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madhansband · 4 years
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1st E-Concert in Chennai -   Mukesh & Varsha – B.H.Abdul Hameed – Annakili Unnai Theduthey | Madhan’s Band | Channel Red Brick
Thanking you for giving us the opportunity to perform at the event Isaignaniudan Oru Isai Payanam Organized by Channel Red Brick on 30th May 2020.
Credits: Emcee: B.H.Abdul Hameed Singers: Mukesh & Varsha Band: Bass: Madhan – Band Head Keyboard: Delip Keyboard: Bhuvanesh Drums: Guberan Octopad: Dinesh Tabla: Martin Technical – Sound, Light & Video Sound, Light, Projection & Space: Picture Production DOP: Karthik Visual Jockey: Suresh (Imagix) Videography: Bharani Sound Engineer: Raju (Picture Production) Audio Post-Production: Honest Praveen Video Post-Production: Mohamed Jahangir (MJ Digital) ______________________________
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Get in touch with Madhan’s Band Website: http://www.madhansband.com/ MOBILE: +91 97867 66666 / +91 98401 53443 EMAIL: [email protected] / [email protected]
Social Links: Facebook: https://www.facebook.com/MadhansBandM... Instagram: https://www.instagram.com/Madhansband/ Youtube: https://www.youtube.com/c/MadhansBand Twitter: https://www.twitter.com/MadhansBand Linkedin: https://www.linkedin.com/company/Madh...
Original Song Credits: Movie – Annakili Singer – T.M.Soundararajan(Sad Version)  & S.Janaki (Happy Version) Music Director – Ilayaraja Lyrics – Panchu Arunachalam Director – Devaraj Mohan Producer – P. Thamizharasi
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Annakkili Unnai Theduthe Song Lyrics SourceFB Blog Panchu Arunachalam song lyrics,Annakili Unna Theduthe Song Lyrics,Annakili movie song lyrics,S.Janaki song lyrics,Ilayaraja song lyrics,
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awesometeennews · 4 years
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Ilaiyaraaja’s tech-savvy drummer, R. Purusothaman, dies
Ilaiyaraaja’s tech-savvy drummer, R. Purusothaman, dies
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R. Purusothaman, the drummer and conductor of maestro Ilayaraja, died here on Tuesday. “He died of blood cancer,” said his elder brother and guitarist R. Chandrasekar. He was 70 and is survived by two sons.
Purusothaman, Purus as he was known in the film world, and Mr. Chandrasekar, started working for Ilayaraja from the maestro’s first film Annakili. Chandrasekar played for the song, Il…
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indonoodoriko · 6 years
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ミーナー対オヤジ
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エロとギャグのない表現は不完全だ、と書くとバカみたいだが、古典的に「シュリンガーラとハースィヤのラサが欠けているから」と付け加えればもっともに聞こえるだろう
インド映画を初めて知ったのは、たまたま「チャールラター」 চারুলতা (邦題チャルラータ)の放映を観たときだった。それまで経験したもっとも官能的な作品だったと思う。
しばらくしてムトゥのミーナーを見て、映画ダンスの肉感的すばらしさを知った。といっても欧米にくらべて露骨な性表現があるわけではない。中国と世界の富を二分していたころのインドは乳首で動じたりしなかったと思うが、偽善的なヴィクトリア朝支配の傷跡がまだ残っていて表現はタブーだらけだ。それでも映画ダンスは愛欲にまみれているし、ラサはしっかりと伝わってくる。
その後いろいろ漁り、タイトルとジャケのひどさから猫またぎしていたマードゥリーの「アンジャーム」に最後に手をのばして仰天した。福は残り物にかくれていた。そこが人生の岐路で今にいたるのだが、初めての人は忘れられないというものでずっとミーナーが好きだ。
ブロックバスターをいくつも叩きだしもはやラミヤーとならぶ大女優だが、よい振付作品があまりないのに口惜しい思いをしてきた。子供のころから修練を積んでいるから、細かい所作がきまっているし身体能力もある。古典もモダンも対応できる。しかしそういった美点は数知れず踊った他愛ないナンバーのなかに分散している。これはインドの踊り子全般にいえることで、独立したダンス作品など求めるこちらが変態なのだ。
だから代表作でなくあれこれ網羅してミーナーの魅力をさぐってみたい。 ミーナーが同型のシュリーデーヴィーにもジャヤマーリニにもならなかったのは、性格の問題だろう。強いエゴや強いエロがあまり感じられない。イケズな表情も見せるし、肉には不自由していないのだが、ほどよく上品で良妻賢母の枠におさまってしまう。神様映画に出てもニコニコして人のよさそうな女神で、怖さや迫力はない。
そうしたミーナーの性格は「オヤジを輝かせる」ところで発揮された。主演男優を立てて、食ってしまうことがないので重宝されたのだろう。何よりミーナーが登場すると絵面がぱっと若やいできれいになる。ここらへんは同じ魚形の目をもつシュリヤ・サランに似ている。 ここでいうオヤジは20以上、つまり親子ほど年が離れていて、ほぼカツラを着用している。なのに、みなミーナーと結ばれるのだ。
aalappol velappol (Ejamaan 1993 Tamil) aathile annakili (Veera 1994) オヤジの代表はなんといってもラジニ。
ennavendru solvathamma (Rajakumaran 1994 Tamil) manasai killi edukkira (Manam Virumbuthe Unnai 1999 Tamil) これでもプラブはラジニより6つも若いのだった。
oru maina kunj (Oru Oorile Oru Rajakumari 1995 tamil) ミーナーには田舎が似合う。バギャラージはコメディーの達人で才人。
dheemthana (Maman Magal 1995 Tamil) sori sori (Maaman Magal) (字幕付) katharu satai (Vallal 1997 Tamil ) サティヤラージは悪役からヒーローに転じるにあたってカツラを付けるようになった。
