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allari-ammayi · 1 year ago

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Butta Bomma

A. Bahubali x Reader x B. Deva

The Interesting Perspective

Synopsis: In the heart of Hyderabad, Y/n tends to her grandmother's antique store, a time capsule hiding stories of the past. Her routine is disrupted when she joins friends to watch the movie "Baahubali," a decision that is set to have an unremovable stain on her life.

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In the vibrant and bustling streets of Hyderabad, India, nestled amidst the chaos of modernity, there existed a quaint and almost forgotten treasure trove of history. It was a little antique store with an intriguing story of its own, now entrusted to the care of a young woman named Y/n.

Each morning, the sun cast its gentle rays upon the old wooden door of the shop, signalling the beginning of another day.

Y/n, with an air of quiet determination, unlocked the weathered door and stepped into a world frozen in time. The antique store, a relic itself, carried the weight of decades, its wooden beams groaning softly with age.

As the door swung open, a cloud of dust danced through the air, catching the soft glow of the morning light. Y/n took a moment to inhale the musty scent of history and nostalgia before she proceeded with her daily ritual.

Y/n's routine was as predictable as the sunrise. She gingerly dusted off the display cabinets, each one containing a piece of history that had been carefully preserved for generations.

Once the store was tidied up, Y/n took her place at the ornate wooden register. It was a perch from which she watched the world go by, albeit one that rarely saw any visitors.

The store, hidden away in plain sight amidst the chaotic streets of Hyderabad, seemed to exist in its own tranquil bubble. Despite the city's ceaseless movement and vibrant energy, it was as if the shop was invisible to the outside world.

With the day's quietude embracing her, Y/n reached for a vintage novel, a companion she had grown fond of. The pages rustled softly as she lost herself in tales of bygone eras, immersing herself in the words on the pages.

The store was once her grandmother's, and before that, her great-grandmother's, and before that her great-geart-grandmother's. No-one knew exactly how old it was, but it was a family relic that was passed down to Y/n.

Y/n had always been more inclined toward the pages of modern literature than the silver screen. In a world captivated by the magic of movies, she found her sanctuary in the written word.

But as fate would have it, a new cinematic sensation swept across India, leaving a trail of fervour in its wake, bearing the name 'Bahubali.'

It was as if a fever had taken hold of the nation, and fans had gone berserk over this cinematic marvel. People had lost their minds, raving about the epic storytelling and jaw-dropping visuals that this movie promised.

Y/n, ever the outlier in her circle, hadn't quite fathomed the craze.

Her friends, captivated by the Baahubali frenzy, hadn't understood how she remained immune to its charm.

They had pestered her relentlessly, urging her to give it a chance. Perhaps, they had thought, Y/n might just find a new love in the world of cinema.

“Come on, Y/n!!”

“It’s really good!! We’ve already been to the movies three times this month purely because it was so good!”

“And we’ve had two movie nights where we watched the first and second movies together!”

Y/n grimaced, unsure of what to say.

“I don’t know, guys…”

“Ohh, please, Y/n!” They continued to persist, wearing down the girl.

“If it’s not as good as we promise, I swear on my life I’ll start reading that one book you told me to!” Y/n’s ears perked up at this comment as the others quickly joined in.

“In fact -�� we all will!” The three girls looked at each other and began nodding in unison and urging Y/n.

“Mmm…” Y/n’s face remained in deep thought.

“Y/n, if you come to watch the two movies with us, we all promise to immediately start reading the books.” One of the girls spoke up, finally, desperate to get her friend in front of the silver screen. Y/n craned her head to look past her friends at the deserted and empty shop.

Y/n’s features softened and she looked at their eager faces. She let out a low sigh and looked at her friends, a smile starting to form on her lips.

“I guess it couldn’t hurt to leave the store unattended for one night,”

Finally, Y/n had relented, agreeing to accompany her friends to the movie theatre. She had been willing to set aside her literary pursuits for an evening if only to unravel the mystery of what had driven the entire nation into a state of euphoria.

· · ─────── ·𖥸· ─────── · ·

As the lights had dimmed and the colossal screen had flickered to life, Y/n's curiosity had mingled with a hint of scepticism. The opening scene had unfolded, and the grandeur of Bahubali had begun to unfurl before her eyes.

She had watched in awe as the story had unfurled, the characters had come to life, and the visual spectacle had swept her into its embrace.

As the credits rolled and the applause of the audience resonated around her, Y/n understood why the nation had succumbed to Baahubali‘s enchantment.

Leaving the theatre, Y/n wore a smile that mirrored the newfound appreciation for the magic of movies. She might have been a devotee of modern literature, but in that moment, she had experienced the transformative enchantment of cinema.

Y/n held a unique perspective on the characters.

Y/n possessed a deep respect for Bahubali, his qualities of honour, bravery, and selflessness impressed her. Bahubali had been a shining example of the qualities Y/n had admired most in people.

Even when it came to the character of Bhallaladeva, who had been universally despised by viewers, Y/n had found herself harbouring a different sentiment. Instead of hatred, she hadn't been able to help but pity him.

Beneath the layers of villainy and treachery, she had glimpsed a tragic figure, consumed by ambition and insecurity, his actions driven by a thirst for approval.

While the general populace had harboured hatred and disgust for Bhallaladeva, she possessed a unique and empathetic viewpoint. Y/n had peered beneath the layers of cruelty and ambition, recognizing the tragic figure that Bhallaladeva had truly been.

In her eyes, Bhallaladeva hadn't been just a villain; he had been a product of his environment, a victim of his father's ruthless influence.

