#annes one of the rare writers that makes you wish she tried to put less representation in cause of how bad she is at writing it

[wellijustfinnihedoneofthebooks]

Blackwood farm may be a kinda questionable entry in the vampire chronicles BUT that is only because it wasnt told in what its true medium shouldve been, an internet arg

[dreamcatcherfication]

Welcome to the Murder House - Lights Up on Hampton High

Fuck it. I wasn’t going to post anything today, mush less this, but I thought I’d surprise you all. The only person who really knows about this is @theatergirl06 who read half of the first chapter way back during our ask war (it’s been over a month since then, I think!). I have the whole plot written out already, but I realized I would never finish this unless I started posting and pushed myself to work on it.

A little context! This is my high school/murder mystery AU that’s been in my google drive for a while now (no, it’s not based on WATT - not majorly, at least). PSA: I’m using American style high schools because I’m not British and I don’t want to mess something simple up. I’m cruel, and let’s just say there are going to be many, many plot twists. Also Parrlyn is in there. But enough rambling - it’s time I welcome you... Welcome to the Murder House, please enjoy your stay.

Writing Masterpost

If you want to send a request or a prompt, my inbox is always open! I publish a story at 8:00 AM PST everyday, so I’m always in need of new ideas. If you want to be tagged in my works, just let me know and I’ll be sure to tag you!

Prompts | More Prompts | The Trifecta of Prompts | Original Prompts

Trigger Warnings: Talk of death, the typical amount of swearing/insults you’d expect from high schoolers, brief slut shaming/sexual harassment, high school bullying, mentions of parental abuse

Anne Boleyn was the most popular girl in school, and it was obvious to anyone just why. She was the prettiest girl around with the most desirable figure. She had a sharp wit, ready to cut anyone who got too close for comfort, yet at the same time drew everyone in. Everyone at Hampton High bowed down at the feet of Anne Boleyn, worshipping her very existence. Any newcomer to the school would immediately be enlightened on her legendary rise to fame.

The only thing Anne Boleyn was more infamous for than her rise to power was her fierce protectiveness over her cousin, Katherine Howard. Katherine was only a sophomore but she had quickly climbed the ranks at Hampton due to Anne keeping her close at all times. It was rare to see the cousins separated outside of their classes. 

Kitty Howard was an innocent lamb compared to the predator that Anne was among the student body. Anne sheltered her from any boy wishing her harm and attacked anyone who even looked at Kitty wrong. Unaware to Anne, this backfired on Kit, keeping her from making any friends of her own other than the seniors Anne deemed acceptable to be around Kitty.

This included Anna von Cleves and Cathy Parr, two of Anne’s classmates whom she had the most faith in. Anna was vulgar and unafraid to fight someone bold enough to challenge her, a butch senior with a history of disciplnary trouble. Anne had known Anna since elementary school when their teachers thought it would be fun to pair the two together due to their names. On the other hand, Cathy was quiet and supportive, but also a talented writer with distinct opinions and uncontrollable stubbornness. She had transferred to Hampton in junior year and Anne had taken her under her wing, hurling her up the social standings. The four of them were the golden quartet of Hampton High and no one dared mess with them.

Not when they were together at least.

Henry Tudor was a popular, brutish jock with as many brain cells as inches on his dick. In his time at Hampton, he had dated six girls, including all of the four aforementioned girls. His first girlfriend, Catherine de Aragon, had dated him for the entirety of freshman year and half of sophomore year. It was in their second year when Catherine found out that Henry had been cheating on her with Anne Boleyn, some popular queen at school. Catherine tried to confront Anne but was instead humiliated and kicked down the social ladder. Anne was boosted to the most popular girl after getting together with Henry.

But karma always came back, and Anne found out her idiotic boyfriend was cheating on her as well. Jane Seymour, the sweet student council member had been seeing Henry before he broke up with Anne. She refused to back off Henry, leading to Henry breaking up with Anne so the two of them could be together. But Anne wouldn’t let herself be pushed out of the light like Catherine, so she fired back at Henry, stepping on him to secure her spot at the top of the social ladder.

After a pregnancy scare, Jane broke up with Henry, too frightened to stay with someone like him. So Henry moved on and tried online dating, meeting HotAC and taking a liking to her. Too bad that when he tried to hook up with her, he found out that she was one of Anne Boleyn’s friends. Too embarrassed to admit that he was scared of getting on Anne’s bad side again, Henry accused Anna von Cleves of being an ugly horse and turned half the student body against Anna and the others.

Thus began the ongoing feud between Henry Tudor and his jocks with Anne Boleyn and her Golden Quartet.

Henry’s final girlfriend was Cathy Parr, if only briefly. When she first got to Hampton, Henry latched onto her and essentially peer pressured her into dating him. Barely a month into the two of them being together, Anne pushed her way into the relationship and saved Cathy from an unsavory high school experience with Henry.

The bad blood between Anne and Catherine and Jane kept the three from interacting, but Anne was fiercely protective of all the other previous girlfriends of Henry Tudor. Senior year, finally the drama with Henry had cooled down and the school seemed to be at a standstill, waiting for the next bombshell to drop. No one dared to talk about Henry’s fifth girlfriend to Anne’s face for fear of what she would do at the mention of his actions...

Like any other day, Anne was sitting at the quartet’s lunch table while Anna was on top of the table itself. Anna had one hand leaning against the table as well as one foot up while the other dangled off the edge. “It said some pretty nasty stuff, are you sure you want to know?” Anna asked hesitantly, her eyes on Anne’s clenched fists.

“Yes, I want to know what they’re saying about my cousin,” Anne gritted out through her teeth.

Nervously scratching her nose, Anna relented. “It was on her locker, thank God she didn’t notice. There was some cheap photo from a porno with the words ‘Slutty Kitty’ written under it.”

“Those dickwads!” Anne slammed her hands against the table.

Rushing to calm Anne down, Anna assured her, “Hey, Cathy and I cleaned it off before Kit could see it.” It was a miracle she managed to calm Anne down, even if only by a little bit. The popular girl was known for having a temper, and it had been a long time goal of Anna’s to balance her out.

What neither of the girls noticed was Kitty herself approaching the table, her backpack pulled tight around her body. She had overheard the conversation, but put on a perky attitude to make it seem like she was oblivious. Anne didn’t like when Kitty was sad, so she tried to avoid being sad around Anne. No need to worry her cousin about something stupid like high school bullying. “Hi Anna, Hi Annie!”

The two girls turned to face Kit and smiled. “Hey Kit,” Anna said, sliding off the table to sit on the bench across from Anne.

“How’s my favorite cousin?” Anne asked, scooting to the side so there was room for Kitty.

Shrugging, Kitty put her backpack on the floor. “I’m fine. Science was boring, as usual. But in history we started talking about the French Revolution, and I told my partner about the time you built a guillotine -”

Gasping in playful shock, Anne covered her cousin’s mouth. “I thought I told you never to talk about that incident!” Anna leaned forward dramatically, even though she had already heard the story multiple times.

“You tried to chop my head off for treason!”

“It was out of love -”

“How do you chop someone’s head off out of love?”

