#anita bellini

[ladiesonfilm]

Anita Bellini

What a little (5’ | 150cm) cutie she is and very anal / DP friendly. In fact it’s hard to find good pictures of her where she doesn’t have some random dude’s cock in her ass!

Pro tip : Check out her wet work if you like that sort of thing - she’s a swallower, though perhaps not the keenest one I ever saw !!!

FR : 4

Status : Retired

PSR : 13.5

PC : I/S/R/R/S

Shave : B

[ladiesonfilm-quickies]

Anita Bellini @ Ladies on Film

[ladiesonfilm-indices]

Ladies A->F

Abella Danger ————————| 14.0

Abigail Mac ——————————| 12.5

Abigaile Johnson —————| 12.0

Adria Rae ————————————| 15.0 ⭐️

Adriana Chechik ———|🥈| 19.5 ⭐️⭐️⭐️

Adrienne Róka ————————| 10.0

Agatha Vega ——————————| 13.5

Airi Kijima ——————————| 12.5

Akira May ————————————| 12.0

Alex Grey ————————————| 13.0

Alex Mae —————————————| 12.0

Alexa Flexy ——————————| 14.5 ⭐️

Alexa Pearl ——————————| 11.0

Alexa Tomas ——————————| 16.0 ⭐️

Alice Von V ——————————| 13.0

Alina Li —————————————| 13.0

Alina Lopez ——————————| 10.5

Allison Parks ————————| 9.0

Ally Tate ————————————| 13.5

Amia Miley ———————————| 11.5

Amirah Adara —————————| 16.0

Amy Shine ————————————| 8.5

Anastasia Martzipanova| 10.0

Angel Dark ———————————| 16.5 ⭐️

Angel Hott ———————————| 14.5 ⭐️

Angel Youngs —————————| 13.0

Angelica Bella ———————| 14.5 ⭐️⭐️

Angelina Crow ————————| 15.0 ⭐️

Anita Bellini ————————| 13.5

Anita Blond ——————————| 14.0

Anna Polina ——————————| 9.0

Apolonia Lapiedra ————| 15.0

April Olsen ——————————| 15.0

Ariana Cortez ————————| 11.5

Ariana Marie —————————| 17.0 ⭐️⭐️

Ashley Tervort ———————| 13.0

Aspen Rae ————————————| 13.0

Asuna Fox ————————————| 10.0

Athena Anderson ——————| 11.0

Autumn Falls —————————| 9.5

Ayaka Mutou ——————————| 13.0

Baby Nicols ——————————| 12.0

Bella Bellz ——————————| 12.0

Blondie ——————————————| 14.0 ⭐️

Bonnie Dolce —————————| 9.5

Bree Olson ———————————| 14.0 ⭐️

Callie Calypso ———————| 12.0

Candee Licious ———————| 11.5

Carter Cruise ————————| 15.5

Cayenne Klein ————————| 15.5 ⭐️

Christen Courtney ————| 11.0

Christina Bella ——————| 13.0

Cindy Shine ——————————| 14.0

Cindy Starfall ———————| 13.0

Clara Trinity ————————| 13.5

Claudia Jamsson ——————| 14.0

Claudia Rossi ————————| 13.0

Cléa Gaultier ————————| 12.0

Cris Bathory —————————| 10.0

Crystal Greenvelle ———| 14.5

Cynthia Fox ——————————| 10.0

Destiny Cruz —————————| 14.0

Dharma Jones —————————| 10.0

Dora Venter ——————————| 13.0 ⭐️

Elena Koshka —————————| 8.0

Eliza Rose Watson ————| 12.0

Elsa Jean ————————————| 12.0

Ember Snow ———————————| 14.0

Emelie Crystal ———————| 14.0

Emily Willis —————————| 14.0

Emma Bugg ————————————| 12.0

Emma Hix —————————————| 16.0

Eva Elfie ————————————| 9.0

Eva Lovia ————————————| 14.5

Evelina Darling ——————| 12.0

Florencia Onori ——————| 9.5

Francesca Dicaprio————| 12.0

Freya Mayer ——————————| 13.0

[mfm-mielec]

„Najpiękniejsze modlitwy operowe”

Edyta Piasecka – sopran koloraturowy Jolanta Skorek-Münch – fortepian

19 września (czwartek) 2024 r, godz. 19.00. Kościółek Św. Marka nad Wisłoką w przypadku niekorzystnych warunków pogodowych Bazylika Św. Mateusza w Mielcu

Wstęp wolny

W programie koncertu:

Giulio Caccini – Ave Maria Amadeusz Mozart – Exsultate, jubilate; część III: Tu virginum corona Mieczysław Karłowicz – Mów do mnie jeszcze; Andrew Lloyd Webber – Pie Jesu. Wojciech Kilar – 9 wrota (wokaliza) Vincenzo Bellini –„Norma”, Cabaletta; Stanisław Moniuszko – aria Neali z opery „Paria”.

Edyta Piasecka – polska śpiewaczka operowa (dramatyczny sopran koloraturowy) jest absolwentką Akademii Muzycznej w Krakowie. Zadebiutowała na scenie operowej już na III roku studiów, rozpoczynając w ten sposób swoją niezwykłą karierę sceniczną i muzyczną. Współpracowała z wieloma polskimi dyrygentami m.in. Mirosławem Jackiem Błaszczykiem, Wiktorem Bockmannem, Tomaszem Bugajem, Kaiem Bumannem, Sławomirem Chrzanowskim, José Maria Florênciem, Czesławem Grabowskim, Robertem Kabarą, Tadeuszem Kozłowskim, Ewą Michnik, oraz zagranicznymi: m.in. z Rolandem Baderem, Willem Crutchfieldem, M. Fitzgeraldem, Volkerem Schmidtem-Gertenbachem, Walterem Wellerem, Andrijem Jurkewyczem, Michaelem Zilmem, a także z Alberto Zeddą.

