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'Here Lies Love,' The Stunning Bio-Pop-Musical Sounds Alarms About the Price of Democracy
Here Lies Love at the Broadway Theatre The Millennium Club is the phenomenal, multi-level, theatrical setting of the bio-pop musical Here Lies Love. The resulting panorama is a monolith of disco and pop music, many-hued neon lights, black and white historical film clips, multiple dazzling screen projections, and spot-on performers’ heightened song and dance moves “here, there, everywhere” in…
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#Alex Timbers#Annie-B Parson#Arielle Jacobs#Conrad Ricamora#David Byrne#Fatboy Slim#Jose Llana#Lea Salonga#Tom Gandey & Jose Luis Pardo
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A teenage girl is raised underground by a robot “Mother”, designed to repopulate the earth following an extinction event. But their unique bond is threatened when an inexplicable stranger arrives with alarming news. Credits: TheMovieDb. Film Cast: Daughter: Clara Rugaard Mother (voice): Rose Byrne Woman: Hilary Swank Mother: Luke Hawker Child: Tahlia Sturzaker Infant: Maddie Lenton Toddler: Hazel Sandery Toddler: Summer Lenton Brother: Jacob Nolan Teacher (uncredited): Tracy Britton Film Crew: Story: Grant Sputore Art Direction: Todd Smythe Second Unit First Assistant Director: Kelvin Munro Executive Producer: Philip Wade Producer: Timothy White Production Design: Hugh Bateup Co-Producer: Anna Vincent Editor: Sean Lahiff Costume Design: Mariot Kerr Casting: Nikki Barrett Art Direction: Adam Wheatley Set Decoration: Lisa Brennan Line Producer: Julie Byrne Executive Producer: John Wade Executive Producer: Paris Kasidokostas Latsis Executive Producer: Jean-Luc De Fanti Executive Producer: Terry Dougas Story: Michael Lloyd Green Executive Producer: Bryce Menzies Prop Maker: Marco Wuest Unit Publicist: Mark McGowan Second Assistant Director: Sophie Calver Second Assistant Director: Shannon Crotty Driver: Isabelle Scott Location Manager: Jesse Goninon Costume Supervisor: Olivia Iacobelli Production Accountant: Elspeth Baird Driver: Nadia Samson Sound Recordist: Des Kenneally Stunts: Mike Duncan Digital Intermediate: Marty Pepper Animatronics Designer: Zoilo Abad Set Production Assistant: Michael Barba Production Coordinator: Carly Maple Stunt Coordinator: Steve McQuillan Script Supervisor: Mojgan Khadem First Assistant Editor: Regg Skwarko Boom Operator: Corrin Ellingford Boom Operator: Nick Steele Dialect Coach: Jenny Kent First Assistant Director: Travis Kalendra Director of Photography: Steve Annis Stunts: Jennifer Bichard Stunts: Daisy Fryer Stunt Double: Marlee Barber VFX Supervisor: Jonathan Dearing Original Music Composer: Antony Partos Original Music Composer: Dan Luscombe Casting Associate: Natalie Wall Casting Assistant: Claudia Allison Set Designer: Kate Rawlins Set Designer: Alice Wong Set Designer: Prue Parsons Hair Designer: Tracy Phillpot Makeup & Hair: Karen Gower Armorer: John Coory Still Photographer: Ian Routledge Still Photographer: Matt Nettheim Sound Designer: Tom Heuzenroeder Sound Designer: Duncan Campbell Sound Re-Recording Mixer: Pete Smith Foley Artist: Adrian Medhurst Foley Recordist: Ryan Squires Music Supervisor: Bernard Galbally Second Assistant “B” Camera: Joel Brown Steadicam Operator: Glenn Clayton First Assistant “B” Camera: Cameron Dunn Second Assistant “A” Camera: Samuel Fraser Drone Pilot: Ryan Haste Focus Puller: Russell Marrett Focus Puller: Sarah McDonald Second Unit Cinematographer: Ross Metcalf Grip: Leigh Nemeth Drone Operator: Sam Peacocke Steadicam Operator: Ulric Raymond Key Grip: Matt Richardson Gaffer: Andrew Robertson First Assistant “B” Camera: Geoff Skilbeck Second Assistant “A” Camera: Sam Steinle Grip: Matan Tatarko First Assistant “A” Camera: Samuel Vines Focus Puller: James Ward Miller First Assistant “A” Camera: Jules Wurm Movie Reviews: SWITCH.: As technology edges closer to our bodies, and the notion of genetic engineering and artificially intelligent drones begin to feel less outlandish, these age-old questions on the ethics and impact of science take on a more urgent dimension. ‘I Am Mother’ explores them with intelligence and style. Not only is it by far the best science fiction film to emerge from among the multitude of Netflix Originals, but cult gem status surely beckons. – Jake Watt Read Jake’s full article… https://www.maketheswitch.com.au/article/review-i-am-mother-finally-a-great-netflix-sci-fi-film Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews. Gimly: Bottle-episode sci-fi films have treated me pretty well in the past. _I Am Mother_ is not the greatest example of such a thing, but it is a fair one. Props in particular when it comes to the titular Mother, who absolute...
#artificial intelligence (a.i.)#bunker#human extinction#post-apocalyptic future#robot#Top Rated Movies
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Congratulations to Days of Wine and Roses and Here Lies Love on their multiple Tony Awards nominations. Days of Wine and Roses is up for Best Original Score for Adam Guettel, Best Leading Actress in a Musical for Kelli O'Hara, and Best Leading Actor in a Musical for Brian d'Arcy James, as well as Drama Desk, Outer Critics Circle, and a Drama League awards. Here Lies Love is up for Tonys for Best Original Score for David Byrne and Fatboy Slim, Best Sound Design of a Musical for M.L. Dogg and Cody Spencer, Best Scenic Design of a Musical for David Korins, and Best Choreography for Annie-B Parson, as well as Outer Critics Circle and Drama League awards. And Kudos to Timo Andres, who is up for both Tony and Drama Desk awards for Best Orchestrations for Illinoise.
