#answer: andy

[rejaytionships]

Question for the platonic f/os

What was the moment your knew you were friends with s/i?

@avas-wonderland

guess i'll go first! :)

frankie and i were pretty much friends from the get-go, if i'm honest!! we met through our dads when we were toddlers, and pretty immediately we started getting along. i was a pretty social kid, which helped frankie get out of their shell since they were still adjusting to their new family.

we both really enjoyed outdoor activities, so of course we had something fun to do! admittedly, i was always the better one at tag, though... don't tell them, but i used to run slower so they'd have a chance to tag me more often, haha.

even our pokemon are buddies now!! my little buddy bumper, my rampardos, is always super friendly with frankie's empoleon, bubbles!! if your pokemon get along, you're bound to do the same as trainers.

Renée? It took a while, but we got there!

I initially met them when they challenged my gym, and truly didn't think much about them. They were fun and had a stellar fashion sense, sure, but as a gym leader I tend to see a lot of challengers, so I didn't think to say anything back then.

It wasn't until they started dating Emmet that I really considered befriending them. Their style was too hard to ignore! I knew I had to be their friend at that point.

I take them with me all the time to different outings so they can help me pick out what to wear for big modelling events. I'll even help them get something custom for their own wardrobe. Win-win!

Austin and I were always friendly, but not on the railway to friendship until they became rivals with Emmet.

They were a marvelous challenger! Although, they have admitted to me that single battles are not as easy for them as double battles are. I can see why Emmet took interest in them.

Our trains tend to stay on different tracks because of the nature of my job, but I've become acquainted with their consistent presence off-hours. They join Emmet and I in our discussion about daily battles and what we've learned from them for our following battles.

Our trains did not depart toward the destination of friendship because of a specific incident. It was a slow change that happened without us noticing.

Ooh, ooh, it was the best day of my life!

I try to be nice to all of the new villains, 'cause we're all on the same side, but she was super different! Like, I didn't even think she was a villain! No costume, no cool name, just dressed as herself going by her actual name. She was sitting with Father (scary!), which was weird 'cause he usually only sat with the same three or four people at our meetings.

So of course, I went to introduce myself, and she was suuuuuuper sweet!!! Arnie seemed all nervous and everything before I sat down, but she opened up pretty quickly to me. They even called me their first friend at the meeting! Wow!!! :D

Not only were we friends that day, but super mega ultra bestest friend ever!!! I wouldn't trade her for anything in the world! Well, maybe defeating those Kids Next Door, but that'd be way more fun with her alongside me, duh!!! What's the point of being cooler than kids if you can't even have your best buddy with you?!?!?!?!?

The literal second I saw Cro, I knew she had to be my best friend!

I try to be friendly with everyone who works at Skool with me, of course, but she was one of the only people I could completely open up to! From the get-go, we had fun chit-chatting about our days and we realized we both had sooo much in common! Plus she's a total sweetheart, I knew that big grumpy bear was all warm and fuzzy when you got to know her~

We probably became official friends about a month into working together, when we ran into each other at the local all-you-can-eat.

I even thought I was into her for a while! We met while I was mid-divorce, and she was super duper understanding! Turned out that us dating was an impulse decision, we're waaay better friends, really. Regardless, we're definitely meant to be in each other's lives! I wouldn't give my Crocro up for the world!

[namchyoon]

cutie <3 (for @magicshop ♡) cr. namuspromised 

[apt502-if]

I just want to know one thing about the next update:

pretty pretty please, will we see andi in person? :3

maybe

[roscoe-me-and-this-fuckin-kid]

[ronearoundblindly]

For every cevans who are the ass men and who are the boob men 👀😏 .. maybe there are some who like both equally?

This...did not at all shake out the way I thought it would at first. More of them lean towards the top rather than the bottom, but the one's who like the butt really, really like the butt. I decided to do percentages in order of preference--the formula shows up as % tits / % ass. Warnings for sexual discussion.

A/N: What a bizarre thing to find myself thinking about for HOURS...

Ransom Drysdale 90 / 10

In a word? Jewelry. Now, an expensive necklace laying just in the valley of your breasts is not the only reason Ran prefers this view, but it's the main one.

Jimmy Dobyne 85 / 15

Breeding kink and lactation kink. Sorry. He's a simple man who is deep-down obsessed with your tits getting bigger because of him and what he did to you. This is a man who enjoys getting completely lost in sex (in his own head though, since he's not using a lot of brainpower to check in with you and your needs during the actual act).

Curtis Everett 80 / 20

He's hands-on, and the simple truth is it's easier to have his hands (or mouth) on your breasts during foreplay or missionary, even doggy-style. Curtis enjoys touch far more than he'll admit out loud, so there's also the simple fact that when you hug, he gets more contact with your top than your bottom, or dancing, or sleeping, etc. There is--and I will die on this hill--something deeply primal aroused in him when he sees your bare décolleté. Somehow that is more exposed and naughtier than you wondering around in a bikini. Not sure how to explain that further. Breasts to neck are just his real estate.

Steve Rogers 75 / 25

I mean, the guy was eye-level with them for most of his life, so yeah, Steve's fascinated by tits. He also finds laying on your chest deeply soothing. He likes the soft, sensual side of showing attention to your tits and loves when they're very sensitive. Don't get me wrong; Steve enjoys a well-balanced woman, and he will dote on all of you. He just...really likes playing with your boobs, darn it!

Important note: read that stat as "25% backside" for Steve's delicacy, please. He won't say the other thing...

Andy Barber 70 / 30

The low-key version of Ransom in the sense that for public and work events, Andy would like to show off how gorgeous you are. It's difficult to really highlight the ass without being too risqué, and he'd be far more angry if a bunch of people stared at your backside all night. He's comfortable being envied for your top half, thanks.

Jake Jensen 60 / 40

Purely a numbers game: he is more likely to be flashed than mooned, so Jake is slightly more enamored by the titties. Apart from that, his answer to the question of either/or is "yes."

Johnny Storm 50 / 50

Always changing it up because he's always on the cusp of getting bored, Johnny goes through phases. However, he is equally and actively interesting in both your tits and your ass in a sexual way which is why he gets the actual number percentages, unlike...

James Mace & Bucky Barnes- Indifferent

Slightly different reasons, but at any given time, these two change preferences. Bucky is more emotional and moody in his affection/attention, so depending on the day, he could be wildly into your breasts or your butt. He could also be really into you doting on him. This could all be for nine-million different little experiences that happened in a day or a week. Bucky can't be pinned down as just one thing--partly because he's been several different people in his life.