Y/n believed that if he had grown up in a different setting, devoid of the poisonous presence of his father, he could have evolved into a different, more compassionate person.

“I can’t believe you feel sorry for Bhallaladeva, Y/n! He’s the ultimate villain!” Gowri, Y/n’s closest friend, argued as she sat across Y/n in the little coffee shop, as Y/n took a sip of her drink and continued looking down at the newspaper.

“Gowri, I know it’s hard to see, but there’s more to his character than just being a villain,” Y/n said, taking another sip, and making Gowri groan, her hazel locks swaying with her dramatic disdain.

“More to him? He’s a murderer, Y/n! He killed his own brother and lusted for his brother's wife, how can you pity someone like him!?” Gowri's grey eyes were full with a sense of determination to prove Bhallaladeva to be a vilian.

“Everyone’s a murderer in this movie, Gowri. Besides, I’m not condoning his actions, but just think about it. He grew up in a toxic environment with a father like Bijjaladeva. The constant pressure, the endless manipulation, the unhealthy influence…” Y/n shuddered, just thinking about what Bhalla likely grew up with.

“That’s no excuse for his treachery. He betrayed his family and his kingdom, he’s disgusting!” Gowri spat. Y/n sighed, finally placing her mug down on the table and laying her paper flat, looking up at Gowri.

"I get that, but I can't help but wonder if, under different circumstances... He might have turned out differently," Y/n said, softly, in a comforting voice. Gowri gaped at her, her mouth open and eyes wide.

"Are you serious? He's power-hungry and ruthless. He deserved the fate that came to him."

"It's just that the complexity of his character intrigues me. What if he felt trapped, burdened by the expectations placed upon him?" Y/n said thoughtfully, “What if he was feeling betrayed by his own mother? That everything that belonged to him was being shared with his cousin? Even that thought wouldn’t be his fault, it would be his father’s.”

"Y/n, he had a choice! He chose evil, plain and simple." Gowri said with a huff, crossing her arms.

"I'm not saying he didn't make terrible choices. It's just that I can't help but feel a sense of pity for someone who may have been a victim of his own circumstances." Y/n’s tone remained gentle.

"I can't believe you're defending him, Y/n," Gowri said in disbelief, shaking her head.

"I'm not defending him, Gowri. I'm just trying to understand. Stories like Baahubali make us question the complexities of human nature and the choices people make." Y/n said, calmly.

“Well, I still think he’s the worst.” Gowri childishly puffed out her cheeks and looked out of the window as Y/n lightly chuckled, shaking her head.

"And that's the beauty of storytelling. It sparks conversations and lets us see things from different angles." Y/n said with a clever smile, eyeing Gowri as she took another short sip of her drink.

Rather than hating Bhallaladeva, Bijjaladeva, the conniving and power-hungry uncle, had been the object of her disdain. Y/n had loathed him for his nefarious influence over his son, Bhallaladeva.

The sick thoughts and twisted desires he had sown in Bhallaladeva’s mind for his own greed had been inexcusable.

Y/n's fascination didn't stop at the cinema. She had felt compelled to dive deeper into their psyche, to unravel the intricacies of Bhallaladeva and Bahubali’s dynamic, lives, and the forces that had shaped them.

This curiosity led Y/n to embark on a literary journey of her own. She had poured her thoughts, insights, and emotions into a twenty-thousand-word analytical essay, meticulously dissecting the characters and their intertwining destinies.

Her essay had become a labour of love.

'If I were ever magically given the chance to change the fate of Bhallaladeva and assist him to tread a path of light and goodness, I would value the opportunity and do my best to secure him a good future.'

Little had she known that her writings would soon become more than just words on a page, as destiny had had a mysterious plan in store.

♡•♡•♡•♡•♡•♡•♡•♡•♡•♡•♡•♡•♡

Taglist: @vellipo-mellaga, @mellaga-karagani, @vayari-bhama, @bitchy-bi-trash (To join the taglist, let me know in the comments, and you will be added to future ones!)

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sixminutestoriesblog · 9 months ago

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bloodstone

I wasn't aware before I started poking around but apparently March babies have one of the most METAL birthstones I've ever heard of.

There's the more standard birthstone which is the Aquamarine.

And then there's the Bloodstone.

Because March doesn't do anything by halves.

Bloodstones are officially called heliotrope, a word that comes form ancient Greek meaning 'to turn the sun'. In fact, in ancient times, there was a belief that submerging a bloodstone in water would actually turn the sun red in response. Or perhaps that it just turned the stone blood red, like the sun, when those rays reflected off of it. Bloodstones are a type of cryptocrystalline quartz, which means that the quartz crystals that make up the stone are so small that even with a microscope they're hard to see. As such, bloodstones can be either opaque or transparent. The most popular form however is a dark green stone with red specks throughout. The red is hermatite which is an iron oxide compound.

Remember that.

Back to the story - obviously with a name like that and a long history of being around, the bloodstone is going to have some superstitions that go with it. Let's dive in.

