#and you know how some things don't have to be stated outright

[knifefightandchill]

Okay so I’ve been biting my tongue but figured I might as well get it out already.

piers and chris vent under the cut

I feel like it’s important to point out that Piers was Chris’s lieutenant. He was directly under him. So yeah, he was a higher rank than the rest of the team, but not higher than Chris. And definitely not a high enough rank to have any sort of sway with the brass. If they want Chris back on the field, there’s absolutely nothing Piers can do to fight it.

But besides that;

Piers looks up to him, he cares about him. Hell, Chris scouted him, trained him. They were friends. So, I wouldn’t be surprised if he jumped at the chance to find him and bring him back.

He’s also a 26 year old soldier, I doubt he had any idea the extent of Chris’s mental issues. He’s drunk when Piers shows up after all. In fact, I doubt the BSAA cared or had the time to do a full psych work up on him before flinging him into Lanshiang.

Chris is unhinged, he’s reckless, he’s blinded by vengeance. But his actions are still his own fault. He shouldn’t be out in the field in any capacity. In fact, I feel like he shoulda been sedated and brought to a hospital. But he’s clear headed enough to know what he’s doing, he just doesn’t care about the consequences. He’s got tunnel vision. That’s not an excuse, that’s an explanation. He’s still responsible.

He tries to blame it all on Carla, but the blood of his own team in Lanshiang is also on his hands.

In fact, Piers points that out! “If you hadn’t been blinded by vengeance, we could have prevented some of those deaths.” Shit, they then get in a whole fight over it.

There’s another time I can think of off the top of my head where Piers points out he’s being reckless earlier on in the game. Chris shuts it down with the whole soldier thing.

So, if Piers knows something is wrong, why does he keep following him?

1; that’s his friend, 2; that’s his captain, and 3; if Chris goes out there on his own in the state that he’s in he will get himself killed.

I’m tired of this idea that Piers is some sort of powerful asshole that forces Chris into bad situations and is therefore responsible for all of Chris’s actions. It’s so dumb.

Piers isn’t some stupid manipulative person. From what we see he’s genuine, loyal, and even caring. He cared about continuing to fight the good fight, to help end bioterrorism. And he cared about Chris. He sacrificed himself for both. For the future.

I can understand loving a character a lot, but you can still recognize their faults. I love Chris, I do, but he did stupid shit and that’s on him. And that’s okay! Because fave characters aren’t always pure and innocent. and that’s fine! 

If you don’t like piers, then don’t like him. but don’t mischaracterize him to make others look good.

don’t make up some long-winded reason as to why and put it in the character tag for fuck’s sake. also talking about people who write him is unnecessary.

Because it’s rude to those who actually like the character. I thought that was an old tumblr rule to keep discourse out of the tags??  It feels so inflammatory. Which I’m sure it is. But it irritated me to the point where I bit the bait. fandom is supposed to be fun, if you’re gonna be negative like that keep it to yourself. 

[the-acid-pear]

It's actually really funny how it is bc despite being an insane person with weird kinks whenever I see someone with kinks I DON'T share I'm instantly thrown off by it. Which is comedic to me bc you'd expect the freak to inherently Understand other freaks but no unfortunately that's not how it works necessarily.

[ventbloglite]

I think we need to sit down and talk about malgendering.

Not misgendering, malgendering.

We all know what misgendering means. Misgendering is when a trans person (or to be honest, even a cis person) has their gender denied to them in some fashion by implying, suggesting or outright stating that their gender is actually Something Else and not the one they identify as.

e.g. A trans woman being told she cannot attend a certain class because it's 'just for women'.

Malgendering is when the trans persons gender is not questioned or denied and may even be affirmed - but only in a context in which it can be used against them in some fashion (to make judgements on them as a person, to exclude them from something, to incite bigotry towards them etc).

e.g. That same trans woman taking her shirt off on a hot day and being arrested for indecent exposure.

This is misgendering;- "You're not a woman, you're a man." This is malgendering;- "Trans women are women, so obviously they exist to serve men."* *obvs it is also transmisogyny and all malgendering is transphobia.

But what you don't want to hear is that malgendering is a form of transphobia mainly used against trans masculine people and nonbinary people.

Most people recognise malgendering when it's;

Using the term 'theyfab' to ridicule an agender person or making jokes about how an agender they/them user looks (to you) to be a completely cis woman.

But you need to look out for how;

Malgendering is treating trans men like their transition has turned them into women-hating predators because of your own predjudices towards men/trans man were always inherently women-hating predators because maleness is what makes you those things not your actual thoughts, words and actions.

Malgendering is not listening to how trans masc people are marginalised 'because men aren't oppressed though' as if that's not ignoring a huge part of their identity (the being trans part) and how that works.

Malgendering is telling trans men 'this is just what it's like to be a man, people treat you like shit and you have to take it or not transition'.

Malgendering is insisting that any trans man who calls any attention to the fact that he is indeed, trans, and has/had female anatomy and faces misogyny due to being raised and still perceived (by transphobes) as a woman is misgendering himself, all other trans men and 'weaponising his AFABness'

All of this is transphobia. All of this is bigotry. This kind of predjudice and bullying doesn't magically become 'OK' once you find the 'right' group to do it to. You either want to end bigotry and transphobia and identity-specific targetted hate or you want to perpetuate it. But you can't call yourself a trans ally, or escape the bigotry allegations whilst malgendering people. And no you're not being sneaky by slipping in your hateful predjudice comments and actions whilst validating their gender.

Malgendering is transphobia.

[headspace-hotel]

Okay but like whenever europe and USA are compared in terms of ruins and artifacts it makes me think "oh but what about Native American artifacts and ruins" and it reminded me of another post I meant to make ages ago but forgot

A while back I went thru the library looking at all the books I could find on the history of Kentucky.

My textbooks and most "reliable" sources when I was a kid said that Kentucky was never actually home to Native Americans, it was just a "hunting ground." This is total bullshit, the living Shawnee whose ancestors lived here know it was bullshit, but how did we get there

A lot of the more recent books I found (from like the 1990's) repeated the "it was only just hunting grounds" thing

But heres the weird thing

When you go back further

The narrative is completely different

so here's the first page of a book published 1872, it's "History of Lexington Kentucky: Its Early Annals and Recent Progress" by George W. Ranck

Let the shock of this first paragraph settle in. Like, damn, this is a whole different picture being painted

now, this Rafinesque fellow he refers to, has been widely referred to as the originator of many claims about Kentucky, and an exaggerator and liar, outright dismissed and scorned by many historians.

Rafinesque is considered to be the source of many claims found in this chapter, and the pompous, flowery language used to state them makes them seem a bit unbelievable. But the claims themselves are not highly unrealistic. These are several of the claims found on pages 2-12 of the book

An artificially built stone well was found by settlers

Earliest settlers plowed up pottery fragments

Settlers dug into an old abandoned lead mine

"Stone sepulchers" were found containing human bones

A large earthen mound 6 feet high was found with pottery and burned wood

A stone mound was found containing human bones

An extensive cave used as a cemetery was found under Lexington, containing embalmed bodies

Flint arrowheads were found

Polished and worked fragments of iron ore were found

Sandstone and limestone tools perforated with holes were found

Rough ingots of copper were found

Stone walls were built defended by entrenchments

It is very important to note that this chapter is insistent that the inhabitants that built these ruins and left these artifacts were NOT Native Americans. Why? Because Native Americans didn't build stuff so advanced! Very circular reasoning.

It was a very common myth that there was some kind of "pre-native-american" race of people that existed in Kentucky. Sometimes this was a way of justifying colonization by saying that well, the Native Americans were just taking over land that wasn't theirs too, so it's okay for us to do it.

It seems to me that when it became clear that Native Americans were the first and only pre-European inhabitants, the stuff about an ancient city under Lexington and all that became dismissed as lies. But are they lies?

I tried to find out, and we know for certain that central Kentucky had many, many burial mounds (some of which I had seen the site of without knowing what I was seeing) and quite a few stone ruins. The builders of the stone ruins are referred to as the "Fort Ancient" people because the earliest settlers incorrectly assumed the stone structures they saw were forts for some defensive or military purpose.

The tools and artifacts being referenced are all known to exist, except I think there aren't any confirmed extant examples of pottery.

The most widely criticized claim in the chapter is the underground cave used as a tomb, but I don't see why—central Kentucky is a limestone karst region and EVERYWHERE has a cave under it. The embalming or mummifying of bodies could have been a flourish or rumor, but the essence of the claim is totally reasonable. Then again, it might not have been, since the area had access to sources of salt. The supposed "lead mine" probably wasn't that specifically, but it's known that Native Americans went inside, explored and used caves.

It was really interesting to me how so many later sources dismissed these claims despite most of them being plausible or just true, and how many of those sources repeated the idea of Native Americans using the land for hunting but not "inhabiting" it. It is two different ways of denying Native Americans were here.

[prael]

WYR-0573: Dirty Little Student Wang Yiren And Her Sexy Secret Camgirl Life Tempts Horny Teacher Into Rough Fuck and Creampie!

Everglow Yiren x male reader smut

Thankyou @co-reborn for allowing me to spiritually succeed this fic (Everyone read it if you haven't already.)

Masterlist word count: 4,221 Kofi(donations/commissions)

It seems like everything these days is a fucking ethics issue. It's not like you're trying to do anything that's going to hurt somebody. You're not ripping off old people, you're not laundering money, you're not putting lives at risk.

Shit, it's just a bit of fun, but if anyone finds out you've had your cock inside Wang Yiren, then the ethics committee is going to eat you alive. It doesn't matter if she wants your cock in there just as badly as you do.

You have to get creative to make it work. First thing is first: get her out of your office. Sure, it's not unusual for a student to take some office time with her thesis advisor, but walking out in the state she does? Her cheeks flushed, and her blouse dishevelled, with a slight, satisfied smile on her face and her panties stuffed into the front pocket of her backpack.

People are going to notice, and that can't happen.

There's a part of you that wishes you could make it stop outright, but you can't. Every time she uploads another one of those videos, your eyes are locked to your computer screen and your cock's locked in your hand.

Maybe it's the novelty of knowing that the girl on the camera's not just any other girl on the internet; it's perhaps the fact that she's the girl that you've had inside your office. Maybe it's that her body's incredible; her tits are small and pert, her ass tight, and that little slit of a pussy is just begging to be fucked.

