#anyway. I hate this image

[shayneysides]

hobie: kill yourself

pavitr: WHAT THE HELL BRO WHAT DID I DO

original format from @ha-youwish in this post!

[cozylittleartblog]

"content creator" is a corporate word.

we are artists.

[michaelwheelers]

I know who you are. You're Fire and Ice, right? In the flesh.

[puppyeared]

these two are so interesting to me

characters belong to @canisalbus

[hoshizoralone]

samus the protector of space pride

the girlfriend in question:

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[soriastrider]

this has almost certainly been done before, but i think it's funny so i did it anyway

original:

[humbuns]

birds of the same feather?

[eldritch-ace]

I need more bestie Will and Bev content so I make it myself. They are the only cool people to ever exist in the FBI.

Also the Fred(dies) whom I despise (I love them with my whole heart). They are my favorite AO3 authors.

[bugzb1tess]

just remembered I can post my dumb drawings!! wowie!!

[satans-knitwear]

From the drafts!!! Bc im STILL a little plague rat 🤧😷🐀✨

Treat me ~ Tip Me ~ More of me

[dreamdripdistance]

diligence is the only strong suit of the all-knowing talking corpse

[umblrspectrum]

for how much i love to drag pngs around, it turns out that i actually don't know how to animate all too well

[mothmothwoth]

underrated moment where they looked at each others faces half covered by the rose ramón put down and giggled,, it was just so sweet truly the distillation of them being stupid

also have extra comic for the image but it’s a sketch bc I’m very hungry

[angelpuns]

WARNING FOR CREEPY/UNSETTLING IMAGE AND EYESTRAIN

Throwing around some ideas for the little hater ayu and doodled this :)

Idk I was just feeling silly :))))

[if-you-heart]

they all shriek in unison

@if-you-mind @if-you-soul