#another win for the leosagi community /lh

[dangerous-advantage]

why is usagi yoimbo so fucking good? (an analysis.)

usagi yojimbo is one of the most interesting, well-told, intelligent, heartfelt stories i have ever read. it's stories are nuanced and likable, supported by characters and relationships you root for.

it's simple, balanced, and when things get serious, you feel it.

and if anyone had recommended it to me, i probably wouldn't have read it.

(spoilers for usagi yojimbo: volume two; jizo. fair warning: this will probably go long.)

i picked up uyv2 on a whim. i wasn't really planning on reading it, and if i did, i didn't think i would particularly like it.

but it was related to my current hyperfixation (they didn't have 'the last ronin' in stock, which was what i was looking for), and it was a special day, so i thought, "fuck it, i'll buy this."

a couple days later, i finished it and immediately needed more. yada yada, tale as old as time.

but what exactly made it so good? a lot of people will get into media and be hooked by the very first installment. usagi yojimbo, for me, required a little bit of faith.

i started with uyv2: issue one, aka 'shades of green.' if you're a tmnt fan, this is a great jumping off point, because it lures you in with tmnt lore all while putting intrigue in your mind about what these other guys are doing, i guess.

there are callbacks to past comics that might interest you by creating a greater sense of lore and history. you'll find yourself eventually wandering back and maybe reading the next installment, just because.

this is very good, because the next installment following the shades of green arc (at least, in the usagi yojimbo saga: book one') are the "side stories," which will stick in your mind until your thoughts are overtaken by the funny rabbit guy, and you give in.

i love shades of green as much as the next guy, but damn, those side stories fuck. even if you didn't give a shit about the turtles and only read the stories (and maybe the origin tale), it is my belief that you would know basically everything you need to know.

jizo is what originally "hooked" me. in the og comics, it was a side story for the first part of the shades of green arc, which was ingenious, seeing as it's fucking amazing.

in my humble opinion, jizo is an example of sakai at his best. it's eight pages long with three panels per page, each following the same composition. its so simple, and yet, throughout my read-through of volume two, i found myself returning to it again and again.

it starts off with an image of a road, with a series of travelers passing by. a woman toting a small stone statue brings it to the edge of the road and starts on an iconic sakai infodump, with might disinterest some, but fully delighted my autistic mind!

(here she is, by the way.)

she explains (by talking to the statute) that said statue is a representation of 'jizo-sama,' "guardian of the souls of lost children. her son was murdered five days ago on this very road, and the ones responsible, a party of bandits, have not yet been caught.

her hope is that by praying to the statue, nobody else will suffer the same fate.

she also explains some lore-- that the souls of lost children are "doomed to pile stones in the dry river bed of souls." by offering pebbles at the statue's base, she hopes to ease her sons' burden.

she then leaves, noting a chill in the air, and promises to bring back a coat for the statue the following day, in order to keep it warm.

now, by all accounts, this is an example of bad storytelling. just info-dumping is uninteresting to the audience, and clunky. well, here we are reminded that actually, if your story is worth telling, nobody gives a shit if you commit "writing sins" (see 'lord of the rings' for more examples of this. yes, uy is good enough to be compared to lotr.)

but anyway, the day progresses. there are lots of fun details in these scenes --

--like this guy ^, who we meet/meet another person akin to later on in volume two (music from heaven). we also see a couple of people make offerings on their way past, which is nice (:

night falls, and with it comes-- holy shit-- its the funny rabbit guy again!

he's alone, just passing by. he doesn't even seem to notice the statue on the side of the road.

we then get some of my all-time favorite uy panels, and a perfectly-executed scene showcasing some of usagi's core beliefs and character.

so the bandits (yes, those bandits) attack. and usagi five-v-one's them. the guards come, clean things up, etc etc. more usagi characterization shines through. and usagi leaves.

all the while, jizo-sama observes.

but wait. if you're anything like me, you might notice a small detail between in two frames.

that's right-- the statue of jizo smiles. which could be creepy in any other context, but its only for a single panel, so you might assume it was just a quirk of the artwork on that one page.

but, no.

in the morning, the woman comes back.while wrapping the statute in a coat, she says, "huh? your expression has changed-- you look more at peace-- but that's impossible! isn't it?"

she ultimately decides not to worry about it, but does mention that it'll probably cause more people to be willing to give offerings as well. which leaves us with our final panel.

so. what exactly does jizo accomplish?

well, a lot of things. it sets up worldbuilding for the more 'mystical' side of uy, introduces us to sakai's ability to make you feel like you've been punched in the gut in a good way, and characterizes usagi using only eight of the twenty-four panels that make up this story. in which, he doesn't say a word.

but beyond that. why does this work so well?

for me, a part of it is the inversion of the idea of "fate." let me explain-- in a lot of stories like this, there's this underlying trope of the "chosen one" or that things will end up a certain way. while these stories aren't bad, i generally find myself uninterested in the idea of beings beyond our comprehension pulling the strings for characters that are "special."

these characters are chosen ones. they're supposed to know everything that will go down, because they're important. whether or not fate actually plays a part, you get this idea that they were always supposed to be 'chosen,' in some way or another.

uy doesn't do that. while there is some "meddling" implied, it's not because usagi is the specialest boy ever. he's just some guy making his way through japan while trying not to starve. just... figuring himself out.

in thise story, the only people who know the full extent of the narrative are ourselves and the statue of jizo. the woman shows no indication that she's heard of the bandits' capture, and for usagi, this is just another night.

it's meaningful because we get to see all these parts of the story come together, while knowing we are the only ones this is meant for. this isn't a grand story or some epic of old. it's just a small, intimate moment of retribution.

the gods-- or, in this case, jizo-sama-- doesn't care about heroism outside of this moment. it's left vague whether or not the statue or any being it represents put this moment into fruition. if anything, it could just be a coincidence, and the statue is smiling at in gratitude.

regardless, it feels so much more meaningful than if it had been done any other way. usagi is just a character traversing these lands, weaving in and out of stories, many he will never know the full extent of. and that feels real. genuine.

i do think that this changes a bit, later on in the comics, but this beginning sense-- that usagi is just travelling through a greater world, pulled this way and that for no particular reason (unless otherwise noted) is very refreshing for a series like this.

jizo does a lot of other stuff, too-- like that core characterization i mentioned above-- but this post is long enough. i wanted to get more into other aspects of why uy is so good, but there's just so much, and honestly, you should read it yourself if you haven't already to find out what. (at the very least, read jizo-- it's short, but very, very good.)

i might do more of these for the rest of uyv2 and how it hooked me, but for now, i this this works well enough to begin answering the question of why this series is so good.

(okay, i caved-- the core characterization is his unwillingness to fight unless it's necessary. now, go read jizo!)