#antique india door

[indiatrendzs]

Elevating Your Home with Bold Decor and Vintage Carved Doors

Bold decor Carved door brings an undeniable energy and personality to a space, transforming it into something unique and full of character. However, the secret to achieving a vibrant yet harmonious interior lies in thoughtful balance. As an interior designer, one of my favorite ways to introduce bold elements is through vintage carved doors. Their intricate designs and rich textures make them…

[vintagehomedecorshop]

Antique Wooden Doors - Yellow Verandah

Wooden old antique doors are a rare affair, sourced with precision from heritage palaces & havelis. They are classic masterpiece for a bespoke living space. Master artisans paint mythological lores with gorgeous motifs & colors to elate these antique doors. Design your wall decor or temple door or dining table top with these timeless treasures!! Buy Now: antique wooden doors

[dluxdekor1]

Enhance Your Kitchen with the Best Cabinet Handles

When it comes to kitchen renovations, the small details often make the biggest impact. One such detail is the cabinet handle. Choosing the best handles for kitchen cabinets can transform your kitchen from ordinary to extraordinary, adding a touch of style and functionality that truly enhances your space.

Why Cabinet Handles Matter

Cabinet handles might seem like a minor detail, but they play a crucial role in both the look and usability of your kitchen. Here’s why they matter:

Aesthetic Appeal: The right handles can complement your kitchen’s design, tying together various elements and creating a cohesive look.

Functionality: The cabinet handles for the kitchen make it easier to open and close cabinets, improving the overall user experience in your kitchen.

Durability: High-quality handles are built to last, ensuring your kitchen remains beautiful and functional for years to come.

Choosing the Best Handles for Kitchen Cabinets

Selecting the luxury handles for your kitchen cabinets involves considering several factors. Here’s a guide to help you make the right choice: Design and Style:

Modern Kitchens: Opt for sleek, minimalist handles that emphasize clean lines and simplicity.

Traditional Kitchens: Choose ornate, classic designs that add a touch of elegance and charm.

Transitional Kitchens: Look for handles that blend elements of both modern and traditional styles, offering versatility. Material:

Stainless Steel: Durable and easy to clean, perfect for contemporary kitchens.

Brass: Adds a warm, luxurious feel and works well in both modern and traditional settings.

Ceramic: Great for adding a pop of color and character, especially in vintage or rustic kitchens. Size and Shape:

Ensure the handles are comfortable to grip and match the proportions of your cabinets.

Consider the overall size of your kitchen and cabinetry to maintain a balanced look.

Installation Tips

Proper installation is key to achieving a polished finish once you’ve chosen the handles for kitchen cabinets. Here are some tips:

Placement: Align handles horizontally on drawers and vertically on doors for a uniform appearance.

Consistency: Use a template to ensure consistent spacing and alignment across all cabinets.

Secure Fit: Make sure handles are tightly fastened to prevent wobbling or loosening over time.

Maintaining Your Cabinet Handles

To keep your cabinet handles looking their best, regular maintenance is essential:

Cleaning: Wipe handles with a damp cloth and mild detergent to remove dirt and grease.

Polishing: Use appropriate polish for metal handles to maintain their shine and prevent tarnishing.

Checking: Periodically check screws and bolts to ensure handles remain securely attached.

Where to Find the Best Handles for Kitchen Cabinets

Finding the perfect cabinet handles can be easy with the right resources. Here are some places to explore:

Local Hardware Stores: Offer a variety of styles and materials to choose from.

Online Retailers: Provide a wide range of options, often with customer reviews to help guide your decision.

Specialty Shops: Ideal for unique, high-end, or custom designs that make a statement.

Conclusion

Enhancing your kitchen with the best handles for kitchen cabinets is a simple yet effective way to elevate both its style and functionality. By carefully selecting the right design, material, and size, and ensuring proper installation and maintenance, you can enjoy a kitchen that not only looks beautiful but also operates smoothly.

Invest in quality cabinet handles today and watch how this small change can make a big difference in your kitchen. Your perfect kitchen is just a handle away!

#best handles for kitchen cabinets

[mogulinteriororlando]

Integrate the richness of rustic antique doors and reclaimed wood furniture to infuse natural warmth and a cozy ambiance into the luxury interiors. Opt for reclaimed wood not only for its aesthetic appeal but also for a sustainable touch, adding character and a sense of history to the overall design.

[bibleofficial]

literally it’s 200g of SOLID sterling silver & it was 200£ but KP talked him down to 180 & now i’m ( ͡° ͜ʖ ͡°) I LOVE A DEAL

saw this GORG cigarette case & IMMEDIATELY sent it to my indian KING KP & now he’s HAULING ASS to come buy it

[allari-ammayi]

Butta Bomma

A. Bahubali x Reader x B. Deva

#1

The Interesting Perspective

Synopsis: In the heart of Hyderabad, Y/n tends to her grandmother's antique store, a time capsule hiding stories of the past. Her routine is disrupted when she joins friends to watch the movie "Baahubali," a decision that is set to have an unremovable stain on her life.

1.7k Words

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In the vibrant and bustling streets of Hyderabad, India, nestled amidst the chaos of modernity, there existed a quaint and almost forgotten treasure trove of history. It was a little antique store with an intriguing story of its own, now entrusted to the care of a young woman named Y/n. 

Each morning, the sun cast its gentle rays upon the old wooden door of the shop, signalling the beginning of another day. 

Y/n, with an air of quiet determination, unlocked the weathered door and stepped into a world frozen in time. The antique store, a relic itself, carried the weight of decades, its wooden beams groaning softly with age.

As the door swung open, a cloud of dust danced through the air, catching the soft glow of the morning light. Y/n took a moment to inhale the musty scent of history and nostalgia before she proceeded with her daily ritual.

Y/n's routine was as predictable as the sunrise. She gingerly dusted off the display cabinets, each one containing a piece of history that had been carefully preserved for generations.

Once the store was tidied up, Y/n took her place at the ornate wooden register. It was a perch from which she watched the world go by, albeit one that rarely saw any visitors. 

The store, hidden away in plain sight amidst the chaotic streets of Hyderabad, seemed to exist in its own tranquil bubble. Despite the city's ceaseless movement and vibrant energy, it was as if the shop was invisible to the outside world.

With the day's quietude embracing her, Y/n reached for a vintage novel, a companion she had grown fond of. The pages rustled softly as she lost herself in tales of bygone eras, immersing herself in the words on the pages. 

The store was once her grandmother's, and before that, her great-grandmother's, and before that her great-geart-grandmother's. No-one knew exactly how old it was, but it was a family relic that was passed down to Y/n.

Y/n had always been more inclined toward the pages of modern literature than the silver screen. In a world captivated by the magic of movies, she found her sanctuary in the written word. 

But as fate would have it, a new cinematic sensation swept across India, leaving a trail of fervour in its wake, bearing the name 'Bahubali.' 

It was as if a fever had taken hold of the nation, and fans had gone berserk over this cinematic marvel. People had lost their minds, raving about the epic storytelling and jaw-dropping visuals that this movie promised.