#days of wine and roses#here lies love#tony awards#adam guettel#kelli o'hara#brian d'arcy james#david byrne#fatboy slim#timo andres#broadway#nonesuch#nonesuch records
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mwfcs?
Mulheres: Angelina Jolie, AJ Cook, Lyndsy Fonseca, Gemma Chan, Aisha Dee, Annie Murphy, Nikki Reed, Aja Naomi King, Alexandra Daddario, Dianna Agron, Lalisa Manoban, Victoria Pedretti, Summer Bishil, Meghann Fahy, Gabrielle Union, Candice King, Hillarie Burton Morgan, Demet Ozdemir, Lindsey Morgan, Piper Perabo, Kristin Bell, Candice Patton, Karla Souza, Christian Serratos, Adria Arjona, Spencer Locke, Nathalie Kelley, Cobie Smulders, Tessa Thompson, Olivia Wilde, Melissa Roxburgh, Brittany Snow, Emily Brown, Maya Mitchell, Olivia Munn, Jamie Chung, Lucy Liu, Bethany Joy Lenz.
Homens: Charlie Hunnam, Chris Evans, Kit Connor, Charles Michael Davis, Dev Patel, Beau Mirchoff, Danial Sharman, Avan Jogia, Henry Golding, Diego Luna, Charlie Weber, William Harper, Michael B. Jordan, Dacre Montgomery, Casey Deidrick, Dylan O'Brien, Tyler Posey, Oliver Stark, Adam Rodriguez, Daniel Henney, Patrick Flueger, Lucien Laviscount, Jeremy Allen White, Chris Hemswort, Peter Gadiot, Josh Dallas, Amadeus Serafini, George Mackay, Taron Egerton, Alfred Enoch, Nathan Parsons, Dwayne Johnson, John Krasinski, Richard Harmon, Liam Hemsworth, John David Washington, Joe Keery, Jesse Williams.
NB: Asia Kate Dillon, Emma Darcy, Bella Ramsey, Jesse Mei Li
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Aria - Smile
In radio il nuovo singolo dopo l’anteprima del video su global talent world
Il nuovo singolo del produttore e compositore Mariano Schiavolini è una canzone di fratellanza universale. Assieme Edizioni è orgogliosa di annunciare l'uscita del nuovo singolo di Aria, "Smile". Un brano molto vivace e caratterizzato da un ritmo latino con movimenti ritmici influenzati dalla rumba e dal cha-cha, dalla batteria e dalle percussioni di noti percussionisti sud e centro americani, che suonano secondo i loro stili tradizionali. Nonostante questo il tutto sembra essere influenzato dal rock internazionale.
"Smile" - come si può vedere nel video ufficiale - è un'espressione di gioia, trasmessa attraverso i sorrisi di persone di ogni provenienza, che interpretano la danza con gesti spontanei e unici. È una canzone di fratellanza universale il cui testo è stato scritto dalla grande autrice di Cambridge (EN), Nicolette Turner, già parte dei Celeste lo storico gruppo di Aria, formazione prog sinfonica che ha anticipato la musica New-Age, diffusa in California negli anni '70.
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Le influenze ritmiche funky jazz e R&B sono presenti nella canzone, in particolare grazie alle due bande di ottoni, argentina e brasiliana, che sono anche sostenute da un basso in stile rock/jazz, suonato dall'americano Joseph Patrick, bassista di Steward Copeland (Police).
La vocalist è Ariel Jones, una cantante dell'isola di Madeira, che ha interpretato la canzone anche in portoghese, dopo aver contribuito al testo nella sua lingua madre. In termini di arrangiamento "Smile" è molto complessa, comprendendo ben 120 tracce. Nei suoi ricami si può sentire il dialogo tra le note del pianoforte guida, suonato dallo stesso Aria, la linea melodica della cantante e il groove trainante delle già citate sezioni di ottoni (in off-beat), a cui si aggiungono nell'outro trombe e fisarmonica. Aria utilizza anche sintetizzatori analogici all'interno dell'arrangiamento, come l'ARP Odyssey e il Minimoog, che rendono il brano più coinvolgente, con un leggero accenno alla psichedelia.
Aria è il nome d'arte di Mariano Schiavolini. Il concept e lo pseudonimo del nome sono nati come omaggio agli elementi della natura che ci ispirano a vivere e creare in armonia con ciò che ci circonda. Una volta che si perde il contatto con la natura non si è più sé stessi. Alle origini noto come compositore del gruppo prog-rock sinfonico Celeste di cui ha curato gli arrangiamenti insieme ai suoi compagni (1972), suonando tastiere e chitarre in modo innovativo, con arpeggi ritmici che sostituivano in gran parte la batteria. Utilizzarono anche percussioni orchestrali, tra cui la Moorhead. Celeste è stato considerato uno dei precursori della musica new-age internazionale: Aria è stato un pioniere nell'uso del leggendario Mellotron, strumento principe in molte delle sue composizioni, oltre ad essere uno di quei rari artisti polistrumentisti che producono la propria musica e incorporano i migliori musicisti offerti dal mercato internazionale. I primi di questo genere sono stati Mike Oldfield, Alan Parson e, ultimamente, i Rudimental.
Nel 2017, con il supporto del video e nell'ambito del progetto Musica for Africa, è stato pubblicato il brano "Where Will It End", dedicato alle vittime del massacro di giovani studenti a Garissa, avvenuto il 2 aprile 2015 in Kenya e interpretato da diversi artisti, tra cui il grande coro della Wits University (Johannesburg). Il brano è stato cantato sia in inglese (testo di Nikki Turner) che in zulu e ha visto la partecipazione di due artisti reggae africani: Thuthukani Cele, famoso per Lucky Dube, e l'artista congolese Mermans Mosengo Kenkosenki, "A Legend Of Reggae”, anche membro dei Playing for Change. . Il secondo brano del progetto è stato "Because You are There" (Schiavolini-Turner), ed è stato eseguito da solisti africani insieme al celebre gruppo Soweto Gospel Choir. Questa canzone è un inno di speranza dedicato ai giovani. Anche i Soweto Gospel Choir hanno realizzato la propria versione di "Where Will it End", con la partecipazione della grande cantante soul newyorkese Clayton Bryant. La versione di Soweto è accompagnata da un video realizzato a New York: si parte da Ground Zero per sottolineare la rinascita e la speranza per il futuro. "Where Will it End" è un inno alla pace tra i popoli, all'uguaglianza e al rispetto delle religioni.