Występowała na scenach operowych Teatru Wielkiego w Warszawie, Warszawskiej Opery Kameralnej, Opery Krakowskiej, Teatru Wielkiego w Łodzi, Opery Bałtyckiej, Opery Wrocławskiej, Opery i Filharmonii Podlaskiej, Teatru Wielkiego w Budapeszcie (Węgierska Opera Państwowa). Współpracuje i koncertuje w Filharmonii Krakowskiej, NOSPR w Katowicach, Filharmonii Śląskiej, Filharmonii Dolnośląskiej w Jeleniej Górze, Filharmonii Poznańskiej, Filharmonii Zabrzańskiej, Filharmonii Bałtyckiej w Gdańsku, Filharmonii Pomorskiej w Bydgoszczy, Filharmonii Narodowej, Filharmonii Częstochowskiej, Filharmonii Podkarpackiej, Mazowieckim Teatrze Muzycznym w Warszawie. Występuje z Toruńską Orkiestrą

Jolanta Skorek – Munch

W 1984 roku ukończyła studia w Akademii Muzycznej im. Fryderyka Chopina w Warszawie (pedagogika instrumentalna – fortepian). Uzyskała również tytuł licencjata muzykologii Katolickiego Uniwersytetu Lubelskiego. W 2005 roku Akademia Muzyczna im. Grażyny i Kiejstuta Bacewiczów w Łodzi nadała jej stopień doktora sztuki w dziedzinie kameralistyki fortepianowej.

W 2021 otrzymała tytuł profesora sztuki w dyscyplinie sztuki muzyczne.

W latach 1987–2006 pracowała w Instytucie Muzyki Wydziału Artystycznego Uniwersytetu Marii Curie-Skłodowskiej, a od 2006 do 2013 roku była zatrudniona na stanowisku profesora uczelni i prowadziła klasę fortepianu w Instytucie Muzykologii Katolickiego Uniwersytetu Lubelskiego. Od 2013 roku jest profesorem w Instytucie Muzyki Uniwersytetu Rzeszowskiego (Zakład Chóralistyki i Muzyki Religijnej), obecnie na stanowisku profesora zwyczajnego.

Jako solistka i kameralistka uczestniczy w uroczystych koncertach okolicznościowych, organizowanych w obiektach zabytkowych Lublina i regionu. Wielokrotnie prezentowała swoje projekty koncertowe w ramach Lubelskiego Festiwalu Nauki.

Jej dorobek artystyczny obejmuje ponad 500 koncertów kameralnych w wielu miastach Polski. w tym kilkakrotnie w Filharmonii Narodowej, Bałtyckiej, Krakowskiej i Podkarpackiej oraz na Muzycznym Festiwalu w Łańcucie i Festiwalu im. Jana Kiepury w Krynicy. Koncertowała w Niemczech, Francji, Bułgarii, Izraelu, we Włoszech, Macedonii i na Węgrzech.

Współpracuje z wybitnymi polskimi śpiewakami, takimi jak: Olga Pasiecznik, Joanna Woś, Grażyna Brodzińska, Edyta Piasecka, Dorota Laskowiecka, Karina Skrzeszewska, Monika Buczkowska, Iwona Socha, Ewa Tracz, Agnieszka Tomaszewska, Magdalena Stefaniak, Edyta Ciechomska, Magdalena Witczak, Iwona Sawulska, Gabriela Silva, Małgorzata Grzegorzewicz-Rodek, Iwona Kowalkowska, Anita Rywalska-Sosnowska, Ewa Lalka, Aleksandra Resztik, Anna Lubańska, Bożena Zawiślak-Dolny, Dorota Lachowicz, Dariusz Paradowski, Jacek Laszczkowski, Piotr Łykowski, Paweł Trojak, Piotr Olech, Jakub Burzyński, Piotr Kusiewicz, Adam Zdunikowski, Leszek Świdziński, Paweł Skałuba, Witold Matulka, Jacek Wójcicki, Krystian Krzeszowiak, Tadeusz Pszonka, Sławomir Naborczyk, Leszek Skrla, Jacek Ścibor oraz ze skrzypkami, jak Vadim Brodski, Katarzyna Duda, Rafał Zambrzycki-Payne i z zespołami Kwartet Camerata, ARSO Ensemble, Trio Lublin Baroque. W wielu przypadkach sprawowała również kierownictwo muzyczne realizowanych projektów.

Wydarzenie towarzyszące

Zespół Muzyki Dawnej „Hortus Musicus”

Kierownictwo artystyczne - Tomasz Nowakowski

19 września (czwartek) 2024 r, godz. 18.30. Kościółek Św. Marka n. Wisłoką w przypadku niekorzystnych warunków pogodowych Bazylika Św. Mateusza w Mielcu

Wstęp wolny

[l0nely-edgel0rd-g0d]