The bloodstone has been used both to carve seals on and as amulets from ancient times. The red of it was said to represent blood and thus it was considered good for health and strength, making it a favorite with athletes and soldiers. It was also supposed to help with blood issues. For instance the Romans believed that pressing a cold bloodstone to a wound would help staunch the bleeding. Remember the iron oxide in bloodstones - well, it turns out the Romans weren't entirely wrong. Iron oxide is an astringent. This same belief is found in India as well. Pliny the Elder wrote that magicians used the stone to turn themselves invisible. Ancient Greeks and then Romans believed that wearing the stone would make people more likely to grant you favors and it was said to open doors for its wearer. The Assyrians and Babylonians used bloodstones to make their signet rings and seals. During the Middle Ages, Albertus Magnus, also known as St. Albert the Great, and well known for his studies of Aristotle, even called the gem 'the stone of Babylon' in his writings and said it was known to have several magical properties from Antiquities. The prominent belief in the Middle Ages however, was that the drops of red were the blood of Christ, falling from him while he hung on the cross to stain the stone underneath. Because of this it is sometimes called Christ's Stone or the Martyr's Stone. The Gales in Scotland believed the red drops were also blood that had fallen on the stones but they believed the blood came from the 'Nimble Ones', giants that fought across the sky at night.

Associated with March, and the god of war that the month is named after, the bloodstone is thought to bestow vitality and bravery. It is also said to promote good health and longevity as well as good fortune and wealth. Anyone with legal matters going on should wear one to bring favor to their cause, prevent deception and bring them victory. Bloodstones are supposed to allow their wearer to summon storms or grant them protection from lightning. They can supposedly be used as an antivenom to snake bites as well as to cure tumors. The Gnostics believed the gem could strengthen the stomach and alleviate melancholy and the Middle Ages believed it could help with animal husbandry.

And lastly, in modern times, in some Asian countries like India, its believed that swallowing the ground up stone will help with blood circulation, hence making it a powerful aphrodisiac for its ability to increase blood flow. Because of this, jewelers say it is hard to find high quality stones on the market these days.

#bloodstone #march #birthstone #folklore #superstition #march birthday #gemology #gemstone

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padfootastic · 2 years ago

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don’t tell me bc i don’t know want to but i saw ralston potter being involved in some tiktok drama and may i just. present my little james oneshot from years ago that included this dude way before it was ~cool? (wrote this in 2017 so uh. be gentle. thx)

James Potter stood in the antique room, one hand on his hip and the other on his chin. His inquisitive hazel eyes were hid behind his glasses. He cocked his head to the side as he stared at the object in front of him. The object in question stared right back at him. Steeling himself a little bit more, the eight year old took a tiny step forward, the intensity in his gaze increasing.

He was so engrossed in his task that he missed the large oak door being opened and his parents entering the room. However, when Euphemia Potter placed a hand on his shoulder, he jumped in surprise, his glasses sliding off his nose.

“Mum! You scared me!” James scowled.

“Oh, I’m sorry, sweetheart, I thought you noticed us entering,” Euphemia spoke in her soft voice. James merely shook his head at her and turned back to his observations.

A few minutes later, Fleamont Potter said, “What...are you doing, son?”

“I’m looking at Mr. uh,” He looked at the nametag and continued, “Mr. Ralston Potter.”

“Oh?” His father questioned.

“Yes,” James replied, voice eager, “I want to be a portrait just like him!”

Euphemia couldn't quite muffle her laugh at his triumphant expression and wrapped her arms around his tiny frame, pressing a kiss to his mane of messy black hair.

Fleamont, on the other hand, amused as he was, continued his line of questioning to see where it would take him, “And why, pray, do you want to be a portrait, of all things? Wasn’t it a quidditch player just a week ago?”

James, having managed to get out of the clutches of his mother, waved his hand impatiently, “Oh, dad, that’s so boring now. I mean, LOOK at him! He died like a thousand years ago- ‘three hundred, his father coughed’- and he’s still here! It’s so awesome!”

The man in question, Mr. Ralston scowled at the boy, the ancient portrait not able to do anything more than employ a rather limited expanse of facial expressions, as compared to the more modern portraits of his ancestors who could walk and talk.

Fleamont nodded once, as if he understood everything the little boy was talking about, but it was Euphemia who spoke up this time.

“How do you plan on becoming a portrait, James?”

James turned to her, a slight frown on his childish features, “What do you mean how do I plan on becoming a portrait, mum? Just like everyone in this room, that’s how.” He looked at his dad, “I bet you know how to turn people into portraits, don’t you dad?”

Fleamont coughed into his hand, “What gave you that idea, son?”

James spoke in a nonchalant voice with all the innocence of an eight year old, “Oh come on, you know everything dad, and if you don’t, then mum will.” He shrugged his shoulders as if that settled it and went back to his previous staring match with his ancestor.

The two parents looked at each other with identical grins on their faces, already planning what they would do next.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“MUUUUUUM!” James Potter, with a pout on his face, whined.

Euphemia smirked, “Yes, son?”

“What is this? Why am I sitting like this? IT’S BEEN HOURS!” James’ distraught voice echoed all around the antique room they were sitting in.

“Weren't you the one who said you wanted to be a portrait? Well, there you go.”

James’ mouth dropped, “You mean, you mean this is how I become a portrait? You’re not gonna wave your wand over me or anything?”

Euphemia shook her head, taking far more joy in her son’s misery than what was appropriate.

Fleamont and her had called over a professional portrait artist, from India nonetheless, to fulfill James’ wish. Of course, they hadn’t told him what would happen, just that they had a way to turn him into a portrait. He had been jumping around the house in excitement for the past two days since he had gotten the news.

“I’m going to be a portrait! I’m going to be a portrait!” He was singing, as he twirled around.

“Just like you, Mr. Ralston,” He had told the surly faced man, who merely glared in response, “And when I become a portrait, The High and Mighty James Potter The First, you and I can have tea and crumpets together. Just like the Muggle Queen!” He had gasped, waving an invisible sword around.

