#anyways this post was just me trying to summarize that one section of the theme analysis but it might have made that section longer oops

[tempestmothstorm]

Ok I have a whole section about this in the ddlc theme analysis that will take months to actually finish but the way the theme of nihilism plays directly into the game’s meta existence as a dating sim parody aughhughhhhh

Like most parody visual novels and parodies in general don’t expect you to get invested in the world it presents. Like who actually cares about the in-depth worldbuilding in the kernel sanders dating sim? Like unironically. Its setting either exists to make fun of the world or subvert it, never actually taking its base concept seriously.

And ddlc is like it too, making all the characters the embodiments of their tropes and having a dozen dumb contrivances to fill its cutesy quota. And the player base before playing the game expects it too, either joining for the hype, the horror, the lore, or the parody. Heck even I was like that, knowing all about the cool scares and meta stuff but none of the actual good writing until literally this year. Like no one told me about it the span of seven years. Apparently it wasn’t a selling point. This game has actual heart in it but from an outside perspective it was just another indie horror genre parody. Nobody came in actually expecting to get attached to the world of cute anime girl game featuring beloved anime tropes such as the tsundere and yandere.

And when Monika has her own epiphany she ends up having a pretty similar view too. A lot of things fuel her apathy and overall disillusionment with her life, but I think a big part of it is the fact that not only are the club members fictional, but they’re also badly written anime tropes. It’s like an insult to be compare to that, and yet here she is having to tolerate her existence being a poorly written joke. Nobody would actually want to care for unrealistic cliches, getting attached to badly written characters means you have bad taste allegedly. Why should she care for these tropes that are supposed to be her “friends”, when they have no meaning and can’t care about someone on a real deep or intimate level. Unlike an actual person, a cliche parody can’t have enough substance to mean something. They don’t feel real. They don’t even feel real emotions. Why would they change your life? Why should they mean something to you?

And being forced to live with npcs lab grown to appeal to the very specific fantasies of a stereotypical anime fan while they involve you in their insignificant shenanigans that mean nothing in the end where they get to enjoy the one thing you want more than anything while not being able to understand how lucky they are compared to you?

…Yeah it kinda sounds like hell. Especially for miss manga hater. And when you’re in hell looking at heaven, why wouldn’t you do anything just to get a closer look?

(Also shoutouts to AM in that one audio drama of ihnmaims specifically)

Uh. Problem with all of this. None of it is actually true with the club. They’re fully fleshed out people with depth and complexity. They are just as sentient as Monika is, and by the end of the game a lot of people cared about these characters, this world that was meant to be a parody ended up meaning the world to people. A world that is meaningless in the grand scheme of things holding value nonetheless. Because even if the world wasn’t made to be cared about, people still cared.

This was all probably intentional btw. Maybe not ddlc being labeled a viral mascot horror, but it did help in a different way. While Dan Salvato mentioned a lot about making this game as anime tropey as possible, he also wanted to tell a good story with good characters. He ended up putting his and others’ real human experience into these characters and making them real, characters who are still supposed be the embodiment of their tropes. It’s clear he love and cares about all of them, and it’s even clearer that the internet loves them just as much. Despite being cliches, they had real impact on people’s lives, teaching people new perspectives, allowing people to grow into something better, etc. By ddlc+, they ended up as characters that grew beyond their tropes and became their own people, something that was a big focus within its art and the side stories.

There’s something so genuine about these games that I never got to see as an outsider looking in, and I feel like a lot of people think about it the same way. The same way as Monika. The way that goes against the whole point of the secret ending. Even if they were a parody, the world still loved them. Even if they’re a bunch of ai in an existential science experiment, they could still love and care for each other. Even if they aren’t real. Even if nothing else is real. Even if their existence is meaningless. They can still love each other and find meaning in that.

And I think this meta narrative is just really sweet man. The game still ends with everyone in a bad situation, but that little spot of hope means a somewhat happy ending wouldn’t be antithetical to the game’s themes like other games with sad endings. Because even if the world goes against it and everything else sucks, they can still be happy, together. They deserve it. It’s ok to want them to be happy. There’s the chance for something better

Ok that’s it Ddlc is cool idc if it sounds cheesy I like it

[wedreamedlove]

Xu Mo vs. Mo Yi [Character Study]

I can never get over the aesthetic of these two pictures placed side by side LOL. But, anyway, the point of this post is to nip any undue comparisons in the bud and claims of copying organize my thoughts and compare these two characters to highlight their similarities, differences, and further explore each character through these contrasts.

Q) If you like Xu Mo, would you like Mo Yi?

Honestly, I think this depends on what you like most about Xu Mo. I already knew beforehand that I gravitate towards characters who think 5 steps ahead, are predominantly logical, and scholars/gentlemen, so it’s not surprising I bias both Xu Mo and Mo Yi.

However, as I got to know Mo Yi further (Themis is around 6 months old now), I find that he’s distinctively different from Xu Mo on three crucial points that’ll determine whether people from either camp will like the other character.

1) Stance on Others

In a post for Xu Mo, “Into Your World”, I argued that Xu Mo is an alienated genius who had troubles getting along with others, until he mastered the social game as an adult. However, you can still see glimpses of this as he tries to understand MC’s world and shares his own.

To be fair, Mo Yi’s past is still under wraps but I feel confident in saying that, while he was probably highly intelligent compared to his peers [SR Sculpted Heart], his isolation doesn’t seem to come from his innate nature but rather his social position (there’s heavy implications that he’s like some sort of noble or something) [SR Snowy Pine Fairytale].

IMO, these backgrounds really shaped the way these two men interact with the world.

Xu Mo has a detached and indifferent view towards other people. They simply exist and don’t bring anything positive or negative to him. His ambition to ensure the survival of humanity reflects this too because it’s pure utilitarianism; everyone (apart from MC) can be sacrificed equally for the greater good. If anything, he probably finds other people to be interesting subjects to study, no matter what kind of person they are. IIRC the only time he expressed dislike to people, or a group of people, was when he told Hades he enjoyed killing thieves LOL.

Meanwhile, Mo Yi has an elitist streak to the point where he and his MC actually clashed opinions and debated each other [SR Warm Fingertips]. It’s incredibly ironic because he’s a psychiatrist who treats his patients without judgment, but at the same time he looks down on so many things and people (PUAs, people who betray love, hypocrites who only seek power and fame) [Ch2; Personal Story Ch1-3; SSR Moonlit Ball].

One of the things I noticed early on is that Xu Mo draws from the Eastern scholar archetype, “Xu Mo Character Study”, while Mo Yi actually draws more from the Western gentleman archetype.

So, just to summarize this section, Xu Mo is detached from the world naturally and likes to observe people and try to blend in. Mo Yi deliberately draws a line between him and others and, at times, has the casual cruelty of someone born as nobility (arrogance is carved into his bones, even if he tends to keep it low-key because he generally has a “gentle and polite” attitude).

2) Stance on Love

Xu Mo didn’t understand love, or really even emotions. Love is grown between him and his MC (there’s multiple analogies throughout the game about how their love is like a seed). I think [Ch25] pretty much sums it up for Xu Mo, where he goes through that emotional rollercoaster and muses about how, at the end of human evolution, emotions should be discarded. He also admits that MC taught him the “fear” of a normal person, because now he has someone he cannot give up no matter what, which goes against his previous utilitarian beliefs.

Compared to this, Mo Yi fell in love at first sight. Yes, you read that right. The “scientist and logical” archetype fell in love at first sight LOL. Not only does he acknowledge it right off the bat, but he fully embraces it too and believes that real love makes people better versions of themselves [Personal Story]. Mo Yi is a through and through psychiatrist in that he never underestimates how primal emotions (and love) can be.

Heck, not only is this central to his personal story, but we also have hints that one of Mo Yi’s parents fell in love at first sight with the other person (and he inherited their predisposition for that). Unfortunately, their love had a tragic end and Mo Yi seems to have a huge grudge against his father for whatever happened to his mother (again, Mihoyo is keeping this a mystery LOL), but Mo Yi explicitly confirms that even if his love leads to a tragic end he will still walk down this road and attempt to change it [SR Cool Summer].

IMO one other difference between them re: love is this exchange that lives rent free in my head which I saw in a Xu Mo/Reader/Mo Yi fanfiction LOL. Bear with me here.

Mo Yi: Wearing a mask for a long time will tire you.

Xu Mo: It’s enough just to wear one in front of the necessary person.

Xu Mo and his MC make great efforts to understand each other’s worlds, but this understanding comes from the doors he chooses to open to her. He reveals himself as much as possible, but I think he’s an inherently private person (and there’s all that Ares stuff) so there are times where he hides things so that he doesn’t worry his MC. I think this is enough to count as a “mask”. Sometimes he pretends he’s okay when he’s not.

On the other hand, while I think Mo Yi shares the sentiment in not wanting his MC to worry unduly, he tries to reveal himself as much as possible. There’s an amazingly relatable conflict in him here where he wants her to know every side of him, but he’s also terrified of how she’ll react if he shows her his ugliest sides and imperfect sides (he has some sort of phobia or fear about imperfection, but Mihoyo has been keeping mum on the exact details of this so far) [Personal Story; SR Sculpted Heart].

It’s pretty ironic that Mo Yi wants to be perfect, but he realizes that the more perfect he is the more of a sense of distance there’ll be between him and his MC because of the subconscious pressure someone “perfect” brings LOL [SSR Border of Light and Darkness].

3) Stance on Growth

If you haven’t realized that one of Xu Mo’s greatest themes is the phrase “Take your time in growing”, then what have you been reading? Jkjk, but seriously this gets repeated in multiple places, although my brain always goes back to [Blossom Date] for this.

Even if he and his MC start off with fundamental differences (she believes all people have inherent worth and can’t be involuntarily sacrificed), he wants to personally watch the journey of her maturation. He also subtly guides and teaches her. Unfortunately, due to circumstances of the main story, he doesn’t get his wish and she grows up a lot out of his eyes, but their relationship still revolves around him wanting her to have as much time as possible to grow.

He’s, for a lack of better word, extremely gentle about this (setting aside as much of the Ares and story parts as we can, because LovePro’s story is tragedy on tragedy LOL). I think [Autumn Blaze Date] shows a good analogy for this, because he holds the bicycle steady for MC until she can get going on her own, and he also catches her the first time.

Meanwhile, Mo Yi... ha ha ha. I just came out of chapter 3 for his [Personal Story] and let’s just say his philosophy is tough love. It’s ironic because, in many of his other dates, he wrestles with an internal conflict to protect his MC but also to let her experience all sorts of things to both test and temper her.

This is going to touch on the previous topic about love for a moment, but a part of Mo Yi’s love at first sight experience is also “testing” the other person through all sorts of situations and, after seeing all their different sides, he can determine whether his love at first sight is one that’ll last for the rest of his life or if it’s just a fleeting moment of beauty and emotion.

He also extremely respects his MC’s sense of justice and pursuit of the truth in the world, no matter what she encounters, and I wouldn’t be surprised if this is what drew him to her in the first place. But MC’s occupation and beliefs will make her confront a lot of dark and dangerous things and so, whenever possible, Mo Yi lets her confront these in “controlled” situations to train her. If I had to make an analogy, IMO, he’d let his MC ride the bicycle and pick her up only after she falls, or when she’s like 0.1cm away from the ground LOL.

Mo Yi is (perhaps rightfully) called out on this by another character, who believes Mo Yi is too arrogant in believing everything is under his control and he can prevent MC from getting hurt whenever he lets her get into dangerous situations, and I’m interested to see if Mihoyo will let him experience failures with his philosophy so he can grow more, like the things Xu Mo went through re: his personal beliefs [Ch24].