Y/n, ever the outlier in her circle, hadn't quite fathomed the craze.

Her friends, captivated by the Baahubali frenzy, hadn't understood how she remained immune to its charm.

They had pestered her relentlessly, urging her to give it a chance. Perhaps, they had thought, Y/n might just find a new love in the world of cinema.

“Come on, Y/n!!” 

“It’s really good!! We’ve already been to the movies three times this month purely because it was so good!”

“And we’ve had two movie nights where we watched the first and second movies together!”

Y/n grimaced, unsure of what to say.

“I don’t know, guys…”

“Ohh, please, Y/n!” They continued to persist, wearing down the girl.

“If it’s not as good as we promise, I swear on my life I’ll start reading that one book you told me to!” Y/n’s ears perked up at this comment as the others quickly joined in.

“In fact -  we all will!” The three girls looked at each other and began nodding in unison and urging Y/n. 

“Mmm…” Y/n’s face remained in deep thought.

“Y/n, if you come to watch the two movies with us, we all promise to immediately start reading the books.” One of the girls spoke up, finally, desperate to get her friend in front of the silver screen. Y/n craned her head to look past her friends at the deserted and empty shop. 

Y/n’s features softened and she looked at their eager faces. She let out a low sigh and looked at her friends, a smile starting to form on her lips.

“I guess it couldn’t hurt to leave the store unattended for one night,”

Finally, Y/n had relented, agreeing to accompany her friends to the movie theatre. She had been willing to set aside her literary pursuits for an evening if only to unravel the mystery of what had driven the entire nation into a state of euphoria.

· · ─────── ·𖥸· ─────── · ·

As the lights had dimmed and the colossal screen had flickered to life, Y/n's curiosity had mingled with a hint of scepticism. The opening scene had unfolded, and the grandeur of Bahubali had begun to unfurl before her eyes. 

She had watched in awe as the story had unfurled, the characters had come to life, and the visual spectacle had swept her into its embrace.

As the credits rolled and the applause of the audience resonated around her, Y/n understood why the nation had succumbed to Baahubali‘s enchantment.

Leaving the theatre, Y/n wore a smile that mirrored the newfound appreciation for the magic of movies. She might have been a devotee of modern literature, but in that moment, she had experienced the transformative enchantment of cinema. 

Y/n held a unique perspective on the characters.

Y/n possessed a deep respect for Bahubali, his qualities of honour, bravery, and selflessness impressed her. Bahubali had been a shining example of the qualities Y/n had admired most in people.

Even when it came to the character of Bhallaladeva, who had been universally despised by viewers, Y/n had found herself harbouring a different sentiment. Instead of hatred, she hadn't been able to help but pity him. 

Beneath the layers of villainy and treachery, she had glimpsed a tragic figure, consumed by ambition and insecurity, his actions driven by a thirst for approval.

While the general populace had harboured hatred and disgust for Bhallaladeva, she possessed a unique and empathetic viewpoint. Y/n had peered beneath the layers of cruelty and ambition, recognizing the tragic figure that Bhallaladeva had truly been.

In her eyes, Bhallaladeva hadn't been just a villain; he had been a product of his environment, a victim of his father's ruthless influence.

Y/n believed that if he had grown up in a different setting, devoid of the poisonous presence of his father, he could have evolved into a different, more compassionate person. 

“I can’t believe you feel sorry for Bhallaladeva, Y/n! He’s the ultimate villain!” Gowri, Y/n’s closest friend, argued as she sat across Y/n in the little coffee shop, as Y/n took a sip of her drink and continued looking down at the newspaper.

“Gowri, I know it’s hard to see, but there’s more to his character than just being a villain,” Y/n said, taking another sip, and making Gowri groan, her hazel locks swaying with her dramatic disdain.

“More to him? He’s a murderer, Y/n! He killed his own brother and lusted for his brother's wife, how can you pity someone like him!?” Gowri's grey eyes were full with a sense of determination to prove Bhallaladeva to be a vilian.

“Everyone’s a murderer in this movie, Gowri. Besides, I’m not condoning his actions, but just think about it. He grew up in a toxic environment with a father like Bijjaladeva. The constant pressure, the endless manipulation, the unhealthy influence…” Y/n shuddered, just thinking about what Bhalla likely grew up with.

“That’s no excuse for his treachery. He betrayed his family and his kingdom, he’s disgusting!” Gowri spat. Y/n sighed, finally placing her mug down on the table and laying her paper flat, looking up at Gowri.

"I get that, but I can't help but wonder if, under different circumstances... He might have turned out differently," Y/n said, softly, in a comforting voice. Gowri gaped at her, her mouth open and eyes wide.

"Are you serious? He's power-hungry and ruthless. He deserved the fate that came to him."

"It's just that the complexity of his character intrigues me. What if he felt trapped, burdened by the expectations placed upon him?" Y/n said thoughtfully, “What if he was feeling betrayed by his own mother? That everything that belonged to him was being shared with his cousin? Even that thought wouldn’t be his fault, it would be his father’s.”

"Y/n, he had a choice! He chose evil, plain and simple." Gowri said with a huff, crossing her arms.

"I'm not saying he didn't make terrible choices. It's just that I can't help but feel a sense of pity for someone who may have been a victim of his own circumstances." Y/n’s tone remained gentle.

"I can't believe you're defending him, Y/n," Gowri said in disbelief, shaking her head.

"I'm not defending him, Gowri. I'm just trying to understand. Stories like Baahubali make us question the complexities of human nature and the choices people make." Y/n said, calmly.

“Well, I still think he’s the worst.” Gowri childishly puffed out her cheeks and looked out of the window as Y/n lightly chuckled, shaking her head.

"And that's the beauty of storytelling. It sparks conversations and lets us see things from different angles." Y/n said with a clever smile, eyeing Gowri as she took another short sip of her drink.

Rather than hating Bhallaladeva, Bijjaladeva, the conniving and power-hungry uncle, had been the object of her disdain. Y/n had loathed him for his nefarious influence over his son, Bhallaladeva. 

The sick thoughts and twisted desires he had sown in Bhallaladeva’s mind for his own greed had been inexcusable.

Y/n's fascination didn't stop at the cinema. She had felt compelled to dive deeper into their psyche, to unravel the intricacies of Bhallaladeva and Bahubali’s dynamic, lives, and the forces that had shaped them.

This curiosity led Y/n to embark on a literary journey of her own. She had poured her thoughts, insights, and emotions into a twenty-thousand-word analytical essay, meticulously dissecting the characters and their intertwining destinies. 

Her essay had become a labour of love.

'If I were ever magically given the chance to change the fate of Bhallaladeva and assist him to tread a path of light and goodness, I would value the opportunity and do my best to secure him a good future.'

Little had she known that her writings would soon become more than just words on a page, as destiny had had a mysterious plan in store.

