#aro sweep!!
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surreal-duck ¡ 5 months ago
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some more of these guys
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quakiebaka ¡ 2 months ago
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Inanimate Insanity pride doodles :)
been having fun joining different boards and drawing with others :D fairly surprised that there's almost always an osc board open, so we drew some characters from my favorite object show and what better thing to do than have them celebrating it almost being pride!
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magma jamboard link/credit under the cut!
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riverblujay ¡ 3 months ago
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zudrick aroace. to me
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picnokinesis ¡ 1 year ago
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Thoughts on Different Types of Representation in Doctor Who (and how fandom responds to it)
So I watched Rogue last night and - okay first, oh my days, absolutely ADORED it, this is definitely my favourite episode of this season, it was just so much FUN and it hooked me right from the start. And then the queerness! I was actually thinking to myself whilst watching it how wonderful it was because it felt like a queer story in a way that wasn't like, showboating about how progressive it was? [editorial aside: this is not comparing it to anything in particular, just a general observation]. The characters were just queer, within this wild and wonderful sci-fi story, but also their queerness wasn't the Only Character Trait they had and their story didn't resolve around their queerness, but their queerness was crucial to the plot in a way that was just lovely to see - and as a writer myself, it's personally the way I love to see our stories being told.
But then I made the mistake of going into the tag - always a foolish thing to do, because for some reason everyone loves to praise this era by criticising the previous era (as if it hasn't been criticised enough...like we know most of y'all hate Chris Chibnall for committing no worse crimes than Moffat and RTD before him...we know). And I found a couple of folks talking about how this episode alone did more for queer representation than the entirety of thirteen's era, whiiiiich at first really Peeved Me Off - like didn't these people understand how important Yaz's arc (especially Eve of the Daleks) was to a LOT of people? But then I was like 'well actually this is interesting', right? Because I think there's two very different kinds of representation going on here - and they're both very important in different ways, but one tends to get lauded as brilliant rep and one always gets put down as not good enough, or even bad rep. And what's the main difference? Whether the characters have a gay kiss or not.
So I just thought I'd share some of my thoughts and feelings on this, and why I think both these kinds of rep are equally important! To be clear from the get-go though - this is definitely not me ragging on anyone who likes more about one than the other (in fact, I think everyone likes one more than the other). This is merely a personal essay about it and the frustrations that comes when people in general do lift one up over the other. I'm gonna put it under the cut though, because it might get a bit long!
So, back when Eve of the Daleks aired, I remember having a lot of conversations about the representation in that episode - in particular with a very good friend of mine, who is a lesbian. And we realised that when it came to rep, we both actually wanted pretty different things. I'm aroace and genderfluid, and so a lot of what I saw in how thirteen was written - especially in terms of her gender (or lack thereof), and also her apparent lack of attraction (at least, in how I read it) was just incredibly affirming to me. I've never EVER seen a character on screen that I could see myself in both in terms of sexuality and gender. Whereas my friend saw things quite differently - thirteen was a lesbian, and they wanted to see that kiss between these two characters, because for them too, it was so rare to see that, and, in their words, they wanted to have their cake and eat it too. And we both realised that the reason that queer representation can feel so intense and important is, simply, because there isn't enough of it. We're all desperately reaching for the same small portion - and none of it is ever going to please everyone, or resonate with everyone. The stakes are too high.
So then, when there wasn't this dramatic romantic ending to Yaz's story, when there was no queer kiss, I was very sad for my friend, who didn't get that representation, but so painfully relieved for myself - because I got mine. So then it sucked a lot to see a lot of people getting really angry that this wasn't queer representation, that this was even homophobic - I even had someone tell me that aromantic representation in this regard was always going to be homophobic, because no-one would ever write it to be aro rep, and would instead only ever write it to avoid writing a gay kiss. And the thing that got me the most was that, REGARDLESS of whether they kissed or not, regardless of how you read either of the characters, there was one thing that was certain:
Yaz was queer. In text. Her emotional plotline centred around her realising that she was attracted to the Doctor (who was presenting as a woman - although, again, I don't think she really identified as such). The fact that she and the Doctor didn't get together by the end does not erase that fact.
They didn't kiss - but so what? Are queer people only queer when they're kissing someone of the same gender, or having gay sex? Are queer people not queer in their day to day lives, when they're not doing any of those things? Are queer people not queer when they're not dating? Are queer people not queer when they're trans, when they're ace, when they're aro, when their queerness doesn't resolve around attraction to the same gender?