thendralukku theriyuma (Bharathi Kannamma 1997 Tamil) ミーナーはザミーンダールの娘で低カーストのパールッティバンに恋する。
thannane thamarapoo (Periyanna 1999 Tamil) 田舎のドンであるヴィジャヤカーントの回想で登場。
nilave vaan nilave (Maayi 2000 Tamil) サラト・クマールは訳あってミーナーの求愛を拒絶する。
kichaami kichaami (Commissioner Eeswar Pandiyan   Malayalam?) 通販では Commissioner Eswara Pandian タイトルでマンムーティ主演の2001年タミル映画とあるが、スタッフ、キャストともにマラヤーリーなのでマラヤーラム映画の吹替ではないか。
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sclaw · 7 years
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Adverse Possession--Unless the person possessing the land has a requisite animus, the period of prescription does not commence. Adverse Possession--Mere long possession for a period of more than 12 years without anything more do not ripen into a title.
Adverse Possession–Unless the person possessing the land has a requisite animus, the period of prescription does not commence. Adverse Possession–Mere long possession for a period of more than 12 years without anything more do not ripen into a title.
2008(1) LAW HERALD (SC) 442 IN THE SUPREME COURT OF INDIA Before The Hon’ble Mr. Justice S.B. Sinha The Hon’ble Mr. Justice Harjit Singh Bedi Civil Appeal No. 4880 of 2007 Annakili v. A. Vedanayagam {Decided on 12/10/2007} For the Appellant :           Mr. Dayan Krishnan, Mr. Gautam Narayan and Mr. Nikhil Nayyar Advocates. For the Respondents :       Mr. V. Raghavachari, Mr. R. Anand Padmanabhan,…
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Illayaraja @ 40:
It has been 40 years since Annakili ushered in a new musical revolution in Tamil film industry, also known as Illayaraja.
How relevant is this person also fondly addressed as ‘Maestro’, to this generation , growing up listening to Anirudh’s ‘Hola Amiga, Hola Senorita’ ?
Let me tell you a story of a person(me! ) who grew up in an era, which falls in between these epochal periods, where a musical storm was flattening out competition.
Strangely, over the last few years, Rahman’s stopped working for me, not saying that he has lost his mojo, safely sticking to a statement at a personal level.
“I don’t know what he is up to, but it is not working for me, dopamine is not released every time I listen to a new song of his.”
Examples being Linga, Kaviya Thalaivan, 24, Tamasha and I am not sure how many people heard Shokkali from Accham Enbathu Madamayada ( Ugggh! )
With my mind spiraling out of control, unable to wrestle with any challenging new musical pieces, I turned to someone from a previous generation, Illayaraja.
Turns out that I have heard only a fraction of his output over the years( the default Rajinikanth & Kamal Haasan soundtracks). There is an astounding array of magical songs , and I have personally spent many hours trawling through YouTube.
Whether it be Raghuvaran & Balayya’s daughter jiving to Malayamarutham based “Thenral Ennai Muthamittadhu” or Paada Vanthathor Gaanam ( Hindolam ? )
My mind toyed with these songs like a Rubik’s cube, twisting and turning until my appetite was satiated.
Most importantly, coming back to the original question, the current crop of music directors still invoke Illayaraja and his musical DNA. Look at D.Imman, he was a Rahman wannabe for years, till he tried out the Illayaraja formula and lo-behold, he became one of the most popular composers over the past few years.
The most gob-smacking example has been Ajay-Atul’s Sairat, the top grossing Marathi movie of all times, the soundtrack is a slap to every face which says Illayaraja is still not relevant. Every note and harmony seems to have been pre-approved by ‘Isai Gnani’. They are self-confessed Raja-bhakts too and what more could this man want, who has once again joined hands with Kamal Hassan, re-forging a partnership which strayed into different paths, a decade ago.
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Annakkili Unnai Theduthe Song Lyrics in Tamil SourceFB Blog Panchu Arunachalam song lyrics,Annakili Unna Theduthe Song Lyrics in tamil,Annakili movie song lyrics,S.Janaki song lyrics,Ilayaraja song lyrics,
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