♡•♡•♡•♡•♡•♡•♡•♡•♡•♡•♡•♡•♡

Taglist: @vellipo-mellaga, @mellaga-karagani, @vayari-bhama, @bitchy-bi-trash (To join the taglist, let me know in the comments, and you will be added to future ones!)

[sixminutestoriesblog]

bloodstone

I wasn't aware before I started poking around but apparently March babies have one of the most METAL birthstones I've ever heard of.

There's the more standard birthstone which is the Aquamarine.

And then there's the Bloodstone.

Because March doesn't do anything by halves.

Bloodstones are officially called heliotrope, a word that comes form ancient Greek meaning 'to turn the sun'. In fact, in ancient times, there was a belief that submerging a bloodstone in water would actually turn the sun red in response. Or perhaps that it just turned the stone blood red, like the sun, when those rays reflected off of it. Bloodstones are a type of cryptocrystalline quartz, which means that the quartz crystals that make up the stone are so small that even with a microscope they're hard to see. As such, bloodstones can be either opaque or transparent. The most popular form however is a dark green stone with red specks throughout. The red is hermatite which is an iron oxide compound.

Remember that.

Back to the story - obviously with a name like that and a long history of being around, the bloodstone is going to have some superstitions that go with it. Let's dive in.

The bloodstone has been used both to carve seals on and as amulets from ancient times. The red of it was said to represent blood and thus it was considered good for health and strength, making it a favorite with athletes and soldiers. It was also supposed to help with blood issues. For instance the Romans believed that pressing a cold bloodstone to a wound would help staunch the bleeding. Remember the iron oxide in bloodstones - well, it turns out the Romans weren't entirely wrong. Iron oxide is an astringent. This same belief is found in India as well. Pliny the Elder wrote that magicians used the stone to turn themselves invisible. Ancient Greeks and then Romans believed that wearing the stone would make people more likely to grant you favors and it was said to open doors for its wearer. The Assyrians and Babylonians used bloodstones to make their signet rings and seals. During the Middle Ages, Albertus Magnus, also known as St. Albert the Great, and well known for his studies of Aristotle, even called the gem 'the stone of Babylon' in his writings and said it was known to have several magical properties from Antiquities. The prominent belief in the Middle Ages however, was that the drops of red were the blood of Christ, falling from him while he hung on the cross to stain the stone underneath. Because of this it is sometimes called Christ's Stone or the Martyr's Stone. The Gales in Scotland believed the red drops were also blood that had fallen on the stones but they believed the blood came from the 'Nimble Ones', giants that fought across the sky at night.

Associated with March, and the god of war that the month is named after, the bloodstone is thought to bestow vitality and bravery. It is also said to promote good health and longevity as well as good fortune and wealth. Anyone with legal matters going on should wear one to bring favor to their cause, prevent deception and bring them victory. Bloodstones are supposed to allow their wearer to summon storms or grant them protection from lightning. They can supposedly be used as an antivenom to snake bites as well as to cure tumors. The Gnostics believed the gem could strengthen the stomach and alleviate melancholy and the Middle Ages believed it could help with animal husbandry.

And lastly, in modern times, in some Asian countries like India, its believed that swallowing the ground up stone will help with blood circulation, hence making it a powerful aphrodisiac for its ability to increase blood flow. Because of this, jewelers say it is hard to find high quality stones on the market these days.

[padfootastic]

don’t tell me bc i don’t know want to but i saw ralston potter being involved in some tiktok drama and may i just. present my little james oneshot from years ago that included this dude way before it was ~cool? (wrote this in 2017 so uh. be gentle. thx)

x

James Potter stood in the antique room, one hand on his hip and the other on his chin. His inquisitive hazel eyes were hid behind his glasses. He cocked his head to the side as he stared at the object in front of him. The object in question stared right back at him. Steeling himself a little bit more, the eight year old took a tiny step forward, the intensity in his gaze increasing.

He was so engrossed in his task that he missed the large oak door being opened and his parents entering the room. However, when Euphemia Potter placed a hand on his shoulder, he jumped in surprise, his glasses sliding off his nose.

“Mum! You scared me!” James scowled.

“Oh, I’m sorry, sweetheart, I thought you noticed us entering,” Euphemia spoke in her soft voice. James merely shook his head at her and turned back to his observations.

A few minutes later, Fleamont Potter said, “What...are you doing, son?”

“I’m looking at Mr. uh,” He looked at the nametag and continued, “Mr. Ralston Potter.”

“Oh?” His father questioned.

“Yes,” James replied, voice eager, “I want to be a portrait just like him!”

Euphemia couldn't quite muffle her laugh at his triumphant expression and wrapped her arms around his tiny frame, pressing a kiss to his mane of messy black hair.

Fleamont, on the other hand, amused as he was, continued his line of questioning to see where it would take him, “And why, pray, do you want to be a portrait, of all things? Wasn’t it a quidditch player just a week ago?”

James, having managed to get out of the clutches of his mother, waved his hand impatiently, “Oh, dad, that’s so boring now. I mean, LOOK at him! He died like a thousand years ago- ‘three hundred, his father coughed’- and he’s still here! It’s so awesome!”

The man in question, Mr. Ralston scowled at the boy, the ancient portrait not able to do anything more than employ a rather limited expanse of facial expressions, as compared to the more modern portraits of his ancestors who could walk and talk.

Fleamont nodded once, as if he understood everything the little boy was talking about, but it was Euphemia who spoke up this time.

“How do you plan on becoming a portrait, James?”

James turned to her, a slight frown on his childish features, “What do you mean how do I plan on becoming a portrait, mum? Just like everyone in this room, that’s how.” He looked at his dad, “I bet you know how to turn people into portraits, don’t you dad?”

Fleamont coughed into his hand, “What gave you that idea, son?”

James spoke in a nonchalant voice with all the innocence of an eight year old, “Oh come on, you know everything dad, and if you don’t, then mum will.” He shrugged his shoulders as if that settled it and went back to his previous staring match with his ancestor.

The two parents looked at each other with identical grins on their faces, already planning what they would do next.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“MUUUUUUM!” James Potter, with a pout on his face, whined.

Euphemia smirked, “Yes, son?”

“What is this? Why am I sitting like this? IT’S BEEN HOURS!” James’ distraught voice echoed all around the antique room they were sitting in.

“Weren't you the one who said you wanted to be a portrait? Well, there you go.”

James’ mouth dropped, “You mean, you mean this is how I become a portrait? You’re not gonna wave your wand over me or anything?”

Euphemia shook her head, taking far more joy in her son’s misery than what was appropriate.

Fleamont and her had called over a professional portrait artist, from India nonetheless, to fulfill James’ wish. Of course, they hadn’t told him what would happen, just that they had a way to turn him into a portrait. He had been jumping around the house in excitement for the past two days since he had gotten the news.

“I’m going to be a portrait! I’m going to be a portrait!” He was singing, as he twirled around.

“Just like you, Mr. Ralston,” He had told the surly faced man, who merely glared in response, “And when I become a portrait, The High and Mighty James Potter The First, you and I can have tea and crumpets together. Just like the Muggle Queen!” He had gasped, waving an invisible sword around.