Clayton Bryant ha anche cantato nel brano di Aria "Till the End of Time", registrato presso i celebri studi Downtown di Johannesburg e con la partecipazione dei musicisti della band di Miriam Makeba. Le voci sono state registrate a New York presso lo studio Engine Room Audio di Broadway.
Il 22 aprile 2022, esce un doppio singolo sul mercato internazionale a sostegno della Giornata della Terra (“The Next Life” / “Lady in White”).
"The Next Life" è una canzone dedicata all'ambiente e agli animali in via di estinzione, il cui testo è stato scritto dalla talentuosa cantautrice di Los Angeles Britt Warner. Nel brano è presente anche il giovane rapper e ambientalista americano Ray Reed, di Houston.
Nel dicembre 2022, esce un singolo natalizio sempre per il mercato internazionale, intitolato "A Christmas Letter", una canzone classica in stile Motown/gospel che è stata registrata insieme al video in Sudafrica presso gli storici studi di registrazione Downtown di Johannesburg. È stata mixata da Jack Rouben di Los Angeles e vede la partecipazione della cantante afroamericana Sherita-O e dell'Orchestra Filarmonica della Città di Praga, con un assolo di violino della celebre Lucie Svehlova. Aria è anche un ambientalista attivo e sostenitore degli animali per diverse associazioni, tra cui Animals Asia Foundation, impegnata a porre fine all'allevamento di orsi nelle fattorie della bile e a migliorare le condizioni di vita degli animali in Asia. È anche membro dell'organizzazione americana per i diritti degli animali PETA, sostenuta da molti artisti di rilievo, come Paul McCartney.
Nasce infatti nel 2013 il sito web ilvolodellaquila.it / flightoftheeagle.com, dedicando molta della sua musica alla lotta contro il bracconaggio e l'estinzione degli animali.
Oggi è la volta del nuovo singolo “Smile”, il cui video è stato presentato in anteprima per Global Talent World, il canale inglese di X-Factor con oltre un milione di iscritti.
Contatti socialInstagram: https://www.instagram.com/ariathecomposer/ Sito: https://www.ariamusicworld.com
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Paul Lazar's Cage Shuffle - Choreographed by Annie-B Parsons - Opening John Cage's Japan: A Japan Society Performance Series
Paul Lazar – Photo © Martin Rottenkolber Cage Shuffle; Created and Performed by Paul Lazar; Choreographed by Annie-B Parson “Cage Shuffle is beautiful, profound and hilarious—as all things should be.” – David Byrne Opening John Cage’s Japan at Japan Society; An Original Performance Series Celebrating the Composer’s Relationship with Japanese Culture Two Nights Only: Thursday, September 28 at…
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Full list of nominees:
Best Choreography Camille A. Brown — Hell’s Kitchen Annie-B Parson — Here Lies Love Rick and Jeff Kuperman — The Outsiders Justin Peck — Illinoise Jesse Robb and Shana Carroll — Water for Elephants
Best Choreography: Justin Peck, Illinoise
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Some of the American Utopia Cast and Crew. (x)
#its so DB to wear a blue suit and blue shoes#david byrne#alex timbers#annie b parson#chris giarmo#bobby wooten#mauro refosco#DB#american utopia
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The Widow's best of 2021
Compiled by Liz Arratoon
2021 was the year Blackpool Pleasure Beach celebrated its 125th anniversary, and the magic world marked 100 years of sawing a woman in two. Hmmm! For us, spending more time at home meant we watched more films and read more books so both will feature more heavily in our list than usual, along with other stuff we’ve seen and enjoyed this year.
But before we get to any of that let’s start with the most beautiful thing we saw in 2021. It was right at the start of year – and nothing since has come close to it – when the London International Mime Festival directors Joseph Seelig and Helen Lannaghan managed to put on a brilliant event against the odds by going online.
MOST CREATIVE: Vertigo, a short film by mixed-reality artists Kristin and Davy McGuire of Studio McGuire commissioned by the London International Mime Festival. Four minutes of heaven as Kristin performs on a shiny pole, enveloped in a gossamer haze of digital images that are protected on to gauze. Stunning! Watch it here. Pic: Studio McGuire
BEST SHOW: David Byrne’s innovative concert/dance production American Utopia.
BEST CHOREOGRAPHY: Annie-B Parson’s thrilling moves in American Utopia.
FAVOURITE ACT: The Shandong Acrobatic Troupe’s plate spinners from 2019’s Monte Carlo International Circus Festival. In a refreshing break from tradition, it used the main theme music from Wong Kar-wai’s 2004 film 2046. Also watch out for Laura Borrelli's hula-hoop cameo in the film The Hand of God.
BEST TWITTER CIRCUS PIC: La Charmeuse de Serpents at the Folies-Bergère, posted by @PablosCircus.
BEST PROMO: Hula-hoop star Marawa the Amazing's delightful 'calling card', produced by her husband. Watch it here.
BEST SHOWBIZ STORY: Christine Walevska's stolen cello in The Tale of the Little Countess’ Little Cello on BBC Radio 4’s Outlook.
BEST SHOWBIZ TV SERIES: Hacks, with the incredible Jean Smart as a 'senior' Vegas stand-up comic.
BEST TV CHARACTER: Nunzia Schiano as Donna Nunzia in Gomorrah, the Naples-set Mafia saga, which also gets MOST STYLISH TV SERIES for its breathtaking lighting and locations. BEST DOCUMENTARY SERIES: Fran Lebowitz’s Pretend It’s a City, directed by Martin Scorsese on Netflix. BEST INTERVIEW: Sylvie Guillem by dancer Daniil Simkin. Watch it here.
BEST EXHIBITION: Noël Coward Art and Style at the Guildhall Art Gallery in London.
