#angelika analog
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Szombaton elvileg tenyleg megnyitja @kosullo2 a kiallitasomat a Viaduktban 18 oratol❤️🔥
Ami amugy az udvarlommal az egy eves evfordulonk, es nyigok ezerrel a karrier vs maganelet teman, de ez van.
Csomo sose posztolt kep, csomo sokat posztolt kep varhato. Es ahogy elnezem, ez eddig a legnagyobb kiallitasom evör.
Megint kezdek panikolni. Olelesek, gyertek❤️🔥
Ps: kutyanehez nem posztolni a kepekrol🤦🏻♀️
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Forest detail by Angelika Stephan via Flickr
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Dawn.
Angelika Analog (b. 1983, russian based in Hungary)
Mixed media, canvas
2024 January, Budapest
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Ponte Vecchio by Angelika Hörschläger
Florence, Tuscany, Italy
#florence#tuscany#europe#travel#italy#southern europe#architecture#yellow#film#analog#angelika horschlager
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i bleed
analog for akcja menstruacja | ig: akcjamenstruacja photographer: angelika pankowska | ig: czulanaswiatlo
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Table of Contents
A list of every arthouse, cinema, and neighborhood movie theater in New York City.
All Theaters
IFC Center 🎟 💌
Film Forum 🎟 💌 🎙
Film at Lincoln Center 🎟 💌 🎙
Florence Gould Hall at FIAF 🎟
Nitehawk Cinema - Prospect Park 🎟
Nitehawk Cinema - Williamsburg 🎟
Quad Cinema 🎟 💌
Angelika Film Center 🎟 💌
Angelika - Cinema 123 🎟
Angelika - Village East 🎟
Museum of the Moving Image 🎟 💌
Paris Theater 🎟 💌
Syndicated 🎟 💌
Kent Theatre 🎟
Atrium Stadium Cinemas 🎟
Williamsburg Cinemas 🎟
Cobble Hill Cinema 🎟
Kew Gardens Cinemas 🎟
IPIC Theaters 🎟
Stuart Cafe & Cinema 🎟 💌
Cinépolis Chelsea 🎟
The Roxy Cinema 🎟 💌
Alamo Drafthouse - Downtown Brooklyn 🎟 💌
Alamo Drafthouse - Lower Manhattan 🎟 💌
BAM Rose Cinemas 🎟
Cinema Village 🎟
Alpine Cinema 🎟
Cinemart 🎟
Museum of Modern Art (MoMA) 🎟
Anthology Film Archives 🎟
Metrograph 🎟
This page will visit newly reopened theaters every week and update with photos and information about the reopening.
Map of All Theaters
🗺 Map of New York City Cinemas
Guide to Each Theater
Alamo Drafthouse - Lower Manhattan
Cinemart Cinemas
Cobble Hill Cinemas
Cinépolis Chelsea
Museum of Modern Art (MoMA)
Angelika - Cinema 123
Atrium Stadium Cinemas
BAM Rose Cinemas
Williamsburg Cinemas
Stuart Cinema & Cafe
IPIC Theaters
Metrograph
Alpine Cinemas
Kew Gardens Cinemas
Anthology Film Archives
The Roxy Cinema
Cinema Village
Angelika - Village East
Alamo Drafthouse - Downtown Brooklyn
Paris Theater
Museum of the Moving Image
Kent Theater
Syndicated
Flourence Gould Hall at FIAF
Film Forum
Film at Lincoln Center
Angelika Film Center
Nitehawk Cinema - Prospect Park
IFC Center
Quad Cinema
Nitehawk Cinema - Williamsburg
Other Resources
ScreenSlate
The predominant guide to seeing arthouse and repertory New York cinema. Home of the most inclusive list of current and former movie venues in New York.
Analog Film NYC
A comprehensive list of all the 16mm, 35mm, and 70mm screenings in New York, listed by day.
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In that case, then, if you don't mind, I'm very interested to hear more about the Macavity tribe - and I am intrigued by the mutiny from Mungojerrie, Rumpleteazer and Griddlebone and how that went about.