His parents had merely shook their head at him, knowing he wouldn’t be quite so excited when he found out exactly what he had to do to ‘become’ a portrait.

Now, tired and grumpy for he had been sitting on the uncomfortable armchair for over three hours, he had lost all the will to become a portrait and was positively whining.

“Muuuuuuuuuum,” He wailed again.

Euphemia shushed him, “James, love, don’t move, or all of this would go to waste. You don't want the portrait to be ruined after so much hard work, do you?”

James’ eyes widened comically in horror at the thought of all of this going to waste and he dutifully shut his mouth and sat ramrod straight, earning an approving nod from the portraitist.

Feeling an arm wrap around her shoulders, the Potter matriarch turned her head to see her husband standing beside her.

“Don’t you think we’re being a bit cruel by making him do this? I mean, he can’t sit still for more than a half hour and here he is, in the same uncomfortable position and chair for over three hours,” Fleamont sounded slightly concerned and now it was him she shushed.

“Oh, please. Think of this as payback for all the times he’s been a little terror around the house. A little calm won’t hurt him,” Her mind flashed to all the times she had found various rooms in the Manor painted in all the colors of the spectrum, her clothes stuck to the ceiling, Fleamont’s potions mixed in with pumpkin juice to give rise to some truly disastrous results and so many more. And he was just eight! She was simultaneously dreading and anticipating what he would do as he grew older.