Or maybe, it's how openly she will sit across from you at your desk and ask you so casually what you thought of her latest video with the same sort of inflection that a student would use to ask you about the latest reading. "I wasn't really sure if the whole clamping my nipples thing worked. I mean, it was kinda hot, I guess. And I got off pretty hard, so there's that. What'd you think?"

What do you think?

You're a good guy—a good professor—so you give her honest feedback, "I thought it was hot, Yiren, but it took a while for you to get into it. Was that your first time? Playing with your nipples that way?"

"Mhm." You can see the little smirk curl up on her face, "I was hoping it wasn't obvious that I was nervous. It's tough getting started with some new kinks, you know?"

It's a strange little world the two of you inhabit. On the surface, it's the relationship of a graduate student to her thesis advisor: a mutually respectful relationship based on academic mentorship and intellectual discourse. Under the surface, it's the sort of thing that gets both of you expelled: the sort of relationship that's built on her need for you to see her get off in front of her webcam and your need for her to keep uploading videos.

But as you look at her now, you think about what she's doing. She's a twenty-something grad student who gets her rocks off by playing with herself on camera for thousands of strangers on the internet. It makes her hot. It makes her cum. And you're only too happy to be there for her. It makes you hot, it makes you cum, and there's a bit of you that feels a sense of pride knowing that even though the whole world gets to see what her face looks like when she climaxes, only you have managed to fuck her to one.

"Don't get me wrong, Yiren. It was hot. I'm sure everyone got off to it."

There's a slight cockiness to her smirk—she already knew it to be true. "And you?"

"Do you really need to ask every time?" you reply.

"Mm. Yes," she leans back on the chair in front of your desk and raises one leg over the armrest. "I like to know that you liked what I put out."

You don't miss a beat, and the words come out as casually as if you were critiquing an assignment: "I jerked myself raw, Yiren."

"I'm glad," her fingers are tracing little lines down the inside of her thighs. You lean in closer, elbows against the desk. "What part did it for you?"

"Yiren, I know what you're doing."

She starts to pull up the hem of her skirt while flashing you faux innocence with her blinking eyes. "What's that, Sir?"

"Seriously. We can't. Not here."

"I'm just showing you, Sir," her skirt is around her waist now. She's not even trying to hide her desire. Her pussy's wet. Glistening. "Looking for a little feedback. Was it my pussy? My fingers? How wet I was?"

You want to grab her, throw her onto the desk, and fuck her until the entire floor hears her scream. You want to feel your cock sink inside of her pussy, feel your skin slap against hers, feel the wetness of her desire as you thrust into her. But that would be the end of everything. "You're killing me here, Yiren."

"You know, people keep asking for more stuff with a guy. I could put it on pay-per-view, make a killing." She runs her fingers along her slit and you hear that soft little moan that's driven so many guys to bust on their keyboards. "What'd you think about that, Sir?"

You're starting to breathe hard. It doesn't matter that you've fucked this girl before. All you know is that you can't have her now. And she knows that drives you nuts.

Her finger's on her clit now and she's rubbing in circles. Her head tilts back slightly, her mouth parts, and you know she's going to cum right here if you let her go on. "Yiren," your voice is almost hoarse.

Her finger is a blur, and her voice is a half-moan, "Mm, Sir?"

"You're going to get us in trouble."

"I think I'm worth the trouble." Her chest's heaving. She's going to go off any second. "Sir," her eyes look straight at yours and there's something about that direct stare that sends a shiver through you, "Are you hard?"

You nod. There's not much else to do.

She takes her hands away from herself, leaving her pussy on the edge. You know that it's aching, throbbing. She bites her lip and stares at the growing bulge in your pants. "Maybe you can show me how you jerked yourself off the other day."

"Yiren. Fuck. Not here."

"Then where?" She snaps, clasping her legs closed and pushing her skirt back over them, "You won't do anything in your office. You won't take me home. Where, then, huh? Maybe I should just go to the headmaster and tell her what you—"

She doesn't finish that sentence. Your hand is gripping her arm tightly as you yank her up off her seat, "Come with me."

You lead her down the hallway. She's struggling, but she's grinning too. She knows she's getting her way.

Your eyes dart from left to right. It's late and the chances of running into anyone is pretty low, but still, there's always the chance.

"Sir, what's the deal?" she's laughing now. "What's your plan?"

"I don't have one."

It doesn't matter. You've been in the same spot before with her. She's been begging for it, you can't do it in your office, and you need someplace quiet, someplace private, someplace where the two of you can be alone for a while.

You lead her to the parking lot and she realizes your plan. Her voice is almost mocking. "Sir, that's not exactly original, you know. A parking lot? Your car?"

"It'll do, Yiren." Your voice is firm, almost angry, and she's eating it up—you know what gets her going. "And maybe it's a bit clichéd, but we won't have any of these pesky problems of you being too loud and giving us away." You stop her at the passenger door to your sedan, lean her against the car and press yourself against her. "And trust me, you will be too loud, Yiren."

She grins up at you. She likes the sound of that. "What're we doing here, Sir? I thought you didn't want to fuck me anymore. Not after last time."

"I never said that." Your fingers run down her side and you feel the familiar thrill of touching her again, feeling her body under your fingers. "I said no more fucking in my office, Yiren," you slide your hand over her ass. "So we're here." You lean down and kiss her, and she moans as her body leans into you.

She pulls away from the kiss, panting, "But, Sir, you know what else I want." You feel her fingers reach down and run across the bulge in your pants, and her breath catches. "Mm. I want this. I want to film you, Sir. I want to film this."

It's a bad idea, you know. The riskiest of ideas. You can see her in your mind's eye: the way her face looks when she's cumming, when she's biting her lip to hold in the scream, the way her body shudders, and her eyes shut tight, the way that she gasps for air afterwards. You want her to be able to share that with the world, to get her off by getting the world off. "Fine."

"Seriously?" She looks at you in disbelief, but you've already opened the door and nudged her inside. She climbs in and crawls to the other end, tossing her purse in the front seat after she pulls out her phone. "It's not ideal but it'll have to work." You're on her in an instant, pulling her skirt up around her waist, pushing her down against the seats, kissing her, and sliding your fingers into her.

She squeals, then gasps, and then giggles as you thrust your fingers in and out of her pussy. "Mm, Sir," her moans are punctuated by each thrust of your fingers, "Fuck. Wait. I haven't even got my phone set up yet. Fuck. Wait."

You slow, just a little, just enough, then you concede and pull out. You know she wants it, needs it. You watch her hands shake as she rushes to set the phone up, she's got it in selfie mode and it's the best she can do.

"The lighting's all wrong, but who cares, right? They're here to watch you fuck me. They don't care about lighting." She's talking to herself as much as to you, but you know how she is. You know that she wants you to play along.

"Let's show them how pretty you are, Yiren." You pull out your fingers, then press your palms against her legs, pushing them apart and sliding in closer between them. You watch as she tries to hold the camera steady. Her breaths are shallow. "Show them what your pussy looks like." She turns the camera down and focuses it on her pussy. She spreads herself for the camera, showing her audience her soft pink pussy. She's so wet, you can't wait to feel her on your cock, feel that heat, that wetness, and that tightness.

"God," you groan. You've watched her videos so many times, but seeing it up close and in the flesh is always different. You run your fingers down the inside of her thigh until they brush her pussy lips, and you spread her wide. Her hips buck slightly and you watch the juices of her desire drip down the crack of her ass. You push your fingers into her, and you feel the warmth of her insides. She cries out, "Mmf! Oh god."

You take it slow. She's filming it all. You want this video to be hot. You pull out your fingers, then push them in, watching the wetness cling to them as you thrust them in and out of her pussy. "Fuck, Sir. Oh god." You curl your fingers up and press your fingertip against the spot you've learned to find. You feel the rough skin against your finger and you press into it. Her head tilts back, her eyes shut tight, and you watch as her body shudders. You push your finger harder against it, rub it, and her moans get louder.

You pull your fingers out, then push them in, slowly, rhythmically. She whines, but you don't give in. "Tell the audience how it feels, Yiren." You're teasing her now. She doesn't want you to go slow. You know she's aching for more.

"Feels so fucking good." She pants, holding the camera steady. "God, Sir. Don't stop."

"Why?"

"Mm." She whines, and you can hear that she's on the edge, "Feels so good, Sir. Your fingers feel so good in my pussy." You pull your fingers out of her, then press the palm of your hands against her thighs and spread her wider.

You take your time. Your fingers brush down the length of her pussy, from her clit down to the juices on her asshole, and you press against that tight little pucker. She gasps and you hear her moan. You press your fingers against her hole, feeling it tense and tighten against your fingers.

She lets out a sharp, shocked whine as you tease her asshole and you can't take it any longer. She knows just what you want. You lean down and press your lips against her clit, and you hear her squeal as you lick her clit. You suck her clit, tasting the juices that flow from her, and you feel her body tense up. She's so close. You pull yourself away from her and grin up at her.

She's panting hard, staring up at you. "God. I need you to fuck me." Her voice is a whine, a needy whine. You can hear her desperation.

"I know you do, Yiren," you reply, unbuckling your pants. You pull your cock free and stroke yourself a few times as she stares down at you. "I know how much you want this."

She nods, her mouth open and panting. "So much. God, please fuck me with that." You press your cockhead against her pussy, rubbing it between her lips. "Fuck, Sir, please. I love a big hard cock in my tight pussy."

You grin and whisper, "Tell them what you need, Yiren."

She looks right into the camera, "Please fuck me, Sir. I need you to fuck my pussy. I need to feel you stretch me wide. Fuck, Sir. Fuck me." She's begging and her breath is a desperate pant. "Please, I'm so wet. I want to cum with your cock inside of me. I need to."

You press yourself against her entrance, just enough to push her open, then you pull away and watch her cunt quiver at your touch. You can tell she wants to be taken, needs to be fucked hard and fast, and she knows you can give it to her.

You push your hips forward and thrust your cock into her, and you watch her pussy open and spread for you. "Fuck," she cries, her hands trembling, but you don't slow down. You thrust hard, pulling her hips into you, and you slam your cock deep into her.

"God, your pussy feels so good." Your fingers grip tight on her thighs, spreading her wide as you pound into her, and her cries fill the car.

She tries to keep the phone steady, filming you thrust into her. She can barely keep herself together. You can see the camera shaking, "In his fucking car. You hear that? He couldn't even wait to get me home. He needed to fuck me. He spends all day watching me in class, thinking all these dirty little thoughts about me, and then he just can't take it anymore and he fucks me right in the parking lot. And you know what? I'm gonna fucking cum because of him."