All righty, here we go... getting into some Lore (TM)...
After Macavity was banished from Old Deuteronomy’s Tribe, he knew he wasn’t going to be able to make it on his own (especially since his magical benefactor was a moody bastard who would take away his powers whenever he was upset with him). So his first order of business was to make himself feared. He started colluding with other gangs and mini-Tribes of feral cats, making deals with them and gaining their favor until he basically gained a reputation as the Jellicle equivalent of a mafia don. In fact, he garnered so much power that a lot of the gangs he used to depend on now depended on him so much that without him, they would descend into bloody in-fighting and collapse. Think of a more evil cross between Vito Corleone and Havelock Vetinari.
Naturally, this made him a very seductive figure to a lot of cats, especially after setting up a permanent lair in what used to be an old speakeasy. His first follower was Griddlebone, who was looking for protection from the pirates roaming the Thames. Next were a quartet of queens--Angelika, Jokaste, Zampalesta, and Sparetta--who wanted to escape their humdrum lives as showcats and gain some glamour and notoriety. Then came Mungojerrie and Rumpleteazer, the former of whom was basically press-ganged into it and then charmed into staying with the promise of being able to wreak as much havoc as he wanted, and the latter of whom staying because that’s where Jerrie was. And then--unfortunately--there was Bombalurina, who wanted to be close to the Mystery Cat she found so alluring. Bomba’s case was especially tragic because she wanted a closer relationship with Macavity and was devoted to him to the point of having no sense of self-preservation, but he thought of her only as cheap labor (in more ways than one). Even when Macavity kidnapped Demeter and Bomba still tried to keep her half-sister safe, her loyalties were always torn. To make another movie analogy, Bomba and Macavity were basically Nancy and Bill Sykes from Oliver!
While Macavity still worked with the odd mercenary willing to slit a few throats and get their paws dirty, these eight were his main force. And he tried very hard to keep them all loyal to him, encouraging him to think of their gang as a “family” and just as valid a Tribe as Old Deuteronomy’s. For the most part it worked, and they were willing to go along with his bidding... until one Jellicle Ball. Macavity charged his “family” with kidnapping the candidates for the Jellicle Choice, taking them to an abandoned port along the Thames, and drugging the other Tribe members into forgetting the candidates were ever there in the first place. Once they had the all rounded up, Macavity ordered his followers to kill them. He had never expressly told anyone that the plan involved murder--of cats some had once called family and friends, no less--but he expected them to follow his orders as a given.
But Bombalurina said no. So did Mungojerrie, Rumpleteazer, and Griddlebone. And right at that moment, they fought back, causing an all-out battle to erupt right there on the docks. In the confusion, Jerrie and Bomba were able to smuggle a few of the candidates back to safety. Griddlebone tried to convince the four former show queens to switch sides, but they refused, and the Persian queen was forced to escape with Teazer, who was badly wounded. But they couldn’t go home yet--Demeter and her kittens were still with Macavity (as was Bomba’s daughter, but none of her fellow mutineers knew that). So their last act of rebellion was to free Demeter and her children before bringing everyone home to the Junkyard.
Jerrie and Teazer had an easier time winning back everyone’s trust since they were still so young and truly had no idea what they were getting themselves into. Bomba took a while longer, but her devotion to keeping her family and its new members safe, as well as her disgust for being taken advantage of for so long, eventually won over the skeptics and found her promoted to the rank of co-Protector. And Griddlebone... well, she was always a bit of a loner, so she didn’t particularly care for what the Tribe at large thought of her. She still occasionally visited because she was extremely fond of Jerrie and Teazer, but for the most part she kept to herself and her music hall performance schedule. Entourages were never her thing, anyway.