Overall

I don’t know how well I explained myself, especially for people who don’t know anything about Mo Yi, and each section goes back and forth between the two characters LOL so here’s another section that attempts to describe their overall atmosphere.

If, like I said in my Headcanon Notes, Xu Mo makes me immediately think of all the words for soft, gentle, light, still, water, etc etc., then the words I constantly think about for Mo Yi is messily human. He’s like a bundle of contradictions, but coherent because it’s being intentionally done.

Mo Yi doesn’t discriminate against his patients, yet he can be elitist and looks down on others. He wants to let MC have dangerous experiences, but also wants to protect her. He wants to be perfect, but he also wants to reveal himself entirely to his MC because that’s real love.

In contrast, Xu Mo has a very clean and orderly personality LOL. You can draw clear cause and effect lines from his personality to his actions.

So, anyway, these are two interesting characters who start off with similar archetypes as scientific logical men of scholar/gentleman dispositions, but yet they’re also on opposite ends for a lot of things such as their approach to emotions and the world.

Oh wait, lastly, because I don’t have a good place to put this—but I think it’s funny—is that both characters are pretty possessive and greedy, but while Xu Mo does things in a sneaky, cunning and fox-like way Mo Yi gets ridiculously open about his jealousy and it’s hilariously cute but also almost childish? I often forget Mo Yi is older than Xu Mo by a year, because Xu Mo honestly feels a bit more mature than him LOL. If we count them actually aging by when their game came out though, then Mo Yi is 28 and Xu Mo is 29 now.

[binniesthighs]

eehee here it is the long awaited results of my chaotic ass survey about our hornies it’s so long holy heck, but I have seperated it into a couple sections to make sense of it all (omg if you read all of it lemme give you a kith teehee) ahhhh lol its SO nerdy haha but i hope that ya enjoy nonetheless! ✨

In this essay, I will....(hahah jk jk this is just all for fun) 

1. Demographics Analysis 

2. Polls on Fic Content 

3. Member Specific Analysis 

4. Deep Dive into the Juicy Questions (Confessions) 

5. General Thoughts and Conclusion  

6.  Cute shit that ya’ll said that made me giggle

*Unpopular opinions will be made into their own post to give them ample space and analysis!

Other Notes: 

Out of 100 individuals surveyed, 44 were readers, 2 were only writers, and 54 were both readers and writers. 

Statistical significance can be effected by sampling, selection, and response bias (yeah i took a stats class teehee) and personal biases 

All the the opinions and other analysis presented by me (Ro/binniesthighs) are purely my own oponion and are not factual. you are entitled to interpret all of this information however you like! Anything that i analyze is not definitive! 

while this survey is mostly about stay smutblr, i hope that it can also maybe serve as a template for other fandoms as well with the more general questions! this is a survey for everyone! 

i’d love to hear about what you think about anything presented in this analysis! feel free to send me an ask or comment! reposting is permitted within tumblr or on other platforms if proper credit is given! ❤️ (uwu hehe if you could please help me spread this i would appreciate it so much! i worked really hard on her 🥺) 

1. Demographics Analysis:

Gender Identities of those Surveyed 

~My thoughts: this really came as no surprise to me considering how the majority of kpop fans (especially boy group fans) identify as female! Seeing as I am a Stray Kids/Seventeen blog (both of them boy groups) it makes sense to me that my readers would mostly identify as female! 

Another important thing to note (from a writer standpoint at least) is the wide array of identities that we still have present within the general audience of stay smut blur (SSB)! I’ll get into this later when i discuss favorite pairings to read, however i think that this gives us one more reason to write for a diverse audience of readers who can identify with different types of self-insert fics! 

Top Five: 

Female (81%) 

Non-binary/gender non-conforming (13%) 

Changes by the day (6%) 

Male (4%) 

Demiboy/Demigirl (3%) 

Sexual Orientation of those Surveyed 

Other identities mentioned: 

????, unlabeled, aromatic bisexual, bicurious, demisexual, “just liking who i like”, experimenting, heteroflexible, sapiosexual, depends day by day, “i just like anyone” 

~My thoughts: okkkkk i see us gays of SSB 😏 these demographics were really exciting for me to see! i think that it’s super cool that we have such representation across the board when it comes to sexual orientations present in our community! As someone who personally identifies as pan, this was super comforting to see that there are so many others like me in this little space of the internet! I think it’s safe to say at least from my lil survey that all the bi cuties out here own SSB 💗💜💙

From a literal standpoint, it also makes sense to me that heterosexuality is strongly present as well considering that often the pairs that we read are male idol x female reader so this is the perfect niche! 

Top Five: 

Bisexual (40.8%) 

Heterosexual (26.5) 

Pansexual (17.3%) 

Queer (7.1%) 

Asexual (4.1%) 

Stay Creators!! 

~My thoughts: this one i was THRILLED at seeing oml hahaha and i was so interested to see that this was nearly an even split! 

I think that there’s something to be said about how sometimes we can take our hobbies: (movies, videogames, books, kpop, anime etc)--all things which we really like in totally normal and healthy ways but also kinda like....get hornies about them too? if that makes sense? for example, i have a friend who really likes certain video games/characters from these games as a fan and he’s shared with me that he also doesn’t mind watching porn containing those same characters! (ahahah ya all know what i mean don’t even lie haha) 

what this question proved to me as that there are stays out there who practice “being a stay/being a stay creator” who also are interested in the more...horny side of this hobby/interest 😂

what is even more interesting to me is who i wonder if i’ve  have consumed any of ya’ll’s content while you have consumed mine??? this i am DYING to know aha but it think its best for all of us to stay anonymous teehee ;) 

either way, good on ya for doing what ya do!! you are so so treasured in this community too!! <3 

2. Polls on Fic Content (a long section lol) 

Favorite Pairing to Read 

*other options selected were rankings of favorite pairings so i just added each of them as an entry to the respective category mentioned. 

Top Five: 

Idol x female reader (69%) 

Idol x gender neutral reader (19%) 

Idol x reader x Idol (poly r/ship) (14%) 

Idol x reader, Idol x reader (threesome, not much interaction between the two idols) (8%) 

~My thoughts: once again, this category was pretty self explanatory to me considering that the majority of readers are female identifying, so it would make sense that they would prefer to read smut that aligns with their identity! This is also super present anyway of SSB as i do feel like the majority of writing pieces that I do come along are idol x female reader, and most authors too often disclaim that they are the most comfortable writing this type of pairing as well. 

What’s signficant as well is the interest in reading fics with gender neutral reader self inserts as well! this is my personal philosophy when it comes to writing (specifically with requests) but i think that writing gn!reader is always the safest bet to go as to not make assumptions about readers! for writers i think that seeing this 19% is something important to take into consideration! 

An outlier to me with this demographic was the “poly r-ship” poll garnering a notable 14% in comparison to the idol x idol option which got 10 less votes (4%). what is a little confusing to me about this is how poly r/ships often (but not always) contain idol x idol content, however there is discrepancy with the amount of readers outright saying that they enjoy reading it alone. I’ll get into poly fics later with the unpopular opinions section--however i wanted to plant the seed here hehe. One other caveat to this is the fact that on SSB i feel like idol x idol content is really in the minority and is much more present on a platform like AO3 so this could be another explaination! 

What is kinda cute to me is the fact that readers do really like poly r-ship dynamics more than a threesome (as i defined it, “with less interaction”) so this makes me feel like we are all saps for the fluff that comes with poly r-ship fics ;) 

Favorite Kind of Smut to Read 

male idol smut (67%) 

i read both! (female and male idol smut) (25%) 

depends on my mood (7%) 

female idol smut (1%) 

~My thoughts: Again, this is super expected to me as well considering the above statistics. Since i am a skz blog (a boy group) --as are my moots-- it really makes sense that those who filled out this survey would be into male idol smut! 

what was cool for me to see as well was the number of readers who also read female idol smut as well as male idol smut! personally, i more predominately a fan of boy groups compared to the amount of girl group content that I consume (note: i do also consume gg content). because of this, i think that its really up to personal preferences and the content that you consume that can be reflective of the smut content that you consume as well and ya know, whoever gets your hornies going ;) 

Favorite Genres...Ranked! 

*so this was my fault lol i totally formatted this question poorly in google forms so i’ll try to summarize the most popular rankings with my words haha 

*bc of the way that i miffed it (lol) i wasn’t able to get exact measurements, but rough ones! 

Top Five: 

Smut, fluff, angst 

smut n’ fluff (with specific emphasis angst is not desired)  

smut, angst, fluff, 

fluff, smut, angst, 

angst, fluff, smut 

~My thoughts: by far, the most popular ranking that i saw was as follows: smut, fluff, angst. i saw this sososos many times haha also...ya’ll got really creative with your rankings and it made me giggle hehe. So! seeing as this is stay smutblr haha makes total sense that the three most popular rankings that we have were lead by smut! since we’re here for the hornies, i totally get this. 

as for the “smut n’ fluff” or “fluffy smut” category, there was a decent amount of readers that expressed that this mixture is their fave! i’m kinda looping this with the “mixture” option that i also provided for this question since this was the most popular mixture that i was able to observe along with angst + smut. interestingly, i saw a couple mentions of “hurt/comfort” fics with this question too so this went well with this preference. as for number three on this list, we dip into that smut + angst category that I just mentioned as well. there were several individuals who said that they really really enjoy reading smut with angst! 

lastly we get to the four and five on the list: four being fluff, smut and angst. i think this category can also properly represent the folx who tend to like more fluffy fics over the smutty ones, but that can also have suggestive themes too! in five, we have angst, fluff and smut which also is representative of another theme that i saw: as far as plot goes, several people mentioned that they liked fics that start with angst, get fluffier, and then end up in smut, so i think that this could be easily compared! 

*there were also several readers who simply said “all of them” or opted not to rank, (lol me) so this really shows the variability in results! 

Cute stuff ya’ll said (kind of out of context too LOL) 

“... hehE I HOPE THIS MAKES SENSE.” 

“...I KNOW IT [my ranking] LOOKS TERRIBLY SPECIFIC AND IM SO SORRY and I guess the better way to describe that was one that has all 3 with a happy ending lol my b my b.” 

“ ...it just depends on the mood my dude.” 

“... (the smut doesn’t have to be soft i just want the relationship to be soft and i want aftercare and general affection).” 

“(but almost no angst oops)” 

“angst honestly makes me so sad.” 

“... but long fics with angst and slow burn smut/fluff is just WOW.” 

“ my favourite thing is when it's fluffy smut tbh with a little bit of angsty backstory. that is *chefs kiss*” 

“(I'm a sucker for good angsty fics but I cant seem to find them???)” 

“Smut, Fluff, Angst (I tend to be a bit of a purist so no mixture here).” 

“(i can't read pure angst lol) “ 

“(I love how much plot there is in angsty fics but I personally can't read anything without a happy ending, i just can't take it)” 

“ i literally couldn't rank them bc my mood is always changing lmaooo.” 

“ smut, fluff, angst. i know what i’m about.” 

Favorite Length of Fics 

Top Five: 

5k-8k words (27%) 

2k-4k words (25%) 

1k-2k words (20%) 

10k-20k words (15%) 

20k words (12%) 

~My thoughts: this one was super helpful for me to see!! and writers i hope that this is helpful for you too! as someone who tends to rambles (lol) it was very comforting for me to see that long-ish fics are actually preferred! what is really cool about this data too is that it is all super well balanced for the most part and nearly edqual in some parts! how i see this, i think that when it comes to preferences of length, its really reader specific so anyone could like anything! this goes into a little bit the slow burn question that i asked as well too, but it’s really cool to see that when readers do read, they kinda like something to sink their teeth into! 

i wanted to look into how long it takes you to read these words, and it appears that on average, a 5-8k fic can take someone 30 mins to read whereas a 2-4k fic takes about 15mins! idk if this says something about attention spans, but as a writer it warms my heart to know that you’re willing to spend 30 minutes of your time reading something that i wrote! 🥺

another thing i wanted to bring up is the “hard and fast” smut readers--those who like to get straight to the point, get right to business and to the juice! they are also a decently large group too! as for readers who like a nice long fic or a chaptered fic, they are super close in numbers! from this, it’s safe for me to assume that maybe those who like reading longer fics are more inclined to strap in for the long haul with chaptered fics too! 

