#anyways I don't know nothing about the game

[da2supremacy]

Essentially the ethos of a dragon age game has always been something you can roll around in your hands and interrogate. Dragon Age games have never been some great awesome piece of art that belongs in the MoMA or whatever. Honestly, I haven't really enjoyed the gameplay of a single one except Veilguard and the OG devs personal prejudices are glaringly obvious with even just a cursory read. But the World Building is magnificent and the game let's you disagree with it. Some people hate that. It's why they're constantly whinging about the "all sidesism" or whatever. I don't really think the rampant centrism and borderline fascism was present until Inquisition. CAN you be a fascist in 2? Terrible in origins? Sure. But there's a world around you that reacts to that and when you're a truly awful prick there actually are gameplay and story consequences.

The Inquisition is a righteous religious army taking over sovereign lands for the greater good and the only person who ever questions that gets treated like he's gone insane. Yet even Inquisition gives you more opportunity to interrogate the justness of the Inquisition's existence than Veilguard allows you to question the merits of Solas' goals.

Because some of his goals (as stated in Trespasser anyway) DO have merit. While I may not personally agree with the notion of tearing down the Veil it IS a wound that he carved onto the world and he probably is the only person who could get rid of it. Not to mention they've spent 3 games all but telling us that the Veil was falling apart already anyway. If Solas did nothing the reckoning with the fall of the Veil would have to be addressed eventually because it was happening whether he did anything about it or not. Maybe his method actually would have been better than him sitting back and letting the Blights and the blood magic and the all the other things that were weakening the Veil collapse it naturally. We've seen places where that happened and it's always been pretty bad actually.

But the game never lets you sit with that. I am willing to believe that the 10 years and the region shift could have allowed enough events to equalize most world states but in trying not to say anything about Worldstates they straight up didn't engage with ANYTHING that came beforehand at all. John Epler's insane misunderstanding that people sympathizing with Solas is a FEATURE and not a bug, this is the franchise that gave us Meredith and Loghain and Anders, decided that the pathos of the game's supposed main antagonist and final boss could not be mentioned at all???

The game proves that the Chantry is based off of a woman's misinterpretations of visions she could in no way have ever understood (if you squint you can kind of see the shades of both the Evanuris and the Titans in the the story of the Chantry. Add that to the theory that Andraste was an OGB and well...) and the game itself doesn't mention the Maker or the doctrine of the Chantry at all. All sides of the Western Schism were still Catholics. Being in Tevinter does not actually justify why apparently no one is devout to the Chantry.

This game is great but it's a standard hero's journey. Rook grapples with nothing and sacrifices nothing. Even the one mandatory Companion death really isn't Rook's fault. I don't know how Solas ever thought that prison would hold them. I never actually have to think or question anything. I never actually made a difficult decision. You could replace the place names and file Solas off of the narrative and this could be literally any other fantasy title. The things that made Thedas unique are not there.

I am not calling this game poorly written. It's fine for what it is. It's not a WRONG decision to not include things that weren't directly relevant to the game's narrative and all things considered this game only actually got 3 years of real development time. There's probably a lot that got cut. But I do think still centering Solas as the final boss and the preservation of the Veil as the final obstacle to overcome and then not actually engaging with WHY he is really doing what he's doing and WHY that's actually wrong is a bizarre choice. It really does seem like John Epler was scared they couldn't convince the player as to why they needed to not rip it down and so they sidestepped the question entirely.

The thing about Solas in DAtV is that because they were fundamentally unwilling to engage with the question of whether or not the Veil should actually come down (which is a symptom of them refusing to engage with anything remotely 'problematic' in the franchise to date: slavery, elven oppression, treatment of both city elves and Dalish etc.) he goes from a character who is supposed to be the embodiment of wisdom to a character who is kinda stupid. And further, it affects our questions surrounding his motives and relationships, his actions in inquisition and how compelling he is.

Like, there's a lot of people arguing ATM about whether or not a romanced Lavellans relationship with Solas was meaningful/if she knew him compared to how Rook knows him/if he loved her more than Mythal. And I think the answer is very tied up in this particular issue with the writing.

Because if Solas is a revolutionary who believes that the veil must come down, not just to fix a perceived wrong he did, but for the good of elvenkind...if we take a Solas who says 'people are always dying, it's what they do' and realise that he's saying that because PEOPLE DIDNT USED TO DIE and the way their lives are now so short is terrifying to him, if we take a Solas who says that the world today is full of those who seem tranquil to him and take that SERIOUSLY, if we get a Solas who is sickened by the way spirits are yearning for the world the way it was but are stuck in the fade without any contact and that's twisting them into demons and those willing to possess others to taste a glimpse of what was denied to them by HIS actions...

Then we get a Solas whose actions don't just make sense but we can see WHY they make sense. We get a Solas who is, yes, committing an act of horrendous violence by tearing down the veil but is doing so to literally save the world rather than just fix a regret or because he's bound up in Mythal somehow and what she would have wanted for the world.

THAT Solas who leaves Lavellan because of his revolution he must lead, who leaves Lavellan after seeing what this world does to those who are left of the people, that Solas...I think that we could then argue more than the relationships he formed in inquisition were real and he was tragically forced away from them by his own goals. That in some way he is doing this FOR Lavellan.

There should be a sort of semi-horror tint to this world for us through Solas's eyes because we can see a world of tranquil walking around like he does, a world where life is too short, a world of injustice and pain and reasons to go ahead with his plan

But Solas....kinda lacks agency in DAtV. I don't hate the Solas Mythal plot stuff I think it's quite interesting, but mix it with us never considering the merits of what Solas wants to do, of EVERYONE unilaterally deciding it's evil with no real debate or queries, with ZERO elves in the narrative siding with Solas or taking what he has to say seriously...THATS where adding the Solas and Mythal plot rubs me the wrong way. I don't want Solas to need to be released by Mythal before he can let go of his evil plan...I want a Solas who doesn't have an evil plan but instead a complex one. I want the conviction of Anders in Solas; that what he's doing is RIGHT and the ONLY WAY to fix a great injustice. I don't want to redeem Solas or even understand him I want him to CONVINCE me and me BELIEVE him. Otherwise the Solas we see in inquisition is more shallow and the Solas we see in Veilguard through Rook...maybe Rook does know him better than the inquisition did.

[dunmeshistash]

Do you know where the “mithrun is the most grizzed masculine elf take” comes from. All I think about is the changeling thing but no one calls Marcille the most masculine elf for being ripped as an orc compared to Tade. Or that he trains a lot, which is also not an inherent masculine thing. To me Mithrun doesn’t really look different to any other (male) elf we see. Is it from the extra’s or something?

Yes that take comes from the changeling transformations of both Mithrun and Senshi. The joke is the Senshi is the "most femme dwarf" and Mithrun the "most masc elf" in contrast with how they look in their original forms

I do think the joke kinda got out of control in the game of telephone that fandom is, instead of a fun observation of how we might perceive Mithrun more feminine than he is and Senshi more masculine than he is due to our own biases based on their races it got taken way too seriously as "the only true and correct interpretation"

I don't think Mithrun is especially masculine or feminine when it comes to his personality, I understand some people have been peeved by others making him maybe too meek/girly compared to canon but I feel like the response of making him way more aggressive/manly than canon is just as inaccurate and it's kinda upsetting when I see "fandom vs (my interpretation of canon) canon" as if they're any more right for going to the extreme opposite

We don't really know if Mithrun is specially "masculine" for an elf either, the only elf that we know is especially "masc" is Otta, and we only know cause her bio says even elves mistake her for a man (I think for most of us she looks as androgynous as the others)

Here's a post discussing elf gender presentation more in depth if you're interested in the subject but all we know is that Mithrun works out a lot and is very muscular (which signals 'manlyness' for us but might not for elves) there isn't much that point out to him being especially manly or especially feminine compared to other male elves. He also has lost most of his desires and doesn't express his preferences much so I think it's safe to assume he doesn't really pick how he presents himself (clothing and such).

Other than that and being stoic (is that a super manly trait?) Mithrun is pretty average I think. He's also still super cute even as a tallman (as if looking manly would stop you from being cute)

But another trait of him that seem to make people read him as "super manly" it's that sometimes Mithrun is scary and aggressive, I'm not even going into why that's bad (correlating aggressiveness with manliness is uh…. not great….) not even to mention he only acts that way when he's triggered by wanting to take revenge on the demon, otherwise he seems to avoid hurting others.

Related to the "Mithrun is a super manly elf" take I've even seen people argue that drawing him looking too "cute" and small is incorrect (probably just because of his tallman self) but that's how Kui draws him herself.

I don't understand why correct others for drawing him the same way his creator does, he's designed to look this way, there's nothing to "fix" about his original design either (nothing wrong with drawing him in a way that appeals to you more tho, fanart is fanart just don't harass other people)

Anyway just to stress the point that he is very average let's compare him to Lycion and Pattadol

The average height for elves is 155 for males and 150 for females Mithrun is 155cm, Lycion is 170cm and Pattadol is 160cm, they're both taller and have a sturdier looking builds than Mithrun

Kui often draws Pattadol specially with a sturdier build than Mithrun actually

So no he's not the most buff biggest elf ever in any sense (although he IS a muscular elf), and I don't think the changeling transformations are too objective since they're magic. For example Pattadol as a human is pretty average even tho she's big compared to other elves (not to mention Senshi half-foot who has a huge beard that half-foots don't seem to be able to grow)

[rozhliena]

mc x mammon

you construct intricate rituals in order to touch the skin of the avatar of greed, ambiguous season but i would venture it's still during s1 of the original game, mostly just palavering about the gaze nothing actually occurs

They say the eyes are the windows to the soul.

