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lnkhauler · 4 years ago

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Best Furniture with Damages or Stains Removal in Lincoln NE | LNK Hauling Junk & Moving

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the-master-cylinder · 5 years ago

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Madeline Smith was born in Hartfield, Sussex. Her father owned an antiques shop and painting restoration business in Richmond, suffered a nervous breakdown early on in her childhood. She and her mother moved to Kew. Madeline went to Broomfield Primary School and then Queen’s School on Kew Green. When I was around 15 years old I discovered a youth theatre in Ealing called the Questor. At the time I was at a convent school – the same one Dusty Springfield had been at – and the nun who was responsible for us forbade me from attending the theatre group so that was that. She was very cruel and put me off pursuing acting for quite some time.

Several weeks later Madeline was modelling for catalogues and looking like – in her words – a cadaver. She polished things up at the Lucy Clayton Modelling School before moving to Paris in 1968, meeting Georgie Fame, the iconic photographers of the era and several bands along the way.

“It was a different era. It all sounds very implausible now but back then the most unlikely opportunities seemed to arise and it suited me. I wanted an adventure. I went out every day determined to experience life to the full,”

It all sounds racy to say the least but just when you think you are building a picture of what was then called a Dolly Bird, Madeline delivers a fact that turns all your perception on its head. Her first boyfriend – like her – was a young Catholic, who is now a Monk at Downside. I think this is precisely what keep her young – a disarming ability to constantly surprise.”

So just when her career as was on the highest possible trajectory in the Glamoursphere, Madeline decided to upset everyone’s assumptions and study English Literature at Goldsmith – but only after tutoring herself through the English A Level she was too rebellious to sit at Convent School. Of course.

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One of your early jobs was working for the legendary fashion store Biba, is that right? Madeline Smith: Yes I took a temporary job there in 1967, first of all as an assistant in one of Barbara Hulanicki’s shops. Barbara spotted me and I appeared as a model in her very first catalogue. That was how I got into modelling. London in the Sixties was a marvellous place to be – if you wanted to go out and do something you just did. I was cheeky and just asked to do things, more modelling and catalogue work followed and I loved it all.

Tell me more about your first professional acting role? Madeline Smith: In the 1960s in London you could get spotted in the street and offered modelling work or small parts in films. The very first film I appeared in was called Escalation (1968) and it starred among others the actress Claudia Auger. It was fun to do, just a few days, but most of the films I made back then were very slight, fun but nothing to them. Eventually my agent at the time asked if I was serious about acting or wanted to continue as a model. I decided that although I loved modelling, I wanted to concentrate on acting and hopefully get meatier parts.

What’s your earliest memory of Hammer? Madeline Smith: Taste the Blood of Dracula – wonderful – we made it in 1969. For that one I did audition, and was beyond joy to get the part. I had secretly yearned to be in one of these horror films, but because I was so innocent, gormless and untried in every sense I had no idea what a bordello scene was, or why I was in that extraordinary little outfit… but I knew how to pull gormless faces. Shortly after, I was given the part in The Vampire Lovers.

The Vampire Lovers (1970) was a much more adult direction for Hammer… Madeline Smith: I have to remind you of my previous remark about being completely gormless and innocent – we’ve only moved on about three months. I got a very worried phone call from the producer who said he was concerned about my lack of bosom. He said ‘we like you a lot, but we don’t think you are voluptuous enough’. I reassured him, and then I scuttled off to Hornby and Clarke dairy round the corner and I bought every yoghurt I could find and stuffed myself like you might fatten cattle, and it worked!

Hammer’s boxoffice grosses had been declining in a competitive market. Fading out their sexual subtleties, the company’s regime infused their product with nudity and more pronounced lesbian trysts. THE VAMPIRE LOVERS (1970), debuting as the first Gothic horror film to garner an R-rating, obligated its actresses to slip out of the trademark diaphanous nightgowns and cleavagehugging corsets. Only three years out of convent school, Smith was cast as the virginal “Emma”, who’s chastity appeals to lesbian vampire Carmilla (Ingrid Pitt).

“I auditioned for THE VAMPIRE LOVERS, and I got the part during Christmas of 1969,” Smith explained. “But I got a terribly embarrassing phone call from the producer. He said, ‘We do want you, but we are not sure that you are voluptuous enough.’ So I was determined that, by the end of the Christmas holiday, I would be voluptuous enough. I ate myself silly! I put on a lot of weight, but was still frightfully thin. But at least I had a bosom. That was the important thing because, as you know, the whole plot was the vampire biting the bosom and all that. The producer, Michael Style, was delighted. I had absolutely no bosom until that day.

