#anyway im not changing my majors even though neither of them is technically profitable im just 🧿 my way thru life hoping that i can become

[youvegotmailpdf]

not to be real on main but i do sometimes worry that my willingly betting on a losing dog (re: journalism major when magazines dont rlly Matter anymore & if they do its very shallow and buzzword-y (re: nymag nepo baby/it girl issues which spawned from social media craze and overuse of these two words and while these articles were like okay they werent like. groundbreaking or anything) or they write about boring stuff like overcoming mental health struggles (sorry but keep that shit in your therapist’s office it’s literally so boring) + they are shutting down/laying ppl off) is going to cost me my entire future but like there is nothing else i see myself doing so whatever i do im just. yeah

[vyvesvi]

song rankings january - april 2020

only for my bias groups - loona, ateez, gwsn, and h&d - who are the only ones to have a comeback this year :^)

also to note - loona’s mini has 6 tracks, gwsn’s has 4, ateez’s has 5, and h&d’s has 7, not including the intstrumental tracks.

bsides:

1.) gwsn - tweaks ~ heavy clouds but no rain

2.) loona - day & night 

these songs are very close in my mind. there’s something almost remeniscent of future funk, which a kinda deep bass that i’ve been extremely fond of recently

3.) loona - oh 

4.) gwsn - after the bloom (alone)

these two songs are also basically on the same tier, the only reason why oh is #3 is because yeah gaja 1 2 is so iconic. the rap in after the bloom has major potential to go viral too (it’s literally so so so good pls listen) if groos start the trend but i don’t see it happening yet, idk. 

5.) h&d - empty handed 

a chill bop. dohyon has a lot more lines in this one, which is nice (im a hangyul stan btw)

i also feel like the vibes suit hangyul’s voice more. he’s being pushed as a main vocalist when that’s not really his strength, but this song fits his range a bit better than their title tracks have.

6.) h&d - toward tomorrow

very similar to empty handed, just more vocally driven? it almost feels like they’re two versions of the same song. but whatever, i like it.

7.) ateez - horizon

8.) loona - ddd 

the raps in these two are very different but i love them both sm TT. horizon is just art (hongjoong is deadass one of my favorite male rappers in kpop, like #1 or #2) almost but not quite on the level of after the bloom and ddd’s rap is just cute and catchy af, one of my favorite loona raps in general. horizon’s whole flow as a song is just really nice as well.

9.) ateez - precious

precious’ bgm is just weird af, kind of like h&d’s intro now that I think about it? but i like it, whatever. it’s kinda weird because it has the feeling of being a really artsy song kinda stuck in a pop mode? idk

i also like the feeling that they infuse this song with. like it’s very...idk if motivating is the right word? but this song evokes some sorta weird hopeful emotion that ateez often strays towards that i’m pretty fond of

10.) h&d - good night 

she’s cute, not much to report tbh. dohyon also has more lines in this and this concept suits him more than soul, which is nice.

11.) h&d - unfamiliar*

i fully expected to hate this song and i kinda did when it came out but as i relisten i’m coming to appreciate it. it’s not something i’ll listen to a ton 

12.) h&d - make me a different person 

it’s pretty chill, a little more...i’m not sure what the word is. it’s definitely not trop house but the beat is certainly...bouncy. idk. i have to be in the mood to really enjoy that tbh.

the other weird thing is that the song- and almsot all of their songs now that i think about it- sound super melancholy in tone? but the beat is so bouncy, it’s confusing lol. and not in the kinda tongue in cheek sad lyrics happy beat kinda way, just...the melody or their voices are very...emotional? that’s maybe too much, but i’m having trouble describing it lol.

below here is the slow songs section and im a slow songs anti, sorry

13.) loona - number 1 

she’s alright.

14.) gwsn - the aerialist (wonderboy)

the fact that this is their lead bside is like a kick in the jaw i’m personally offended

15.) ateez - star 1117

...not their best, by far.

*unfamiliar was technically a title track but it wasn’t the title for this album so i’m counting it as a bside lol

title tracks:

honestly i’m not a *huge* fan of the title tracks on any of these albums in comparison to others by the same group (for loona, ateez, and gwsn)

ateez - answer > loona - so what > gwsn - bazooka > h&d - soul

intros and outros: 

h&d - intro = loona - # > ateez - outro: long journey

of all of these songs ateez’s outro: long journey and star 1117 are the only songs not to be added to my library (and therefore not downloaded). i haven’t figured out h&d yet (so none downloaded atm), but i have all of these songs downloaded except for the aforementioned ateez songs and gwsn’s the aerialist (wonderboy). off the top of my head i’ll probably download the whole h&d album (maybe except soul, idk).

choreo

tl;dr - idk my ranking but soul is last

ateez - answer

im deadass afraid to watch ateez’s choreo because anze (their choreographer) does such an amazing job (my favorites are wonderland and wave) but ateez/kq tend to change the tone or take away my favorite parts of the anze choreo so for my sanity i really can’t watch atz’s choreo. anyways im sure answer is great lmfao

gwsn - bazooka

bazooka is simple and wayyy less intricate than their other title track choreos but i for one appreciate a solid point dance when i see one. the bazooka move is simple, iconic, and very representative of the lyrics so i appreciate it a lot. i’ve missed the iconic and iconographic choreo that kpop used to be famous for

h&d - soul

my main gripe with h&d in general is that hangyul and dohyon are s u c h a weird duo. even though i liked their album wayyyyy way wayyyyy more than i expected i don’t think that they’re very marketable as a kpop duo. duos in general just aren’t great, profit really rolls in at around 5 members, unless you’re 1.) blackpink, or 2.) a subunit of a larger group, and h&d are neither. 

another huge complaint (which is basically the same as the first): h&d had like, 60 backup dancers in the mv i swear. are you telling me that not a single one of them can carry a tune??? not a single one. out of 60. there were some cute ones that i noticed in the stage performance. you couldn’t even eke out a sub rapper mbk, seriously?

also it’s very clear that they’re pushing hangyul as a visual, main vocal, main dancer, which is fine ish except there aren’t really enough rap breaks in the song for dohyon to shine like, at all? and he’s kinda always behind hangyul and it’s really noticeable bc there’s only two of them (and their army of back up dancers).

icb i used to be a lowkey dohyon anti and mbk’s treatment has me doing all this. jesus

loona - so what

i’m gonna keep it all the way real. so what feels (and looks, to me) complicated for the sake of being complicated. the girls worked so hard to learn and perform this choreo but to what end? there’s no iconic point dance, and orbits and experienced dancers will find it impressive but it’s not really accessible to the gp?

butterfly hit that balance between complex and iconographic, but i’m not sure about iconic.

//btw, this is my metric for iconic: if you and a bunch of friends who like the same group were told to do a dance move or strike a pose based solely on the title of the song (obviously assuming that everyone has watched the livestages and is a fan, etc) would you all do the same thing? that’s the beauty of the point dance: if a song has a clear point dance, you probably will. whether this is a strength that every kpop song needs is debatable, but it’s definitely important to me, with few exceptions.

there’s probably more i could go into about mv and styling but i think i’ll stop here for now xx