"Don't you get eyestrain?" you ask Mammon, tilting your head as you sink back into the pillows on your bed. "With the sunglasses." It isn't bright in your room, the lights set just shy of their dimmest mode as you get ready to go to bed, and neither is his D.D.D.'s brightness set high. But he wears them all the time anyway, even in the evening. "Or are your eyes just sensitive?"

From where he's leaning at the side of your bed, frantically tapping some blinking lights on his D.D.D., Mammon shakes his head. "Nah, my eyes are fine," he says. "I just like the look of 'em."

A fair, if somewhat odd, assessment. You can't say you dislike the look, either, which has grown as familiar as the sight of him in your room — you're actually not sure why he's here today. It just seems like a given, some routine you've fallen into. There are two toothbrushes in the bathroom connecting to the bedroom, and there is a hamper in the corner for clothes that aren't yours, though they never seem to make it into the basket without your help, and the extra hangers in your wardrobe have lately been put into use more often than not. It's not exactly normal, you know that, but it comes so naturally.

"Are you gambling on mobile games again?" you ask, reaching over to pluck the sunglasses off his face, wondering if you should feel amusement or concern at the fact that he hadn't reacted to the motion at all. But maybe that's natural to him, too. You look at the orange-tinted lenses curiously. "You probably shouldn't, you know."

"I'm gonna win this one, serious, y'know, statistically and shit — "

When you put the sunglasses on, they're slightly large on your face, and they really aren't special aside from being from a Devildom designer brand that sounds suspiciously similar to the human world's Gucci. A typical pair of polarized sunglasses. You sigh, pulling them off. You lean over to place them back on Mammon's face, slightly askew. "Still losing?" You know he is; he's already out of in-game currency. Sure enough, the lights on the animated slot machine go red.

"Hey! You jinxed me!" he complains, adjusting the crooked sunglasses as the plaintive whine of a loser's trombone plays from his phone's speakers, but he turns off the game and stretches across your bed. His eyes peek out above the tinted lenses of his sunglasses, toward you. Like he's expecting something. You wonder if he's even aware of the way he looks at you sometimes, so intently it seems to go right through to the back of your neck.

"What's up," you say.

His gaze shifts, lands on the second hamper in the room, half-filled with his clothes by someone who isn't him. He's thanked you for it before, but you wonder what he actually thinks about the entire thing. "I dunno. Just lookin'." At this angle, you can only make out the blue in his eyes.

You sit up. "Are demon eyes different from human eyes? Like, in terms of biology."

Mammon looks at you, a little incredulously, and then laughs. "Man, how the hell would I know that? I ain't a nerd like Satan."

You shrug, moving so you're facing him properly. "I don't know. But can I check?"

He grimaces, but he's already folding up his sunglasses and hooking them into the collar of his shirt. "Like, you're not gonna poke 'em or anything, right? Would you even know the difference between, y'know, human and demon eyes?"

"Maybe. I don't know." When you moved just now, your hand brushed against his, where below the knuckles is the faded smudge of a stamp he'd had to get at one of Beel's games. Identical to one on your own hand. The game itself hadn't been particularly intriguing, and what you remember more than anything else is that it had been cold that day. You and he had to huddle up together beneath a blanket, and Mammon's bony elbows poked into your ribs to such an extent that you wondered if it wasn't less comfortable in the blanket than outside of it. But when he turned to you, smiling sheepishly, looking at you the way he does, warmth bloomed in your chest and you couldn't even feel the ache over it.

Mammon looks at you the way he does and shrugs. "Whatever. All yours."

There's no way to make this seem normal, you know that. When you take his face in your hands you don't think too much about how easily his face fits against your palms as you angle his head toward the light. His cheeks are warm. He doesn't resist at all. "Don't close your eyes so I can look at your pupils."

It's not an order, but Mammon goes along with it anyway, though his eyes tremble a little, avoiding your gaze, when you lean in to inspect.

When the light hits them, the pupils constrict like they would in any other eye. Whenever Mammon looks over his sunglasses, his eyes are like the bright blue sky of the human world above a sea of sand, but up this close, they're entirely normal. The same pupils, irises, sclerae. Tear ducts. The delicate blood vessels along the white of the eye. Eyelashes, to keep out debris. It's almost disappointing. The only distinction anyone could make between his eyes and those of a human's is that his irises are unnaturally vivid and possess two colors, but even then, there are some humans with those same traits.

"I can't tell the difference," you admit. "They look like any other set of eyes."

The set in question flicks to yours, narrowing slightly. "Hey, just 'cause I'm being generous doesn't mean you can go lumpin' me in with everyone else." He reaches up, his hand finding purchase at one of your wrists like he's going to wrench you away from him, but he just keeps it there. "I'm the Great Mammon, y'know?" The warmth bleeds into your skin.

"I know that," you say softly, still not thinking. "Hey, close your eyes." Again, it's not an order, no force behind the words, but again Mammon obliges. His eyelashes are so light they're almost transparent. You brush the pad of your thumb over the thin skin of the eyelid, over the light oily sheen there. His closed eyes quiver beneath your touch.

"Does eyeshadow give you trouble?" you ask. "Because of your eyelids."

"Lil bit," he says. "When I do gigs I gotta prime 'em and carry those blotting things. But hey, I always end up lookin' good, yeah?" His mouth turns up in a contagious grin.

"You do." It comes out of your mouth so easily. His cheeks go warm at the admission, but he doesn't say anything this time. He's letting you feel around his eyes like it's nothing, and you think, maybe there isn't any real difference between demons and humans, after all. Eyes or otherwise. You let your fingers trace along his face to under the chin, angling his head upward. During the game, you had reached down to one of his arms and squeezed, not because it accomplished anything for heat, but because it was instinctual, like scratching an itch, or like blinking.

Your faces are so close. Kissing Mammon would be so simple — twist of the wrist, tilt of the head. You'd land his lips in one try; it would come naturally, and his mouth would be soft and warm. You wonder if he would let you kiss him.

Mammon's eyes flutter open. His grasp on your wrist tightens slightly. You can feel his breath on your face. Your own breath catches in your throat. "What're you doing?" he whispers.

"Just looking," you whisper back. He doesn't let go.

[thanosscross]

My Darling - Choi Seung Hyun x reader part 2

Summary: After months of not seeing your best friend, you finally reconnect, only to find out what he truly thinks about himself and the two of you, resulting in a brokenheart, and a new relationship

Warnings: none really, Seung Hyun having a slight panic attack

As you wrapped up filming for squid games, you were very quickly thrown back into the tour lifestyle, Bouncing from country to country, you couldn't shake the sadness of missing your friend though. As you got ready for your next music video shoot you took a nervous breath, you had sent an invite to Seung Hyun to come shoot on your video with you, using the excuse that you work well together acting, but he never replied. So you nervously waited, having a back-up actor if needed, but you specifically wrote this song about Seung Hyun, so it only felt right to get the chemistry behind the song right.

As you stepped on set you took one last glance around, all you could see was the empty warehouse set filled with props and crew, but Seung Hyun was nowhere to be seen, sighing sadly you checked your phone one last time, seeing nothing almost brought tears to your eyes, had he not meant what he said? Yea it had been a few months, but he did promise you..right?

As you started to film some of your solo scenes, you manager rushed over with a smile "Y/n! Y/n! Turn that frown around, baby! Your guy called, he's on his way, just stuck in traffic!" He cheered, you face immediately lit up, smiling excitedly and jumping up and down "Really!? Really!? He said he'd do it?" You gasped grabbing his arms "Yes! Yes! He did!" He smiled, he knew your situation, he had to hear about Choi Seung Hyun constantly, he tried to warn you it might not be the best for your image, but you quickly snapped at him going off about needing to get over things, your manager knew you since you were young, barely 17 whenever he signed you on, now you were nearing your thirties, your twenty eighth birthday approaching quickly, so seeing you this excited over a boy was something entirely different.

Unknown to you, Seung Hyun had ditched his taxi long ago, he was close enough to be able to make it running, traffic was picking up anyways. As he ran up onto your set he saw you standing off to the side, waiting while looking around occasionally "Seung Hyun!" You shouted seeing him, throwing your jacket down to sprint to him, as soon as you were close enough, Seung Hyun immediately lifted you into the air spinning you around in a hug, squeezing you tightly "Hey! Hey! Careful! Don't hurt her!" Your manager shouted in a panic "Don't worry about him, he just doesn't want anything messed up for my show" You giggled looking down to your friend, your heart racing feeling yourself being that close to him again. "So are you really gonna do the video with me?" You asked excited, Seung Hyun nervously smiled "Ya know..I don't know...I want to..but I don't want to ruin your image and stuff..." He mumbled, you frowned, you knew he was still ashamed of what happened and how badly everybody reacted, it hit him hard and it was always worried about how it'd effect the people around him "Seung Hyun! I don't care about that! You are my best friend! I want you to be the part so who cares!" You argued cupping his cheeks, Seung Hyun couldn't hide the blush on his cheeks feeling your hands being so intimate than you had ever been with him.

"I guess..If you're sure.." He mumbled "I'm so sure! If anybody has anything to say I'll give them a piece of my mind!" You huffed grabbing his hand marching towards set, he gave your manager a look raising his eyebrows, your manager just nodded mouthing the words 'every time'. Filming was something neither of you expected, as your manager and director worked together to get everything right, going through the lyrics it started to make you realize things a lot more clear. You loved Sueng Hyun, more than best friends. Seung Hyun felt panicky, having to be so intimate with you was getting him flustered and it was all going on camera, for you to see later and see.

