha-vendido-cuarto:f 4) https://www.elperiodico.com/es/cuaderno/20160529/iker-jimenez-nuestro-mulder-jimenez-del-oso-5158586 5) https://www.elespanol.com/enclave-ods/referentes/20220510/ultramaro-mistico-pintura-abordo-inspirado-iker-jimenez/670933027_0.html 6) https://www.ifema.es/en/feriarte/what-is 7) https://lh3.googleusercontent.com/p/AF1QipMqe5lCHb4uRj4qD_Tz1-Tzn9Pw6ZqCkeDPg-xn=s680-w680-h510 8) https://www.google.com/maps/place/Galer%C3%ADa+Theotok%C3%B3poulos-+Gotico-+Renacimiento-Manierismo/@40.4186836,-3.6862783,15.5z/data=!3m1!5s0xd42289860ef5c85:0xd93d5ab409749f89!4m5!3m4!1s0xd4228985e5cdbed:0x4a1ecd7f77c138f!8m2!3d40.4214038!4d-3.6836889 9) https://www.youtube.com/watch?v=KIRxZ8RUVyc  10) https://www.huffingtonpost.es/entry/iker-jimenez-plandemia-coronavirus_es_5f352a60c5b64cc99fe30024.html 1) Iker Jimenez ha trabajado indirectamente para el grupo Prisa a su paso por Tele5, Cuatro, Cadena Ser. Un fundador del grupo Prisa es Jesus de Polanco. 2) Manuel Guerra, doctor en Teología y experto en sectas y masonería, revela en su libro La trama masónica que Jesús de Polanco (padre ahora hijo) son Masones. 3) En el minuto 1 y 30 segundos la mujer de Iker aparece con un colgante al cuello representando a Satanas. (El resto del video no entro a valorar porque me parece bastante especulativo). 4) El diario el Periodico califica a Iker como sucesor de Jimenez del Oso al cual Editorial planeta/Prisma publicaciones 2002, S.L ligada a la masoneria segun *2) le publico varios libros. 5) El padre de Iker es un reconocido anticuario que dirije una "prestigiosa" galeria de arte en Madrid. El dice que quizas "participe en una conferencia sobre la creatividad en Feriarte". 6) Feriarte - Ifema esta apoyado por colaboradores como: BBVA, Universidad Rey Juan Carlos, Museo Nacional Thyssen Bornemisza, Fundacion Mutua Madrilena. La actual Reina de Espana ha visitado el evento. 7) En la entrada a la galeria del padre de Iker apreciamos dos columnas. 8) La galeria del padre de Iker se encuentra ubicada en el centro de Madrid, en frente del Parque del Retiro, cerca de la Puerta de Alcala y el Palacio Real entre otros edificios historicos. 9) Pedro , el padre de Iker, explica claves de la venta de arte. Y de como ha llegado a vender piezas por 150000€. 10) En un tweet Iker escribe "“No soy un traidor, no estoy a favor de Soros, Bildelberg, ni la Masonería”. Reflexion. Ateniendose a los echos expuestos arriba, resulta evidente la conexion entre Iker y las redes del poder. Estas redes reclutan a gente cercana o conocida, hijos de que fueron a la escuela tal, amigos de fulanito... Iker es una especie de Arlequin radiactivo del poder. Todo lo que toca lo damnifica y queda etiquetado como magufo. Es el agua oxigenada de la ufologia que mata lo malo como lo bueno. Envuelve con musiquitas y parafernalia  historias que merecen una investigacion profunda el cual el habla de ellas aporta testimonios  y las acaba con un "de nuevo tenemos mas preguntas que respuestas".  Lo mas patetico, su cambio de postura en frente a la Pan a de ria mia. De mentalidad "abierta" se volvio ante las "evidencias" vocero en pro de las Vac as y la m una de los hueso s.