Fortress Decadence

“Welcome to Inqaba Ukuwohloka.” said a man and woman in Elizabethan era butler outfits as you entered the lavish mansion designed by Kazuyo Sejima as a love song to Giyōfū architecture, the mansion was completed on August 10, 2019. The main entrance hall is a beehive of social activity with people in and out of dress, in and out of costume mingling, flirting and otherwise interacting. Several celebrities are within your sight, Sharmeen Obaid-Chinoy introduces herself to you, as do Jamie Marchi, Vince McMahon, Jacinda Ardern, Jeffrey A. Rosen, Rose Montoya and Jay-Z. Ellen DeGeneres, Jake Busey, Meghan Markle, Anita Sarkeesian, Keanu Reeves, Megan Thee Stallion, Prince William, Greta Gerwig and Tucker Carlson do not. The further in you go the more casual the attire becomes as does the atmosphere. You bump fists with Joe Rogan, Tom Kenny, Joseph Buttafuoco and Cynthia Erivo. A very drunk Kim Tok Hun bumps into while putting his tie on his head, prompting you to bump into Samia Suluhu Hassan who introduces herself but doesn't recognize you and quickly walks away. A crying Dak Prescott dashes past you, a midget dressed as He-man offers you a cup of applesauce and Ke$ha, looking like Amélie, sprays you with Obsession for men. A tray of Angels on horseback is presented to you just before a man who looks a lot like Claudio Castagnoli wearing a lot of makeup kisses you on both cheeks and is off into the crowd before you can react. A person that can only be described as Tipper Gore cosplaying as Pizzazz, the main vocalist, rhythm guitarist and leader of the fictional rock band The Misfits, apologizes and hands you a pink bellini, which is taken away by someone in a black and white Korean girl’s high school uniform with a gray horse head mask on who directs you to the bar upstairs while dodging a plate of Tokwa’t baboy being offered to you. A dashing Frenchman in an all shark skin gray three piece suit helps you avoid a glass of champagne spilt by Mahdi al-Mashat, only to be separated from him by Elon Musk laughing hysterically. A man clearly older than your father, wearing nothing but a reddish pink feather boa and a matching bandana in his gorgeous hair, gently pinches your bottom and scampers off before you can protest, he is caught and beaten by the crowd, which he rather enjoyed. A tray of Bakwan is offered to you but knocked over as a brawl erupts between rather large men dressed in ill fitting tuxedos yelling at each other in Greek. Katerina Sakellaropoulou said they were fighting over her, while wearing an all too revealing desert brown dress. She takes two of the Rumaki on a tray being offered to you when you are intimately greeted by Mosch. No age, no race, no gender, no labels, no touching; just Mosch. The Dalton Castle entrance attire, bronze tan, make up, flamboyant gesticulations and platinum blonde 1980’s rock god hair gave away nothing. 

Mosch takes you to an elevator with six other people in it. One was a priest who looked exactly like the American Gothic painting. One was actor Billy Campbell, trying not to get noticed. Three are dressed as businessmen who are snickering whilst playing a game of who can release the worst fart. The last is a Palestinian man enjoying the farts. Only you and Mosch exit to the second floor, which is more of a nightclub setting which Mosch laments, then has a mood swing after spotting a young lad in tight Lederhosen and drags you to the bar. He orders, “A Zima for my friend and a martini for me. Three measures of Tanqueray Rangpur, one of Ciroc, half a measure of La Quintinye Extra Dry Vermouth. Shake it very well until it's ice-cold, then add three speared pimento stuffed olives. Got it?”

After correcting your drink order, Dillon Francis’ “I.D.G.A.F.O.S.” came on much to Mosche’s excitement and you two dance, never once touching. By the song’s end your drinks are served by a woman in a violet niqāb. Mosche hands you yours after looking at it with dismay, Mosche tips her a fifty dollar bill and you can't help but notice Mosche has no pockets and carries no purse as you're led to an elevator where a man, woman and a nonbinary person were all over each other. Kissing, licking, groping, feeling, biting, wanting. Two of the three invite you to join them but Mosche declines on your behalf while taking in their sight, sounds, aroma and aura.

The third floor is a hookah bar and smoke lounge with terrible tiki lounge decor and a terrific live band. Mosche walks the room, takes a random hit from a hookah, introduces you to Kevin Spacey, takes another random hit, is waved off by Seth Rogan, briefly makes out with a waitress and you're back in the elevator before finishing your drink. You ride with a woman who looks like Megan Merkel trying hard not to get noticed. The Gull Terrier sniffing up her skirt made it impossible. Mosche informs you out of respect the two of you are going to exit at the next floor.

The music of Phinehas 12 decibels too loud, as the doors open to reveal a bondage dungeon.  Nothing but leather and steel visible between the bodies. While dragging you to the bar, Mosche stops to introduce you to Joe Biden, who is wearing only a diaper and being walked on a leash by Mistress Rouz. Rouz is 30 years old, 1.77 meters tall and weighs 73 kg. She was born, raised and usually resides in Port Louis, Mauritius. She speaks with a heavy Mauritian Creole accent as she exchanges pleasantries with you and Mosch. She wears a black leotard with far too many accessories to be considered tasteful. She is accompanied by Zelmire, a 14 year old Austrian girl with charming features and curly hair. She is dressed as a bunny girl. Mosche asks Joe where their Lord is but Biden responds but he only barks, as Rouz had commanded. Rouz then says, “But if I were looking for anyone, I’d check the observation lounge.” Mosche thanks her and drags you to the bar where you’re served by a Papuan lad clearly too young to be serving drinks. Mosche orders a dirty version of the drink from before and a light beer for you. Mosche vows not to linger but is distracted by Taylor Swift riding Robert Kraft side saddle, allowing you to correct your drink order and catch a breath. What can only be described as a young Arsenio Hall with stunning golden brown Farrah Fawcett hair, wearing a red leather dominatrix outfit and far too much makeup, stands next to you and says, “I hope you don't mind me coming over, but I've been watching you all evening.” They pause to suggestively eat a speared cherry from their Mojito, “And I want to tear you apart. Your friend as well.” 

Before they could move in for the kiss, Mosche pulls you hastily to the elevator where two midgets dressed as cupids are smoking massive cigars, and verbally degrading a red headed obese woman who is loudly masturbating with a Bratz doll.

“The next floor is the S & M suite.” Mosche laments, “I’ve no need to go in, do you? Well we can always come back. I can say the same thing about the Sanguine Suite above us. Let us move on to the school. That’s where our Lord and Master awaits.” 