After you filmed a scene of Seung Hyun following you through an empty street in town, he took a moment to stop and breath, lighting a cigarette to calm his nerves, but there you were, looking at him with that adorable puppy look. "Are you okay?.." You asked softly, going to rest your hand on his arm but he just shrugged away, he couldn't help it, your touch was making him feel hot, like it was burning him, and he was now becoming very conscious of his t-shirt and all of the hate he used to get before he closed it all out. "I-Im sorry I-I just-" You stopped him from speaking, noticing his shaky hands and the tears falling from his eyes as he slowly slid down the brick wall trying to keep his breathing calm, but the panic attack was already settling in. You immediately kneeled next to him, slowly taking the cigarette from his hand, not wanting to see him accidentally burn himself, as you tried to sit next to him he tried to lift you up to your feet "T-T-that ground i-is disgusting" He whimpered, your heart broke a little bit, he was more worried about you sitting down he didn't realize he was sitting down himself "It is..so why don't..we go over there..and sit on that bench?" You asked, taking his hand in yours, still holding his cigarette in the other, guiding him slowly to the bench as he tried to calm himself down, feeling like an idiot for getting like this around you, but like the sweetheart you were, you still took care of him, not even knowing the reason why he was freaking out.

"Seung Hyun..." You called sweetly, cupping his cheek with your free hand "Honey..take a deep breath for me, what's going on?" You asked, Seung Hyun followed your instructions, not realizing he was holding your wrist gently, caressing his thumb over it. "If I ask something...Will you be honest, Y/n?" He asked shakily, his leg bouncing as he looked around, taking the hint you took the cigarette placing it to his lips gently "I don't want you to drop it..but of course" You whispered, you weren't concerned that you were acting more like a wife or girlfriend than friend currently, you were more concerned with making sure Seung Hyun was okay. "Is this..about us?..is that why you wanted me to be here so badly?" He asked, inhaling before exhaling, lifting your head up gently as he blew the smoke to the side so he wasn't getting it in your face. "When I'm with you..things feel different..like..stronger with you..I'm happier, sadder, angrier, everything when it comes to you" You explained sheepishly, going to pull your hand away from his cheek, but he stopped you, instead moving your hand to his lap to interlace your fingers as you spoke, the same thing he did anytime you'd get teary eyed opening up to him during your guys's filming for squid games "I-I didn't understand it..until I saw you again, and I felt like I never wanted you to leave like that again" You whispered looking away from him "I-It was hard..really hard..and barely being able to speak to each other, made it harder.." You whimpered, biting your lip to keep yourself from crying.

"Are you sure we're not just..close friends?" He asked, not wanting you to jump into something you didn't want, you didn't take it as that, you took it as he only saw you as that, close friends. "Y-Yea you're..you're right" You sniffled, taking a deep breath putting on your best show face to hide the plain hurt on your face "Ready to finish up?" You asked, Seung Hyun frowned, knowing he upset you, he just silently followed behind.

Whenever you finished up filming, you rushed towards your small makeup trailer, just needing a moment, Seung Hyun was stuck off to the side, frustrated with himself "Seung Hyun, yes?" Your manager asked approaching him "U-uh yes yes that's me" He confirmed, your manager sighed "Listen, I don't mean to make things..awkward..between you two, but in the ten years I've known that girl, she's never talked about another man or woman like she has you, Mr. Choi, she's one of your biggest fighters, even before she got back from that tv show filming. Meeting you gave her the drive and motivation to work and write again, she's produced an entire album! In a month! So whatever happened earlier between you two..You better not ruin my girl, she's special, not another one like her, until you make a comeback" He explained before nodding over to the trailer "Fix it. Not my broken mess, not my problem to fix" He demanded, Seung felt offended by that, this man seemed to care about you, and yet here he was calling you a broken mess? "Y/n is far from a broken mess, she's single handedly the most independent strong hard headed woman I've ever met, not to mention the most thoughtful selfless and beautiful! Any guy would be lucky to manage her! Or even have her in their life!" He shouted, your manager just kept an eyebrow cocked at him as he shouted, never noticing you slowly making your way out of the trailer "So why don't you tell her that!? Instead of messing with her head for months!?" Your manager shouted back "Because I'm not good enough for her! And because of who I am I never will be!" He shouted back, trying to control himself and not storm off, every bit of anger washing away whenever he was met with your terrified gaze, even when filming while screaming in your face, you never looked scared of him, but in this moment, you looked truly terrified.

Tears brimmed your eyes, hearing what both men said was like a knife stabbing you to the heart, you stormed past, not wanting to see either of them in the moment, heading back to your tour bus. Your chest hurt, it felt heavy but like it was hot at the same time, as soon as you got the bunks of your bus you let yourself cry for the first time since Seung Hyun first left, never noticing the bus door shutting and closing.

"Jagi" Seung Hyun whispered sadly, kneeling next to you as he tried to get him to look at you "Honey, You are not a hot mess" He whispered, you just glared at him "How could you say that about yourself? I opened up about my worst mistake..and you still think you're not good enough?" You whimpered "Y-You're crying because of what..I said about myself?" He asked confused, tilting his head as you shoved him slightly "Yes! I care about you! And it makes me sad hearing you think that" You argued shoving him again "I love you, you asshole! And you're too blind to see you're perfect!" You added on before realizing what you were saying, Seung Hyun's face changed as you spoke, you just glared at him, trying your best to cry anymore but his words just echoed in your head forcing you to lose your battle 'because of who I am I will never be good enough'.

"Jagi, please don't cry" Seung Hyun begged, cupping your cheeks, desperately wanting to see your smile like before, he tried his best to keep his mind from spiraling "I just...I care about you a lot, and it hurts so bad hearing you talk about yourself like that, Seung Hyun, you are good enough for anything you want to be good enough at, because of who you are" You corrected his statement from earlier, now it was his turn to get teary eyed, trying to ignore and hide it he just hugged you tightly "I love you" He whispered as he rested his head against yours, if it weren't for the hairdo they had you do for the last scene you would've never felt his tears "As a friend?.." You asked pulling away to look at him, using your thumbs to wipe his eyes and cheeks gently "I don't..I don't know..but I want to" He whispered, cupping your cheeks before kissing you softly, you happily kissing him back, running your hands through his hair as he gently bit your bottom lip before pulling away "So..does this mean.." You whispered, looking up to him hopefully "Maybe so..I don't know" He smirked, quoting part of the chorus of your song, you giggled blushing hiding your face in his chest.

--

Part three my lovelies?

[marshemillow]

"CP" is used by real child molesters to downplay the fact that they are traumatizing real children in real time by passing it off as just another porn category.

And you're okay with that, because you want to protect fictional characters made of paper and pixels more than real living breathing children with flesh and blood who can think and feel just like you do.

Thanks for proving my point anyway though, dumbass. Just fucking embrace being evil, you're not fooling anyone. Your moral outrage is as fake as the fictional characters you want to protect. Anyone can fucking see it if they have eyes. How would you feel knowing that people think watching fake cartoons is just as bad as the worst thing that ever happened to you? Would you be okay with people comparing your very real trauma to people shooting pixels in Counter Strike and saying it's the same thing? Would you not feel invalidated by people comparing real gun violence to a fucking video game and saying it's just as bad as that?

No, that's not the same thing, because in your mind, sex is different. Sex is special. It makes crimes worse by default because "attraction" makes everything worse and you don't see how that hurts real rape survivors because you think rapists are driven by attraction. That is literally TEXTBOOK purity culture. You believe in thought crimes, in the ability to be "evil" even if you haven't harmed anyone, which also hurts people with intrusive thoughts.

No no no, none of that fucking matters. Who cares about real cult survivors? Who cares about real victims of violent crimes? Who cares about real children? As long as your sensibilities are protected, as long as you don't have to be a little uncomfortable for even a SECOND because you refuse to take your own internet experience into your own hands, fuck everyone else.

So you try to use shame to control me. That's all you have. You use shame to manipulate all your anti friends, so surely it'll work on me, right? Even though you don't know my fucking life. You don't know what I watch, you don't know what I'm "addicted" to, but you throw that accusation at me anyway because you have no real arguments. You just think if something is gross to you personally, that must mean it's immoral.

But sure. I'm the one misusing terms. I'm sick of you people and your bullshit. It's literally nothing. It's a paper-thin mask you hide behind so you don't have to face all the people you've hurt by turning the internet into a cesspit of harassment and shame over FAKE FUCKING FICTIONAL CHARACTERS.

You may be content in your cesspit, but you're not dragging me down with you. Fuck off.

[a-lonely-dunedain]

every magic school has the Cringefail Newbie and the Self-Proclaimed Prodigy that adopted him <3

so I finally managed a drawing of Elbryn I'm actually happy with! idk if I'll ever write a proper fic involving him but I do have many Thoughts™ about the lil guy so I'll just dump them here under the cut

so after his rather embarrassing magical mishap in Helgen (which he's pretty sure didn't summon the dragon? but he isn't ruling it out as a possibility) he basically swears off using spells entirely and opts for a war axe

somehow manages to not die despite his lack of skill, figures out he's the Dragonborn yadda-yadda, we've all played the quests.

actually counts the Seven-Thousand-Steps to High-Hrothgar like the nerd he is. It was significantly more than seven thousand and his legs hurt so badly.

after making it to High-Hrothgar the Greybeards basically told Elbryn that he would need to become stronger before he could battle dragons as equals and master his Thu'um. Unfortunately they didn't provide much guidance on exactly how he should go about that, only telling him "that path would be made clear" and leaving the rest up to him.

Decides to go back to Whiterun and join the Companions. He's very intimidated by them, but they're probably the best people he could hope to learn from if he wants to master his skills with a blade.