Mace appreciates that there are esthetically pleasing versions of body parts, that people have different ideals for those, and that it is nice to have one or more of those ideal exist in the relationship. Mace is also practical. Your body will change over time. Hell, his body will definitely change after months in space, so who is he to point out that your ass looked better one way while he loses 30 pounds of muscle between times you seen him? It's not fair and it's not realistic. He just...can't find the energy to care much about this argument. There are more important things that could be an actual problem if they changed, but your body isn't one of them.

[Enormous gap in percentages]

Ari Levinson 10 / 90

I may hate the phrase but Ari is definitely a 'dirty daddy.' He quite likes a nasty, no-holds-barred fuck fest, and those have way more to do with your lower half than your upper half. Something about your ass being his is also more satisfying than any other piece of you. He's a bit possessive that way.

Lloyd Hansen 1 / 99

Boobs can be fake, and unless he is actually fucking your tits, they aren't doing anything for him. Lloyd feeds off of touch sexually, so it's all about that booty bouncing on him or taking him deep or bruising beneath his grip, know what I mean? Yeah, you do, @ellethespaceunicorn.

Thank you for asking!

[Main Masterlist; 'Who Would...' Masterlist; Ko-Fi]

[andy-clutterbuck]

2024 Winter TCA Portrait Studio

[dms-a-jem]

Depeche Mode Interview

1988 - RTBF (Belgian TV)

Disclaimer: I’m not an astrology buff, but I feel like their answers perfectly encompass their horoscope signs:

Andy (Cancer): Avoid drama, just say yourself

Alan (Gemini): Is polite and gives a dignified answer, but can’t help the subtle head-shake as he thinks “what a juvenile question”

Martin (Leo): Loyalty to his bestie, but in order not to offend the other two explains his reasoning and then cracks a joke to lighten the mood

Dave (Taurus): Uncomfortable giving an answer, jokes about spilling the drama to deflect for a second…but in the heat of the moment wants to answer honestly. Then his brain finally catches up and he realizes “no wait, I love Martin and Andy too” and rambles on about how they’re all buddies

[the-iceni-bitch]

Another request 🥴 “Hey, listen to me. You’re safe. Nothing is going to hurt you.” with Andy please?

Yes! Teddy bear Andy who just wants to take care of you is like crack for my anguish.

You were crying in your sleep again. Andy could hear your whimpering and feel you tossing and turning on his sleep, blinking slowly as he woke up and frowning as he wrapped his arms around you and kissed your forehead and cheeks.

“Baby…” he hushed you gently when you opened your eyes and sobbed immediately. “Aww honey, did you have a bad dream?”

“Yeah.” You sniffled and snuggled closer to him. “It was dark and scary and all I knew was that you weren’t there. I was all alone.”

“Fuck honey, it’s okay now, though.” Andy held your chin and tilted your face up to look at him. “Hey, listen to me. Nothing is going to hurt you. I’m always here for you, I promise.”

“I know.” You rested your head on his shoulder as you started to calm down, letting him rub your back and rub his cheek against your hair. “I know.”

He could always make you feel safe and cared for, even after such an upsetting dream. You felt yourself starting to drift off to sleep again, smiling a small smile to yourself as he started to hum a little tune to help you relax in his arms.

⁂❆❅ 𝒥𝑜𝒾𝓃 𝓂𝓎 𝐵𝓁𝓊𝑒 𝐵𝒾𝓇𝓉𝒽𝒹𝒶𝓎 ❅❆⁂

[nothingtoseeherebyeexx]

Idk if you take requests but I ADORE your fem/gender bend marauders series and was wondering if you could do the Black sisters (Andromeda,Bellatrix and Narcissa) in this universe

Love your art style and keep up the good work!

sorry it took me so long but here are the genderbent black sisters <3

xx girl breakfast xx

😋 girl lunch 😋

✨girl dinner✨

[writing-for-marvel]

"I dream of you. all i do, is dream of you."

If I Can’t Have Everything, Then Let Me Just Have You

Andy Barber x Fem!Reader

Summary: When Andy gets jealous of you talking with his colleague, you reassure him he’s everything you’ll ever need.

Warnings: age gap and although exact ages are never mentioned everyone is well and truly of age, jealous Andy

Word count: 700

A/N: this is for @nickfowlerrr’s the seven writing challenge - I spun the wheel for the seven deadly sins and got envy. A big thank you my darling friend @flordeamatista, queen of Andy fics, for not only providing the inspiration for this fic, but helping me with writing Andy for the first time and being my constant cheerleader 🩷 banners by @vase-of-lilies

Masterlist | Ask me anything! | Library

Andy hated attending after work functions with his colleagues. He could barely stand dealing with them during the working week, but then to also be forced to give up his Saturday night so his boss could show off the house his old family money had bought him was another level of torture.

You were his saving grace. Part of him felt guilty for dragging the woman he loved along to these grandstanding cocktail parties where you were forced to make small talk with people you didn’t enjoy the company of, but you were also the only person who stopped him from going completely insane.

But at this moment, while he was stuck hearing about how his boss’s fantasy football team was performing, as if he didn’t hear enough about it at the office, Andy saw red as he was subjected to watch Dylan, the office womaniser, chatting you up.

In the back of his mind he knew with absolute certainty that you wouldn’t cheat on him, but the reason his heart clenched and acidic jealousy bubbled in his stomach was because of what Dylan represented: everything Andy couldn’t offer you.

He wasn’t young anymore, he was well aware the prime of his life was past him at this point in time. He had settled into a comfortable routine which didn’t involve a thriving social life which he remembered having with Laurie when they were your age. He was surely not as flexible or had as much energy as a young man fifteen years his junior.

He wanted to be able to give you the world, but all he had to offer was the trauma developed from his tarnished past, which was still following him around like a shadow, his back problems, wonky knee and the remainder of his life which would be distinctly shorter than Dylan, or someone of his age, could promise to spend with you.

The root of his envy was insecurity.

And he was green with envy.

Excusing himself from the one-sided conversation his boss was having, Andy set off with purpose, making a beeline to you, only to find you were already making your way over to him. Relief eased the tension in his shoulders as your gaze found his and a smile tugged at the corners of your mouth.

“Your colleague, the guy behind me, is a creep.” You commented, hooking your fingers through his belt loops and pulling him protectively into you. Andy leaned down and placed a small, sweet kiss to your forehead, not needing to look behind you to know exactly who you were referring to. A sense of satisfaction filled his chest with the notion that you were clearly averse to Dylan’s pursuits.

“That’s not what most young women around the office think.”

“Well he is.” You stated firmly, a look of disgust flashing over your features. “Why does it take me telling him I have a boyfriend to respect that I’m not interested. Why would I want a boy like him, when I already have a man like you?”

Andy smiled, coming to the realisation that he had no reason to be jealous. Perhaps he couldn’t offer you his callow youth, but he did have maturity and experience, which would surely be much more valuable in a devoted relationship.