Before the conversation could escalate, Cathy entered the cafeteria and made her way over to the table, catching the trio’s attention. “Hey Cathyyyy,” Anne said, batting her eyelashes at the other girl.

Ignoring Anne, Cathy sat down on the other side of the table with Anna. “Are you still working on that article for the newspaper?” Anna asked before taking a bite of her rice and chicken (yes, she was the stereotypical black girl. She knew and was proud of it).

Nodding in confirmation, Cathy sighed and banged her head on the table. A moment later she lifted her head again and gave the others a tired smile. “Yeah, and it’s kicking my ass. I was just interviewing Jane Seymour and Catherine de Aragon about -”

“Woah woah woah, you were talking to Jane Seymour and Catherine de Aragon?” Anne gaped at Cathy.

“Well yeah, it’s for -”

“Why would you talk to them?” Anne exploded. “They’re massive bitches and you know our history. They’re the reason behind all the rumors at school and you entertained their bullshit?”

Giving Anne an incredulous glare, Cathy shot back, “Okay first, I was only talking to them because they’re both in charge of the student community service branch of council and I needed their interviews for the paper. And two, even if I did want to talk to them, who are you to tell me who I can and can’t be friends with? You’re popular Anne, but you’re not our dictator.” All the girls were open mouthed at Cathy’s tirade, but the girl in question only sighed and ran a hand through her hair. “I’m sorry Anne, but let me make my own decisions.”

Swallowing thickly, Anne nodded. “Right, I’m sorry Cathy. Just… the three of us don’t have a good history.”

Laughing lightly, Cathy made eye contact with Anne. “Yeah, I know.”

“More like the whole school knows,” Anna mumbled, giving Anne a fake smile when her head shot to the side to glare at her friend. But when Kitty giggled, Anne let Anna off the hook and laughed with her cousin.

“Hey Anna, you’re still good to walk Kit home, right?”

Shooting Kitty a cheeky grin, Anna confirmed with Anne. “Yeah, I’ll make sure no wild kidnappers jump out to catch her while you’re not there.” They all joked about it, but everyone knew how protective Anne was over her cousin. 

“And Cathy, you and I are still -”

“Still going to infiltrate the cafeteria in order to prove there is malpractice going on, yes.”

Rolling her eyes, Anne complained, “Come on, you make it sound so boring. We’re going to break into the school and cause chaos in the cafeteria.”

“That sounds like fun!” Kit agreed, bumping shoulders with Anne.

Resting her chin on her hand, Cathy exhaled loudly. “It is not fun, it’s important. If we can prove the food isn’t up to health standards, then we can finally take some steps towards proper changes around here,” the writer explained.

“Wait, does that mean they’ll get rid of the pizza?” Anna asked.

“NOT THE PIZZA!” Anne cried, far louder than she should have. Kitty shushed her when some of the nearby tables looked over. Protectively, Anne hunched over the last slice of pizza still on her plate. It was far from healthy but Anne was addicted to the grease.

The only ones at the table who didn’t have lunch were Cathy and Kit. Cathy tended to sleep or work during lunch, so she trained her body to run only on two meals and a plethora of snacks throughout the day. And although Kit wouldn’t admit it, her father never gave her any lunch money or provided her with lunch foods. If she asked, he would give her lunch but then refuse to serve her dinner, so Kitty learned to stop asking. “Look Anne, if you want to break into the cafeteria with me, you’re going to have to forfeit your pizza rights.”

In an almost comical moment, Anne actually contemplated whether to choose pizza or breaking and entering, but eventually she gave in. “Alright, I’m sorry pizza, my second love!” And then Anne devoured the slice.

The other three girls rolled their eyes. Whenever Anne made a comment about “my second love” it was almost always followed up with something like - “As much as I love you pizza, you never stood a chance against Cathy Parr, the apple of my eye.”

For as long as the quartet had been friends, Anne had been flirting with Cathy. None of them questioned it anymore, and even Cathy had become accustomed to the constant shows of affection. Both girls were obviously attracted to each other, but Cathy made it very clear she didn’t want to date anybody anytime soon. So instead, Anne kept serenading her with proclamations of love.

Later that day, Anna and Kit were talking home together, comfortably chatting with each other. “She built the guillotine to threaten Mary, but Mary scares Anne way too much - even though she’ll never admit it - for her to actually attempt it.” Anna nodded along to the story, even though this was probably the fourth time Kit was telling it. “So when I told Anne that the guillotine idea was stupid - which it was! - she accused me of treason.”

“How dare she,” Anna spoke in mock horror, playing along with Kitty.

“Right! Ugh,” Kit groaned, “so of course George was on board with it because he’s always on board with Anne’s shi-” 

Anna shushed Kit aggressively before she could curse. “I may not be your cousin but I don’t want my head chopped off if she gets wind I let you curse.”

Kit frowned but then continued her story. “So they got the guillotine which looked so scary, because I was only ten, and carried me to it execution style. George held me down and everything while Anne tied a blindfold around my eyes. By now I’m freaking out because no one’s stopping them - I didn’t actually think they were gonna kill me,” Kit scoffed in the self assured voice of someone who was most definitely lying. “And whoosh! The blade comes down and I don’t scream, and the two of them are laughing at me!” Kit pouted and stomped her foot in frustration. “The blade was fake, it was only styrofoam.”

Lightly punching Kit’s shoulder, Anna commented, “Must’ve been traumatising.”

“It was embarrassing,” Kit groaned.

“Well it’s your fault for hanging out with them.”

Perking up at those words, Kit ran ahead and spun around so she was walking backwards and facing Anna. “On the topic of hanging out with people…”

Quirking up an eyebrow, Anna invited, “Yes?”

“Do you think Anne would be mad if I hung out with other people?”

Furrowing her eyebrows, Anna shrugged. “I don’t know, Anne’s pretty unpredictable. But it’s like Cathy says, she can’t control who you hang out with.”

“So…” Kit waited for confirmation. “Does that mean it’s okay to be friends with other people?”

“Of course Kit, you can be friends with whoever you want,” Anna told the sophomore. The two of them had known each other practically their whole lives, Anna remembering Kit from when she was a toddler. It gave her a lot of teasing material, but usually she left that to Anne. If Kit wanted to branch out and meet new people, Anna would support her without hesitation.

Unbeknownst to Anna, Kit already had an idea of who she wanted to befriend. In her mind, it made perfect sense. Together, the six of them all shared the misfortune of dating Henry, so why shouldn’t they be friends? Or at least acquaintances. She had never told Anne, but Kit found her rivalry with Jane and Catherine stupid. They had so much they could relate to, why let past bad blood govern their relationships?

Anna waved Kit goodbye when they reached her door. “I’ll see you tomorrow Kit,” Anne called, watching to make sure Kitty got inside safely.

“Bye Anna!” she replied, unlocking the door and moving inside. Once the door was closed, Kit let her backpack slide off her back as a smirk grew on her face. She couldn’t wait for tomorrow.

Anne kept turning around in her seat to watch the cafeteria doors, completely ignoring her lunch. Whatever Cathy and Anna were talking about faded into white noise as she peered through waves of students passing through the doors. She couldn’t focus on anything, frantically searching for any sign of her cousin. “You alright Anne?” Anna asked, breaking her conversation with Cathy.