Notably he goes to great lengths to hide his status as the Dragonborn from basically everyone. He feels as though the people of Skyrim are disheartened enough with the return of the Dragons, and if they knew this "legendary dragon-slayer" was really just some scrawny Breton ex-mage it would only dishearten them further, so he feels like it's better to let everyone assume the Dragonborn is some strong and fearsome Nord warrior or something of that nature. At least until he feels as though he can live up to the title.

He also hides his past as a mage from them because he gets the sense that the Companions would like, instantly stop respecting him if they knew. He does feel very bad about keeping so many secrets from them though, seeing as they all talk a big game about how they "don't deal in secrets like thieves and mages do"

Anyway things with the Companions go surprisingly well! His fighting skills improve significantly and he actually starts to form an unlikely friendship with Farkas. a bit of an "opposites attract" type thing. Farkas sees that Elbryn has a lot of potential but lacks confidence, so he sorta decided to take him under his wing. (Vilkas is a bit less fond of Elbryn though. not that he really dislikes him or anything, but he catches on that he's hiding something and doesn't quite trust it)

anyway if you know how the Companions questline goes you know that they take you into the Underforge with the intention of turning you into a werewolf alarmingly fast. Elbryn was still willing to work with them upon learning they were werewolves, but becoming one himself? no no no no nope. He basically tells them "yeah uhh I'll need to think about it", goes to his room, packs his stuff and sneaks off that very same night without saying a word to anyone. In hindsight he feels bad about that. Kinda wishes he had left Farkas a note or something, but he was scared and in a hurry. Oh well, nothing to be done about it now...

now I know they weren't going to force him to become a werewolf or anything, but Elbryn didn't know that. I mean they said they weren't going to force him but they also said the Companions don't deal in secrets, yet here they are doing this under Kodlak's nose in the dead of night! he has no idea what to think or expect or who he could even talk to and these guys have teeth. so he just runs.

north specifically. Not for any particular reason, he just had to pick a direction and it happened to be north. Wanders around for a bit, unsure of were to go now that his only source of martial training fell through.

Eventually comes across Frostflow Lighthouse (REAL downer of a dungeon that one) Now the thing about Frostflow is that near the end you drop down a cliff, and the only way back out is through the final boss. the giant Chaurus Reaper. So he's cornered down there, alone, with a foe he is woefully unprepared to fight. (In game it kept two-shotting me lmao, but I decided to make a story thing out of it!)

So in desperation he decides to use his magic. Not a lot mind you, maybe just to heal himself or create a flash to stun it so he could get away, but whatever it was he intended to do with it hardly matters, because that's not what ended up happening.

See, as it turns out, when you're naturally gifted with high amounts of magic, trying to suppress it for long periods of time like what Elbryn did basically turns you into a magic bomb. So the moment he tried to tap into his magika reserves, it was like a dam burst open. Everything in the cavern was engulfed in a storm of pure untamed magical energy, swirling and burning and tearing until nothing was left of the Chaurus but some strips of charred flesh and chitin

Elbryn immediately passes out, wakes up an indeterminate amount of time later dazed and utterly horrified at the carnage he left behind. I mean sure, it worked out in his favor this time, he was surrounded by foes and going scorched earth was really the only option, but if someone else had been with him? if something like that were to happen when he was with a friend or trying to protect or rescue someone... He looks back at the charred bits of Chaurus strewn about.

yeah, just suppressing his magic ain't gonna cut it, he needs to learn how to control it or else. There's a college in Winterhold right? that's where he has to go then. So he sets out east over the ice fields and hopes he can make it there before getting hopelessly lost and dying.

(ok I had a lot more to say but this was getting LONG I'll have to make another post later lol. sorry, Elbryn decided he wanted to have a story so I guess there's a story now)

[deramin2]

I think anyone complaining about Bell's Hells morality as we near the end of Critical Role Campaign 3 and whether they truly get to claim they're representatives of the Exandrian people should go watch How To Blow Up A Pipeline (2022) about direct action environmental rights activists. And the documentary Hit & Stay (2013) about the anti-Vietnam War Catholic Far Left activists while you're at it. Or The Trial of the Catonsville Nine (1972) which is based on a play written by one of the priests profiled in Hit & Stay about their trial (grandstanding in the trial was one of the intents of being arrested).

It turns out that when you're not in a binary morality unquestioned heroism YA novel that what is justified in fighting systems of oppression and what the right thing to do is actually becomes hard to determine and largely driven by internal feelings and rage at injustice.

Who determines who gets to have a big say? Who determines what actions are justified when no one will listen to the harm being done? Who determines what is overall the more harmful action? Especially when you can't know the future except that there is no option where tremendous harm is not done. Who determines which step along any road is "right" or even "wise?" Especially when they are taken one by one by specific people who are swept up by the events of their own lives and not predetermined by an all-seeing all-knowing Author writing backwards from the ending?

Playing a game isn't the same as acting in the real world at great personal cost, but real life is a kind of improv. Long form improv doesn't start with how the ending should get tied up. It's about how every single split second decision adds up to a cumulative finale. Things not turning out how you'd have played them out if you already knew everything and were living someone else's life is what reality is like.

The normal state of affairs is people making decisions you don't agree with. "They shouldn't have done that" is boring and useless analysis that shuts down further thought and dismisses what anyone else has to say. "Why did they do that" is what media literacy is about. Campaign 3 was never heroic fantasy (arguably C1 & C2 weren't either). It's a character study in people doing what they feel they must in the moment it's happening without any assurances at all that it's the right thing. It's about not having confidence and surety but having to act anyway. That's the entire point.

How To Blow Up A Pipeline (2022) is a great expression of that same dynamic. They have enough confidence to keep telling each other this is the most necessary action they can take because they don't know what the future looks like, but one where they did nothing isn't one they can stand to live through. Is blowing up this pipeline in the way they are planning to the best possible course of action morally and strategically? Literally nobody knows that. They can't possibly know that. It only matters that these people got to that point, and now it's all happening flaws and all. For love, for revenge, for discord in the face of a society that acts like this is normal. A bunch of righteous fuckups just trying to survive in a harsh world made harsher by the status quo.

If nearly 437 hours of game play was too much to sit through to get that point across, maybe 104 minutes will work better.

[whenastrofell]

(I guess we'll have to stay together... for the public... /j) (Also I forgot to respond for like. A day or two. So I guess we're even)

She was an... interesting person, I'll say that much. It's been a few years maybe she's changed-

I think you're more shocked than I was reading it at the time aldkfasl;k- I came pre-desensitized lmao

They were so good! I loved them! I got soo far and it's like. The world was insane like it was just a pokemon game. Nintendo was just jealous lowkey. I got voted off roblox survivor so many times... :( Truly sad for like. 10 year old me. (Damn... I guess you can steal one of my libraries we have enough alkjds)

I have not ever related to a character as much as I relate to Fugo. I don't want to know what that says about me lmao- My irl friend (if I talk about my irl friend it's almost 95% sure it's her- My bestie fr) got me into she ra and I got her into vld. We were obsessed- I'm surprised my dad didn't make fun of it- He has this things where he'll watch the netflix adaptation of 80s cartoons and get mad at them for being cheesy like father. Father this is He-Man. Father this is fucking He-Man of course it's cheesy??

I think him being the favorite is probably just canon? I forget if they use those exact words but at the beginning of pt5 he does know where Polpo's treasure is and those other guys know he knows so. I think it's canon. I need to rewatch it but I'm bad at watching shows-

Twitter scares me bc of musk rat man and also I tried posting my art and it just got nothing and like. I don't make art for internet attention but I don't even wanna be on twitter anyway so I deleted it-

Oof yeah that sucks. Most of my friends are on the same wavelength as me so we get work done we're just ✨annoying✨while we do it.

My friends listen they just don't remember lol- I cannot blame them. I remember very little of the plot of Heaven Official's Blessing, but I do know "she was ugly and now she's dead" and that Pei Ming is hot and that's all that matters. My friend remembers that Giorno is terrifying and that I'm obsesed with Fugo and Mista and that's what's important lol. Ooof that sucks- I showed my friend part one and she liked it (she just hates me for watching the dub lmao). My partner and I do a thing where since we both get Super Obsessed with stuff we alternate episodes (e's currently showing me dungeon meshi and I'm showing em jjba part 5 :3) (I showed her a fic I was writing and she only knew about Giorno at that point so she combined them in her head. Now she does it to spite me... And other people have caught on...). Okay yeah I did see the smiley faces and stuff that makes more sense now-

You should totally ramble to me about ships you like :3 However many you like I’m just curious uwu

(I didn’t answer this as soon as I got it bc I was thinking about what to say lolz 😭)

tbh I like most ships as long as it’s not problematic or I find them weird/that they don’t have much chemistry. I also don’t mind poly or platonic ships (duh). I’d be sitting here all day yapping ab the ships I like/am okay w bc frankly it doesn’t have to strictly be character A X character B, I think it could also be character A X character C, etc. as long as it’s not any wrong. I won’t be going apeshit(/neg) over ships that I don’t like as much or have like a 2 year age gap. I mean, I think it starts to get weird when there’s 4 years of difference. I think people do too much when they hate on less popular ships smh if it’s nothing weird then let ppl have fun w their little kitty witties smh 😞

