#anyway I'm rambling lmao

[peony-pearl]

JKFAJSKDJSA I’ve got brainrot thinking about Iroh and Zuko making it to Ba Sing Se and Iroh has such a breath of relief about them being safe now, and now they’re going to be able to make money and support themselves and now they’re completely independent of their family (and safe from the Azula/the bounty on their heads; not to mention their wanted poster gives permission to kill them on sight), and with this money and safety, Iroh’s hoping Zuko can start assimilating into the life of a (somewhat) normal teenager. Not only does Iroh mourn his only child, but Zuko’s relationship with his father was already tenuous - thus this could be the perfect scenario in that Iroh could sidle into a true fatherhood role for Zuko.

Iroh’s so eager to see Zuko become happy, pushing him on that date with Jin, doing his hair, hoping he’ll let go of Ozai’s expectations. With the new tea shop in the upper ring, I can only imagine Iroh began planning to set aside funds so Zuko could attend Ba Sing Se University eventually, or for Zuko to get his own place one day; maybe he’ll meet a nice girl and Iroh can ensure they have a good financial start and fund the wedding; he has so many ideas and hopes that have been transplanted from his dreams for Lu Ten’s future and are now given to Zuko. It’s the life he couldn’t give Lu Ten, and he hopes his love is what Zuko needs after everything Ozai has put him through. After realizing that being part of the Fire Nation Royal Family has caused his pain (and his nephew’s) he’s more than happy to leave it all behind to discover what he wants out of the rest of his life; and he hope to encourage the same for Zuko. He can be a father again to a boy who needs one.

But Zuko... wants to go home. And Uncle is Uncle, not his father. He wants to make Ozai proud. Living in Ba Sing Se is a shadow of the life he wants.

As much as Iroh and Zuko mean to each other, the different levels they’re living on are so far away that they can’t understand why the other would want the life they want so badly. Their difference in age and experiences and traumas is so vast, and yet they’re all each other has until Azula comes to collect and offers Zuko everything he’s ever wanted.

[artist-rat]

some epilogue vibes (an excuse to draw some hugs. and my durge so many times)

[babacontainsmultitudes]

RIP Will Campos the only person who was murdered this episode.

[nono-uwu]

Hello i just caught up with witch hat atelier and i love it so much especially this stupid bug

[upsidedownsmore]

Hollowframe - Stalker

:)

Lots more stuff under the cut!

Closeups:

Alternate "Pale" version:

Could say this one is slightly more """lore accurate""" because the red in the above version isn't really connected to anything in Hollow Knight, but I'm taking a bunch of liberties with this project as is anyways lol

Timelapse:

(flipped it halfway through to make it more continuous with Jade's piece)

Screenshot of references I used:

(also flipped, oops lol)

Previous addition (Jade!):

Artstation:

Free (or pay what you want!) Google Drive link for the entire Hollowframe Project on my Ko-Fi:

[iwantmochisoup]

- august 2024 sketch dump -

[secondbeatsongs]

going through some old logs, and I need you to understand just how truly unhinged early 2010s RP omegle was.

genuinely you could stay on there for hours with just one person, hashing out complex traumatic backstories, drawn-out love confessions, detailed action scenes...collaboratively describing graphic violence, past abuse, comfort, hurt/comfort, hurt/no comfort, any number of sex acts...and then one of you would be like, "oh haha it's 2AM! I have to sleep :(" and the other person would say, "omg saaaame. :( gnight!!!" and then you'd exit the chat and never speak to each other again, and this was. fine.

you could just spend an entire evening shoving your wretched, bleeding soul into a chat log with someone you'd never meet or learn the name of, achieve some form of emotional catharsis, and then go about your day or night like this was an average way to spend your time.

I'm really normal about this, actually

[sketchy-tour]

HELLO HI HELLO I AM!!! RECOVERING CURRENTLY!!!!

So I haven't posted in a small moment and planned to get myself going again soon but right now I am recovering from an accident (I won't get into the nitty gritty) that has left me quite shaken. FIRST OFF I AM OKAY! Minor injuries so nothing alarming I am physically fine besides being sore for a bit and some scrapes and bruises that are still healing, including my arms which is making drawing a bit difficult. I'm slowly getting better but cant really draw for long periods and honestly I might not draw much for a bit till I feel better both physically and mentally. its the mentally part that might take some time. But I'm resting, rest assured!

ANYWAY this is more just an update cause I know i've been a lil absent. ESPECIALLY after this accident. I'm not abandoning the blog by any means, def still check on tumblr but couldn't seem to muster the energy to interact with much at the moment as my brain is a little rattled up.

I hope yall are all okay! I hope your days are bright and yall are taking care of yourselves!

I promise I'm doing what I can to take care of me!

[gingermintpepper]

In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.

Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.

Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.

And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.

And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.

All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.

Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.

The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?

The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.

[jdorian]

i know that the 911 online fandom has always been based in a singular ship and that a lot of people clearly aren't dealing with the change very well, but i gotta say, for me, personally, it's actually refreshing to see the fandom landscape change and having more ships butting up their heads and sparking conversations and inspiring fans to create new things, thus strengthening the sense of community... i just think it's neat.

[lale-txt]

LALECHINGO!! ; a birthday event

˚₊· ͟͟͞͞➳❥ it’s bingo! and also a raffle.

let’s party!! one thing about me is that is love a little event and since it’s my birthday month i felt like hosting one :3c

so: raffle time! but you gotta play some bingo first before you can participate. lemme give you a rundown on how it works.

what's the prize?

✰ a total of three 1k (or longer) fics from me! i don’t take requests so this is a rare chance to see something specific written by me ✰ the 3 winners will receive a wishlist form from me in which they can go wild ✰ haikyuu x reader only! gender of reader is for the winners to decide, i’ll write for all of them. ✰ not limited to sfw only (that being said: mdni)

details & rules (it looks like a lot, but i promise it's easy)

✰ to participate in the raffle, you gotta fill out the bingo cards! there’s ten of them in total at the end of this post. some are writing prompts, some are for reading, some to spread some kindness. you can grab and combine any that catch your interest.

✰ 1 bingo equals 1 point. if you manage to fill out an entire card, you’ll get 10 points, so 10x your name in the draw pot for the raffle. this means you can get up to 100 points in total if you fill out all ten cards completely.

✰ it’s not first come, first serve! you got two weeks to have fun with your bingo cards.

✰ this event is mostly about making fandom a little better for everyone, whether you’re a writer or a reader, no matter how you participate in it. this means you don’t have to show me proofs how you got these bingos. putting my trust in you that you won’t cheat <3

✰ since the prizes are gonna be fics by me, i would feel better knowing you actually like my works enough to follow me. however, it’s not a must to be a follower to participate. again, it’s more about fandom than me.

✰ writers picking up the writing prompts: it up to you how you use them! can be drabbles or headcanons, small fics, big fics, moodboards, not limited to haikyuu only. really whatever sparks your inspiration. you don’t even have to publish it or tag me in it (though i’d love to see ofc hehe), this is for YOU and your inspiration.

✰ do NOT bring any ai into this. i'll rip you to shreds

✰ once you’re finished, either reblog this post with your bingo cards or send me an ask with them (i won’t publish them, just for me to keep track)

✰ i’ll draw & announce the three winners on Jan 27th and will contact them through dms for their wishlist :3

card 1-6 ; for the writers

card 7 & 8 ; for the readers

card 9 & 10 ; for the kindness

that's all! have fun ♡ - Lale

[greyedian]

I'm still chasing the high of these bg3 sketches I drew like... summer/fall last year. They're pretty much the only drawings from last year I legitimately like and had fun doing.

[commandertartarsmoocher]

"Gay Is Okay 🏳️‍🌈🏳️‍⚧️🇩🇪"

[burst-of-iridescent]

ana's meta masterlist

Pro-Zutara:

the official zutara dissertation: part 1 | part 2

zuko, aang and taking lightning for katara

zutara and romantic coding

"you rise with the moon, i rise with the sun" is a zutara line

zutara and thematic significance

zutara vs jetara

zutara parallels in the awakening

zutara's narrative culmination

zutara in the crossroads of destiny:

azula vs katara

love as resistance in the catacombs

zutara in the southern raiders:

the true source of katara's anger at zuko

katara bloodbending before zuko

the narrative relevance of zutara

zutara and bloodbending

zutara's narrative symmetry

why zuko had to betray katara in ba sing se

Anti Anti-Zutara:

the official zutara dissertation (p.3)

"zutara would face too much opposition from their countries"

"zuko and katara are a colonizer/colonized ship"

"zuko and katara would fight all the time”

"platonic zutara is better than romantic zutara"

"fire lady katara is racist"

“zuko would’ve taken lightning for anyone”

“katara is too traumatized by the fire nation”

“shipping zutara is amatonormative”

“zuko didn’t actually care about katara”

ATLA Ship Criticism:

the official zutara dissertation: part 4 | part 5 | part 6

why mai.ko was never intended to be canon

mailee is a better ship than mai.ko

how kat.aang could've been fixed

kat.aang's lack of trust in the southern raiders

emotional labour in kat.aang

kat.aang’s narrative imbalance

comparing katara and aang's parenting

the fortuneteller does not foreshadow kat.aang

gendered expectations in kat.aang

ATLA/LOK:

azula/katara parallels

katara's choice in the crossroads of destiny

on katara becoming a healer

was zuko's betrayal in-character?