However, she reasoned, the premature grey hairs taking root in her husband’s and her hair had to be avenged, and well, what better way than this?

~~~~~~~~~~~~~~~~~~~~~~~~

It was another hour before James was finally allowed to get up, which he did with quite a lot of relief and excitement. In fact, he was so excited at being allowed to move that he completely forgot about the portrait for which he had painstakingly sat in one position for four hours.

When, after some time of zooming on his broom in the backyard, he remembered , he immediately dashed off to the antique room where his portrait was covered with a black silk cloth.

He could hardly contain his eagerness as he gingerly removed the cloth. When his eyes fell upon the portrait, his mouth fell open in disbelief.

“MU-UM! My mouth does not look like—like that!”

Ralston Potter smirked at him from his place on the wall.

[indiatrendzs]

Enhance Your Bedroom with Sliding Barn Doors

Your bedroom is more than just a place to sleep; it’s your sanctuary, designed for comfort, privacy, and relaxation. The right design elements can significantly enhance this sense of safety and tranquility. Sliding barn doors offer an elegant and functional solution to elevate both the aesthetics and functionality of your bedroom. Shop At Houzz Mogul Interior Our extensive collection of sliding…

[vintagehomedecorshop]

This article explores the top reasons why vintage home decor is making a comeback. From nostalgia to sustainability, learn why vintage home decor is becoming increasingly popular and how you can incorporate it into your own home. Discover the unique charm of vintage home decor and why it's the perfect way to add character to any space.

[ahb-writes]

10 Random Entries from the Dictionary of Islamic Architecture

The following entries were pulled from the Dictionary of Islamic Architecture (1995).

Funduq (structure type)

Coral (construction material)

Kufa (city)

Songhay (people)

Süleymaniye (named building complex)

Squinch (architectural facet)

Aghlabid (people, lineage)

al-Aqsa Mosque (building)

Arasta (structure type)

Hassan Fathy (person, architect)

❯ ❯ Funduq (structure type)

North African term for a small, urban shop complex. A typical funduq is a square two-story structure built around a central courtyard with shops on one floor and store rooms on the other. Equivalent to a khan in the Middle East.

Text source: Peterson (1995) Dictionary of Islamic Architecture, page 91.

Photo source: (1) Barbara J. Anello-Adnani; (2) Islamic Architectural Heritage

❯ ❯ Coral (construction material)

Coral is used as a building material for coastal settlements throughout the Indian Ocean, Arabian/Persian Gulf and the Red Sea.

Two main types of coral stone are used for construction: fossil coral quarried from the coastal foreshore, and reef coral which is cut live from the sea bed. Fossil corals are more suitable for loadbearing walls whilst reef corals such as porites are more suitable for architectural features such as door-jambs or mihrab niches. Fossil corals are mostly from an order of coral known as Rugosa, which is now extinct. When quarried this coral forms rough uneven blocks known as coral rag. Although this can be cut into rough blocks, it cannot be dressed to a smooth finish and therefore has to be used in conjunction with another material to produce an even surface.

Living coral from the reef is easier to cut and dress to a smooth finish, although it does require hardening by exposure to the air. The preferred type of reef coral for building is porites because of its compact vascular structure which means it is both strong and easy to carve. However, this is not the only type used and, at the eleventh-century site of Ras al-Hadd in Oman, at least seven different types were noted. In the Maldives and Bahrain, platy corals such as oxypora and montipora are used for partitions.

The origins of coral-building are not well understood although it is generally believed that the technique originated on the coasts of the Red Sea. The earliest example was discovered at the site of al-Rih, in the Sudan, where a Hellenistic cornice made of coral was found reused in an Islamic tomb. From the Red Sea, the technique spread to the East African coast of the Indian Ocean where it was established as the primary building material for monumental buildings. In the Arabian/Persian Gulf, there is another tradition of coral stone construction although the antiquity of this tradition is in doubt as suitable coral has only grown in the area within the last 1,000 years. At the present time, the use of coral stone extends over large areas of the Indian Ocean and includes the coastline of India (Gujarat), the Maldives and Sri Lanka. The origins of coral-building in these areas has not been investigated, although it generally seems to be associated with Islamic traders.

See also: Bahrain; East Africa; Maldives; Qatar; Saudi Arabia; Sudan; United Arab Emirates.

Text source: Peterson (1995) Dictionary of Islamic Architecture, pages 54-55.

Photo source: Getty

❯ ❯ Kufa (city)

Southern Iraqi city founded in the early Islamic period.

Kufa is located on the west bank of the Eurphrates near the Shi'a shrine city of Najaf. Like Baghdad, Kufa was a purely Islamic foundation, although it stood close to the Lakhimid capital of al-Hira.

After the battle of Ctesiphon and the capture of al-Mad'ain (Ctesiphon and Seleucia) the Arab armies settled in the old Sassanian capital. Soon afterwards, the armies moved to Kufa because of its pleasanter climate and strategic location on the west bank of the Euphrates (i.e., easy access to Syria and the Hijaz). In 645, Ali transferred the seat of government to Kufa. The assassination of Ali in the Great Mosque of the city in 645 brought an end to the city's role as capital.

The original city had no walls and was simply surrounded by a ditch. The principal monuments in Kufa are the Great Mosque and the Dar al-Imara, or Governor's Palace. The Great Mosque consists of a number of different phases from the early Islamic period to the present day. The first mosque on the site was laid out by a man who threw spears to each of the cardinal points to delineate a square two-spear throws long. The area was enclosed by a ditch and the only permanent architectural feature was a marble colonnade 20m long. The columns were taken from the nearby city of al-Hira. In 670 CE, the mosque was expanded and covered with a flat roof resting on stone columns. The mosque visible today has a beautiful golden dome and contains the tombs of the two saints Muslim ibn Aqeel and Hani ibn Arwa. The golden dome and tilework date to the Saffavid period (seventeenth and eighteenth centuries), although the outer wall of the mosque which is supported by twenty-eight semi-circular buttress towers probably originates in the early Islamic period.

To the south of the Great Mosque is the Dar al-Imara, which was excavated by the Iraqi Antiquities Authority. The palace is enclosed by a square enclosure 170m per side with walls 4m wide supported by twenty semi-circular buttress towers and four round corner buttresses. In the center of the palace there is a square (domed?) chamber approached by a vaulted hall which was probably the throne room.

See also: Dar al-Imara; Iraq.

Further reading: (1) S. Ahmad, 'Survey of the Kufa area' (in Arabic), Sumer 21:229-252, 1965. (2) M. A. Mustafa, 'Dar al Imara at Kufa', Sumer 21:229-252, 1965. (3) M. A. Mustafa, 'Preliminary report on the excavations in Kufa during the third season', Sumer 19:36-65, 1963.

Text source: Peterson (1995) Dictionary of Islamic Architecture, page 156.

Photo source: (1) Taghrib News; (2) Narjes Ahmed/Wikimedia Commons.

❯ ❯ Songhay (people)

The people who inhabit the banks of the Niger river between Gao and Dendi in West Africa. The Songhay people were the ruling population of the empire of Gao during the fifteenth and sixteenth centuries. Some of them were Muslim before the eleventh century but some have remained pagan to the present day. Little is known of early Songhay architecture, although ancestor-worship seems to have been expressed through earthen burial mounds. Elements of this tradition seem to have been incorporated in Islamic monuments where prominent people are buried within solid earth pyramid-like constructions, the most famous of which is the tomb of Askiya Muhammad at Gao.

See also: Gao; West Africa.

Text source: Peterson (1995) Dictionary of Islamic Architecture, page 262.

Photo source: (1) Reuters/Joe Penney; (2) Reuters/Joe Penney; (3) Islamic Architectural Heritage.

❯ ❯ Süleymaniye (named building complex)

Ottoman mosque complex in Istanbul built for Suleyman the Magnificent between 1550 and 1557.

The complex consisted of a hospital, medical school, hospice, soup kitchen, primary school, four madrassas (colleges), shops and coffee houses in addition to the mosque itself. The complex is built on an artificial platform on top of a hill that overlooks the Bosphorus; to the east the ground slopes away rapidly. The mosque precinct contains three main areas, the mosque itself in the center, a courtyard to the north and a tomb garden to the south which contains the tomb of Suleyman and his wife. The mosque is covered with a large central dome (25m diameter) with two large semidomes of equal radius, one above the north entrance and one above the mihrab. The central area is flanked by side aisles covered by small domes of alternating size. Like that of its predecessor, the Sehzade Cami, the central dome rests on four huge central piers placed in a square. The whole building is illuminated with more than a hundred windows and grilles, many of which are filled with stained glass made by the celebrated Ottoman glass-maker Ibrahim Sarhos. Outside at each corner of the courtyard are four minarets with balconies supported on muqarnas corbels. This is the first Ottoman building in Istanbul to have four minarets, although previously the Üc Serefeli in Edirne also had four. The sides of the building are enlivened with several entrances (three on each side), approached by steps and two-tier arcaded galleries placed between the outer corner buttresses.