BEST SERIES: Spending the War Without You: Virtual Backgrounds. Laurie Anderson’s stunningly intelligent Norton ‘lectures’ – in reality, shows – from the Mahindra Humanities Center, six of them given to the world for free!
BEST MUSIC: The score for the TV series ZeroZeroZero by Mogwai.
BEST WEEKLY MAILOUT: David Mills’ Quality Time – “a five-point bulletin of curated curious content” – in which he scours the world for things to interest, surprise and delight us. Above is the original rhinestone cowboy Loy Bowlin, who covered his life and house, the Beautiful Holy Jewel Home, in glitter, tin foil, tinsel and so forth. What could be more showbiz? Subscribe for free here.
BEST DANCE: The Ballets de Monte-Carlo White Darkness by Nacho Duato and The Lavender Follies by Joseph Hernandez.
BEST COSTUMES: Russian synchronised swimmers Svetlana Kolesnichenko and Svetlana Romashina’s spider-themed outfits at the Olympic Games. BEST FILM: Apples, a Greek Weird Wave first feature film from director Christos Nikou concerning… um… a different sort of pandemic.
BEST ANIMATION: Hungarian 1976 short Scenes with Beans, directed by Ottó Foky, about a cosmic metallic hen that lands on a planet of beans and observes their daily lives.
BEST DESERT ISLAND DISCS CASTAWAY: Sophia Loren, by a mile.
MOST FUN: Stump the Guesser, a short film by Guy Maddin, Evan Johnson and Galen Johnson.
BEST SHOWBIZ BOOK: My Rock ’n’ Roll Friend by Tracey Thorn, and To the End of the World, Travels with Oscar Wilde by Rupert Everett.
BEST BOOK: Two more memoirs share this spot… Farewell to Gabo and Mercedes by Rodrigo García, and Linn Ullman’s Unquiet. Both concern ageing and death, which leads us on to…
GONE TOO SOON: Mary Wilson of the Supremes, Mike Nesmith of the Monkees and actors Michael K Williams (above) and Helen McCrory. And those we knew personally: our friend circus impresario Gerry Cottle, Spymonkey’s marvellous and unforgettable loon Stephan Kreiss (below), and lastly Lord Christopher Laverty of the magnificent @clothesonfilm, who was one of the most knowledgeable, and certainly the best, speakers we’ve ever had the pleasure of listening to, who died desperately young in a canoeing accident.
But so as not to end on too sad a note SPECIAL MENTIONS go to the Lucille Ball film Being the Ricardos, the kick-ass women in the TV series The Nevers, and the simply spectacular documentary House of Cardin, about genius fashion designer – among many, many other things – Pierre Cardin.
#Studio McGuire#Davy and Kristin McGuire#London international Mime Festival#david byrne#american utopia#annie-b parsons#bbc radio 4#gommorah#laurie anderson#noel coward#sylvie guillem#david mills#quality time#ballets de monte-carlo#mogwai#sophia loren#desert island discs#guy maddin#stump the guesser#Ottó Foky#gerry cottle#stephan kreiss#Lord Christopher Laverty#Clothes on Film#lucille ball#pierre cardin#rupert everett#tracey thorn#marawa the amazing
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The wide shot is the camera position that allows the audience to see the full body of everyone in the scene in their environment, it’s the most objective and potentially the most compositional of camera positions, and for very brief moments I can perceive our wide shot: that we experience contentment, then we suffer, we slog through what we deem uninteresting, we get inspired, we see things, we miss things, we trip or fall or slowly crumble, we get up, we fight, we reconnect, and then in despair or fascination or just reflexively, we write about it.
And this desire to articulate what you feel and perceive, to tell it, to name it, to describe it, this is as natural as the progression from walking to running to leaping, to shaping that leap into a pattern of leaps, and then a group of leapers in unison — into a dance.
And if I go into the extreme wide shot, I can see a generative duality between us and the world, a reciprocity between us perceiving the world together through art, and the world in turn reading us through what we make. In this mirror structure, I can imagine the creative act as world-actualization rather than self-actualization, that what we make becomes a part of nature’s generative system.
- "The Choreography of Everyday Life" by Annie-B Parson
via The Marginalian by Maria Popova
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David Byrne & Fatboy Slim Disco Musical ‘Here Lies Love’ Heading To Broadway
Here Lies Love, the acclaimed “immersive disco musical” about Imelda Marcos from David Byrne and Fatboy Slim, will premiere on Broadway this summer, with Alex Timbers directing and Annie-B Parson choreographing.
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Today’s compilation:
50 anni di musica internazionale 2001 Soft Rock / New Wave / Soul / Pop / Pop-Rock / R&B / Disco / Folk-Rock / Hard Rock / Blues-Rock / Synthpop / Funk / Dance-Pop / Rock & Roll / Latin Rock
Been listening to this immense six-disc, five-decade retrospective on the history of popular music from 1950 through 2000 over the past week and change that was put out by weekly Italian entertainment magazine TV Sorrisi e Canzoni back in '01. And let me tell you, it's really good.
I mean, It's definitely not perfect (there are admittedly some real headscratchers here, like the awful, not-sure-if-this-was-actually-made-as-a-joke, "Mmm Mmm Mmm Mmm" by the Crash Test Dummies), but it's a very eclectic set of songs, and what sets it apart from other *definitive box sets* of its ilk is that, while any fair-weather music fan will recognize just about every name on here, a lot of times the compiler(s) of this release actually chose to stray away from the most popular song by a bunch of these acts.
For example, they've got Joe Jackson on here, so you'd probably be expecting "Steppin' Out," right? But that's not the song they went with. They chose his much less known, but also great, "You Can't Get What You Want (Till You Know What You Want)" instead. Cyndi Lauper? No, not "Girls Just Want to Have Fun" or "Time After Time;" "True Colors." Stevie Wonder? Not any of his super famous hits, but rather "A Place in the Sun." Toto? No, not "Africa;" "Rosanna." Late 90s Cher? Not "Believe;" "Strong Enough." Tears for Fears? Not "Shout," not "Everybody Wants to Rule the World," not even "Mad World" or "Head Over Heels;" "Woman in Chains." Duran Duran? Not "Hungry Like the Wolf," not "Notorious," and not "Ordinary World." It's their 2000 Oasis-sounding track, "Someone Else Not Me." Gloria Gaynor? Not "I Will Survive;" the superior-in-every-way, "Never Can Say Goodbye." The Spin Doctors? Not "Two Princes" or "Little Miss Can't Be Wrong;" it's their mediocre cover of Creedence Clearwater Revival's "Have You Ever Seen the Rain?"