You're going hard and fast and she's so fucking tight. You can hear her moaning and groaning with every thrust, and her pussy is clenching around you. You can tell she's on the edge, her pussy is trembling around you, and she's screaming for more. You know that the video is probably a mess, a shaky, poorly framed mess of her tits shaking, her face pulling the dirtiest of expressions and her pussy getting fucked.

Her words are getting more erratic. She can barely keep it together, so you snatch it from her hand, record the way you thrust into her, how your balls slap against her cunt. She moans louder when you do and you realize she likes that you're the one recording her.

The camera pans up to her face. You want to see her cum. You want to film it. "Cum, Yiren." Your voice is loud and commanding. "Cum on my cock. Let them see you cum on your teacher's cock."

Her hands are above her head, grasping at the leather seats. Her back arches beneath you and her head is thrown back, pressing into the very same upholstery that her fingers do. Her hips shudder and you feel her insides squeeze around your shaft as she cries out, "Fuck!" The sound of your flesh slapping into her flesh fills the car, and she's a writhing, whimpering, cumming mess as you pound her through her orgasm.

You keep filming as you reach down, and with one hand, rip open the buttons of her shirt. Three of them come flying off, pinging around the car and leaving a lopsided mess of fabric and bra that exposes the flesh of one of her pert tits. It doesn't take long before your hand is gripping her breast, pinching at her nipple, tugging at her flesh as you keep pounding into her.

Yiren gets the message, pulling the rest open on her own and pulling down her bra, exposing both tits. Her fingers are on her own nipple, tugging at it and pinching. You watch the way she teases herself, the way her body reacts, and the way she's still shivering from her orgasm. She's a mess and you love seeing her that way.

If there's something painfully obvious from her videos, it's that one is never enough. So Yiren doesn't even need to ask, you're already guiding her onto her knees and then pushing her forward so her face is against the glass. "Show them your ass, Yiren."

You hold the camera in your hand and record the image of her reaching back and pulling her skirt over her hips, exposing her bare ass and pussy to you. You record as she reaches back and spreads her cheeks for the camera, letting her fingers pull apart her wet pussy and letting your audience see that tight, puckered asshole.

"Sir," you watch her face pressed against the window. Her breath leaves an opaque cloud against the cold glass, "How does my ass look?" You can't help it, your free hand comes crashing down against her skin and you watch it ripple under your palm. "Oh!"

You grin at her reaction, "You look like a naughty little girl who needs a good spanking."

"Oh, Sir," she moans, "What did I do?"

You slap her ass again, and again, watching it redden under your hand. "Such a naughty little girl. Making a mess in my office." You're slapping her again, watching her ass jiggle and turn pink.

Yiren whimpers, "I did. I was so naughty."

"What did you do, Yiren?"

"I was so fucking wet. I couldn't stop touching myself."

"Why were you wet?" You spank her again and you watch as her hips press back into you, "Tell your viewers what made you so wet that you needed to touch yourself."

"I needed you." Yiren's panting hard, her voice a needy moan, "God, I need you to fuck me. I was thinking about your cock. How good it felt when you fucked my pussy. I wanted you to fuck my pussy again."

You push her forward, letting her hands come down against the foggy glass. Her ass is up in the air and you're pressing your cock against her pussy. She's still wet from her cum and it takes no effort at all to thrust deep into her.

You're so deep in her wet folds. Her soft embrace is warm, tight, and you feel yourself slide deep inside of her, and you watch as her face twists and contorts in pleasure, in desire.

"Show them what they're doing to you, Yiren. Show them how they make you feel." You pull the phone up to her face, filming her moans, her cries, the faces she makes as you fuck her. "You like it when they watch, don't you? You like it when I fuck you like this and they have to watch."

She's panting, moaning, and nodding. Her hips press back into you as you pound into her and you watch her ass ripple and bounce with each thrust.

You reach around and grab her tie. She always wears it loose, but it's still enough to pull it up tight against her throat, pull her back into you. You wrap it twice around your hand and it yanks her up straight, her body against your chest. She's panting hard as her hands come up and try to claw at the tie around her throat.

She can't stop moaning, crying, and she can barely breathe, and you watch as she struggles to hold on, her head tilting back and resting on your shoulder. You film her as she struggles to hold it together. She can barely keep her eyes open and her voice comes out as a desperate, choked moan.

You let go of the tie, and it unravels in your hand. You watch her slump forward and her hands come down to the seat. Her face presses into the leather and she's whimpering. "You're such a good girl, Yiren." You press yourself deep inside her and grind your hips against hers, "Such a good girl for taking my cock."

She groans, "Thank you." She's still pushing back against you and her eyes are shut tight. "Thank you, Sir."

"Good girls get a treat, don't they?" You grin and you run your fingers against her asshole. "I bet you like a nice treat for being such a good girl."

Her breath hitches, and her eyes flutter, "Please, Sir."

You press your finger against her hole, and she pushes her ass back, and you feel her ass relax and open for your finger. Her tight asshole squeezes your finger tight and you hear her moan, and her pussy clenches your cock. "Fuck."

"Oh god, Sir," she moans. She's a needy, whining little mess, "Please cum in me."

Her words are like music to your ears. Her body is trembling under you, and she's moaning for you to cum. Her words are so desperate. She's begging, and you can't resist. Your hand is gripping her ass, with a finger slipped inside, and you pound into her, feeling her tight, wet cunt squeeze around you.

"Fuck, Sir, please," she begs. "Breed your favourite little student. Fill her up with your cum." She's crying out, her voice echoing inside the car.

Your hips shudder as you thrust deep into her and feel your balls clench, you can't take any more, and your cock is pulsing, throbbing, and your cum is filling her, flooding her insides, and her ass is trembling around your finger. Your chest is heaving, and your heart is pounding, and you can barely breathe. She's still pushing her ass back against your hand and her body is shivering with every pulse of cum that your cock pumps into her. You keep thrusting, feeling her pussy tighten and milk your cock.

When it's all over, you watch as she slowly pulls away from you, and you see the thick white seed drip from her hole and onto her thighs. She sits back on her knees and looks right into the camera. Her chest is flushed and heaving. Her hair's a mess, and her shirt's hanging open. Her makeup's running and there are tears on her cheek. But there's a satisfied look on her face.

She's grinning from ear to ear and you can't help but grin along with her. "That," she pants, still trying to catch her breath, "is how I get a good grade in class." Her words are followed with a giggle and then she leans forward and shuts off the camera. Her hand finds the back of your neck and she pulls you into a kiss. Her lips are hungry and her tongue presses into your mouth. Your hand wraps around her head, and your fingers get tangled in her hair as you pull her closer and deeper into you.

She pulls away, a smile on her face, and a twinkle in her eye, "You're a natural, you know. You really know what they want. Makes sense, you are one of them."

"Thanks." You laugh. You can't help but notice that her hand's between her legs, rubbing and stroking. She's unsatiable.

"Sir? Since I'm such a good student, does it mean you'll take me home and fuck me in your bed?"

[solxamber]

do you think you could write about a white rabbit reader like how did with wild cat? as in the white rabbit from alice in wonderland— who’s more of a polite anxious mess trying to follow the queens strict rules but is kind of bad at it. possibly shy or on the quieter side like a rabbit beastman would probably be, considering most of the beastmens personalities align with their animal counterparts behavior. and for some reason most of the beastmen we see, or even the merpeople, are all predator animals so i would love to see their interactions with a prey animal. for the first time ever, leona would actually be scientifically correct in calling the reader an herbivore. they would also be the only beastman who’s not sorted into savanaclaw i imagine. in canonical alice in wonderland, or at least a majority of its interpretations, the white rabbit is considered a neutral, somewhat villain leaning character. he works for the queen but he’s never outright evil, if anything he’s kind of a coward as he is initially terrified of alice. so i can see reader being mostly benevolent and a little bit of a scaredy cat who’s still relatively friendly. thank you

White Rabbit! Reader x Everyone

Thank you for the request <3 I hope you like it

Character: All NRC + Staff + Rollo, Neige

Riddle Rosehearts:

You’re always on edge around Riddle, frantically trying to follow the Queen's rules and his. But you trip over your own feet so often that Riddle ends up scolding you almost every day.

"Rule 76: No running in the halls!" Riddle huffs as you scramble past him, dropping a handful of papers as you trip over your own shoes.

You fumble around, trying to gather the papers while stammering an apology, eyes wide and twitching like a startled rabbit. “S-sorry! I didn’t mean to—oh no! Rule 17: Never drop important documents...”

Riddle looks ready to blow up, but when you shoot him those big, panicked eyes, he exhales sharply through his nose, the lecture stuck in his throat. "Just… get it together!" he mutters, turning on his heel, clearly flustered. “How am I supposed to enforce rules when you look like you're going to faint every time I open my mouth?!”

In the back of your mind, you wonder if he’d be so strict if he knew you were working for the "Queen." But you don't have the nerve to tell him that, so you just nod and awkwardly salute.

Trey Clover:

You never quite relax around Trey, even though he's the calmest person in Heartslabyul. Every time you’re near him, you’re just waiting for the moment when he’ll ask you to do something scary, like taste one of his experimental dishes or—worse—eat cake in front of Riddle. The idea makes your ears droop.

"Hey, you okay?" Trey asks when he notices you standing stiffly by the kitchen door. He’s got flour on his apron and a knife in hand, chopping fruit with easy precision.

You jump at the sound of his voice and nearly knock over a stack of plates. "I-I’m fine!" you squeak, standing even straighter like you’re in the Queen’s court.

Trey chuckles softly. "You know, I’m not going to bite. Unless I’m making rabbit stew." He winks.

Your eyes widen in horror, ears trembling. "R-rabbit stew?!"

He laughs, holding up his hands. "I'm kidding! Kidding!" Trey seems to find your reactions endlessly amusing, always leaning in with a gentle smile. "But if you need help relaxing, just say the word. Maybe we can make some tea. No pressure."

But all you hear is "pressure," and you feel like you're about to combust.

Cater Diamond:

Cater thinks you're the cutest thing on two legs, especially when you're in a flustered state. Which, unfortunately for you, is almost all the time.

“Yo, lil’ bunny!” Cater calls out as he sidles up to you in the hall, phone in hand. You’re mid-panic about how you’re going to explain to Riddle why your shoes are untied, your tie is crooked, and you accidentally skipped breakfast because you were too nervous to eat.