“You are a dream come true, you know that?” In response to this you scrunched your nose and smiled in a way that made Andy’s heart fill with pure adoration and devotion.

You truly were all he would ever need for the remainder of his life.

“You’re my dream come true too, Andy.” Standing on your tiptoes, arms sling around his neck, you placed a delicate kiss against his lips, neither of you paying any mind to his colleagues who could be watching on. “You’re everything I’ve ever dreamed of.”

Taking a beat to commit the moment to memory, Andy made a promise to himself that he would never take his second chance at love for granted.

“Let’s go home, handsome.” You suggested, tugging gently on his tie with that mischievous grin which always promised a sinfully pleasurable time. “I have plans for us that definitely don’t involve the rest of you colleagues.”

[twinkskeletons]

Doodle request: fob wearing each other's clothes ?

sharing :3

[ccrissproductions]

I almost added One and Only, but then I realized that's Timbaland's song and not theirs.

[rainandandy]

Bigger than the whole sky

Pairings: Rain Carradine X Fem!Reader

Warnings: Contains graphic depictions of violence, including public beatings and injuries that lead to death, themes of loss and grief, and the depiction of a harsh, dystopian environment with elements of oppression and cruelty. It also includes scenes of emotional distress, as characters witness the death of a loved one. Please read with caution.

Word Count:4209

Note: Kinda just went on with this one..... it hurt to write this and I based it off of the Gale beating scene in Hunger Games Catching Fire. Hope you enjoy (cry your heart out) with this

Life on Jackson's Star was steeped in bleakness, each day unfolding under the shadow of Weyland-Yutani's relentless control. The air was thick with dust and despair, the sky a perpetual overcast of smog that blurred the line between day and night. You, along with Rain and her brother Andy, had adapted to this harsh reality with a resilience born of necessity. Navigating through the oppressive regime required a careful balance of caution and subtle rebellion, as the omnipresent surveillance drones buzzed overhead like carrion birds waiting for a misstep.

The colony itself was a sprawling network of industrial complexes and cramped living quarters, all constructed with the cold functionality of corporate efficiency. The metallic clang of machinery and the hiss of steam were the constant backdrop to your lives, reminding you that the colony's primary function was to serve the company's interests, not the welfare of its inhabitants.

Despite the ever-present danger of being singled out by the guards for any perceived infraction, you three maintained a semblance of hope. In whispered conversations as you worked the barren fields or scavenged for parts among the debris, you shared dreams of a life beyond the company's grasp. These dreams were defiant sparks in the oppressive gloom of Jackson's Star, small but bright enough to keep the darkness at bay.

That day, as you toiled in the fields of Jackson's Star, the atmosphere was unusually tense, the air heavy with more than just the usual burdens. The rich, damp scent of freshly turned earth mingled oddly with the sharp, acrid tang of industrial exertion—a stark reminder of the unnatural union of nature and machine that characterized your existence. Clouds hung low, a somber gray canopy that seemed to press down on the landscape, intensifying the oppressive feel of the day.

The guards patrolled with heightened vigilance, their movements sharp and deliberate. Their fingers rested uneasily on the handles of their batons, twitching occasionally with a nervous energy that mirrored the electric charge of the air. Every step they took sent small shivers of apprehension through the ranks of laborers, their boots leaving deep, menacing imprints in the muddy ground.

Rain, ever the embodiment of resilience and quiet rebellion, had momentarily paused her labor. Leaning heavily on her shovel, she wiped the sweat from her brow with the back of her mud-streaked hand. Her chest heaved from the exertion, breaths coming in short, labored gasps that she tried to quiet, knowing all too well the dangers of displaying fatigue.

It was this moment of vulnerability, however fleeting, that drew the attention of a particularly ruthless officer. Known among the workers for his harsh discipline and cold demeanor, his eyes locked onto Rain with predatory precision. The badge on his chest seemed to gleam more fiercely under the overcast sky, a symbol of the unchecked authority he wielded. His approach was deliberate, each step measured to instill fear, his shadow falling ominously across the rows of bent backs and bowed heads.

As he drew closer, the underlying threat in his posture was unmistakable, his baton now an extension of his arm, raised not just as a tool but as a weapon of control. His presence loomed over Rain, a dark cloud in a field already devoid of sunlight, ready to burst at the slightest provocation.

The overseer's voice sliced through the humid air, a harsh interruption to the muffled cacophony of clanking tools and muted conversations of the weary workers. "Hey! No resting!" His tone was sharp, the authority in his command unwavering as his eyes fixed on Rain. With a menacing flourish, he raised his baton, the metal gleaming ominously under the harsh artificial lights of the work fields.

Rain looked up slowly, her expression unflinching, molded into a mask of steely resolve that seemed to stiffen her spine. Her hands, calloused and stained from the day's labor, clenched into fists at her sides. She met the overseer's gaze with a defiant fire burning in her eyes, her jaw set, bracing for the confrontation she knew was coming.

From just a few feet away, you witnessed the standoff, and a fierce, protective rage surged within you. The overseer’s blatant aggression, the threat looming so palpably in the air, sparked a primal defiance in your chest. Your muscles tensed, coiled springs ready to release. Without a moment’s hesitation, your feet moved of their own accord, carrying you forward.

"Leave her alone!" Your voice, loud and clear, cut through the tension like a knife. Every eye in the vicinity snapped towards you, including Rain's, which flickered briefly with something akin to worry and gratitude. The overseer turned his glare towards you, baton still raised, his expression twisting into one of surprise and then anger at your challenge.

"This doesn’t concern you," he spat, his words dripping with venom. But standing there, facing down the threat to someone you cared deeply about, you felt a steadfast resolve take root. This was your battle too, and you wouldn't back down. "She’s just catching her breath, sir," you said, your voice a calm contrast to the growing tension, trying to diffuse the situation. "We’ll get back to work right now."

The officer halted, mere inches from you, his shadow looming over you like a dark cloud. His face twisted into a sneer of outrage at your audacity to challenge him. "Double shift for you, then," he hissed venomously, his baton now lifted to emphasize his authority. The electronic hum of the baton was a clear threat as it activated, crackling with energy. "Think you can undermine me? You'll regret it."

Your heart raced as you maintained eye contact, refusing to show the fear that skittered down your spine. As the officer turned away, his message clear, you felt Rain’s hand reached out, touching your arm lightly, her expression tormented. She opened her mouth to protest, but the words seemed to catch in her throat, stifled by the oppressive atmosphere.

Seeing her distress, you turned to her, your eyes locking. It was a silent communication, filled with years of shared hardships and understanding. You shook your head slightly, a clear signal. "You’re finished for the day. Go home, I’ll manage," you murmured quietly, pushing her gently toward Andy, who stood a few steps behind, his synthetic eyes wide with a programmed concern that mirrored human fear.