“The one thing that was difficult for me was the lesbian aspect of it. I really couldn’t be less lesbian than I am. I mean, I am totally disinterested in females. In that way, I really felt it was distasteful. I hated doing that, loathed doing it. Ingrid did too.

“THE VAMPIRE LOVERS was very steamy and I can remember Michael Style running around saying, “The audience is going to fall asleep if you don’t inject something into it.’At that time, I was still very innocent and I didn’t know what to inject into it.

I recounted my conversation with Derek Whitehurst, the film’s assistant director, who told me that some of the crew members were a bit embarrassed by the nude scenes. “Oh, no, I think they enjoyed them!” laughed Smith. “I mean, there were these two lovely girls in bed. Why shouldn’t they enjoy it? I think possibly Derek was a bit embarrassed. He’s a good friend of mine, he lives just around the corner from me. He’s the dearest, sweetest man you’d ever want to meet and he may have been embarrassed. I don’t think the rest of the crew were.”

Although Smith wasn’t exactly “over the moon” in regard to the nudity, she plunged into the role: “I was very naive and innocent, I really was. The character I played was very innocent, so I didn’t have to do much acting. But I had a lot of fun on the film. Director) Roy Ward Baker was very patient and understanding-and working with Peter Cushing, he was a most lovely man.” Smith shared many of her scenes with a youthful Jon Finch who, only one year later, was cast as MACBETH in Roman Polanski’s controversial spin on Shakespeare. Finch’s acting skills had been honed on the stage, whereas Smith admits, “I didn’t really have any training. I did modeling, then I did films. Hammer was always on the lookout for young women. Since then, I’ve gained a lot of training through experience.”

Looking back at films like The Vampire Lovers, do you feel you were exploited? Madeline Smith: I was a very willing exploitee – I didn’t mind at all. My main point of existence is to make people laugh and I was able to use those bosoms later for comedy, I was the foil in a lot of comedy shows and sketches and I have absolutely no regret about being ‘sexploited’. Others I know take against it. I didn’t mind looking womanly, that’s not ever been concern of mine – but it is for others, and good for them.

What are your memories of making the film of Up Pompeii (1971)? Madeline Smith: It was another delightful experience. Bob Kellett was the director of that film and he was such a lovely man to work for. Bill Fraser was one of the stars of the film and he was an absolute joy – I had been a fan of Bill’s for a long time and used to watch him in Bootsie and Snudge on television. Bill brought us champagne for the first day of filming and it certainly all went very well after that!

You worked with Frankie Howerd a great deal I believe. What was he like to work with? Madeline Smith: I got on very well with Frankie and worked with him often, quite a bit of it on television. I was part of the furniture, didn’t offer opinions or try to steal scenes because he was the star. He was such a talented man and there were never any problems. He was very kind to the women on set and those who worked with him. I don’t know why they no longer show his work on television today – he did so many things for both the BBC and ITV and it’s such a shame he’s not shown, apart from the odd documentary.

I must ask about the filming of Carry On Matron (1972). What was that like and what were Barbara Windsor and Hattie Jacques like to work with? Madeline Smith: When I got the part in Matron I was about to give up acting. I had a place to train to become a nurse at St Bartholomew’s Hospital. However my father was very proud of the bits of acting work I had been getting and when he found out about Carry On Matron, he insisted I did it. It was a joy to make the Carry On, I was only there for half a day and gone before lunchtime which was a shame. The atmosphere on set was delightful and that was mainly down to the genius of director Gerald Thomas. He was such a nice man, genial with a sunny personality and loved making films and everyone he was with. Hattie and Barbara were really kind and easy to work with and the lovely Joan Sims was there too doing reaction shots to what the three of us were filming. Jacki Piper was also on set although I didn’t do anything with her there. She is an adorable person, really lovely and a great friend. Even though I didn’t train to be a nurse I did eventually go to University to study English when I was about 30 – I really loved that experience.

Would you like to have appeared in more of the Carry Ons? Madeline Smith: Peter Rogers wanted me to come back for more of the films and I would have loved to, Matron was such a good experience. However by the time the next Carry On was going into production I was contracted to do a theatre tour with Patrick Macnee as the star. The tour was awful, the play was bad and the reviews meant nobody came to see us. Dinah Sheridan was also in the play and we were both so miserable. I really regret doing that tour now as it stopped me taking on other lovely jobs like more Carry Ons. Once the tour was finished offers like that had stopped coming in, at least for a while.