The elevator ride was a bit cramped with Polish strong man Andrzej Zieleniecki and a constantly performing mime joined the five of you in the elevator. The doors open to reveal a hallway filled with lockers and classrooms. All the other occupants exit and a rubenesque Samoan woman in a black and yellow Korean high school uniform beckons the two of you to the first classroom on the right. Her black hair is worn in curled pigtails and side-swept bangs. She smells like ripe cloudberries. Through the window you see what appears to be Bill Cosby giving a lecture about jazz to a class of teenagers. She takes you to the classroom diagonal to the first where R. Kelly is teaching an all girls choir to sing. Moving diagonally again, the next room reveals Kevin Spacey reading to an all boys class. He was wearing nothing but a velour silk robe that clearly wasn't tied. Mosche introduces her, “This is Sophia Wind. She's mute but not deaf. She gets off on showing people things.” Sophia bows and Mosche asks her, “We're looking for our Lord and master, have you seen him?” Mosche doesn't understand her sign language but you correctly guess the library based on her gestures. Mosche is impressed by your cleverness and escorts you back to the elevator where a guy who looks like Skipp Sudduth cosplaying as Jalen Hurts was trying to persuade a cheerleader who favored Madison Curry to give him a blow job. You ride the elevator down back to the smoke lounge so you can use the bathroom purposely designed and decorated with a cold, mechanical feel. Like the kind one would expect to find on a WWI battleship. When you’re finished, Mosche is waiting with drinks. Your’s appears to be what your previous drink was, garnished with an added speared cherry, olive and lime wedge. 

Mosche escorts you to the elevator where four guys who resemble Beavis, Butthead and their fathers are standing in the now smoke-filled elevator giggling at each other

You feel a touch light headed as the doors open and the four morons rush out saying, “We’re gonna tip over a cow,”

You’ve entered a stable with the obvious hay, smells and noises, some of which were clearly human. Mosche simply mutters, “Oh no, the dierentuin. We don’t want to be here.” and takes one step before a high pitched voice squeals, “Mosche! Thank God you’re here! I need your help to settle something.”

The voice belongs to a blonde woman with big blue eyes and a model’s figure dressed in an all too sexy cowgirl outfit. The kind only a stripper would wear. 

“Please Judy, I'm working.” Mosche laments, gesturing at you.

“What? Oh Hi! I’m Judy Punch, nice to meet you.” She squeaks at you and shakes your hand. Before you can respond she’s back to Mosche, “So I have a problem and you’re the first person I thought of.”

“But Judy, I’m busy.”

“But, you’re already here.”

Mosche dramatically laments before pulling you along while being dragged by Judy. She leads you past three sheep, two horses, two cows and a man fucking a goat while she explains the problem.

“So Viktor and Arse Splitter were arguing about who had the largest dick. I offered to measure for them but I couldn't make Arse Splitter hard.”

“Of course my dear, you're much too old and the wrong gender for that.”

“And now they're trying to fight.” Judy lamented with her squeaky voice.

Viktor, no surname, hails from South Sudan and is very tall at 224 cm. He possesses a hulking, muscular build at 130 kg. His hands are massive enough to close around the entire head of many of his opponents. He is bald and wearing nothing but tape around his hands and feet to protect his knuckles and shins. The man known only as Arse Splitter is 28 years old and hails from Sheffield, England. He has the look of a satyr. He wore a short sleeveless tunic that revealed his genitals.

“I think I understand Judy.” Mosche giggled and took the tape measure before handing you an empty glass. Mosche then whispered sweet nothings into Arse Splitter’s ear all the while making sure not to touch him. And it worked, after 222 seconds he was fully aroused, displaying a penis that is bent saber fashion, it’s head, or glans, is enormous, it is 21 cm in circumference and the shaft 20 cm length. A fine curve to this majestic prick. Viktor’s measured three cm longer but four less in circumference. Judy tips you both twenty dollars after thanking you at a pitch no one would find pleasant. Mosche mutters, “Stupid bitch tipping me like I'm part of the help, what's wrong with her. I hope she gets pregnant and fat.” Mosche concealed the twenty despite having no pockets and escorts you back to the elevator where the red headed obese woman is loudly masturbating while an effeminate anorexic man verbally degrades her. He looks at the two of you and says, “She's not the one who should skip dessert.” And the look Mosche shoots him would've backed down Mike Tyson. He exits as soon as the doors are open wide enough and enters Barack Obama, a young Caucasian man and an older black woman. Mosche introduced you to Lady Eloise Gripenasty, 68 years old and wearing a gold and black Chong sim that revealed her lack of underwear. Christof Select, the youngest capo in the syndicate, wearing a white Armani tuxedo. And the former president is wearing a tuxedo by Versace. Christof is going on about how he can't get a giraffe here on the ride down to the dierentuin, so you don't have an opportunity to chat with Obama before they exit. The elevator stops at the lobby and four elderly white business men enter having a loud discussion about the stocks of aerospace companies and defense contractors. They exit at the club, Mosche calls them perverts and enters a 183 cm tall female bodybuilder from Romania making out with a Mexican boy who was 152 cm tall on his toes and weighed 50 kg at max. Mosche is intrigued and participates as only Mosche can, taking in the sights, smells, sounds and aura, but never touching. The couple exits and Mosche exclaims, “Oh, I’d forgotten about the preschool prostitute ring, shall we indulge? Oh, but I need to introduce you to our Lord and Savior, one more floor up.”