Removing her gaze from the crowds, Anne faced her confused friends. “Have either of you seen Kitty today?”

“I saw her during passing period,” Cathy commented, twirling a pen in her hand.

“Right,” Anne mumbled, shooting another glance at the door. “She’s late for lunch.”

“Maybe a teacher’s holding her up,” Anna offered, 

Still, Anne was unconvinced. “You think something’s wrong?”

“No,” Cathy waved her hand. “Kit can take care of herself, Anne.”

“But what if -”

“But what if nothing,” Cathy cut her off. “She’s not eating lunch with us for one day. It’s not a big deal. You’ll see her after school Anne, and everything will be fine.”

Sighing, Anne shook her head, glancing at the empty seat next to her. “Everything will be fine,” she told herself.

As for Kit, she was on a mission. Jane Seymour and Catherine de Aragon tended to stay away from others, not interacting all that much with the student body. They were both reserved, so Kit didn’t expect to be able to confront them easily. It was pure dumb luck she ended up where she did.

While leaving her classroom for lunch, Kit had been swarmed by a bunch of juniors who knocked her over without apologizing. All her books went sprawling across the floor, stepped on by her inconsiderate peers. Scrambling around, Kit tried to pick up her papers before they could be ripped or further damaged.

A hand came into view, holding her history textbook. Looking up, Kit was stunned into silence at the kind face of Jane Seymour. “You dropped this,” she prompted, holding out the book.

Hesitantly taking it, Kit murmured, “Thank you.”

Her eyes sweeping across the floor, Jane offered an apologetic glance at the mess of papers. “Do you need some help with this?”

“Uh,” Kit blanked. “That would be great!” she accepted a little too enthusiastically. Jane only chuckled and bent down to help grab the papers.

It occurred to Kit for a moment that Jane might not know who she is. But when Jane handed her the last of the papers and said, “There you go Katherine,” that thought went flying out the window. Biting her lip, Kit awkwardly shifted on her feet. She could leave right now and go have lunch with her friends or… Jane seemed to catch on to what Kit was waiting for. “Would you like to eat lunch with me?” she asked.

Without a second of hesitation, Kit nodded her head. “Yes, I’d like that.”

“Well okay then,” Jane grinned, leading Kit away from the cafeteria. “Catherine and I - Catherine de Aragon,” she clarified as if Kit didn’t already know, “we sit outside. It’s peaceful and not many people come to bother us.”

“Sounds nice,” Kit replied, her voice still soft. Jane noticed but decided not to comment on it. She wasn’t one to judge people.

When the two of them made it out of the building, Jane was flagged over by Catherine de Aragon who was sitting on a blanket under a tree. It seemed like she had set up for a picnic, even though they were still on school grounds in the middle of a school day. “You brought a guest today?” Catherine raised her eyebrows at Jane, her lips tugging upwards.

“Sure did,” Jane replied, plopping down next to her. “You can sit down wherever you like Katherine.”

Awkwardly shuffling to the opposite side of the blanket, Kit sat down and hugged her backpack to her chest. She didn’t have any lunch, as per usual, so she used her backpack as a barrier between her and the other two girls. Suddenly, she cursed herself for wanting to make new friends. Where had this social anxiety been before she got here?

Catherine and Jane seemed to notice her awkwardness (who wouldn’t?), so they attempted to get rid of it. “So Katherine…” the other Catherine started. “Why’d you want to have lunch with us today?”

Mumbling lightly, Kit felt a small blush of embarrassment rise to her cheeks. “What?” Jane prodded, unable to hear Kit’s answer. 

“I wanted to make new friends,” she told them, burying her head in her arms.

The two seniors shared a glance before turning their attention back to Kit. “Of course you can be our friend,” Jane assured her.

“Really?” Kit peeked her head up.

“Sure, why not,” Catherine answered. “You seem nice enough, and there’s no reason for us not to be friends.”

Frowning, Kit picked at her fingernails. “But Anne.”

Visibly, Jane flinched and Catherine’s face morphed into a snarl. “You’re not her,” Jane spoke calmly, putting a hand on Catherine’s arm. “If you want to be our friend, we’re not going to let that come between us.”

For a moment, Kit almost ran away. This is what she wanted, but now that it was being presented to her, she was terrified. She had never had friends that weren’t also Annie’s. She didn’t know how to start her new friendships other than with, “Okay.”

Catherine and Jane shared a glance. “Okay.”

“Well this is going to be awfully confusing for me,” Jane laughed, “Two C/Katherines!”

“Oh!” Kit perked up, “You can call me Kat. Or Kit. Or Kitty. Any of them work.” Then to herself, “Wow, I have a lot of nicknames.”

Chuckling, Catherine stuck out her hand. “Kat’ll do. Well Kat Howard, I’m your new friend Catherine.”

“And I’m your new friend Jane. Pleasure to make your acquaintance.”

At the end of the day, Kit almost screamed in surprise when Anne practically rugby tackled her to the ground. “Where were you!” Anne demanded, hugging Kit tightly. “I was so worried.”

“I’m fine Annie,” Kit assured her cousin. 

“Then where were you?” Anna stood beside Anne, watching the scene unfurl. Anne was huffing, her face red, a cross between relief, fear, and anger. The Boleyn girl cared so much about her cousin, but sometimes she became overbearing.

Hugging Anne back, Kit explained, “With my new friends.”

“You have new friends!” Anne brightened, pulled Kit closer. “That’s amazing! Do I know them?”

Letting out an awkward laugh, Kit prepared for the worst. “Jane Seymour and Catherine de Aragon,” she admitted.

Freezing, Anne slowly pulled away from Kit. “What?” she asked, her face as hard as stone.

“Jane Seymour and Catherine de -”

“I heard what you said!” Anne screeched. “You of all people, Kit!” Turning around and stomping a few feet away, Anne screamed into her hands. She spun back around to face Kit and marched up to her. “Those girls aren’t worthwhile friends. They don’t actually care about your wellbeing -”

“How do you know that!” Kit fired back in frustration. “You’re blinded by this stupid fued that’s been going on for years. They were nice to me and we didn’t even have to talk about Henry or any of that.”

Clenching her fists, Anne tried to stay calm. “I don’t trust them Kit. I don’t feel comfortable letting you hang around them.”

“Good thing it’s not your choice then,” Kit stood up for herself. Anna continued watching to the side, frantically texting Cathy for backup. She wasn’t getting any response.

Yelling through her teeth, Anne pulled at her hair. “Kitty, my dearest cousin,” she spoke in a sweet voice. “You know I love you.”

“Don’t you dare and try and guilt me.”

There was a moment where Anne almost continued, but her conscience kicked in. She knew Kit’s history with guilt tripping, and that was a line she would never cross. Before either of them could make another comment, Cathy came bursting out the school doors, sprinting towards them faster than she had ever run in her life. Anna looked up from her phone which she had been repeatedly texting Cathy on. “Cathy? What’s wrong?” Anna called.

Gasping for air as she slid to a stop in front of them, Cathy’s face was ghostly white. “Christina Denmark is missing. The police think she’s been murdered.”