Now, did that strategy of going with a lesser known hit always work? Certainly not. Sometimes the alternative choice just isn't a very good song. But did that strategy make for something of a unique listening experience overall? Absolutely. And with so many of these box sets that have floated around over the years, all claiming to represent the best that a large chunk of time had to offer, this is one of the better ones, simply because, in a lot of instances, they didn't go with the most obvious choices.
So, if you want a nice, varied mix of enormous career-defining hits and some unexpected, but sweet curveballs, then this is a set that's definitely worth checking out.
Highlights:
CD1:
Bob Dylan - "Subterranean Homesick Blues" The Clash - "Should I Stay or Should I Go" Eurythmics - "Sweet Dreams (Are Made of This)" Michael Bolton - "Soul Provider" Eric Carmen - "All by Myself" Aretha Franklin - "(You Make Me Feel Like) a Natural Woman" Men at Work - "Who Can It Be Now?" Christopher Cross - "Arthur's Theme (Best That You Can Do)" Joe Jackson - "You Can't Get What You Want (Till You Know What You Want)" Santana - "Samba pa ti"
CD2:
Billy Joel - "Just the Way You Are" Simon & Garfunkel - "Mrs. Robinson" Marvin Gaye - "I Heard It Through the Grapevine" Stevie Wonder - "A Place in the Sun" Janis Joplin - "Me and Bobby McGee" Otis Redding - "(Sittin' on) The Dock of the Bay" Paul Anka - "Diana" Harry Belafonte - "Banana Boat (Day-O)" Dionne Warwick - "Heartbreaker" B.B. King - "The Thrill Is Gone"
CD3:
Barry White - "You're the First, the Last, My Everything" Rod Stewart - "Maggie May" Toto - "Rosanna" Donna Summer - "Love to Love You Baby" Natalie Imbruglia - "Torn" Cher - "Strong Enough" Percy Sledge - "When a Man Loves a Woman" The Alan Parsons Project - "Eye in the Sky"
CD4:
Tears for Fears - "Woman in Chains" Duran Duran - "Someone Else Not Me" Rufus & Chaka Khan - "Ain't Nobody" Roy Orbison - "Oh, Pretty Woman" Leonard Cohen - "Suzanne" Enya - "Orinoco Flow"
CD5:
Gloria Gaynor - "Never Can Say Goodbye" INXS - "Need You Tonight" Grace Jones - "Slave to the Rhythm" Peter Tosh - "Legalize It" Ben E. King - "Stand by Me" Van Morrison - "Brown Eyed Girl" Michael Jackson & The Jackson 5 - "I Want You Back" Fine Young Cannibals - "She Drives Me Crazy" Earth, Wind & Fire - "September"
CD6:
David Bowie - "Space Oddity" James Brown - "Get Up (I Feel Like Being a) Sex Machine" Wilson Pickett - "Mustang Sally" Jefferson Airplane - "Somebody to Love" Sam & Dave - "Hold on I'm Comin'" Jerry Lee Lewis - "Great Balls of Fire" Solomon Burke - "Everybody Needs Somebody (to Love)"
#soft rock#rock#new wave#soul#soul music#pop#pop rock#r&b#disco#folk rock#folk#folk music#hard rock#blues rock#synthpop#synth pop#funk#dance pop#dance#dance music#rock & roll#rock and roll#latin rock#latin#latin music#classic rock#classic pop#oldies#music#50s
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David Byrne and the cast of American Utopia on Broadway performed the classic Talking Heads tune "Road to Nowhere" on The Tonight Show Starring Jimmy Fallon last night. The song is featured in the critically acclaimed production and on the original cast album. Before the performance, Byrne sat down to speak with Fallon about the Broadway show and to teach him a bit of his Annie-B Parson–choreographed dance moves from the show. You can watch it here.
#david byrne#american utopia#broadway#talking heads#road to nowhere#the tonight show#jimmy fallon#annie b parson#nonesuch#nonesuch records
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Social media forms are performative solo forms with an odd conflation of friendship and marketing; the body is alone in a room performing the self, with an undercurrent of desire for applause. Without a town square to gather in and hash out the day with neighbors, social media communications have a shading of loneliness underneath.
Annie-B Parson, The Choreography of Everyday Life
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NY TIMES: St. Vincent Is Trying to Understand People
As she releases her sixth album, “Daddy’s Home,” the musician expounds on the lengthy documentaries, Janet Jackson bust and Joni Mitchell album that feed her creativity.
By Olivia Horn
May 4, 2021, 10:00 a.m. ET
Despite the hardships of the past year, Annie Clark’s sixth studio album came together with remarkable ease. “Maybe I earned a fun one,” Clark, who records under the name St. Vincent, mused. “Usually there’s some kind of ‘Dark Night of the Soul’ moment. And there just wasn’t.”
Clark, 38, spent much of 2020 shuttling between her home in Los Angeles and her family’s in Texas. But the record (“Daddy’s Home,” due May 14) was born at Electric Lady Studios in Manhattan, where she and her repeat collaborator Jack Antonoff landed on 1970s New York as their lodestar. The resulting songs ease away from the angular art-pop of “Masseduction” from 2017, opting for gentler, slouchier rock. The relative softness corresponds to Clark’s effort to treat the troubled, complicated characters that populate her record with care. Among them are the broke and lovelorn protagonist of the lead single “Pay Your Way in Pain,” Nina Simone, Marilyn Monroe and her own father, whose release from prison in 2019 inspired the title track.
Clark confessed that she did not meet her quarantine goals of learning conversational Italian or writing a tour bus cookbook, but she did read some books about the gulag. Calling from her “utilitarian” Los Angeles studio, she detailed 10 of her favorite things to watch, read and hear — many of her picks reflecting a fascination with history and an eagerness to unpack social and aesthetic violence. These are edited excerpts from the conversation.