zuko's comments in the southern raiders

zuko's comments in the southern raiders (pt. 2)

zuko is not a “bad boy”

zuko’s treatment of aang in sozin’s comet

sokka didn't feel inferior to katara

did mai fear azula?

comparing mai and toph

azula vs zuko: the tragedy of narrative foils

should aang have killed ozai?

sexism in the water tribes

thoughts on the atla comics

thoughts on the atla comics (pt. 2)

writing a final battle: kung fu panda vs atla

gratuitous violence in the legend of korra

The Hunger Games:

zutara and everlark parallels

zutara and everlark parallels (pt. 2)

gale's arc in the hunger games trilogy

the myth of humanity's inherent evil

the ending of lucy gray

Squid Game:

individualism under capitalism

the ethics of billionaires

[windcarvedlyre]

I've been following @druidposting's DR2 playthrough on discord and we just had a really good discussion about DR's Closing Arguments. Specifically the way the murderer is depicted as grey and featureless, which until now I found a bit annoying.

In Danganronpa it's repeatedly the case that we don't have the full picture until the talking actually stops- which always goes beyond the end of the trial. We generally vote first and come to understand what the murderer's actual motive was, sometimes filling in important pieces of the timeline in the process, afterwards.

But none of that matters for the killing game because characters' emotions aren't directly relevant to who was the 'blackened'- the only thing that matters to Monokuma- so it comes out afterwards and does nothing to change their execution. It doesn't matter how sympathetic they are (basically everyone) or whether other people share responsibility for the situation (eg. Hanamura, Pekoyama, Momota) or whether they intended to murder at all (Nanami). They objectively pulled the trigger and nothing else matters. Nothing about them as a person matters.

The Closing Argument mechanic might illustrate that problem- literally. They're a dramatic, conclusive summary of the entire case... constructed before the vote even happens, before we know if we're actually right, and they're missing something really important:

The actual perpetrator.

We quite literally don't even begin to see the real person behind the crime, any real exploration of their mental state, anything besides the cold, hard facts of the murder that are necessary to convict them, until the comic finishes and the protagonist makes their final accusation- replacing the grey figure with their real appearance in a shot that's often intensely emotional.

And these comics lack crucial parts of the case's timeline and sometimes important parts of the very scenes they depict that we only find out about afterwards. And those are what we know; characters may die with some pieces of the truth and prevent us from ever learning them. These aren't objective depictions of the murder, they're the protagonist's subjective attempt to connect the facts they have. A join-the-dots portrait of someone with missing dots and no colour.

Even characters' expressions may not match how they truly feel, with the grey placeholder potentially looking way more confident and sinister than they were in reality. Pasting Falter's commentary here since they put it well.

For obvious reasons this could especially be a problem for characters that die before the trial- the ones we never get a post-vote testimony from. DR1 chapter 4 really highlighted that in the way Asahina's huge misinterpretation of Oogami's feelings took up a lot of the post-trial discussion, only for Monokuma to reveal Oogami's real suicide note and recontextualise everything.

It might really be a problem for how Komaeda's depicted in DR2 chapter 5. While he isn't greyed out, we get panel after panel where he's either level-headed or maniacally evil, and even the depictions of his self-torture and death don't humanise him:

But we know that his real feelings were more complicated than that. We have his actual corpse to compare the last page to.

He died afraid.

If we approach the comic as Hinata's mental image of him instead of reality, he died without anyone truly understanding him. He was alarming, very hard to relate to, actively fought against people doing so, ensured even the killer didn't watch him die, and the survivors couldn't begin to understand his motive until a chapter later. The Closing Argument reflects that.

Early in DR1 Togami calls out the rest of his class for judging others by their own standards. However, he, too, is doing this, maybe more so than many other characters; his inability to view other people through anything but the cold, brutal logic of the killing game bites him in the ass in chapter 4. In DR2 chapter 2 voting without a good understanding of Pekoyama's motive or Kuzuryuu's involvement nearly got everyone killed. Komaeda's a walking embodiment of the problems with flattening people into caricatures and not empathising with them, suffered from people doing that back to him, and his case- the Closing Argument for which turned everyone else into grey placeholders- was impossible to solve with objective facts. It was only survivable because the survivors cooperated and one person tried to analyse things the way he would.

The games have always been a critique of the justice system and Japanese society and push us to care about others as individuals, not reduce them to- and judge their right to exist by- something they've done or their net impact on society. There are always consequences when someone neglects to do that, and the above might be yet another way the games explore that theme.

[saltpepperbeard]

No because, the way Stede keeps his eyes blissfully closed well after the kiss ends, and the way he looks so fondly at Ed when his eyes finally open, and the way you can see Ed’s cheeks tilt upwards with the start of his own smile, and the way Ed keeps his hand gently on Stede’s face, and the way they stay so impossibly close together, and the way Ed’s nose brushes against Stede’s because they’re so close together, and—