His parents had merely shook their head at him, knowing he wouldn’t be quite so excited when he found out exactly what he had to do to ‘become’ a portrait.

Now, tired and grumpy for he had been sitting on the uncomfortable armchair for over three hours, he had lost all the will to become a portrait and was positively whining.

“Muuuuuuuuuum,” He wailed again.

Euphemia shushed him, “James, love, don’t move, or all of this would go to waste. You don't want the portrait to be ruined after so much hard work, do you?”

James’ eyes widened comically in horror at the thought of all of this going to waste and he dutifully shut his mouth and sat ramrod straight, earning an approving nod from the portraitist.

Feeling an arm wrap around her shoulders, the Potter matriarch turned her head to see her husband standing beside her.

“Don’t you think we’re being a bit cruel by making him do this? I mean, he can’t sit still for more than a half hour and here he is, in the same uncomfortable position and chair for over three hours,” Fleamont sounded slightly concerned and now it was him she shushed.

“Oh, please. Think of this as payback for all the times he’s been a little terror around the house. A little calm won’t hurt him,” Her mind flashed to all the times she had found various rooms in the Manor painted in all the colors of the spectrum, her clothes stuck to the ceiling, Fleamont’s potions mixed in with pumpkin juice to give rise to some truly disastrous results and so many more. And he was just eight! She was simultaneously dreading and anticipating what he would do as he grew older.