You freeze, giving Cater a look like a deer in headlights—or rather, a rabbit in a snare. “D-don’t call me that,” you mumble, ears twitching furiously. “R-Riddle might hear…”

Cater just grins, pulling out his phone to snap a quick selfie of your panicked expression. “You’ve gotta chill! It’s like, the 5th time today you’ve looked like you're on trial.”

You flinch. On trial?! That’s even worse! “I-I can’t relax! W-what if I break a rule?!”

Cater just pats your head, ruffling your hair. "Well, I think you're doing just fine! Plus, it makes for great content. Smile, #bunnyfails!"

You want to disappear into the ground. But Cater just keeps snapping pics and laughing.

Ace Trappola:

Ace treats you like an adorable walking ball of stress that’s just begging to be messed with. And who is Ace if not a professional button-pusher?

"Hey! Rabbit!" Ace shouts across the Heartslabyul gardens one day, and you nearly jump out of your skin, spilling tea all over yourself.

“E-Excuse me?!” you sputter, face burning as you frantically blot at the stain on your uniform.

Ace saunters over with a grin on his face. "Oh, sorry. Did I startle you? You’re just so jumpy—like, literally! It’s hilarious!"

"I-I’m not jumpy!" you insist, but your trembling hands betray you as you fumble with your napkin, accidentally knocking the sugar bowl off the table.

Ace bursts out laughing, nearly doubling over. "Dude, you’re killing me! I swear, every time I’m around, it’s like watching a sitcom! *This* is quality entertainment!"

You huff, glaring at him, ears drooping. "I’m not entertainment."

Ace just gives you a thumbs-up. "Sure you are. And the best part is, you do it all for free!"

Deuce Spade:

Deuce wants to help. He really does. But every time he sees you looking like you’re two seconds from a meltdown, he panics even harder than you do.

"W-whoa! Are you okay?!" Deuce exclaims when he finds you frantically digging through your bag, trying to find the Queen’s latest decree—or was it Riddle’s study notes? You can't remember because you’re too stressed.

"I-I lost the thing! You know, the thing!" you gasp out, waving your arms wildly.

Deuce pales. "Oh no, that’s bad! I-I can help! What thing?!”

"I DON’T KNOW!" you cry, at the peak of panic now.

Deuce stares at you for a second, eyes wide. Then he also starts scrambling around. "Okay, okay! We can find it! Stay calm! Well—not calm, but calmer!"

You both end up running in circles until Trey finds you and asks, deadpan, “What exactly are you two looking for?”

The silence that follows is deafening.

“Um…” Deuce rubs the back of his head sheepishly. “I... kind of forgot.”

Leona Kingscholar:

Leona knows exactly how to push your buttons—and he does so with as little effort as possible. For someone so calm and lazy, he seems to get a real kick out of watching you squirm.

“Oi, herbivore,” Leona drawls from his usual spot under the shade of a tree. You freeze, clutching your bag tighter as you glance nervously in his direction. “Why are you sneaking around like a prey animal? Oh, wait—you are one.”

You flinch and stammer, “I-I’m not sneaking, I’m just, um... minding my own business?”

Leona smirks, lazily cracking open one eye to look at you. “If you ‘mind your business’ any harder, you’re gonna trip over your own feet.”

You gulp, taking a step back, but he’s not done with you. “Maybe if you tried relaxing for once, you wouldn’t be so jittery.”

“I-I can’t help it!” you squeak, nearly tripping as you scuttle away, ears twitching furiously. “I have to follow the rules!”

Leona watches you run off, chuckling lowly to himself. “Rules, huh? Just don’t drop dead from the stress, or I’ll have to carry your sorry hide out of here.”

You spend the next week worrying that he’s going to jump out of nowhere and pounce on you—but of course, that’s way too much effort for Leona.

Ruggie Bucchi:

Ruggie sees you as someone who’s just begging to be teased, and he has no qualms about taking full advantage of your easily flustered nature.

One day, while you’re doing your best to stay out of trouble, Ruggie sneaks up behind you, flashing that mischievous grin of his. “Hey there, Bunny! Need some help with that?”

You yelp and nearly leap out of your skin, sending your stack of papers flying in every direction. “R-Ruggie! You startled me!”

Ruggie snickers as he helps you gather up the papers. “Aw, c’mon, I didn’t mean to. You’re just too easy, y’know? Makes me wanna mess with you a little.”

You pout, ears drooping. “W-well, it’s not very nice...”

He shrugs, still grinning. “What can I say? It’s in my nature. But I guess I’ll help you out, just this once.” He leans in closer and lowers his voice, adding, “Don’t expect it for free, though.”

Your face goes pale. “Wh-what do you want?”

Ruggie chuckles. “Relax, I’m just teasing! For now, anyway.” He winks before sauntering off, leaving you clutching your papers and wondering if every beastman in Savanaclaw has it out for you.

Jack Howl:

Jack feels a sense of duty to protect you. Even though he thinks you’re a little too skittish for your own good, he respects how hard you try to follow the rules—even when you trip over them.

“Hey, wait up,” Jack calls after you one day as you’re hurrying across campus. You turn to see him jogging over, looking concerned.

“O-oh! Jack! I-I didn’t do anything wrong, did I?” you ask nervously, already panicking that you might have broken some rule.

Jack frowns, crossing his arms. “You didn’t do anything wrong. Why do you always assume you did?”

You blink up at him, ears twitching. “I-I’m just worried I’ll mess up...”

Jack sighs, shaking his head. “You’re too hard on yourself. Look, if anyone tries to mess with you, I’ll step in. No one’s gonna hurt you while I’m around.”

Your eyes widen. “R-really? You’d do that?”

Jack nods firmly. “Of course. You’ve got a good heart, even if you’re a bit jumpy. Someone’s gotta look out for you.”

You smile up at him, feeling a little more reassured. But before you can thank him, you trip over your own feet and fall forward—right into Jack’s arms.

He catches you easily, looking down at you with a raised brow. “You’re really something, you know that?”

You blush furiously, scrambling to right yourself. “S-sorry! I-I didn’t mean to...”

Jack just chuckles softly. “Don’t worry. I’ve got your back, Bunny.”

Azul Ashengrotto:

Azul sees your anxiety as an untapped market. He’s confident he could help soothe your nerves—with a little contract, of course.

One day, while you’re quietly minding your own business in the Mostro Lounge, Azul slips into the seat across from you with his signature grin. “Ah, my dear friend. You seem rather... tense.”

You freeze in place, blinking rapidly. “O-oh! N-no, I’m just... trying to follow the rules.”

Azul’s eyes gleam behind his glasses. “Why don’t I offer you a deal? I can help alleviate some of that stress of yours. All it would take is a small favor in return...”

Your ears twitch nervously. “U-um... I-I’m not sure...”

Azul leans closer, lowering his voice to a silky whisper. “Imagine it—no more anxiety, no more worries about breaking the rules. All you’d have to do is sign here...”

You nearly pass out from the pressure, eyes darting around the lounge as if looking for an escape. “I-I think I’m fine! Really! Thank you!”

Azul chuckles darkly as you bolt from the lounge. He watches you go with a sigh. “Ah, such potential... But I suppose it’s not every day I encounter a rabbit so determined to resist.”

Jade Leech:

Jade finds your anxious behavior endlessly fascinating. He’s not one to outright tease—he prefers subtlety—but he enjoys watching you squirm in his presence.

One afternoon, you’re frantically trying to fix a mistake in your homework when Jade appears behind you without a sound. “Oh my, is everything alright?”

You yelp, almost knocking over your ink bottle. “J-Jade! You startled me!”

Jade smiles pleasantly, though you can see a mischievous glint in his eyes. “I apologize. I simply couldn’t help but notice how... flustered you seemed.”

You try to calm your racing heart. “I-I’m just trying to finish this assignment...”

Jade leans over your shoulder, examining your work. “Ah, I see. Perhaps I could offer some assistance? Though I must admit, it is rather... amusing to watch you at times.”

You flush, ears twitching in embarrassment. “A-amusing?”

Jade chuckles softly, standing upright again. “Indeed. You’re quite endearing in your own way.”

You’re not sure if that’s a compliment or not, but you nod meekly. “T-thank you... I think?”

Floyd Leech:

Floyd loves messing with you. It’s as simple as that. Your reactions are priceless, and he never misses an opportunity to make you jump out of your skin.

“Bunnyyyyy!” Floyd calls out, voice echoing through the hall as he chases after you. You speed up, desperately trying to get away, but Floyd is faster, his long legs catching up in no time.

He grabs you by the shoulders and spins you around with a grin. “Gotcha!”

You practically shriek. “F-Floyd! I-I wasn’t—”

Floyd cackles, bending down to look you in the eyes. “You’re always so jumpy, Bunny. It’s fun chasing you! Makes me wanna squeeze you even more.”

You tremble under his intense gaze, feeling like a mouse caught by a cat. “P-please don’t squeeze too hard...”

Floyd laughs again and ruffles your hair. “No promises! But you’re too funny to squish all at once. Guess I’ll just have to keep playing with you!”

You manage a weak smile, trying not to collapse from sheer anxiety. “G-great...”

Kalim Al-Asim:

Kalim is oblivious to your constant anxiety and thinks you’re just really shy. He goes out of his way to befriend you, always offering kind words and gifts to make you feel welcome.

One day, Kalim approaches you with a beaming smile, holding out a brightly wrapped gift. “Hey, I got this for you!”

Your ears twitch in surprise. “F-for me? Why?”

Kalim laughs cheerfully. “Why not? You’re my friend! And you always look so nervous, I thought this might cheer you up!”

You blink down at the gift, overwhelmed by his kindness. “I-I don’t know what to say...”

Kalim grins wider. “No need to say anything! Just know that if you ever feel anxious, I’m here for you, okay?”

His sunny demeanor is so contagious that you can’t help but smile back. “Th-thank you, Kalim. That means a lot...”

Kalim claps you on the back with a laugh, nearly knocking you off your feet. “No worries! We’re friends, after all!”

Jamil Viper:

Jamil is mildly exasperated by your anxious nature. He already has his hands full with Kalim, so dealing with you on top of that feels like another babysitting job. Still, he does his best to help you out when Kalim inevitably ropes you into their social circle.

One day, you’re standing awkwardly at the edge of a party, trying to blend into the wallpaper when Jamil approaches you with a sigh. “You look like you’d rather be anywhere else.”

You glance at him nervously. “I-I don’t want to cause any trouble...”

Jamil pinches the bridge of his nose. “You’re not causing trouble. Just... relax a little, okay? You don’t have to be so anxious all the time.”

