#anna powell denton

[nofatclips]

🎵 Between the Hawthorn and Extinction by Stuart Hyatt with Player Piano and Julien Marchal from the collaborative album Ultrasonic by Field Works

📖 Between the Hawthorn and Extinction, a poem by Cecily Parks

🎬 Documentation of Stuart Hyatt creating audio field recordings of endangered, Indiana bats. Video by Anna Powell Denton

[indianabeach]

Field Works

Indianapolis, IN

Deciduous Filmed and Edited by Anna Powell Denton Art Direction by Stuart Hyatt Music by Field Works Filmed in a single take at Green's Bluff Nature Preserve, a 563-acre wooded habitat in Owen County, Indiana. Protected by the Nature Conservancy in partnership with the Indiana Department of Nature Preserves & Indiana Heritage Trust.

Ecology Filmed and Directed by Stuart Hyatt Edited by Asa Gauen Music by Field Works Filmed at Crown Hill North Woods, with citizen arborists trying to prevent it’s imminent razing.

What Is The City Hiding Filmed and Edited by Jonathan Frey Art Direction by Stuart Hyatt Music by Field Works Filmed along Pogue’s Run in Indianapolis, an urban waterway that descends into and transects the city’s underworld.

Stuart Hyatt is a Grammy-nominated artist and musician. He creates interdisciplinary creative projects about our complicated relationship with the natural world. Hyatt is the producer of Field Works, the collaborative series in which experimental musicians transform audio field recordings into music.

Each album follows a rigorous conceptual framework - incorporating scientific data and site-based field work - but emerges as a simple, emotionally evocative musical story. This body of work is released via the Brooklyn-based record label Temporary Residence and published by the Dutch imprint Jap Sam Books.

As a National Geographic Explorer, Hyatt is expanding this music into new frequencies: producing records using the ultrasonic echolocations of endangered bats and the infrasonic rumblings of seismic activity.

Hyatt is also a songwriter and producer of left field pop and folk music, producing work with amateur community participants and non-professionals. He is a member of M12 Studio, the arts collective known for projects that explore public space, rural cultures and landscapes. He works independently via commission as Stuart Hyatt Studio, LLC. He lives in Indianapolis with his family. I create albums, books, exhibitions, and live performances that seek to bring new audiences into uncharted sonic territories, encouraging a closer listen and more thoughtful attention to the voice of a fragile planet.

stuarthyatt.org @stuarthyatt

[dimestoresaintsblog]

spissy – “radio” b/w “good for me”

[owleryrecipes-blog]

Let us know if this recipe works out for you! It’s one of my first attempts at scaling something down from the size that we make it at work to something someone could make at home. Thanks to Jess for the chickpea flour tip and Anna Powell Denton for the photo!

[bellamysgriffin]

to read list (ya version)

jsjsdfj this is so long i’m s o rry it’s partially for my reference but honestly hmu if anyone wants to start book club (@ tilde worry not asoue and hdm and peregrine’s are implied) this is hideously long so it’s under a cut