The next floor is the observation lounge which has monitors everywhere displaying the other floors from multiple angles. Everyone who exits is wearing a gray trench coat and matching fedora. Mosche introduces you to TJ Whittenhouse, a man who looks and dresses like a cliched ISTJ. Mosche has him confirm Lionel Virtanen is indeed in the library before heading there. When the elevator arrives a skinny white twink is getting quadruple penetrated by four big buff sweaty black guys vigorously, while they shout every epithet and slur possible. You silently agree when Mosche suggests waiting for the next one, which arrives 100 seconds later with a fresh batch of voyeurs looking to not be noticed. The two of you enter along with a dead ringer for Timothée Chalamet dressed as Raggedy Andy, a 222 kg French chef, the constantly performing mime and Honey Boo-boo. The elevator stops at the S&M suite where the chef exits and three softball players in full West Texas A&M uniforms enter, gossiping about who could fit a bat up their cunt like the whore they did it to. They and Timothée Chalamet exit at what looks and sounds like a gymnasium and a Pakistani couple enters, arguing loudly. This doesn't deter the mime one bit and in fact he incorporates them into the act, which causes them to yell at him and each other. The couple exits at the dierentuin and enters Crown, you know because Mosche gasped his name. Crown is 200 cm tall and a muscular 147 kg. He has long black hair spilling out of his purple and black lion mask and light brown skin. He’s wearing a light blue cowboy jacket with a dark blue poncho, white pants, a black belt, brownish gray shoes and white fingerless gloves. His presence is so commanding it was easy to miss the three other people who entered with him. An Armenian woman in a cute pink Loza Maléombho dress, a Libyan man in a Thebe Magugu tuxedo and a small man in a green screen suit who were clearly intimidated. The mime on the other hand tries to get Crown into his act, to which he respnds, “Déjame en paz antes de que te rompa.” The mime expresses a lack of understanding but continues the act, seeking an explanation from the other passengers. Crown then says, “¡Fuiste advertido pendejo!” and hits the mime with an uppercut that bounces his head off the doors just before they open revealing the Sanguine Suite and its cliche vampire decor. Crown then body slams the mime, mounts him and punches him in the face four times before transitioning to an armbar. The mime’s scream is drowned out by the sound of his ulna breaking then the doors closed. Clearly frazzled, Mosche drags you out of the elevator and into the triage ward, one of the few areas without a full service bar. Mosche is on the verge of a panic attack when a voluptuous woman in a black dress that showed a lot of leg approached. Her steel blue eyes meet yours, she gives you a wink and a smile, then a whorl of curly black hair as she approaches Mosche. And like that, you know everything is going to be alright. 

“You’re looking a little ragged right now.” She says in a deep, breathy voice, “Anything I can do to help?” 

“Oh Raven!” Mosche laments and hugs her, which shows clear indifference to. “Oh Raven,” Mosche pauses to sob, “I’m just trying to take this one to meet Lionel Virtanen for the first time.”

She pulls a cigarette and a lighter from god knows where and lights it, prompting one of the orderlies to shout, “No smoking in here!” 

“Relax sugar, we were just leaving.” 

She leads you to the elevator, followed by a man 1.2 meters tall and dressed like an accountant from the 1920s. He was trying desperately to get her attention. 

“You know what they say Mosche: The harder the journey, the better the destination.”

The elevator doors opened and four orderlies moved a gurney out. On it, you couldn’t help what appeared to be a mime with a face of pureed beef on it, followed by a skipping Anita Sarkeesian. The green screen suit guy was break dancing to DeBarge was inside as was 

Jacinda Ardern, who no one recognized. The three of you, Sendhil Ramamurthy in blood stained scrubs and WNBA star Brittney Griner with a heavily taped left knee enter the elevator. The accountant tries to dash in as the doors close but Raven kicks him in the chin to stop him.

The elevator doors open to a lobby decorated to look like the street front of a discreet Jakarta bar with a half moon rising. There were three people standing outside chatting; Vince McMahon, former president Donald Trump and Kim Belair. Inside is a very classy and impressie decor guarded by two men so large Mosche verbally assumes they were bred for security. But they look at Raven and say, “Welcome back boss.”  then eye the rest of you menacingly. Raven turns around with her hands on her ample hips and says, “Mosche and guest. And…”  You turn around to see the options only to see everyone followed you out of the elevator and joined the trio standing outside, but they were joined by a cowboy, a female construction worker, a biker, a female GI, a Tsuutʼina Nation chief, a Chinese admiral, a female British cop, three non-discript straight white men and what appeared to be a Syrian gigolo; all wanting the same thing, admittance. “...Jacinda Ardern.” Raven pauses to laugh in a manner uncharacteristic of her look and voice and adds, “And the green man.” There is audible disappointment from those not admitted as they return to whence they came.

“Welcome to the VIP lounge.” Raven breathes as the green man clears the metal detector. In the first booth was a man in a gold lion mask surrounded by a harem of girls far too young to be in such an establishment. They were eating from a cuminall five gallon bucket of neapolitan ice cream. The second was a man in a black bull mask surrounded by a harem of boys far too young to be in such an establishment. They were wrestling for his amusement. A woman in a taxidermy deer mask was choking and cursing at a server in Chinese accented English. The next booth had a man in a yellow panther mask and a man in a polar bear mask smoking massive cigars and casually chatting until they saw you looking at them. You look away but they continue to stare until you’re out of sight. A woman in a gold eagle mask is in the next booth beating a dark skinned man wearing only a loincloth with her fan. Her profanities flow from English to French and back again. The next booth is empty and Raven invites you all to sit as a classical jazz version of What’s Goin’ On plays. Raven takes everyone’s order and is the only one not shocked when the green man speaks in a deep voice with a heavy Welsh accent when ordering a pint of Newcastle. Raven is only gone for 90 seconds before the man in the polar bear mask approaches the table. He is wearing a shiny purple sequined sports coat with a black button up shirt, black slacks with violet pinstripes and the 1994 Nobel Economics prize on a gold chain around his neck. He says, “What kind of rabble are they letting into the VIP lounge these days?” like he’s impersonating Jack Nicholson.

“I know, right?” Mosche laments with a limp wristed dismissal. The man folds his arms, poorly pretending not to be agitated and says, “Seriously, I want to know who you people are and what gives you the right to be in my presence?”