You look up at him with wide eyes. “I-I don’t know how...”

Jamil sighs again, crossing his arms. “Well, just... follow Kalim’s lead, I guess. He doesn’t worry about anything.”

You look over at Kalim, who’s dancing on a table and laughing without a care in the world. “Easier said than done...”

Jamil gives you a tired look. “Tell me about it.”

Vil Schoenheit:

Vil is very much like the Queen you serve—strict, elegant, and entirely intimidating. Which means every time you’re around him, you end up feeling like you’re going to pass out from sheer anxiety.

“Why are you slouching like that?” Vil snaps, noticing you trying to fade into the background during a Pomefiore meeting. He points a perfectly manicured finger at you, expression sharp. “Posture is important, darling.”

You immediately stand straighter, ears trembling slightly. “I-I’m sorry, Vil! I didn’t mean to—"

“Hmm,” Vil tilts his head, examining you with a critical eye. “I swear, being around you is like trying to train an anxious little bunny. How am I supposed to shape you into anything presentable if you’re always two seconds away from fainting?”

“I-I promise to do better!” you stammer, sweating bullets.

Vil sighs dramatically, pinching the bridge of his nose. “Just… try not to look like prey when you’re in front of an audience, alright? We can’t have Pomefiore’s image ruined because someone mistook you for their lunch.”

You nod furiously, completely unsure how you’re supposed to accomplish that but determined to try.

Rook Hunt:

Rook finds you utterly fascinating, like a rare creature he’s determined to observe in its natural habitat. Which is to say, he’s always popping up out of nowhere and scaring the living daylights out of you.

“Mon lapin!” Rook exclaims from behind you, and you jump about three feet in the air, ears standing straight up.

“R-Rook! Please don’t do that!” you gasp, clutching your chest as you try to calm your racing heart.

Rook just smiles at you, his eyes glinting with amusement. “Ah, but I cannot help it! The way you react—so pure, so genuine, like a rabbit hearing a twig snap in the forest! It’s magnifique!”

You gulp, ears slowly drooping back down. “I-I don’t think being compared to prey is exactly a compliment…”

“But of course it is!” Rook insists, stepping closer and giving you a dazzling grin. “You are a creature of instinct, always alert, always prepared to flee! There is beauty in that, mon ami. And I, as your loyal huntsman, will ensure no harm befalls you.”

You smile nervously, unsure if that’s comforting or even scarier. “T-that’s… good to know?”

Rook’s eyes sparkle, as if he’s just found his next great challenge. “Ah, but one day, I hope to see you without fear, to see the calm, serene smile of a rabbit at rest. What a glorious sight that would be!”

You have no idea how to respond to that, so you just nod, deciding it’s better not to question Rook’s eccentricity.

Epel Felmier:

Epel thinks you’re kind of cool, actually. You’re nervous all the time, yeah, but you’re also from a strict background and work under pressure constantly. He respects that. Which means he’s decided that you’re his unofficial partner in surviving Vil’s tyranny.

“Hey, c’mon, you don’t need to be that scared of Vil,” Epel says one day, nudging your side as the two of you scrub cauldrons in the alchemy lab. “Sure, he’s scary, but if you just stand up to him once, he’ll back off… probably.”

You glance at Epel, eyes wide. “S-stand up to Vil?! Are you crazy?! I can’t do that! He’ll turn me into a newt or—o-or make me into some kind of fashionable accessory!”

Epel chuckles, shaking his head. “Nah, he ain’t that bad. You just gotta show him you’ve got guts. Or at least, like, fake it.”

You swallow hard, ears drooping. “F-faking it sounds risky… What if he notices?”

Epel grins, giving you a thumbs-up. “Then we run. Fast. Like the prey animals we are.”

You blink at him, half-horrified, half-impressed. “You… consider yourself a prey animal?”

Epel shrugs. “Sometimes, yeah. I mean, what else am I gonna do against Vil? Might as well embrace it. Besides, you’re good at dodgin’ people, right? We can make it work.”

You stare at him, processing his words, then sigh in resignation. “I guess we’re in this together then…”

Epel pats your shoulder with a grin. “That’s the spirit! We’re gonna make it through this, bunny style.”

You still have no idea what “bunny style” entails, but you’re willing to trust Epel’s wild plans—for now.

Idia Shroud:

Idia has never related to anyone more in his life. You anxiety is like looking into a jittery, trembling mirror, and for once, Idia is the calm one—relatively speaking.

“W-wait, you have to deliver a message to the Queen?!” Idia whispers, his hair sparking nervously. “That’s like, a total nightmare scenario.”

You nod rapidly, wringing your hands. “Y-yes, but I’m already late, and if I don’t get there soon, it’s off with my head!”

Idia shivers. “No way. I’d rather stay in my room for a thousand years.” He pauses, then adds, “But, um, if you don’t wanna go, maybe… I dunno… we could… not go together?”

You blink at him, your ears twitching at the idea of hiding away instead. “R-really? We can do that?”

He gives you an awkward thumbs-up, his face flushed. “Yeah… like, what’s the worst that could happen? Besides decapitation… but it’s not like anyone would expect me to be brave, right?”

You both glance at Ortho, who’s floating nearby and giving you the biggest, most judgmental sigh he can muster.

“You two need more courage,” Ortho says, shaking his head. “But I’ll help. Let’s make a plan!”

And just like that, your anxiety spirals back into full-on panic.

Ortho Shroud:

Ortho thinks you’re adorable, but he also realizes that you’re a magnet for trouble. So, naturally, he has to make sure you’re safe at all times.

“Good morning!” Ortho beams, floating beside you as you fumble with your basket of letters. “Where are you off to today?”

You twitch slightly, looking over your shoulder. “Oh, um, just delivering some messages… It’s a bit urgent…”

Ortho smiles, activating his sensors. “No problem! I’ll track your location and help with navigation!”

You blink, unsure if you should be relieved or more nervous. “T-track my location?”

Ortho nods cheerfully, a holographic map popping up. “Yup! We can’t have you getting lost in the rose maze again. Remember last time? You were stuck for hours!”

Your ears droop, embarrassed. “I-it’s not my fault everything looks the same…”

“Not to worry!” Ortho reassures. “I’ll make sure you’re in and out in no time! Plus, if you faint from fear, I can carry you.”

The thought of Ortho hauling you over his shoulder while Riddle scolds you is somehow even scarier than getting lost.

Malleus Draconia:

Malleus has never met someone so jittery around him—and that’s saying something. He finds it… oddly endearing.

“Good evening, Child of Man,(Hare(?))” Malleus greets, his deep voice echoing through the hallway.

You jump about a foot in the air, your ears standing straight up. “L-Lord Malleus! I-I didn’t see you there!”

Malleus tilts his head, clearly confused. “I was standing right in the middle of the hall.”

You gulp, trying not to show your terror. “S-sorry! I just, um, wasn’t expecting—um—dragons are very quiet, apparently!”

Malleus raises an eyebrow, then smiles, showing just a hint of fang. “I assure you, I have no intention of frightening you.”

You nod rapidly, ears still trembling. “O-of course, Your Highness! I mean, who’s scared? Not me! Totally fine! Super relaxed!”

Malleus chuckles, and the sound is somehow both amused and terrifying. “You truly are quite… peculiar.”

You have no idea if that’s a compliment or an insult, but you nod like it’s the greatest praise in the world. “T-thank you, Lord Malleus.”

Lilia Vanrouge:

Lilia finds you endlessly amusing. He likes to see just how much he can tease you before you pass out from fright.

“Hello, little rabbit,” Lilia says, appearing out of *nowhere* like he always does.

You squeak, nearly dropping your stack of paperwork. “A-ah! L-Lilia! P-please don’t sneak up on me like that!”

He grins, fangs peeking out. “Oh, but it’s so much fun. You jump every time, like a startled bunny.”

You frown, puffing your cheeks out indignantly, but it only makes you look cuter. “I-I can’t help it! I’m just… easily startled.”

Lilia nods sagely, pretending to consider your words. “Perhaps I should warn you next time? Though that might take away all the fun…”

You gulp, trying to decide if he’s joking or not. “P-please do…”

He laughs, patting your head affectionately. “I make no promises, little one. Just stay on your toes!”

Silver:

Silver finds your constant panic a little concerning, but mostly, it makes him tired just watching you.

You find Silver leaning against a tree, dozing off like usual. “Um, Silver? A-aren’t you supposed to be training?”

Silver blinks awake, giving you a sleepy smile. “Oh, hello. Training? Right, yes, I was. I… took a short rest.”

You fidget, eyes darting around nervously. “W-well, um, I don’t want to interrupt… but could you help me? I think I lost the Queen’s letter again.”

Silver nods slowly, rubbing his eyes. “Of course. But first, you need to breathe. You’re more jittery than the dormouse.”

You force a shaky breath in, nodding. “R-right. Breathe. I can do that.”

Silver gives you a thumbs-up. “Good. Just stay calm. We’ll find it together.”

And then he promptly falls asleep again.

You stare at him, exasperated. “S-Silver?!”

Sebek Zigvolt:

Sebek is flabbergasted by your lack of composure. It drives him nuts—but also, he thinks you’re kind of adorable, like a helpless bunny.

“YOU!” Sebek bellows, making you flinch so hard you almost trip over yourself. “HOW CAN YOU BE THIS INCOMPETENT?!”

You cringe, clutching your ears. “I-I’m sorry! I’m trying my best, I swear!”

Sebek huffs, crossing his arms. “YOUR BEST IS BARELY ADEQUATE! YOU MUST STRIVE FOR PERFECTION, LIKE LORD MALLEUS!”

You gulp, nodding frantically. “R-right! I’ll… I’ll try harder!”

Sebek looks at your terrified face and sighs, his tone softening just a bit. “FINE, FINE. JUST DON’T MESS UP AGAIN. HERE.”

He hands you the paper you dropped, his ears turning slightly pink. “AND STOP LOOKING SO SCARED. IT’S… DISTRACTING.”

You blink at him, surprised. “D-distracting?”

“YES!” he shouts, clearly flustered. “NOW GO! LORD MALLEUS EXPECTS PERFECTION!”

You scurry away, leaving Sebek to mutter to himself, face flushed. “Such a weak little rabbit…”

Rollo Flamme:

Rollo tries so hard not to be charmed by you, really. He doesn’t like distractions, and you’re the most distracting bunny he’s ever met.

“Are you lost again?” Rollo asks with a sigh, watching as you nervously peek around a corner.