yellow brick war by danielle paige 

i’ll give you the sun by jandy nelson 

everything everything by nicola yoon

a million miles away by lara avery

the secret language of sisters by luanne rice

falling into place by amy zhang

shooter by caroline pignat

never always sometimes by adi alsaid

the last good day of the year by jessica warman

proof of forever by lexa hillyer

because you’ll never meet me by leah thomas

the name of the star by maureen johnson

the game of love and death by martha brockenbrough

hate list by jennifer brown

the body in the woods by april henry

me being me is exactly as insane as you being you by todd hasak-lowy

the end or something like that by ann dee ellis

the truth about alice by jennifer mathieu

say what you will by cammie mcgovern

everything that makes you by moriah mcstay

tease by amanda maciel

killer instinct by s.e. green

we’ll always have paris by jennifer coburn

paperweight by meg haston

like it never happened by emily adrian

don’t even think about it by sarah mlynowski

finding paris by joy preble

emancipated by m. g. reyes

the face on the milk carton by caroline b. cooney

the last boy and girl in the world by siobhan vivian

once again by liz braswell and cameron dokey

boy of summer by jessica brody

road trip summer by lauren barnholdt

survive the night by danielle vega 

kill the boy band by goldy moldavsky

totally awkward love story by tom ellen and lucy ivison

the square root of summer by harriet reuter hapgood

the lifeboat clique by kathy parks

boys like you by juliana stone

26 kisses by anna michels

dissonance by erica o’rourke

if i was your girl by meredith russo 

now that you’re here by amy k nichols

the only thing worse than me is you by lily anderson

some of the parts by hannah barnaby

a song for ella gray by david almond

summer days and summer nights by stephanie perkins

my life next door by huntley fitzpatrick

in real life by jessica love

whisper to me by nick lake

the walls around us by nova ren suma

ready player one by ernest cline

awake by natasha preston

the siren by kiera cass

mirror in the sky by aditi khorana

magonia by maria dahvana headley

last year’s mistake by gina ciocca

once upon a dream by liz braswell

dreamology by lucy keating

the last time we were us by leah konen

keep me in mind by jamie reed

p.s. i like you by kasie west

summer of supernovas by darcy woods

the way back to you by michelle andreani and mindi scott

please don’t tell by laura tims

the cresswell plot by elisza wass

i woke up dead at the mall by judy sheehan

a week of monday’s by jessica brody

don’t look back by jennifer l armentrout

the problem with forever by jennifer l armentrout

fig by sarah elizabeth schantz

you have seven messages by stewart lewis

denton little’s death date by lance rubin

the fall by bethany griffin

don’t stop now by julie halpern

side effects may vary by julie murphy

inland by kat rosenfield

invincible by amy reed

i am princess x by cherie priest

off the page by jodi picoult

panic by lauren oliver

devoted by jennifer mathieu

six of crows by leigh bardugo

we were liars by e. lockhart

bone gap by laura ruby

elsewhere by gabrielle zevin

a whole new world by liz braswell

never said by carol lynch williams

hit by lorie ann grover

the dark elements by jennifer l armentrout

daughters unto devils by amy lukavics

wendy darling by colleen oakes

fracture by megan miranda

red girl blue boy by lauren baratz-logsted

wonders of the invisible world by christopher barzak

stranded by melinda braun

taking aim by michael cart

the accident season by moira fowley-doyle

infinite in between by carolyn macker

wither by lauren destefano

how it went down by kekla magoon

sing by vivi greene

the third twin by cj omololu

backlash by sarah darer littman

liars inc. by paula stokes

the killing by natasha preston

the thousandth floor by katherine mcgee

the raft by s.a. boden

ella minnow pea by mark dunn

the pregnancy project by gaby rodriguez

out of control by sarah alderson

ruthless by carolyn lee adams

the memory book by lara avery

georgia peaches and other forbidden fruit by jaye robin brown

tumbling by caela carter

the odds of lightning by jocelyn davies

tell me something real by calla devlin

don’t get caught by kurt dinan

everyone we’ve been by sarah everett

playlist for the dead by michelle falkoff

the weight of zero by karen fortunati

we were never here by jennifer gilmore

been here all along by sandy hall

three truths and a lie by brent hartinger

you were here by cori mccarthy

nearly gone by elle cosimano

the infinity of you and me by j q coyle

lost stars by lisa selin davis

die for you by amy fellner dominy

until friday night by abbi glines

this is our story by ashley elston

to catch a killer by sheryl scarborough

the hundred lies of lizzie lovett by chelsea sediti

the hate u give by angie thomas

but then i came back by estelle laure

me and me by alice kuipers 

shackled by tom leveen

infinite in between by carolyn mackler

the free by lauren mclaughlin

the outliers by kimberly mccreight

a good idea by cristina moracho

girl on a plane by miriam moss

eat the sky, drink the ocean by multiple authors

the sky is everywhere by jandy nelson

meg and linus by hanna nowinski

radio silence by alice oseman

all the forever things by jolene perry

keeping the beat by marie powell and jeff norton

the homecoming by stacie ramey

seven ways we lie by riley redgate

beautiful broken girls by kim savage

between shades of gray by ruta sepetys

history is all you left me by adam silvera

everything beautiful is not ruined by danielle younge-ullman

shooter by walter dean myers

the memory of light by francisco x stork

a storied life by gabrielle zevin

worthy by donna cooner

run by kody keplinger

one of us is lying by karen m mcmanus

a psalm for lost girls by katie bayerl

the one memory of flora banks by emily barr

[connorrenwick]

Aaron Lowell Denton: The Accidental Designer

The following post is brought to you by Squarespace, an easy-to-use website builder for your personal and professional needs. You can start a free trial for a website (with no credit card required) today and use coupon code DESIGNMILK for 10% off your website when you’re ready to publish. Our partners are hand picked by the Design Milk team because they represent the best in design.