Macavity didn’t take this loss lying down, of course. He continued to bring on new assassins and thieves, and he even managed to win over Tumblebrutus’s older brothers, two mean-spirited pranksters who were banished after one of their tricks nearly killed multiple cats. The war of attrition between him and his father’s Tribe continued, but the Jellicles were as determined as he was not to be beaten back. And the four mutineers, more than anyone else, are willing and ready to stand alongside Munkustrap and Alonzo when the next battle begins.
#cats the musical#my headcanons#macavity#bombalurina#mungojerrie#rumpleteazer#griddlebone#So... lots of secondary thoughts here...#First of all if that big dastardly plan of Macavity's sounds like the plot of the 2019 movie that's because it is.#I am a sucker for a good Canon Weld what can I say? XD#Second of all I had to include Bomba as a collaborateur because it was the only thing that made sense given her part of The Song.#I liked the *concept* of her working with Macavity like she did in the 2019 movie but the execution needed work#so I figured that the only way to keep her still sympathetic was to give her a case of genuine torn loyalties between someone she *thought*#that she loved and someone she actually did love (again the Nancy analogy felt pretty apt).#Third of all Macavity as Faust Who Later Turns Into Mephistopheles is one of my favorite concepts ever and *one of these days*#I am going to write a full fic about it.#And fourth of all I'm keeping the idea of Griddlebone as an actual character in the 'Cats' universe and not just a fictional figure#because she deserves better than... y'know what she actually *has* in the show.#I'll probably come up with more concrete headcanons for her too later down the line--that woud be fascinating.#But yeah--have this long backstory I concocted after seeing the recent movie way too many times and wondering what Macavity's deal is. XD
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Bart Chat 2/23/19 Greetings all, We are very excited about DOCUFEST coming up October 3rd-6th at the Angelika Film Center in Dallas, but before we get to that, we have a program coming up this Saturday at The Amon Carter Museum in Fort Worth. As you may or may not know, they have a great Gordon Parks photo exhibit going on there. Most People know Gordon Parks from Shaft fame but he was also a great photographer and seeing the show is worth the trip. We are teaming about with Amon Carter to show his earlier documentaries, Diary of a Harlem Family (1968, 20 minutes) and The World of Piri Thomas (1968, 60 minutes). Parks tells the story of the Fontenelle family. He was inspired to make this film after photographing the Fontenelles for a Life magazine photo essay on race and poverty in an attempt to show that, regardless of race and class, families across America all work to provide for their children. This a rare opportunity to see these films so please check them out. The World of Piri Thomas gives an unflinching view of the “mean streets” of Spanish Harlem as told by one of its most noted inhabitants. In this film, Thomas, who was a painter, poet, author, ex-con, and ex-junkie, shares his experiences and reads from his book, Down These Mean Streets. Now back to DocuFest. We live in, shall we say, unique times when questions about what is real and what is fake constantly permeate decision making. Should I click on that? Can you believe what he said? Can that be true? In these titles, DocuFest presents fresh oasis of media that ascribes to presenting reality and framing reality in a way to make us better citizens, to create awareness, and make us whole in a time when the news makes us feel empty, angry, less connected to the world and in the end, less human. Come to the Angelika Film Center Dallas and spend four days with us and you can rediscover joy, brilliance, tragedy and be moved by it all. This fest is more than just a series of movies, it is a way to reconnect with your sanity. (Did I oversell this?) The first two nights, we have two theaters. Opening night, we start with a preview of Flannery, a new feature film about the great southern writer Flannery O��Connor. This is a really great doc by a good friend, Elizabeth Coffman, whose work we have shown before, but this is her best film to date. If you ever read O’Connor’s work, this film tells her fascinating story in a style that works with her style. At the same time, in another world in the next screening room, we have Now or Never: A Tony Romo Story. We have seen him play, we have seen him