1. William Scott Sculptures
I discovered William Scott’s work through David Byrne, at his place in New York. And when we were on tour with “Love This Giant,” we went to Creative Growth in Oakland [a nonprofit that supports artists with disabilities]. I had my eye on this bust of Janet Jackson. And then when I was back, I went and bought a bust of CeCe Winans. So I have these busts in my library.
A lot of the artists whose work I collect are people who are marginalized from society in one way or another. What I like about it is that the expression feels very pure. These are people who might not have all of the tools at their disposal or the education, or any of that, but they are compelled to make work. That kind of irrepressible urge in people — that I just find so inspiring and heartening and cool. And it’s completely divorced from any of the status of the quote, unquote, “art world.”
2. Adam Curtis’s Documentary Series “Century of the Self”
The way his work has been described is as emotional history or impressionistic history. The lines that he draws between events and trends are not exactly “A plus B equals C,” but the general thesis is like, “the collective consciousness is saying this.” As a writer, I’m always trying to understand systems and understand people.
3. Ric Burns’s “New York: A Documentary Film”
I used to live in a rent-controlled place in the East Village. But it was shady how I lived there, so I was never able to get utilities in my name. I lived there for 10 years and I didn’t have the internet, so I had DVDs. I used to go to Kim’s Video all the time and buy DVDs so when I would wake up hung over and be like, “Oh, just can’t quite make it out of bed today,” I would have something to put on. If I wanted to watch something it wasn’t like “Netflix and chill.” I associate that Ric Burns documentary with being either hung over or tired or both, and watching it in my bed.
4. Joni Mitchell’s “Hejira”
This is one of those Joni Mitchell records that I didn’t hear until I was in my early 20s. Everybody knows “Blue” and “Ladies of the Canyon,” but this is when I became a Joni Mitchell fan, with a capital F. This record’s just so deep. Her lyrics are … Cubist. I’m thinking of the one where she’s like, “In the mirrors of a modern bank/From the window of a hotel room.” And it’s all wiggles, you know? It’s like water, that record. And I don’t mean to make it about me, but I feel like I can understand some of the things that Joni talks about, like the refuge of the road, or watching the world from an airplane or being in a hotel room.
5. Maggie Nelson’s “The Art of Cruelty”
This is one of those books that I picked up six times and would get through a few pages and be like, “This is really brilliant,” but it felt impenetrable at first. Then I had this one weekend where the clouds parted, and I just could see it and plowed through it. It talks about the ethics of being an artist in a way that is so brilliant, and so not orthodox or finger wagging. I think it’s one of those books you can revisit at various points of your life.
6. Her Own STV Signature Series Guitar
Part of it was inspired by Klaus Nomi’s tuxedo. And I wanted it to hit my sternum in a particular way. I am cis female, so the way that it hits the sternum and then has a little bit of a cutaway, it makes room for my breast. But just one of them. There’s only room for one! I love it. It’s the only electric that I play, with very rare exception.
I saw people’s pictures of it from the Met [in the exhibition “Play It Loud: Instruments of Rock & Roll”], because I never got a chance to go and see it in real life. Most of the time, I just kind of like quietly put my head down and work — and then every once in a while, I look up and see something that I’ve made, and it’s mysterious that it’s in the world.
7. Wim Wenders’s “Pina”
I love Pina Bausch’s work. I was really inspired by “The Rite of Spring,” where the virgin dances herself to death. There’s this one particular movement that was like, drawing your hand above your head, and then when you pull it down, your elbow goes into your stomach — sort of like you’re open and then you’re impaling yourself. It just moved me to tears. So when I worked with my friend Annie-B Parson to choreograph the Digital Witness Tour, I was like, “Can we please incorporate this?” Another big thing: I was obsessed with falling. That was another big part of the Bausch work. How do you fall and make it look violent but not hurt yourself? I’d get a rehearsal room with Annie-B and just practice falling.
8. Vintage RCA 77-D Microphone
It’s an old ribbon mic, and it just sounds so good and warm. I know these are words that might not mean that much — when people describe sound as warm, it’s reductive. But it makes things sound and feel true. I don’t mean that it has perfect fidelity. What I mean is that when you sing into this microphone, what comes back at you feels honest. My friend Cian Riordan, who mixed “Daddy’s Home,” hipped me to this mic.
9. “Hidden Brain” Podcast
There was one recently about the idea of honor culture. You know, if someone is insulting someone’s masculinity and masculinity is tied up with honor, you have to avenge that insult. A lot of these “honor societies” end up with more violence because you have to save face and there’s less ways to assimilate conflict. The premise of so much of “Hidden Brain” is that we live by the stories we tell ourselves. And as a storyteller, that idea is very liberating to me, because if we live by the stories we tell ourselves, it means that when we get new information, we can assimilate that information and tell ourselves new stories.
10. Piazza della Signoria in Florence
The first time I was there was with my mom and sisters. I remember just walking through this piazza and having a wonderful time and wonderful conversation, and really being awe-struck by the architecture and the history, and just that life was beautiful. Another time, a number of years later, I was on tour with David Byrne and we had our last show in Florence, and I remember walking through with band members and then having the best dinner of my life after. It’s one of those places where, at very pivotal points of my life, I’ve been there and only beautiful things have happened to me.