Entering the world of Indiana-based visual artist Aaron Lowell Denton can feel like stepping through the doorway of an astonishingly preserved record shop you’d long had forgotten – a realm embellished in the hallmarks reminiscent of Stanislaw Fernandes’ finest OMNI magazine covers, the Memphis Movement, forgotten classics of the 1980s Japanese city pop albums era, and maybe even the neon hued geometric landscapes once emblazoned across blank VHS cassette tapes. With a portfolio pulsing with a surreal experimental glow, Denton has carved out a career as a musician’s artist, one adept at mining the collective memory of music’s imprint onto our emotions, expressed through an Indian summer spectrum of colors and absurdist’s sense of movement.

Photo: Anna Powell Denton

Originally from Upland, a tiny little town in northern Indiana, and now based in Bloomington, Indiana, Denton’s journey follows the trajectory more that of a squiggle than a line. “[When I first moved to Bloomington] I had a slew of day jobs before I went full time with design. I served tables at a vegetarian restaurant here in town called The Owlery,” says Denton, “I also painted houses for a while, alongside some carpentry work. I worked the door at a bar during a 10pm to 4am shift. That was a weird time.”

Between this hodge-podge of jobs, Denton was also designing flyers and posters for a local musical venue for the love of it, sometimes for just $50 a pop, but mostly for free. Over time he found himself spending an extraordinary time on these projects despite the modest pay. It was only when his then-partner-now-wife suggested making a go of a career as a visual artist that Denton decided to abandon toiling 70-hour weeks to dedicate himself fully into his design work.

“I was super scared to quit my restaurant job. I figured I’d try it for a few months and go back to waiting tables, but it worked out! I feel super grateful to have the job and life I have. It’s a privilege, especially in times like these, to be able to work for yourself and make art for a living. I can’t believe I get to do it everyday.”

The world would soon come knocking on Denton’s door by way of Instagram, where his work garnered a great deal of attention from design and music aficionados alike. He’d soon find himself inundated with commissions by promoters all seeking Denton’s uniquely hypnotic pop manifestations for the likes of musicians such as Wild Nothing, Leon Bridges and Khruangbin, John Maus, and Stereolab, tying a lyrical sense of typography together with a heart-on-his-sleeve affection for artists such as Donald Judd, Joan Miró, Helen Frankenthaler, and Bridget Riley.“That high art stuff is a bit in my aesthetic DNA at this point, and my sense of color and composition comes from all the time I spent (and still spend) in museums and looking in books.” 

Today Denton’s eye finds itself drawn toward other outliers of art, including surreal futurist Stanislaw Fernandes, 1960s-1970s Japanese typography, and OMNI magazine, influences clearly discernible across his portfolio, “I also got into a big city pop phase last year that resulted in a bunch of work in that style.  I just get really into looking and researching a certain style, and I think it’s fun to sometimes try on styles and techniques. It’s a way to give yourself permission to experiment and grow.”

This growth also included designing his own website on Squarespace, where his online portfolio resides alongside an e-commerce shop where some of his more recent work is available as posters. The site has become an integral extension of his online presence, allowing him to connect with new clients and customers alike. Denton remembers designing his site as surprisingly “easy”, crediting Squarespace’s robust site building tools. “There was definitely a time when building a website felt like such a feat, but it’s just not that way anymore.”

Denton also cites an appreciation for the collaborative nature of his work. As a musician himself, he calls the process a “conversation” integral to informing his eventual solution in tying together his vision with the artist, the venue, and even the audience. It’s a process he’s embraced increasingly more as he ventures solely from poster work toward collaborative commissions.

“Part of the art in it for me is the dialogue with clients, and the personal connection that can come out of creating art together,” notes Denton, “Especially when you’re representing someone else’s art with your own, that process has to be collaborative. That being said, like I mentioned, musicians can understand the need to not be caged in too much. They can empathize with needing a certain amount of autonomy to find something unique.”