Favorite AUs to Read 

*the top category that got cut off (thank you google forms lol) is friends to lovers! the one that says “...love” at 48% is enemies to lovers, and the one that has a blanked out title at 35% is strangers to lovers! 

Top Five: 

friends to lovers (65%) 

enemies to lovers (48%) 

high school/college au (40%) 

roommates/neighbors to lovers (38%) 

strangers to lovers (35%) 

Other AUs mentioned by you! 

office au, royal au, vampire au, fake date, idol au, slice of life, boarding school au, childhood friends, soulmate au 

~My thoughts: ok ok so this was RAD to see! i often wonder myself the kinds of aus that my readers would like to see so this was really helpful! circling back on how readers tend to favor fluff n’ smut (friends to lovers) and angst n’ smut (enemies to lovers) i think that we’re seeing some more themes here teehee. 

i like to think that since most of us are of the college age, the college au is super relatable therefore we really like to read it! not to mention that college and high school au’s are super duper cute as well! this is also relatable to the roommates/neighbors to lovers category which is also relatable to us who may or may not have experienced having a roommate or crush on the cutie next door ;) as a couple readers mentioned, they liked more “slice of life” au’s--which both of these categories fall into! i think we as readers like scenarios that feel the most real to us, bc they are the easiest to insert ourselves into :) 

fantasy and thriller, action, more “fiction” tropes are in the minority, however i think that this can be for the exact same reason as i mentioned above where readers like more relatable scenarios. 

Opinions on Slow Burn Fics 

~My thoughts: during polling of this category, this pie cart stayed basically the same the whole time!! that was pretty cute to see! the important take aways from this survey for me is the fact that slow burn fics are generally really loved! again, lol as someone who writes big ol’ long slow burn fics this made me feel a lot better hahaha basically, the general consensus is that slow burn fics are welcome most of the time, however some readers might need to invest a little more time into them! this is also very easily comparable to the above statistics on the length of fics preferred (longer ones being the ones more popular) so here’s a lil more supporting evidence! 

3. Member Specific Analysis 

Bias Survey 

Top Five: 

Chan (19%) 

Changbin (18%) 

Hyunjin (16%) 

Jisung (15%) 

Minho (14%) 

~My thoughts: ok ok ok so this is where it starts getting JUICY hehe (also i apologize once more for making you pick LOL) 

the reason why i asked this question was because i wanted to see if there was a correlation with biases and if there was a probability that members who had more people biasing them (or popularity I guess) were more likely to be read more in smut fics! AND I WAS RIGHT haha isn’t this so fkn cool??? (see more in the next section!) 

for comparison, i went to kprofiles to see their little survey on bias popularity and their top five. 

Kprofiles Top Five: 

Hyunjin (15%) 

Felix (14%) 

Chan (12%) 

Minho (11%) 

Jisung (11%) 

SO oh my god my nerd brain is loosing it over this REE so, what i should note that is those who took this survey on my blog are likely generally different based off of the fact that they are here to read smut specifically, rather than the general holistic popularity survey. It is for this reason that we see Felix much higher on this list and Changbin much lower too (as we know Felix is really well known generally and globally and there are *generally* fewer Bin biased fans). What was really interesting to see what that with Hyunjin, Chan, Jisung and Minho, they still all stayed within the top five! Soooo what i’m saying is.... all of you Hyunjin, Chan, Jisung and Minho fans really must like your smut 😏 and I think that it’s safe to assume that the majority of hard stans come from these four members too ooP (and of course our Binnie too! ;) i see all of ya’ll 👀) 

Members That Get Our Hornies Going 

~My thoughts: AHH DOESN’T THIS LOOK SO SATISFYING? I’M SO PROUD OF HER!!! 

First off, i would like to acknowledge the all mighty power of Bang Christopher Chan for pooling this most hornies god DAMN while i kind of expected this, it is also evidenced in the fics that i write! recently i’ve been tracking the number of notes that my Chan hard thoughts get in comparison to other members and the differences are usually ASTRONOMICAL. He is most def the most popular member for smut for several different reasons, lowkey bc i think that it’s kind of part of his brand?? hahaha if ya know what i mean? 

As for preference from Minho on, we can see a super obvious trend that as age order decreases, we get less and less interest for reading for the member. I’m fairly inclined to believe that this has to do with the fact that most often fans (especially fans older than skz) have a harder time seeing the younger members in a sexual way, so the lack of interest totally makes sense here! As referenced above too, we found that the oldest five members (Chan --> Jisung) are the favorites for smut reading which we can see here as well when the numbers really drop after Felix (Felix coming in at 6th place on my “popularity” survey). 

Bc of these statistics, i do really feel like as a reader, i tend to see much, much more fics involving our top five! As for Seungmin and Jeongin, I’ve also seen people state that they do not read or write content for these two members bc they do not feel as comfortable, so this can also explain the lack of content. Also as we have heard many times, Jeongin is a bit of a hot topic lol within the SSB community, so this makes sense that his readership would be low as well. 

4. Deep Dive into the Juicy Questions (aka confessions) 

Is the fact that you read smut a seggsy secret? 

~My thoughts: JUICE TIME JUICE TIME 

Before I say anything, i wanted to tell you all how all of the juicy questions were totally optional, but i got 100% participation for every single one of them which if find HILARIOUS i guess you all are just as curious as i am?? ;) 

So! for this question, we have an overwhelming amount of readers who said that only their closest friends know which is so cute to me! i love how we can trust our friends with this hehe. i also fall into this category bc like, it’s lowkey kinda fun to talk about? maybe also the fact that i run a smut acct makes me care a little less about it all hahah 

secondly, we have the rather large group of people who said that they wouldn’t dare to tell anyone which is also sooo cute haha idk how to explain it but this was the category that i started out in too until i found the right people! But i totally get ya, reading smut--especially-- kpop smut-- can be embarrassing or cringey to share (not to mention that it is somewhat morally grey LOL) so this is really understandable! 

also my fkn hats off to all of you who said that you didn’t care about who knows that you read smut. here, you dropped this: 👑 you’re much braver than i could ever be. 

When you read smut, do you really feel the hornies? 

~My thoughts: ok, so this one to me was also very interesting for me to see as well! (also if you get uncomfy reading about personal masturbation habits you can skip this one lol) 

the reason why i asked this question was because i wanted to see if people “get off” by reading smut (whether reading it turns you on, or if you choose to use it for “material” to get off on however this might look, might be more of a mental simulation without any real like, physical getting off) candidly, I use smut to get myself off every once and a while, so i wanted to see who else might be in the same group! since becoming a writer however, i read much less and reading it doesn’t hit the same when i was just a reader bc i have a different perspective of being the one writing the smut so i look at it more analytically--i digress. 

it was exciting (teehee get the pun?) for me to see that others also “get off” on smut too--and that they are the majority! teehee it is an honor for me to provide you with the hornies LOL. at the same time, we still have a large group in the “don’t take to seriously” category which was interesting to me too! i can’t speak for these readers, but i interpreted these kind of readers to be the kind who read smut to imagine the scenes and are like “hm, that’s hot, i like thinking about this.” but it doesn’t extend much outside of these thoughts. 

What is the most popular position pairing we like to read? 

*smaller slices of the pie represent multiple favorites which i also seperated back into the categories corresponding to get the best count into what was the most preferred. 

Actual Breakdown: 

dom!idol // sub!reader (51 votes) 

switch!idol // switch!reader (32 votes) 

subidol! // dom!reader (11 votes) 

all of the above (5 votes) 

depends on my mood (2 votes) 

~My thoughts: i feel as if there is a bit of a conflict between which position really is “the best” and while we really can’t know the answer to this question since everyone has different preferences, we can at least find out which one is the most popular to be consumed! 

again, going off of the content that I also see as a reader, i see TONS of dom!idol fics, like, left and right. also, if i may come for all of our necks, 👀 but...there’s really something to be said about the fact that the majority of readers are female and historically and socially, women are typically socialized to be submissive, so i can see why this would be why we would favor this among fics--this is even further evidenced by the fact that male idol smut is also preferred, thus further perpetuating the fact that women have been socialized to be submissive to men specifically. i’m not saying that this is the end all be all reason that this trend is present, but i merely offer it as a possible explaination. this is a much larger sociological conversation, but i think that this trend also showed itself in the types of smut that readers seek out as well--according to demographics. 

sub!idol fics are few and far in-between, and i think that this can also be for the exact same reason as i talked about above! 

When you read smut, do you pick faves to read for? 

~My thoughts: what’s cool about this question is the fact that the “half and half” nature of it also resembles what we saw in the section for favorite members to read! As we see in that chart, 41 out of 100 people said that they read everyone, similar to this question where 48 out of 100 people said that they read for everyone. What this proves to me once more is that when it comes for reading fics, there's a 50/50 chance that the reader will look at, and read it based off of who it is about alone. This is a really powerful statistic, meaning that the members who that a writer might write for really dictates their readership! At the same time, it’s super comforting to know that regardless of what you as a writer might write, there’s always someone out there who is willing to read it! (as evidenced by the 52% of people who read for anyone! this is still a large number) 

Readers: Do you only use Tumblr for smut? 

~My thoughts: when i first started out reading smut, i was in the “i just look up skz smut” group LOL so i wanted to see again if there was anyone like me--which there is! This was more of my interest in seeing if some people view tumblr as “their smut dealer” AHA so that my initial motivation. I was surprised to see that this is not the case! out of 100 readers, 39 of them have their own non-smut blogs and the second largest group of 26 people use tumblr for smut exclusively. 

idk why, but when thinking of this question, it really got me thinking back to the question where i asked if reading smut is a seggsy secret, and there was the group of people who said that it is for them--i’m assuming that these people might be part of the group have non-smut blogs and read on the side teehee. 

at the same time, there is a combined 40 people who said that they use tumblr for smut purposes only which makes sense to me, as those who filled out my survey are readers of my smut blog if you catch my drift haha  

Writers: Do you read smut, or just write it? 

*56 responses correlate with those polled who identified as writers/both as mentioned above 

~My thoughts: this survey is really really cute for me to see bc it means that there is a whole support network or writers out there reading, supporting and here to hype other writers work!! if anything, as a writer because it takes so much time to write, it can become hard to find time to read, hence the “when i have time option lollll (*cough cough* me LOL) thank you all for your honesty with this question! 

5. General Thoughts and Conclusion 

Survey on Exposure 

~My thoughts: i kinda wanna close off this survey by getting on my soapbox for a sec lol. At least for me, the most common ways that readers found my blog were: looking up a tag, and from a repost. i think that this really goes to show the power of exposure and certain tactics that you can use to increate readership of your account! new readers, if you’re reading this and you’re just starting out, tagging your stuff is so so important! 

also, as i have said and so so, many other content creators have said countless times before, reposting is so crucial and it takes little to no effort to repost a creators work so that it might reach others! as a writers, we spend hours, and i mean hours creating content, editing, drafting, creating headers all out own time to publish something that we are proud of and for you to enjoy! it means the world to authors when you reblog their work and even more when you give feedback too because this is our passion! we write for free in the middle of our busy lives so the validation makes it all worth it!! 