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Of course they are talking about making another Carry On at the moment… Madeline Smith: Yes every so often they come up with the idea to make another but I knew some of the people in the last of the original Carry Ons – Emmannuelle and Columbus – and they weren’t fun to make or to watch because the innocence had gone. I have watched some of the comedy series they have remade recently on the BBC and I wish they had left things alone. They all had very talented actors in them but I wish they could do new things with the talent that is around today.

You also appeared in the film Theatre of Blood (1973). What are your memories of that production? Madeline Smith: I remember that the part I was originally offered was much bigger than what I played but I really just wanted to be in the film to be with that cast! There were so many revered actors in that film that it was just great to be there with him all around me. It turned out to be a good film and I think it’s now a bit of a classic. It was made on a tiny budget, all out on location in the freezing cold with no studio work. It was quite uncomfortable but just great to be with all those wonderful people.

You were in the Bond film Live and Let Die (1973)? Isn’t that the one when Roger Moore undoes your zip with his magnetic watch? Madeline Smith: I loved that scene and I love him. I made the Bond in January 1973. I think that was the first scene that Roger shot in his new go at Bond.

I’d already had a part in The Persuaders with him and Tony Curtis – and I’ve been told since that he suggested me for the part in the Bond. Madeline Smith: I don’t even remember auditioning. And suddenly there I am shooting it with that divine being. He’d cut his hair off and lost a lot of weight by the time he was Bond. I think he looked smashing.

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What was that like to film and what was Roger Moore like to work with? Madeline Smith: Roger was absolutely adorable. He had slimmed down a bit since then, had shorter hair for the part of Bond was just as professional and lovely to be with. I may be wrong but I think Roger actually suggested me for the part in Live and Let Die. I was only there for three days I think but it was great. They had created Bond’s very 1970s flat in a corner of one of the big studios at Pinewood and it felt like a real flat – the attention to detail was superb. It was great to work with the lovely Bernard Lee (M) and Lois Maxwell (Miss Moneypenny) too – she was such a nice lady and there was no fuss with any of them. I knew Michael Caine for a while around that time and the set of the flat always reminded me of his flat at the time.

Did you enjoy working at Pinewood Studios? Madeline Smith: Oh yes! I worked at the beautiful Pinewood many times – it was a very comfortable place to work and you were always very well looked after there. The dining room at Pinewood is beautiful too. Very happy times.

Cast as “The Angel,” Smith once again appeared seraphic in Hammer’s Frankenstein and the Monster from Hell (1974). Though her visibility stretched through much of the film’s running time, Smith’s role was performed sans dialogue. Peter Cushing, in his swan song as Baron Frankenstein, cooks up a scheme to mate Smith’s character with the monster (played by STAR WARS’ David Prowse). “I really enjoyed working with Peter Cushing again,” Smith wistfully smiles. “But I noticed such a difference in Peter this second time around. It was made shortly after the death of his wife, and he’d become so gaunt and pale-looking. But he was still a wonderful man, and so great to work with. Of course, we had a great director-Terence Fisher-on that film, too. I think it was his last film. And he was one of the kindest, most easy-going directors I’ve ever worked with. He would always ask you what you wanted, how you felt about something, and that’s rare in a director. It was the same with Peter Cushing. No matter what you wanted, he was willing to listen.”

During the ’80s, Smith frequently surfaced on British television. Why Didn’t They Ask Evans? (1980) and The Steam Video Company (1984). She was a member of the regular cast of the BBC2 series The End of the Pier Show (1974) and In The Looking Glass (1978) alongside satirists John Wells and John Fortune and composer Carl Davis. One of her last film credits, The Passionate Pilgrim (1984), turned out to be the final screen appearance of Eric Morecambe.

Matter of fact, Smith “had a screaming part” in another film credited as a Vincent Price vehicle, Bloodbath at the House of Death (1984); but, once again, she wasn’t introduced to its star: “Kenny Everett and Pamela Stephenson were also in it. I just had a small role in the precredits sequence. I just have a long, endless scream that goes on for what seems like ten minutes. I’m being chased by a madman.”

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“In 1974 I met the actor David Buck while making the TV show Crown Court. He was 15 years older than me and very bright, but not an easy man. We had our daughter, Emily, in 1984. Having given birth to a daughter, she gradually wound down her acting career. She married another actor, David Buck, but within ten years was widowed when he died of cancer, leaving her with a daughter, Emily, who was still too young for school. It was a bleak time and she remembers wanting to hide away. But Madeline possesses a brand of resilience and optimism which is hard to break. She forged ahead with her writing and acting.