The tomb garden behind the mosque contains a large cemetery which has grown up around the tombs of Suleyman and Roxelane. Both tombs are octagonal structures in the traditional Ottoman fashion, although Suleyman's tomb unusually faces east instead of north. Roxelane's tomb is smaller and placed to one side of Suleyman's tomb which stands in the middle of the garden. The interiors of both tombs are decorated with Iznik tiles, although Roxelane's tomb is significantly less grand. Suleyman's tomb is surrounded by a colonnaded veranda with a porch on the east side. This arrangement is echoed internally where Suleyman's sarcophagus is surrounded by a circular colonnade.

The arrangement of the complex outside the mosque precinct consists of an L-shaped arrangement of buildings on the north-west side and a smaller group to the east. The eastern complex is built on a steep hill so the madrassas are stepped into the hillside. On the north-west corner of the complex is the tomb of the architect Sinan.

See also: Istanbul; Ottomans; Sinan.

Text source: Peterson (1995) Dictionary of Islamic Architecture, page 268-269.

Photo source: (1) CamelKW/Flicker; (2) Kevser Salih/Getty; (3) Izzet Keribar/Getty.

❯ ❯ Squinch (architectural facet)

Small arch in the corner of a building that converts a square space to an octagonal area, which may then be covered with a dome.

Text source: Peterson (1995) Dictionary of Islamic Architecture, page 267.

Photo source: (1) Dig Magazine; (2) José Carlos Palacios Gonzalo/Rana Munir Alkadi; (3) José Carlos Palacios Gonzalo/Rana Munir Alkadi.

❯ ❯ Aghlabid (people, lineage)

Dynasty which ruled the north African province of Ilfriqiyya during the ninth century.

Although nominally under Abbasid control, the Aghlabids were able to exercise a great deal of independence. Militarily their great achievement was the conquest of Byzantine Sicily.

The Aghlabids were great patrons of architecture, and much of their work has survived. Their work demonstrates a mixture of Byzantine and Abbasid building styles. One of the most important projects was the rebuilding of the Great Mosque of Qairawan and the addition of the huge three-tiered minaret/tower. The Aghlabids were also responsible for major irrigation and water supply systems, the most famous example of which are the huge circular cisterns of Qairawan. Much of their effort was also directed towards the development of the coastal towns as bases from which to launch the conquest of Sicily. The military nature of Aghlabid rule is further reflected in the large number of ribats, or fortified monasteries, which they constructed.

See also: Tunisia.

Further reading: A. Lezine, Architecture de L'Ilfriqiyya: Recherche sur les monuments aghlabides, Paris 1966.

Text source: Peterson (1995) Dictionary of Islamic Architecture, pages 6-7.

Photo source: (1) Richard Mortel/Flicker; (2) Alberto Biscaro/Masterfile.

❯ ❯ al-Aqsa Mosque (building)

The principal mosque of Jerusalem which forms part of the sacred enclosure (haram) with the Dome of the Rock at the center.

The Aqsa Mosque is located on the southern part of the Haram al-Sharif on an axis with the south door of the Dome of the Rock. In the time of Umar, a mosque is known to have been built on the site although it appears to have been a semipermanent structure made out of re-used material, hastily put together to form a covered prayer area with a shed roof. During the reign of al-Walid the mosque was rebuilt with its present alignment.

Only a small part of al-Walid's mosque survives, but this indicates that the aisles all ran perpendicular to the qibla wall (as they do today). This arrangement is unusual and recalls the arrangement of Byzantine churches, such as the Church of the Nativity in Bethlehem.

The earthquake of 748 severely damaged the mosque, which was subsequently rebuilt by the Abbasid caliphs al-Mansur (759) and al-Mahdi (775). The mosque of al-Mahdi had a raised central aisle leading to the mihrab in front of which he built a wooden dome; either side of the central aisle were seven side-aisles. An earthquake of 1033 destroyed the mosque and it was once again rebuilt by the Fatimid caliph al-Zahir in 1035. This mosque had a total of seven aisles, a central aisle with three aisles on either side.

See also: Damascus Great Mosque; Dome of the Rock; Jerusalem; Medina; Palestine; Umayyads.

Further reading: R. W. Hamilton, The Structural History of the Aqsa Mosque. A Record of Archaeological Gleanings from the Repairs of 1938-42, Government of Palestine, Jerusalem 1949.

Text source: Peterson (1995) Dictionary of Islamic Architecture, pages 22-24.

Photo source: (1) Niels M. Knudsen/Flicker; (2) Sam Rohn/Flicker.

❯ ❯ Arasta (structure type)

Turkish term for a street or row of shops whose income is devoted to a charitable endowment or waqf (equivalent to a European shopping arcade).

Arastas are found in most of the regions of the former Ottoman Empire and usually form part of a commercial or religious complex which may include a han (or khan), a mosque and bath house. Many arastas were probably made of wood but these have largely disappeared leaving only those made of more permanent materials. Arastas are often covered over with a barrel vault and have a row of shops either side of a central street, but they can also be open to the sky. Important examples of arastas include the Misir Carsi in Istanbul, the arasta associated with the Selimiye mosque in Edirne and the arastas at the Sokollu complex· at Luleburgaz and the Selim I complex at Payas both designed by Sinan.

See also: Ottomans.

Further reading: M. Cezar, Typical Commercial Buildings of the Ottoman Classical Period and the Ottoman Construction System, Istanbul 1983.

Text source: Peterson (1995) Dictionary of Islamic Architecture, page 24.

Photo source: (1) Banu/Flicker; (2) Alda Cravo Al-Saude/Flicker.

❯ ❯ Hassan Fathy (person, architect)

Egyptian architect noted for his use of traditional materials to build modern Islamic structures.

Born in 1900, the son of a wealthy landowner, Hassan Fathy was brought up in Cairo, Alexandria and Europe. He studied architecture at the University of Cairo whence he graduated in 1926. In 1927, on his first visit to one of the family estates, he was shocked by the terrible living conditions of the poor and resolved to find a way to house the poor reasonably. He also conceived a love for the Egyptian countryside, which was to motivate him for the rest of his life. He realized that imported western material and technology was too expensive and inappropriate for rural housing in Egypt. Instead, Fathy thought that mud brick, the traditional building material of Egypt, should be used in modem constructions. Although he realized that traditional designs were sometimes too cramped and dark for modern housing, Fathy argued that this was not the fault of the material.

In 1937 Fathy held exhibitions of his work at Mansoura and Cairo, which resulted in several commissions from wealthy patrons. However, these buildings were quite expensive and relied on timber for their flat roofs. With the outbreak of the Second World War and the resulting shortage of timber, he had to find a new method of roofing his houses. On a visit to Upper Egypt, Fathy noticed that the Nubian villages were roofed with mud brick vaults produced without wooden centering. The method used was to lean the bricks against an end wall so that all the bricks leant against each other. Fathy employed the local Nubian builders and undertook several projects using these workers. The most important of these projects was the Nasr House in Fayyum and the tourist rest-house at Safaga.

In 1946 Fathy was approached by the Department of Antiquities who wanted to move the people of Gurna in western Luxor out of the ruins of ancient Thebes where they had been living. The Gurnis had been living in the ancient Necropolis for several generations and some lived in the tombs themselves. Nevertheless, the Department of Antiquities issued a decree stating that they wanted the 7,000 people moved to a new settlement, which was to be designed by Fathy. The settlement was to contain homes for 1,000 families and include public buildings like a mosque, a covered market, schools and a theatre. The houses were built around courtyards and arranged in neighborhood groups which had access to the main streets. Although built with traditional materials, Fathy made use of earth scientists and structural and mechanical engineers to improve his designs and ensure that they worked. Part of the project was to involve the future inhabitants in the construction, both as a cost-saving measure and so that they were not alienated from their new housing.

However, the project faced considerable difficulties in implementation through the opposition of some of the Gurni Sheikhs and the slow-moving bureaucracy of the Egyptian Antiquities Department.