Conclusion 

~phew! so that’s it! once again, i wanted to thank you all from the bottom of my heart from participating in this lil study! i really hope that it is helpful to writers and readers alike! i wanna give ya all the biiiiiigest Ro huggies!! 💕💕

as i mentioned above, the answers for the unpopular opinions will be made into their own post bc there is a ton of them and i didn’t want to clutter up this doc lol 

don’t ya ever forget that you are important, loved, and special! happy hornies my cuties ;) 

~R 🌹

6. Cute shit that ya’ll said that made me giggle (and hopefully makes you giggle too)

~you all are the light of my life!! each of these comments brought me so much happiness and i love you all so fkn much for that!! also, to those of you who said, “Ro date me” PLZ haha i will date you too!!! too all of the super sweet comments about my writing, thank you so so very much and thank you for reading! it means so much to me!! to all of the i love yous, ahhhh i love you toooooo  💕

“I DUNNO IM BAD AT FUNNY STUFF BUT KNOCK KNOCK I GUESS? -whos there 

RO 

-ro who 

Me, in chan voice: RObber ducky you're the one 

yeah... 

yeah 

bYE” 

“ I didn’t know changbin’s thighs were of such importance until I saw your username but now?? 👀 I am looking respectfully.” 

“ every time chan doesn’t reply to my bubble message i hold my breath and try to die💆‍♀️” 

“ here are my favorite emoji combos: 😐☝️ ����🖐️ 😂🤏 (i use that one when i get a dick pick and it's rlly small but the person thinks its big-) “ 

“ you are EVIL for making me choose just ONE bias OT8 EXISTS OK!?” 

“ I hope this survey provides you with a lot of useful feedback! -sincerely a big tiddie committee member (you know the one)” [hehe yes i do hai M ;)] 

“ chan’s tiddies... that’s it.” 

“jeogiyo noona hokshi namjachingu isseoyo?“

“ Jeongin is appropriately baby bread because his face is puffy in the morning so it's kinda like yeast rising 👉👉 “ 

“ someone needs to tell hyunjin to put some vaseline or something on his cuticles like I love him a lot but his recent live made me scream sir your cuticles are hanging on for dear life please I'm literally begging you “ 

“ I squeal whenever I get a notification from you and my family think I’m secretly dating someone. It’s nice knowing that they think I can get someone during a pandemic 😁 “ [this one had me SENT] 

“i hope ur dreams are blessed with skz thighs.” 

“ HS Bin supremacy!!” 

“Sta” 

“Ro(ses) are red, violets are blue - DaVinci painted Mona, cause he couldn't find you :') “ 

“✨ dInG dOnG ✨ “ 

“You're doing God's work as a changbin stan xD “ [thank you so much aHA] 

“damn gorl, are you a wifi signal? cause i’m tryna connect 🤔🥴✌🏾 “ 

“Good luck with your survey! I hope you get a big response! You know what else is big..? 

 Chan's feet. (I'm sorry, that was my attempt to make you giggle but I'm clearly not a comedian)” 

“What's the internal temperature of a taun taun? Luke warm! (Haha sorry star wars joke) “ 

“egg“

“just because you’re garbage, doesn’t mean you can’t do great things. It’s called garbage can, not garbage cannot <3 “ 

“Soft-Dom Minho Agenda is the best agenda. I have spoken. Sincerely yours, Javi (@itsapapisongo) “ [this is the way javi] 

“Bang chan daddy supremacy” 

“ro, ro, ro your boat gently down skz’ dick hell yea.” [this also had me SENT] 

“stay smut writers should take “maknae on top” literally“

“idk man i’m just vibing. hope ur day is going well. (changbin voice) da DA da” 

Fin. 

~🌹~ 

Bunch of (Ro)ses! 

@minaamhh @dazzlehoseok @synnocence @jjewibeans @hyunsluvv @unexceptional-h @bobawithchaitea @lechanters @sailorhyunjinz @silencefavarchive @lunarskzzz  @yourdaddychan @bubblelixie @spnobsessedmemes @chaangbin​ @lmhmins @eunaeiekim

[lucyoftheabyss48]

Promare: Use of Shapes

There have been plenty of posts that have talked about the shapes in Promare: the triangles, circles, and squares. There was one by @ NoahXica on Twitter that said the reason why pizza was the theme food we see in the movie is because it’s a circular food that is cut into triangles, so it contains both shapes, and represents the unity of humans and Burnish.

Hopefully I can add my own take on the use of shapes in Promare, without repeating too much of what’s already been said before by others. Feel free to link to other posts or add on your own takes — I’m interested in hearing what you all have to say.

Anyway, here we go. We have three shapes in Promare. The triangles are mainly associated with the Burnish. The squares are tied to Kray, the ice, the Foresight Foundation, and any other government related thing. And lastly, circles were used to represent the union of Galo and Lio primarily and most prominently, but I would say stand overall for the coexistence of the Burnish/Promare and humanity.

I’ve used infographics from an article by Visme for research on the topic of shapes and their meanings.

Let me summarize a few important points from the article.

Squares, triangles, and circles are the most common geometric shapes.

Shapes represent ideas and feelings.

Squares are reliable, give stability and suggest order.

Circles represent completion, wholeness and harmony.

Triangles have different meanings depending on which direction they point.

Triangles that point up represent direction and power.

Triangles that point down suggest instability, but provide direction.

Let’s dig deep into triangles first. I think the most important takeaways are that triangles represent these things: power, and movement/direction. Some common triangles we see in the world, for example, are mountains and pyramids. These are wonderful symbols of power — they have a strong, wide base in order to support their great heights. It’s a large base made up of numerous small parts that pile up to allow one single point to reign at the top. It’s a feat that would have been inconceivable without its triangular shape — its supportive base. I think this is a beautiful representation of the Burnish, and the Promare, as evidenced by how they all worked to support Lio, especially in the end.

We see the idea of movement with triangles most prominently in the opening scene, with the rise of the world’s first Burnish, and again when Lio tries to save Thyma, or when Galo saves Lio. The first scene shows the rise of the Burnish, a movement up. The other two scenes show a movement of life, from one person to another.

So in summary, triangles are powerful and high-achieving. But they are also fast moving and symbolic of change, and sustaining of life too. It would make sense, then, that this is the shape that represents the Burnish, who fight for revolution and change, driven by the power of their community and their vigor for life.

Second, we’ve got the squares. They’re reliable, and stand for stability and order. Houses and buildings are formed in the shapes of squares. Four pillars and four walls give the best support. Unlike triangles, which strive to push one thing, person, or what-have-you to the highest, singular point, to stand there alone — squares provide a base that lifts everything up, all at once. On the extreme side, squares give off the feeling of rigidity. It’s why we call people “square” or say “think outside the box.” Squares are reliable and stable, creating an order, but it can be stiff and uncreative.

So of course, Kray had tried to lift a large amount of people up and out of harm, through Promepolis, and through his space ship. But he didn’t want to try to stay. He didn’t want to try to find another way — like just stopping the Promare from exploding the earth, for example, like Galo suggested. Kray and his government provided order and stability, but it didn’t allow for any other options than the one he had come up with, which would have ultimately destroyed the earth.

Another way squares were used were whenever we got shots of the city — the tops of buildings had pink squares, the buildings were grouped up in their own square blocks, and the whole city was just a large grid. Grids separate areas into sections, and everyone belongs to their particular section, and aren’t meant to leave it. The Burnish had their section — as outcasts. They didn’t fit in Kray’s grid. The space ship was built under a specific section of the city as well, encasing only a small part of the city.

Squares are order and stability, but they can also be restricting, keeping those that belong in, and keeping the other out. That’s why squares represent Kray and anything involving the city and government.

Lastly we have circles. It’s the shape we see at the end of the movie that result from the union of Galo and Lio’s power, their cooperation and partnership. Circles are completion, wholeness, harmony. They’re never-ending and infinite, with no corners, a cycle. They stand for constant movement and continuous action.

Circles are powerful because of the sense of wholeness and familiarity they provide, because we see it around us so often — in the sun, in the planets, in rings and bands, in buttons. They are symbols of solidarity and connection, and will always be there.

This is why circles stand for the union of Promare and humanity, and the coexistence of humans and Burnish. Circles keep all the different people together, linking them in ways triangles and squares can’t. In both triangles and squares, each piece has its place in forming the overall structure, but circles are just circles. And no matter how much you stretch it or pull on it or try to change its shape, it remains circular. Everything within the circle stays connected.

So, like that other post said, pizza is the most prominent food in Promare, for good reason. Pizza is a circle — but it’s cut into triangles. These triangles are then shared among several people; it’s a food meant for a group of people to eat together. The triangles — power, change, community, life — connect people within a circle, in wholeness and harmony. Then lastly, it’s stored in a square box, supported and protected by its stability and order. But the circles and triangles were always meant to leave the square. They would find wholeness and completion outside of the square’s order. And in the end, all three would live in harmony.

Just like we saw in Promare.

[writing-prompts-for-friends]

Notes from Robert McKee’s “Story” 13: Premise, Theme, and How to Discover Both

Heads up: we’re in for a long but absolutely essential post for any writer or creator anywhere. This post summarizes a section of Robert McKee’s book Story, specifically the section that tells you how to determine the core message of your story. Not the plot, but what you want the plot to mean to your audience.

All stories need a premise and a controlling idea to guide them. Without one or the other, you will have a meandering mess that will leave readers asking themselves afterwards, “What did I just read and why did I bother to read it?”

Premise

Simply put, “premise” is whatever inspired you to create your story. 

Quite often we start writing a story based on a “what if...?” premise. When I was in junior high, my parents went to a Marilyn Manson concert (Why are they cooler than me?) and I thought to myself, “What if they never came back? How would my life change?” Not that I wanted them not to come back lol. But that was the impetus for the first novel I ever wrote and finished. 

Premise doesn’t only have to come from “What if” questions. It can come from anything. An intriguing commercial, a daydream, a nightmare, something that happened to you or a friend, a line in a poem. Doesn’t matter. Whatever creates that initial spark--that’s your Premise. 

Once you have your Premise, you can begin writing. But realize that whatever inspired you to write in the first place does not have to be kept in the final product. A Premise is not precious. It is the kindling that starts the fire, and if the path of the story veers away from the Premise, then so be it. 

“The problem is not to start writing, but to keep writing and renewing inspiration. We rarely know where were going; writing is discovery.”

☝ Probably one of my favorite quotes from this book so far.

In the example of that horrid novel I wrote in junior high, the story started out with the protagonist’s parents going out for dinner and passing away in an accident on the way home. But upon their death she learned that she was actually a government experiment and there’s a big magical phenomenon her secret government agent parents were trying to solve and now the task has fallen to her.... Ugh I was 13 and at the height of my 3edgy5me phase so please don’t judge me lol. What I’m trying to say is that the premise of “What would happen if my parents never came home?” quickly evolved into something else, and that was okay. 

Structure as Rhetoric

“Make no mistake: While a story’s inspiration may be a dream and its final effect aesthetic emotion, a work moves from an open premise to a fulfilling climax only when the writer is possessed by serious thought. For an artist must have not only ideas to express, but ideas to prove. Expressing an idea, in the sense of exposing it, is never enough. The audience must not just understand; it must believe. 

Storytelling is the creative demonstration of truth. A story is the living proof of an idea, the conversion of idea to action. A story’s event structure is the means by which you first express, then prove your idea...without explanation.”

Honestly, McKee says things so well sometimes I feel that i have no choice but to simply quote him. My apologies. 

McKee believes that master storytellers never rely on cheap exposition or dialogue that explicitly explains their idea. If you need to have a paragraph of prose explaining how good always triumphs over evil, or if you need to bad guy to say, “And I would have gotten away with it too, if it weren’t for you nosy kids!” then you need to refine your storytelling. 