------------------------------------------

Tag List:

@radcowboyalmondtree @boleynhowards @annabanana2401 @babeebobo @dont-lose-your-queerhead @everything-insanity @mindless-pidgeon @i-wanna-dance-and-sing-six @thenicestnonbinary @its-totes-gods-will @thatbolxyngirl @thenameisnoone @sixqueendom @frogs-in-clogs @timetoriseabove

[popculturebuffet]

Loud House Reviews: The Loudest Thanksgiving

It’s almost Thanksgiving! And a vastly diffrent one than in recent memory: Most of us are slimming down family gatherings to just whose in our house, you know because theirs a pandemic going on and it’s not worth risking your life for it. To those either guilting their families into it or doing so because MAGa or some such I only have this to say. 

Speaking of Black Friday i’ts spread over a week and it’s cyber deals mean I got a ton of graphic novels for a dollar a piece and my christmas shopping almost done. So in other words, boo Maga, yay safe and responsible captalisim.  But while the holiday may be diffrent, as well as the pseudo holiday attached that spawned a wonderful musical and many many injuries, one thing stays the same; Holiday Episodes. And despite being the less popular of the three holidays, Thanksgiving still produced tons of great holiday episodes and specials. And with everything being so busy I simply didn’t put too much thought into what to do for Turkey Day.. well okay the day proper i’m going to eat, spend time with family and watch a bunch of mystery science theater 3000, stay the course even in these troubling times, just with only the 4 other people who live in my house. But in terms of episodes I thought i had nothing.. then I started actually thinking on it and what do you know I have three things I want to do for the holiday, though one might wait till next year, and possibly a fourth. But given my workload currently, i’m not one to back away from a challenge, so welcome to a three or four course meal of reviews. First course: The Loud House thanksgiving special, the loudest thanksgiving.  I originally wasn’t going to do this one, mostly because due to my large workload and constant battle with procastination, I keep having to push back the latest episode review, and I have to do that one soon, as there’s a new episode in december and a christmas episode i’ve put off watching for far too long , as I INTENDED to watch eleven louds a leapin for every chirstmas up till now and never got to it before the season was over.  But just like elven louds.. Nick forced my hand.. and by that I mean the SPINOFF got a thanksgiving episode that’s also a sequel in some fashion to this episode. If I wanted to cover that episode this thanksgiving or the next I had to at least watch the original. And frankly, this close to the holiday there was no reason not to review it. So with that out of the way. 

Let’s Get At Er. This is The Loudest Thanksgiving... after the break

The Loudest Thanksgiving takes place during season 3, and still pre-casagrandes spinoff launch despite the christmas special taking place earlier. This is actually easy to explain: The Loud House runs on Comic Strip time... i.e. the characters don’t age unless the writers decide they do. But while the spinoff was in motion at this point, it was still a season off airing wise, and ill advised raitings stunt mini series wise, so in order to keep the Casagrandes fresh in people’s minds presumably, they did a crossover that at this point wasn’t a crossover but now technically is because the show exists but this existed before the show. 

It’s just a show, and I should really just relax. Point is this is a pre-crossover crossover, the two families meet for the first time, the man already said pitter patter, let’s get back at er.  So we open with Flip serving as our magical snowman narrator and regaling us with the tale of steven. Every compastionate can you imagine it... and i’m fucking with you, it’s of course abotu that time the louds and the casagrandes tried having thanksgiving together. 

We then cut to Lori and Bobby being all cute, as usual, and both talking over the phone as each show off their thanksgivings to each other and the enusing family shenanigans. On Lori’s side Lynn is wearing baggy pants so she dosen’t miss the game or the meal by going to the bathroom.. because that’s how pissing yourself works. Look if your going to do something that gross, stupid and broish just woman up and wear an adult diaper. The twins are guarding Lynn sr and the food, poorly, and Lisa has invented a Gravy Squriting robot. I can only see this ending one way. 

Yeah those single function robots really get useless once the exestnetial crisis kicks in. 

On the casagrandes side, Rosa is likewise guarding her kitchen, Frida is painting and Hector plans to sernade eveyrone because Hector is the best and you all should know that. Even with the recent Bobby Abuse he’s still awesome. As for the Mercado, CJ and Ronnie Anne are running the annual canned food drive because CJ is better than the best and should really be used more often.  Both wish they could be there.. and both honestly talk about possibly spending thanksgiving with each other and just one of their family. It’s not a wild proposition: Both are going to college soon, both are in a longterm relationship.. they plan to get married down the line for now. If things hold they will eventually have to figure this out. Of course rather than fate let them figure this out themselves, Hector overhears on Bobby’s end and Lincoln, whose busy A Clock Work Oranging himself so he can stay awake during dinner, overhears on Loris, leading to an emergency family meeting for both sides.  Both families are worried their prospective teenager going to another house of their longterm significant other for one year will mean they get all the holidays. Having never had a relationship last long enough to worry about this, I don’t quite get it as in my experince watching couples juggle this.. they usually just alternate years, spoilers the solution the episode goes with, or trade off christmas and thanksgiving, both fair solutions. Buuut as much as this bothered me at first the more I thought about it the more it actually made sense: People.. aren’t always rational and won’t always do the smart or correct thing, especially when it comes to their children. And with Lori leaving college and the casagrandes being togehter for thanksgiving for the first time in about 5 years, with both ronnie anne and her mom not having had a proper one in some time due to her mom needing to work thanksgiving, presumibly because of the eternal curse of gravy chugging contests, they have valid emotional reasons to go a bit nuts and do some irrational and assholish things. They just don’t want to loose their big sister and big brother, and that’s fair. It may not be at all accurate but it’s fair. 

So thus began the great Guilt Off of 2018. ON the Loud side they START with a fairly soft pitch, the twins simply offer her food early, and she takes it because honestly I would too. Then again, i’d also take free food in just about any situation, so i’m not really a good gage for this. As long as it’s not poision i’ll probably eat it if it’s free. The next two are a little.. less subtle, with the kids talking about Lori’s roll in the annual thanksgiving skit.. which I’m assuming is soley for Lynn Sr. as no one else seems to be going to their thanksgiving. Which granted theirs valid explinations for why their neighbors didn’t go, the mcbrides and mr grouse have their own families and while Mr Grouse rarely gets to see his, he now has neighborly friends after the last holiday special happy to help. But Pop Pop.. makes no sense as his girlfriend, the only plausable reason he wouldn’t be there, was said to not have much family in her debut. So he’s just.. absent from thanksgiving for no reason. Thena gain we later find out this play is movie length, so maybe he was just trying to escape that which in that case, who can blame him. Rita almost reigns things back in with the mother’s trump card: parental guilt. Almost. She then almost crushes lori’s hand but it’s funny enough.  At the Casagrandes, their opening move is largely the same only Rosa wins in terms of execution, cooking up some of bobby’s faviorites to specificially target him. Frida paints him into a painting, again the Casagrandes win his one in terms of effort. They do tie in the last bit, as Maria and Ronnie Anne try the same sort of guilt slining with the same bone crushing.  Eventually both teens get fed up with the next bit; For Lori, Lucy gives her a long overdramatic poem about an empty chair which is easily tied with one bit later for best bit of hte episode.. which granted when I can only think of two or three gags that really made me laugh...