talk, now see how he attained success with interviews of family and friends who knew him back in the day. Then our late shows on Thursday have A Woman’s Work, by Yu Gu, a documentary about NFL cheerleaders who are fighting for their rights. It follows class action lawsuits and the women who have the courage to stand up to the NFL for their rights. Then we have a classic: When DA Pennebaker passed away, we wanted to show one of his films to honor his memory and what he meant to documentary film. We thought of The War Room (directed by Chris Hegedus) because we have an election coming soon and we thought about Don’t Look Back, which is the obvious choice and we don’t do that, so we went with Ziggy Stardust to remember both Pennebaker and Bowie. Pretty cool for opening night. On Friday night, we start with a new documentary about legendary choreographer Merce Cunningham, in 3D!!!!!!! It’s hard to imagine modern dance without the influence of Cunningham and his lifelong collaborator and partner John Cage. In his film, the filmmaker assembles dancers from the Merce Cunningham dance company to perform the classic works, in a new way. Often 3D can be a trick or a gadget but here with an artist working with moving in space, 3D brings it alive. At the same time (sorry, on Thursday and Friday night you will have to make tough choices) we are proud to show Midnight Traveler, the story of filmmaker Hassan Fazili’, who had a bounty on his head from the Taliban and had to leave with his wife and their two daughters. In this film, shot with a mobile device, he documents the everyday moments of family life interspersed with the peril of this dangerous journey. This film helps put a voice to the people who are having to leave their countries, seeing, knowing and understanding their struggles. The late-night Friday program is just as special. Varda by Agnes is a film that was on many best-of lists from Toronto. Agnes Varda has had a long and fascinating career as a filmmaker, and she gets to tell her story in this doc. (We have been happy to show her work for years, including the great Beaches of Agnes.) In this film, we see her in many different audiences talking about her work. It is a great way to hear her talk about and view her work. It’s a must-see. And finally, the last program is controversial (Can you believe we would do that?) It is American Dharma, Errol Morris’ film about Steve Bannon. This played a few festivals last year and Errol got blasted for giving Bannon some oxygen. Indeed, I was not keen on the idea of the film and then I saw it. Bannon does get to put this burn it all down point of view in the film, while Morris does call him on things, it is not as much as most audiences would like. However, as we get into this next election cycle, it is good to see what made Trump’s campaign successful, at least from one person's point of view. Also, I think it’s better to get into the heads of an opponent than to think you know them. And the actual film is fascinating. Bannon is very much influenced by films, and he has made films of his own. He talks about 12:00 High, a classic film about the Air Force, heroism and WW2. Morris recreates the main set of 12:00 High and the interview takes place in the set. It brings a strange unsettling context to their discussion, and I think it works. That’s just the first two nights and there is so much more, which I will detail in the next newsletter. Speaking of immigrants, last night I got to see a special screening of Detras de Realidad which will show in Frame of Mind October 10th at 10:00 PM. This program is made by women about their own journey to Texas and what their life is like here. Frank, honest and in their own voices. I really liked what they did, but I was so happy to meet the makers who learned how to control the image and use the medium to tell everyone their stories. Thanks so much to Amber Bemak who taught then and Ignite Dallas at SMU for making it happen. Speaking of Frame of Mind we have a great new show on Thursday night at 10 PM. Each year on the series, we feature a retrospective of a Texas filmmaker and usually, they are old folk. This year, we took a different approach. Explordinary is Sarah Reyes and Daniel Driensky. They are great at straddling the world of digital and analog media, as well as film as art and commerce. They have traveled the globe documenting, in their unique way, artists, skaters, film labs and many other things. They put together their own retro and it rocks. 