If you could choose between film, television and the stage, which medium would you prefer to work in? Madeline Smith: This might surprise you but I prefer television. It’s quick to do, you don’t have to get up at the crack of dawn so you’re not tired all the time and I like being in a studio, particularly with a live audience. I did a lot of satire and children’s television later my career and I think those were my favourites.

What do you think are the main differences with the acting profession now compared to when you were in the business in the 1970s? Madeline Smith: I think actors are expected to go a lot further with certain things now – particularly in terms of love scenes and nudity – it always seems to push things further than they need to go and if it was my time now I don’t think I’d be completely comfortable with it. Having said that, there is a lot of great stuff being produced these days and I’d certainly say the quality of the drama we see on television now is definitely much better.

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CREDITS/REFERENCES/SOURCES/BIBLIOGRAPHY news.bbc.co.uk carryonfan.blogspot Samhain#39 Femme Fatales Magazine (October 1996 – Volume 5 No. 4)

SELECTED FILMOGRAPHY The Mini-Affair (1967) – Samantha The Killing of Sister George (1968) – Nun (uncredited) Some Like It Sexy (1969) – Miss Beaufort-Smith Pussycat, Pussycat, I Love You (1970) – Gwendolyn (uncredited) Taste the Blood of Dracula (1970) – Dolly The Vampire Lovers (1970) – Emma Morton Tam-Lin (1970) – Sue Up Pompeii (1971) – Erotica The Magnificent Seven Deadly Sins (1971) – Guest Appearance (segment “Sloth”) Carry On Matron (1972) – Mrs. Pullitt Up the Front (1972) – Fanny The Amazing Mr Blunden (1972) – Bella The Love Ban (1973) – Miss Partridge Theatre of Blood (1973) – Rosemary Live and Let Die (1973) – Miss Caruzo Take Me High (1973) – Vicki Frankenstein and the Monster from Hell (1974) – Sarah Percy’s Progress (1974) – Miss UK Galileo (1975) – Young Court Lady Fern, the Red Deer (1976) – Mrs. Gordon The Bawdy Adventures of Tom Jones (1975) – Sophia Why Didn’t They Ask Evans ? (1980) – Moira Nicholson The Passionate Pilgrim (1984) – Damsel

Madeline Smith: Selected Filmography/Interview Retrospective Madeline Smith was born in Hartfield, Sussex. Her father owned an antiques shop and painting restoration business in Richmond, suffered a nervous breakdown early on in her childhood.

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omahajunkremovalservices-blog · 6 years ago

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pricemovinghaulingomaha-blog · 6 years ago

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SERVICE AREA: Omaha Council Bluffs Metro Area: Omaha, Downtown Omaha, Central Omaha, Southwest Omaha and Sarpy County, including the communities of Bellevue, Blair, Carter Lake, Elkhorn, Fort Calhoun, Gretna, La Vista, Millard, Omaha, Papillion, Ralston, Springfield, Plattsmouth, Waterloo, NE, Lincoln NE, Hickman NE, Milford NE, Seward NE and Missouri Valley, Avoca, Glenwood, Council Bluffs, IA. Zip codes: 68007, 68010, 68022, 68102, 68104, 68105, 68106, 68107, 68108, 68110, 68111, 68112, 68114, 68116, 68117, 68118, 68122, 68124, 68127, 68130, 68131, 68132, 68134, 68135, 68137, 68142, 68144, 68147, 68152, 68154, 68157, 68164, 68178, 68501, 68510, 68512, 68514, 68516, 68517, 68520, 68524, 68526, 68529, 68531, 68532, 68542, 68544, 68583, 68588.

SERVICES: • Apartment Movers • Best Moving Company • Furniture Arrangement • House Movers • Household Movers • Loading Help • Loading Unloading Labor Service • Local Movers • Local Moving Company • Long Distance Moving Company • Move Out Cleaning Services • Movers • Moving Company • Moving Labor Service • Moving Services • Office Movers • Packing Help Service • Packing Unpacking Services • Rental Truck Driver • Unloading Help • Unpacking Help Services

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eppleyhandymanservices-blog · 6 years ago

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Local House Renovations Complete Home Renovation Contactor In Omaha | Eppley Handyman Services 402-614-0895

More information is at: http://www.handymanomahane.com/house-renovation.html

https://youtu.be/s38ltsMpJCs

About our house renovation services in Omaha: Remodel your Home, Basement, Kitchen or Bathroom with Eppley Handyman Services Home Renovation Omaha. We are providing the Local home renovations in Omaha area.