"But I can help—" Rain started to argue, her voice low and urgent.

You cut her off, your tone soft but firm, "No, Rain. It’s better if you're not involved. Please, for me, just go back with Andy. Stay safe." The plea in your voice was evident, each word laced with your concern not just for your own welfare but profoundly for hers.

Rain's eyes searched yours, a storm of emotions passing through them—fear, frustration, helplessness. Finally, with a weighty exhale, Rain gave a reluctant nod. Her fingers tightened around yours, conveying a silent vow to return. "Be careful," she murmured, her words nearly whisked away by the brisk wind. She hesitated, her gaze lingering on you with a mixture of fear and resolve, before Andy gently guided her away. Even as they retreated, her eyes kept darting back to you, etching every detail into her memory, laden with palpable concern.

Rain and Andy hurried back to the sanctuary of your shared quarters, the familiarity of the space a stark contrast to the chaos of the fields. The safety of these walls, peppered with personal touches and memories of quieter times, stood as a silent testament to the life you had built together amid the harsh realities of Jackson’s Star. As the hours ticked by, Rains worry only grew.

The fleeting sense of relief vanished as the harsh chirp of the communicator shattered the tense silence. Rain's heart skipped as Tyler's voice, laden with unmistakable dread, crackled through the speaker. "Get to the square—now! They have her." The urgency in his tone sent a chill down her spine, each word heavy with a grim portent that sent them rushing into the cold, unforgiving night of Jackson's Star.

Rain and Andy raced through the oppressively dim corridors of Jackson’s Star, their boots pounding against the cold metal floor, the sound reverberating off the narrow walls, amplifying their urgency and dread. The dim lighting flickered overhead, casting ghostly shadows that danced along the walls, mimicking their frantic pace. As they emerged into the open expanse of the square, their breaths were ragged, steam rising in the chilled air, mingling with the low murmur of the gathered crowd.

The scene that unfolded before them was one of stark terror and injustice, staged in the heart of the colony under the harsh glare of floodlights. The square, usually a place of communal gathering, had transformed into a chilling tableau of authoritarian display. At its center, raised above the muttering crowd on a grim platform, stood you—your figure stark and diminished, bound tightly with rough cords that cut into your skin. The fabric of your work clothes was stained dark with blood, stark against the pale severity of your skin, lending a macabre tone to the scene.

Rain’s heart thudded painfully against her ribs, a stark contrast to the numbing coldness spreading through her veins as she caught sight of you. The captain of the patrol was there, his voice booming unnaturally loud through the speakers, reciting a list of crimes so absurd and fabricated that they would have been laughable under any other circumstance. His words sliced through the murmurs of the crowd, each one landing like a physical blow against Rain's consciousness.

"They’re going to kill her," Rain murmured, the realization slicing through her like a cold blade. Her words were barely audible, lost beneath the cacophony of the square, yet they carried the weight of an unbearable foreboding. Andy, standing steadfast by her side, reached out a hand to steady her, his own expression one of muted horror, unable to fully simulate human emotion but clearly programmed to respond with empathy.

Rain's face was ashen, the color drained as if she herself had been bled of life. Her eyes, wide and filled with a palpable terror, were fixed unblinkingly on you, witnessing the grim spectacle of the guards preparing their instruments of torture. The sight of the metallic electronic batons, glinting ominously under the artificial lights, sent a shiver of dread down her spine.

In that moment, the square felt colder than ever, the usual hum of colony life drowned out by the grave proceedings of this cruel justice. The crowd around them seemed to fade into a blur, their faces either grim or impassively curious, none daring to intervene. Rain felt a surge of helpless rage mixed with her fear, a tumultuous storm that threatened to overwhelm her senses.

The scene at the square was charged with tension and dread. The crowd that had gathered murmured and shifted on their feet, their discomfort palpable in the heavy air as the officers prepared for the beating. You stood defiantly, your back straight, jaw clenched, bracing yourself against the rough wood of the beam to which you were tied. The first blow came down hard, the sound of the baton striking you echoed through the square, a harsh clack that seemed to resonate in the chests of all who heard it.

You didn't give them the satisfaction of hearing you scream. Your teeth were gritted, each breath through them a hiss of pain and defiance. The guards, emboldened by your silence, continued with increased ferocity, each strike aimed to break your resolve.

At the edge of the crowd, Rain's face was a mask of agony. "Stop it! Just stop, please!" Her voice broke through the murmurs, shrill with fear and desperation. Her hands were balled into tight fists at her sides, her fingernails digging into her palms, drawing blood that dripped unnoticed to the ground. She made a move to break through the crowd, to run to you, but Tyler and Bjorn caught her by the arms, pulling her back.

"Rain, no! You can't—you’ll only get yourself killed!" Tyler hissed, trying to anchor her back with his strength.

Bjorn added in a low, urgent tone, "Look at me, Rain! We can't help her by getting ourselves killed. We have to think this through."

Rain struggled against their grip, her eyes never leaving you, witnessing each brutal blow. "They're killing her!" she screamed, her voice hoarse with terror. "We can’t just stand here and watch this happen!"

As the beating continued, each impact sending shockwaves of pain through your frame, the reality of your situation sank in deeply for everyone present. This wasn’t merely a punishment; it was a spectacle designed to quell any thoughts of defiance among the workers. Your suffering was meant to remind them of their place under the oppressive heel of Weyland-Yutani.

Bjorn's grip on Rain’s arm was iron-tight, his voice a harsh whisper in her ear, cutting through the chaos with desperate urgency. "It’s a setup," he growled, his words laced with a bitter edge of realism. "They’re pinning all types of lies on her.”

Rain's face crumpled, tears carving clean paths down her dirt-streaked cheeks. She tried to move forward, to reach you, to scream out against the monstrous injustice, but her friends held her back, knowing any further action would only lead to more tragedy. "Please," she choked out, her voice strained to breaking. "They can't do this. Not to her."

The crowd around you swelled, a collective beast of spectators who watched as the guards, satisfied with their grim work, finally stepped back. Your body, so full of fight and spirit, now hung limp and defeated. The sight was a brutal blow to Rain, her knees buckling under the weight of despair. "No, no, no," she sobbed, her hands reaching out futilely as if she could somehow bridge the distance and bring you back to her.

As the guards finally ceased their brutal assault, wiping the dark smears from their metallic batons with nonchalance, one of them looked over to Tyler and the rest of your friends with a nod that bore the weight of finality. “They’re done,” Tyler muttered, his voice ringing hollow in the charged atmosphere, betraying the turmoil beneath his calm exterior. "We need to get her out of here." Kay, with her medical kit clutched tightly in her hands, was already bulldozing her way through the stunned onlookers. Her voice cut sharply through the tension, "Move!" she commanded, her tone brooking no argument. The guards, taken aback by her audacity, stepped aside, allowing her access to the platform.