And, to be honest, I think a lot of my feelings around this stem from the sort of exclusionist rhetoric that we saw a LOT of towards the ace/aro community back in 2012 that we still see now, that we're seeing towards the trans community now, that we're still seeing towards bi people, for pete's sake. It's this in-community infighting, pushing each other down to try and get up to the top, to keep all the "resources" for "the people who really need it", and it causes a serious amount of harm - but the truth is (and to bring this back to doctor who) that it all comes back to what me and my friend were discussing. We're all scared, all desperate to be seen - and when we are seen, it's the most incredible experience and the idea of losing that (or having someone else undermine it) feels inexpressibly awful. Having the thirteenth doctor...I suddenly realised this is what all the straight cis white dudes get all the time. She was like me, and that was indescribable. And then losing her - and having RTD not even be able to have a man wear her clothes because he was too worried about what the tabloids would say to be able to show a gnc person on tv...and then constantly described her as The Woman Doctor for the next entire episode - that hurt. A lot.
I've spoken to other friends who felt so seen in the character of Yaz - those people who realised they were queer later in life, those who fall in love with people and it doesn't end up going anywhere, those who don't get the whirlwind queer romances that people often call 'good representation'. Myself and many of my aspec friends have felt so seen in thirteen's almost entirely romance-less arc, and myself and my trans/genderqueer friends felt very seen in the way that thirteen's character would have been exactly the same if she'd been a man - the only difference was how the other characters around her interacted with her. Gender was something that happened to her. And when I watch episodes like Rogue, even though I don't relate to that representation, I just feel overwhelmed with joy because I know how important it will be to others that I care about. I think my sadness then comes from the fact that the way Thirteen and Yaz were written are just as important to me and many people that I know, but because they didn't kiss, it's not considered queer enough. Am I not queer enough, then? Are my friends not queer enough?
We need more episodes like Rogue, like The Parting of Ways, like Praxeus, like The Doctor Falls, because they are unquestionably and unapologetically queer, in a way that can't be avoided. We also need more episodes like Eve of the Daleks, like The Haunting of the Villa Diodati, like the rest of thirteen's era where the representation is an undercurrent throughout the whole story - but also undeniable, in a way that Yaz's story arc is, even if it doesn't end in a kiss, even if it doesn't end neatly and happily. Personally, I definitely would love to see more stories focused on aromanticism and on transness (especially ones that are written by trans people for trans people, rather than by cis people for cis people), but that's probably going to be down to people like me and other writers that I know actually getting into the script writing industry - and that depends on the people who are already there letting us in. One thing that I've always appreciated about Chibnall is that, after leaving Doctor Who, he began a programme for training up new showrunners with ITV, because: "showrunners are the gatekeepers and too many of the gatekeepers look like me."
Anyway, I probably have more thoughts that I've forgotten, but that's generally the gist of it. I think the more we fight over whether rep is 'good' or 'bad', relating to whether we see ourselves in it or not (rather than 'is this genuinely harmful or unhelpful', which I think is a more crucial question) the more the waters get muddied. We have different needs and wants, and no single episode is going to represent every facet of our community. But each episode, each story like this is a step in the right direction - and even rep that isn't perfect (I have thoughts about The Star Beast, for example) is still extremely positive and important, and definitely something that should be celebrated, even as we keep looking to the future for what we would like to see done differently, done better. And some day, I hope, there'll be so much queer rep, it'll be so normal, that those stakes won't feel so high anymore. It won't feel like everything hangs on how a certain show or storyline or episode is written. We'll all be seen. And that will be absolutely fantastic.
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snowstories ¡ 2 years ago
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listen to me. Murderbot would NOT fucking partner. that includes queerplatonically. It's an emotional wreck of a person that's just barely learning to accept it IS a person, who is still trying to figure out what it wants from its life. It's also an extreme introvert, socially awkward and more importantly generally uninterested in social interaction even with people it genuinely likes. It is also extremely romance-repulsed and had an entire scene protesting the use of the word 'relationship' in reference to itself bc it reminds it too much of romance. Granted it is also generally immature when it comes to any type of social relationship and didn't want the term 'friendship' used either, but, crucially, being immature about social relationships means you're not ready for a committed relationship. It is not in the right place to start a committed relationship, it is not interested in starting a committed relationship bc it would require a degree of commitment and social interaction it would not want to have, and it would probably instantly die if it heard the phrase 'committed relationship' be applied to it. And, CRUCIALLY, not wanting a committed relationship is not a character flaw it needs to develop away from. do you hear me? It would NOT fucking partner.