Omaha's Design/Build Remodeler of Older Homes Since 2000. For remodeling in Omaha, contact Eppley Handyman Services.

Eppley Handyman Services is one of the Local Remodeling contractors serving the Omaha metro area, call today. Eppley Handyman Services offers high quality renovations, remodeling and construction services for all your residential and commercial needs. Cost Of House Renovations? Free Estimates! Call Today Or Schedule House Renovations Online Fast!

REQUEST A QUOTE TODAY

HOUSE RENOVATION SERVICES

WHOLE HOUSE RENOVATION OMAHA NE

We believe that old houses are worth saving, the right way. When it comes to home renovations and remodeling in Omaha, Nebraska, we concentrate on three things: meticulous planning, a thoughtful layout, and uncompromising attention to detail.

Omaha’s rich history, dating back to the mid-19th century, provides a rich architectural landscape for home renovations. As always, our goal is to preserve the original beauty of the home while giving our clients, the homeowner, the functionality they require in today’s world.

THE AREAS WE SERVE

Working in Omaha, Nebraska affords us the opportunity to work with a variety of homes, each as distinct as the style they represent. With nearly 20 years of experience, we have worked with nearly every style of home found in Omaha and it’s encompassing neighborhoods. As a remodeler specializing in historic home renovations, we take exceptional pride in preserving original architectural details, while adding additional space and functionality where required.

BRINGING CRAFTSMANSHIP TO HOME RENOVATION

Oftentimes our clients have found the perfect home in their dream neighborhood, but it is an older home that needs substantial upgrades, or they simply would like to enhance the features of the home they currently reside in. That’s where Eppley Handyman Services Renovations comes in. With a thoughtfully designed approach, melding together the concepts of restoration and renovation, we are able to blend the Local of both worlds, giving the homeowner a modern, yet historically vibrant home. The result? An old house is reborn, revived, and reinvented. We take extraordinary pride in our meticulous blend of restoration and renovation, leaving each home as enchanting and aesthetically captivating as the next.

We invite you to take a look at our full renovation project portfolio, and explore the elegant, historically rich homes that we have had the pleasure of renovating and restoring over the last fifteen years.

FULL HOUSE RENOVATION

If you are buying an older home that needs a new renovation OR if the current house you are living in needs work, Eppley Handyman Services can help. We provide full turnkey services to handle the entire renovation process; From architectural planning and permitting, to construction and interior design, we have you covered for any whole house renovations.

KITCHEN DESIGN SERVICES

Our in-house design staff works with you through every step of the process, allowing for complete transparency. We begin by incorporating your goals and gathering important information, like desired amenities, square footage, your budget, etc. We take into consideration your wants and needs, and from there, establish an overall framework for your kitchen design.

KITCHEN REMODELING

Is your current kitchen dated? Eppley Handyman Services can work with you to give you the kitchen of your dreams. Incorporating your personal tastes, our designers can shape your new kitchen with modern amenities and the specific style that you are looking for. We can work within your budget whether you require an inexpensive but tasteful kitchen or you prefer a high-end custom result.

ADDITIONS

Do you need more space? Are you looking to expand your home? We can improve your home by adding a rear addition to create a master suite, kitchen, and/or living space expansion. If your house is a good candidate, a second story addition may be beneficial to add more bedrooms and living space.

BATHROOM RENOVATION

Whether you need a full high-end master bathroom solution, or just want to add a new ½ bath to your home, we can deliver the right bathroom solution for you. Our designers can layout a bathroom to suit your needs and personal style.

CUSTOM CARPENTRY

We are perfectionists when it comes to our carpentry. Eppley Handyman Services provides high-end quality craftsmanship for any custom carpentry need. The following are just some of the typical custom projects we work on: custom kitchen cabinets, fireplace mantels, decks, staircase newels/railing, custom interior trim work/moldings, bookcases, columns, custom built-in seating, storage nooks -- and anything else you can come up with!

KITCHEN CABINETS

When renovating homes in Omaha’s well-known neighborhoods, we often take on the task of renovating old and antiquated kitchens. Since the majority of kitchens in historic homes were built without the modern definition of cabinetry, or the ample storage space many people seek in their kitchens today, we have taken great pride in when designing kitchens to include custom cabinetry.

BASEMENTS

A basement remodel can expand the usable square-footage of your home while simultaneously increasing the value of your home. Eppley Handyman Services Renovations can finish or update your existing basement and increase your home's overall worth.