Reaching you, Kay dropped to her knees, her hands moving quickly and efficiently as she checked for any sign of life. Her face was set in a mask of concentration, the lines around her mouth taut with concern. She pressed two fingers against your neck, searching for a pulse. After a tense moment, she looked up, her expression grim but relieved, "She’s alive. Just barely. Help me get her back."

Rain, who had been frozen by fear and grief, sprang into action at Kay's words. Her eyes, red-rimmed and haunted, met Kay's as she helped lift your limp body. "Be careful with her," Rain whispered, her voice trembling as she and Kay maneuvered you down from the platform.

As they carried you through the crowd, which parted silently to let them pass, Rain’s mind raced with panic and fear, each step towards their compound

Back at the small, dimly lit compound that you, Rain, and Andy called home, the air was thick with tension and the lingering scent of blood. The cramped quarters, usually filled with quiet conversation and the occasional joke, now felt suffocating under the weight of the night’s events.

As you were laid gently on the makeshift table, Rain hovered over you, her hands trembling as they brushed the hair from your bloodied face. "Please, stay with me," she whispered, her voice breaking, barely more than a desperate plea.

Navarro, who had always been calm in a crisis, took charge immediately. "Clear the table," she ordered, her voice steady. She moved quickly, removing the few items that cluttered the surface. "We need space to work."

Kay, who had been training as a medic before Weyland-Yutani’s brutal regime took hold, was already digging through her kit. "We need clean water, towels—anything we can use to stop the bleeding," she instructed, her hands shaking as she unpacked bandages and antiseptic.

Andy shuffled awkwardly by the door, his eyes flickering with distress. "I-I’ll get the w-water," he stuttered, his synthetic voice faltering as he rushed to the small sink in the corner, fumbling with the handle before managing to fill a bowl.

The first thing Kay did was assess your wounds, her expression growing more grim by the second. "This is bad," she muttered under her breath, though Rain caught the words and felt her heart clench in response.

"Just tell me what to do," Rain said, her voice thick with fear but laced with determination. "Tell me how I can help."

"Keep pressure here," Kay instructed, guiding Rain’s hands to a deep gash on your side. The wound bled sluggishly, staining Rain’s fingers a dark crimson. "Navarro, I need more gauze, and a needle and thread. We have to stop the bleeding before anything else."

As Rain pressed down, she leaned close to you, her breath warm against your ear. "You’re going to be okay," she whispered, though her voice trembled. "I’m right here, baby. We’re going to get you through this."

You stirred slightly, your eyes fluttering open just enough to focus on her. "Rain..." your voice was weak, barely more than a rasp. "I’m... sorry."

"Don’t," Rain choked out, tears welling in her eyes. "Don’t apologize. Just hold on, okay? Just hold on."

The room was silent save for the occasional clink of metal instruments and the sound of your labored breathing. The bowls of water that Andy brought over quickly turned pink, then a deep red as Kay and Navarro worked to clean your wounds. The table beneath you was soon stained with blood, the scent of iron heavy in the air.

Kay’s hands moved quickly, stitching up the worst of the gashes, her face set in concentration. "We need to get her stable," she muttered, more to herself than anyone else. "She’s lost too much blood."

Andy hovered nearby, clutching a clean towel he had found, his eyes wide with a mix of fear and helplessness. "W-will she be okay?" he asked, his voice small and hesitant.

"We’re doing everything we can," Navarro replied, her tone a blend of reassurance and reality. She exchanged a look with Kay, who only shook her head slightly.

Rain noticed the exchange, her heart sinking further. "She has to be okay," Rain whispered, her voice cracking. "She has to."

Hours passed, and the night deepened, the oppressive silence of the compound only broken by the sound of your shallow breaths and Rain’s quiet murmurs. She held your hand tightly, her thumb brushing over your knuckles in a rhythm meant to comfort both you and herself.

"I love you," she whispered, her voice trembling with the weight of the words she was afraid she’d never get to say again. "Please don’t leave me. Not like this."

You managed a weak smile, though it took all the strength you had left. "Love you... too," you whispered back, your voice barely audible. "Always."

Rain leaned down, pressing her lips to your forehead, her tears mingling with the blood and sweat that covered your skin. "Always," she echoed, her heart breaking with every passing second.

As dawn approached, your breath became more labored, the fight slipping from your body. Rain felt the shift, her entire world narrowing down to the weakening pulse beneath her fingertips. "No, no, no," she whispered frantically, her grip tightening as if she could somehow keep you anchored to life. "Please, don’t go."

You looked up at her, your eyes filled with a mixture of pain and peace. "It’s okay," you whispered, though it cost you everything to say it. "I’ll... always... be with you."

Rain’s sobs filled the room as your eyes slowly closed, your hand slipping from hers as your body went still. The silence that followed was deafening, a hollow void where your heartbeat had once been.

"She’s gone," Kay said quietly, her voice steady but carrying the unmistakable edge of sorrow. Her words cut through the room like a blade, the finality of it crashing down on Rain like a tidal wave. The compound, already dim and cold, seemed to grow even darker.

Rain didn’t respond immediately. Her body began to tremble, first just a slight shiver in her shoulders, then growing into a full, uncontrollable shaking as the reality of your loss settled in. She leaned over your still form, her tears falling in relentless streams, splashing against your skin. "No... please, no," she sobbed, her voice breaking, clutching at you as if holding you tighter could somehow pull you back from the abyss.

Andy, who had been standing nearby, approached hesitantly. His synthetic form seemed to sag under the weight of the moment, his usually bright eyes dimmed with a sorrow that was unnatural for a machine. "R-Rain," he stuttered, his voice halting and filled with a strange echo of human grief. "She... she loved you so much."

The room felt suffocating, the air thick with despair. Tyler stood off to the side, his fists clenched so tightly that his knuckles were white. He stared at the floor, unable to look at you, unable to reconcile the brutal end you had met with the strong, vibrant person he had known. His chest heaved with the effort to keep his own emotions in check, but the tear that slid down his cheek betrayed his inner turmoil.

Bjorn, always the stoic, had his arms crossed tightly over his chest, his expression unreadable. But his eyes were fixed on Rain and your body, the usual hardness in his gaze softened by a quiet, painful understanding. He swallowed hard, the lump in his throat making it difficult to breathe. For all his gruff exterior, the sight of Rain breaking down over your body pierced through his defenses.

Navarro, who had been helping Kay moments earlier, stepped back, her hands shaking. The blood that had stained her fingers felt like it was burning into her skin, a reminder of how close they had all come to saving you—and how far they had failed. She pressed a hand to her mouth, stifling a sob that threatened to break free, her eyes brimming with tears.