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stitchwraith-stingers ¡ 5 months ago
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untill theyre shown on screen im going to convince myself that they have the same dynamic as gwenvid simply because itd be funny
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roomba-mangga ¡ 11 months ago
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i've experienced romance repulsion during the height of an intense multishipping hopeless romantic phase as a teenager. i plan and structure interactions with other people with consideration for my romance repulsion and how likely it's going to get triggered. romance repulsion is like a whole other set of spoons to take into account when building relationships, engaging in activities, engaging with media.
it's really something that has to be managed and worked around consistently, and what helps is when those you interact with accept it and don't make you feel lesser or broken for it. even better if they validate why someone might feel that way and engage with it without taking it personally! even just receiving a casual heads-up from someone who knows you might be uncomfortable would help.
do people get that romance repulsion is a real thing. like i know that it is not a term that many people have heard but the kind of responses i see from people when i talk ab my feelings on romance sometimes… do people understand that it’s like. sometimes a real feeling of nausea that you can’t control. it seems to click for everyone that someone might be innately repulsed by the idea of sex or that someone might have a negative response to seeing romantic stuff because they want it really bad and it upsets them to see other people have it but the second an aromantic person has a negative response to romance that is not emotionally invested suddenly they are a supervillain only interested in kicking people’s puppies and personally attacking anyone who’s ever been in love
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yumenosakiacademy ¡ 1 year ago
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i accidentally shot myself in the foot bc this pic's small size makes it so any lil accesories i try 2 add like lil stars n stuff look grainy uugh so it looks so plain rn unless i upsize the pic which might make it blurry- ANYWAY GHAHH TIRED A TYPIN whatever aro fumiya Yay
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fallingworld ¡ 1 year ago
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anyways if you need breakup advice i can attempt <- has survived 1 relationship and equally 1 breakup. aromancy sweep
well. at least you are also aro
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pieofdeath ¡ 2 years ago
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I had to check if I was mutuals with someone before posting this anyways fuck w*nclair
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vicshush ¡ 1 year ago
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[ID: Tags that read "#did u #an aroace blog with thousands of aroace followers #really ask this question and not think #"hm this might be biased" #I mean I'm all for the aroace sweep but as a statistician surely that annoys you." /end ID]
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infizero ¡ 2 years ago
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WARRR IS OVEEEERRRRRR
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hitomisuzuya ¡ 5 months ago
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bunny!hybrid reader who goes to stepbrother!cat hybrid scara to help her with her first heat 😵‍💫
stepcest, please DNI if it makes you uncomfortable. cat hybrid!scaramouche x bunny hybrid!fem reader. smut. breeding kink. heat woes. mention of masturbation. creampie. degradation. praise. ear pulling. scara briefly receiving.
this request😳 i got super high and horny and this came out 😳
the egotistical smirk on scaramouche's face sent a shiver right down to your needy cunt. he'd known this was coming the moment he heard his precious bunny step sister desperately fingering yourself. listening outside your bedroom door, his keen hearing picking up your muffled whimpers and moans of his name while you attempted to find some relief in your first heat.
there you were, on your knees in front of him, nuzzling your cheek on his lap while you beg to help you. he could tell you are wearing no bra, the outline of your hard nipples poking up through your shirt.
"you'll have to beg me better than that," he reaches down, folding his hand around one of your sensitive ears. he tugs on it, keening a soft mewl from you. "you poor, pathetic thing. you must've been desperately finger fucking your cunt before you got the nerve to beg me on your knees for help," he can very clearly see that you are wearing no panties.
you cheeks flush at his words, your ears droopy with submissive arousal. he slid his fingers to the tip of your ear, slowly massaging it just to see you squirm. he knows how sensitive your ears are. "show me how badly you want your step brother to breed you. tell me how much you need your needy cunt stuffed full with my cock," he pinches the tip of your ear, massaging it between his index finger and thumb.
scaramouche revels in your whimper as you shiver. your cheeks flush darker with adoration for him. you nuzzle your cheek closer to his cock, reaching up to unbutton his jeans. your mouth waters as you take out his cock. "please, help me, scara," your warm tongue sweeps out to kitten lick his leaking cock head.
scaramouche groans as your tongue curls around the tip. "please breed me. you are the only one that can help me," you slowly kitten lick down his cock. his cock throbs watching you move your thighs apart to play with your throbbing clit. "i need you breed me, pretty please," you lick your way back up to his cock head.
just being on your knees begging him like this made your pussy clench.
you lick his slit, playing with your tongue in his precum. "oh fuck," scaramouche hisses, squeezing your ear as you scoop his cock head in your mouth to suck on. his other hand finds the back of your head, slowly pumping the tip in and out of your mouth.
your fingers are slippery on your clit, drool running down scaramouche's cock as you suck on the tip. fuck the scent of your heat is twice an intoxicating when you are wet. his cock pulsed as you needily suck on the tip, swirling your tongue and vibrating moans on it as you pinch and rub your clit.
he'd been craving to bury his cock to the hilt in his delicate stepsister's pussy for months. what luck for him that you would come to him on your knees, licking his cock and begging for him to help.