However, she reasoned, the premature grey hairs taking root in her husband’s and her hair had to be avenged, and well, what better way than this?

~~~~~~~~~~~~~~~~~~~~~~~~

It was another hour before James was finally allowed to get up, which he did with quite a lot of relief and excitement. In fact, he was so excited at being allowed to move that he completely forgot about the portrait for which he had painstakingly sat in one position for four hours.

When, after some time of zooming on his broom in the backyard, he remembered , he immediately dashed off to the antique room where his portrait was covered with a black silk cloth.

He could hardly contain his eagerness as he gingerly removed the cloth. When his eyes fell upon the portrait, his mouth fell open in disbelief.

“MU-UM! My mouth does not look like—like that!”

Ralston Potter smirked at him from his place on the wall.

#james potter #ralston potter #euphemia potter #fleamont potter #idk this is. as always from stuff from before. very roughly written #but i still rly like it #there’s something about my old writing that’s just so. precious?#i can’t describe it #i don’t have it now even tho i think objectively i’ve become better #but i overthink a lot more to #too*#anyway. baby james has a special place in my heart #so this #pen’s writing

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indiatrendzs · 14 days ago

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Fall Rustic Farmhouse Décor With Vintage Doors

Fall rustic farmhouse décor with vintage doors and earthy woods evokes a sense of warmth, tradition, and connection to nature. This style blends the charm of weathered, antique door with the rugged beauty of natural materials, creating a space that feels inviting and timeless. A key feature of this aesthetic is the use of vintage doors, which can be incorporated as both functional and decorative…

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vintagehomedecorshop · 2 years ago

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This article explores the top reasons why vintage home decor is making a comeback. From nostalgia to sustainability, learn why vintage home decor is becoming increasingly popular and how you can incorporate it into your own home. Discover the unique charm of vintage home decor and why it's the perfect way to add character to any space.

#home decor hyderabad #vintage home decor hyderabad #Vintage home decor online store #home decor items online #home decor shop in hyderabad #jharokha mirror #wooden door design #antique wooden furniture #wooden sculpture #wall sculptures online india

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maharashtratourntravel · 9 months ago

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Mumbai Darshan

Mumbai Darshan: Exploring the City of Dreams

Mumbai, often referred to as the City of Dreams, is a vibrant metropolis that never fails to captivate its visitors. With its rich history, bustling streets, and iconic landmarks, this city offers a plethora of experiences for those looking to soak in its charm. And what better way to explore this city than by embarking on a Mumbai Darshan tour?

Mumbai Darshan is an iconic tour that allows you to witness the essence of this city, its diverse culture, and its architectural marvels. And while there are several options available to explore Mumbai, booking a Mumbai Darshan taxi is considered the ideal and best option. This enables you to enjoy door-to-door pick-up and drop service, taking away the hassle of navigating through the city on your own.

One of the advantages of opting for a Mumbai Darshan taxi is the flexibility it offers. Whether you are traveling alone, with your family, or even in large groups, there are a range of vehicles available to cater to your needs. From small hatchbacks for individual travelers to sedans and SUVs for small groups, Mumbai Darshan taxis have got you covered. For those traveling in bigger groups, there are also options like tempo travelers and buses, ensuring that everyone can enjoy their Mumbai Darshan comfortably.

Embarking on a Mumbai Darshan tour offers a multitude of attractions to explore. One of the must-visit places is the Gateway of India, a historical monument and an iconic symbol of the city. Situated along the Arabian Sea, it offers a breathtaking view of the sea and the magnificent Taj Mahal Palace Hotel. Another landmark that should not be missed is the Marine Drive, a scenic stretch of road that hugs the coastline. Known as the Queen's Necklace, it offers a mesmerizing view of the city's skyline, especially during sunset.

Another highlight of Mumbai Darshan is visiting the famous film studios like Film City and Bollywood Parks. Mumbai, often considered the heart of the Indian film industry, is where dreams are made and movies come to life. Here, you can witness the behind-the-scenes action of how movies are made and even get a chance to meet some of your favorite Bollywood stars.

For those interested in history and culture, a visit to the Elephanta Caves is a must. Located on an island just off the coast of Mumbai, these ancient caves house intricately carved sculptures and rock-cut temples that date back to the 5th and 6th centuries. It is a UNESCO World Heritage Site and offers a glimpse into the rich cultural heritage of the region.

No Mumbai Darshan tour would be complete without exploring the local markets and trying out the street food. From the bustling Crawford Market to the vibrant Colaba Causeway, these markets offer a plethora of shopping options ranging from clothing and accessories to antiques and handicrafts. And when it comes to food, Mumbai is a food lover's paradise. From the lip-smacking vada pav and pav bhaji to the delectable seafood at the famous Juhu Beach, the city's street food scene never disappoints

In conclusion, Mumbai Darshan offers a unique opportunity to explore the enchanting city of dreams. With the convenience of a Mumbai Darshan taxi, you can immerse yourself in the vibrant culture, architectural wonders, and culinary delights that this city has to offer. So, if you're looking to experience the true essence of Mumbai, book your Mumbai Darshan tour today and embark on a journey that will leave you with memories to cherish for a lifetime.

#MumbaiDarshan

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dluxdekor1 · 6 months ago

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Luxury Door Handles India: Combining Elegance and Functionality

Discover the perfect blend of elegance and functionality with our luxury door handles India. Our exclusive collection features meticulously crafted handles that elevate the aesthetic appeal of any space while ensuring robust performance and durability. Each piece is designed with a keen eye for detail, using high-quality materials that reflect sophistication and style.

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#luxury door handles india #lever door handles #antique door handles #door handles with locks #wardrobe handles #door handles #fancy door handles

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ahb-writes · 2 years ago

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10 Random Entries from the Dictionary of Islamic Architecture

The following entries were pulled from the Dictionary of Islamic Architecture (1995).

Funduq (structure type)

Coral (construction material)

Kufa (city)

Songhay (people)

Süleymaniye (named building complex)

Squinch (architectural facet)

Aghlabid (people, lineage)

al-Aqsa Mosque (building)

Arasta (structure type)

Hassan Fathy (person, architect)

❯ ❯ Funduq (structure type)

North African term for a small, urban shop complex. A typical funduq is a square two-story structure built around a central courtyard with shops on one floor and store rooms on the other. Equivalent to a khan in the Middle East.