As Rain's sobs grew louder, more desperate, the room's silence was broken only by the sound of her heartbreak. "Please, don’t leave me," she whispered through her tears, her voice small, broken. She pressed her forehead against yours, her fingers tangled in your hair as she pleaded with you, as if willing you to open your eyes, to take just one more breath.

Andy knelt beside her, his mechanical hand resting gently on her shoulder, though his touch was cold. "I’m s-sorry," he managed to say, his voice almost robotic but laden with the echoes of human grief. "She was b-brave."

Tyler finally moved, crossing the short distance between him and Rain. He placed a hand on her back, his own tears now falling freely. "She saved you, Rain," he said softly, his voice strained with the effort to keep it steady. "She saved us all."

Rain didn’t respond, her world having collapsed to just you and the unbearable loss that consumed her. She clung to you, pressing her face into your neck, her sobs muffled against your skin. "I can’t... I can’t do this without you," she whispered, her voice cracking. "Please, wake up. Please."

But the silence that followed was deafening, the finality of your death sinking into the hearts of everyone present. Kay moved around the table, gently covering your body with a blanket, her movements slow and reverent, as if any sudden action might shatter the fragile hold they all had on their emotions.

As the hours passed, the reality of the situation set in. Rain never left your side, her fingers still entwined with yours, her eyes red and swollen from crying. Andy remained close, his presence a silent vigil, his circuits whirring quietly in the background.

Bjorn and Tyler took turns keeping watch at the door, their usual banter replaced by a heavy silence. Navarro sat in a corner, her knees drawn to her chest, staring at the floor as she tried to process the loss.

Rain’s heart ached with a pain so deep it felt like it would consume her whole. But through her grief, she knew one thing with absolute certainty: you had saved her, sacrificed everything for her, and that knowledge, though it brought her no comfort, would be the anchor that kept her from completely drowning in her sorrow.

She leaned over, pressing one last kiss to your forehead, her tears mixing with the blood still staining your skin. "I’ll never forget you," she whispered, her voice trembling. "I’ll never stop loving you."

[tombstoneswerewaiting]

uh peter, u doing okay buddy ??

[navybrat817]

As I'm preparing for Christmas I can't help but wonder what the holiday season with Sugar Daddy Andy would be like 🤔

Andy wants to give you the best holiday ever, lovely!

He’s going to make sure you’re completely relaxed. He doesn’t want any holiday stress bringing you down. If that means you have to go to the spa for a day, he’ll have it set up. Massage, facial, the works.

Gifts? You better believe he’s going to spoil the hell out of you. The man is observant and knows what you want without asking. And you both know you aren’t going to ask even with the amount of money he has, so he has to take matters into his own hands. But it’s worth it when he sees the look of surprise and awe on your face when you see all the gifts under the tree.

Andy has to hold back from smiling each time you open something and say, “It’s too much!” because it isn’t enough. It’s the season of giving and he wants to give you the world. Don’t bother arguing that you didn’t give him enough because he has you and that’s all he wants.

He may also have one last gift to give you at the end of the night. One that renders you speechless because of how beautiful it is. Something like a stunning diamond necklace that he wants you to model for him.

Only the necklace.

Merry Christmas to all.

Love and thanks! ❤️

[badnewswhatsleft]

2023 september - rock sound #300 (fall out boy cover) scans

transcript below cut!

WHAT A TIME TO BE ALIVE

With the triumphant ‘So Much (For) Stardust’ capturing a whole new generation of fans, Fall Out Boy are riding high, celebrating their past while looking towards a bright future. Pete Wentz and Patrick Stump reflect on recent successes and the lessons learned from two decades of writing and performing together.

WORDS: James Wilson-Taylor PHOTOS: Elliot Ingham

You have just completed a US summer tour that included stadium shows and some of your most ambitious production to date. What were your aims going into this particular show?

PETE: Playing stadiums is a funny thing. I pushed pretty hard to do a couple this time because I think that the record Patrick came up with musically lends itself to that feeling of being part of something larger than yourself. When we were designing the cover to the album, it was meant to be all tangible, which was a reaction to tokens and skins that you can buy and avatars. The title is made out of clay, and the painting is an actual painting. We wanted to approach the show in that way as well. We’ve been playing in front of a gigantic video wall for the past eight years. Now, we wanted a stage show where you could actually walk inside it.

Did adding the new songs from ‘So Much (For) Stardust’ into the setlist change the way you felt about them?

PATRICK: One of the things that was interesting about the record was that we took a lot of time figuring out what it was going to be, what it was going to sound like. We experimented with so many different things. I was instantly really proud. I felt really good about this record but it wasn’t until we got on stage and you’re playing the songs in between our catalogue that I really felt that. It was really noticeable from the first day on this tour - we felt like a different band. There’s a new energy to it. There was something that I could hear live that I couldn’t hear before.

You also revisited a lot of older tracks and b-sides on this tour, including many from the ‘Folie à Deux’-era. What prompted those choices?

PETE: There were some lean years where there weren’t a lot of rock bands being played on pop radio or playing award shows so we tried to play the biggest songs, the biggest versions of them. We tried to make our thing really airtight, bulletproof so that when we played next to whoever the top artist was, people were like, ‘oh yeah, they should be here.’ The culture shift in the world is so interesting because now, maybe rather than going wider, it makes more sense to go deeper with people. We thought about that in the way that we listen to music and the way we watch films. Playing a song that is a b-side or barely made a record but is someone’s favourite song makes a lot of sense in this era. PATRICK: I think there also was a period there where, to Pete’s point, it was a weird time to be a rock band. We had this very strange thing that happened to us, and not a lot of our friends for some reason, where we had a bunch of hits, right? And it didn’t make any sense to me. It still doesn’t make sense to me. But there was a kind of novelty, where we could play a whole set of songs that a lot of people know. It was fun and rewarding for us to do that. But then you run the risk of playing the same set forever. I want to love the songs that we play. I want to care about it and put passion into what we do. And there’s no sustainable way to just do the same thing every night and not get jaded. We weren’t getting there but I really wanted to make sure that we don’t ever get there. PETE: In the origin of Fall Out Boy, what happened at our concerts was we knew how to play five songs really fast and jumped off walls and the fire marshal would shut it down. It was what made the show memorable, but we wanted to be able to last and so we tried to perfect our show and the songs and the stage show and make it flawless. Then you don’t really know how much spontaneity you want to include, because something could go wrong. When we started this tour, and we did a couple of spontaneous things, it opened us up to more. Because things did go wrong and that’s what made the show special. We’re doing what is the most punk rock version of what we could be doing right now.

You seem generally a lot more comfortable celebrating your past success at this point in your career.