"shirt off," scaramouche hisses in command, tugging on your ear again. "offer that pretty pussy of yours to me on your hands and knees while i undress."
your eyes light up at his words. you eagerly scramble to your feet, and tug your shirt over your head. you yelp in pleasure as he brings his hand across your ass as you crawl on his bed. turning around, you got on your hands and knees. your poor pussy clenches at the thought of begging more for him.
"please," you whimper, parting your folds and rubbing your clit, "i need my step brother's cock inside of me. my body aches for it," you had known heats are going to be harsh being a bunny hybrid, but you didn't think it would be this unbearable.
scaramouche pushes you down onto your elbows with a hand on the back of your neck, wrapping a hand around both your ears. your clit throbs as he tugs on them. you mewl in needy bliss, angling your ass up for him as your back arches prettily. "you sound like such a slut," he smacks your hand away from your clit, grinding his leaking cock head against it.
it felt better than your fingers already. your hips roll back to grind on his cock. "you feel so big," a tense shiver of anticipation shudders through you feeling his thick cock rubbing between your creamy folds.
"fuck, you worked yourself into a wet fucking mess," he groans, feeling your pussy immediately clutch around his cock as he pushes inside, not holding anything back as he stretches you apart and bottoms out. "you just take it like the good bunny slut you are."
you let out a loud moan at the delicious friction, your toes curling as his cock burrows into your sweet spot. your pussy clenches at his degradation.
"shit, you are suffocating my cock," he pulls out halfway just to feel the sheer pleasure of feeling your tight pussy wrap around his cock again.
"oh god, it feels so good!" you cry out, thankful that no one else is home.
"that's right, bunny. cry about how my cock feels while i breed you," he moans, using your ears for leverage as he sets an unforgiving pace. "i should've done this a long time ago," you'd nearly driven him out his mind with the scent of your heat.
"oh, please, cum inside!" you whine, each thrust of his cock tearing whimpers and shameless moans from your throat. tears well into your eyes, drool pooling out the corner of your mouth to soak onto the pillow under your cheek.
scaramouche laughs shakily, smacking his hand across your ass again. "still begging for me. how cute," he lost himself in the feeling of your tight cunt, working out his pent up frustration as his hips smack into yours.
your eyes squeeze shut for a moment as tears trickle down your cheeks. above your moans, you hear him taunt behind you, "i'm fucking you good enough to make you cry."
his cock aches unbearably, craving to feel your pussy gush on it. every thrust seemingly intent on rearranging your insides. his hand squeezing your ears only made your cunt clutch harder around his cock.
your orgasm is jarring as it hits you. your body shook from the intensity, your pussy sucking his cock inside. you push back restlessly on his cock, every fiber of pleasure inside you screaming that you wouldn't be satisfied until your beloved step brother cums inside of you. you are so in love with him that it hurts.
"am i being a good girl for you? am i? am i?" you whimper, nursing your fingers on your clit through your orgasm.
"my good girl, my sweet girl," he moans, his fingertips digging into your hips. your cunt clenches at his purred praise. "you are being the goodest ever," cum spurts inside of you, his thrusts aiming to fill you as full as possible.
you are limp with pleasure, helpless until he is satisfied. letting go of your ears, he pulls out of you and rolls you over onto your back. "you good?" he asks, tapping your forehead so you would open your eyes and look at him.
he smirks seeing your fucked out expression, your eyes hazy and glassy. "mhm," you reply, smiling softly up at him.
"good girl," he pats your thigh before moving down between your legs. he has to worship his step sister's pussy in appreciation while he licks you clean.
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avenpt ¡ 2 years ago
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What a great turnout! Many thanks to those that voted. It does, indeed, appear to be an ARO SWEEP!! But of course, all romantic orientations are totally valid and awesome, too. It just so happens aros run this tumblr joint. ;)
We thank you for adding your orientations in tags/comments/reblogs etc. This community is very diverse, and we love to see it!
Romantic Orienations
We realize there are an infinite number of romantic orientations, so we apologize if we've left yours off! Please select Other and let us know how you identify. :)
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lotties-ashwagandha ¡ 3 months ago
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OFFERINGS
poly!adult!yellowjackets x fem!reader
NSFW! you try to blackmail them for money, but end up with them on your doorstep, and they’re ready to kill you until they realize who you are. the anons were going to smite me down if i didn’t write this, so enjoy :) toxic weirdo shit in this fic so consider this your formal warning. AU where lottie still has her wellness center bc miss cult leader deserves to be happy. also misty is mentioned in this fic but she doesn’t get busy bc in my head she’s ace and possibly aro and I have to follow that.
