#andy and nile ESPECIALLY are such a good duo
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Rewatched the old guard with a friend today and can I just say how much I LOVE the romance in this movie?
It's very unobtrusive, it's cute and sweet, it's not annoying, it's just very well done.
I also love the lack of romance. There's almost nothing. Besides Joe and Nicky there's no romance.
I don't even think that one scene with Booker and Andy was supposed to be romantic. They've known each other for a long fucking time and they all care about each other and Andy thought she might have lost someone close to her. Her pressing her forehead to Brookers was incredibly moving in a way where you just know she's worried and she cares so deeply.
But then we move on and there's no other hints at romance for these two. At least i didn't see any tbh.
Another thing i want to point out- I don't know if I'd describe Joe and Nicky as gay- I'd just say they're queer to me. They love each other so much and the speech in the van that Joe gives? Beautiful. Fucking beautiful. You know how much they care about each other and not just because of the speech of course. There's plenty of moments in the movie where you see them move together in a certain way, where it's just so clear they know each other really well.
Idk. Its a movie I adore and I forgot how much i liked it.
Good action that's not interrupted by some silly romantic subplot for the main character, a romance on the side that's incredibly important for the characters but that's not annoying or forced-
Like idk. I want more movies like this. I want to see more movies where the romance isn't shoehorned in there just for the sake of having a romance. It's not there because it doesn't need to be there.
All of them are close to each other and they all care about each other and it doesn't need to be romantic. It's just so refreshing I think.
#okay ramble over#and dont get me wrong. the movie isnt perfect#but its exactly the type of a movie i want to see more of#i love andys relationship with all of them#andy and nile ESPECIALLY are such a good duo
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oh yes all of the old guard love children (even andy, though andy has a much... colder exterior) but nicky and nile are Especially soft for kids (joe is especially soft for nicky with kids) which actually leads me to another con/undercover idea - again, i know this is not really their speciality but maybe they need a break for a job that doesn’t involve as much killing, but maybe they hear word about a sketchy orphanage and idk maybe it’s not the most forward thinking orphanage (as in, only accepts applications from straight couples) so nile and nicky go undercover as a couple looking to adopt. so it really has everything for us, the undercover, nicky & nile friendship, them interacting with kids, the mlm/wlw solidarity of pretending to be a totally heterosexual couple. really what more could you need. - 2ta
theres a panel from one of the tog comics (second one i think?) that shows a picture of joe and andy from the... midish 1900s ? where andy is holding a baby and joe is standing just behind her looking over her shoulder and theyre both making hearteyes at the baby and its so fucking tender. i only saw it once by accident on via tumblr dot com recommended posts but it filled me with so much serotonin.
what was i saying. right, babies
NO but re: nicky and nile being undercover as a couple, that one bit from happiest season where dan levy has to pretend to be kristen steward’s ex bf and hes like ‘yes i am attracted to this Female Woman. i am a heterosexual’
either That or them being really good at it (the iconic duo of ‘bisexual queen nile + having eyes’ and ‘gay king nicky + saying exactly what hed say if it were joe but just swapping the pronouns’)
nicky keeps saying Cute Nicky Things abt her to the adoption workers and she retaliates by whipping out as many modern cutesy petnames as she can. its the only way she can fight back
nicky: [charming nickyism]
nile: awww, cuddlemuffin!!!!
adoption worker: [leaves to grab paperwork or whatever the fuck]
nicky, turning to nile: ...( •ิ ェ •ิ )? im a muffin?
also theres the sad aspect of nicky and nile leaving all the kids after the con is over but Who Says nicky and nile cant steal several dozen children from an orphanage?