“Who the fuck is this cunt?” Jacinda Ardern asked. The man attempted to strike her but the blow was intercepted by the shin of Baek Hae-Ryeong the rising star in the Taekwondo world. Mosche recognized him and remarked how handsome he was. You notice he’s wearing a loincloth and remember seeing him on the way in. The man in the yellow panther mask was trying to console the man in the polar bear mask who clutches his arm like it’s broken.

“Gāolí bàngzi!” he hisses, “Do you know who I am, how much money and power I have?” he doesn't pause as Raven returns with the drinks and a wink that tells you to let the man finish. 

“Of course you don’t and I like it like that! I have enough money and influence over this world to keep my name out the mouths of you people who jumped a border to sell drugs, hijack planes and not speak English as they’re getting railed up the ass by some twink in a turban that jumped another border to escape the Jihad or their corrupt government or some sort of ethnic cleansing or cartels or whatever abomination the Cafri want to infect the rest of the civilized world with!” 

A blonde middle aged woman in a gray pants suit that showcased her flat ass, with a white blouse that showcased her flat chest silently stepped from behind the ranting man and asked Mosche, “Mr. Virtanen was expecting 20 minutes ago, what is the delay?” 

“This man here said he was more important than anybody else and insisted he had to listen to him.” Mosche blurted out.

“Is this true?” she asks, ignoring her tablet for the first time.

“Yes Ms. Prentiss.” Raven replied. Prentlss looks at the rest of the table and all you can do is nod along with them. Prentiss then turns to the masked man, who only now noticed his friend was nowhere to be seen. “You’re the reason for their delay?” she asked while backing him up by advancing.

“Delay?” At this point he’s backed up to the bar, “Okay look I may have had some choice words for…”

“Save it.” she cut him off, her attention back on her tablet, “You and Hae-Ryeong will accompany us. Mr. Virtanen awaits.”

Mosche urges you to finish your drink while not doing the same and rises, silently urging you to follow. 

“And we’ll take the stairs so no one gets lost.” Prentiss says leading the group. The man in the mask tried to protest, but after two words Prentiss stopped walking and sternly asked, “Do I need someone to carry you there?” and continued walking before he actually said, “No.”

The stairs were old stone work. It was up to flights before a heavy wooden door opens to the library. The stone walls were seven meters tall with bookshelves three meters high on every wall. Above those were two meter tall windows that revealed a windy moonlit night. But you recall it being daylight when you arrive. It smells exactly as it looks.

Lionel Virtanen is standing in the middle of the library wearing blue gray slacks and a matching button up shirt and a navy blue vest and tie. His height, hair, weight and face are unremarkable, plain and average. He’s reading an old copy of The Odyssey.

“Mosche and your guest sir.” Prentiss announces. “They were delayed by this man Simon Javier Malhotra born the 20th of January 1963. He is the global chairman, CEO and controlling shareholder of Metal Mammoth Mining and the founder, chairman and largest shareholder of FirstOrder Corporation. In 2022, Malhotra was named to Forbes' annual list of the world's billionaires. Wife, Barbara. Children…” 

“We get the point you fucking bitch, you know who I am. You can shut the fuck up now. Goddamn stupid cow wasting everybody’s goddamn time running off at the mouth with all the yakety yak yak.”

Lionel threw the copy of The Odyssey so the corner hit Malhotra on his penis. He then choked him into a standing position and said, “That’s enough out of you! I know everything! You disrespect my guests, my staff, in front of me, but the most grievous thing you did? Telling that private eye about this place. And why? Because you raped your son's wives on their wedding night and blackmailed you!” 

He released Malhotra and a pair of obvious sicario pick him up after playfully kicking him. Lionel slaps the mask off Malhotra, thrusts his middle and ring fingers up Malhotra’s nostrils and said,

“Low order scum. Prince, pauper, president, pawn, no one is beyond my reach.” He removed his fingers and gut punched Malthora who fell to his knees. The sicario held him up, pressing their crotches into his face. Lionel then looks into your eyes and says, “He’s all yours, what will you do with him?”

[altazak]

Anita Bellini

[chrisnaustin]

If only I were she!

[ladiesonfilm]

The last 16 # 13

A quick look back at where we’ve been & what we’ve seen from ladies 193-208 🤩

[mariacallous]

Hi, this week the Met Opera is featuring "Leading Ladies: Opera's Greatest Heroines." Mon nite til 6:30 pm Tue - Carmen Anita Rachvelishvili as Carmen; Tue nite - Anna Netrebko as Lucia di Lammermoor; Wed - Sondra Radvanovsky in Bellini's Norma (also with Joyce DiDonato); Thur - Natalie Dessay in La Traviata; Fri - Hildegard Behrens as Tosca (1985, with Placido Domingo); Sat - Lisette Oropesa in Massenet's Manon; Sun - Deborah Voigt in Die Walkure

[ladiesonfilm-indices]

Ladies by PSR 14->13

Abella Danger ————————| 14.0 Anita Blond ——————————| 14.0 Blondie ——————————————| 14.0 ⭐️ Bree Olson ———————————| 14.0 ⭐️ Cindy Shine ——————————| 14.0 Claudia Jamsson ——————| 14.0 Destiny Cruz —————————| 14.0

Ember Snow ———————————| 14.0 Emelie Crystal ———————| 14.0 Emily Willis —————————| 14.0 Gia Derza ————————————| 14.0 Hanna’s Honeypot —————| 14.0

Holly Molly ——————————| 14.0 Janet Alfano —————————| 14.0 Julia Roca ———————————| 14.0 Katja Clover —————————| 14.0 Lexi Belle ———————————| 14.0 Lupe Burnett —————————| 14.0

Melissa Lauren ———————| 14.0 Nataly Von ———————————| 14.0 Octokuro —————————————| 14.0 Presley Dawson ———————| 14.0 Roxy Jezel ———————————| 14.0 Stella Barey —————————| 14.0 Nikki Montana ————————| 14.0 Roxy Lips ————————————| 14.0 Timea Bella ——————————| 14.0