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��You should go,” Lottie says, pulling on a robe. “You’ll be late for work.”
In theory, you could stay for another hour or so, if this wasn’t all so transactional — but you know she doesn’t like the idea of anyone seeing you sneaking away out of her cabin in the mornings, so she sends you away at dawn. If she had more self control, she would have you out before that — but the nights you come over to the wellness center are the only nights Lottie allows herself to really be free, and the two of you usually end up drinking or smoking something so potent that you don’t remember making it into bed together in the first place.
And most of the time, Natalie is no help — she hasn’t been ever since she and Lottie started dating, and you started coming over to be shared between them.
You don’t know how Lottie still manages to function at such an early hour afterwards, and every time, while Natalie sleeps in. If it were up to you, you’d take a full day of recovery. Instead you are on the road driving at sunrise back to your apartment, so that you can change and look somewhat presentable at work in a few hours.
You don’t feel bad about the letter you slipped into their mailbox this time. You should, but you don’t — and you don’t regret sending variations of the same to the rest of the Yellowjackets, because all of them are wealthier than you, and even if you were to receive double the amount of money you were blackmailing them for, it wouldn’t put financial strain on them at all. And now, above all, you need extra money — the current financial landscape makes it nearly impossible to get a job that pays well enough for you to live comfortably.
While you’re driving, your phone starts to ring. The caller ID surprises you with Shauna Sadecki.
“I need you to stop by the house,” she says as soon as you pick up. “It’s important.”
You haven’t spoken to Shauna in a long time. You’re older than her daughter by a long shot, but your families are familiar since your younger sister has been best friends with Callie since she started high school and you were already in college. “Is everything okay?”
“I know you sell Callie weed,” Shauna states.
That’s new. It’s not true, either — not really. “I don’t sell your daughter weed.”
“You give it to someone who gives it to someone who gives it to her,” Shauna sighs. You can’t deny that. “I don’t mind. But she’s run out, and I… I’m going through some shit, and I need you to stop by with your magic shit.”
__
Shauna lights the first joint in front of you. She savors the smoke, closing her eyes for a moment as new calmness sweeps over her features.
“Is everything alright?” You ask. Out of the corner of your eye you see the envelope you sent.
She opens her eyes and unpromptedly glances down at the envelope before turning to look out the kitchen window. “Everything’s fine.”
You nod, clearing your throat awkwardly and pocketing the money she hands you.
“What about you?” Shauna asks. “Haven’t seen you in a long time. Your sister still comes over at least three times a week, though.”
“I’ve been working,” you say carefully, but with the necessary authority in your voice to make your tasks sound big and important.
“On this enterprise you’ve got?” Shauna looks down at everything she bought from you.
“And other things,” you shake your head.
“So mysterious,” she mocks you. “Well, good luck with all of your… other things.”
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“Hey,” Taissa sits down on the couch next to Van. She hands her the letter. “This was in the mailbox today.”
“What is it?” Van looks up from the box of tapes she had been sorting through.
“Open it.”
Van opens the envelope and reads what lies inside. When she’s done she closes the envelope and rips it in half.
“What are you doing?”
“It’s bullshit,” Van shrugs. “No one’s going to expose anything we did. No one knows anything.”
Taissa shakes her head. “Should we really take that chance, though?”
Van hesitates. “What would we do, anyway? I’m not giving anyone money.”
“Maybe we don’t have to. We could—”
“We’re not killing anyone, either,” Van interrupts, and even though her concern dissipates a bit when Taissa grabs her hand, she is stern.
“I’m going to call Misty,” Taissa decides. “If anyone knows what to do with a blackmailer, it’s that crazy bitch.”
__
Your next stop was a test of luck.
You had a growing suspicion that Melissa, a woman that was meant to be long dead, was living the suburban dream instead of rotting in a grave. You had done some deep diving on what really happened to the Yellowjackets, and some conspiracies you found online matched with some other research — and a few things Lottie and Nat said when you were unreasonably high with them one night — led you to locate Melissa alive and well in a new house with a new name and a wife that just so happened to be the daughter of a researcher killed in the wilderness.
You’ve driven by the house a few times now to make sure no one’s home. The only car left about half an hour ago, and from what you could gather it was the whole family that had left.
The final envelope rests in your hands. It will be simple to walk it up to the mailbox, you’re parked a ways down the street so that no one suspects you, but you’re still wrought with apprehension.
The mailbox, instead of being placed at the end of the street, is a drop box attached to the house next to the front door. It’s closer than you want to be to the house even with no one inside, but you gather your courage and try to act natural for anyone watching as you go up the front steps to occupy the porch.