Bobby likewise gets Hector telling the story about a realitvie not going to thanksgiving. Both get angry.. which for Lori, isn’t all that suprising, if entirely warranted. For Bobby though? It’s like pissing off a dolphin. IT’s hard to do and very much not something you want to actually pull of. Both families are forced to admit they eavesdropped, and are incredibly worried about this whole situation, with Lynn Sr selling lincoln up the river for telling them... this man’s capacity for selling out his children is as awe insprising as it is truly pathetic. 

So the two teens go back to their rooms to figure something out and come upon a reasonable solution: just have one of the families host and both come to it. That’s more than fair. But given we still have a full special to pad out, both families are still treating this like a competion: while the louds win the coin toss, both sides are determined to win thanksgiving. IT’s far from the most insane contest i’ve seen this month, x of swords was happening and i’ve seen a russian yank a goblin out of the demonic alligator skin he was using as a puppet. And we don’t know for sure Arrakoa and Krakoa didn’t have a trial over a baby turkey being adorable as one of the challenges. Other challenges included getting drunk, an eating contest, telling someone to murder a kitten and a wedding, all of this is actual stuff that happened in this recent crossover, I have made up nothing. 

So after the break and Flip realizing oh shit the audience is back, the war begins. The Louds are preparing for war, with Lola putting out a picture of herself instead of bobby and laurie because of course.. still not a half bad gag. The Casagrandes arrive and in in a passive agressive move that was already done a year before this special by Brooklyn Nine Nine and better, brought their own food.. though the roast pig is a nice and unique touch. Points for that.  And this.. is where the special gets tedious. Yeah while the IDEA of this episode was really good and I was excited to cover it in practice it’s just similar gags on both sides done for both halves: The first being “let’s guilt them into staying” and the second being “Let’s one up each other” with only two bits really working: Frieda having a painting and the louds annual skit.  And the skit is because it raises a LOT of questions: Why is it 90 minutes, who played the adorable turkey in the years between babies? Was it just whoever was youngest? Who wrote this? Who is this for besides Lynn Sr and Pop Pop? Who all has sat through this thing at some point? Is that why the mcbrides don’t come over for thanksgiving? It’s just.. fantastic is what i’m saying.  

But otherwise this part is just the family trying to one up each other with food, or toasts, or song, before devolving into a big fight. What makes it not work is.. there isn’t a lot of personality there. You have these two big, plentiful, intresting casts, even at this stage with the Casagrandes far less established and fleshed out. And instead of finding interesting ways for them to play off one another meeting for the first time, and to use that to also flesh the characters out more for the inevitable spinoff, it’s just 

For most of the second half. Thankfully it DOES manage to bring things around as after things degenerate into a food fight, the families decide to just ASK the two of them where they want to go.. and find them entirely missing.  It then turns out, in a nice twist, this is where Flip came in. Since his place is the only place open 24/7 and 365, barring fishing season, Bobby and Lori fled here to flee their insane families.. who then follow them there because Carlos and Lisa have them chipped. I was suprised at first Carlos had a tracker on bobby but honestly, i’ts just common sense. The man is like a golden retriver in a man’s body. Here’s an artists interpretation

Both families breifly bicker before Lori and Bobby announce their starting their own family thankgiving with blackjack, and hookers. They really shouldn’t of let Flip in on the brainstorming session. Both families don’t want that, and apologize, admitting they just didn’t want to loose them and both genuinely offering to let the other have them next year. Flip, who despite having a “pay for my colonoscopy jar” with a picture of his ass on it, is somehow the voice of reason and just suggests trading thanksgivings every year, everyone accepts, and we do get a genuinely heartwarming ending of both sides gathering everything for a gas station thanksgiving. Honestly reminds me of king of the hill’s airport episode, but in a very good way and still unique enough circumstances to work.Also Flip, of all people, donates the cans needed to finish the can drive.. granted i’m not sure if they WANT any of that meat, but hey, he meant well and it made me really like the character.  We get a heartwearming duet between hector and luna and sono the whole family and we’re out. 

Final Thoughts: This was disapointing. I’ve listed most of my complaints already, but overall it wasted a good premise of two families coming together, and even the feud parts could’ve been funnier. As it is it’s just.. ehhhhhhhhhh. It has some good parts, and bobby is an angel here on earth as always. But the whole just feels padded. Like this was SUPPOSED to just be 11 minutes, got bumped up, and thus here we are. It’s not the worst Loud House has done, i’ve seen and heard of muccch worse, but for a holiday special it just feels stale and i’ve seen way better thanksgiving specials. And i’ll be getting to that.  If there’s an episode of a cartoon you’d like me to cover, just pop in my ask box or dms and you can comission a review for 5 bucks a piece. Discounts on bulk, 15 for movies. Until then , happy thanksgiving.

[ahouseoflies]

The Best Films of 2019, Part IV

Part III, Part II, Part I PRETTY PRETTY GOOD MOVIES

62. Shazam! (David F. Sandberg)- One of the most comic-booky movies to come around in a while in the sense that it seems to be in fast forward for the first third, using shorthands because it has too much story to tell. I am sad to report that Shazam! has no Movie Stars in it, and I didn't realize how essential those were to the superhero genre. There is a cagey standalone quality to its modest bets though. I like that it's anchored in a real place and isn't afraid to be a little too scary for kids. I would see it mostly as a product of potential though, for a funny Jack Dylan Grazer, for the filmmakers, and for the studio. As a student of weird billing, I have so many questions about Adam Brody getting awarded fifth lead for a bit part.

61. Fighting with My Family (Stephen Merchant)- Dwayne Johnson as producer feels like the auteur here, since the formulaic story has more to do with his combed-over, please-everyone persona than with Stephen Merchant's more messy, improvisatory style. I couldn't care less about the time spent on Jack Lowden's brother character, but I was impressed with the physical part of Florence Pugh's performance. This is a movie you've seen a hundred times, but it hits most of its marks skillfully. 60. Spider-Man: Far From Home (Jon Watts)- This is a movie in which a spurned tech innovator uses drone projectors to stage a battle in which he defeats an elemental water monster to save Venice. The best sequence is one in which a boy tries to trick his friends into letting him sit next to the girl he likes on a flight.  59. John Wick: Chapter 3- Parabellum (Chad Stahelski)- What a criticism it is to claim that the filmmakers give in too much to fanservice, especially since I don't know what that word means anymore if something like this is the monoculture. So they gave us, the audience, what we wanted, and I was upset that it was two hours and ten minutes? Seriously though, have you ever eaten too much ice cream? 58. Fyre (Chris Smith)- An interesting yarn that gets at the foolishness of Internet influencing better than anything else that I've seen. I was surprised by how distant many of the subjects seemed, as if only the Big Bad Billy was responsible for any misleading. And I was grateful that, despite the level of criminality on display, it was still as funny as the tweets were at the time. The film lacks shape though, and it would be nice to have somebody smart on hand to answer questions. Can someone explain to me why it's so important that the island used to be Pablo Escobar's? Why should I want to be like Pablo Escobar? 57. Leaving Neverland (Dan Reed)- Part 1 works because of the striking similarities in the parallel stories, as well as the subjects' perspicacious understanding of their own emotions and childhood psychology. So Part 2 gets extremely frustrating when these men, who have already proven how articulate they are, seem puzzled by the obvious psychological problems they have as adults. 56. Diane (Kent Jones)- This movie is kind of good when it's purely slice-of-life, before it declares what it is. It's very good once it declares itself as a routine of self-flagellation, a sort of Raging Bull for women with multiple recipes for tater tot hotdish. It's a little less good when it speeds up and goes back on that thesis near the end. For the record, I think Mary Kay Place is fine. I don't get the critical adoration.