In addition there was general suspicion of a project, which involved traditional materials at a time when Modernism was seen as the only way to build. In the end, only one-fifth of the project was completed and some parts of the village like the khan and the craft center remain unused. Nevertheless, the mosque is well used and maintained and the Department of Antiquities has restored the theatre, belatedly realizing the value of Fathy's work. Despite the difficulties New Gurna showed the potential of mud-brick architecture and the value of training people in traditional techniques.

Other important projects carried out by Fathy in the 1950s were at Lu'luat aI-Sahara in the Nile Delta and the village schools project. At Lu'lat al-Sahara, houses were built in pairs, together with a mosque and a school. The village schools project involved Fathy in designing a school, which was to be the prototype for village schools throughout Egypt. The design consisted of domed rooms opening onto courtyards with ventilation shafts to cool the interior during the summer. Unfortunately, only two of the schools were built, one at Fares and the other at Edfu.

In 1957, Fathy left Egypt for several years to work for an architectural firm in Athens, specializing in the Middle East, and during this time he designed a traditional housing scheme in Iraq. In the early 1960s, Fathy returned to Egypt where he undertook two further major projects, a training center in the Nile Valley and a new town in the Kharga oasis. Unfortunately the training center was subsequently destroyed because of its bad location and the town known as New Bariz was abandoned because of the 1967 war.

In the 1970, Fathy began writing books about his work, which were highly successful in universities throughout the world where the appeal of Modernism was wearing off. He showed that it was possible to design and build desirable residences and functional buildings, which respected the traditional values of a culture and were also cheap. Since the 1970s, Fathy's work in Egypt was concentrated on private houses and commissions. These buildings were constructed with increasingly sophisticated designs based on harmonic units of measurement derived from the dimensions of the human body. Probably the most important recent commission was for a Muslim community in New Mexico known as Dar al-Salam and built in 1981.

Further reading: (1) H. Fathy, The Arab House in the Urban Setting: Past, Present and Future, Fourth Arab Carreras Lecture, University of Essex, November 1970. London 1972. (2) H. Fathy, Architecture for the Poor, Chicago and London 1973. (3) H. Fathy, Natural Energy and Vernacular Architecture, Chicago 1985. (4) G. Leick, 'Hassan Fathy, architect for the poor', Egyptian Bulletin May 1988: 4-8. (5) J. M Richards, I. Serageldin and D. Rastorfer, Hassan Fathy, London 1985. (6) A. Schkifer, 'Hassan Fathy: A voyage to New Mexico', Arts and the Islamic World 1(1): 1982/3.

Text source: Peterson (1995) Dictionary of Islamic Architecture, pages 84-86.

Photo source: (1) Green Prophet; (2) Green Prophet; (3) Marc Rykaert/Wikimedia Commons.

[dluxdekor1]

Luxury Door Handles India: Combining Elegance and Functionality

Discover the perfect blend of elegance and functionality with our luxury door handles India. Our exclusive collection features meticulously crafted handles that elevate the aesthetic appeal of any space while ensuring robust performance and durability. Each piece is designed with a keen eye for detail, using high-quality materials that reflect sophistication and style.

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Premium Materials: Crafted from top-grade materials, our luxury door handles offer long-lasting beauty and functionality.

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Upgrade your interiors with our luxury door handles, and experience the perfect harmony of style and practicality. Whether you're renovating your home or designing a new space, our handles are the ideal choice for adding a touch of luxury to your doors.

Explore our collection today and transform your living spaces with the best luxury door handles India has to offer.

For more information, contact Email: info@dluxdekor.com Mob:+91-6396731011

[maharashtratourntravel]

Mumbai Darshan

Mumbai Darshan: Exploring the City of Dreams

Mumbai, often referred to as the City of Dreams, is a vibrant metropolis that never fails to captivate its visitors. With its rich history, bustling streets, and iconic landmarks, this city offers a plethora of experiences for those looking to soak in its charm. And what better way to explore this city than by embarking on a Mumbai Darshan tour?

Mumbai Darshan is an iconic tour that allows you to witness the essence of this city, its diverse culture, and its architectural marvels. And while there are several options available to explore Mumbai, booking a Mumbai Darshan taxi is considered the ideal and best option. This enables you to enjoy door-to-door pick-up and drop service, taking away the hassle of navigating through the city on your own.

One of the advantages of opting for a Mumbai Darshan taxi is the flexibility it offers. Whether you are traveling alone, with your family, or even in large groups, there are a range of vehicles available to cater to your needs. From small hatchbacks for individual travelers to sedans and SUVs for small groups, Mumbai Darshan taxis have got you covered. For those traveling in bigger groups, there are also options like tempo travelers and buses, ensuring that everyone can enjoy their Mumbai Darshan comfortably.

Embarking on a Mumbai Darshan tour offers a multitude of attractions to explore. One of the must-visit places is the Gateway of India, a historical monument and an iconic symbol of the city. Situated along the Arabian Sea, it offers a breathtaking view of the sea and the magnificent Taj Mahal Palace Hotel. Another landmark that should not be missed is the Marine Drive, a scenic stretch of road that hugs the coastline. Known as the Queen's Necklace, it offers a mesmerizing view of the city's skyline, especially during sunset.

Another highlight of Mumbai Darshan is visiting the famous film studios like Film City and Bollywood Parks. Mumbai, often considered the heart of the Indian film industry, is where dreams are made and movies come to life. Here, you can witness the behind-the-scenes action of how movies are made and even get a chance to meet some of your favorite Bollywood stars.

For those interested in history and culture, a visit to the Elephanta Caves is a must. Located on an island just off the coast of Mumbai, these ancient caves house intricately carved sculptures and rock-cut temples that date back to the 5th and 6th centuries. It is a UNESCO World Heritage Site and offers a glimpse into the rich cultural heritage of the region.

No Mumbai Darshan tour would be complete without exploring the local markets and trying out the street food. From the bustling Crawford Market to the vibrant Colaba Causeway, these markets offer a plethora of shopping options ranging from clothing and accessories to antiques and handicrafts. And when it comes to food, Mumbai is a food lover's paradise. From the lip-smacking vada pav and pav bhaji to the delectable seafood at the famous Juhu Beach, the city's street food scene never disappoints

In conclusion, Mumbai Darshan offers a unique opportunity to explore the enchanting city of dreams. With the convenience of a Mumbai Darshan taxi, you can immerse yourself in the vibrant culture, architectural wonders, and culinary delights that this city has to offer. So, if you're looking to experience the true essence of Mumbai, book your Mumbai Darshan tour today and embark on a journey that will leave you with memories to cherish for a lifetime.

[happystayportel]

Best vacation homes in india

Discover comfortable and convenient short stay rentals near airports and railway stations. Find your ideal holiday home or homestay for a perfect getaway

India offers some of the world’s most diverse vacation experiences, and for those seeking a comfortable, private space to relax, vacation homes are an ideal choice. Whether you're traveling with family, a group of friends, or as a couple looking for a serene getaway, vacation homes in India provide the perfect blend of luxury, convenience, and access to iconic attractions.

Vacation Homes Near Popular Attractions

From the bustling streets of Delhi to the peaceful beaches of Goa, vacation homes near popular attractions are perfect for travelers who want to be close to the action. Imagine staying in a cozy villa overlooking the Taj Mahal, or a seaside bungalow in Goa with the sand just steps from your door. These vacation homes allow you to enjoy the sights and sounds of India’s famous destinations while retreating to a tranquil space of your own.

Many of these homes offer unique designs that reflect the local culture. For example, a Rajasthani-style mansion in Jaipur provides guests with the grandeur of royal architecture, while cottages in the hill stations of Himachal Pradesh blend seamlessly with the surrounding nature. With vacation rentals in key areas, you’ll have the advantage of staying close to temples, beaches, heritage sites, and adventure spots.

Luxury Vacation Rentals in India

For travelers with a taste for indulgence, luxury vacation rentals in India deliver a world-class experience. Imagine staying in a modern villa with an infinity pool overlooking the mountains, or a palace-style residence adorned with intricate carvings and opulent decor. Luxury vacation homes are available in top destinations like Udaipur, Kerala, and the scenic backwaters of Alleppey.