DECKS

Decks are a great way to expand the living and social space of your house. Eppley Handyman Services can build you a standard modest deck or a custom style to meet your needs.

· House Renovations Ideas

· House Renovation Contractor

· House Renovations Before And After

· House Renovation Kerala

· House Renovation Ideas Interior

· House Renovation Meaning

· How To Renovate A House On A Budget

· House Renovation Shows

LOCAL HOUSE RENOVATION SERVICE IN OMAHA, NE!

EPPLEY HANDYMAN SERVICES

REQUEST MORE INFORMATION! CLICK HERE

CONTACT:

Eppley Handyman Services

#1 Handyman Service in Omaha NE Council Bluffs IA!

CALL 402-614-0895 HANDYMAN 1, http://www.handymanomahane.com/

CALL 402-401-7562 HANDYMAN 2, http://www.omahahouseholdservices.com/

CALL 402-875-7305 HANDYMAN 3, http://www.handymanlincolne.com/

CALL 402-590-8092 JUNK REMOVAL, http://www.omahajunkdisposal.com/

CALL 402-486-3717 MOVING, http://www.moversinomaha.com/

CALL 402-575-9272 CLEANING 1, http://www.maidserviceomaha.com/

CALL 402-810-6320 CLEANING 2, http://www.greencleaningomaha.com/

CALL 402-881-3135 CLEANING 3, http://www.servicelincoln.com/

Located in Omaha NE 68105

Open Monday to Sunday 7:00 am – 11:00 pm

WEB: www.handymanomahane.com

http://www.handymanomahane.com/

SERVICES:

· Handyman Services

· Painting

· Drywall Repair

· Doors and Windows Repair Replacement

· House Renovation

· Bathroom Remodeling

· Kitchen Remodeling

· Sink Installation

· Cabinet Installation

· Air Conditioner Installation

· Flat Screen / Tv Mount Installment

· Furniture and Custom Shelves Assembly

· Bathroom and Kitchen Redesign

· Cleaning Services Indoor or Outdoor

· Concrete / Masonry

· Junk Removal

· Furniture Removal and Hauling

SERVICE AREA:

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bdestatesales1 · 7 years ago

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Three More Sale Starting Tomorrow!!

Beautiful Forest Hills Sale 1150 Crater Hill Dr Nashville TN 37215 August 3-5 Thursday 9am to 4pm Friday 9am to 4pm Saturday 9am to 4pm List of Items: Herman Miller Midcentury Modern Bed and Dresser, Danish Arm Chair, Large Danish Style Mirror, Bodart Dining Room Suite with Table, 8 Chairs and China Cabinet, Sofa, Labarge Coffee Table, Waterford Lismore Stemware, Celedon Vases, Tiffany Candlesticks and Paper Weights, Glassware, Lamps, Patio Set, Restoration Hardware Sunroom Set, Pair of Club Chairs, Asian Decor Items, Runner, Small Area Rugs, Painted Vases, Kitchen Items, Cup and Saucer Collection, Linens, Prints, Oil Paintings, Antique Doll, Step Ladder, Extension Ladder, Whirlpool Refrigerator, Large Dolly, Yard Tools, Black and Decker Workmate Bench, Karaoke Dis Player, Shop Vacc, Tarp, Art Supplies, Holiday Decorations, Woven Chairs and Stools, Fountain, Home Decor and More! Click Here for Pictures! Directions: From Nashville, head south on Hillsboro Rd. About 1 mile after passing Harding Pike, turn right onto Tyne Blvd then the 1st left onto Foxwood Dr. Turn right onto Lynnwood Blvd then the 1st left onto Crater Hill Dr. 1150 is about 0.6 miles up on the left.