“I’ve been lucky to work with some of my favorite musicians and it does sometimes feel like it’s coming from somewhere mysterious, pre-cooked.” Promotional risograph poster for Wild Nothing. September, 2018.

When asked about what makes for a good poster or album design, Denton is quick to point out the open-minded nature of his clientele – musicians – has afforded him a fairly relaxed relationship that tends to foster, rather than hamper good design.

“[Musicians] tend to be less intense than say, an art director. When I do a poster there’s not much between my idea and execution and the final piece; whereas, with something like a logo for a business, or a commercial project, it needs to be discussed and examined. That can be fun too…it’s all just different.”

These fairly unrestricted bounds have permitted Denton a level of interpretive freedom not all designers are always given, allowing the artist to consider both the complete oeuvre of the musician with his own personal connections with their music to form novel solutions. “I sometimes feel like the bands I get asked to work for already have visual representations, fully formed, sitting somewhere inside me. Like, they’re formed from my own relationship with the music and fandom. 

“Design has a rich history of endearing social messages with imagery. With the Abolish ICE poster I was working with a group called New Sanctuary Coalition to raise funds for immigration bonds, which are exorbitantly higher for people in that system. I’d love to collaborate on more social posters in the future though, it’s an area of my work I really value.”

Photo: Anna Powell Denton

Amusingly, Denton’s affinity for collaboration even extends to the nuts and bolts of operating as a one-person operation. “I actually enjoy emailing quite a bit,” admits Denton, “The dialogue between me and my clients is something I’m actively interested in. I don’t dread any of that stuff.”

Denton credits his Squarespace designed site as an alternative medium to show work outside of social media, one where his work can be shown without the expectations and associations of an audience-based medium like Instagram. “I like to think of my site just as a full view of a collection of work. It’s the fastest way for someone to see what my work is all about.” Visitors are welcome to peruse his portfolio of work and purchase posters from an e-commerce shop vertical. Denton’s design is clean, simple, and easy to navigate, permitting his artwork to be the centerpiece of the experience.

Squarespace has made selling my work all around the world a more accessible possibility. The commerce tools are really easy to use and understand.

With a majority of his past work connected to the music industry, Denton is using his site to aid in pursuing new opportunities, both out of curiosity and out of necessity, “When COVID hit, a majority of my poster work evaporated, so this year has been a lot different as far as where the work is coming from. I’ve been doing more editorial jobs, which I’m really into. I’d like to do a book design at some point, and also want to do more movie posters. I’m trying to learn about motion design in my spare time, so I could see myself trying that at some point.”

Ready to share your vision or brand with the world? Take the first step today with your very own website with Squarespace. Start your free two week trial (no credit card required!) and use coupon code DESIGNMILK when you’re ready  to get 10% off.

via http://design-milk.com/

from WordPress https://connorrenwickblog.wordpress.com/2020/08/17/aaron-lowell-denton-the-accidental-designer/

[gyrlversion]

No-deal Brexit tariffs: Car prices would rocket by up to £1,500

LABOUR NO VOTES (238) 

Diane Abbott (Labour – Hackney North and Stoke Newington)

Debbie Abrahams (Labour – Oldham East and Saddleworth)

Rushanara Ali (Labour – Bethnal Green and Bow)

Rosena Allin-Khan (Labour – Tooting)

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Alex Sobel (Labour – Leeds North West)

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Keir Starmer (Labour – Holborn and St Pancras)

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Liz Twist (Labour – Blaydon)

Keith Vaz (Labour – Leicester East)

Valerie Vaz (Labour – Walsall South)

Thelma Walker (Labour – Colne Valley)

Tom Watson (Labour – West Bromwich East)

Catherine West (Labour – Hornsey and Wood Green)

Matt Western (Labour – Warwick and Leamington)

Alan Whitehead (Labour – Southampton, Test)

Martin Whitfield (Labour – East Lothian)

Paul Williams (Labour – Stockton South)

Phil Wilson (Labour – Sedgefield)  

Mohammad Yasin (Labour – Bedford)

Daniel Zeichner (Labour – Cambridge)

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