Huge yapping starts here vvv

Some ships I like tho r a lot of Ghibli movie couples in general bc they’re just super cute and I love the writing Ghibli does for its characters (I want what they have.). I also like Yukito/Yue X Touya and Syaoran X Sakura from CCS but that doesn’t mean I don’t also like Tomoko X Sakura (pretty sure Tomoko implied to like her anyway). I also like some other side ships from CCS but I barely remember their names bc it’s been so long since I’ve watched it and Netflix took it down 💔. CCS ships r cute in general I think, I’ve never seen any problematic ship (except that one girl X her fucking teacher. Pookie. You’re like 13. Don’t date ur teacher. And she was so pretty too bro why did they make her a questionable character 😭). And now. Getting to jjba my beloved. Since I unfortunately focus so so so much on p5 those are the only ships I’ll yap ab 😢. Huge honorable mention to Jonathan X Erina (jonaeri) tho they’re super cute together even if a lot of ppl said they barely have screen time and stuff :3. Anyway. Part 5. I honestly don’t care much about ships in la squadra as long as they had some form of interaction y’know (I don’t pay too much attention to La squadra anyway 💔). Usually ppl get really divided when it comes to Bucci gang ships tho. Honestly I’d rather see them all as a friend group that see each other as siblings to avoid all that shipping, but I admit I really like some pairings, like fugonara, bruabba, giotrish, futrish, naratrish, etc. I really don’t mind it that much (I don’t rlly ship mista w anyone bc I just don’t think there’s anybody matching his freak 😭). I mainly ship fugonara as you can see just bc to me it makes a lot of sense even if I also see them under platonic light. If there’s fugo, there’s narancia, and if there’s narancia, there’s fugo. I just find that rlly cute :3. I also like their backstories and how they tie together and the narancia death scene ripped my heart out in the anime so (IM CRYING AGAIN JUST FROM THINKING AB IT STOP 💔). Again that doesn’t mean I dislike the other ships, I just don’t pay much attention to them or think they had as much chemistry or time together. I love seeing my fave characters tho, so it’s not like I won’t like the content if there’s like gionara or something. Honestly I like seeing ppl have fun w their cutie patooties as long as it’s not too controversial, once again. It’s rlly a shame that ppl can jump at each others throat bc they disagree on a mere ship. It’s literally not gonna alter your life. Also, bc I say a ship some bucci gang characters doesn’t mean I don’t also ship them platonically. (I’ll type it like it’s ao3 tags lolz. Pretty sure & instead of / is for platonic, right?) I rlly like Narancia&Mista&Fugo (torture dance trio is literally the best friendship ever to me bc wdym you did a coordinated dance w ur homies to torture someone that’s so cool). There are also a few others, but they don’t come to mind rn (and there’s a f,y in my room annoying me.) You know what I think I gave jjba way too much attention. I also like Mimi X Sheshe (my fav lesbians fr 😍) from mermaid melody pichi pichi pitch. They tried censoring them by making them “sisters”, but they were blatantly and very obviously lesbians. Like vro. They are touching each other so homoerotically and have complimenting colours. And I think that’s most of it…

I don’t wanna make this any longer than it is so um. Yeah. This was a ramble. I didn’t realize it was so long lolz. But yeah it’s basically that :3

[blimbo-buddy]

Whose strange ass baby is this

[egophiliac]

Where can you play ride kamens? It looks fun looking at your blog but idk where to play

it'll doesn't start until the 30th, but there's some pre-release episodes/character bits that are scattered around the website and twitter! (the links to pre-reg/download are also on the website :D)

honestly I'm really enjoying it just based off of the pre-release stuff, these characters look like they're going to be exactly that blend of ridiculous and emotionally constipated that hits me so right.

[navree]

Incorrect, the fact that Biden has dropped out and a candidate with history of supporting medicare for all and being more receptive to a ceasefire in the I/P conflict has made me go from "I cannot morally support the Democratic nominee" to "I am voting for the Democratic nominee despite the fact she isn't perfect in every respect." I'm really happy this played out. The Dems for the most part abandoned the old Obama platform and it feels like its possible an actual progressive agenda could come to pass in my lifetime.

Kamala 2024!

If you weren't going to vote Democratic in this election before Biden dropped out you're a dorkass loser who does not care about any of the issues you're yammering about here and also a fundamentally bad person, and I hope you get run over by a bus.

But you got one thing right in all of this gibberish, Kamala 2024.

[zylphiacrowley]

A Heart to Heart

<previous - next>

[kaiserouo]

(prev | next | first)

10/10 best company ever to work in

also getting the icon was a fucking hassle

add contrast → soft invert color (transformation function kinda like 1 - sigmoid) → binarize → gaussian blur

i guess i did learn something from that computer vision class

[accirax]

Project: Eden's Garden Chapter 1 Trailer Analysis

Oh my god it's actually time.

As I'm sure you've heard by now, Team Eden's Garden has finally announced the release date for the fangan's true first chapter: December 20th. And, they did so in a flashy new trailer, which is nearly three minutes long! Naturally, there's a lot of content baked in to those three minutes, so I'm here to take a look at what was flashing by in those rapid-fire montages, as well as make predictions regarding what will happen at the first Class Trial. This will be fun!

And here's hoping I don't run out of images 🤞

The trailer begins with the "mascot" (in this case, Tozu) saying that it's been far too long since we last conversed. Classic.

Next, we see a preview of some locations, both new and old. CAM04: Dorm Hallway and CAM24: Tree of Ignorance were already explorable areas within the Prologue, and CAM08: Damon's Dorm was visible in the Ch1 demo released last year(?). The new locations include CAM32: Hallway A1, CAM35: Pharmacy A1, and CAM39: Pharmacy A5.

(By the way, I'm going to assume that both the numbering of the cameras and the time displayed in the lower right have no particular meaning, because I can't find any connections between them. At first I thought it was weird that Damon's dorm was Camera #8 despite him being 9th in alphabetical last name order, but given that the hallway is Camera #4, I don't think there's a correlation).

While all of the images are intentionally blurry, I'll do the best I can to describe what we can see. The most obvious point of interest is the door at the back of the hallway, under which "CAUTION" is written in big red letters. It also seems that there might be blood dripping down the door, which, if true, would match with the other blood splatter on the floor near the bottom right of the screen. It definitely gives the impression that something happened here before, and that that something was bad. There's also a grate on the wall that's splattered with red, but given that blood is pink in the DR universe, I'm assuming that's rust.

The pharmacies are very interesting to me. First of all, there are two of them. What kind of establishment needs two separate pharmacies? I guess you might if the pharmacies are as different as the two pictured. One looks more like an old-fashioned office or science classroom (it kind of reminds me of v3's Ultimate Detective Lab, honestly), and the other like a scientific research facility. A pharmacy is defined as "a store where medicinal drugs are dispensed and sold," so perhaps Pharmacy A1 is for selling and Pharmacy A5 is for creating?

The "A" in these tags could stand for "area," but they more likely stand for "alpha." At the end of the Chapter 1 demo (watch Weeby Newz's video on it if you want the same level of info I have), the students are about to go through the lowercase "alpha" door in the Tree Room to explore a new area. These three areas are almost certainly behind that door-- perhaps with the checkered pharmacy being room #1, and the blue pharmacy being room #5?

It's also possible that the entire area is considered "the pharmacy," and is dedicated to the production of medicine. But, whether that's the case or not, I have to ask, "why?" Out of all the things they could have put into this falsified Eden's Garden Academy, why make two rooms dedicated to creating drugs? Why potentially make up to five rooms dedicated to creating drugs? With very little information regarding the overarching plot of Eden's Garden, it's hard to determine why. The only connection I can make offhand is that this may have been the origin site of the drugs used to knock everyone out on the train.

I do find it very interesting, though, that this is not just a location in the school, but the very first one we're discovering. Normally, I'd think that places like these, which aren't that conducive to students hanging out (like a pool or recreation center) would be reserved for future chapters. It may imply that drugs and/or poisons are a necessary component of the Chapter 1 murder. We'll see!

Our first of the rapid-fire CGs! This one shows Kai pointing at something within a fancy pink room. There's a canopy bed dressed with pink cloth, some floral-looking wallpaper, and two small paintings of what also appear to be plants on the wall.

Given the appearance of Damon's room earlier in the trailer, I find it likely that this is not a new location in the alpha corridor, but instead, someone's room. There are many pink colored characters in P:EG-- Diana, Toshiko, and Kai himself-- as well as Cassidy, whose character color is close to pink, and Ingrid, who has pinkish hair. Of the main three options, I'm guessing that this is probably Kai's room.

People have been quick to diagnose this as a potential BDA image. If that's true, I acknowledge that this being Kai's room would be a wild choice, because it would mean that someone other than Kai was found dead in Kai's room. It would be a THH parallel, though! I just think that it's likely to be his because, well, he's in there, and all of the references to flowers seems fitting for his butterfly motif. However, Toshiko's kimono does have flower patterns on it, and flowers also match up with the ~romance~ of the Ultimate Matchmaker. If this is Kai providing a BDA in Toshiko's room, though... maybe Toshiko isn't dodging those first victim allegations.

If it's not a BDA, though, what is Kai pointing at? Imagine if it's just a spider or something, lol. He does look pretty worried, so perhaps this could be the arrival of something like DRDT's custom weapons? If a weapon suddenly appeared in my room a the killing game, I'd be kind of worried. It could also be a mysterious note, as (spoilers) we're about to see a few of in this trailer.

One cute(?) thing to mention is that, if this is Kai's room, it likely means that Kai was willing to invite Damon into his room to check whatever this is out. That could mean that they're friends! It's not cute if this is actually a BDA. It's also not cute if Kai is becoming Damon's friend just so that it hurts more when he dies in Chapter 1 :(

Woah, it's a note! (/j)

This and the image directly before it in the trailer seem to be of the same thing: a piece of paper that says "to Damon Maitsu" on it. Or, it's possible that the first one just says "Damon Maitsu" and this one says "to Mr. Maitsu"-- they look a little different, although the handwriting seems identical. I don't think there's any paper conspiracy for me to crack here.