#i think of joe as like that cool uncle guy thats popular with all the kids#(shoulder rides!! that spinny thing where you swing the kid around!! tossing them in the air & catching them!!)#meanwhile nicky is like I Will Hold All Fifteen Of These Infants At Once#a baby makes eye contact with nicky and immediately imprints on him#(which is the opposite of the impact i personally have on babies)#(every baby ive ever met immediately hated my ass)#2thoughts anon#Anonymous
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Duran duran discography
#DURAN DURAN DISCOGRAPHY SERIES#
#DURAN DURAN DISCOGRAPHY TV#
was helped greatly by the emergence of MTV, which put the group's stylish videos into heavy rotation. By the November release of the remix EP Carnival, the bandmembers were superstars in Europe, but only just beginning to make headway in America. Rio entered the charts at number two, and its singles - "Hungry Like the Wolf" and "Save a Prayer" - became Top Ten hits. The band quickly followed the album with Rio in the spring of 1982. Duran Duran reached number three upon its release and stayed in the charts for 118 weeks. The group's popularity increased through its cutting-edge music videos, especially the bizarre, racy clip for "Girls on Film." Although the BBC banned the Godley & Creme-directed video, the single became the group's first Top Ten hit, setting the stage for the fall release of its eponymous debut album. Immediately, Duran Duran became the leaders of the new romantic movement, and media sensations in the British music and mainstream press. "Planet Earth," the band's first single, quickly rose to number 12 upon its spring 1981 release. Following Wickett's departure in 1979, a pair of singers passed through the group before Simon LeBon, a former member of the punk band Dog Days and a drama student at Birmingham University, joined in early 1980.īy the end of 1980, Duran Duran had become popular within the burgeoning new romantic circuit in England and had secured a record contract with EMI. However, Duran Duran were still having trouble finding a vocalist. The group placed an ad in Melody Maker, which drew the attention of Andy Taylor, who became their guitarist. After recording a demo, John Taylor switched to bass and guitarist Alan Curtis joined the band, only to leave within a matter of months.
#DURAN DURAN DISCOGRAPHY TV#
Within a year, Duffy and Colley both left the group - Duffy would later form the Lilac Time - and were replaced by former TV Eye vocalist Andy Wickett and drummer Roger Taylor. Taking their name from a character in Roger Vadim's psychedelic sci-fi film Barbarella, the group began playing gigs in the Birmingham club Barbarella, supported by a drum machine. Inspired by David Bowie and Roxy Music, as well as post-punk and disco, schoolmates Nick Rhodes (keyboards) and John Taylor (guitar) formed Duran Duran in 1978 with their friends Simon Colley (bass, clarinet) and Stephen Duffy (vocals). Over the next decade, they collaborated with a number of prominent modern hitmakers, including Timbaland, Justin Timberlake, Mark Ronson, and Blur's Graham Coxon, who featured prominently on their 2021 album Future Past. The group forged an alliance with Chic's Nile Rodgers for 1986's funky Notorious, then refashioned themselves as mature balladeers in 1993 and landed one of their biggest hits with "Ordinary World." The original lineup from the New Romantic era reunited for 2004's Astronaut, a move that helped revive the band's profile. Unlike many of their new wave peers, Duran Duran managed to sustain a career that lasted for decades, withstanding a shifting lineup - the duo of keyboardist Nick Rhodes and vocalist Simon Le Bon were the only two members to stay with the group throughout the years - and changes in musical fashion. Between 19, the band were fixtures on the British and American charts, with "Is There Something I Should Know?," "Union of the Snake," "The Wild Boys" and the James Bond theme "A View to A Kill" reaching the Top Ten on both sides of the Atlantic. The group had the good fortune to deliver their debut album in 1981, the same year MTV began broadcasting, and their success was intertwined: Duran Duran gave the network clever, cinematic clips for "Rio" and "Hungry Like the Wolf," which MTV played ceaselessly, helping to turn the Birmingham, England-based band into global superstars.
#DURAN DURAN DISCOGRAPHY SERIES#
Duran Duran epitomized the sleek, fashionable side of new wave, specializing in danceable, synthesized pop delivered with visual flair - a talent crystallized in a series of groundbreaking music videos from the early 1980s.
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Clean Vibes, Good People, Great Tunes.
This was the mantra that resonated throughout the weekend, rain or shine. Sweetwater & Happy Ending Production’s seriously stepped up the talent this year bringing this powerhouse headliner lineup, but even the smaller stages had the best local jammers as well. If you missed the fabulous preview of 420 Fest by Savannah elder – you need to check it out here!