These upscale homes often come equipped with premium amenities such as private chefs, spa facilities, personal pools, and expansive outdoor spaces, perfect for intimate gatherings or relaxation in privacy. Whether you desire a beachside property with modern furnishings or a heritage villa with antique decor, India’s luxury vacation rentals cater to all tastes and preferences, offering a five-star experience in the comfort of a private home.

Family-Friendly Vacation Homes in India

Family vacations are a special time to bond, and a family-friendly vacation home makes the experience even better. These homes are often spacious, with multiple bedrooms and common areas for family activities. Many family-oriented vacation rentals in India also come with kid-friendly amenities like play areas, baby-proofed spaces, and proximity to family-friendly attractions such as theme parks, zoos, and water parks.

From villas on the beaches of Goa to farmhouses in the lush green surroundings of Coorg, these family-friendly properties offer safe, comfortable, and fun-filled environments. Many of them are located near natural parks, heritage sites, and adventure centers, ensuring that every family member has something to enjoy.

Vacation in India: A Home Away From Home

One of the greatest benefits of choosing a vacation home in India is the feeling of having a “home away from home.” With fully equipped kitchens, spacious living rooms, and outdoor areas, vacation homes provide guests with more freedom and privacy than hotels. You can cook your meals, enjoy leisurely breakfasts in your garden, or have a movie night with your family without interruption.

Why Choose Vacation Homes for Your India Trip?

India is a country that beckons travelers to immerse themselves in its beauty, culture, and diversity. Staying in a vacation home enhances this experience by allowing you to live like a local. You can explore India’s vibrant neighborhoods, sample traditional food, and engage with local communities, all while enjoying the comforts of a home. Vacation homes in India offer flexible options for both short and long stays, making them ideal for everything from quick weekend trips to extended retreats.

In conclusion, India’s vacation homes provide a range of options for every kind of traveler. Whether you’re in search of a family-friendly property, a luxurious villa, or a charming retreat close to popular attractions, these homes offer comfort, convenience, and unforgettable memories. Choose a vacation home for your next India trip, and experience the country in a way that’s truly unique and personal.  Happystay.in

[nonvaleantredeo]

Deromanuscoven Halloween event days 3, 4, 5

Prompts: possession, alien, in the mouth of madness

The Incredulity of David Talbot, a Vampire Chronicles and Doctor Who crossover

Once again begin to prospect the archives of the order, young intern found antique clock, draped carefully in batiste handkerchief and hidden in barely noticeable crack between columns. Clock was shining as if been recent made, no stain or symptom of aging on virtuously decorated with Elizabethan motifs plate.

However, the lock didn’t escape cruel touch of time and wasn’t open, doesn’t matter how much intern tried. Without any delay artefact was hand over to the order members and David Talbot himself after numerous tries of other. Even the most proficient scientists of the order were loss at determination of time, owner of clock and what is important, how did this thing get into archives basement

It’s stressed and interested him at the same time. Per day clock spend on David’s table, he stopped his sight on it countless times, this small thing turned him into mixed feeling of anxiety and agitation.

For long years dedicated to the order he was incessantly gets worried by their motto "We watch, and we are always here", it’s seeming like sentence was an echo of something from his past life, that became less and less clear in tangled memories, Clock, girl with graceful name, strange figures and loud «Master». This word ghostly whispered by young boy from the painting in basement of the old wing, this word he found in Italian department’s papers.

Surging memories disturbed David, calm down, he was repeating, I need to finish this report and send to Patrons, there’s no time devoted to the past, that, by the way, reminds of feverous dream. It’s worth give honour to the Ancient one, chronicle of the Great family is so detailed, that any work with it does not cause problems at all. You might think, Talamasca is interested in mortals now, but it was not fair – only ones who protect and patronage them was the subject of research.

With all propensity of source and time, the work has not progressed, his presence on order members’ meeting was required time and again, because several expeditions groups returned at exact same moment. Hustle and exited stories about investigation in north India’s mountains, Bolivian forests, all of the sudden this motley stuff worsened headache. The sound of drums became barely tolerant, it’s rumble drowned out even slight gleam of thoughts. In the middle of anxiety and worried sights of colleagues he urgently returned to his cabinet, the only thing he can distinguish among blurred world image was clock.

Sounds like tangled clew, were heard from delicate golden frame. Numerous voices speak in unknown language, memories about times before the order became clearer in trembled head. Fear embraced experienced scientist, but his hands were trying to reach the clock against his own will. It is not possible, the lock is broken, whole order tried to open it, was convincing himself David, desperate in this pain.

But ancient mechanism came into motion, silent crack was heard.

The blue door hidden behind average bookshelf in basement hid not the old tunnel between order building and the Tower. Although it depends on how you look at it.

Thank you for your attention, happy Halloween!

[palaceonganges]

Best Heritage Hotels in Varanasi

Varanasi, one of the world's oldest cities, is steeped in spirituality and cultural richness. Its heritage hotels embody the soul of this ancient city, offering a blend of traditional charm and modern luxury. For travelers seeking an immersive experience, Varanasi’s heritage hotels capture the essence of India’s diverse culture, deep spirituality, and historical grandeur.

1. The Palace on Ganges

Located on the sacred Assi Ghat, The Palace on Ganges is renowned for its uniquely themed rooms, each paying homage to a different Indian region. From the bold colors of Rajasthan to the serene motifs of Kerala, each room is a cultural journey in itself. Guests can explore India’s diverse traditions without stepping outside, making this hotel a favorite for those seeking a rich cultural experience. The hotel’s prime location offers easy access to the revered Ganga Aarti and morning yoga sessions, blending luxury with spirituality.

2. BrijRama Palace

Overlooking the Ganges and perched on Darbhanga Ghat, BrijRama Palace is an opulent 18th-century palace hotel that resonates with the royal charm of India’s bygone eras. The interiors boast intricate woodwork, traditional artifacts, and vintage decor that reflect the elegance of a bygone age. Guests can enjoy boat rides from the hotel, attend classical music performances, and experience the Ganga Aarti, all just steps from the palace’s majestic doors.

3. Taj Nadesar Palace

Set amidst lush gardens, the Taj Nadesar Palace offers a royal retreat in the heart of Varanasi. Built in the 19th century, the palace was once home to the Maharaja of Varanasi. Today, it’s a luxury hotel where guests are greeted with traditional Indian hospitality. Each room is adorned with antique furnishings, while the hotel’s sprawling gardens provide a peaceful escape. The palace also offers curated experiences, including heritage walks, Ganges river cruises, and private yoga sessions.

4. Amritara Suryauday Haveli

A 20th-century mansion turned boutique hotel, Amritara Suryauday Haveli sits on Shivala Ghat and offers a fusion of colonial and Indian design. The haveli’s architecture transports guests to another era, with rooms opening to views of the Ganges. Guests can take part in spiritual experiences, such as sunrise meditation and evening Ganga Aarti, or simply relax in the tranquil atmosphere of this heritage retreat. The haveli’s rooftop offers breathtaking views of the river, perfect for quiet reflection.

5. Guleria Kothi

Guleria Kothi is a heritage hotel located on the Ganges, combining Mughal architecture with traditional Varanasi charm. Its beautifully restored architecture and unique location make it an ideal choice for those looking to experience the city’s rich history up close. The rooms are a blend of luxury and authenticity, featuring Mughal-style interiors, handcrafted furnishings, and spacious balconies overlooking the Ganges. Guests can enjoy river cruises, local dance performances, and direct access to Varanasi’s ancient ghats.

A Journey Through Heritage and Hospitality

These heritage hotels in Varanasi not only provide luxurious accommodation but also immerse guests in the city’s ancient traditions. Each property offers curated experiences, such as private Ganga Aarti viewings, classical music evenings, and cultural excursions, making every stay unforgettable. From royal palaces to riverside mansions, these heritage hotels honor Varanasi’s legacy while providing the highest standards of comfort and hospitality.

Whether you seek spiritual connection, cultural immersion, or the romance of India's historical grandeur, Varanasi's heritage hotels offer a window into the city's soul, making your journey a memorable and meaningful one.

Visit:https://www.palaceonganges.com/