Text source: Peterson (1995) Dictionary of Islamic Architecture, page 91.

Photo source: (1) Barbara J. Anello-Adnani; (2) Islamic Architectural Heritage

❯ ❯ Coral (construction material)

Coral is used as a building material for coastal settlements throughout the Indian Ocean, Arabian/Persian Gulf and the Red Sea.

Two main types of coral stone are used for construction: fossil coral quarried from the coastal foreshore, and reef coral which is cut live from the sea bed. Fossil corals are more suitable for loadbearing walls whilst reef corals such as porites are more suitable for architectural features such as door-jambs or mihrab niches. Fossil corals are mostly from an order of coral known as Rugosa, which is now extinct. When quarried this coral forms rough uneven blocks known as coral rag. Although this can be cut into rough blocks, it cannot be dressed to a smooth finish and therefore has to be used in conjunction with another material to produce an even surface.

Living coral from the reef is easier to cut and dress to a smooth finish, although it does require hardening by exposure to the air. The preferred type of reef coral for building is porites because of its compact vascular structure which means it is both strong and easy to carve. However, this is not the only type used and, at the eleventh-century site of Ras al-Hadd in Oman, at least seven different types were noted. In the Maldives and Bahrain, platy corals such as oxypora and montipora are used for partitions.

The origins of coral-building are not well understood although it is generally believed that the technique originated on the coasts of the Red Sea. The earliest example was discovered at the site of al-Rih, in the Sudan, where a Hellenistic cornice made of coral was found reused in an Islamic tomb. From the Red Sea, the technique spread to the East African coast of the Indian Ocean where it was established as the primary building material for monumental buildings. In the Arabian/Persian Gulf, there is another tradition of coral stone construction although the antiquity of this tradition is in doubt as suitable coral has only grown in the area within the last 1,000 years. At the present time, the use of coral stone extends over large areas of the Indian Ocean and includes the coastline of India (Gujarat), the Maldives and Sri Lanka. The origins of coral-building in these areas has not been investigated, although it generally seems to be associated with Islamic traders.

See also: Bahrain; East Africa; Maldives; Qatar; Saudi Arabia; Sudan; United Arab Emirates.

Text source: Peterson (1995) Dictionary of Islamic Architecture, pages 54-55.

Photo source: Getty

❯ ❯ Kufa (city)

Southern Iraqi city founded in the early Islamic period.

Kufa is located on the west bank of the Eurphrates near the Shi'a shrine city of Najaf. Like Baghdad, Kufa was a purely Islamic foundation, although it stood close to the Lakhimid capital of al-Hira.

After the battle of Ctesiphon and the capture of al-Mad'ain (Ctesiphon and Seleucia) the Arab armies settled in the old Sassanian capital. Soon afterwards, the armies moved to Kufa because of its pleasanter climate and strategic location on the west bank of the Euphrates (i.e., easy access to Syria and the Hijaz). In 645, Ali transferred the seat of government to Kufa. The assassination of Ali in the Great Mosque of the city in 645 brought an end to the city's role as capital.

The original city had no walls and was simply surrounded by a ditch. The principal monuments in Kufa are the Great Mosque and the Dar al-Imara, or Governor's Palace. The Great Mosque consists of a number of different phases from the early Islamic period to the present day. The first mosque on the site was laid out by a man who threw spears to each of the cardinal points to delineate a square two-spear throws long. The area was enclosed by a ditch and the only permanent architectural feature was a marble colonnade 20m long. The columns were taken from the nearby city of al-Hira. In 670 CE, the mosque was expanded and covered with a flat roof resting on stone columns. The mosque visible today has a beautiful golden dome and contains the tombs of the two saints Muslim ibn Aqeel and Hani ibn Arwa. The golden dome and tilework date to the Saffavid period (seventeenth and eighteenth centuries), although the outer wall of the mosque which is supported by twenty-eight semi-circular buttress towers probably originates in the early Islamic period.

To the south of the Great Mosque is the Dar al-Imara, which was excavated by the Iraqi Antiquities Authority. The palace is enclosed by a square enclosure 170m per side with walls 4m wide supported by twenty semi-circular buttress towers and four round corner buttresses. In the center of the palace there is a square (domed?) chamber approached by a vaulted hall which was probably the throne room.

See also: Ottomans.

Further reading: M. Cezar, Typical Commercial Buildings of the Ottoman Classical Period and the Ottoman Construction System, Istanbul 1983.

Text source: Peterson (1995) Dictionary of Islamic Architecture, page 24.

Photo source: (1) Banu/Flicker; (2) Alda Cravo Al-Saude/Flicker.

❯ ❯ Hassan Fathy (person, architect)

Egyptian architect noted for his use of traditional materials to build modern Islamic structures.

Born in 1900, the son of a wealthy landowner, Hassan Fathy was brought up in Cairo, Alexandria and Europe. He studied architecture at the University of Cairo whence he graduated in 1926. In 1927, on his first visit to one of the family estates, he was shocked by the terrible living conditions of the poor and resolved to find a way to house the poor reasonably. He also conceived a love for the Egyptian countryside, which was to motivate him for the rest of his life. He realized that imported western material and technology was too expensive and inappropriate for rural housing in Egypt. Instead, Fathy thought that mud brick, the traditional building material of Egypt, should be used in modem constructions. Although he realized that traditional designs were sometimes too cramped and dark for modern housing, Fathy argued that this was not the fault of the material.

In 1937 Fathy held exhibitions of his work at Mansoura and Cairo, which resulted in several commissions from wealthy patrons. However, these buildings were quite expensive and relied on timber for their flat roofs. With the outbreak of the Second World War and the resulting shortage of timber, he had to find a new method of roofing his houses. On a visit to Upper Egypt, Fathy noticed that the Nubian villages were roofed with mud brick vaults produced without wooden centering. The method used was to lean the bricks against an end wall so that all the bricks leant against each other. Fathy employed the local Nubian builders and undertook several projects using these workers. The most important of these projects was the Nasr House in Fayyum and the tourist rest-house at Safaga.

In 1946 Fathy was approached by the Department of Antiquities who wanted to move the people of Gurna in western Luxor out of the ruins of ancient Thebes where they had been living. The Gurnis had been living in the ancient Necropolis for several generations and some lived in the tombs themselves. Nevertheless, the Department of Antiquities issued a decree stating that they wanted the 7,000 people moved to a new settlement, which was to be designed by Fathy. The settlement was to contain homes for 1,000 families and include public buildings like a mosque, a covered market, schools and a theatre. The houses were built around courtyards and arranged in neighborhood groups which had access to the main streets. Although built with traditional materials, Fathy made use of earth scientists and structural and mechanical engineers to improve his designs and ensure that they worked. Part of the project was to involve the future inhabitants in the construction, both as a cost-saving measure and so that they were not alienated from their new housing.