It’s hard to come by a successfully run festival that is smack dab in the middle of a city, yet somehow ATL does this quite well. This is especially impressive when the festival is packed yet seems like there is green space between you and your neighbor. The heavy hitting headliners included WSMFP, Trey, Moe., Lettuce (If you don’t know then you better learn), Ween, Dopapod, Break Science (w Adam Deitch of Lettuce and Royal Family Records w/ Fitty Cent), Trombone Short, & Twiddle – just to name a few.
… But y’all could get that review from all the other media houses – L4LM, Jam Base, or Live ‘n Listen. This ‘rebrew’ is all about the smaller acts with that BIG sound! In order of appearance: The Hip Abduction, CBDB, Andy Bruh, Hedonistas, Voodoo Visionary, HIKU, & Funk You. So enjoy the epic photos by Blake Towns and listen to some Lettuce while you read!
Video by Clifton Dyer
The Hip Abduction
T.H.A. is an honorable mention since they are unable to play die to their singer’s vocal cord strain earlier in the wee which called for no talking/singing for a week (Doctor’s Orders)… coulda just jammed though y’all! Enough hate though I’m sure they heard it enough. They are currently touring w/ 3rd studio album under their belt and recently added synth sound incorporated into their tribal reggaeton arsenal due to their most recent producer from Nashville. Cheers to that guy because it works actually, big risk big reward because they have been shooting straight up the festival bills.
The Hip Abduction featuring David New (lead vocals, guitar), Pat Klemawesch (kamale ngoni, guitar, vocals), Chris Powers (bass), Dave Johnson (baritone and tenor sax), Sean Fote (keyboards), Matt Poynter (drums, vocals), and John Holt III (kamale ngoni, guitar, vocals) have shared stages with the likes of Ziggy Marley, Umphrey’s McGee, Thievery Corporation, 311, Dawes, Galactic, and Moe.FE and has performed at Sunfest, Wanee Music Festival, Suwanee Hulaween, Orange Blossom Jamboree, Tropical Heatwave Music Festival, The BIG What? and more.
All Photos are by Blake Towns
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CBDB
The slayers and purveyors of Joyfunk from L.A. (that’s Lower Alabama, not Los Angeles). These guys kicked off the festival with elegantly intricate riffs over light hearted prog jams. Its intense in a whole-hearted way which is hard to describe. CBDB always brings the heat and their performance at the Lyrics & Laughter Stage was no exception. Before the show, I talked to their newest bassist (that’s their 3rd if you are counting, but the rest of the band has held tight so no worries) but this new guy knows what’s up on the down low. Check out their third album, entitled “The FAME EP”, they are seeing a pattern of snowballing momentum with large, energetic crowds hungry. They blend soulful vocals and virtuosic instrumentation with smart, tasteful songwriting resulting in a sound that can be enjoyed by the casual listener and audiophile alike.
Speaking of questionable choices, as much as I hate to love Twiddle (Half of you Phish fans know what I’m talking about) I really do love this song and Bird Dog Jubilee does a spot on rendition. Here is vid of the song at 420Fest.
Andy Bruh
The Heartwood Artist who is always in between Decatur and Athens has been raising the stakes in the DJ Realm for quite some time. After getting his start packing out New Earth, he quickly rose to support slots for Bassnectar, one of his biggest influences. He and Nectar also have more in common – they walk the line of producer and band by bringing together fresh perspectives, original music, and a true sense of community that is built on the entrepreneurial spirit of friends that surround them.
Andy’s other partner in crime, Robbie Dude, didn’t make the se this year, but they both were reunited alongside JuBee & Friends at the 420 Fest After party on Sunday. The Duo accompanied by accomplished MC, JuBee was nothing short of magical. Also Shoutout to JuBee playing Red Rocks this September // #keepATLfunky homie! The Atlanta born producer and DJ captures the soul of his city while pushing into unknown sonic territory with full control. Steeped in the history of Southern hip-hop, Andy Bruh builds on it’s melodic backbone and brings the full force of the electronic bass wave to create an energy unrivaled by many in the scene.
Hedonistas
Due to a time conflict, we weren’t able to cover these cool cats, but we still wanted to give them a shoutout and recoginition they deserve. Hit this link is after reading to get a peak of their set from the festival!