55. Rocketman (Dexter Fletcher)- If the choice is Bohemian Rhapsody or this, then I'll take this every time. Unlike the former, Elton John's life doesn't present an obvious high point in the second half or easy conflict for the first half. As a result, the relationships within John's family seem broad with manufactured conflict. (His birth father's hardness isn't that far off from Walk Hard's "wrong kid died.") But there's an authenticity here that's refreshing, a respect to the unique friendship between Elton and Bernie and a respect for the transformative power of the music. That sincerity extends to Egerton's generous performance, which nails the self-effacing Elton John smile. So there are some biopic structural problems that can't be helped, but if only to admire the '80s fits that Elton gets off, attention must be paid. 54. Triple Frontier (J.C. Chandor)- A useful example for differentiating between tropes and cliches of the action drama genre. For someone who gets less amped than I do for dudes meeting in a shipping container to have a conversation about how "now is the time to get out," it's probably full of cliches. For fans of hyper-masculine parables about getting a team together (that are also sort of meta-commentaries on their lead actor's fallen star), it's full of tropes. 53. The Lego Movie 2: The Second Part (Mike Mitchell)- The plot is nearly incoherent, and the sequel isn't really satirizing anything like the first one was. But the jokes come at a Zucker-Abrahams-Zucker clip. A character in a car chase saying, "It's like she knows my every move" before a cut reveals he's been using turn signals? That's some Frank Drebin stuff. 52. Long Shot (Jonathan Levine)- Jonathan Levine has carved out an interesting directorial space for himself, with a career far different from what I imagined when I saw and loved The Wackness, a film to which I'm a little afraid to return. Levine is making, at the highest level possible ($40 million budget?), the types of movies that we claim don't get made anymore. A one-crazy-night Christmas comedy, an adventure comedy, and now a political romantic comedy, all with top flight Movie Stars. Long Shot seems like a rare opportunity to put Seth Rogen and Charlize Theron together and do something special, and what we come out with is...cute. For every good decision the film makes--what a supporting cast, all playing rounded characters--it makes a bad one--leaning too heavily into Rogen's patented "I don't really know what we're yelling about" delivery. The music is uninspired, but the presidential satire is pretty clever. The rhythm of the film is jagged and doesn't really cut together, but the script is very fair to the Theron character. Even in the general tone of the film's politics, it declares a few ideals, but those positions are still too neutral and obvious. I had a good time, but in a more capable director's hands, this experience wouldn't feel like math. 51. Isn’t It Romantic (Todd Strauss-Schulson)- So frothy that it almost doesn't believe in itself, especially near the end, but I found myself laughing a lot. Regarding the gay best friend, I'm very interested in the space of politically incorrect humor that is acceptable only because the work has built up self-awareness in other areas. That's a difficult negotiation, but this movie balances it. 50. Yesterday (Danny Boyle)- There's one twist that stretches the moral center of the film, and two minutes later there's a twist that's probably just a bridge too far in good taste. Other than that, this is a really cute Richard Curtis script, and it's nice to hear "Hey Jude" on movie speakers. 49. Ready or Not (Radio Silence)- Short and spicy, despite one or two too many twists. I'm in the front row of the Adam Brody Revival, but I appreciated the movie more as an exercise in the paranoid misery built into wealth. I wish I could have written the line down, but Alex says something like, "I didn't realize how much you could do just because your family said that it was okay," and that's the whole film. If you can, see it without watching the trailer first.

48. The Laundromat (Steven Soderbergh)- Mary Ann Bernard is a Steven Soderbergh pseudonym, but what if he did hire an outside editor? What if someone saved him from himself? It's hard to believe that Meryl Streep is the heart of the film--if the film's thesis is "The meek will inherit the Earth?"--if we go on a twenty-minute detour to an African family and a ten-minute detour to China. I laughed quite a bit, and I admire the audacity of the ending. But this is a movie that knows what it's about without knowing how to be about it.

47. High Flying Bird (Steven Soderbergh)- As a person who can cite most NBA players' cap figures off the top of my head, I should love High Flying Bird, a movie about a sports agent who tries to topple the system during an NBA lockout. Instead I liked it okay. It takes an hour to kick into high gear, but once it does, some self-contained scenes are powerhouses, and the writer of Moonlight was always going to provide an emotional kick that is sometimes absent from Soderbergh's work. Like Soderbergh's Unsane from last year, High Flying Bird is shot on an iPhone, an appropriate form given that the execution is a do-it-yourself parable that takes place mostly inside. Soderbergh is a man who has always tried to trade the ossified system of moviemaking for experimentation, so most reviews have pointed toward the meta quality of capturing a character doing that same thing in another medium. Like most of his post-retirement work, however, I find myself asking one question: "Would anyone care if this were made by another director?" 46. Piercing (Nicolas Pesce)- Good sick fun with a taste for the theatrical. I saw twist one and twist three coming, but twist two was ingenious. It ends the only way it can, which is okay. 45. Booksmart (Olivia Wilde)- At first the film is hard to acclimate to, stylized as it is into a very specific but absurd setting, counteracted by a very specific and realistic relationship. The music cues are all awful until the Perfume Genius one, which is so perfect that it erases the half-dozen clunkers.But it's smartly funny, funnily warm, and warmly smart. The screenplay does some clever things with swapping the protagonists' wants and needs at crucial times. Molly will have an obvious drive that overrides Amy's fear, and then a few scenes later, there will be an organic reversal. 44. Joker (Todd Phillips)- Joker presents more ideas than it cogently lands. I don't disagree with Amanda Dobbins's burn that it feels more like a vision board than a coherent story. Still, its success kind of fascinates me. This dark provocation, shot on real locations, has way more in common with Phoenix entries like You Were Never Really Here than it does with the DCEU. In fact, the comic book shoehorns feel like intrusions into a story about a guy who likes to Jame Gumb skinny-dance. Dunk on me if you want, but I think it's most eerie and affecting as a portrait of mental illness. Whereas Joker is a criminal mastermind in Batman lore, this is a guy helpless enough to scrawl into a notebook, "The worst part about having a mental illness is pretending to people that you don't." And that idea gets borne out in a scene in which he's pausing and rewinding a tape to study how a talk show guest sits and waves like a regular person. It's rare enough to see a person this mentally ill depicted on screen; it's even rarer to see someone this aware of his own isolation and otherness.