10:00 PM Thursday, Sept 26th. What else is happening around town? On Thursday, there is a special screening of the Princess Bride as a benefit for Hope Kids of North Texas. Next weekend, there is the North Texas Film Festival in Plano. There is the Alice Cooper film that played at DIFF and things like Honey, I Shrunk the Kids, Poltergeist, and Reanimator, so if you are into these and many are, not so much me, go for it. My favorite film they are showing is Mack Wrestles, a short I saw at SXSW about the Mack Beggs, a local athlete who goes through a sex change and still wants to wrestle. This is a must-see. As for The Texas Theater, on Wednesday, they are showing a film that has been getting lots of buzz (I have not seen it, yet) called Anthropocene the Human Epoch. It is one of those national we are all showing the same film tonight, programs. On Thursday, they are showing not one but two Les Blank films (I love Les Blank films) called Chulas Fronteras and Del Mero Corazón. These are newly restored, so they should look great. They are some of the first films that showcase Texican border music, including Flaco Jimenez and they sound great. Then they are showing the Miles Davis: Birth of the Cool film that was on PBS, made by the great Stanley Nelson. We have an interview with him about this film and the rest of his work on the podcast The Fog of Truth. Then Friday night, Theater Cine Wilde presents a film that is actually wild, Todd Haynes' Poison. A really great film that showcased his voice is his Superstar: The Karen Carpenter Story. On Tuesday night, The Magnolia Theater is showing Yentl, Barbara Streisand’s film about gender inequality in the Jewish religious community. Bart Weiss Artistic Director Dallas VideoFest
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Ten Thoughts You Have As White Dress Off One Shoulder Approaches | White Dress Off One Shoulder
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WHY MEGHAN MARKLE ISN’T ‘A TIARA KIND OF GIRL’ LIKE KATE MIDDLETON
The 37-year-old wife of Prince William abounding a alms dinner, hosted by Australian chef Skye Gyngell at her restaurant Spring, to accord her abutment to Addiction Awareness Week.
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It comes afterwards the Duchess abounding Trooping the Colour, the Queen’s anniversary altogether parade, aftermost anniversary with the blow of the aristocratic family.
Accompanied by her bedmate and their three children, Prince George, Princess Charlotte and Prince Louis, Kate was aglow in a sorbet chicken Alexander McQueen dress and analogous fascinator.
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Meghan rode in a carrying with her bedmate Prince Harry, the Duchess of Cambridge and Camilla, Duchess of Cornwall.
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This commodity originally appeared on News.com.au.
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VERÖFFENTLICHTES
| VORTRÄGE
«Mit Digitalisierung in die Kreislaufwirtschaften», Vortrag auf der Fachtagung «Gutes Morgen - Führt Digitalisierung zu mehr Nachhaltigkeit» des designerinnen forum e.V.s mit hessendesign e.V. in Darmstadt 2017.
«Werkstatt für Proto-gang-tape-typing. Oder auch der Versuch eine Materiografie in den Raum zu stellen» auf der «#inprogress«, Doktorant*innentagung der dgv in Hamburg 2015.
Do it! Yourself? Jointly? Doing beta! Design und DIY im Spannungsfeld von Selbermachen und Selbstermächtigung – heute: mit Kartoffelsalat» Vortrag auf der Konferenz «Do it! Yourself? Fragen zu (Forschungs-)Praktiken des Selbermachens» in Wien 2015.
«How to design in a degrowth society?» Posterpräsentation auf der degrowth-Konferenz in Leipzig 2014.
«Essen – Form, Format, Gestaltung», Vortrag im Workshop «Kulinarisches Wissen und globales Ernährungsverhalten» der AG Kulinarische Ethnologie auf der DGV -Tagung «Verortungen. Ethnologie in Wissenschaft, Arbeitswelt und Öffentlichkeit» an der Johannes Gutenberg-Universität Mainz 2013.
«Patina im Objekt. Tausche museales Ding gegen Designprozess», DIY-Workshop und Vortrag auf der «Tauschbörse der Erinnerung» von Antje Pfundtner in Gesellschaft bei Kampnagel, Hamburg 2012.
«Voll Huhn. Analoge Fakten und gefällige Strategien am Schnittpunkt von Food- und Packaging-Design», Vortrag auf dem Symposium «Was der Mensch essen darf? Ökonomischer Zwang, ökologisches Gewissen und globale Verlockungen» des Internationalen Arbeitskreis für Kulturforschung des Essens, Regensburg 2012.
«Queer Materialities», Vortrag (kulturelle Produktion) mit Friedrich von Bose (museale Rezeption) im Gender_Queer-Labor am Institut für Europäische Ethnologie an der Humboldt Universität zu Berlin 2012.