The reader should be able to feel your idea being built brick by brick, act by act, until it all becomes crystallized in the emotional climax. 

Controlling Idea (a.k.a. “Theme”)

McKee dislikes the word “theme,” as the so-called themes of “war,” “love,”  “poverty,” etc. are too vague. Instead he likes to use the term “controlling idea,” and defines it thus:

“ A Controlling Idea may be expressed in a single sentence describing how and why life undergoes change from one condition of existence at the beginning to another at the end.

A true theme is not a word but a sentence--one clear, coherent sentence that expresses a story’s irreducible meaning. The Controlling Idea shapes the writer’s strategic choices. It will serve as a tool to guide your aesthetic choices toward what is appropriate or inappropriate in your story, toward what is expressive of your Controlling Idea and may be kept versus what is irrelevant to it and must be cut. 

The more beautifully you shape your work around one clear idea, the more meanings audiences will discover in your film as they take your idea and follow its implications into every aspect of their lives. Conversely, the more ideas you try to pack into a story, the more they implode upon themselves, until the work collapses into a rubble of tangential notions, saying nothing.”

So what is the “equation” of the Controlling Idea?

Value + Cause

To recap, values are the universal qualities of human experience that may shift from positive to negative, or negative to positive, from one moment to the next. Some examples of values are justice/injustice, alive/dead, happy/sad, courage/cowardice, etc.

Cause is what makes that value shift from one pole to the other. It is the primary reason that the life or world of the protagonist has changed to its positive or negative value. 

McKee shows the Controlling Idea for various famous films and I will write them out here.

IN THE HEAT OF THE NIGHT (an up-ending Crime Story) Value: Justice is restored... Cause: ...because a perceptive black outsider sees the truth of white perversion.

MISSING (a down-ending Political Thriller) Value: Tyranny prevails... Cause: ...because it’s supported by a corrupt CIA.

GROUNDHOG DAY (a positive-ending Education Plot) Value: Happiness fills our lives... Cause: ...when we learn to love unconditionally.

DANGEROUS LIAISONS (a negative-ending Love Story) Value: Hatred destroys... Cause: ...us when we fear the opposite sex.

How to Find Your Work’s Controlling Idea

I’m going to preface this by saying that i have some personal misgivings on McKee’s statements, but I’ll voice my opinion after I’ve summarized his.

McKee tells us that we find the controlling idea by doing the following:

“Looking at your ending, ask: As a result of this climatic action, what value, positively or negatively charged, is brought into the world of my protagonist? 

Next, tracing backward from this climax, digging to the bedrock, ask: What is the chief cause, force, or means by which this value is brought into his world? 

The sentence you compose from the answers to those two questions becomes your Controlling Idea. 

In other words, the story tells you its meaning; you do not dictate meaning to the story. You do not draw action from idea, rather idea from action. For no matter your inspiration, ultimately the story embeds its Controlling Idea within the final climax, and when this event speaks its meaning, you will experience one of the most powerful moments in the writing life--Self-Recognition: The Story Climax mirrors your inner self, and if your story is from the very best sources within you, more often than not you’ll be shocked by what you see reflected in it.”

I have mixed feelings about McKee’s opinion here. It feels like he’s telling us to leave the Controlling Idea up to our subconscious, that it is wrong to start out knowing the Controlling Idea and plotting out a story that aligns with it. But is it bad to do so? 

For example, Neil Gaiman has stated that when he set out to write Coraline, he did so with the specific intention to tell children that “When you’re scared but you still do it anyways, that’s brave.” In other words, he had the Controlling Idea in place from the start. And it’s a great work. 

On the other hand, a couple years ago I wrote a fanfiction on a whim. It was something that came into my head and I churned out all 200,000 words in about two months with no particular Controlling Idea. But later on, when I re-read it, I realized that the whole thing had been me working through the duality I feel as a white foreigner living in Japan who is fluent in Japanese and has adopted Japanese culture, as well as the frustration and isolation at the xenophobia/othering I encounter on a daily basis. Judging by the climax of the story, the Controlling Idea was, “You will be accepted...when you learn to show each persona (Japanese and American) at the right time every time.” 

This Controlling Idea does match my true feelings on the matter. However, I really wrote this story with absolutely zero direction, and i feel that perhaps I could have turned this story into something better if I had had an awareness of the Controlling Idea as I wrote it. 

McKee adds one more important note to discovering the Controlling Idea:

“If a plot works out exactly as you first planned, you’re not working loosely enough to give room to your imagination and instincts. Your story should surprise you again and again. Beautiful story design is a combination of the subject found, the imagination at work, and the mind loosely but wisely executing the craft.”

So, in other words...

Your Controlling Idea is like the Pirate Code. It exists and it is honored, but not always in the ways that you expect/intend. 

Source: McKee, Robert. Story: Substance, Structure, Style, and the Principles of Screenwriting. York: Methuen, 1998. Print

[chibigissy]

This was Too Annoying for a Video so here’s a Tumblr Post that’s a Ted Talk. (PLEASE READ THO)

Okay, let's start out by saying, I had originally had a recording for this type of subject, which is a bit of a response to Evan's podcast "Animation Hour", or at least part of it. It's was mainly about works that in a style of a motion comic and works that in a style of a Visual Novel. It was before I talked with a good friend of mine about this and he coined a term that is more broad terms for the type of content we do, which started out as a semi-joke before I'm actually starting to legit like the term. So recording and video I originally had is useless no longer relevant in my eyes. But hey, it's better to start over from the ground up when doing these types of discussions. If you have not seen Animation Hour and have read the comments, I recommend you do so. Cuz, I'm sure this shit is gonna get confusing.

With all that said, let's get started.

So I know that Evan's First Animation Hour, where he talks about fanime, and already, there has been plenty feedback. Alot them are fairly good. Some positive and some fairly critical with reasoning behind it. There is a bit of a discussion. Yeah, 25 comments is not a whole lot compared to other types of YouTube videos that got like a million comments per day but compared to some videos those in our community get, I'd say that is a fairly decent amount, if I do say so myself. One thing that has been brought up in some comments of the video, is the term the Evan coined, which is OAS. OAS stands for Original Animated Series. And it's good term. It's a abbreviated like AMV, PMV, MAP, and MEP. It's short, sweet and to the point. AND It's more board so anyone can join and we can refer to our fanimes as such when promoting them to those outside of the fanime community. However, I do feel there is a bit of a miscalculation Evan might have.... well, unless he'll explain what he means in the next animation hour. I do feel OAS might exclude those that don't animate much for there series, such as doing things in a style of a motion comic or a visual novel (The latter being more of my concern, since initially, what the fuck can you call that besides fanime.) See, I said my original discussion video, you can easily refer to your motion comic style series as motion comic, as it is an established genre. With a visual novel style series, I did tried to coin the term "VNS" which stands for "Visual Novel Series" but it has it's ups and downs. The downside is that it's a little to vague of a term and it could apply to a series of visual novel games, say like Ace Attorney, Danganronpa, and Higurashi. The upside is that acronyms can have more that one meaning. There are two meanings for PMV. My friend, TenshiHanka, told me it could mean either "Picture Music Video" or "Pony Music Video". Speaking of which, I had a conversation with Tenshi and UniversalFiction about OAS. Universal was asking if we're going to change the name of the Fanime World Server to something like OAS, which I was not sure if the mods would agree to that idea. And least not yet. Might be too soon at this point in time. As for Tenshi, he is basically, like "Yo. I got it! OWS. Which stands for "Original Web Series". And OWE , which stands for "Original Web Episode!" Now, like I said at the beginning of the video, this was a bit of a semi-joke. It was a semi-joke in a sense that we both pronounced them as "ow's" and "ow" and saying shit like "Cuz making art is an ow", which in all fairness, it is. Art can be a pain sometimes. And so, he posted his comment about on his TenshiHankaTR account, which compared to his Otaku Krap account, it's is smol! Like, with the other comments (especially mine), you would need 15 semi-trucks to carry them! With the smol comment, it's straight into the point! Then Universal's comment came a long and she brought up legit good point about how OWS is more inclusive than OAS and I'm like "Oh..... what's feeling in my heart. I think I'm starting to legit like term OWS and OWE" And that's what I feel actually, OWS is good for a series that episodes on YouTube or just the internet in general and OWE is good for one-shot story that is in a video format. It's open for animators and those who don't animate but still like to portray their stories through art and a video format! I'd say it's down right genius Now, I have a bit of hot take, You can have your series under the OWS and OAS labels. After all, as Evan said, you can use as many tags as possible to promote yourself out there. And another hot take, you can also have the fanime label for your OWS in the tags. I feel you can have a community within a community. Now I know what ya'll thinking "Gissy, what the angling fuck are you going on about? And what are you smoking and can I have some of it?". Well, I've seen communities outside of the art community that have their own little sub communities. An example I can bring up is with Twitch. Twitch, while it's a big ass community, has like a shit tone of communities that surrounds a Twitch streamer. There are two I'm in are related to Doodletones and KisakaToriama. And sure, there are times when it's just a chill streams, sometimes it can have a shit ton of overs of... 20 something views. (In the case with Kisa, might be around 30 or more, if she is like playing a popular game) Now I can got into other community types but if I do, we'd be here all day. So yeah, with that example in mind, I'd say, you can have the fanime community with an OAS and OWS/OWE community community! Checkmate, Atheists!! Now, there is one more thing I wanna bring up and that is that what would be a good main hub to post our work, besides YouTube and other Social Medias. Because face it, YouTube is dun mcfucked right now and if you don't have a big following and/or not using your tags properly, your work is gonna get buried by other tweets about some fuckward doing something stupid or illegal for like the millionth time. I know some of you are gonna be like, “Why not a Discord Server as the Main Hub.” And I'd say that is a fairly decent idea. Just don't let me be the moderator for it. Cuz I have the Fanime World Discord to deal with and trying to moderate that server alone is freakin difficult at points. I don't even WANT to imagine how moderating a OWS server would be like, if it has more people than with Fanime World. But there are other options as well. There's creating an amimo for OWS's. There is a problem however, Amino is kinda hard to keep up with. Trying to look at your mobile is tedious at points and the desktop version of Amino kinda sucks, if I'm honest. But here, something like an OWS Amino can work for mobile users that like said app. There's also a creating a forum for OWS's. It's just.... Forums are kinda going extincted, sadly. Like, unless it’s for something popular, it's hard to make forum of something not to popular. "But wait, what about Creative Studio Forum?" you may ask. I know that was popular back in the day but it's currently in the dead zone and none of the moderators of that forum probably don't care about anymore to a point that unless you already have an account on CSF, you get the freakin' #Hashbrown theme since that's currently the default theme. Tho who knows, maybe there will be a "Creative Studio Forum 2: Electric Boogaloo" one of these day. After all, there are other types of projects the tell a story and don't involve video editing exists. I mean hell, Penalty All About was originally a web novel, my duudes! There would just be an OWS sub-section in the of the Visual Project Section of that forum There were other options, such as mastodon or even creating a website from the ground up. The latter might get too confusing, if you don't know any coding. Not to mentioned, both of them cost money. (Even tho, the former claimed to be open source. Don't think I'm not salty that false advertisement, Mastodon....) Anyways, this has gotten a little all over the place but to summarize: 1. OAS is a good public name but it might exclude those that 2. OWS/OWE is a more inclusive those that animate and those that don't but still wanna make episodes. 3. The Fanime Comminity can be within the OAS community and OWS/OWE Communities, change my mind. 4. WE NEED A MAIN HUB CUZ YOUTUBE SUCKS, DAMNIT 5. ????? 6. Profit Okay the last two points are a joke but I hope you get my drift. That is all I gotta say, hope you have a good day, and thank you for coming to my ted talk.