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Huge Springfield Sale

103 Kemper Ct Springfield TN 37172 August 3-5 Thursday 9am to 4pm Friday 9am to 4pm Saturday 9am to 4pm List of Items: Stepback Chest, Sofas, Chairs, What-Not Shelf, Drop Leaf Table, Washstand, 4 Poster Bed, Cannonball Bed, Chests of Drawers, Secretary, Eastlake Side Table, Tapestry, Dining Room Table and Chairs, Kitchen Table and Chairs, Carnival Glass, Recliner, Clothing, Sleeper Sofa, Washer, Dryer, Refrigerators, Sumter and Co Bedroom Furniture, Basketball Goal, Chandelier, Deep Freezer, Syracuse China, Dinner Bell, Vintage Phones, Christmas Decor, Lamps, Decorative Glass, Collectibles, Wash Set, Quilts, Linens, sconces, Rocking Chairs, Art Prints, Mirrors, Canning Jars, Wall Decor, Rugs, Books, Blender, Kitchenware, Hand Tools, Gardening Tools, Tiller, Bench Grinder, Crafstman Tool Chest, Garage Items, Wheelchair, File Cabinet, Home Decor and TONS MORE! Click Here for Pictures! Directions: From Nashville, take I-24 W toward Clarksville. Take exit 35 toward Springfield/ Joelton and merge onto US 431 N/ Whites Creek Pike. In 11.5 miles turn right onto Hogan Dr and then the 1st right onto Curtiswood Lane. Turn left onto Palmer Dr, right onto Fiarway Trl and then left onto Kemper Ct. 103 is on the right.

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Another Great Franklin Sale in the Temple Hills Area

508 Sherbourne Green Franklin TN 37064 August 3-5 Thursday 9am to 4pm Friday 9am to 4pm Saturday 9am to 4pm List of Items: Lillian Russell Bedroom Suite with Bed, Dresser, Chest of Drawers and Nightstands, Four Poster Bed, Dresser, Chest of Drawers, Club Chairs, China Hutch, Drop Leaf Table, Rocking Chairs, Sewing Machines, Side Tables, Deep Freezer, Writing Desk, Kneehole Desk, Paintings, China, Milk Glass, Luggage, Costume Jewelry, Small Shelving Unit, Lamps, Clothing, Books Galore, Christmas Items, Collectibles, Vintage Kitchen Items, Cookware, Vacuums, Home Decor and More! Click Here for Pictures! Directions:From Nashville head southwest on Harding Pike and continue onto Hwy 100. About 2 miles after passing Edwin Warner Park turn left onto Temple Rd and then right onto Sneed Rd. Take the 1st left onto Abington Way and the 3rd right onto Sherbourne Green. 508 will be on the right.

#berenicedenton.com #berenicedentonestatesales #lillianrussell

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betterthaneverservice · 1 year ago

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Top Floor Coating Contractors in Springfield

Discover the leading floor coating contractors in Springfield, renowned for their expertise and exceptional craftsmanship. Transform your floors with seamless, durable coatings that stand the test of time. Whether it's for your home or business, these professionals have you covered, ensuring a polished and long-lasting finish. Feel free to contact us at 417-209-0054 or visit our website betterthaneverservice.com for details.

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betterthaneverservice · 1 year ago

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Furniture Repair in Springfield, MO: Restoring Your Treasures, Reviving Your Space

Discover expert furniture repair in Springfield, MO, and breathe new life into your beloved pieces. From antique heirlooms to modern favorites, our skilled craftsmen can mend, refinish, and rejuvenate your furniture, preserving its beauty and sentimental value. Contact us to bring back the luster and functionality of your treasured items. Feel free to contact us at 417-209-0054 or visit our website betterthaneverservice.com for details.

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betterthaneverservice · 1 year ago

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Expert Furniture Restoration Services in Springfield, MO | Revive Your Furniture

Looking for professional furniture restoration service in Springfield, MO? At Revive Your Furniture, we specialize in bringing your beloved pieces back to life. From antique restoration to modern furniture repairs, our skilled craftsmen deliver impeccable results. Contact us today for a free consultation and rediscover the beauty of your cherished furniture.

#furniture #restoration #furniture restoration

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pricemovinghaulingomaha-blog · 6 years ago

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Piano Removal Junk Used Piano Removal Piano Disposal Recycling Piano Furniture Haul Away Service And Cost in Omaha NE | Price Moving & Hauling Omaha (402) 486 3717

More Information is at: http://www.moversinomaha.com/piano-removal.html

https://youtu.be/oQ-s35S6m-4

Looking for Piano Removal in Omaha NE? We provide top piano disposal serving Omaha NE and all Omaha Nebraska! junk removal Omaha NE From small scale garage cleanout couch sofa bed removal to Piano Removal Omaha NE – Fast Piano Disposal. Cost of Piano Removal? Free estimates! Call today or book Piano Removal online fast!

REQUEST A QUOTE TODAY

PIANO REMOVAL SERVICES

Piano Removal Omaha NE – Fast Piano Disposal If you are in need of removing a piano you are in the right place. Price Moving Hauling Omaha Cleanout removes all pianos, including upright pianos, baby grand pianos, ornate pianos, vintage upright pianos, grand pianos, yahama pianos and many more types and styles of pianos.