«Einführung in reflexive Designprozesse», eintägiger Workshop in der Formatreihe «Carte Blanche» mit Florian Walzel an der zhdk, Zürich 2011.
«Materialinnovataion through Design», englischsprachiger Keynotevortrag zu Material anlässlich eines internationalen Architektenworkshops an der Hochschule Ostwestfalen-Lippe, Fachbereich Innenarchitektur, Detmold 2011. – Betreuung der Projektworkshops (konstruktive Materialentwicklung).
«Lesen & Schrauben» Lesung und anschließender DIY-Contest mit Florian Walzel und Saskia Glandien im Corner College, Zürich 2011.
«Kalkül Designer», Vortrag auf dem 4. Symposium Technisches Design «D€SIGN – Kosten und Nutzen», Dresden 2010.
«Öko, Fetisch, Pur. Nachhaltigkeitsstrategien im Design», Vortrag auf der Ambiente, Frankfurt 2010.
«Neuwerk», Projektvorstellung mit Florian Walzel bei design promoviert der DGTF, Dresden 2009.
«Neuwerk», Projektvorstellung und anschließende Podiumsdiskussion mit Florian Walzel, Gesche Joost (T-Labs), Tillmann Lindberg (Hasso-Plattner-Institut) und Kai Rosenstein (design2context) im pro qm, Berlin 2009.
«Lust-Wandel. Wie man Kosmetikprodukte aus Designerperspektive entwickeln kann», Vortrag auf der Cosmetic Business, München 2008.
| PUBLIZIERTE BEITRÄGE
Online-Newsletter des designerinnen forum e.V., 06.2011-12.2013.«x mal nutzen» mit Florian Walzel, Philine Delekta, Saskia Glandien, Monika Miklas: «Neuwerk, Zeitschrift für Designwissenschaft», Heft 2, form + zweck 2010.«Oberflächen : Untersichten» mit Florian Walzel: «Neuwerk, Zeitschrift für Designwissenschaft», Heft 1, Burg Giebichenstein 2009.
«Voll Huhn, voll teilstückig. Strategien und Praktiken am Schnittpunkt Food- und Packagingdesign» in: (Hg.) Gunther Hirschfelder, Gesa Schönberger, Angelika Ploeger, Jana Rückert-John:
«Was der Mensch essen darf. Ökonomischer Zwang, ökologisches Gewissen und globale Konflikte», Springer 2015.
«Schwindel, eine illegitime Erfahrung für Superhelden», in: (Hg.) Thomas Becker: «Comic: Intermedialität und Legitimität eines popkulturellen Mediums», Ch. A. Bachmann 2011.
«Freak out! Reflexives Design zwischen Industriechauvinismus und Amour fou», «Neuwerk, Zeitschrift für Designwissenschaft», form + zweck 2010.
«Kalkül Designer», in: «D€SIGN – Kosten und Nutzen», Symposiumsband zum 4. Symposium Technisches Design, TUD 2010.
«Anatomie des Materials», in: «Neuwerk, Zeitschrift für Designwissenschaft», Burg Giebichenstein 2009.
«Get touched – bodycare as a design of media for self-perception», in: (Hg.) Martin Grunwald: «Human Haptik Perception», Birkhäuser 2008.
«Lirum, larum, Löffelstiel – lernt man auch aus Filmen viel?», rezensiert: Daniel Kofahl, Gerrit Fröhlich, Lars Alberth (Hg.): «Kulinarisches Kino. Interdisziplinäre Perspektiven auf Essen und Trinken im Film», Transcript 2013. Erschienen auf designkritik 2013.
«hEXEN uND eMANZIPIERTE eRDBEEREN tREFFEN aUF sCIENCEFICTION sAATGUT» , in: «df-Newsletter: Juli 2012 | dOCUMENTA (13)».
«Women in Grafikdesign | Im Gespräch mit Julia Meer», Interview in: «df-Newsletter: April 2012 | Women in Grafikdesign».