[eri-blogs-life]

So, I finally beat Final Fantasy XII for the first time. And now I shall summarize my thoughts about it, in a nearly 2000 word post.

First off, my history with this game. I bought Dragon Quest 8 when I was a kid, and that game included a demo disk for FFXII which I played a ton. I eventually was able to purchase a copy of FFXII for myself, back on the PS2. It formed part of a trifecta of big JRPGs that kinda defined the middle school era of my life - Final Fantasy XII, Dragon Quest 8, and Tales of Symphonia.

But I never did beat it back in the day. The farthest I remember getting was some big tower in the sea, which I have now in retrospect found out is the penultimate dungeon. So I was damn close when I was a kid, but never quite did finish it up totally.

I came back to it from time to time, starting up new save files and trying to push my way through to see the whole game. But it was only now, on this attempt on the Switch version of the game (the Zodiac Age version of the game) that I have finally seen the ending cutscene. To be fair, there’s a bunch of optional content like most of the espers that I never quite did get around to doing, so it’s arguable if I’ve really fully completed the game, but it’s a long experience, so eventually I settled on just pushing through the final fight so I could consider it done for now. I might come back to my save just before the final dungeon to “complete” the game some day, but not today. (I was using the 2x speed mode for most of the game, and I still have about 55 hours of playtime)

I’m gonna break down my thoughts into a few big sections here. Lets talk story first, then characters, then aesthetics, then gameplay, and then we’ll wrap it up towards the end of this very long post.

FFXII’s story is... fine, I’d say. It feels kinda... erratic at times, throwing you into some situations without really feeling like there’s much justification for that to be a part of the greater story, even if each scenario does have some small way to play into the greater story.

But I can certainly appreciate what the story seems to be inspired by. I can’t really say for certain if FFXII is meant to be a metaphor for the war in the middle east, but damn if it doesn’t feel like that’s the intended goal. The Archadian Empire really does feel like America in a lot of ways, being a “democratic” political system led by a powerful lineage who just always happens to end up in the throne for some reason, having a group of senators who serve as council and support for the emporer, but during the war the emporer claiming full command over the military. It’s not necessarily a perfect comparison, but at least to me the comparisons overall felt strong enough to at least try and interpret the game through a lens of the american war in the middle east. The game features a struggle for power with immensely powerful weapons, there’s these huge oil fields that draw natural resources up out of the ground, there’s a huge nation on the other side of the territory being claimed that could start a war with the Archadian Empire at any point in time.

And to that end it... is decent, I guess. I mean, I’m playing it so far after the events that would theoretically have inspired a lot of the game’s design, so to a large degree I’m also just looking at the game as it stands on its own and not in the cultural context it may have once held. And it’s fine. The story isn’t necessarily anything special, but it’s fine

I could talk about the big theme of the game, which I read as “should humanity be guided by gods or by our own actions?” But... I don’t know, I don’t think there’s a ton to be said about that. The game seems to posit that sometimes even those who claim to be doing things of their own free will are still doing them under the orders of another? But ultimately making your own decisions is still the best course of action, even if it ... you know what, I don’t know. I’d have to replay the game a few times and really try to process everything the game’s narrative takes on to really have a discussion on this point, so we’re gonna leave it aside for now.

So FFXII’s characters, primarily the main cast of 6 playable characters. They’re a real mixed bag, honestly. I enjoyed them, for the most part. But Vaan and Penelo are.... not great. And Ashe and Fran felt kinda bland to me at times. But Basch and Balthier are amazing.

Vaan is kinda an interesting case. He’s just some kid, a street urchin from our central city of Rabanastre, a citizen of the oppressed Dalmasca but ultimately just a guy. He’s our everyman protagonist who the player is meant to have as something of a vessel to learn about the world from someone not very traveled or well-versed in how this world is shaped. And to that end he holds up okay. But even by the end of the game, Vaan doesn’t stand up to do anything particularly unique that would make the player surrogate really something special. He gains some level of strength and stability, and I guess that does put him on a similar level to many of the other characters in the main cast by the end, but he still just feels kinda out of place, even in the end.

Penelo is like Vaan but she’s also used as a damsel in distress early on in the game. Great!

Ashe, the princess of Dalmasca, is the real main character. The story really revolves around her struggle to reclaim her kingdom, her fight for Dalmasca’s freedom from the Empire, and her decision of whether to destroy the weapons that the Empire holds or get her own weapons to rival theirs. She’s a fine character, though at times I did feel she felt kinda bland. But in a sense that actually works out really well, since she ends up as a better player surrogate than Vaan.

Fran holds some important narrative weight, using her knowledge and her unique position as one of the viera to help drive the story along at a few points and that’s great! But I feel like she kinda takes a back seat a lot of the time, mostly playing a supporting role to Balthier

Basch, the knight of Dalmasca and Lady Ashe’s protector feels like such an interesting character. And part of that is not even his fault, but rather the fact that he has a twin brother who fights for the Empire. And that slaps. Seeing the two of them confront each other at times throughout the story, or seeing how their choices differ but how each could have easily become in the other’s position, feels really strong as a narrative drive.

And Balthier. Oh, Balthier. What’s there to say about Balthier? He plays the Leading Man.

I. Love. Balthier. He’s a suave, charismatic son of a bitch and he plays such a good role in the party, providing transportation and guidance and so much more. As we find out late in the game, he’s actually from Archades, being the son of Doctor Cid, but he abandoned his name and his fame to take to the skies as a sky pirate. His constant insistence that he plays the leading man, that he’s the real center of attention in this story, just holds such a special place in my heart. He’s cocky and it’s so great. (Side note, there’s a lot about Balthier that reads to me as an unintentional trans allegory and I just loved head-canoning Balthier and Fran as this T4T trans man / trans woman couple who left their respective homes and found home in each other. It’s almost definitely not their intended purpose but boy howdy I’m gonna think it anyway cause I’m trans and desperate for something like representation)

Aesthetics. Sound and visuals, basically. FFXII is usually a pleasant game to look at and listen to, in my opinion. The soundtrack is gorgeous (and all up on Spotify~), and has been a part of my listening rotation since I first downloaded a copy of it onto my iPod Classic back in 2009.

The graphics are decent. I mean, it was a PS2 game so I guess they were good for the time? The enhanced Zodiac Age version you can pick up on modern consoles cleans up the models and makes things look overall pretty solid. No real complaints there on my part.

The visual design of the game I absolutely adore. You get these fantastic fantasy environments that, while not feeling visually consistent at all times, really tell of a beautiful world that’s something to behold. And every area you encounter - from each city, to the deserts, to the jungles, to the inside of a giant crystal - feels unique and is fascinating to look at.

And then we get to FFXII’s gameplay. FFXII is definitely an interesting one. The game uses an Active Time Battle system, much like most other Final Fantasy games, but the big unique thing in FFXII is Gambits.

Gambits work basically as programming - you can assign an If->Then statement that your character will follow as their default action if you don’t give them specific commands. So, for example, I could define for Vaan that if there is an enemy nearby with the lowest health among enemies nearby, attack that enemy. And for each character, you can assign 12 gambits that they will follow in priority order, and 3 different sets of 12 gambits each that can be swapped out. It gets wild. It’s an interesting choice of system, which allows for some weird gameplay paths. So, I relied heavily on gambits, setting up rules for how my characters should behave in combat, and mostly relied on them to follow those commands whenever possible, without giving any of my own input on-the-fly to how they should act. Which to me felt fun - I was programming out choices and seeing if they would play out successfully in combat. But the gambit system could easily be very boring for some people, since it does limit what you as the player need to actually provide input for on a moment-to-moment basis.

The other big gameplay thing I wanna touch on is the Hunts, which are one of my favorite aspects of FFXII. A huge, HUGE list of optional bosses to track down and kill? Some of which have unique little quests to take on? Sign me up! Ultimately they’re just a list of side quests you can do, but something about the structure of them as these hunts for unique monsters that lie out there somewhere in the world, that you may sometimes have to complete special objectives to even get them to appear in the first place, has always struck me as really fascinating.

( ^ nice)

So, altogether? Final Fantasy XII is... fine. It’s well put together, but it doesn’t necessarily feel like it has anything too special to stand it apart (except of course for Balthier, my beloved). It’s long, but that length doesn’t necessarily feel like it always translates to game segments that are really necessary. I enjoyed my time with it, but only up to a point. I’m not left craving any more. I enjoyed it for the first couple dozen hours in re-playing it, but eventually it got to a point where I was just so so ready to move on to something new.

[mediabasedlife]

2017 Year in Review

     This past year was, to put it mildly, rather tumultuous. For every high point of the year, there seemed to be low points all around it. But now the year has ended, and hopefully, this next one brings more good and a hell of a lot less bad than its predecessor. However, as said; 2017 wasn't all bad, and this is what I've decided to write about today. Finding myself inspired by the myriad of posts about people's top five or ten games, movies, shows, and so on, I've decided to continue that trend and catalogue the media I found to be exceptional, the media that helped me through the ups and downs of these twelve long months we just experienced. Some I may have written about before, and some will be new, but all of them deserve praise and recognition abound...at least, in my opinion. So without further ado; here are my most enjoyed pieces of media I experienced in 2017.

     We'll start this article off by discussing a category I haven't really discussed on this blog before - music. The reason I don't usually write about music is due to how disparate my preferences can be for this particular media medium. Some days, I'm all about hard and the heavy, while others I'll dip into instrumentals, jazz, or video game soundtracks. Hence, the music I'll be listing here won't have much of a comparable flow - I just thought it was all pretty good.

     This first album ties into one of my favorite games from 2017, easily a contender for my choice for Game of the Year; the soundtrack to the superb indie game Night in the Woods, as orchestrated by Alec Holowka. The soundtrack is beautifully mellow, pleasantly tuned for ambiance. In the game, the music accentuates and emphasizes all of the game's themes, emotional depth, and down-to-earth feel. Out of the game, the soundtrack is perfect for chilling out, studying, writing, or any such easy-going activity. I frequently found myself playing it in the background whilst reading or doing the few articles I wrote, or using it to relax after a particularly trying moment. Continuing the theme of game soundtracks, another that caught my fancy was the Persona 5 OST, composed by Shoji Meguro. An eclectic mashup of genres, the soundtrack bounces between somber piano, energized guitar, and jazz compositions, with a handful of excellent vocal tracks thrown in for good measure. This album is great for a variety of moods or activities thanks to the numerous tones and tempos the music flows between. And with nearly four hours worth of music to sift through, it stands to reason you'll be able to find something you like.

     Moving from video game music, another album I found myself enjoying through the year was Alestorm's No Grave but the Sea. If you're unfamiliar with Alestorm, they fill a rather particular music niche; Pirate Metal, a fusion of piratical slang and heavy metal. Alestorm further accentuates their distinct sound with frequent usage of brass and string instruments, as well as a synthesized accordion. I found myself intrigued by their music several years ago when the band released the album Back through Time, and have followed them since. No grave but the Sea is relatively short, coming in at under an hour across its ten tracks. If you're a fan of niche genres, or just a metal fan looking for something new, I'd recommend you give it a listen. Closing out the music section is Linkin Park's One More Light. OML released only a few weeks after Alestorm's No Grave but the Sea but usurped it in my music library almost instantly for a brief time before the unfortunate suicide of Chester Bennington. In fact, I would call One more Light one of Linkin Park's best albums, despite it being the starkest departure from the band's hard rock sound to date. That isn't to say the album isn't heavy, though. One More Light is heavy in tone, as opposed to sound; If you want an example, listen to the premier single "Heavy" or the titular "One More Light", and you'll get a firm grasp on how the album feels. One more Light clocks in at a short but sweet thirty-five minutes, and I would wholeheartedly recommend taking the time to sit down and listen to it in full.