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leyhejuhyunghan · 2 years
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Neue Galerie New York Gustav Klimt (Austrian, 1862–1918), Portrait of Ria Munk III, 1917, loan, The Metropolitan Museum of Art., Hinterzarten Germany, Georg Jörgle Thoma (1937 in Hinterzarten) ist ein ehemaliger deutscher Skispringer und Nordischer Kombinierer., Schwarzwälder Skimuseum Hinterzarten, ‘Ein Blick in Georg Thomas Fotoalbum und Schatzkiste’ am 20. August 2022 bis 8. Januar 2023.
Neue Galerie New York Gustav Klimt (Austrian, 1862–1918), Portrait of Ria Munk III, 1917, loan, The Metropolitan Museum of Art., Hinterzarten Germany, Georg Jörgle Thoma (1937 in Hinterzarten) ist ein ehemaliger deutscher Skispringer und Nordischer Kombinierer., Schwarzwälder Skimuseum Hinterzarten, ‘Ein Blick in Georg Thomas Fotoalbum und Schatzkiste’ am 20. August 2022 bis 8. Januar 2023. https://blog.naver.com/artnouveau19/222900422866
Neue Galerie New York is at Neue Galerie New York.
· New York, NY, United States
Gustav Klimt maintained a special focus on portraiture, primarily of women who moved in Vienna’s artistic and cultural elite circles. Shown here, the late unfinished painting, "Ria Munk III" (1917) offers insight into Klimt’s working method. He initially sketched a charcoal outline of the composition onto the primed canvas, then painstakingly filled in the details with oil, initially focusing on the subject's face.
Now through Monday, October 24, 2022, the Neue Galerie is offering Pay-What-You-Wish admission to the Klimt Gallery. Some galleries will be closed as we prepare for an upcoming special exhibition. Walk-ins are welcome. Timed ticketing is not available during this time.  
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Gustav Klimt (Austrian, 1862–1918), "Portrait of Ria Munk III” (detail), 1917 (unfinished), oil and charcoal on canvas. The Lewis Collection
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Gustav Klimt (Austrian, 1862–1918) Gustav Klimt (July 14, 1862 – February 6, 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body,[1] and his works are marked by a frank eroticism.[2] Amongst his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.[citation needed]
Early in his career, he was a successful painter of architectural decorations in a conventional manner. As he began to develop a more personal style, his work was the subject of controversy that culminated when the paintings he completed around 1900 for the ceiling of the Great Hall of the University of Vienna were criticized as pornographic. He subsequently accepted no more public commissions, but achieved a new success with the paintings of his "golden phase", many of which include gold leaf. Klimt's work was an important influence on his younger peer Egon Schiele.
https://en.wikipedia.org/wiki/Gustav_Klimt
Hinterzarten, Germany https://www.google.com/maps/place/Hinterzarten,+Germany/@47.8937306,8.0484716,13z/data=!3m1!4b1!4m5!3m4!1s0x4790fa3fc0950215:0x41f6bb7a5df5930!8m2!3d47.9057159!4d8.1055964 Fürsatzplatz
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Georg Thoma Georg „Jörgle“ Thoma (* 20. August 1937 in Hinterzarten) ist ein ehemaliger deutscher Skispringer und Nordischer Kombinierer. Georg Thoma wurde 1960 in Squaw Valley Olympiasieger, dabei brach er als erster Mitteleuropäer die Vorherrschaft der Skandinavier mit dem olympisches Gold in der Nordischen Kombination. Daraufhin wurde er zum Sportler des Jahres gewählt; und zwar als erster Wintersportler. Bei den Olympischen Spielen 1964 in Innsbruck holte er noch eine Bronzemedaille. Ein Jahr zuvor hatte er – wiederum als erster Mitteleuropäer – den renommierten Wettbewerb am Holmenkollen in Oslo gewonnen. Dieses Kunststück gelang Thoma sogar dreimal in Folge. So grandios wie seine Karriere 1960 begann, so glanzvoll endete sie 1966: mit dem Weltmeistertitel. Für seine überragenden sportlichen Verdienste wurde Georg Thoma mit dem Silbernen Lorbeerblatt ausgezeichnet.