However, the project faced considerable difficulties in implementation through the opposition of some of the Gurni Sheikhs and the slow-moving bureaucracy of the Egyptian Antiquities Department.

In addition there was general suspicion of a project, which involved traditional materials at a time when Modernism was seen as the only way to build. In the end, only one-fifth of the project was completed and some parts of the village like the khan and the craft center remain unused. Nevertheless, the mosque is well used and maintained and the Department of Antiquities has restored the theatre, belatedly realizing the value of Fathy's work. Despite the difficulties New Gurna showed the potential of mud-brick architecture and the value of training people in traditional techniques.

Other important projects carried out by Fathy in the 1950s were at Lu'luat aI-Sahara in the Nile Delta and the village schools project. At Lu'lat al-Sahara, houses were built in pairs, together with a mosque and a school. The village schools project involved Fathy in designing a school, which was to be the prototype for village schools throughout Egypt. The design consisted of domed rooms opening onto courtyards with ventilation shafts to cool the interior during the summer. Unfortunately, only two of the schools were built, one at Fares and the other at Edfu.

In 1957, Fathy left Egypt for several years to work for an architectural firm in Athens, specializing in the Middle East, and during this time he designed a traditional housing scheme in Iraq. In the early 1960s, Fathy returned to Egypt where he undertook two further major projects, a training center in the Nile Valley and a new town in the Kharga oasis. Unfortunately the training center was subsequently destroyed because of its bad location and the town known as New Bariz was abandoned because of the 1967 war.

In the 1970, Fathy began writing books about his work, which were highly successful in universities throughout the world where the appeal of Modernism was wearing off. He showed that it was possible to design and build desirable residences and functional buildings, which respected the traditional values of a culture and were also cheap. Since the 1970s, Fathy's work in Egypt was concentrated on private houses and commissions. These buildings were constructed with increasingly sophisticated designs based on harmonic units of measurement derived from the dimensions of the human body. Probably the most important recent commission was for a Muslim community in New Mexico known as Dar al-Salam and built in 1981.

Further reading: (1) H. Fathy, The Arab House in the Urban Setting: Past, Present and Future, Fourth Arab Carreras Lecture, University of Essex, November 1970. London 1972. (2) H. Fathy, Architecture for the Poor, Chicago and London 1973. (3) H. Fathy, Natural Energy and Vernacular Architecture, Chicago 1985. (4) G. Leick, 'Hassan Fathy, architect for the poor', Egyptian Bulletin May 1988: 4-8. (5) J. M Richards, I. Serageldin and D. Rastorfer, Hassan Fathy, London 1985. (6) A. Schkifer, 'Hassan Fathy: A voyage to New Mexico', Arts and the Islamic World 1(1): 1982/3.

Text source: Peterson (1995) Dictionary of Islamic Architecture, pages 84-86.

Photo source: (1) Green Prophet; (2) Green Prophet; (3) Marc Rykaert/Wikimedia Commons.

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shosiblog · 26 days ago

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How to choose Indian wedding decor?

Indian weddings are known for their grandeur, rich cultural traditions, and vibrant celebrations. One of the most important aspects of an Indian wedding is the decor, as it sets the mood for the entire event and reflects the couple’s cultural heritage, personalities, and the theme of the wedding. Choosing the right wedding decor can be a daunting task due to the variety of styles, colors, and traditions involved, but with a little guidance, you can create a memorable and stunning ambiance for your big day.

Here’s a guide to help you choose the perfect Indian wedding decor:

1. Decide on a Wedding Theme

The first step in choosing wedding decor is deciding on a theme. Indian weddings can vary greatly in terms of style, from traditional to contemporary, or even a fusion of both. The theme will set the tone for the decor, guiding your choices of colors, flowers, lighting, and props. Some popular wedding themes in India include:

Traditional Indian: Featuring rich, cultural elements such as intricate designs, traditional fabrics, and vintage elements.

Royal/Regal: Think grand chandeliers, gold accents, and velvet drapes. A royal wedding theme often includes luxurious decor and elements like ornate carvings or antique furniture.

Rustic or Vintage: Wooden accents, burlap table runners, and mason jar centerpieces create a rustic charm perfect for an outdoor or garden wedding.

Contemporary: Sleek and modern with minimalist decor, focusing on clean lines and subtle elegance.

Once you decide on the theme, every other element of the decor, from the entrance to the reception hall, can be tailored to reflect it.

2. Choose a Color Palette

The colors you choose for your wedding decor are crucial as they set the mood and enhance the theme. In Indian weddings, colors hold deep meanings. For example:

Red and Gold: Symbolize love, prosperity, and royalty, making them classic choices for Indian wedding decor.

Pink and White: Offer a more soft and romantic vibe, perfect for a spring or summer wedding.

Royal Blue and Silver: Represents elegance and sophistication, often used for grand, modern weddings.

Green and Yellow: Often used in traditional Hindu weddings, symbolizing growth and auspiciousness.

When selecting your color palette, consider the venue, the season, and, of course, your personal preferences. Your choice of flowers, table settings, and lighting should complement the chosen colors for a harmonious look.

3. Incorporate Traditional Elements

Indian weddings are steeped in rich traditions, and incorporating cultural elements into the decor can make the event even more special. Some traditional elements to consider:

Mandap Decor: The mandap is the sacred space where the wedding ceremony takes place. Decorate it with vibrant flowers, fabric drapes, and traditional symbols like paisleys and lotus motifs.

Torans and Bandhanwars: These decorative hangings are often placed at the entrance of the wedding venue. Made of flowers, beads, or mango leaves, torans bring in prosperity and ward off evil.

Marigold Flowers: Marigolds are considered auspicious in Indian culture and are often used in wedding decor, from garlands to floral arrangements.

Elephants and Peacock Feathers: These animals are symbols of good luck and are commonly included in Indian wedding decor.

Integrating traditional decor will honor the cultural significance of your wedding and connect your ceremony to timeless customs.

4. Focus on Key Areas of the Venue

Indian weddings typically span multiple events, including the mehendi, sangeet, ceremony, and reception, each of which requires thoughtful decoration. Focus on decorating the key areas to create a cohesive and elegant atmosphere.

Entrance Decor: The entrance of the venue sets the tone for the entire wedding. Decorate the doors or gates with garlands, lanterns, and flowers to make a grand statement as guests enter.

Stage Setup: The wedding stage is where most of the photographs are taken, so it should be the highlight of the decor. Use flowers, candles, drapes, and backdrops that reflect your theme.