To my memory, the prologue included some flashback CGs, so I would imagine that's what's happening here, unless Damon actually kept his Eden's Garden acceptance letter on his person (possible). It could also be a new letter that Damon receives during the course of the killing game if, as I posited, Kai was pointing out a letter he received in his room.

And furthermore, more note content? Why is this hypothetical piece of paper more visible in the trailer than Toshiko?! (/j)

Or, maybe it isn't. This note seems to read, "Meet in [???] at 8:10 p.m. tonight [???] Damon Maitsu." Due to the spacing of the words-- namely, that it doesn't seem like there's much more to this message beyond what we can see-- this paper appears to be pretty small. Combined with the color, I predict that this note is, in fact, sticky. And therefore, not the same as the piece of paper (which also has a different ink color) as the other note.

Further extrapolating from the spacing, the note looks like it's signed "-- Damon Maitsu". Otherwise, there would need to be a word before Damon, the end of which has no letters tall enough to appear next to the D. (It's LGI's "Ms. Naegi" crisis all over again... /ref) If so, that means that we might have an example of Damon's handwriting on our hands! Or the handwriting of someone who was trying to impersonate Damon :/

I wish we had a better lead on where this note was telling folks to meet up, but it's way too vague.

Then, yet another piece of paper! It's definitely different than the yellow one, and probably different from the signed one as well, due to being typed and not handwritten. Then again, sometimes typed letters have a handwritten signature at the bottom, so it's not impossible.

This text's formatting reminds me of how scripts are normally written: both the font and the center alignment are used in standard scriptwriting formats. I actually at first thought that everything after "beneath a" might have been spoken by a character whose name starts with L, but that would mean that their dialogue starts with a lowercase letter. Plus, names on scripts are usually written more like this (imagine it's centered):

LINDSAY beneath a [shoulder] If only [head]

in the sense that the character speaking's name is in all caps. There appears to be a lowercase i after the capital L, so it's probably not a name.

Still, that begs the question of why the top line is so much shorter than the one beneath it. In a normal passage, all of the lines would have relatively even margins other than possibly the last one. Could the wonky spacing be indicative of a poem, or something else written in verse? Due to the script/poem idea, I'm inclined to believe this belongs to the ever-dramatic Tozu, but I could be wrong.

Next is another CG, depicting Damon, Cassidy, and a sneaky Jean in the background. Based on the shape of Damon's ahoge, we can tell he's a little annoyed or flustered by whatever Cassidy is pointing at.

The wallpaper pattern we see in the background is that of the Dining Hall. Do NOT ask me how I remembered this offhand, because I don't know.

Furthermore, based on the wall being to the characters' left, it's likely that they're standing on the left side of the room. (It's possible in reality that it could be anywhere else in the room in front of the wallpaper only, but based on cinematography rules I won't bother explaining this is probably the case.) So, what is Cassidy pointing at? It could be the fireplace, the painting of the jackal, or the vent. Or, obviously, something new that appears in the Dining Hall in Chapter 1.

Based on my theories that the vent will be involved in the Chapter 1 murder, I'm inclined to believe that it might be what Cassidy's pointing out. If that's true, it means that she (and Jean) (and Damon) is dodging the Chapter 1 victim allegations! However, given that the characters are looking upwards, unless they're on the floor, it's probably not actually the vent. Maybe it's something on the fireplace mantle?

Also, based on straight vibes and nothing else, I don't think this is a serious CG. It might just be that it reminds me of v3's casino CG, but I kinda feel like Cassidy is just trying to teach Damon a game while Jean watches, or something. Projector on the Dining Hall walls? "It's more likely than you think," I lie.

The next six images consist of three spooky screenshots of what seem to be some sort of database which say "Ultimate" (and a picture of Damon), and three zoom-ins on what I believe to be paintings found around the school.

The only one I found of particular note was this one, which sort of looks like two people getting married? Both figures seem to have light skin, and the one in the white dress might have some shoulder-length red hair. Cassidy marriage arc??? I can't imagine what context this photo/painting/CG would appear in, but it might be important.

After that a few illustrations depicting the killing game's rules flash by. I won't be uploading all of them because 1) you can probably guess at most already if you're familiar with DR/fangans, and 2) I think these might have been shown in the demo anyways. To sum up, I think the rules can be attributed as such:

Tozu is in charge (and/or participation in the killing game is mandatory)

No destroying school property, with a focus on cameras and NG bracelets

You can't kill/injure Tozu or Mara*

Students can become the blackened by killing

Once a dead body is found, it's time for a Class Trial

... The same thing again? Oh, maybe #5 was about how to trigger a BDA, then.

Um...

Okay, actually, I don't know what this one is. Is this saying that you can't rip paper, or you'll get executed? As in, papers that Tozu gives you? Dude, maybe my "Tozu gives the students mysterious letters" theory actually had some merit to it!

If not that, could this be something about breaching contracts? The Prologue did mention "registration materials" that Damon presumably signed. Those could have been a cover-up for a real waiver the students accidentally accepted. Or, maybe this is the big reveal that all of the characters are actors in a scripted performance. In Chapter 1? Yeah, probably not.

*Technically, only Tozu (who stands between Mara and the student) has an X over him, which could imply that it's only illegal to harm Tozu. However, it's likely that, when the rule is revealed in the e-Handbook, the graphic will cycle between Xs on Mara and Tozu, or something else to that effect. It would be interesting if the rules don't protect Mara, though. I'd imagine the in-universe explanation would be "see what happens if you even TRY to hurt Mara," but that would absolutely feel like a rule intended by the writers to be broken in the future.

I'm sure someone could do a super in-depth analysis of the religious implications of this painting, but that person is not me. All I will say is, "these are the animals of Mara and Tozu." Oh, and, based on the next image, this painting is located in Pharmacy 1.

New locations! Like I alluded to above, the first image is definitely of Pharmacy 1, and I think the second is too.

The third is a bit harder to decipher. We've got a glowing photocopier with an Eden's Garden Academy logo on it, a tiled floor, many green cabinets, a medical kit, and lots of vines. I wonder if this might be a third pharmacy that functions more like a doctor's office...? I don't know what the photocopier is there for in that case, though. I'm assuming that the location behind Jett in the fourth image is in the same room due to the similar green cabinets, and the fact that you can see a similar first aid kit on the wall behind him. If that's the case, there's also a sink in this room. That's not helping me either.

After that, we have a shot of Jean with a proposition in the Dining Hall, some general purposes art which I think we've seen before, and a slick 3D animation with Damon catching a fallen apple. What do they have in common? I don't have much to say about any of them.

Free Time time! Or, at least, I'm assuming that Ulysses' part is part of his first FTE, given that it was packaged in with all this other stuff. With this, we can conclude that Ulysses, Wenona, and Wolfgang will all be available for at least one FTE in Chapter 1. I am very curious about that in general-- with this first chapter release, will we immediately be able to view all of everyone's FTEs? Or will they cap everyone off at, like, two for now? Unfortunately, there's no way for me to answer that now.

The other three images are more intriguing. The first definitely shows Damon's gift inventory, with the Black Forest Cake being highlighted. The interesting bit is all of the chibi pixels to the side, with positive and negative arrows by some of their heads. At first, I thought that P:EG might be going for something like SDRA2's ambitious FTE system, where characters have positive or negative opinions on you based on actions you take and gifts you give. However, on further thought, I bet that this is an in-game way of telling you who will like which gifts. As far as I can tell, many people either look up which gifts to give which characters or save-scum until they get something right, so taking guessing out of the equation is probably a good thing. Plus, now we know that Diana, Jett, Toshiko, Mark, Wolfgang, Cassidy, Desmond, Eloise, and Kai like cake; Grace, Ingrid, and Wenona don't; and Damon, Jean, Ulysses, and Eva are neutral. It's an extra good system if it gives us insight into Damon as well!

The second is surely P:EG's equivalent of the Monomono Machine, with Damon receiving a zen garden from the funky hourglass contraption. The interesting part to me is that the currency is named Marabucks instead of Tozubucks. Yay for inclusivity? Also, I think it's fun that the percentage reads "1,13%" instead of the standard American "1.13%". (And P:EG seems to be, on the whole, an American-coded game, given that the majority of the characters speak in American-accented English and the cast's live appearance was in Texas.) Gives you a little behind the scenes peek at who was coding this section of the game :)

The last thing... uh, what? It seems to be a Pong-like minigame, probably used to earn bonus Marabucks. You bounce the "orbs" through the "pachinko" to... I guess score points against Mara and Tozu? And, probably if you do well enough, you get varying levels of money. Perhaps I spoke too soon, and the Marabuck is simply the lesser Tozubuck.

Up next comes some dramatic zoom-ins through those spiffy remodeled locations. I appreciate them jazzing up the "outdoor" area specifically; the lack of polygons in the doorway arch always bugged me. Even if they kept those similarly unbeveled shapes in the archways to the side... (/lh)

And now, the moment you've all been waiting for...

WE GOT SCENES FROM THE CLASS TRIAL?!?!?!

To clear the elephant in the room, as everyone has been reporting, Toshiko is the only student who can't be seen in the Class Trial at all. Does that mean she's dead? Uh, probably not. As part of a mystery-writing team, I would have to imagine that whoever crafted this trailer would be smart enough to know that their mystery-loving fans would comb through whatever they're given for answers (hi 👋). And, if there's one to be found, they'd find it. Therefore, I'm more inclined to believe that Toshiko's absence is an intentional red herring. Then again, this is very possibly the P:EG team's first time writing a fangan, so if they didn't think about things like that, it would be understandable.

So, who is dying if everyone else is present? To me, there's a big gulf between how easy it would be to fake someone's participation in the Class Trial. Subbing out a death portrait for a regular sprite is easy, recording a fake line of dialogue is a bit more effort, and creating original artwork is really not worth the effort. Thus, we can divide the characters into tiers.