     TV shows take the second slot, though I'll be honest; I definitely don't watch a lot of television. Not live, anyway. Most of what I watch is through streaming services, so a few of these aren't technically from 2017, at least not in full. But since I first watched these shows in 2017 it counts. Without further ado, here are my favorite television shows I started or finished in 2017.

     Kicking off the television roster is Twin Peaks. If you're unfamiliar with the show, Twin Peaks was written and directed by David Lynch. It stars Kyle MacLachlan as the charming and amusing Special Agent Dale Cooper, a federal investigator sent to the enigmatic small town of Twin Peaks to solve the murder of local sweetheart Laura Palmer. Not much can be said about the plot of this show without spoiling it or just plain confusing somebody, but suffice it to say that all they appear to be. Everybody has a secret, and the show doesn't take too long to spiral into the surreal in typical Lynchian fashion. Twin Peaks initially debuted in 1990, earning two seasons and a cult following that lasted the 26-year gap until its third season released in 2017. Long story short; the show is great - It has intrigue, comedy, a wide cast of interesting characters, and a story that will keep you guessing until the end and beyond. The show isn't without its faults and can be flat out baffling at times, but despite all of that the show and its story is a fantastic experience to behold.

     The next show on my list both compliments and contrasts Twin Peaks; Broadchurch. Broadchurch is a crime serial taking place in the fictional (and titular) town of Broadchurch, starring David Tennant as Detective Inspector Alec Hardy, and Olivia Colman co-stars as Detective Sergeant Ellie Miller. The series kicks off by investigating the murder of local youth Daniel Latimer, before moving on through its three-season run to investigate another murder case and finally a sexual assault, all the while weaving a compelling tale of a small town trying to cope with and move on from these horrible crimes. Broadchurch is a heavy experience, with very little levity to break up the tension of each investigation. That being said, It's still an excellent show with a genuinely compelling narrative backed up by the top-notch acting of the cast.

     Setting aside the crime drama, we come to the next show - Voltron: Legendary Defender. Technically, the series' first season debuted in 2016, but 2017 saw the release of the second, third, and fourth seasons, meaning it was a pretty Voltron filled year. Legendary Defender is the latest in the long line of Voltron adaptations, following the Paladins of Voltron as they fight to defend the galaxy from the evil Galra Empire. Now I've never watched any of the other Voltron shows, so I can't speak for their quality (or lack thereof). As far as first impressions to a series go, Legendary Defender couldn't be better. Helmed by DreamWorks and Netflix, and written by the creative minds behind Avatar the last Airbender and its sequel Legend of Korra, Legendary Defender was probably the best-animated show I watched all year. In terms of quality, the show is top notch. Excellent voice acting, great animation, and a fun but serious story that has me eagerly anticipating wherever it goes in 2018.

     Wrapping up this section are the many, many Netflix Marvel series. This includes Daredevil, Jessica Jones, Luke Cage, Iron Fist, The Defenders, and finally The Punisher. I had already seen some of these before but went in for a rewatch in preparation for all the new stuff coming out in 2017. If you're not familiar with these shows, however unlikely that is, I'll summarize each show in a sentence or two. Daredevil follows Matthew Murdoch who, after losing his sight but gaining superhuman senses as a child, fights crime in hell's kitchen on two fronts; as a lawyer, and as the vigilante Daredevil. Jessica Jones follows former street hero turned private-eye, Jessica Jones, as she tries to deal with the aftermath of a traumatic incident in her past while an old foe comes back to haunt her. Luke Cage follows Ex-Con and titular character Luke Cage as he tries to clean up the streets of Harlem and free it from corruption. Iron Fist follows Danny Rand, boy billionaire and sworn defender of Kun Lun as he tries to combat a mysterious organization known as The Hand. The Defenders finally unites these four heroes for the first time, as they all come together to battle the aforementioned Hand in an attempt to stop them once and for all. Finally, we come to The Punisher, which follows war veteran turned vigilante Frank Castle as he hunts the people responsible for the murder of his wife and children. I won't go into an extended review here, so to keep it simple; Daredevil is amazing (though its second season has some flaws), Jessica Jones is great, Luke Cage is great, Iron Fist is fine, The Defenders is amazing, and the Punisher is fantastic...to summarize, pretty much all of these shows are worth a watch.

     Now, as I said at the beginning of this article, 2017 was a pretty shaky year. A lot of ups, and a lot of downs. Many of these ups, at least for me, are in the next category; 2017 was a pretty great year for movies, in my opinion. It was a busy year for movies, but when isn't it? For every one movie I watched, there were three more I had to wait on, but pretty much every film I watched in 2017 knocked it out of the park. From comic book films to horror flicks, each one of these movies takes the cake.

     The premier movie for this article is Get Out, one of the contenders for my favorite movies of the year. Helmed by Jordan Peele, Get Out is a genuinely uncomfortable horror/thriller about a black boyfriend meeting the family of his white girlfriend. It tells a heavy but undeniably compelling story, one that keeps you guessing and inspires a fair amount of thought after the fact. I won't go into too much here, but I will say that if you haven't seen this movie, you absolutely should. Speaking of movies that make you think, Bright is up next, the new racially-conscious Netflix movie starring will smith and....no, not really. Actually, The Lego Batman Movie is up next; a goofy, charming, and stark contrast to all of the gritty DC movies that have been churned out over the past few years. This movie was genuinely funny and felt fun to watch...something that can't be said about some of the more recent DC films. I've written about this movie before, and my thoughts today still echo that review; This was one of the best Batman movies I've seen. Following The Lego Batman Movie, the next film on my list is John Wick: Chapter 2. There's not much to say about this movie other than the fact that it's a top-notch sequel that keeps all of the pros of its predecessor, and in some cases, improves on them. It isn't a terribly different story than its predecessor; Somebody messes with John Wick, so John Wick messes back by going on a vengeance-fueled spree. It's an action-filled thrill ride that doesn't disappoint.

     Another action-filled thrill ride takes the form of Logan, and....wow. Logan is another contender for my favorite film of the year. The movie serves as equal parts finale for both Patrick Stewart and Hugh Jackman as Charles Xavier and Wolverine respectively, and it does so perfectly. Logan is a shining example of what Comic Book films should aspire to, with an outstanding script, Oscar-worthy acting, and a top-notch story to close out this era of the X-Men cinematic universe. Finally, we come to one of the last movies released in 2017; Star Wars The Last Jedi. I'm sure if you're reading this, you've probably seen this movie. Maybe you liked it, Maybe not. I, however, thought this movie was pretty damn good. One of the better Star Wars films, I think Rian Johnson did well at what he set out to do. I won't say it's the best movie of the year, but it makes my list of favorites.

     Finally, we come to the last section of this year in review: Video Games. I actually got to play a fair few of these this year and liked basically all of them. But, this isn't "Year in Review, things I thought were passable". This is "Year in Review, my favorites", and so what follows are my favorite games of 2017. From AAA titles to simple indie games, each one of these had the right amount of fun, charm, and entertainment to keep me hooked and keep me coming back to them time and again.

     We'll kick this list off with a game that embodies charming simplicity; Slime Rancher. This game debuted back in 2016 as an early access title but finally released in an official capacity in August of 2017. I didn't think much of it when it came out, just grabbed it since it was free through Xbox Live's games with gold program. Color me surprised, then, when it turned out to be one of my favorite games of the year. I previously wrote about this so you can see my full review here, but what I'll say here is that Slime Rancher is a surefire recommendation on my part. The next two games are anything but simple, at least in terms of story; Kingdom Hearts 1.5 and 2.5 HD (PS4). I had played these games before, on the PS2 and PS3, but what can I say? Kingdom Hearts is one of my favorite gaming franchises out there, and the ability to play it again on modern consoles was a treat. With the release of Kingdom Hearts III on the horizon (hopefully), going back to experience the franchise in full was a fantastic refresher. If you've never played Kingdom Hearts before, getting the modern gen remasters is your best way to experience these games right now. 

     Following Kingdom Hearts is Persona 5, one of two games I would strongly consider as Game of the Year. I had never played a persona game before this, at least not in full, and this game almost made me regret that. Persona 5 is near perfect, with a great story, smooth and snappy gameplay, and a top-notch aesthetic balanced between its visuals and its sound design. Atlus has a history of making quality games, and Persona 5 is no exception. Continuing from there, we come to Night in the Woods, the second of my two Game of the Year contenders. In fact, were it not for Persona 5, Night in the woods would be the winner for 2017, at least in my book. This is another game I've written about in full and I would recommend reading that review here because I had a fair amount to say. Night in the Woods saw two releases in 2017, once at the start of the year, and once at the end of it. Because of this, the game both kicked off and closed down my 2017 year, and I couldn't have asked for a better game to do so.

     That about wraps up my Year in Review. 2017 was a full year for media, and I have a lot to catch up on, but luckily I was able to experience just about as much as I missed. Not everything I did this year appeared in this review, but these were the things that elevated themselves above the competition and took the titles of favorites for 2017. I extend my thanks to anybody who stuck with this blog, or even read just one of my articles in the last year, and hope that the new year is kind to all of you. This year promises to be just as good, if not better for media purposes, so I eagerly await whatever comes next. Here's to a great 2018, folks.

[evanvanness]

Narrative edition, Week in Ethereum News, Jan 12, 2020

This is the 5th edition of the 6 annotated versions that I committed in my head to doing when I decided to see how an annotated edition would be received.

Given the response on my Gitcoin matching grant, I may have to keep going.  Check it out - giving 1 DAI right now will get more than 100x matching.

Thanks to everyone who has given on my Gitcoin grant.  It’s the best way to show you want these annotated editions to continue.

Even 1 Dai is super appreciated given the matching!  Since Tumblr adds odd forwarders to links, here’s the text of the link: https://gitcoin.co/grants/237/week-in-ethereum-news

Eth1

Latest core devs call. Notes from Tim Beiko, discussion of EIPs 2456, 1962, 2348

EthereumJS v4.13 – bugfix release for Muir Glacier

Slockit released a stable version of their Incubed stateless ultralight client, aimed at IoT devices. 150kb to verify transactions or 500kb including EVM. incentive layer coming soon.

A little slow on in the eth1 section, but Incubed getting to be stable is cool.  Obviously if they can get the incentive layer worked out, that will be fantastic.

When I think about that that I was wrong about, definitely if I go back to q1 or q2 2017, I  thought that IoT Ethereum was much more of a thing.   There was Brody’s early washing machine prototype, Airlock->Oaken, Slockit had some stuff 3 years ago, etc.  It hasn’t really happened.

Why not?  It seems to me like most of those things require enterprises to take the plunge.  No one is going to go out and manufacture a domestic electronic device just yet with all the uncertainty there.  

And light client server incentivization hasn’t happened yet.  There’s just things to be built still. So it’s cool to see Incubed hitting a stable release.  Slowly but surely all the necessary primitives get built.  I still think there will be lots of robots transacting some day.

Eth2

Latest Eth2 implementer call. Notes from Mamy and from Ben.

Latest what’s new in Eth2

Spec version v0.10 with BLS standards

Prysmatic restarted its testnet with a newer version of the spec and mainnet config

Lodestar update on light clients and dev tooling

3 options for state providers

Eth2 for Dummies

Exploring validator costs

Eth2 for dummies was the most clicked this week.  Even within the universe of people who subscribe to the newsletter, there’s always demand for high level explainers.

The spec is essentially finalized and out the door for auditing, so now it’s a sprint towards shipping, though of course there may be some minor changes as a result of further networking and of course from the audit.