You reach for the mailbox, but before you can slip the envelope inside, the front door swings open.
Shauna Sadecki meets your eyes. “You need to go.”
You pause, clutching the envelope. “What are you doing here?”
“What are you doing here?” Shauna tightens her grip on a knife in her left hand. Then, she sees the envelope you hold, and recognition sweeps over her face. “What’s that?”
You don’t have time to answer. She rips it out of your hands and opens it, scanning over the letter within.
Shauna looks back up at you. “You fucking bitch.”
Another voice sounds from inside. “Who is it?”
Melissa joins Shauna in the doorway. There’s no doubt that it’s her, with the same quiet sureness that you remember from pictures of her taken forever ago. And if a resemblance to her past self wasn’t enough, she still wears that backwards fucking hat.
Melissa steals the letter from Shauna. “What is this?”
Shauna looks hesitant to say, guilty even. She speaks quietly, but you hear the fury in her voice. “She’s trying to blackmail us.”
Melissa crumples up the paper and faces Shauna. “So it wasn’t me.”
Shauna doesn’t meet her eyes.
“You thought it was Melissa?” You look between them and your gaze settles on Shauna’s knife. “Did you come here to…”
“And now it’s you,” Shauna pulls you inside and shuts the door. She points her knife at you, guiding you to go stand over by the fireplace. “You’re going to stay there until we decide what to do with you.”
You’re fucked — and the horrible thing is that you don’t really mind. You stand with Shauna Sadecki pointing a knife straight at your heart and while you are afraid, you embrace it. You have lived such an existence of monotony that part of you wants to take a step forward to find out what the point of the blade feels like against your chest, to see if she will drive it in the rest of the way. You want the intensity of her gaze pointed at you just as sharply, you want to bear her scorn.
“The rest are on their way,” Shauna says, coming closer. “Lottie, Natalie… What do you think they will do when they find out it’s been you behind this all along?”
You’re not sure how she knows. You’ve been discreet with your visits to the wellness center.
Shauna toys with the knife in her hands, glancing down at the paper Melissa holds. “Hand-delivering a blackmail threat. I didn’t think you were that stupid.”
You didn’t think any of it through. Your desperation had gotten the better of you and maybe, in the back of your mind, you had wanted to get caught. You wanted to feel powerful and in some way prove your defiance of the usual system of money honestly earned and a world where only the rich have the privilege of disobedience. You wanted to be caught and somehow praised for it.
You find no praise here. Death watches you.
“We could have you arrested,” Melissa stalks over. You realize she carries a knife now, too. “You could be fined, you could be put in prison… you wouldn’t survive it.”
You wouldn’t. You don’t know if you’ll survive this.
You hear a car pulling into the driveway. You stay still, even when Shauna lowers the knife and lets in the rest of the Yellowjackets.
They come inside one by one and suddenly you recall every horrible tale you’ve ever heard about their time in the wilderness. You remember the stories that they ate their own teammates, that they used to make sacrifices to an unnamed spirit and hope for salvation that was never truly received.
Lottie comes in first, and she is the first to notice you. She looks between you, Shauna, and Melissa, confusion etched into her features. “What’s going on?”
Shauna waits until the rest of them are inside before pointing the knife at you again. “It wasn’t Melissa. It was her.”
Lottie exchanges a look with Natalie, who stands at her side with the same look of surprise. Then Lottie approaches Shauna and grabs for the blade in her hand.
Shauna doesn’t let go. She looks up at her defiantly and a silent communication passes between the two of them that causes the rest of the room to fall silent.
Shauna lets go of the knife.
You take a step back instinctively when Lottie approaches with the knife. You can’t meet her eyes, not even when she steps so close to you that you can feel her breath on your neck when she leans slightly and speaks in a volume only you are meant to hear. “You spent so many nights with Nat and I, we thought you were ours, and you did this…”
“I needed money,” you say quietly.
“I would have given you money, love. All you had to do was ask,” Lottie moves back half a step and trails the knife down to the hollow of your throat. Greater authority comes into her voice. “There are three ways out of this for you. The first is you leave, you leave and for your own good we never see or hear from you again. The second way is that you give us something in return, a repentance. You give us an appeasement and we all carry on like we used to. And the third way…” Lottie lifts your chin with the flat side of the knife. You meet her eyes, and you understand her implication, that in the third way your blood is spilled for It and everything you read about the Yellowjackets becomes true. “What will it be?”
Your breath catches in your throat and for a moment you can barely breathe as you acclimate to the feeling of the knife, but you’ve already made up your mind. You don’t want to die, and you don’t want to leave. You want them. You want to beg for their forgiveness. “The second way.”