Zafira ———————————————| 14.0

Anita Bellini ————————| 13.5 Agatha Vega ——————————| 13.5 Ally Tate ————————————| 13.5 Clara Trinity ————————| 13.5

Mackenzie Mace ———————| 13.5

Nikki Blond ——————————| 13.5 Martha A. Tanika —————| 13.5 Monica Sweet —————————| 13.5 ⭐️ Sonya Blaze ——————————| 13.5 Alex Grey ————————————| 13.0 Alice Von V ——————————| 13.0 Alina Li —————————————| 13.0 Angel Youngs —————————| 13.0 Ashley Tervort ———————| 13.0 Aspen Rae ————————————| 13.0 Ayaka Mutou ——————————| 13.0 Christina Bella ——————| 13.0 Cindy Starfall ———————| 13.0

Claudia Rossi ————————| 13.0 Dora Venter ——————————| 13.0 ⭐️ Freya Mayer ——————————| 13.0 Gina Valentina ———————| 13.0 India Summer —————————| 13.0 Katja Kean ———————————| 13.0 Kelly Collins ————————| 13.0 Kristy Black —————————| 13.0 Liya Silver ——————————| 13.0 Madison Ivy ——————————| 13.0 Melena Maria Rya —————| 13.0 Michelle Wild ————————| 13.0 Polly Petrova ————————| 13.0

Scarlet Mae ——————————| 13.0 Serpente Edita ———————| 13.0 Suzie Carina —————————| 13.0 ⭐️ Veronika Zemanova ————| 13.0 Whitney Westgate —————| 13.0 ⭐️ Zara Whites ——————————| 13.0 ⭐️

[prettyteenpornstars]

Anita Bellini

[altazak]

Anita Bellini

[dannysvalgreen]

Hermosas:

Anita Bellini (Kindgirls)

[vamoslaspibas-blog1]

Historia y ediciones anteriores.

¡Vamos las pibas! Festival internacional de autoras de historieta.

VLP es un festival creado por Agustina Casot en 2017. Surge a partir de la necesidad de mostrar el trabajo de las autoras y crear un punto de encuentro entre el público y las mismas.

Funciona con una convocatoria abierta a mujeres cis, trans, travas, lesbianas, no binaries y otras identidades disidentes. En el festival participan autoras editadas, consagradas así como las que recién comienzan.

El festival se realiza gracias a la colaboración de las autoras y del espacio cultural Feliza, hogar del festival.

Durante las dos primeras ediciones el festival contó con Andrea Guzmán  como coorganizadora.

Festivales realizados hasta la fecha: 

¡Vamos las pibas!1 

9 de Septiembre de 2017

Feria en planta baja y primer piso. Charlas:- Presentación del libro Debajo, la corteza de Daniela Arias-Charla con Mariela Acevedo, editora de Clitoris, relatos gráficos para femininjas- Hermostras: Historieta LGBTIQ - Charla sobre visibilidad, historieta y edición independiente con Cons Oroza, Agus Tina, Gabriela Binder,Maia Venturini Szarykalo.- Charla con el colectivo 365 mujeres ilustradasTalleres:-Patterns y Personajes con Valeria Reynoso y Maelitha.-Porno en Viñetas con Sukermercado.-Fanzine con lo que tengo con Daniela AriasCierre musical por Las ÓrbitasOtras actividades: Tatuajes Flash por Lula Limón Trueque de Retratos por Historias de amor por La Watson ¡Vamos las pibas! 2 

10 de Marzo de 2018

Feria en planta baja y  primer piso. 

Charlas:

Mesa Editoras: chicas que editan chicas. charla sobre trabajo creativo y edición autogestiva. Charlamos con: Paula Andrade (Gutter Glitter), Lucía Bruta (Mafia),Valeria Reynoso (In bocca al lupo), Daniela Ruggeri (Panxa) Moderadora: Agustina Casot.

Mesa Historieta Migrante: dibujar y editar lejos de casa. diálogo con autoras viajeras e invitadas internacionales. Charlamos con: Júlia Barata (Portugal), Nacha Vollenweider (Alemania), Lesbilais (Chile), La Watson (Colombia). Moderadora: Andrea Guzman.

Mesa Historieta Federal: experiencias de gestión, festivales y trabajo colaborativo en el interior de argentina. Charlamos con: María Luque (Rosario), Muriel Frega (Ostende),Carla de Tal (Corrientes). Moderadora: Mariela 

Acevedo. Muestra:

Identidades lésbicas en historieta. Inaugurada el miércoles 7, durante el día de la visibilidad lésbica. La muestra se fue exhibida  en el festival y hasta el 17 de marzo en Feliza. Artistas participantes: Julia Inés Mamone, Constanza Oroza, Catalina Minteguía, An Millet, Agustina Casot, Lesbilais, Macarena García Cuerva, Nacha Vollenweider, Paula Suko, Colorada Majox y Maru Rubin

Otras actividades: Lanzamiento de la revista ¡Vamos las pibas! N°1

Pequeña antología de 12 autoras de historieta: Florencia Pernicone, Júlia Barata, Paula Sosa Holt, Paula Andrade, Agustina Casot, Maelitha, Muriel Bellini, Caribay, Mirita, Valeria Reynoso, Mica Soq, Héxico.

Diseño: Agustina Casot. Edición: Agustina Casot y Andrea Guzmán.

Chicks on comics Intervención abierta en vivoAborto legal, seguro y gratuito:

 Power Paola, Delius, Clara Lagos, Caro Chinaski dibujaron las paredes en vivo e invitando a lxs participantes del festival a dialogar y manifestarse en formato historieta sobre el acceso al aborto libre.

¡Vamos las pibas 3! 

