#antiquit

[fafache502]

La magie du Colisée (on Wattpad) https://www.wattpad.com/story/340132645-la-magie-du-colis%C3%A9e?utm_source=web&utm_medium=tumblr&utm_content=share_myworks&wp_uname=bleutyisK&wp_originator=cnoQBCNxQrE91XPax23nniUGnw0L3%2BsFh4r%2Bo8sJrK6lGlmj%2BnscHCEvkqvitO86YybAgj6j7YYcQdDJ7rx3m2t8cxHqFQvT%2BVbeD36Jz7xMhB3jPj%2B0sVPxFIdiuGk0 Les murmures du vent se mêlent aux chuchotements des étoiles, alors que Lyreai plonge dans un monde inconnu, où les ombres dansent sur les murs de la ville éternelle. Une rencontre imprévue avec une charmeuse va bouleverser son monde et ses convictions. Prise dans un tourbillon de passion, de violence et de magie, Lyreai doit naviguer dans un monde où les intrigues politiques et les luttes de pouvoir sont monnaie courante. les murmures du passé résonnent encore dans les couloirs sombres du Colisée

[planeswalker-umbral]

Something that rustles my jimmies is that in the Novel Planeswalker, we get a history of rhe early life of Xantcha, the Phyrexian Sleeper Agent turned traitor and companion to a very insane Urza.

And a scene early in her life is meeting another Sleeper Agent Identical to her. Now all the Sleeper Agents were based of a set amount of people and didnt really age (hence how mortals would eventually catch on). In order to tell each other apart, Xantcha changes her hair while the other Agent dyes hers Red. This act of rebellion sees both of them punished, but eventually the gate to Dominaria in Koilos reopens and a bunch of Sleeper Agents are sent out, including the red headed one. Years later as Xantcha is about to be sent out, the gate closes and the Dominarian Sleeper Agent program is abandoned. Gix, head of this plan and Praetor ruling over Xantcha is punished.

But in The Brother's War there is a red haired girl, with no morals that comes out of nowhere and is skilled in artifice. A girl who does not age no matter how long the war goes on.

Ashnod. Who was not printed as a Phyrexian on either card. Is this a retcon, red herring, coincidence or oversight?

[memories-of-ancients]

Bronze disc headed pin, Luristan, 1000-650 BC

from The LA County Museum of Art

[michael-svetbird]

MINERVA's Head: Roman copy of a Greek original 1 - 2 AD Greek medium-grained white marble Found at the Brixia Forum area From Brixia Capitolium "..discovered in the area during the 19th century excavations.. would originally have had helmet[s] [perhaps in bronze].. not survived." [txt ©BAP]

Brixia Archaeological Park in Brescia | BAP

Web: https://www.bresciamusei.com/en/museums-and-venues/brixia-roman-archaeological-area

IG, X : @ BresciaMusei

FB : https://www.facebook.com/bresciamusei

BAP | Michael Svetbird phs©msp | 04|05|24 6300X4200 600 [II.] The photographed object is collection item of BAP, photos are copyrighted [Non-commercial fair use | No AI | Author rights apply | Sorry for the watermarks]

📸 Part of the "HEADS.Sculpture" MSP Online Photo-gallery:

👉 D-ART: https://www.deviantart.com/svetbird1234/gallery/78520831/heads-sculpture

👉 FB Album: https://www.facebook.com/media/set/?set=a.1400262423675664&type=3

[vieillesboutiques]

Tabac, Antiquités, Porte des Jacobins, place Edgar Quinet, Bourg-en-Bresse, Ain.

[morganster]

Rokoko

[raisongardee]

"L’Antiquité a été l’âge des "plaisirs vénériens" (aphrodisia), et non celui de la "chair" chrétienne, la plus rusée et obsédante des tentatrices ; elle n’a pas été non plus l’âge de la "sexualité" moderne, cet infracassable noyau de nuit, obsédant par son irrationalité. Les "plaisirs vénériens", eux, sont simples comme l’appétit et peuvent se gérer."

Paul Veyne, Préface de Sénèque, Entretiens. Lettres à Lucilius, 1994.