“The second way,” Lottie repeats, removing the knife and stepping behind you, circling you. “What will you give us?”
“Anything you want.”
She stops in front of you. “That’s not how offerings work. You don’t ask, you give.”
You hesitate. You know what you want to give, you know what she wants you to give, but you’re not sure if anyone else shares the same idea.
“You can pick a different answer if you’d like,” Lottie says casually, like she’s not offering isolation or death, “but you have to decide now.”
You have known what you’ve wanted since you started all of this, even if you never fully admitted to it. So there is no fear or regret or horror living in you when you step up to her and kiss her. Her arms slide around you, one hand pulling at your hair and driving you closer to her. You hear the metallic clink of the knife dropping to the floor.
Someone else is behind you now, pressing up against your back. You can tell instantly that it’s Nat — you have been down this road before. She reaches for your shirt, greedily pulling it over your head before latching onto your neck and sucking angry marks onto your skin. Her nails dig into your sides, and you moan when she pulls you closer back against her.
Lottie is pulled away from you by Melissa, who isn’t so apt to share you. You run your hands along the defined muscles of her shoulders as she kisses you, and you gasp when she tugs you forward and leads you into the bedroom. She gets impatient before you can reach the bed, instead shoving you back up against the wall.
She’s about to get on her knees in front of you when Shauna pushes her away.
You meet Shauna’s eyes for a moment. You both know that this will not leave you after, that the way your families have been innocently entwined will be poisoned. But she shoves her fingers into your mouth and you suck on them anyway. And you let her, and again Natalie who has returned, leads you over to the bed.
It’s Taissa and Van, though, who pin you down onto it. Taissa doesn’t let you watch the rest of them caught up in each other kissing and sucking and moaning, and Van takes over and straddles you once the two of them have rid you of the rest of your clothes. She leans down, shifting to suck at your collarbones, moaning against your skin.
“So beautiful, isn’t she?” Taissa agrees, hand trailing against your jaw as she looks just as far gone at the sight of you beneath her girlfriend. She speaks about you like you can’t hear. “She’ll look so gorgeous when she cums for us.”
Lottie joins you on the bed. She looks down at Van with something akin to annoyance. “Let me have her.”
“You’ve already had your turn.”
“No,” Lottie argues, but her protests are silenced when Nat comes over and pulls her against her, and for the moment she’s satisfied. And you’re happy with the solution too, every inch of you burning with need for them with Van settling between your legs as you watch Natalie pull Lottie’s dress down and slide a hand down to rub at her clit. You moan at the sight, and the two of them notice, Lottie’s gaze a heavy pressure on you until Nat slides two fingers inside of her and Lottie throws her head back against the other woman’s shoulder.
At the same time, Van licks through your folds, tongue sliding lazily over your clit. You gasp and Taissa leans down to kiss you, and somewhere close you hear Shauna’s whispered praise to you and Melissa moaning as god-knows-who is touching her.
It’s building quickly, the heat between your thighs that’s growing into something so fervent and agonizingly intense that the moans that escape you are embarrassing, and the speed at which they’ve taken you to the edge of release even more.
“Watch her, she’s so close,” you hear Natalie whisper to Lottie. “Watch her cum from seeing us.”
Van sucks your clit into her mouth, working her fingers inside of you, your wetness coating her chin and hand. And then Taissa straddles your face, lowering herself down onto your mouth, and your hands are shaking as you pull her closer and start to lick through her wetness.
Someone pulls Van away from you — Shauna.
“Don’t let her cum yet,” she orders. “Not until the rest of us have.”
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im on my period btw and everyone needs to know because i am very angry about it. wrote this on my typewriter bluetooth keyboard like a true gangster of irredeemable sin, a glutton of tickled toes and one jolly fellow of olden days. comment/reblog if you enjoyed :)
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ckret2 ¡ 9 months ago
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Hey, so you've mentioned that Bollford will eventually play a small part in the fic... and that got me wondering. What exactly are their sexualities? Bill isn't technically any human gender (I don't think? Like he just says he's male becuase its easier?) could human sexualities apply to him? And becuase of that... what would it make Ford? Obviously he only ever loved Bill becuase he's a monster fucker... but what now? Is he actually plansexual? What's your take?
This is Bill's own answer about his sexuality, from the reddit Bill Cipher AMA:
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Because the original comment was removed, a lot of later readers assume that Bill is talking about what his own gender is; but the original comment actually asked what his orientation is.
Since Bill's reply says "my dimension has" rather than "had," and he talks like he COULD file his paperwork if he were so inclined, I'm assuming that by "my dimension" he means the Nightmare Realm, not Euclydia. (If I tell you something about "my town," I'm talking about the town I live in, not the hometown I left a decade ago. Why assume Bill does differently?) So he's talking about trying to figure out his orientation in a context of mingling with alien genders, not his orientation within the context of his home dimension.