[gta-5-cheats]

Jessica Jones Is a Lot Less Special in Season 2

New Post has been published on http://secondcovers.com/jessica-jones-is-a-lot-less-special-in-season-2/

Jessica Jones Is a Lot Less Special in Season 2

(adsbygoogle = window.adsbygoogle || []).push();

Midway through The Dark Knight, when Batman (Christian Bale) sits opposite the Joker (Heath Ledger) in the interrogation room and asks why he wants him dead, the film lays bare the hero-nemesis relationship in a select few lines. “I don’t want to kill you! What would I do without you?,” the Joker replies, after laughing in his usual manic style. He then adds: “You complete me.” It’s as direct as Christopher Nolan’s masterpiece gets, telling us that without a worthwhile opposition to the protagonist – and vice versa – there’s no story. It’s the same everywhere: Lex Luthor to Superman, Voldemort to Harry Potter, and even Newman to Seinfeld, to an extent.

For the debut season of Jessica Jones, which released November 2015, the mind-control villain Kilgrave (David Tennant) was the perfect archenemy for our super-powered alcoholic private investigator (Krysten Ritter), who had spent years under his influence, having been kidnapped, assaulted and raped to become Kilgrave’s forced muse, which had resulted in severe PTSD even after she escaped from his clutches. Jessica spent a majority of the first season trying to vanquish him, and when that happened, the show stumbled and lost much of its momentum. Jessica Jones dragged on a plotline longer than necessary, as do most Marvel shows, but when she snapped his neck in the season finale, there was no question that it was going to be hard for creator Melissa Rosenberg to find a more compelling villain.

Unfortunately, the task does prove a hill too steep for Jessica Jones, which returns with a second season on Netflix this Thursday, March 8. With Kilgrave out of her life, Jessica is now free to move forward with her life – the new season completely ignores that The Defenders miniseries happened in between, and doesn’t refer to it at all – and Rosenberg uses that opportunity to explore her tragic past, aka how she came to be super. In short, Jessica Jones season 2 is her origin story in some ways, as she tries to dig into what happened to her and her family, against her early wishes but egged on by her adoptive sister, best friend and radio host Trish Walker (Rachael Taylor), driven by her hunt for ratings.

Jessica Jones, Annihilation, A Series of Unfortunate Events, and More on Netflix This March

The absence of a scene-stealing antagonist in the early going – Netflix provided critics access to the first five episodes out of the total 13 – means there’s more time for Jessica’s plotline, and more room even for the supporting cast for Jessica Jones: her neighbour and now co-worker at Alias Investigations, Malcolm Ducasse (Eka Darville), who struggled with drug addiction in the first season; the attorney Jeri Hogarth (Carrie-Anne Moss), for whom Jessica worked pro bono; and new cast members Oscar (J.R. Ramirez), the new superintendent where Jessica lives; and Griffin Sinclair (Hal Ozsan), a celebrated English journalist and Trish’s new boyfriend.

But more time and room isn’t always a good thing, as Jessica Jones season 2 makes clear. Jessica’s origin story involves a mysterious organisation called the IGH, who performed experiments on her after she was involved in a car crash with her family. Faceless villains can make for boring television, and that’s exactly what happens here. The show also ends up being too much of a slow burn; most if not all plot lines could progress at easily double the speed, and it’s fairly obvious that yet another Marvel show is suffering from the problem of bloat.

Add to that the fact that the supporting cast just isn’t interesting enough to warrant additional focus. Trish is struggling to keep her radio show afloat, and we get a further peek into her fractured relationship with her controlling mother, Dorothy Walker (Rebecca De Mornay). She feels stagnant in her career, and wants to be like Griffin, not necessarily be with him. Her boyfriend has seen war zones in his reporting, but he feels left behind in the IGH investigation, and the show hints at some darker leanings. Hogarth’s troubles come from an illness she has no control over, which feels similar to Alexandra’s (Sigourney Weaver) arc from The Defenders, except she isn’t thousands of years old, or actively evil.

Shop On SecondCovers

Carrie-Anne Moss as Jeri Hogarth in a still from Jessica Jones season 2 Photo Credit: David Giesbrecht/Netflix

The Defenders Is Avengers on TV, With the Usual Marvel Flaws

Oscar is a single father fighting a custody battle for a son (Kevin Chacon) he loves the most, and wants nothing to do with Jessica in the early going, since he just left prison a while ago. Across the early episodes, Jessica Jones slowly moulds him into a possible romantic interest with a couple of interesting the-family-she-never-had flourishes, but poor and lazy writing doesn’t escape him either: Oscar’s career choice ends up being a convenient way to help Jessica in a subplot. Malcolm is the best served of the lot, relatively, as he goes from being that annoying neighbour who wouldn’t leave Jessica’s apartment to becoming someone she can actively rely on for investigate work.

Jessica, meanwhile, is still trying her best to ignore everyone and be content with a bottle. Forced to confront the overwhelming sadness of losing her family thanks to Trish, she starts looking into the experiments undertaken by IGH, in a bid to find someone to blame for her situation. When a new unnamed character (Janet McTeer) finally puts a face to her investigations into IGH, and tells her that she was brought back from the dead, Jessica spats back that they should have let her die. “I had no one,” she adds on the verge of tears, a rare vulnearable moment for Jessica, and wonderfully portrayed by Ritter.

That line can in essence be the driving force for the female characters of Jessica Jones season 2. If the first season was about women trying to fight off powerful men, and asserting their own agency, the second season finds the Marvel women – Jessica, Trish, Hogarth, and McTeer’s new character – alone by themselves, having nowhere to turn to. There are still tangential men-related issues: Jessica is being chased by a rival PI called Price Chang (Terry Chen), who gets more than he bargains for; Trish confronts her childhood abuser and director Max (James McCaffrey); and Hogarth is being pushed out of her firm by her partners owing to a medical disclosure.

Eka Darville as Malcolm, and Rachael Taylor as Trish in a still from Jessica Jones season 2 Photo Credit: David Giesbrecht/Netflix

But the show’s writers, led by Rosenberg, fail to make much of it interesting. The insistence by Marvel TV on making 13 episodes for its solo series, structuring it into three acts, and visualising the season as one long 13-hour movie has hindered more Netflix shows than it has helped. But where the likes of Daredevil, Jessica Jones, and Luke Cage were strong initially and then suffered in the second half of the season, the sophomore year of Jessica Jones ends up crawling out of the gates, like The Defenders.

Returning after a gap of over two years, there were naturally high expectations from the return of Jessica Jones, whose debut remains the best Netflix-Marvel has offered until now. It’s a shame then that the second season starts on such a disappointing start, meandering in its first five hours rather than punching straight through like its title protagonist. Things may well pick up in the remaining eight – Tennant is confirmed to briefly appear as Kilgrave late in the season, reigniting the crucial hero-nemesis dynamic – but by then, it might be a case of too little, too late.