You jump, ears twitching. “O-oh, Rollo! I was just, um… trying to find the courtyard…”

Rollo pinches the bridge of his nose. “You’ve passed it three times already.”

You fumble with your hands, embarrassment turning your face pink. “I-I was just… making sure it was the right one…”

Rollo looks at your big, earnest eyes and sighs again, softer this time. “You’re hopeless,” he mutters. Then, reluctantly, he reaches for your hand, leading you back the way you came. “Come on. I can’t leave you wandering around all day.”

You follow behind him, ears drooping. “S-sorry…”

Rollo shakes his head, not even looking back. “Just try not to get lost again.”

You can’t help but smile a little. “I-I’ll try.”

Neige LeBlanche:

Neige thinks you’re the cutest thing ever. He’s the kind of person who immediately wants to be friends with you, especially because you look so nervous all the time.

“Hello!” Neige waves, beaming at you from across the way.

You blink, startled. “O-oh, um… hello, Neige…”

Neige practically skips over to you, his smile never faltering. “Are you okay? You look a little lost.”

You nod rapidly, trying not to be intimidated by his energy. “Y-yes, I’m fine! Just a little… um…”

“Aw, don’t worry!” Neige says, giving you an encouraging pat on the back. “You’ve got this! I believe in you!”

You stare at him, completely baffled. “You… you do?”

Neige nods earnestly. “Of course! And if you need any help, just let me know, okay? I’ll be your bunny buddy!”

Your ears twitch at the nickname, and you manage a shaky smile. “O-okay… Thank you, Neige.”

Dire Crowley:

Crowley finds your constant worrying both exhausting and oddly entertaining. He’s never seen anyone so concerned about breaking every single rule.

“Ah, You!” Crowley calls out, catching you just as you’re about to dash off with a stack of paperwork. “Do you have the reports I asked for?”

You freeze, turning to him with wide eyes. “R-reports? Oh no, I—I thought I delivered those to Professor Trein!”

Crowley sighs dramatically, putting a hand to his forehead. “Of course, of course. Why must I be surrounded by such incompetent students?”

You fidget, looking down at your feet. “I-I’m sorry, Headmaster… I’ll go get them right away—”

Crowley waves a hand dismissively. “No, no, I suppose it can wait. You do look like you’re about to pass out from all the running.”

Your ears droop, and you mumble, “I-I’m not… I’m just… very busy…”

He chuckles, shaking his head. “Well, do try not to collapse before lunch, won’t you? I can’t have students fainting in my halls.”

You nod, scurrying away. Crowley watches you go, muttering to himself, “Honestly, there's no one more magnanimous than me…”

Divus Crewel:

Crewel is exasperated by your anxious behavior. He wants you to be confident, but instead, you’re always shaking in your boots.

“[Name], if you can’t handle a simple potion assignment, how do you expect to survive in this world?” Crewel says, his tone sharp as he points at your cauldron.

You gulp, ears twitching. “I-I’m sorry, Professor… I just, um, thought I might have put too much wormroot…”

Crewel raises an eyebrow. “Too much? Or not enough? Make up your mind, pup.”

Your eyes widen, and you flinch. “R-right! I-I mean, um, not enough—no, wait…”

Crewel sighs, pinching the bridge of his nose. “This is hopeless.” Then, with a softer tone, he adds, “Focus. You can do this, but not if you keep second-guessing every move.”

You take a deep breath, nodding. “Y-yes, Professor.”

Crewel watches as you go back to your work, and though he doesn’t say it, there’s a hint of a smile on his face. “Perhaps there’s hope for you yet.”

Mozus Trein:

Trein is generally strict, but even he can’t bring himself to be too harsh with you. Your anxious nature reminds him of some of his more timid students in the past.

“You’re late to class again,” Trein says, giving you a stern look.

You flinch, clutching your bag close. “I-I’m so sorry, Professor… I got lost in the halls again…”

Trein sighs, shaking his head. “You’ve been here long enough to know the way, haven’t you?”

You nod, ears drooping. “Y-yes, sir… I just… it’s the Queen’s court day, and I was trying to avoid… um…”

Trein raises an eyebrow, his expression softening slightly. “Avoid the Queen’s wrath, hm?” He nods, as if understanding completely. “Well, see that it doesn’t happen again. And try to relax. You won’t learn anything if you’re always in a state of panic.”

You bow deeply, almost knocking over your desk in the process. “Y-yes, Professor Trein! Thank you!”

Trein sighs as you scurry to your seat, muttering to himself, “Poor child… so much anxiety…”

Ashton Vargas:

Vargas can’t help but laugh at your feeble attempts at physical activity. You’re about as coordinated as a baby deer—and just as panicked.

“Alright, everyone! Time for a run around the track!” Vargas shouts, blowing his whistle.

You gulp, your ears already drooping at the thought of running. “U-um, Professor Vargas, I’m not sure I’m… physically… capable…”

Vargas claps you on the back, nearly sending you sprawling. “Nonsense! Every beastman’s got it in them! Even you, little bunny!”

You try to protest, but he’s already started the timer. You stumble forward, your legs shaky, and you can hear Vargas laughing from behind.

“Look at that! The rabbit is really running for their life!” Vargas calls out, and the whole class turns to watch you struggle around the track.

You feel your face burn, but you keep running, heart pounding. It’s either run or face Vargas’s motivational speeches again, and honestly, you’re not sure which is worse.

Sam:

Sam loves seeing you in his shop, mostly because you’re so jumpy it’s easy to sneak up on you—unintentionally, of course. He finds your reactions amusing.

“Hello, hello!” Sam calls out as you walk into his shop, and you jump about a foot in the air.

“Ah—M-Mister Sam! I-I didn’t see you there!” you stammer, clutching your chest like your heart might leap out.

Sam laughs, leaning over the counter. “You’re always so jittery, little bunny. Relax! I’ve got just the thing to calm those nerves…” He pulls out a small vial of something labeled “Relaxation Remedy.”

You eye the bottle suspiciously. “Um… t-that’s not… gonna put me to sleep, is it?”

He chuckles, shaking his head. “Not unless you drink the whole bottle, friend.” He winks. “I’m just lookin’ out for ya, y’know?”

You nod, still unsure but grateful. “T-thank you… I’ll, um… take one, I guess…”

Sam smiles, putting the vial in a bag for you. “No problem, little imp. Come back if you need more!”

You nod, scurrying out of the shop. Sam watches you leave, shaking his head with a grin. “That one’s gonna give themselves a heart attack one day…”

Grim:

Grim likes to think he’s the bravest in the group, but even he can see you’re worse off than him in the bravery department. He likes to boss you around, mostly to feel better about himself.

“Oi, bunny!” Grim shouts, jumping onto your desk. “You got my homework done yet?”

You squeak, nearly toppling out of your chair. “Y-your homework?! Grim, I—I can’t keep doing your work for you…”

Grim pouts, waving a paw at you. “Oh, come on! You’re already nervous all the time—what’s a little extra stress, huh?”

You huff, fidgeting with your pen. “G-Grim, I’m already at my limit! I-I’ve got the Queen’s orders, and Riddle’s rules, and now you want me to—”

Grim interrupts, hopping closer and giving you a smug grin. “Yeah, yeah, I get it, you’re a busy bunny. But you know, if you help me, I’ll… uh, protect you from any monsters! Yeah, how about that?”

You blink, considering it. “P-protect me? From monsters?”

Grim nods, puffing out his chest. “Yup! I’m the Great Grim, after all! I’m basically a professional monster hunter.”

You stare at him, unsure, your ears slowly drooping. “I-I guess… that would be helpful…”

Grim smirks, satisfied. “See? I knew you’d come around!” He jumps off your desk, tail flicking with glee. “Alright, I’ll be back later to pick up my homework. Make sure it’s perfect, okay?”

You sigh, watching him strut away. “H-how did I even get myself into this…?”

Grim doesn’t hear you, already daydreaming about what snack he’ll demand from you next. “It’s good to be the boss,” he mutters, chuckling to himself.

You slump in your seat, wondering if there would ever come a day when you’re not running around doing everyone’s bidding. But then again, you think, maybe that’s just the fate of a White Rabbit…

Masterlist

[formulawolff]

"keep 'em comin'" - m.v.

pairing: girl best friend!reader x max verstappen

word count: 2.3k

warnings: alcohol consumption, light marijuana usage, cussing, max munching on some cooter! (that will come later in the fic), enemies to friends to lovers, typical men behavior (being creepy in a bar), mentions of physical threats, kelly slander, THINGS ARE MESSY BETWEEN KELLY AND MAX (so if y'all don't like light infidelity/gray areas then don't read) yadayadayada (y'all already know the vibes)

a/n: hellllloooo! <3 this is my first time writing for max so if this isn't quite like him, i apologize in advance. this fic is based off of a request and i had to write about it since i've been feral for max (he finally took off that damned cap!) this may end up as a two or three part series. we'll see, we'll see!

⨯ . ⁺ ✦ ⊹ ꙳ ⁺ ‧ ⨯. ⁺ ✦ ⊹ . * ꙳ ✦ ⊹⨯ . ⁺ ✦ ⊹ ꙳ ⁺ ‧ ⨯. ⁺ ✦ ⊹ . * ꙳ ✦ ⊹⨯ . ⁺ ✦ ⊹ ꙳ ⁺

"i see the decrepit hag decided to let you out of her clutches tonight. congratulations for being able to be out and about in public without her breathing down your neck!"

the figure standing to your left scoffs, muttering a few incoherent words under his breath. he slides into the booth, propping his chin up with a hand. the other finds the glistening glass, a bead of condensation rolling down, pooling onto the rigid table.

"about that."

"what about it?" you arch a brow, lips connecting with the rim of your own drink, "max, did something happen before you left?"

he shrugs, brows pinching together as he sips on his mixed drink, a decadent yet smooth concoction of his favorite liquors blended together, "it's nothing serious."

"max," setting your glass down, you lean forward ever so slightly, his name louder than normal over the overwhelming mixture of voices and volume, "what. happened."