Seine Neffen sind der ehemalige Skispringer Dieter Thoma[1] und der ehemalige Skirennläufer Gundolf Thoma. Der Olympiastützpunkt Freiburg-Schwarzwald wurde nach ihm benannt. https://de.wikipedia.org/wiki/Georg_Thoma
Schwarzwälder Skimuseum Hinterzarten
Herzlich willkommen beim Schwarzwälder Skimuseum Hinterzarten https://www.schwarzwaelder-skimuseum.de
Badische Zeitung
@badischezeitung
·
Nov 17, 2015
Die Schatzkammer: Das Schwarzwälder Skimuseum in #Hinterzarten vereint Sport und Kultur rund um 125 Jahre Skilauf. http://mehr.bz/bof7222 https://twitter.com/badischezeitung/status/666351345411203074
Skifahren im Schwarzwald
Skimuseum in Hinterzarten ist die Schatzkammer des Skisports
Von Dieter Maurer
Di, 10. November 2015 um 00:00 Uhr
Sьdwest
Wieder war Norwegen das Vorbild: Das Schwarzwдlder Skimuseum in Hinterzarten vereint Sport und Kultur rund um 125 Jahre Skilauf. Skisport-Idol Georg Thoma ist der Grьnder des Museums. https://www.badische-zeitung.de/die-schatzkammer Schwarzwälder Skimuseum Hinterzarten
August 18
 Am Samstag, 20. AUGUST 2022 wird um 11: Uhr die Ausstellung "Ein Blick in Georg Thomas Fotoalbum und Schatzkiste" eröffnet im Schwarzwälder Skimuseum in Hinterzarten.
In unserer schnelllebigen Zeit verblassen Ruf und Ruhm sportlicher Höchstleistungen rasch. Die Bekanntheit von Georg Thoma aus Hinterzarten dagegen dauert an.
Eine Sensation war es als er mit 22 Jahren 1960 in Squaw Valley überraschend Olympiasieger wurde. Als erstem Mitteleuropäer gelang es ihm, bei den Olympischen Winterspielen die Goldmedaille in der Nordischen Kombination zu 
 In der Ausstellung zeigt der Förderkreis des Skimusems anlässlich des 85. Geburtstages von Georg Thoma eine Sammlung von bisher nicht veröffentlichten  Fotos und nicht gezeigten Gegenständen. Diese Ausstellung ergänzt die Präsentationen von  Medaillen, Urkunden und Skier , die bisher in der Georg-Thoma-Stube gezeigt werden.
Die Ausstellung dauert bis 8. Januar 2023.
Vernissage ist Samstag, 20. August 2022, 11: Uhr - 14: Uhr.
Musikalische Begleitung durch die Windeck-Buebe und Maidli
#Hinterzarten 
#museumspass
#Olympia
#schwarzwald
#Ausstellung
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mykwaterfiltration · 3 years
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Soft Water Treatment Equipment Murrieta CA
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omegacarpetcleaning · 3 years
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jugemusequencer · 4 months
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my lil synth guy ..
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starstruck-des · 2 years
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Minneapolis Tow Truck: Your Reliable Roadside Companion
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dfgedhgdfrrg-blog · 4 years
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Latest Microblading Supplies and Techniques for Shapely Eyebrows
natural look of the face becomes radiantly expressive and smart with a great collection of brows. Poor growth or erratically tweezed damage eyebrows provide shame and heartache for many. Commonly individuals maintain adjusting their natural form to look much better. They try to enhance their appearances by using an eyebrow pencil, brow gel or tattoos.
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Defence Pest Management
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fgjhysyjktyujh-blog · 5 years
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So You Want to Know How to Paint in Oil Like Van Gogh and Picasso? Here's Oil Painting 101!