[grandboute]

Bibracte

[robfrid]

Yes, it was time to go back to the #museums #museumagain #reclaimingmytime #louvre ;) #antiques #antiquites #greek #roman #egyptian #middleeastern So odd to see copies or models of what we saw in #rome @museelouvre #paris #art #culture https://www.instagram.com/p/Cp0lCFsr1Tw/?igshid=NGJjMDIxMWI=

[purasvagancias]

[2t2r]

Monte Testaccio, un mont d'amphores brisées, la plus grande décharge de l'antiquité

Nouvel article publié sur https://www.2tout2rien.fr/monte-testaccio-amphores-decharge-antiquite/

Monte Testaccio, un mont d'amphores brisées, la plus grande décharge de l'antiquité

[fafache502]

La magie du Colisée (on Wattpad) https://www.wattpad.com/story/340132645-la-magie-du-colis%C3%A9e?utm_source=web&utm_medium=tumblr&utm_content=share_myworks&wp_uname=bleutyisK&wp_originator=cKVGBBuXYKGap5LZ9jDKo1aPEZ2%2F0JCFsdSHm8srG8uJiIntmDVUtYRzjSdGf9yELkHb6l%2BIJMlfrtSpk33oag%2FTuRFk1fs%2Bdw4qywIFEo0gKg6B0ygvLJ2QzbV3gSBy Les murmures du vent se mêlent aux chuchotements des étoiles, alors que Lyreai plonge dans un monde inconnu, où les ombres dansent sur les murs de la ville éternelle. Une rencontre imprévue avec une charmeuse va bouleverser son monde et ses convictions. Prise dans un tourbillon de passion, de violence et de magie, Lyreai doit naviguer dans un monde où les intrigues politiques et les luttes de pouvoir sont monnaie courante. les murmures du passé résonnent encore dans les couloirs sombres du Colisée

[chats-cosmiques]

S'ils jouissent aujourd’hui d’une grande liberté, surtout dans les Cyclades, les chats grecs de l’Antiquité étaient souvent promenés en laisse par leur maître.

[memories-of-ancients]

Marble pyxis with gold handled, Roman, 1st century BC - 1st century AD

from Hermann Historica

[michael-svetbird]

THE WINGED VICTORY OF BRESCIA: Bronze statue found in 1826 at the Capitolium of Brixia site, Now - one of the symbols of Brescia preserved in the Capitolium museum https://en.wikipedia.org/wiki/Capitolium_of_Brixia 1 AD [H=195cm] "The … restoration of the 'Opificio delle Pietre Dure' [Ministry of Culture restoration institute based in Florence] has established that the statue was cast in the 1st c. AD in a local forge and is not an assembly of different statues but was created to be a 'Winged Victory'. The reference model is to be identified in Aphrodite Urania of the 'Cyrene type', i.e. with the goddess conceived in that specific variation of posture found in the statue of the same name from Cyrene. Other details, such as the twisting of the bust and the shape of the arms are also borrowed from Greek works of the 5th-6th c. BC. … the wings were added to transform the work into the goddess Victoria; in Rome and Constantinople there were similar works [Victory engraving a shield] in the Imperial forums." [txt ©BAP]

Brixia Archaeological Park in Brescia | BAP

Web: https://www.bresciamusei.com/en/museums-and-venues/brixia-roman-archaeological-area

IG, X : @ BresciaMusei

FB : https://www.facebook.com/bresciamusei

BAP | Michael Svetbird phs©msp | 04|05|24 6300X4200 600 [I.-III.] The photographed object is collection item of BAP, photos are copyrighted [Non-commercial fair use | No AI | Author rights apply | Sorry for the watermarks]

📸 Part of the "Reliefs-Friezes-Slabs-Sculpture" MSP Online Photo-gallery:

👉 D-ART: https://www.deviantart.com/svetbird1234/gallery/72510770/reliefs-friezes-slabs-sculpture

.

[savage-kult-of-gorthaur]

A LOOK AT THE MONETARY ANTIQUITIES OF ANCIENT BRITAIN.

PIC(S) INFO: Spotlight on a hoard of Celtic gold coins hidden in a cow bone, discovered near Sedgwick, Cumbria, England, c. 1st century A.D. 📸: The Norfolk Museums Collections.

Source: www.picuki.com/media/3272139294507605830.