8 de Septiembre de 2018

Feria en planta baja y primer piso. Charlas: 

"Historieta, disidencia y diversidad". Presentación de "Diverses" por Agustina Casot y "Alienígena" por Femimutnacia. Moderadora: Pazchi Diaz.

" De la historieta al corto animado". Proyección de "Deportivo Baby" y charla con su creadora Estampita (Delfina Perez Adan).Moderadora: Daniela Arias.-"Los caminos de la autora" . Charlamos con Delius, Teora Bravo, Azul Blaseoto, Sole Otero.Moderadora: Maru Rubín.

Taller:

Taller de Fanzistorietas!Armado de cadáveres exquisitos y fanzines con con el colectivo Liquen.

Otras actividades:Lanzamiento de la revista ¡vamos las pibas! N°2

Pequeña antología de 12 autoras de historieta: Julia Inés Mamone, Constanza Oroza, Catalina Minteguía, An Millet, Agustina Casot, Lesbilais, Macarena García Cuerva, Nacha Vollenweider, Paula Suko, Colorada Majox y Maru Rubin, Ornella Pagliaruolo. Edición: Agustina Casot. Diseño: Maelitha.

Cierre musical: Manada y NYX Hijas del Caos ¡Vamos las pibas 4! 

9y10 de Marzo 2019

Feria en planta baja y primer piso.

Charlas: Sábado 09: 18:30hs- "La historieta desde el ano: ser feministas, disidentes, subversivas y leer cómics para dinamitar el cis-hetero-patriarcado"  de la mano de Grupo Rorschach de lectura y estudio de historietas Salón principal. 19:30hs- "Rompiendo fronteras: Influencias del manga en autoras locales" Charla con Maria Florencia Lista, Blinka, Maelitha, Teora Bravo y Paula Andrade. Modera: Ellie Maze 20:30hs- Presentación Pibas. Antología con muchas pibas por Dani Arias Val Reynoso y Romina Fretes In bocca al lupo.  Sala Tango. Modera: Pazchi Diaz 21hs- Charla con Tetastristes Cómics que nos visitan desde Chile. Salón principal. Modera: Agos Fanucchi. Domingo 10: 18:30 hs- Charla con las pibas de Periferica. Narrativa al Margen Lucia Ruiz, Irina Katz, SIne, Marina Martinez y Paula Viñas. Modera: Naimid Cirelli 20:30 hs- Lo que se viene con Barro Editora . Charla con Valeria Reynoso, Maelithaa y la editora Agos Fanucchi. Modera: Paula Andrade 20:45 hs- Autorxs diverses. Charla con Femimutancia, Sukermercado, MAKA and Beyond, Tallarines con Tuco y Melina Feld. Modera: Agus Tina Casot. Presentación de la Revista ¡Vamos las pibas!N°3  Pequeña antología de 11 autoras de historieta: Marcia Juarez, TeoraB, Mariana Amatista, Lucía Ruiz(Lipa), Pavaditxs, Daniela Ruggeri, Romina Fretes, Dani Arias, Amaltea Montero, Caro Chinaski, Delius.

¡Vamos las pibas!5  

7 de Septiembre de 2019

Feria en planta baja y primer piso.

Charlas: 18:30 hs- Nos visita desde Chile Catalina Cartagena ilustradora, narradora gráfica y ceramista. Vamos a tener el agrado de poder charlar un rato sobre su trabajo con ella. Moderadora: Anahí Blue. 19:15 hs-  Feminismo Gráfico. Mariela Acevedo y Femimutancia presentan la Muestra "Nosotras Contamos. Un recorrido por la obra de Autoras de Historieta y Humor Gráfico de ayer y hoy" y el proyecto de página "Feminismo Gráfico. Un laboratorio de ideas feministas", una plataforma de propuestas y contenidos. https://www.feminismografico.com/ 20hs- CAltos proyectos emergentes. Charlamos con las editoras de Las Fieras fanzine y Club Vampire, dos revistas autogestivas que ya van por su tercer número cada una donde participan autoras de todo el país. Con Lejana, Flora Marquez, Gala Fernández, Nadia Rojas y Catalina Minteguia. Modera: Pazchi Diaz. 20:45hs- Frustraciones: como hacer historieta y no morir en el intento. Charla con las autoras/editoras Paula Andrade, Mir Uberti y Femimutancia sobre sus experiencias, aciertos y desaciertos,formas de trabajar, derechos de autor, autoeditarse, trabajar con editores y otras cosas de  interes para le autore moderne. Modera: Agustina Casot. 21:45hs- Presentación de Ruido Blanco por Muriel Frega y María Eugenia Alcatena Cierre musical. 22:30hs- Sole  Asurey 23hs- Ajuste mulabanda

¡Vamos las pibas!6 

7 de Marzo 2020

Feria en planta baja y primer piso. Charlas:

18:30hs- Presentación de "Lovecraft y negrito"  opera prima de Dolores Alcatena. Modera: Anahi Blue HistorieTuber 19hs- Charla con Esdian artista parte del colectivo Autoeditadas de autoras argentinas en españa y el diario feminista Femiñetas.  Modera: Femimutancia 20hs- Charla 7 de Marzo día de la visibilidad lésbica. ¿De qué hablamos cuando hablamos de historieta LGBTIQ+?La importancia de la representación, historieta y activismo y otras yerbas. Con Pazchi Díaz de Rorschach - Grupo de lectura de historietas Agus Tina, SweetPea Momote, Leno Heyaca Consol, Sukermercado y otrxs artistas lgbtiq+ 

21:30hs- Charla con libreras y algo más... Charla con  Anita Bertoldi de Crumb, Juana Neumann y Mariela Cesar de Punc, Julia Bustos de Musaraña Libros y Delfina Moroni de Quiosquito virtual. Modera: Agustina Casot -23hs- Cierre musical por Marina Izu