"oh you know," he waves a hand, careful not to meet your piercing gaze, "she's upset that i was going out to see you. that's all."

the moment max mentioned her, you knew exactly who she was.

she was kelly piquet. max verstappen's beloved wag. the woman who scooped him up the moment that clock struck midnight on his eighteenth birthday.

the woman you loathed more than anyone in the world.

but you wouldn't tell max that.

after all, you couldn't. the pair had been dating for quite some time. and although max wouldn't say it outright, you were well aware that she was not going anywhere anytime soon.

no matter how much the two fought. no matter how much she wanted to make your relationship with max as strained as possible.

your friendship with max had a rocky start. tumultuous, even. the two of you met when you were both seventeen, as your parents were mutual friends. since max was involved in racing, and you aimed to pursue professional photography, max's father suggested that the two of you get to know one another.

of course, at that time, the last thing teenage max wanted was some nerdy girl following him around. especially when there were other teenage boys involved. cool teenage boys who enjoyed to fuck around with fast machinery.

he teased you relentlessly, tormenting you whenever he could. he ridiculed your photographic abilities, scorning the prints or slideshows you provided. often times, he stated that your pictures were, "absolute shit" and your clip compilations "were not going to get you anywhere in formula one."

of course, you matched his energy. after all, you weren't going to take anyone's shit. you knew you had to advocate for yourself. you weren't going to make it in the industry if you weren't assertive.

eventually, your snapshots landed you a job at red bull. well, max did have a part to play in that.

after a couple of years, the dutch driver apologized for the way he treated you at the time, requesting a truce. the truce would consist of you sticking around as his personal media manager.

in turn, he would promote your work to the world of formula one and assist you in your way up the ladder in any way he could. he would land your sponsorships. he would chip in some cash here and there to get you more advanced software or equipment.

the only stipulation was that you had to follow him.

everywhere and anywhere he went. every event. every interview. every grand prix.

no. matter. what.

of course, with the stakes involved, you knew it was too good of a deal to refuse. with max's rise to prominence in formula one, you knew it was now or never.

so, you accepted his offer.

oh jos verstappen, what a bastard you were.

cause now, here you were in vegas, sitting across from the man you loved. well, the man you were in love with.

hopelessly and utterly in love with.

"that isn't unusual for her," you scoff, hands reaching for your purse, "i do have something that could lighten the mood!"

"and that is?" max's gaze follows your hand, making note of the delicately wrapped joint between your fingers.

"my friend mary jane!"

"you of all people know i shouldn't be smoking," the dutch driver shakes his head, yet proceeds to scoot out of the booth anyway, "i'll still come out there with you. i won't be taking any hits though."

"yeah, yeah," you wave a hand, "that's what they all say."

as you slip out of the booth, you feel max's hand connect with your lower back, almost guiding you through the throng of locals. a few of them chirp greetings to max, others chattering, creating a buzz within the air.

well, there went any sort of anonymity.

so much for keeping a low profile for the weekend.

yet, when in vegas, that was almost impossible to maintain. especially when you were a man of max's caliber.

the two of you manage to slip out, just before fans started asking for autographs. of course, max obliged to a few, signing a cap here and an arm there.

even though it was quickly approaching december, the air was mild, dipping in the low fifties. max hovers to your right, shuddering as a breeze rolls through. you curse as it quenches your flame, motioning for max to stand closer.

"can you shield me for a moment, pretty boy?"

"pretty boy?"

from the way the words tumbled from his mouth, max seemingly was not to keen to the idea of being referred to as pretty boy. yet, he inches even closer to you, providing a barrier as the lighter comes to life, igniting your delicate pre-roll.

"what else should i call you?" shrugging, you exhale, the smoke billowing into the night, "or do you prefer world champion?"

"how much did you have to drink before i got here?" the dutch driver cocks his head, his stare almost picking you apart.

"enough," you respond, lips curling into a devious grin, "don't act like you didn't like that."

"i did," he counters, "that's the issue here."

"and why is that an issue?"

"because we used to fucking despise one another. we used to tear one another apart. and now here i am, going out for drinks with you when i shouldn't be. here i am, looking forward to your texts or your snaps when i know i should be thinking about someone else.

fuck, even when i'm with her, my mind wanders to you. we're together all of the fucking time yet i crave you. i miss you when we're apart. what are you doing to me?"

before your mind can even formulate a coherent response, an individual saunters up to the two of you, drinks in hand.

it's an older man, approximately in his early or mid fifties. he's balding, as a few of the greasy hairs were poorly combed over. he was well dressed, but poorly groomed, as there was quite the scruff plaguing his feautures.

"good evening," his words are directed towards you, yet you couldn't help but notice the way his eyes were fixated on your joint, "i was wondering if the pretty lady could exchange a hit or two for a-"

"she's not accepting shit from you," max's voice is low, the driver taking another half step toward you, almost to shield you even further.

"c'mon man," the man drawls, the words slurred, "i wasn't fucking speakin' to ya. i was talkin' to her."

"and i'm talking to you," max's jaw clenches, "get the fuck out of here."

"and you are?" the man arches a brow, "surely not her boyfriend."

"actually i am," the words are forced through gritted teeth, the driver's fists clenched to his sides, "i'm her fiancé. i suggest you leave before i-"

"got it," the man exhales, rolling his eyes, "it was worth a shot. what the fuck ever man."

as he turns to head back towards the bar, you feel fingers find yours, intertwining together. max squeezes your hand gently, "are you okay?"

"fiancé?" relief ripples as you notice his demeanor crumble, "what was that all about? were you manifesting something or-"

"come on," max tugs at your hand, "let's go to another place. get a few more drinks. keep 'em comin'. keep the alcohol flowin', you know?"

"max," clicking your tongue, you frown as your realize your joint was burnt out, "what is going on between you and kelly?"

"i don't want to talk about her right now," the driver won't even look at you, keeping his focus on the glow and ambiance of the city, "we can talk about anything else but her. please. i don't even want to think about her right now. shouldn't you be relieved? why aren't you relieved?"

"because you look stressed the fuck out!" you retort, "and it stresses me out because i love you and i can't handle seeing you all bummed about some hag who is only using you!"

max freezes, your hand flying up to your mouth. heat floods your cheeks, heart thudding against your rib-cage as you realize what just came pouring from your mouth.

"did you just tell me that you love me?"

his voice is soft. dangerously low. merely a whisper, barely audible over the bustling noise of vegas.

tears well up, shame setting your body ablaze as you nod, biting your lower lip, "y-yeah. and i know i shouldn't-"

"shut the fuck up," hands meet with your cheeks, bringing you in close, "just shut the fuck up and come here."

in that moment, max's mouth finds yours. the kiss is tender, brimmed with nothing but passion, breathing life back into your lungs. it was grounding yet exhilarating, waves of euphoria crashing over.

he pulls away, forehead brushing against yours, "why haven't i done this sooner?"

"because kelly-"

"i don't give a fuck about kelly right now."

"give a fuck about me then," you murmur against his mouth, relishing the way his hands explore, roaming along your back, trailing down to your ass, "you think we should take this somewhere more private? before someone snaps a photo of max verstappen making out with his media manager?"

"that's a good idea," he nods, "i'll arrange an uber."

although it was merely minutes in the time it took between getting into the uber and making it to your hotel room, it felt like an eternity. yet, with the way max's hand gripped your thigh the entire drive, you didn't complain. the other hand held onto yours, pressing gentle kisses to your knuckles.

if only this was your everyday life.

if only things were different.

if only he fell in love with you first.

once the two of you were in the elevator, he maintained his composure, as there were other people stepping in and out. there was even a little boy, in awe that his favorite driver was staying in the same hotel as him. max was kind enough to gift him one of his beaded bracelets, a small memento from a win during the 2022 season.

if only that child knew what his favorite driver was really up to.

once that light on your keypad flashed green, his mouth was on yours, tongue gliding along your lower lip, practically begging for access. his hands were all over, tugging on your clothes, desperate to see what was underneath.

"fuck," there's a rumble in his chest as he lays on you on the bed, pinning you to the mattress.

"what?" you can't help but wriggle a little, slightly flustered by the intensity of his gaze.

"you have no idea how much i've thought about this," a dusty rose hue tinges his cheeks, "i-i almost don't know what to do now. i've thought about it so frequently that i had it down to every little detail. and now i have you here, right where i want you but i feel like i'm going to fuck this up and-"

"max," tender fingers sweep locks of hair from his forehead, "do what you feel is right."

"i just want to show you how much i love you. i need you to know how loved you are."

"i think i have an idea," the tip of your nose brushes against his, "is there anything i can do to help?"

"will you let me taste you?"

instinctively, your hips buck forward, legs spreading so that he can have access. you can feel his cock stiffen in his pants, pressing against your inner thigh, aching for some sort of relief.

"yes," you nod, "you can taste me."

"f-fuck," his jaw nearly goes slack as you guide his hand through the waistband of your panties, the pad of his index finger circling your clit, "you're this wet for me? already? my poor baby. all soaked and desperate for me."

"m-max," the way his name falls from your lips is intoxicating, "i need you."

"are you sure this is okay?" he pauses, eyes meeting with yours, "if at any moment you need me to stop, just tell me."

"you are more than okay. i promise."

fingers delicately unbutton your jeans, rolling them down your legs. in the process, you peel off your hoodie and shirt, tossing them to the floor.

just the mere sight of you half-dressed had him coming undone, his inhibitions slipping away by the second. fuck, you were so stunning. someone who deserved to be worshipped and cherished.

far more beautiful than he could have ever imagined.

situating himself between your legs, max's mouth roams, placing wet kisses all over your inner thighs, hips, and abdomen. his tongue flattens against your heated core, savoring the way you squirmed under his touch.

"you need me to taste you baby?" he coos, cocking his head.

"yes," you plead, skin hot to the touch, your clit engorged, folds slick with juices.

"hmmm," he hums, hands grasping your thighs to spread you open further.

"once i get these off of you, you're all mine. and only mine. got that?"

yet, there was one thing that happened to slip max verstappen's mind that night in vegas.

well, one woman.

the woman he referred to as his girlfriend, but the woman he was not in love with.

kelly piquet.

[yanderenightmare]

your vocab is really rich, what's ur secret

oh! uhm... excellent question!

Read! And every time you stumble upon a word you've never noticed before or know but don't often use, put it in a list, write down its meanings, and try using it the next time you write! (I'll put my list after the cut)

Read different things! Different authors and different styles, especially poetry! I mean, if you're looking to fatten your vocab, reading poetry is one of the best ways to do it. Poetic writers must search far and wide for the perfect words to create rhymes and rhythms and audibly pleasing sentences---they practically do all the work for you! Honestly, I am so serious about this. One of the best things you can do is buy a fat compendium of poetry with all different authors and eras. Get you some Edgar Allen Poe, Sylvia Plath, Emily Dickinson, and Shakespeare if you want to hurt your head. Also! The same goes for music! Try listening to the lyrics---you'll probably hear some words you've never thought of using in your writing.