ORIGINAL ART (basically guaranteed safe) Damon, Wenona VOICE ACTING (very likely to be safe) Diana, Grace, Wolfgang, Jean, Eva SPRITE VISIBLE (possibly most endangered) Mark, Desmond, Kai, Ingrid, Ulysses, Eloise, Cassidy, Jett TOTALLY ABSENT (reverse psychology safety???) Toshiko

Damon's unique minigame sprite and Wenona's Rebuttal Showdown art appearing over his face should also squash the rumors that Damon will be replaced before the first Class Trial at least, lol.

Within those tiers, I also want to highlight two outliers: Wolfgang and Eva. Because, of course it's those two.

Although Wolfgang is in the voice acting tier, in reality, I'd say he should be moved upward into the "basically guaranteed safe" tier. This is because his line is shown in Nonstop Debate format as opposed to the regular dialogue format. Although his lines don't have the animated word art thing going on, I still imagine that it would be easier to create a fake line in the regular dialogue boxes than in the minigame. Also, notice that I said lineS. Wolfgang also has two lines, and unless the team is really yanking our chains, I can't see why they would create two fake lines when one would surely suffice.

Meanwhile, while Eva is in the voice acting tier, she's bordering on the "possibly most endangered" tier. It may just be my "Eva could die first" bias speaking, but her line is a whole lot shorter and less specific than Diana's, Grace's, or Jean's. In fact, if you remove the comma, "obviously the case" could easily be one of her stock dialogue lines that plays over unvoiced portions of the Daily Life. If the team were to create a fake piece of dialogue for the Class Trial, sneakily repurposing a line that already exists for other purposes would be the most efficient way to do so.

Expanding on that, what is "obviously, the case" supposed to mean here? I'll once again draw attention to that comma. Grammatically, it's not that some truth is "obviously the case," but that the case is the thing that's obvious. In what context is Eva saying that, though?

Jett: Uhhh, sorry, what are we supposed to be focusing on again...? Eva: Obviously, the case.

Or, could a physical case, like a briefcase, be relevant to the murder?

Grace: But what could the killer have used to fucking store a disguise?! Eva: Obviously, the case.

The only thing I'm remembering offhand that could be a physical case is the medical kit, but obviously there are plenty of locations and props for this Chapter we haven't seen yet. At any rate, Eva's dialogue raised a flag for me. So, I'll be scrutinizing any cases we may see or any pre-Trial words Eva speaks when the Chapter comes out.

Also, Diana and Grace might be a bit safer than Jean and Eva because what Grace is saying seems to be a response to Diana. They both mention peace, and Desmond is striking the same pose in both of their shots. I doubt that the P:EG team would either record Diana expressing the same sentiment that someone else actually expresses, or come up with a fictitious response from Grace that doesn't actually exist. If you want to get really nitty-gritty about it, consider that tier as ranking Wolfgang as the most safe, then Grace, Diana, Jean, and then Eva :)

Under the dual assumptions that Toshiko is a red herring while Eva's dialogue is genuine (such that both of them are safe), though, who's the most likely victim from our "sprite visible" tier?

Well, the only victim option left from my Chapter 1 Killer/Victim theory is Kai. Fan-favorite first victim choice Cassidy is also on the table. Otherwise, I could see Ulysses, given that (if he's not the mastermind) he gives BIG victim energy with his notetaking becoming a central aspect of solving his Trial. I'd expect they'd save a gimmick like that for a later Trial, where it could better be used to shake up the status quo, but I could see it as a good intro case too. I could also see someone taking Desmond out if they were afraid of his weapon-wielding capabilities, although that's... kinda backwards thinking. Desmond's capability to kill is scary if you're trying to kill him, but it doesn't offer much in the Class Trial.

Still kinda convinced it's gonna be Eva, but I'm aware enough to recognize that's probably just the stubbornness of wanting to believe that my old theory was true.

Speaking of old theories coming true, can we rewind for a moment?

Jean: ...but, I'd rather be suspected than be the reason this trial comes to a standstill.

Hey. WHAT.

For anyone who hasn't read/forgot about the Chapter 1 victim/killer theory I just linked, in that post, I argued my case for why Jean would be our unexpected Chapter 1 killer. Needless to say, when I saw this, I screamed.

What does this MEAN?!?! Full disclosure, I was pretty convinced that the Jean!killer theory would either be, like, 100% on the money, or laughably incorrect to the level of accidentally misinterpreting Jean's entire personality or there not even being a hint of suspicion thrown on his name throughout the entire case. To see Jean acknowledging others' suspicion of him in the TRAILER has me reeling.

Assuming that this line isn't fake (which also guarantees that Jean isn't the first victim), this means that there will be a point in the Trial at which Jean will be suspected as the blackened. The line itself could easily be something that a sympathetic and honest spotless would say, or something that a blackened could say pretending to be just that, so we don't get any hints there. What reason would Jean have to be suspected if he isn't the killer? Why and how would anyone choose to frame him? But also, would the P:EG team really want to have their players go into the first Trial already primed to believe that Jean could be the blackened based on the trailer? I feel like this line was included as a cruel (/lh) trick on me specifically, but my theory wasn't nearly infamous enough to warrant that kind of attention.

It's absolutely going to be eyes on Jean for me when the first Chapter comes out. I'm so curious to see the context surrounding this quote. Did I actually call it early? Or will the "evidence" that I stacked up actually prove to make Jean a believable bait, but not the real blackened? (wouldn't be the first time :P /j)

Moving on, there's a very dramatic scene of Tozu looking over the Trial grounds, while Damon looks back. I double checked, and everyone is visible (in silhouette form) in this shot, which makes sense as it was likely created solely for this spoiler-free promotional material. In my mind, the only clues we can pick up here are that Damon is further cementing himself as the true protagonist of this story. He also blocks out Wolfgang as he looks at Tozu...? Could have symbolic significance, but could also just be a result of the pair being opposite each other in the Class Trial seating.

After that is another fast-paced montage. The first screen is the same shot of the Pharmacy table. I don't know why they put repeat info in here, but as far as I can tell, all of the props and textures and whatnot are the same. If my assessment that the murder would utilize the Dining Hall vent is wrong, I wonder if this could be a hint that Pharmacy A especially will have significant meaning-- possibly, as the site of the first BDA. That being said, they also repeat the same image of the photocopier ivy room as the third image in this montage. So, if that's the case, it means both locations will have to be highly relevant.

I feel like this image out of context looks really NSFW. I promise, that was not my intention...

Anyways, this is from the Prologue BDA.

It's Cara's doll legs, as is made extra apparent by that same cylindrical thing in the back. I'm not sure if this was put here because the Prologue case will continue to be really relevant to Chapter 1, or just because they wanted a BDA-looking thing for the Trailer yet didn't want to put in a spoiler one. Based on the different size/shape of Cara's thighs (now I feel NSFW /j), there is a slight possibility that what's shown in the Chapter 1 trailer is (an image of) the real Cara's body as opposed to the doll. However, we know that some sprites and backgrounds have been redone during the hiatus, and that could extend to Cara's art as well.

This knife is also from the Prologue BDA.

You think you're so clever, P:EG team, don't you...? (/lh)

Can you believe the students are going to investigate area alpha in Chapter 1? Or maybe this is Damon telling me I'm wrong about that, haha.

Hey, they rigged a 3D Tozu model! It's looking good. I'm sure they're glad that Tozu's mask meant that they don't have to make a whole mouth rig for the guy, lol. My guess is that this model will be used for Tozu's "punishment time" animation, the equivalent of Monokuma hitting his button with the mallet.

The last thing of note in this trailer (other than the release date) is the Chapter's splash art! The full version was posted to Twitter, which I'll be showing for clarity's sake.

“Strange that one minor event, one small action, can alter the path of everything.”

... You gotta start dodging these allegations better, Cassidy.

Chapter promo art predictions are always a tricky game when it comes to predicting who will die. On the creator's end, I'm sure you don't want to draw additional attention to your first deaths by spotlighting them in the artwork. But, if you want to highlight some of the most important characters of the chapter, that'll often include the victim and/or killer if the Daily Life is well-crafted. Plus, especially for early deaths like these, if you don't put them in the chapter art early, you'll never have to chance.

But, forget all that. Who's actually shown in the poster? Obviously, Damon, Jett, and Cassidy are, but I believe that Wenona's jacket and hair are shown to the left of Damon? If you squint, you can also make out what might be Ingrid's arm on his right. That would be consistent with where he's seated in the Class Trial. Yeah, and then that weird blob behind Wenona is actually Jean and Eva!

See what I mean? Well, if we have 7 characters on the poster, maybe it's not so suspicious for any of them after all :D

And, really, it's 8 characters. I imagine others have made this connection already (even if I haven't personally seen it), but... that's a chameleon wrapping its way around Damon. AKA, Diana's animal motif. That means that Diana is more or less on this poster as well!

As the literal framing device of the Class Trial, the chameleon makes this poster reek of Diana being the Chapter 1 killer. However, even that feels too obvious, at least to my highly-scrutinous eyes. Then again, if this was just supposed to communicate that Diana will be important, why not just put her on the poster...? I really don't know what to make of it.

And... yeah, December 20th! I'm super excited!!! While we're certainly not in a drought of in new and exciting fangans nowadays (read Danganronpa: One Shot here!), productions of this scale-- especially playable ones-- are few and far between, so I really hope that this first Chapter lives up to the hype. I'm pretty sure I'll have more to say about this fangan in a few weeks, so I'll see y'all then for Project: Eden's Garden's true beginning!

...