#st vincent#annie clark#interviews#i like when interviews/articles contain lil nugs no one has heard about before#such as this one with the shady living situaish in the rent controlled apt#and KIM’S VIDEO#WHICH I ALSO WENT TO WHEN I LIVED IN NY#I feel like we’d always go there to get weird obscure hard to find movies#also:#re:re: ‘warm’ think the term she is looking for is ‘like butter on tiddies’#’WELL ITS WARM’#are those m&ms ive done those#nice brain btw#🦦
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💗 i would like a list of all 3 million potential pairings please 🙈
my god, i would love to take the time out of my day to give that to you, and just know that we can ship literally anybody and everybody because that’s all we ever do in the first place and you know how much i love doing that with you too. my favorite writing partner everybody, bre is hands down the best partner in the whole world, and i’m lucky enough to be able to have her at all. she’s mine and i’m never going to let her go because i love her so much! she’s literally the best thing to ever happen to me and i know i wouldn’t be here through the shitty times and all without her! everybody better go follow her right now and send her all the love i swear to god, because she’s the only person on this hell site that shows me the attention that i deserve! also that list of potential pairings is below the cut, and don’t say i didn’t warn you. 👀
send 💗 if you’re open to the possibility of a romantic ship eventually happening between our muses
all these characters are up for shipping with all your characters:
alex gardiner (paul rudd) alexander hamilton (lin-manuel miranda) alex mullner (brant daughterty) alice liddell (madelyn cline) alisha khara (jameela jamil) annie abel (luna blaise/anya chalotra) antonia moreno (victoria justice) apollonia levine (anastasia karanikolaou) arthur pendragon (niall horan) ashley spinelli (ursula corbero) aspen rhodes (sofia black-d'elia) astrid porter (karlie kloss) audrey ramirez (selena gomez) august khalil (rami malek) axel turner (charlie weber/skeet ulrich) aziz hassan (riz ahmed) bailee rose (jenny boyd) bambi prince (lachlan watson) barbie roberts (kate upton) barley lightfoot (michael clifford) beatriz velasco (camila cabello/diane guerrero) beau hester (froy gutierrez) beck collins (joe keery) bellatrix lestrange (carmela zumbado) belle dubois (margaret qualley) belle summers (candice king) berliouz bonfamille (alex fitzalan) bernard davenport (gavin leatherwood) billie groves (kiana lede/emmy raver-lampman) billy hargrove (dacre montgomery) bindi culver (meg donnelly/rachel mcadams) bo-peep ‘bo’ patterson (amanda seyfried) brady gardiner (nathaniel buzolic) brielle stewart (alexandra daddario) bronwyn pierson (madelaine petsch) buzz lightyear (paul mescal/chris pine) calliope jung (phillipa soo) camille aguilar (jeanine mason) carl fredricksen (tye sheridan) celeste quintana (rosalia/maite perroni) chandler armstrong (iwan rheon) cinderella tremaine (lily james) clementine ahn (jamie chung) cliff egan (stephen amell) colleen lowell (jodie comer) connor catrell (thomas doherty) copper slade (nick jonas) cordelia goodwin (ryan destiny/candice patton) coriander thompson (dacre montgomery/chris evans) cornelius robinson (simon baker) cruella de vil (melanie martinez) cyrus quinney (owen joyner) daisy vaughn (isabella gomez/aimee carrero) dakota atkins (amber midthunder) dale monks (keiynan lonsdale) dalton davis (harris dickinson) daniela ‘dani’ costello (becky g/eva longoria) dash parr (jaden smith) delilah diaz (camila cabello/diane guerrero) delphine washington (antonia thomas) delta montgomery (manu gavassi) denver koch (thomas elms) devon montgomery (iain de caestecker) diego hargreeves (david castaneda) dorcas meadowes (ariela barer) dory blau (julia louise-dreyfus) duke blaise (ashley graham & matthew daddario — reincarnated) duncan traeger (zac efron) edmund whittaker (richard madden) edwin orwell (nicholas galitzine) elena flores (jenna ortega) eleonora moretti (benedetta gargari) eleven (millie bobby brown) elio montgomery (noah schnapp/brendon urie) elisabeth ‘elsa’ andersson (candice king) elliott murdoch (kj apa) eloise thompson (taylor hill/zoey deutch) elwood leith (sam claflin) emerson wheaton (beau mirchoff) emily sondheim (eve fraser) emmy silverstein (nat wolff/michiel huisman) ericka ‘ricki’ santos (danna paola) esmeralda guybertaut (priyanka chopra) everest sorenson (adam driver) ezekiel ‘zeke’ bauer (neels visser) fa mulan (awkwafina) felix dawson (lukas gage) ferris rockwell (joshua bassett) five hargreeves (aidan gallagher/rob raco/john mulaney) florence prata (barbie ferreira) flynn rider (jacob elordi/steven r mcqueen) frank castle (jon bernthal) gabrielle dupres (louriza tronco) genevieve rizzo (troian bellisario) gill moorish (harrison ford) godwin vivar (diego boneta) grainger anslow (justin hartley) grant wesley (keanu reeves) griffin price (liam hemsworth) guinevere ‘gwen’ flores (ester exposito/ana de armas) gulliver kennedy (robert sheehan) gunner mccoy (miles heizer) halston krogen (nick robinson) hamish duke (thomas elms) harper graves (sydney sweeney) harry potter (alberto rosende) harvey wolff (joaquin phoenix) hawke bradbury (brenton thwaites) helen parr (megan thee stallion/kerry washington) hendrix palmer (mark fischbach) henley howell (dylan everett/paul wesley) henrik nilsen (herman tommeraas/chris evans) hercules sabri (aubrey joseph) hermione granger (quintessa swindell) holden krogen (jack falahee) holly la stella (olivia holt) honey lemon (irene ferreiro) hudson reid (jaeden lieberher/paul mescal/james mcavoy) irving reid (matty healy) isobel evans (lily cowles) jacoba ‘cobi’ abernathy (geraldine viswanathan) jake bennett (joe jonas) jake breckenridge (landon liboiron) james potter (noah centineo) james ‘sully’ sullivan (hozier) jane porter (zoe sugg) jasmine agrabah (naomi scott) jessica