Dining Area: Whether it’s a sit-down meal or buffet, the dining area should look beautiful and inviting. Decorate the tables with elegant tablecloths, floral centerpieces, and lighting.

Photo Booths: These are very popular in modern Indian weddings. Create a space with beautiful backdrops and props for guests to capture their memories.

Focusing on these key areas will ensure your wedding venue looks amazing and that your guests have an unforgettable experience.

5. Incorporate Modern Elements

While traditional decor is important, adding modern touches can elevate your wedding decor and make it more memorable. Incorporating modern elements allows for a fusion of old and new, creating a unique vibe. Some modern decor ideas include:

Fairy Lights: String lights or chandeliers add a magical glow to the venue, especially during evening events.

Contemporary Furniture: Sleek, stylish furniture like lounge chairs or transparent acrylic tables can add sophistication and comfort to your wedding setup.

Floral Installations: Large floral installations and arches are becoming popular, adding a contemporary and striking touch to the venue.

A mix of traditional and modern decor will provide the perfect balance for a stylish and culturally rich wedding.

6. Personalize Your Decor

The decor should reflect the personalities of the couple and their love story. Personalizing the decor adds an intimate and unique touch. Some ideas for personalization include:

Custom Signage: Use signs with the couple’s names, wedding date, or love quotes to add a personal flair.

Memory Walls: Create a photo wall featuring pictures of the couple growing up and their journey together.

Customized Favors: Wedding favors that align with your theme and personality add a personal touch for guests to take home.

These little details make the wedding feel even more special and reflective of your journey as a couple.

7. Work With Professionals for Complex Decor

While DIY wedding decor can be a fun and budget-friendly option, sometimes it’s best to work with professionals, especially for more complex aspects of the wedding. If you want large floral installations, intricate stage designs, or a flawless setup, consider hiring experts in wedding decoration.

Professional decorators can bring your vision to life and ensure everything is done seamlessly and efficiently, leaving you to enjoy your special day without worry.

Conclusion

Choosing the right decor for your Indian wedding can seem overwhelming, but with thoughtful planning and a clear vision, you can create an unforgettable atmosphere that beautifully reflects your culture, personality, and style. Whether you decide to go all out with opulent decor or prefer a more intimate, minimalist approach, the key is to make sure everything feels cohesive and meaningful.

If you need expert help to bring your wedding decor vision to life, contact us for marriage decoration Coimbatore. Our team of professionals specializes in creating stunning and personalized wedding setups that will make your big day truly unforgettable! Let us take care of the details so you can enjoy your dream wedding stress-free.

#marriage #wedding

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happystayportel · 1 month ago

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Best vacation homes in india

Discover comfortable and convenient short stay rentals near airports and railway stations. Find your ideal holiday home or homestay for a perfect getaway

India offers some of the world’s most diverse vacation experiences, and for those seeking a comfortable, private space to relax, vacation homes are an ideal choice. Whether you're traveling with family, a group of friends, or as a couple looking for a serene getaway, vacation homes in India provide the perfect blend of luxury, convenience, and access to iconic attractions.

Vacation Homes Near Popular Attractions

From the bustling streets of Delhi to the peaceful beaches of Goa, vacation homes near popular attractions are perfect for travelers who want to be close to the action. Imagine staying in a cozy villa overlooking the Taj Mahal, or a seaside bungalow in Goa with the sand just steps from your door. These vacation homes allow you to enjoy the sights and sounds of India’s famous destinations while retreating to a tranquil space of your own.

Many of these homes offer unique designs that reflect the local culture. For example, a Rajasthani-style mansion in Jaipur provides guests with the grandeur of royal architecture, while cottages in the hill stations of Himachal Pradesh blend seamlessly with the surrounding nature. With vacation rentals in key areas, you��ll have the advantage of staying close to temples, beaches, heritage sites, and adventure spots.

Luxury Vacation Rentals in India

For travelers with a taste for indulgence, luxury vacation rentals in India deliver a world-class experience. Imagine staying in a modern villa with an infinity pool overlooking the mountains, or a palace-style residence adorned with intricate carvings and opulent decor. Luxury vacation homes are available in top destinations like Udaipur, Kerala, and the scenic backwaters of Alleppey.

These upscale homes often come equipped with premium amenities such as private chefs, spa facilities, personal pools, and expansive outdoor spaces, perfect for intimate gatherings or relaxation in privacy. Whether you desire a beachside property with modern furnishings or a heritage villa with antique decor, India’s luxury vacation rentals cater to all tastes and preferences, offering a five-star experience in the comfort of a private home.

Family-Friendly Vacation Homes in India

Family vacations are a special time to bond, and a family-friendly vacation home makes the experience even better. These homes are often spacious, with multiple bedrooms and common areas for family activities. Many family-oriented vacation rentals in India also come with kid-friendly amenities like play areas, baby-proofed spaces, and proximity to family-friendly attractions such as theme parks, zoos, and water parks.

From villas on the beaches of Goa to farmhouses in the lush green surroundings of Coorg, these family-friendly properties offer safe, comfortable, and fun-filled environments. Many of them are located near natural parks, heritage sites, and adventure centers, ensuring that every family member has something to enjoy.

Vacation in India: A Home Away From Home

One of the greatest benefits of choosing a vacation home in India is the feeling of having a “home away from home.” With fully equipped kitchens, spacious living rooms, and outdoor areas, vacation homes provide guests with more freedom and privacy than hotels. You can cook your meals, enjoy leisurely breakfasts in your garden, or have a movie night with your family without interruption.

Why Choose Vacation Homes for Your India Trip?

India is a country that beckons travelers to immerse themselves in its beauty, culture, and diversity. Staying in a vacation home enhances this experience by allowing you to live like a local. You can explore India’s vibrant neighborhoods, sample traditional food, and engage with local communities, all while enjoying the comforts of a home. Vacation homes in India offer flexible options for both short and long stays, making them ideal for everything from quick weekend trips to extended retreats.

In conclusion, India’s vacation homes provide a range of options for every kind of traveler. Whether you’re in search of a family-friendly property, a luxurious villa, or a charming retreat close to popular attractions, these homes offer comfort, convenience, and unforgettable memories. Choose a vacation home for your next India trip, and experience the country in a way that’s truly unique and personal. Happystay.in

#Best vacation homes in india

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