«Nachhaltigkeit von Ideen», Kurzappell in: «df-Sondernewsletter ‹df-spezial: Material›».
«Material ‹Girls› in a Material World», in: «df-Newsletter | September /Oktober 2011 – Schwerpunkt ‹Material›».
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:)
(edit: Az előzmény: "Nagyon tetszik a szimbolikus jelentése annak, hogy a főváros egyik legmagasabb pontja a @nemzetigaleria teteje. És nagy megtiszteltetés volt, hogy ezt a festményt pont a folyó túlpartján, a @viaduktbarban állítottam ki. Kilépve a kiállításból a témákkal szemben. Elmondhatatlanul hálás vagyok.")
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Tagesordnung der Stadtratssitzung vom 23.4.2018
Bezeichnung: öffentlichen/nichtöffentlichen Sitzung Stadtrates
Datum: Mo, 23.04.2018
Zeit: 18:30 Uhr
Raum: "Kleiner Saal der Schlossberghalle", 82319 Starnberg, Vogelanger 2
Tagesordnung der öffentlichen Sitzung:
TOP 1 Bürger fragen
TOP 2 Bekanntgabe der nichtöffentlich gefassten Beschlüsse aus vorangegangenen Sitzungen
TOP 3 Vollzug der Gemeindeordnung für den Freistaat Bayern (GO) und der Geschäftsordnung für den Stadtrat; Fraktionswechsel der Stadtratsmitglieder Angelika Wahmke und Dr. Klaus Rieskamp
Frau Angelika Wahmke und Herr Dr. Klaus Rieskamp erklärten, dass sie aus der Fraktion Bürgerliste (BLS) austreten und in eine andere Fraktion wechseln. Da Ausschüsse des Stadtrates ein spiegelbildliches Abbild des Stärkeverhälltnisses der in ihm vertretenen Parteien und Wählergruppen sind, lösen die Fraktionswechsel eine Veränderung des Stärkeverhältnisses der Fraktionen im Stadtrat aus, was wiederum eine Neuberechnung und -besetzung der zustehenden Ausschussitze nach sich zieht.
TOP 4 Vollzug der Gemeindeordnung für den Freistaat Bayern (GO) und der Geschäftsordnung für den Stadtrat der Stadt Starnberg (GeschO); Bestellung der Verbandsräte für den Abwasserverband Starnberger SeeBestellung der Delegierten für die Volkshochschule Starnberger See
Die Stadt Starnberg entsendet analog der Ausschussbesetzung Delegierte für die Volkshochschule Starnberger See und Verbandsräte für den Abwasserverband Starnberger See. Auf Grund der geänderten Ausschussbesetzung (TOP 3) ändert sich die Anzahl der Delegierten und Verbandsräte, die jede Fraktion entsenden darf.
TOP 5 Jahresrechnung 2017; Bildung und Übertragung von Haushaltsausgaberesten
Der Haupt- und Finanzausschuss hat in seiner Sitzung am 19.03.2018 einstimmig beschlossen, dem Stadtrat folgendes zu empfehlen: Im Haushaltsjahr 2017 werden im Vermögenshaushalt Haushaltsausgabereste in Höhe von 10.810.569,35 € gebildet und in das Haushaltsjahr 2018 übertragen. Zusätzlich werden Haushaltsausgabereste aus Vorjahren in Höhe von 5.111.886,58 € in das Haushaltsjahr 2018 übertragen.
TOP 6 49. Änderung des Flächennutzungsplans zum Neubau einer Kindertagesstätte sowie einer örtlichen Erschließungsstraße am westlichen Ortsrand von Perchting, Gemarkung Perchting: Hier: Abwägung der Stellungnahmen aus der frühzeitigen Beteiligung der Öffentlichkeit und der Behörden und sonstiger Träger öffentlicher Belange, Beschluss zur öffentlichen Beteiligung
Zur Schaffung der planungsrechlichen Voraussetzung für den Neubau einer Kindertagesstätte in Perchting ist die Aufstellung eines Bebauungsplanes erforderlich. Um dem Grundsatz der Entwicklung der Bebauungspläne aus dem Flächennutzungplan nachzukommen, muss der Flächennutzungsplan entsprechend geändert werden.