The process is easy, in most cases we will professionally dismantle the piano before removal if too big to get out. There may be heavy cast iron inside of the piano that makes it hard to move and we will take care of it.

We will also take out the soundboard which weighs on average 200-300 lbs, which makes it extremely difficult to remove the piano yourself. You need a professional team that will get the job done in minutes at a fair and affordable price.

Just give us a call or fill out the quote form on our site for a ALWAYS FREE quote that you will love. We are here for you seven days a week and can most likely do the removal on the same day as the estimate. Our staff is fully trained, uniformed, polite and professional, we strive for customer satisfaction and reviews by providing an outstanding professional piano removal and appreciate your business.

Piano And Organ Removal Service

Looking to get rid of an old Piano? Price Moving Hauling Omaha Trash can help you through. We can get it out of your place with ease. Many People get stuck with old upright, baby grand pianos and even grand pianos. Whether it was inherited, left behind by a previous tenant or landlord, it can cause headaches and become an eye sore, as well as take up valuable space. Some people may even endure the bulky instrument in their properties thinking that its worth lots of money since its an antique.

Old Pianos may definitely be antiques, however not in the same category as an old Eastlake bedroom set that belong to great grandparents. These old instruments get worn out after decades or centuries of use, and may easily cost thousands of dollars to restore. Unfortunately, unless your piano is a family heirloom in excellent condition or made by a well-known master craftsman, it may not be restoring at all.

One thing is for sure; these old instruments are extremely heavy and bulky. Price Moving Hauling Omaha Trash can help you get rid of your old piano, we specialize on piano removal services. One call clears it all. Call us now and schedule a piano pick up service Price Moving Hauling Omaha!

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QUICK PIANO REMOVAL COMPANY IN OMAHA NE PRICE MOVING HAULING OMAHA REQUEST MORE INFORMATION. CLICK HERE

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pricemovinghaulingomaha-blog · 6 years ago

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Church Organ Disposal Service Church Organ Removal Company Omaha | Price Moving & Hauling Omaha (402) 486 – 3717

More Information is at: http://www.moversinomaha.com/church-organ-disposal.html

https://youtu.be/EECfZ5FCY7M

Looking for a Church Organ removal service or Church Organ hauling company in Omaha? Price Moving Hauling Omaha offers Church Organ removal Church Organ disposal junk Church Organ haul away service in Omaha, Bellevue, Papillion, Elkhorn, Blair Nebraska and Omaha Iowa. Call us now for free estimates or schedule a Church Organ removal or Church Organ haul away online today! Cost of Church Organ Disposal Service? Free estimates! Call today book online or email us for a quick estimate!

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CHURCH ORGAN REMOVAL SERVICE OMAHA

Price Moving Hauling Omaha - Church Organ Removal

Looking to get rid of an old Church Organ or Piano? Price Moving Hauling Omaha can help you through. We can get it out of your place with ease. Many People get stuck with old upright church organs, baby grand pianos and even grand pianos. Whether it was inherited, left behind by a previous tenant or landlord, it can cause headaches and become an eye sore, as well as take up valuable space. Some people may even endure the bulky instrument in their properties thinking that it is worth lots of money since it is an antique.

Old pipe organs or Pianos may definitely be antiques, however not in the same category as an old Eastlake bedroom set that belong to great grandparents. These old instruments get worn out after decades or centuries of use, and may easily cost thousands of dollars to restore. Unfortunately, unless your organ or piano is a family heirloom in excellent condition or made by a well-known master craftsman, it may not be restoring at all.

One thing is for sure; these old instruments are extremely heavy and bulky. Price Moving Hauling Omaha can help you get rid of your old pipe organ or piano, we specialize on pipe organ and piano removal services. One call clears it all. Call us now and schedule an organ removal or piano pick up service Price Moving Hauling Omaha

CALL US FOR: • Church Organ Removal • Pipe Organ Removal • Organ Haul Away • Church Organ Pick Up • What to Do With Old Organ • What to Do With an Old Electric Organ • Electric Organ Recycling • Electronic Organ Disposal • Hammond Organ Disposal • Donate Musical Instrument Organ • Repurpose Old Organ • How to Dispose Of Old Piano

PRICE MOVING HAULING OMAHA LOCATED IN OMAHA NEBRASKA QUICK CHURCH ORGAN & PIPE ORGAN REMOVAL SERVICE IN OMAHA NE!

REQUEST MORE INFORMATION. CLICK HERE!

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