PETE: I think it’s actually not a change from our past. I love those records, but I never want to treat them in a cynical way. I never want there to be a wink and a smile where we’re just doing this because it’s the anniversary. This was us celebrating these random songs and we hope people celebrate them with us. There was a purity to it that felt in line with how we’ve always felt about it. I love ‘Folie à Deux’ - out of any Fall Out Boy record that’s probably the one I would listen to. But I just never want it to be done in a cynical way, where we feel like we have to. But celebrating it in a way where there’s the purity of how we felt when we wrote the song originally, I think that’s fucking awesome. PATRICK: Music is a weird art form. Because when you’re an actor and you play a character, that is a specific thing. James Bond always wears a suit and has a gun and is a secret agent. If you change one thing, that’s fine, but you can’t really change all of it. But bands are just people. You are yourself. People get attached to it like it’s a story but it’s not. That was always something that I found difficult. For the story, it’s always good to say, ‘it’s the 20th anniversary, let’s go do the 20th anniversary tour’, that’s a good story thing. But it’s not always honest. We never stopped playing a lot of the songs from ‘Take This To Your Grave’, right? So why would I need to do a 20-year anniversary and perform all the songs back to back? The only reason would be because it would probably sell a lot of tickets and I don’t really ever want to be motivated by that, frankly. One of the things that’s been amazing is that now as the band has been around for a while, we have different layers of audience. I love ‘Folie à Deux’, I do. I love that record. But I had a really personally negative experience of touring on it. So that’s what I think of when I think of that record initially. It had to be brought back to me for me to appreciate it, for me to go, ‘oh, this record is really great. I should be happy with this. I should want to play this.’ So that’s why we got into a lot of the b-sides because we realised that our perspectives on a lot of these songs were based in our feelings and experiences from when we were making them. But you can find new experiences if you play those songs. You can make new memories with them.

You alluded there to the 20th anniversary of ‘Take This To Your Grave’. Obviously you have changed and developed as a band hugely since then. But is there anything you can point to about making that debut record that has remained a part of your process since then?

PETE: We have a language, the band, and it’s definitely a language of cinema and film. That’s maintained through time. We had very disparate music tastes and influences but I think film was a place we really aligned. You could have a deep discussion because none of us were filmmakers. You could say which part was good and which part sucked and not hurt anybody’s feelings, because you weren’t going out to make a film the next day. Whereas with music, I think if we’d only had that to talk about, we would have turned out a different band. PATRICK: ‘Take This To Your Grave’, even though it’s absolutely our first record, there’s an element of it that’s still a work in progress. It is still a band figuring itself out. Andy wasn’t even officially in the band for half of the recording, right? I wasn’t even officially the guitar player for half of the recording. We were still bumbling through it. There was something that popped up a couple times throughout that record where you got these little inklings of who the band really was. We really explored that on ‘From Under The Cork Tree’. So when we talk about what has remained the same… I didn’t want to be a singer, I didn’t know anything about singing, I wasn’t planning on that. I didn’t even plan to really be in this band for that long because Pete had a real band that really toured so I thought this was gonna be a side project. So there’s always been this element within the band where I don’t put too many expectations on things and then Pete has this really big ambition, creatively. There’s this great interplay between the two of us where I’m kind of oblivious, and I don’t know when I’m putting out a big idea and Pete has this amazing vision to find what goes where. There’s something really magical about that because I never could have done a band like this without it. We needed everybody, we needed all four of us. And I think that’s the thing that hasn’t changed - the four of us just being ourselves and trying to figure things out. Listening back to ‘Folie’ or ‘Infinity On High’ or ‘American Beauty’, I’m always amazed at how much better they are than I remember. I listened to ‘MANIA’ the other day, and I have a lot of misgivings about that record, a lot of things I’m frustrated about. But then I’m listening to it and I’m like ‘this is pretty good.’ There’s a lot of good things in there. I don’t know why, it’s kind of like you can’t see those things. It’s kind of amazing to have Pete be able to see those things. And likewise, sometimes Pete has no idea when he writes something brilliant, as a lyricist, and I have to go, ‘No, I’m gonna keep that one, I’m gonna use that.’

On ‘So Much (For) Stardust’, you teamed up with producer Neal Avron again for the first time since 2008. Given how much time has passed, did it take a minute to reestablish that connection or did you pick up where you left off?

PATRICK: It really didn’t feel like any time had passed between us and Neal. It was pretty seamless in terms of working with him. But then there was also the weird aspect where the last time we worked with him was kind of contentious. Interpersonally, the four of us were kind of fighting with each other… as much as we do anyway. We say that and then that myth gets built bigger than it was. We were always pretty cool with each other. It’s just that the least cool was making ‘Folie’. So then getting into it again for this record, it was like no time has passed as people but the four of us got on better so we had more to bring to Neal. PETE: It’s a little bit like when you return to your parents’ house for a holiday break when you’re in college. It’s the same house but now I can drink with my parents. We’d grown up and the first times we worked with Neal, he had to do so much more boy scout leadership, ‘you guys are all gonna be okay, we’re gonna do this activity to earn this badge so you guys don’t fucking murder each other.’ This time, we probably got a different version of Neal that was even more creative, because he had to do less psychotherapy. He went deep too. Sometimes when you’re in a session with somebody, and they’re like, ‘what are we singing about?’, I’ll just be like, ‘stuff’. He was not cool with ‘stuff’. I would get up and go into the bathroom outside the studio and look in the mirror, and think ‘what is it about? How deep are we gonna go?’ That’s a little but scarier to ask yourself. If last time Neal was like a boy scout leader, this time, it was more like a Sherpa. He was helping us get to the summit.

The title track of the album also finds you in a very reflective mood, even bringing back lyrics from ‘Love From The Other Side’. How would you describe the meaning behind that title and the song itself?

PETE: The record title has a couple of different meanings, I guess. The biggest one to me is that we basically all are former stars. That’s what we’re made of, those pieces of carbon. It still feels like the world’s gonna blow and it’s all moving too fast and the wrong things are moving too slow. That track in particular looks back at where you sometimes wish things had gone differently. But this is more from the perspective of when you’re watching a space movie, and they’re too far away and they can’t quite make it back. It doesn’t matter what they do and at some point, the astronaut accepts that. But they’re close enough that you can see the look on their face. I feel like there’s moments like that in the title track. I wish some things were different. But, as an adult going through this, you are too far away from the tether, and you’re just floating into space. It is sad and lonely but in some ways, it’s kind of freeing, because there’s other aspects of our world and my life that I love and that I want to keep shaping and changing. PATRICK: I’ll open up Pete’s lyrics and I just start hearing things. It almost feels effortless in a lot of ways. I just read his lyrics and something starts happening in my head. The first line, ‘I’m in a winter mood, dreaming of spring now’, instantly the piano started to form to me. That was a song that I came close to not sending to the band. When I make demos, I’ll usually wait until I have five or six to send to everybody. I didn’t know if anyone was gonna like this. It’s too moody or it’s not very us. But it was pretty unanimous. Everyone liked that one. I knew this had to end the record. It took on a different life in the context of the whole album. Then on the bridge section, I knew it was going to be the lyrics from ‘Love From The Other Side’. It’s got to come back here. It’s the bookends, but I also love lyrically what it does, you know, ‘in another life, you were my babe’, going back to that kind of regret, which feels different in ‘Love From The Other Side’ than it does here. When the whole song came together, it was the statement of the record.