TOP 7 Bebauungsplan Nr. 7912 für die Grundstücke Fl. Nrn. 913, 915/1, 916/2, 917/2, 1291, 1301/2 jeweils Teilflächen, Gemarkung Perchting, für den Neubau einer Kindertagesstätte am westlichen Ortsrand von Perchting; Hier: Billigungs- und Auslegungsbeschluss
Zur Schaffung der planungsrechlichen Voraussetzung für den Neubau einer Kindertagesstätte in Perchting ist die Aufstellung eines Bebauungsplanes erforderlich. Dieser wird im Regelverfahren durchführt.
TOP 8 Neubau des Kinderhauses Perchting; Baubeschluss
Der Stadtrat der Stadt Starnberg hat in seiner Sitzung am 24.07.2017 einstimmig beschlossen, die Büros Raumsation Architekten GmbH sowie Grabner Huber Lipp Landschaftsarchitekten und Planer Partnerschaft mbb auf der Grundlage des Wettbewerbsentwurfs mit der weiteren Planung zu beauftragen.Der Stadtrat soll nun die Ausführung der Baumaßnahme beschließen.
TOP 9 Bürgerversammlung Wangen; Standortfindung Feuerwehrgerätehaus Wangen
In der Ortsteilbürgerversammlung am 31.01.2018 in Wangen wurden Vor- und Nachteile zweier Standorte für ein neues Feuerwehrgerätehaus diskutiert. Die Bürgerinnen und Bürger aus Wangen haben dem Stadtrat mehrheitlich den Standort Ortsmitte / Spielplatz empfohlen.
TOP 10 Bekanntgaben, Sonstiges
Tagesordnung der nicht öffentlichen Sitzung:
TOP N 11 (nichtöffentlich)
TOP N 12 (nichtöffentlich)
TOP N 13 (nichtöffentlich)
TOP N 14 (nichtöffentlich)
TOP N 15 (nichtöffentlich)
TOP N 16 (nichtöffentlich)
TOP N 17 (nichtöffentlich)
Und der geneigte Leser fragt sich vielleicht wie ich, warum es mittlerweile über 6 Monate dauert, bis die Stadt geklärt hat, warum der Beschluss vom Stadtrat, auch die Themen der nicht öffentlichen Tagesordnungspunkte in Form von öffentlichen Überschriften in den veröffentlichten Tagesordnungen nicht umgesetzt werden kann. Es drängt sich ein wenig der Gedanke auf, dass hier die Stadt gar nicht tätig ist, um die nicht öffentlichen Themen auch wirklich komplett nicht öffentlich zu halten. Hinterher könnten da dann Bürger in den Bürgersprechstunden auf einmal diesbezüglich nachfragen ...
Sonst enthält die Tagesordnung eher einfache und organisatorische Themen ...
... und kein bisschen Seebad oder Nord-Ost-Umfahrung. Wie da wohl der Stand bei der Nord-Ost-Umfahrung ist. Sollten da nicht ein Ingenieurbüro beauftragt werden, sich um die weiteren Planungen zu kümmern. War das nicht auch ein Beschluss des Stadtrats aus dem letzten Jahr (also auch schon mindestens 4 Monate zurückliegend)?
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Angelika Analog (b.1983) - I miss the hours I spent with watching water no4
30x40 cm, acrylic on canvas
2024
Available
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Titanic 20th Anniversary: Artworks Lost and Found at Sea
#pop culture#history#titanic#leonardo dicaprio#kate winslet#art in film#movies#fun stuff#lost treasures#lost art#art#art history#art museums#20th anniversary#anniversary#sunken treasure
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in red on analog
photographer: angelika pankowska | ig: czulanaswiatlo
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