Lately some in the community have been promoting a July ship date and I personally would be disappointed if it slipped that far.

Layer2

Optimistic rollup for tokens Fuel ships first public testnet

Optimistic Game Semantics for a generalized layer2 client

Loopring presents full results of their zk rollup testing

StarkEx says they can do 9000 trades per second at 75 gas per trade with offchain data, with the limiting factor being the prover, not onchain throughput.

9000 is a pretty crazy number, although since the data is offchain that makes it a Plasma construct and not a rollup.   StarkWare to my memory hasn’t provided details on what the exit game is - as an end user do i get a proof I can submit if i need to exit?  I have no idea.

Anyway, it’s very cool that the limiting factor is the prover, ie, nothing about Ethereum is what is currently limiting the 9000 transactions per second number.

Of course Loopring would also have a fairly crazy number if they did offchain data, but they have a thousand or 2k tps per second number with onchain data, and let’s be honest: right now the limiting factor here is the demand for dexes.   No dex at the moment can fill even a hundred transactions per second.  But as trades get cheaper, presumably there is more demand.   And token trading will certainly increase in the next bull market.

Meanwhile Fuel shipped its first testnet.  Very neat.

Stuff for developers

An update on the Vyper compiler: there’s now two efforts, a new one in Rust using YUL to target both EVM & ewasm as well as the existing one in Python.

A look at vulnerabilities of deployed code over time

a beginner’s guide to the K framework

Vulnerability: hash collisions with multiple variable length arguments

Verifying wasm transactions (and part2)

Austin Griffith’s eth.build metatransactions

Build your own customized Burner Wallet

Abridged v2 aiming to make it easy to onboard new users of web2 networks

Ethcode v0.9 VSCode extension

Embark v5

The Vyper saga is interesting. The existing Vyper compiler had a number of security holes found.  EF’s Python team decided they didn’t like the existing codebase.  So now some of the existing Vyper team is continuing on with the existing Python compiler, whereas there will also be an effort to write a Vyper compiler in Rust but to the intermediate language Yul, which means it will have both ewasm and EVM.

Also interesting to see the data viz of depoyed vulnerabilities over time.  App security has been improving!

Ecosystem

RicMoo: SQRLing mnemonic phrases

ethsear.ch – Ethereum specific search engine

Avado’s RYO node – nodes opt-in and let users access them via load balancer

30 days of Eth ecosystem shipping

Aztec’s BN-254 trusted setup ceremony post-mortem. Confidential transactions launching this month

RicMoo always has interesting posts on techniques to use in Ethereum that aren’t mainstream.  This one is pretty interesting.

I’m very excited about Aztec’s confidential transactions shipping this month.   Much like Tornado, this is huge.  The difference is that Aztec is about obscuring transaction amounts.   Well, it’s about more than that and will be an interesting primitive for people to build with.

Enterprise

700m USD volume on Komgo commodity trade finance platform

TraSeable seafood tracker article on the challenges points out the troubles with no private chain interoperability

Caterpillar business process management system

Q&A with Marley Gray about the EEA’s Token Taxonomy Initiative

700m USD.  It continues to strike me that enterprise is one of Ethereum’s biggest moats, and yet I don’t think I do a great job covering it.  Much of what gets published is press release rewrites.

And of course I did a small bit of editorializing by noting that an article on private chains was finding how hard it was to have all these private chains.  They need mainnet!

Governance and standards

EIP1559 implementation discussion

EIP2456: Time based upgrades

Metamask’s bounty for a generalized metatransaction standard

1559 is important because it kills economic abstraction forever!  It’s happening in eth2, it’d be nice to have it happen in eth1.   While I think some of the tradeoffs have not been written about - and that originally caused me to be a bit skeptical, perhaps i’ll write a post about that -- it’d be great to get 1559 into production.

In general, Eth needs better standardization around wallets for frontend devs.

Application layer

Flashloans within one transaction using Aave Protocol are live on mainnet

Orchid’s decentralized VPN launches

Data viz on dexes in 2019

ZRXPortal for ZRX holders to delegate their tokens to stakers

Dai Stability Fee and Dai Savings Rate go up to 6%, while Sai Stability Fee at 5%

EthHub’s new Ethereum user guides

It’s great that EthHub is doing user guides, that’s something that is missing.  What’s also missing is a concerted Ethereum effort to link to stuff so that old uncle Google does a better job of returning search results.

Aave’s flashloans is another neat primitive.  Things unique to DeFi.

Tokens/Business/Regulation

David Hoffman: the money game landscape

Australia experimenting with a digital Aussie dollar, with a prototype on a private Ethereum chain

3 cryptocurrency regulation themes for 2020

OpenSea’s compendium of NFT knowledge

A newsletter to keep track of the NFT space

Initial Sardine Coin Offering

NBA guard Spencer Dinwiddie’s tokenized contract launches January 13

Progressive decentralization: a dapp business plan

I wrote a Twitter thread about Dinwiddie’s tokens.  I’m curious how they do, given that the NBA made him change plans and just do a bond.  I haven’t seen the prospectus, and press accounts have conflicting information, but it appears that the annual interest rate is 14%.  In that case, I wonder who puts fiat in?  I doubt anyone would sell their ETH at these prices for a 14% USD return.  There is some risk, but it basically requires Dinwiddie to lose the plot and get arrested or fail a drug test.  So it seems like quite a good return given the low risk (assuming it is indeed 14%)

That Sardine token is wild, but not crazy.  I won’t even try to summarize it, but perhaps even weirder is that they announced it at CES.  Is your average CES attendee going to have any idea what ETH is during the depths of cryptowinter?  Unclear to me.

Lots of good stuff in this section this week.   Jesse Walden wrote up the “get product market fit, then community, then decentralize” which has worked for a bunch of DeFi protocols.   

It’s also the opposite of what folks like Augur and Melon have done.  So far the “decentralize later” camp has gotten more traction, but I personally don’t consider this argument decided at all, especially if you are in heavily regulated industries like Augur or Melon where regulators might put you into bankruptcy just because they got up on the wrong side of the bed that morning.

I also think Augur could be a sleeper hit for 2020, and I think Melon’s best days are still in front of it.

General

Andrew Keys: 20 blockchain predictions for 2020

Haseeb Qureshi’s intro to cryptocurrency class for programmers

Ben Edgington’s BLS12-381 for the rest of us

Visualizing efficient Merkle trees for zero knowledge proofs

Eli Ben-Sasson’s catalog of the Cambrian zero knowledge explosion

Bounty for breaking RSA assumptions

It’s amusing how heavy crypto stuff often gets put into this section.  The cryptography stuff is all super interesting, but not sure I can provide much more context for it.

Juxtaposed with intense cryptography in this section is Andrew Keys’ annual new year predictions.  Always a fun read.

Haseeb’s class looked great.  A place to pick up all the knowledge that has taken some of us years to piece together, blog post by blog post.  

Full Week in Ethereum News issue.

[claudecat17]

Orioles Game 29: The Weather Piles On, O's Still Win

I'm gonna do this one a little differently. Rather than develop a theme and form paragraphs that build on said theme logically (as if I ever do that), I'll just summarize things first, then list some things of interest (to me anyway) that happened along the way to this latest O's victory over various things in addition to the opposing squad.

This time it was the weather. I've become pretty attentive to weather.com lately during home stands, and nowhere in the forecast for this night was there anything greater than a 10% chance of rain. Naturally it rained steadily from around 4pm to around 8pm. Not heavily. Just enough to make everything barely wet enough to matter, and enough to delay the game by 45 minutes. In other words, mother nature herself has begun to conspire with everything mentioned yesterday to make things difficult for the O's.

Look, this whole "the universe is against us!" thing is largely for comedic purposes, obviously. But I'll be dadgummed (an actual word!) if it isn't beginning to really feel like this is becoming a thing. Every time the O's go on the road? Beautiful sunny days. They come home? It's gloomy dankness. The Boston/MLB/ump/media crapola. The injuries. As a cynic this all makes hay with several carefully honed sensors in what's left of my brain. It's beginning to get ridiculously real-feeling.

But anyway... this was a real fun game experience, for everyone. Dugout Club game, so lots and lots of families, more of them nice and better behaved than usual, perhaps thanks to the rain filtering out the non-enthusiastic for baseball. I had several families in my area that stayed until the very end, as any real baseball fan should for a game like this one was. I always try to talk about this with said families, saying things like "You folks are true baseball fans! We love people like you!", which always gets smiles and hopefully gets some return visits even on non-Dugout Club dates. The kid smiles are the best. Even better is when they start asking you questions about players or other real baseball things. You hope to help turn a few youngsters into lifelong fans of the game. Felt like maybe I did tonight.

The game itself? Fun stuff, though as always an early cushion turned out to be paper thin by the end. No lead is safe, the universe is out to get us, etc. But Bundy was good enough, the rest of what was available to pitch did well enough (barely in Givens' case) to seal it, and there were some fun offensive and defensive moments. Enough of everything baseball is at its best to keep even marginal fans engaged, perhaps get 'em over the hump into obsessed fandom. Dongs and bullpen, defense and starting pitching. What's not to love?

Random notes:

- Throughout the game there were people carrying armfuls of either coffee or hot chocolate back to their seats. That and cotton candy. Which got me to thinking: why are the only vendors patrolling the upper deck on a Dugout night the beer/peanut guys? It's not like there haven't been guys and gals hawking these more kid-friendly (and on this night highly in demand) items before. What gives? So I asked Eyon, a nice young vendor dude, what's up with nobody selling the stuff they could be making a fortune on? He gave me some crap about how the DMC folks sell the beer/peanuts, while it's others that do the rest. I dunno... not sure I'm buying that. Bottom line? There was a ton of cash/convenience to fans left on the table tonight. That oughta be fixed...

- The tune they used for the Kiss-Cam tonight was the Ray Charles version of "Night Time Is The Right Time", and it sounded so great to hear such a high quality piece of music played through so many speakers. The original, incidentally, was done by one Nappy Brown a year or so earlier than Ray's hit, but you knew that. This was also yet another “YMCA“-less night. Yay!

- Perhaps some of you are aware of this usher from the old days called Charlie Zill. The "Zillbilly" was famous for bringing a fiddle in and pretending to play it during "Country Boy", and just generally making fans feel good in every possible way. He's the guy they point to via video during our training sessions (and whose name is on a few places we all walk through but fans never see) as a reminder to put fan fun first and all that. Well, I'm on the elevator up after lunch and I happen to ask a fan how her night's going. "Oh, this is the best night I've had at the yard since my uncle died!", which struck me as a bit odd, until she told me that her uncle was Charlie Zill! This was the first time she'd been back to the yard since his memorial game way back when, and she was having an amazing time! That made my night right there...

- No George Bush girl tonight. She called out, and my dreadlocked colleague/section-mate was back, so that was awesome. I don't think she realizes how annoying she is to almost everyone. Even Allison's mom can't stand her, and she loves everyone. Plus, she brought brownies tonight! Yay!

- Speaking of food, I resisted the jumbo hot dogs, despite a few weak moments, in favor of a Jimmy John's #10. It worked well. I feel lots better as I type this at 12:50am after having just now gotten home and showered. Have to be there extra early tomorrow too because of Little League Parade Day, which is really not all that exciting. One time I had to help herd the kids, which was OK for a while, until my hand became raw from too many high fives. Gonna have to sleep fast, soon.

That's all I can come up with. A fantastic night, as are most, especially when the O's win. I'll conclude with just a bit more angst however, by noting that the Yankees have not had to face a good Cubs pitcher yet, though they'll get Lester tomorrow. Grrr... Someday they'll lose again.

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