a strange process the public has thought was relegated to the few and the eccentric. Musicians as well as their lives have constantly been an unusual type, yet painting a huge body of original oil paints has actually likewise been an excellent method to drive oneself into immortality. The paints will certainly constantly be there, taking a trip via history, with your name on it! So by this definition it's most definitely an honorable occupation. Think Dali, van Gogh, Picasso, Rembrandt and da Vinci. Each enjoys a soaring online reputation of what others may consider crafts. As well as their online reputations only expand bigger in time. What other career supplies that possibility? So who got the last laugh? Well, van Gogh did, obviously. He's for life celebrated as one of the greatest human beings to have ever lived. Okay for somebody that never made a cent in his own life time. However in the age of the Internet and the globally marketplace, artists don't have to starve any longer. I'm not depriving, and I'm making money doing what I enjoy. I can also function anywhere, whether I'm on holiday or traveling to unique areas. I love that the most regarding it. I can do whatever I desire and also wherever I desire, as well as publish a paint for sale from Ibiza, Paris, London ... or Omaha. I wouldn't patronize anyone. As well as you won't either if you operate at it and also treat as a means to provide beauty to the globe and make money for it!
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The purpose of this article is to take the secret out of the procedure of paint. This short article is just written to obtain you started. I'll create extra in-depth strategies later on. However this short article will certainly establish you on your means to trying out and having fun with paint. Inevitably it's like anything in this globe. Before you have the expertise, it's complicated. Once you have it, it's very easy! Knowledge is power, and also this sensation certainly applies to paint. The technological facets are the very easy component. Anyone can do it. You eventually could be as capable as Monet with method. We humans can do whatever we make a decision to do! Deciding WHAT to paint is the tough part. It takes technique and also a however focused need to develop one paint after an additional. For whatever factor, I loved it the minute I began. And I never looked back. I love it today as high as I did over 16 years back. I never ever have "writer's block" either as to what to paint. I simply paint from my experiences in life. So do not think too hard on it. Paint that apple resting on the table, or repaint the tree in your very own backyard, repaint your girlfriend in an unusual way. But paint something that implies something to you, that's all that issues. Make it fashionable, make it fascinating. If it's abstract, bear in mind that abstract art has actually long been the most desirable. It's an expression of the private, make it one-of-a-kind. For those who desire realism, take a picture. What's amazing is that as soon as you do it, you understand it's the utmost getaway into joy. Instantly you neglect your issues for that period of time. You have control, and also nobody can take it far from you once you are proficient at painting. The procedure is addictive. However like anything, you have to BEGINNING! And as soon as you do, look out ... you'll be addicted.
OK, let's start. Step one ... supplies. You need a level brush, a follower, a small detail brush and a couple of Filberts. A filbert is a rounded side brush that lets you navigate the paint quickly without going outside the sides. Inevitably get brushes that you like however, and also make them function. Followers permit you to mix, for instance. I utilize followers a lot and also it's just how I graduate color throughout my photos. Every little thing I repaint is by hand ... no airbrushing or aides. I want it to be an expression of me as well as no one else. You likewise need an oil painting medium to blend with the oil paint to make it much more fluid, and also to speed up or reduce the drying out process. Whichever you like. Most likely to the art store and do not be afraid to request aid ... they'll love helping you! A tool is merely an additive fluid which raises gloss, makes it stream easily, maintains the coating in time, maintains it from yellowing. I personally like Galkyd and Galkyd Lite. If that isn't readily available, get a medium that appears like liquid amber as well as is sort of thick. Do not buy watery looking mediums ... too tough to deal with.
The lite variation of Galkyd is merely thinner. I utilize it more than the other. I enjoy it. Paintings I did 16 years ago making use of Galkyds look as immaculate as the day I repainted them. You'll additionally require a canvas as well as some paint. I buy a tube of red, eco-friendly, blue, purple, yellow, brown, white and black. I favor what's called Ivory Black and also a soft blending white as you'll include white to a great deal of various shades to lighten versions. From these basic shades you can make any type of unique color by blending them in combination's. Be imaginative as well as experiment. And don't hesitate of color, due to the fact that shade is the most preferred in museums! The bright paintings are traditionally the group faves. As for shade selection from these standard colors, mix red and white to make pink, mix yellow with green to make lime green, white with blue to make light blue, white with black to make grey, and so on. Utilize your good sense as well as have fun with it! You'll additionally require pencils, an eraser as well as some Turpentine or Turpentine replacement. Keep your brushes taking in it in a plastic mug to maintain them clean and also ready for your following shade selection ... and also to keep them from drying.
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