#are we really putting alicent in the cuck chair and calling it a day

[lemonhemlock]

Hi,I've recently discovered your blog and I Iove it.

I would like to know if you have any predictions regarding the second season of HotD. Do you think that the pessimistic attitude of many show watchers,especially TG fans, is warranted? Imho, if anything could irreversibly harm the greens is Rha*nicent. Not the ship itself, but the way the showrunners seem incapable of letting that ship sink after the time skip and are pushing it even after everything that has happened in season 1. Idk, the mere possibility of Alicent betraying her family and forsaking her children in any way to ingratiate herself to Rhaenyra is so illogical and outrageous, especially after B&C. The thing is, I'm almost certain that we are going to see a lot of Rha*nicent in the following season in some form and it could really irreparably ruin not only Alicent's character, but the greens in general. And, ofc, the show. What's your opinion about this and do you have any other predictions regarding the future seasons?

Thanks in advance :)

First of all, thank you, anon! 🌞🙏🌻

Preferences aside, I just think that white feminism sells in media. It manifests in tropes such as girlboss narratives (I know everyone is tired of this word by now), women warriors, female sexuality relayed through a male gaze-ish lens, overcoming adversity in an easily digestible way, scoring against some obviously misogynistic obstacle, framed in a way that appeals to a basic sense of justice etc. Lots of female characters that became popular in the last 15 years embody some of those markers, from Natasha Romanov to Katniss Everdeen to Arya Stark to Lagertha. And they're not even necessarily ~bad things~ or elements we shouldn't ever have in our fiction, it's just that this kind of tried-and-tested formula is what film executives think will bring them easy popularity and quick money.

Daenerys was such a hugely popular character that that it's to be expected (in this capitalistic hellscape we live in) that it would make monetary sense for HBO to try and recreate a straightforward empowerment narrative with the character of Rhaenyra. On paper, she has all the superficial storyline elements that could be converted into a blockbuster: powerful in some badass way (she is a competent dragon-rider), is A Rebel, owns her sexuality by sleeping with whomever she wants, which translates into 21st century mentality as empowerment, and has to overcome an obstacle posed by The Man.™ All wrapped up in a nostalgic package that reminds viewers of their beloved Daenerys.

So, unfortunately, I expect them to continue to build on these marketable points instead of focusing too much on finesse details, such as how Rhaenyra's already immense privilege and power as a princess of the Realm and a dragon-rider negatively impact those around her, how she can be both victim and perpetrator, how she perpetuates the cycles of violence and abuse + her less than palatable traits. Certainly, I'm not going to stand here and declare that they WON'T touch on those aspects either, before even watching the new season, because that would be silly. I DO expect them to address at least some of those issues and I'm sure there will be many moments which I will enjoy and even scenes that will be well-crafted explorations into certain questions. I do like this show a lot, at the end of the day, and will probably love S2, as well.

But, overall, I can't say hand-on-heart that the marketable concerns won't prevail in the end either, and I expect the framing to fall in the direction of "yeah, she did some bad stuff, too, but ultimately Rhaenyra had the right of it and was Betrayed by power-hungry woman-hating misogynists". Which does get frustrating in this media climate, because it is essentially the same message being delivered without much nuance or refinement: women* can't ever be wrong, anything a woman does is automatically great and should be supported, all delusions are valid if they're produced by a woman etc. I hope to be proven wrong, but only time will tell. Which is not to say that we should go back to making pro-patriarchy and pro-gender roles stories, which is kind of the vibe I'm sometimes getting from some "anti-woke" HotD critical pieces. An intersectional HotD - is that possible? At least a little class commentary on these people.

(*Of course, this only applies if the character fits into, what essentially is, another type of Ideal Woman: the acceptable amount of progressivism deemed appropriate at the current time, with the acceptable attitudes and interests. But that's a discussion for another day.)

So this is where rhaenicent falls for me. I've always thought it was an interesting addition and the change never bothered me, but there is a certain point at which it becomes unbalanced and, as you say, illogical. When is love ever "logical", though, you might question? Well, I think the prospect of losing your children + grandchildren + father + brother vs holding on to an unrequited lifelong crush might knock some sense into someone. Realistically speaking, the vast majority of people would nope out of that equation and the choice would be clear. How much can you truly love a person at the expense of literally your entire family? (including your extended family, because the Hightowers in Oldtown risked their lives for King Aegon). The reward is also so small, what exactly would Alicent be trading for? Yearning gazes and holding hands? Rhaenyra has not exactly been shown to reciprocate these feelings post Alicent's marriage to Viserys.

I think that the showrunners are holding onto this aspect because they're trying to make Alicent sympathetic to the general public, who are mostly on Rhaenyra's side, as a result of the show's framing. So their logic is that the viewers won't hate Alicent as much if she displays how sorry she is for everything, how reluctant, how much she loves Rhaenyra. And they think that her contradictory actions are a fair trade-off. So I do expect us to get more rhaenicent in the coming seasons.

All in all, this wouldn't be so bad, because indeed it could be framed as very romantic, a lot of pathos, star-crossed lovers etc and human emotions are messy and complicated. Our desires can often be contradictory in nature. Literature and mythology are filled with passionate love stories that defy all rhyme or reason. Doesn't Jaime tell Cersei he would kill every single person in the world for her? I just hope it'll get the presentation it deserves, delving into the complicated nature of love and difficult choices, and not turn into "Alicent would sell out her kids to save Rhaenyra from her self-inflicted predicament, all the while Rhaenyra is not sparing her a single thought or concern".