From his answer, I can conclude three things:
His orientation isn't whatever was considered normal for his culture (example: straight in a heteronormative culture), because if he was attracted only to The Things He Was Expected To Be Attracted To and never attracted to The Things He Wasn't Expect To Be Attracted To, that would be pretty easy for him to recognize.
His orientation isn't ace/aro, because if he was attracted to NOTHING that would be really easy for him to recognize.
His orientation isn't pan, because if he was attracted to EVERYTHING that would be really easy for him to recognize.
So he knows for a fact that there's some genders he definitely feels attraction to and he knows for a fact that there's some genders he never feels attraction to, and they're not the genders considered "normal" in his species, meaning he can't just make a sweeping "yes" or "no" declaration about his attraction to as-yet-unknown genders.
That's as much as we know about his orientation and that's as deep as I care to take it. He knows some things he likes and he knows some things he doesn't like and sometimes he runs into something new and discovers whether he likes it.
As for Ford, I personally headcanon him as somewhere on the ace/aro spectrum—whether that's ace-ace and aro-aro or something a little more demi/gray depends on my mood, the weather, the stock market, and what house Mercury is in.
Is he a "monsterfucker" in the sense of "experiences sexual attraction to monsters" or the sense of "has a kink for monstrosity and is turned on by the excitement of (sexually) exploring something new and strange"? He couldn't tell you.
Has he ever fallen in love? He doesn't think so. Could he ever fall in love? Is he going to fall "in love"? Define "love". What's the dividing line between "emotionally wrapping yourself around someone who fills you with awe and excitement and the contentment of being understood and fantasizing about the wonders he'll show you and the ways he'll impact your life" and "love"? Define the dividing line between platonic friendship and queerplatonic friendship. Define the dividing line between romantic love and queerplatonic love. What's the precise difference between a crush and an obsession. What's the precise difference between a special interest and a romantic interest. If your answer involves criteria like "the desire to kiss" it's no good. Ford's made out with his special interests. He's spent fifty years trying to figure out how to kiss moths.
As far as he can tell he's like this
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Ford's a busy man of science, he's got better things to do than search for his precise microlabel*. (*Ford doesn't know what microlabels are.)
This is how he sees it. Forget about the actions and rituals people assume automatically come with "love" and "attraction" and "desire" and "relationships" and "orientations." You don't need to know what your orientation is. For example you wouldn't need to know you like women in order to Like A Woman, your body would just make you like her. An orientation is just a label used to categorize your observations of your body's instincts. So focus on your instincts rather than your label.
You find somebody. You like them. They like you. You want to do things with them. Don't waste time trying to figure out if you're "in love" by comparing the things you want against a hypothetical list of things that somebody in love would want: just pay attention to what you want to do with them.
Kiss? Go to movies? Talk about interdimensional quantum mechanics for eight hours straight? Hold hands? Sleep together? Bring them to family reunions? Play board games? Live together and jointly make decisions about finances, careers, education? Live next door to each other so you can see each other every day without having to cooperate on so many parts of your lives? Get joint filing tax breaks? Entrust each other to make medical decisions if one of you is in a coma?
These are a few of many possibilities. Maybe you want some of them but not others. Maybe you want some things that aren't listed. Maybe you hate this entire list. Whatever. Doesn't matter. Just figure out the things you want to do with them. They figure out the things they want to do with you.
Maybe you don't know whether you're "in love". Maybe one of you is "in love" and the other one isn't. It's irrelevant! The only benefit to knowing whether you're in love is that it provides a template with a list of things you probably want to do (kiss; sex; marry; babies; whatever)—but wouldn't you prefer to do the things you WANT to do rather than do the things you think you SHOULD want based on how you THINK you feel? You just figured out what you want from the person you like all by yourself, so who NEEDS "love"! You have a list!
Now you two can compare lists! You decide which things you both want to do and which things you don't. You compromise. You reach a mutual agreement on a way to conduct your relationship that will make you both happy. You have made...
... a plan.
(In the fic, I plan to continue addressing Bill's orientation by having him crack jokes about paperwork and answer questions like "do you like boys or girls?" with "sometimes"; and this chapter is probably as deep as I'll get into directly addressing Ford's orientation: "I only know there's been too many aliens for me to be straight." With Bill currently in human form, Ford sees him as "Bill (triangle) stuck inside a human puppet" rather than as "Bill (human)," so how Ford feels about Bill has no relevance to how Ford feels about human genders and vice versa.)
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