(Honestly, after all this time in the DRDT fandom, it's just crazy to me that we're going to learn about the victim and killer at basically the same time... (/lh))

[butchvamp]

i finished the game last night, here are my unpolished thoughts about the final act and what i liked & didn't like. this is very long and probably incoherent lol

what i liked:

the whole final battle was awesome, i loved the combat, and i really enjoyed the huge cutscenes of everyone fighting together. i had been really disappointed earlier about the lack of a battle scene at weisshaupt a la ostagar in origins, and this definitely made up for it

i liked the suicide mission and actually getting to assign people their roles in the battle

i LOVED Solas's betrayal, that whole section in the fade prison with the statues was one of the strongest scenes in the game, i think the entire relationship between Rook and Solas is really well developed. as the player, we know Solas is manipulating them, but i think they did a good job making it so it's still believable for Rook to fall for his tricks, especially with the Blood of Arlathan quest before this. (also it's very obvious Solas is Weekes' favorite, wish they would have just stuck to him and not all that other dogshit...lol)

i liked the idea of Varric's role here, but not the execution. i'll come back to this lmao

the giant dread wolf and archdemon fight was cool as fuck. no notes. that's just classic rule of cool, baby

also i had Davrin in my party while fighting alongside Solas and i really enjoyed his banter with him and how hard he laid into Solas's ass. it was very satisfying. yippee go Davrin!

okay. now. what i didn't like (sorry not going to bother with bullet points, it's going to be longer down here lol):

while i liked the suicide mission structure, i hated how the game all but told you who to assign where. there were no stakes at all, there was no way to get it wrong unless you did so intentionally.

this also brings me to. The Choice. between Davrin and Harding. i understand the need for a "fallen hero" here, it ties into the entire theme of regret with Solas as we see in the fade prison, it was necessary for Rook to be the person "at fault" (aka directly make the choice that ends with someone getting killed) but this choice was dogshit. it also was really fucking stupid to see Harding climb up and stand atop a giant stone pillar, and then NOT use her stone magic!!! i don't hate the idea of someone dying here, but this was just a series of failed choices over and over again. we should not have pitted returning fan fave Harding against the single Black companion (who comes in late and barely even gets his own story outside of his damn pet)-- it should have been Harding (narratively satisfying, she's been here since the beginning and dies for the fight) or Lucanis (he is literally the guy taking the shot), we also shouldn't have tied all the dwarf lore revelations to a character that can just fucking die at the end, and we shouldn't have had her stand on a giant stone pillar when she has STONE MAGIC!! i knew this choice was coming but her death still caught me off guard cus i was fully expecting her to collapse that stone pillar on her, not use her stupid puny bow 😭

i think this choice is also weakened by the fact that it's THEE only choice. it's obviously an echo of the earlier Treviso and Minrathous choice, which also didn't really seem to affect much outside of potentially losing the corresponding factions (and i think Lucanis's romance gets locked out?) i saved Treviso, so i got the Treviso questline later, and i assume that you get a Minrathous specific questline with the Shadow Dragons if you save the other instead (haven't seen myself tho so i'm not sure, just guessing). but it's very easy to recover the Shadow Dragon's reputation, and the final battle takes place in Minrathous no matter what. the only way for companions to die or the battle to fail is to just straight up ignore quests. you can't lose a faction's support at all unless you intentionally try to do so. i don't even think you can lose companions at all unless you intentionally ignore their quests and place them in the wrong spot. though the game still holds your hand through the battle and basically Tells You who to put where so they survive.

and to be fair. this is true for the suicide mission in mass effect 2, but the thing is, there is so much more dialogue and variations with how you can play your character and interact with the companions and the world than there is in veilguard, it makes it feel like you do have more control over your character and the narrative, even if it's just the illusion of choice.

and then with Solas, it doesn't matter, he always ends up trapped/linked to the Fade, it just changes how he feels. (they also do this with the First Warden. i was excited for a potential variation between punching/not punching, but all it changes is his attitude when you find him later in Davrin's quest) okay.... well. is he going to return again after that post credit scene? and are they really going to write 3 (or 4, with lavellan i guess) different branching personality variations?

i think the powers that be just wanted to get rid of him in a way that would still leave the dragon age setting ultimately unaltered and open for more games in the future. especially given the secret post credits scene. which i also have an issue with. we're going to go from "it was all the Evanuris fault" to Actually, it was this secret third thing and everything we did was for nothing! AGAIN! if they want to make more dragon age games, they can just... start a new story. do they know that. (the fact they're implying Loghain was influenced by some outside force to do what he did at ostagar actually has me livid lol. leave origins alone!!!!)

anyways. now the fade prison. i have two issues, my main one being Varric. i actually started to suspect early on something was up with him, because he just sits in that damn infirmary the entire game, no interactions, barely any dialogue. i think Varric was horribly underutilized in this game, and it results in all of the emotional beats around him falling flat for me. of course, it's emotional for ME, the player, because Varric is a fan fave returning character and one of my own personal favorites. as far as i've seen in game, though... Rook has no relationship with him at all. i think this game would have been vastly improved with short playable origins that showed the two meeting and developing a relationship, and also he really really needed to have more scenes and dialogue in general. he's barely in the second half of the game, literally just sitting all by himself in that damn room, and even when he is in the cutscenes he has one single line that everyone obviously just ignores. it sucked. very disappointing finale for a really beloved character... it could have been so good if it was good....

because i DO love the idea of Solas using him to manipulate Rook (and i really like Varric and Solas's relationship & the way they contrast against each other), and also the idea of how being tricked in that way would actually affect Rook-- what's real, what's not, can they even trust what they're seeing at all anymore? especially when Solas "glitches" between Varric and Lucanis (idk if it's always him or your LI? would be cool if it's your LI, that's what i assumed) after slaying Ghilan'nain-- this could have tied in with the final romance scene. but of course the game doesn't get into any of that at all.

and now issue 2. how the fuck did Solas do that LOL. how did he switch places, how did he get out, how did it take Rook in his place when it was designed for elven gods? where are the other elven gods (did i just miss this explanation? did the other two just kill them in there)? 🤷 when did this place suddenly turn into a prison of regrets? was that Solas's presence influencing it, or did he do that intentionally for Rook? dont know! who cares. moving on...

i romanced Lucanis, and i was really disappointed with his romance. the final scene was sweet, but.... i think particularly with Lucanis you can tell so much of his story and arc ended up on the cutting room floor, it feels disjointed and as if we're missing pieces, and you can feel it in his romance, too. i also really didnt understand the "keep flirting (not a lock in) or end it now" choices that didnt feel like they did anything at all. why was i given like 3 different times to break up with him when we weren't even dating yet lmao. the romance was a bummer, of course i love the setting and the story but i go into these games expecting strong romance along with it and i was really banking on that being the highlight in this mess of a game but. alas

this also segues me back into the whole "trapped in the Fade prison" section. why was there no reunion with both your LI and everyone else? apparently Rook was in there for WEEKS!!! they hardly communicate this and Rook just reappears and jumps straight back into leading the team, no tears or questions asked about how they found them, how they got out, what everyone was thinking while they were gone... we also get a deus ex machina knife, how convenient that they did all that while i was gone and no explanation is given as to how it could possibly fool Solas, just trust us bro! 💆 i feel like trying to craft our own copy of the knife should have been something actively happening in the background throughout the entire game, and it gets finished while Rook is in the Fade. but this truly came out of nowhere lol

again i think it's obvious things were cut and rewritten and maybe this was the result of a frantic scramble to come up with something that would work, and i'll be generous and blame it on that, i guess...

when we finally get to the final confrontation with Solas, i was very excited, because again i feel like Rook and Solas's relationship is the best in the game, Solas's writing is consistent and strong, i knew this scene had to be good.... and i guess it was? but it felt so unsatisfying. i chose to fight him (my Rook would do anything to get him to shut up) and i was hoping for. an actual fight. you can do it with Mythal earlier in the game, and we already saw his giant wolf form, i was so excited. and then. no<3

okay! sure. we beat him with the power of friendship (not surprised and not even making fun of it here, it makes sense narratively, i knew some version of this was coming after the whole comparing Rook versus Solas bit in the Fade) but come onnnnn i wanted to fight the giant wolf.... sigh. i did check out the other endings as well, and it's clear the redemption ending is the "true" ending and also the best written one imo.

overall. this was a bad dragon age game. i had a lot of fun playing it though, so it's not a bad game game. the gameplay loop never got boring, i never got tired exploring or doubling back, i loved the maps, i loved the combat, and i did love the companions. but the writing is atrocious and racist. this is a horrible dragon age game. i don't know where i fall on recommending this. again, i've had a lot of fun playing and dissecting it, but i dont know that i could recommend this to dragon age fans. this would have been way more successful as a completely different fantasy game. the changes to the lore, disregarding the majority of the games that came before it, the horrible depictions of returning characters (the inquisitor and isabela were the worst offenders for me) the setting and characters feeling watered down and incomplete, the complete lack of the classic "grey morality" shtick (even if it's not always been implemented well)... idk man. bummer! it's obvious there was a cohesive vision at one point, i do think this game is a casualty of the current state of the gaming industry (i was honestly surprised it was functional on launch. not shade at bioware just in general that is rare to see now) we know EA thrashed bioware throughout development, and bioware made a lot of really bad choices, too (the racism is absolutely their doing, they made that choice back in inquisition). but we can see, particularly in the artbook, that there were good ideas & an intention to actually tie everything together and give this story the finale it deserved... but it all got lost along the way in a very ugly, chaotic development. and the game really suffers for it.

[astracora]

I don't actually believe Sylus really thinks he's a great singer. I think his pride for it comes from his having LEARNED how to sing. Learning enough of a tune that it's music, no matter how bad the game insists it is 😭