jones (krysten ritter) jim hopper (david harbour) johanna ‘jo’ gardiner (carlson young) josefine olive (lili reinhart/maika monroe) joseph ‘joey’ carnegie (chris o'dowd) juliette russo (camila mendes) juno nicks (gideon adlon/linda cardellini) justin miller (michael b. jordan) keaton green (charlie plummer/austin butler/alexander skarsgard) keifer fry (nathan parsons) kennedy sutherland (florence pugh) khalid farid (mena massoud) kiernan jost (jack barakat) kiki penn (natalie alyn lind) kim possible (karen gillan) kit dempsey (aaron taylor-johnson/michael sheen) kristoff bjorgman (ben hardy) kuzco inca (tommy martinez) lady alvarez (camila cabello/diane guerrero) lake montgomery (jace norman/casey deidrick/jeff goldblum) lazarus (sean teale/tom ellis) lennox wells (billie piper) leonardo ‘leo’ light (armie hammer) levi wesley (gerard butler) liam wheaton (lucas lynngaard tonnesen/dominic sherwood) lilac montgomery (sophia lillis/deborah ann woll) lila pitts (ritu arya) lilo pelekai (courtney eaton) lola carver (carla gugino) macy merritt (kylie jenner) madeline hawkins (rowan blanchard/kaylee bryant) madison bloomfield (gwyneth paltrow) maggie wheaton (virginia gardner) maria deluca (heather hemmens) mariana de la cruz (victoria justice/salma hayek) marianne darden (elizabeth olsen) marisol torres (alexa demie/salma hayek) marlene phan (brianne tju) matilda franks (brooke markham) matthew murdock (charlie cox) max tian (chloe bennet) mckenzie whitman (danielle rose russell) megara creon (ashley moore) melanie carter (brenna d'amico/zooey deschanel) melody burns-newman (camren bicondova) mercutio bellini (giancarlo commare) merida dunbroch (bree kish) michael ‘goob’ yagoobian (dylan o’brien/andrew scott) mickey hader (shawn mendes) miguel rivera (diego tinoco) mike wheeler (finn wolfhard) mildred ‘millie’ brantwood (stella maeve) milo martinez (itzan escamilla/tyler posey) milo thatch (jason ralph) minerva ‘minnie’ winslett (jenna coleman) mischa locklear (jenny slate) moana motunui (auli'i cravalho) molly wheaton (saoirse monica jackson/kristen bell/kristin chenoweth) monet bugg (annie murphy) mordecai ‘cai’ baird (joseph morgan) murray bauman (brett gelman) nadja (natasia demetriou) naomi phillips (hunter king) natalie fuller (krysten ritter) nate gardiner (tom holland/thomas hayes/joe keery/adam scott) nemo fisher (nick robinson) nick novak (jon bernthal) nick wilde (jake johnson) nina baxter (laura harrier) nolan van ness (louis hynes/benjamin wadsworth) nymphadora tonks (kennedy walsh) odessa barnes (inanna sarkis) osbourne russo (oliver jackson-cohen) otis richardson (finn jones) owen monroe (zachary levi) paloma katz (brittany o'grady) paxton gardiner (douglas booth) pearl turner (maia mitchell/aubrey plaza) penny proud (sarah jeffery) perdita ryan (alisha boe/zoe kravitz) perrie wheaton (ariela barer/jessica alba) peter pan (rudy pankow) peter pettigrew (alex lawther) phil mcdermot (leo howard/dylan o’brien) phineas flynn-fletcher (michael provost) piper donahue (millie bobby brown/katherine langford/felicity jones) pippa mei (amy okuda) pollux isola (camila mendes) portia sadler (hayden panettiere) prairie gallagher (lucy boynton) quaid ‘q’ wright (jake gylenhaal) quinton saunders (jamie dornan) rain montgomery (nick jonas) ramona montgomery-wallis (lana condor/ashley park) reed knightley (arthur darvill) reign fentworth (madison bailey/vanessa morgan) reno thames (joshua bassett) richie tozier (finn wolfhard/bill hader) river montgomery (jack griffo/tyler blackburn) robin buckley (maya hawke) roger holtz (ben platt) roger radcliffe (aaron tveit) romy reyes (carmela zumbado) ronald ‘mac’ mcdonald (rob mcelhenney) roosevelt banks (spence moore II) rowan burke (andy biersack) roxanne sutton (lady gaga) rush mccoy (cody fern) russell montgomery (ian harding/hugh jackman) russell montgomery II (jack dylan grazer/timothee chalamet/adam brody) sable rosales (catherine bascoy) saint fentworth (reece king) sally finklestein (marina ruy barbosa) salvador ‘sal’ mendoza (jorge blanco) samson gardiner (cole sprouse) sandy diamandis (christina hendricks) sawyer bell (penn badgley) seamus kennedy (aria shanghasemi/michael sheen) seb seif (zeeko zaki) selena hada (camila cabello/diane guerrero) severus snape (rob raco) shawn taggart (ben barnes) shay strauss (chris wood) shia zoheir (rami malek) shiloh young (devery jacobs) shiri madani (inbar lavi) simba king (john boyega) sloane shapiro (diana silvers/linda cardellini) sofia ramirez (camila cabello/camila mendes/morena baccarin/fluvia lacerda) stefani vidal (louriza tronco) stella romero (adria arjona) steve harrington (joe keery) stevie wagner (anne hathaway/jennifer garner) sutton reiser (katherine langford/kat dennings) tandy hawthorne (giorgia whigham) tanner cohen (ross lynch) tarrant ‘mad hatter’ hightopp (hale appleman) tarryn fischer (giorgia whigham/perry mattfeld) tatum barton (ben schwartz) teddy flood (james marsden) tex navarro (bad bunny) thad abraham (dylan sprouse/chris evans) the handler (kate walsh) thomas gardiner (felix mallard/paul rudd) tierney kennedy (maisie williams) timothy ‘tigger’ trigger (jeremy allen white) tinker bell (sabrina carpenter) tj lieberman (armie hammer) tommy burns (will poulter) topher larkin (alexander hogh andersen) trey turner (jonathan daviss) ursula celia (normani/lizzo) vaughn abel (max greenfield) veronica lodge (camila mendes) vidia viento (emma dumont) vivica lang (madison pettis/tessa thompson) wanda cowell (brenda song) warren wentz (robert pattinson) wendell langston (link neal) wilbur robinson (david mazouz) winnie knox (sophie turner/jessica chastain) wren green (alexander calvert) wynona winstead (sarah hyland/cristin milioti) xander talbot (g-eazy) york pemberton (heather baron-gracie) yusef barlas (zayn malik) zack abrams (alex fitzalan) ziggy (taron egerton) zoey matthews (olivia munn)
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