Also if that isn’t enough, our mutual homie Ethan “Dancin Shoes” Eloquin will be submitting a full rebrew of Hedonistas. Stay tuned kids!
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Voodoo Visionary
The Hometown Hero’s of Funk never disappoint. Here is just a little look into the set, but be looking out for a promo video and more media later! Where do we start?! Well, they played one of the best versions of “Harmony” I have head since its debut. Not to mention the monster jam that ensued after playing “Life During War Time” ( better than Widespread’s version i.m.o – more funky and to the point). Imagine that whilst slowly transitioning into the funkiest version of “Apache” (Jump On It) by Sugar Hill Gang all while Bret and the Krewe tossed out Voodoo Volley Balls into the insatiable crowd.
These newcomers ATE IT UP, and they fully satisfied their longtime fans as well. It was a magnificent marriage of olde & new, experimental & funk, young & old… so basically it is what you get all the time if you consistently go to VV’s shows. I cannot stress how much that this is a band not to miss next time you see them on a bill *cough cough* SCI afterparty. The crowd was so wild, I truly thought that widespread panic was about to ensue.
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HIKU
This Dynamic Duo is new on the block; however, the two producers are defiantly not. Niles, keys/synth/pad of ATL hellions Higher Learning who have been disrupting the electronic scene more than anyone since STS9 (which makes cents* since they were well-deservingly signed to 1320 Records last yea. (…don’t say 1312 like I always mistakenly say, it’s embarrassing. Especially if you say it to Alana while relating to bass theory) Moving on now.
Tyler (whose last name will remain a secret due to him being in the GBI’s Witness Protection Program) turned away from a life of killing beats to turning to the light side where he met Niles who noticed Tyler’s keen ability to produce phenomenal bass hits while pulling in drops to other covers which is the basis of HIKU. They do an extraordinary job of interlocking covers and original material to send out earthshaking drops atop there mountainous sound onto the audience.
Funk You
The OGs Renegades of Georgia Funk hailing from East Augusta have been on the grind for years and really been gaining this deserved recognition recently. The troupe is made up pf Will Clark on Drums, Will Foster on Keys, Gavin Hamilton on Vox, Evan Miller on Guitar, Palmer Owens on Perc, and Rob on Bass. Really they were well kept secret in Augusta, but nationally touring musicians have recolonized their talent for quite some time which has landed them in great festival spots like 420, The Werkout, The Big What, and the list goes on.
Back in 2014 at the first iteration of The Major Rager with Umphrey’s McGee and Moon Taxi, they were playing the afterparty at Sky City with The Kinky Aphrodisiacs and Chris Myers actually jumped on the drumset and jammed out! They had a number of flawlessly executed impromptu sit-ins – all while UM & Moon Taxi band members were in the crowd cheering them on. It was a magical moment to watch and after talking to Will Foster, it seems that there are many more stories to tell. We will save that for another article on these new age James Brown revivalists of the south. Catch them opening for PGroove at Georgia Theatre on June 2 in Athens and the Cox Capitol Theatre in Macon June 2. For tickets and info here!
Stay Funky My Friends,
~Kyle Dee~
… and if you still are reading, you deserve this: WSMFP night 2 – 2nd Set (I almost put the Ween set, but then thought you Gene and Dean fiends probably saw their set and already looked up all the recap plus pressed through the other single song vids from the night… I know I did. Roses was a great opener and Bird Dog Jubilee did a good cover of it at the Vinyl after Party too)
FEATURED THREAD: 14th Sweetwater 420 Fest’s Heady ‘Rebrew’ Clean Vibes, Good People, Great Tunes. This was the mantra that resonated throughout the weekend, rain or shine.
#420#Aisle 5#Andy Bruh#Athens#ATL#Atlanta#Big something#CBDB#Dirty Heads#dopapod#Funk You#funkadelic threads#Hedonistas#HIKU#Lettuce#local music#Moe.#People&039;s Blues of Richmond#Reconsidered#Slightly Stoopid#SweetWater Brewing#Talib Kweli#Terminal West#The Hip Abduction#The Steppin Stones#The Werks#Trey Anastasio#Voodoo Visionary#Widespread Panic#WSP
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