(adsbygoogle = window.adsbygoogle || []).push();

[jbaruchels]

Alpacas one zero one (FAQ)

How lengthy does an alpaca live? Within the US the lifespan is anticipated to be between 15 to 20 years. Some of the original imports are on this age range now. What number of infants does an alpaca have? Alpacas virtually all the time ship one baby known as a cria. Twins are extremely rare and lots of instances don't survive. What is the gestation interval for an alpaca? Gestation is roughly eleven-1/2 months. This can range by a month or extra. Since alpaca are induced ovulators the breedings are timed for supply to occur when the weather is most favorable. How huge does an alpaca get? Cria are usually between 10 and 22 pounds. Full grown animals can range from 130 to 170 pounds with large males at the excessive end. Are alpacas troublesome to handle? Alpaca are typically straightforward to handle. It is not unusual to see a small youngster putting a full grown male by means of the paces of an impediment course. Pregnant females are a little harder to handle however might be easily managed by adults. This is not a drill! Somewhere on the market, on the planet, are candy, available therapy llamas — with entry to formal put on — that wish to be part of your marriage ceremony. It is a particular service supplied by Mtn Peak Therapy Llamas & Alpacas in Oregon, a non-profit group that brings certified therapy llamas and alpacas to senior houses, classrooms, children’s hospitals and more. Five years ago, we obtained a request for our certified therapy llamas, “Rojo” and “Smokey” to attend a marriage ceremony for a couple whose good friend had instructed them about seeing our animals dressed up for a charity fundraiser. We jumped at the opportunity, as we had always thought it would be a very enjoyable and distinctive expertise, in addition to a fabulous technique to entertain friends! After posting photos of that marriage ceremony onto Rojo’s Fb web page, we began receiving more invitations, and the requests have almost doubled yearly since!

Chicken feed: pellets or mash? The mainstay of pet chickens' weight loss program is usually both pellets or layers' mash and most will accept either fairly happily. The selection is more yours as to what works out greatest for your pocket. We now have experimented with each but opted for mash in the end. When we tried pellets, we thought that the chickens had been getting by way of an awful lot, however regularly began discovered large shops of pellets outdoors the run that had clearly been carried away by the native vermin population. One other reason for selecting mash was pure practicality. We choose to purchase our hen feed locally and have lately discovered a small poultry farm close by which we can also get mash from. It feels good knowing it was all grown just some fields away and it's excellent worth in addition. However, some folks choose pellets because the chickens tend to not chuck them round as a lot because the grain so you get less wastage in that respect. The proper to Farm bylaw, for example, gives an avenue to mediate issues between farmers and actual estate developers, she stated. It is not uncommon, Reddy noted, that a developer will complain about using fertilizer close to a brand new housing or business improvement. Members of the all-volunteer Taunton River Watershed Alliance also had a desk in the auditorium. Outdoors behind the college's major constructing the alpacas were a crowd pleaser. There have been two pens of the long-neck, llama-like, South American camelid, known for its lush coat of tender, however durable, curly fiber. One pen featured a group of freshly shorn alpacas from Pleased Snowman Alpaca Farm in Attleboro. The opposite was occupied by a handful of unshorn, bushy beasts courtesy of Hidden Hollow Alpacas, which is a part of the Avila family's Hidden Hollow Farm in North Dighton. Proprietor Kim Belenger had an array of alpaca-fiber gloves, caps, inner soles and socks laid out on the market on a desk. She's a member of the new England Alpaca Fiber Pool, which Belenger stated utilizes the services of a Fall River manufacturing unit that transforms the fiber into saleable product. Belenger stated she anticipates selling her animals at a later date. Alpacas, she mentioned, are generally docile, make good pets and lack higher teeth.

Using Room temperature vulcanizing silicone, you possibly can seal up the areas which can be uncovered such because the distributor and other elements that can trigger havoc in the event that they get wet. Once the electrical is sealed up good and tight, it is time to maneuver onto the gears. Writer: Wayne Allen The concept behind the sport may be very fundamental. It's a race but maybe not in the standard sense of the phrase. The purpose of the race is to see who can journey the furthest by a deep pit of mud. If a vehicle makes it all the way in which by way of the course then they are the winner. If a couple of automobile makes it all the way in which by then the person with the fastest time is declared the winner. Publisher: Wayne Allen All riders that hit muddy terrain take the time to get their automobile prepared for doing so. The ATV straight from the manufacturing unit just isn't the one you wish to take into serious muddy circumstances. After that, Ruth Anne makes gadgets like socks, scarves and extra out of the fleece. Ruth Anne sells the alpaca fleece and the products made from it at the Greeneville Farmer’s Market, founded in 1978, making it Greene County’s oldest established farmer’s market. The wares on the market vary from honeys to meats, baked items to provide and alpaca products to cleaning soap. Judy Shelton, a volunteer on the market, affords nothing but reward for Ruth Anne. Because it is difficult discovering donors and distributors for the market, Shelton usually has to rely on the vendors, who're supportive of the market. She’s certainly one of the ones who have really gone above and beyond in serving to me out,” she mentioned. Shelton says that people are starting to need less of the processed items or issues from China however as a substitute need stuff made here within the US, particularly in Greene County. Maintaining with the farm retains the Gosses busy all year long, from sun up to sundown.

The honey which fills my hives is sort of completely different merely due to the totally different forms of plants from which the bees select to harvest. Along with the few curious bees, the pungent odor of candy honey came surging out as well. If there may be a continuing from one beehive to the following, it is the terrific smells which can be found inside any and every beehive. Carefully the beekeeper positioned the frames back into their proper positions and closed the hive. As she did so, I couldn't help but think about how lucky I had been up so far with the bees. Who would have known that there occurred to be beekeepers in Surkhet, Nepal, and whereas in Kathmandu prior to arriving at Kopila, Piper and i visited just a little store called The Beekeeping Shop close to Kathmandu. While we have been there, I tried my hardest to communicate with the owner of the shop who was a very nice man. You probably have ever wondered what an animal feels and simply how completely satisfied they really are, look no additional than a 2010 study on pigs performed by experts from Newcastle College. The varsity of Agriculture, Food and Rural Improvement have successfully shown that relying on how content material a pig is, it is going to mirror what its mood is like. All that to say, pigs are indeed capable of complex feelings and they're directly influenced how they really feel by the situations they are dwelling in. In the research, carried out by Dr. Catherine Douglas, researchers set out to find out if pigs have been feeling optimistic or pessimistic about life basically primarily based on the way in which they have been residing. Half the pigs have been put into an surroundings during which they were given more space to roam and the freedom to each stroll and play with 'pig' toys in recent straw. The opposite half of the pigs were placed in a smaller space that contained no straw and only one interactive toy. A squeaky noise was then played to see how the pigs would reply.

Writer: parcel guy Parcel supply is the easiest method of transferring vital documents, recordsdata, Gifts, and lots of extra issues. Or in other words we can say that sending the paperwork the place they really need to undergo a proper channel. If I just go few years again, I discovered the very much less quantity of people used to go for such kind of providers. Furthermore now people are utilizing online providers which have introduced a revolution in parcel supply companies. Writer: Cole Rees Cork parcel delivery corporations are letting their services do the speaking these days by offering new and existing customers a huge range of supply choices, collection dates and prices. Publisher: Jamie Francis Many initiatives are being tried, or fully applied, by worldwide couriers as they bid to reduce the influence of their activities on the surroundings as far as doable. Several operators have chosen to put a range of vehicles powered by different fuels into use alongside their current fleets, in order that they can measure the potential savings in carbon dioxide emissions.

If you treasured this article so you would like to acquire more info with regards to Willowbrook Coco Chanel Female Alpaca for Sale UK (https://alpacas-hampshire.co.uk/all-alpacas-for-sale.htm) i implore you to visit our website.