Aside from the album, you have released a few more recent tracks that have opened you up to a whole new audience, most notably the collaboration with Taylor Swift on ‘Electric Touch’.

PETE: Taylor is the only artist that I’ve met or interacted with in recent times who creates exactly the art of who she is, but does it on such a mass level. So that’s breathtaking to watch from the sidelines. The way fans traded friendship bracelets, I don’t know what the beginning of it was, but you felt that everywhere. We felt that, I saw that in the crowd on our tour. I don’t know Taylor well, but I think she’s doing exactly what she wants and creating exactly the art that she wants to create. And doing that, on such a level, is really awe-inspiring to watch. It makes you want to make the biggest, weirdest version of our thing and put that out there.

Then there was the cover of Billy Joel’s ‘We Didn’t Start The Fire’, which has had some big chart success for you. That must have taken you slightly by surprise.

PATRICK: It’s pretty unexpected. Pete and I were going back and forth about songs we should cover and that was an idea that I had. This is so silly but there was a song a bunch of years ago I had written called ‘Dark Horse’ and then there was a Katy Perry song called ‘Dark Horse’ and I was like, ‘damn it’, you know, I missed the boat on that one. So I thought if we don’t do this cover, somebody else is gonna do it. Let’s just get in the studio and just do it. We spent way more time on those lyrics than you would think because we really wanted to get a specific feel. It was really fun and kind of loose, we just came together in Neal’s house and recorded it in a day. PETE: There’s irreverence to it. I thought the coolest thing was when Billy Joel got asked about it, and he was like, ‘I’m not updating it, that’s fine, go for it.’ I hope if somebody ever chose to update one of ours, we’d be like that. Let them do their thing, they’ll have that version. I thought that was so fucking cool.

It’s also no secret that the sound you became most known for in the mid-2000s is having something of a commercial revival right now. But what is interesting is seeing how bands are building on that sound and changing it.

PATRICK: I love when anybody does anything that feels honest to them. Touring with Bring Me The Horizon, it was really cool seeing what’s natural to them. It makes sense. We changed our sound over time but we were always going to do that. It wasn’t a premeditated thing but for the four of us, it would have been impossible to maintain making the same kind of music forever. Whereas you’ll play with some other bands and they live that one sound. You meet up with them for dinner or something and they’re wearing the shirt of the band that sounds just like their band. You go to their house and they’re playing other bands that sound like them because they live in that thing. Whereas with the four of us and bands like Bring Me The Horizon, we change our sounds over time. And there’s nothing wrong with either. The only thing that’s wrong is if it’s unnatural to you. If you’re AC/DC and all of a sudden power ballads are in and you’re like, ‘Okay, we’ve got to do a power ballad’, that’s when it sucks. But if you’re a thrash metal guy who likes Celine Dion then yeah, do a power ballad. Emo as a word doesn’t mean anything anymore. But if people want to call it that, if the emo thing is back or having another life again, if that’s what’s natural to an artist, I think the world needs more earnest art. If that’s who you are, then do it. PETE: It would be super egotistical to think that the wave that started with us and My Chemical Romance and Panic! At The Disco has just been circling and cycling back. I  remember seeing Nikki Sixx at the airport and he was like, ‘Oh, you’re doing a flaming bass? Mine came from a backpack.’ It keeps coming back but it looks different. Talking to Lil Uzi Vert and Juice WRLD when he was around, it’s so interesting, because it’s so much bigger than just emo or whatever. It’s this whole big pop music thing that’s spinning and churning, and then it moves on, and then it comes back with different aspects and some of the other stuff combined. When you’re a fan of music and art and film, you take different stuff, you add different ingredients, because that’s your taste. Seeing the bands that are up and coming to me, it’s so exciting, because the rules are just different, right? It’s really cool to see artists that lean into the weirdness and lean into a left turn when everyone’s telling you to make a right. That’s so refreshing. PATRICK: It’s really important as an artist gets older to not put too much stock in your own influence. The moment right now that we’re in is bigger than emo and bigger than whatever was happening in 2005. There’s a great line in ‘Downton Abbey’ where someone was asking the Lord about owning this manor and he’s like, ‘well, you don’t really own it, there have been hundreds of owners and you are the custodian of it for a brief time.’ That’s what pop music is like. You just have the ball for a minute and you’re gonna pass it on to somebody else.

We will soon see you in the UK for your arena tour. How do you reflect on your relationship with the fans over here?

PETE: I remember the first time we went to the UK, I wasn’t prepared for how culturally different it was. When we played Reading & Leeds and the summer festivals, it was so different, and so much deeper within the culture. It was a little bit of a shock. The first couple of times we played, I was like, ‘Oh, my God, are we gonna die?’ because the crowd was so crazy, and there was bottles. Then when we came back, we thought maybe this is a beast to be tamed. Finally, you realise it’s a trading of energy. That made the last couple of festivals we played so fucking awesome. When you really realise that the fans over there are real fans of music. It’s really awesome and pretty beautiful. PATRICK: We’ve played the UK now more than a lot of regions of the states. Pretty early on, I just clicked with it. There were differences, cultural things and things that you didn’t expect. But it never felt that different or foreign to me, just a different flavour… PETE: This is why me and Patrick work so well together (laughs).  PATRICK: Well, listen; I’m a rainy weather guy. There is just things that I get there. I don’t really drink anymore all that much. But I totally will have a beer in the UK, there’s something different about every aspect of it, about the ordering of it, about the flavour of it, everything, it’s like a different vibe. The UK audience seemed to click with us too. There have been plenty of times where we felt almost more like a UK band than an American one. There have been years where you go there and almost get a more familial reaction than you would at home. Rock Sound has always been a part of that for us. It was one of the first magazines to care about us and the first magazine to do real interviews. That’s the thing, you would do all these interviews and a lot of them would be like ‘so where did the band’s name come from?’ But Rock Sound took us seriously as artists, maybe before some of us did. That actually made us think about who we are and that was a really cool experience. I think in a lot of ways, we wouldn’t be the band we are without the UK, because I think it taught us a lot about what it is to be yourself.

Fall Out Boy’s ‘So Much (For) Stardust’ is out now via Fueled By Ramen.