Here's a cheap trick for bilinguals---write something in your own language and put it through Google Translate. Honestly, I've found so many words just by doing this.

Every time you feel you've used a word too much, or anytime a word bores you to read, search up its synonyms and try using something you've never used before---don't stop the search until you're satisfied. Sometimes, it takes me more time to find just one word than it takes to write an entire post. Not only does this enrich your vocab, but you've probably just written a whole other sentence with newer meanings and more nuance!

Make your own synonym lists! Seriously! Because you can only find that many creative synonyms by searching up "word+synonyms."

Additionally! Think outside the box! Often, the best synonyms are those words that aren't actual synonyms at all. If you read poetry, you'll see poets use unorthodox words in place of something all the time---it's called a metaphor. Take flesh, for example---you can use fat, meat, muscle, brawn, beef---but you can also use cake, down, plume, pillow, softness, etc... I find this one especially useful for writing erotica, as you have to describe a lot of the same actions and body parts over and over and still make it interesting. (I'll add my synonyms list after the cut)

Also! This one is trickier, but instead of using words and synonyms, try making sentences that can replace the word instead---such as longer metaphors and fuller descriptions! This aligns with the literary device of "showing vs. telling." Of course, outright telling has its uses too and should not be disbarred entirely from writing, but often, it's showing that persuades the reader more. For example, instead of saying nervous, make sentences that describe how the character in question showcases nervousness---does their throat close up, do they sweat, do their eyes go wide, do they stutter, do they fiddle with their fingers, pick their nails, bite their lip, kick the ground, hunch their shoulders, look away, blush, flush, cry, run away or do they feel stuck? Describing these things helps the reader better understand the type of nervousness the character is experiencing. Hence, it makes for not only more interesting writing but also clearer writing!

A similar literary device is "focus and expanding," which slows down the reading or puts focus on certain aspects of the text by describing something to a great extent. If, say, this nervousness the example character is experiencing is of great significance, then that's what the readers' takeaway should be. But the reader won't think too much of it if the text simply states that they're nervous without underlining it. Luckily, there are plenty of ways of doing that, firstly through showing vs. telling, such as in the examples above, then metaphorically, such as "the ground seemed to swallow him up, down the guzzle of a monster with an appetite for disaster---darkness ensued like a storm cloud, cold and clawing with a weight heavy enough to nail him to the spot---all eyes were on him, unblinking and all-seeing, no matter what, he couldn't escape, he was stuck, glued to the ground by the soles of his shoes." I mean, the options are truly endless. These metaphors piled together are also a form of focusing and expanding, but you can take it even further than that by focusing on a small detail and giving it significance. For example, say the character is sweating because he's so nervous---you might focus on a single droplet of sweat instead of everything else, "A chill ran down his back. No, not a chill--sweat. Cold and creepily tracing the rigid bones of his spine. He can't move--if he moves, then they'll see. The sweat will seep into his shirt, and everyone will know what a sweaty and pathetic wreck he is. So, he can't move. No, yes, leave it alone. The droplet continues, running down the cold skin of his clammy back, sliding undeterred until meeting the band of his boxers and disappearing in the fibers. He swallows thickly and sighs with relief--only for another to pill at his nape, tracking the same course as the former. A vicious cycle is forming. He needs to get out of there!" And that's focus and expanding, folks! Focusing on something minuscule and expanding it by using it to describe what the character is feeling. It's a way to have a fresh take on something that's been written a thousand times before, such as "he was nervous."

Anyway, I might have gone a little above and beyond, but really, all these literary devices are ways of "expanding vocabulary" or at least giving an impression of it.

NEW WORDS

Manically---like a maniac

Despotic---like a dictator, having unlimited power over someone, often using it unfairly and cruelly

Chasm---a deep fissure, like a ravine, wound, or metaphorical rupture

Shunts---track-change basically, scoots to the side

Dearth---a scarcity or lack of something, a shortage

Raucous---making a harsh or loud noise

Innocuous---not harmful or offensive---harmless and safe, but also bland and unremarkable, maybe even a little boring

Lanyard---the woven necklace of a festival pass

Gossamer---fine spiderwebs, almost mesh

Cossetted---care for and protect in an overindulgent way

Beribboned---decorated with many ribbons

pupil-fat---cool way of saying enlarged pupils

Chitters---snickers, like a bird

Decadent---corrupt, depraved

Blotting---either soak up and absorb, or stain, or obscure

Barbell---a bar “pole” with attachments on each side

Bunting---of animals, when they butt or rub their head against you

Garnet---red

Cherubic---angelic, plump cuteness, quality of a child

Haunches---hips

Sodden---soaking

Waxing poetic---speaking in a flowery or poetical fashion

Inkwell---a container for ink---a dark well

Rend---tear in two, or more pieces

Ebb---recede, go back, like a tide wave

Webbed---like a duck's feet

Cloying---sickly sweet

Saccharine---oversweet

Apple of your cheek

Swathes---wrap, swaddle

Shroud---obscure something

Moonstone---to describe something grey and dusty, but pretty

Kinked---tangled, messy

Leaden---heavy, dull, slow or the colour of lead, grey

Stygian---devoid of light and brightness, hellish

Flaxen---of hair, champagne colored---ashy blonde

Tepid---lukewarm

SYNONYMS

Related to sucking cock:

Swallow

Glug

Drink

Eat

Guzzle

Receive

Take

Suck

Suckle

Slobber

Gargle

Gurgle

Drool

Gulp

Gobble

Stuff

Glut

Choke

Gag

Lap

Lick

Kitten-lick

Slurp 

Allow entry

Related to kissing:

Kiss

Lock/brush lips

Tongue-feed

Suck faces

Smooch

Peck

Snog

Canoodle

Related to biting:

Bite

Graze

Nip

Nibble

Sink teeth into

Chomp

Related to crying:

Whimpering

Mewling

Bleating

Whining

Snivel

Sniffle

Cry

Sob

Bawl

Hiccup

Spluttering

Blubbering

Coughing

Croaking

Related to pre-cum:

Ooze

Leak

Weep

Well

Drip

Dribble

Flow

Drain

Bleed

Sweat

Seep

Pill

Pearl

Cry

Related to fear and panic:

Hysterical

Wild

Manic

Uncontrolled

Unrestrained

Frantic

Frenzied

Restless

Hectic

Sporadic

Swivel-eyed

Related to screaming:

Scream

Yell

Wail

Yelp

Yip

Yammer

Squawk

Howl

Squeal

Shriek

Related to moaning:

Moan

Whine

Yelp

Purr

Hum

Croon

Related to overstimulated moaning:

Mumble

Croon

Warble

Quaver

Burble

Bumble

Hum

Slur

Ramble

Mutter

Whisper

Stammer

Stutter

Scramble

Jumble

Muddled

Babble

Blubbered

Splutter

Blurt

Related to groaning:

Groan

Grunt

Growl

Grumble

Grouch

Hiss

Guttural

Feral

Rusty 

Throaty

Wet

Sloppy

Related to angry noises:

Howl

Roar

Bark

Grizzle

Grump

Related to surprise or fear:

Gasp

Gulp

Choke

Suck in a sharp breath

Flinch

Jump

Jostle

Wince

Hiss

Pull back

Related to comforting:

Coo

Fuss

Comfort

Hush

Shush

Tsk

Mollycoddle

Nurse

Cuddle

Babying

Consoling

Soothe

Loving

Smothering

Hug

Hug tight

Cocoon

Snuggling

Swaddling

Rock back and forth with

Cosseting

Petting

Overwhelm

Related to begging:

Beg

Pleading

Pray

Bargain

Related to soreness and pain:

Ache

Sore

Throb

Swollen

Fattened

Welted

Related to taking cock inside entrance:

Swallow

Receive

Take

Suck inside

Stuff

Fill

Allow entry

Submit to

Ease inside

Bully inside

Squeeze inside

Force inside

Push

Pry

Related to how the hole squeezes:

Kissing

Fluttering

Hugging

Pressing

Squishing

Squeezing

Tightening

Pulsing

Related to a wet hole:

Slush

Squelch

Squishy

Creamy

Sloppy

Wet

Soaked

Slosh

Sop

Cry

Slick

Weep

Drool

Gush

Swollen

Velvety

Gummy

Cotton

Silken

Satiny

Related to thrusting:

Squeeze into

Pound

Jam

Ram

Rut

Loll

Rock

Thrust

Stuff

Bottom out

Fill

Fit

Nestle

Cram

Prodding

Poking

Kissing

Hammering

Jack-hammer

Smack

Slap

Ream

Related to pleasure:

Ecstatic

Opium-eyed

Euphoric

Elated

Thrilled

Blissed-out

Rapturous

High

Cloudy

Numb

Related to overstimulation:

Overstimulated

Outdone

Aching

Burning

Sweating

Feverish

Delirious

Febrile

Numb

Immobile

Dazed

Dull

Related to being dumb, high, or overstimulated:

Ditzy

Dumb

Clumsy

Silly

Foolish

Giddy

Brainless

Dizzy

Fuzzy

Dopey

Whimsical

Fickle

Featherbrained

Daft

Hare-brained

Awkward

Graceless

Blundering

Bumbling

Klutzy

Clueless

Cloddish

Dense

Related to the body and the flesh:

Tender

Supple

Soft

Creamy

Plush

Doughy

Cakey

Downy

Pillowy

Malleable

Squeezable

Biteable

Pliable

Touchable

Putty

Plume

Related to cuteness:

Cute

Cherubic

Adorable

Sweet

Soft

Precious

Darling

Lovable

Endearing

Baby

Related to weak or smallness:

Breakable

Brittle

Weak

Fragile

Dainty

Delicate

Frail

Flimsy

Vulnerable

Petite

Small

Little

Tiny

Feeble

Defenseless

Powerless

Helpless

Worthless

Hopeless

Related to struggling:

Struggle

Winding

Striving

Straining

Toiling

Playing

Wriggle

Wiggle

Twist

Shake

Tremor

Shiver

Quake

Related to men:

Vulgar

Loud

Oafish

Rough

Rude

Rustic

Gruff

Gross

Doltish

Barbaric

Bearish

Beastly

Churlish

Coarse

Swinish

[kaiserposting]

How to Subtly Show Someone You're Interested

PAIRING: Michael Kaiser/Reader WORD COUNT: 2.4k TYPE: Humor, Bad flirting, bickering WARNINGS: huge Kaiser tw

#1 Eye contact

Kaiser has been acting strange.

Usually this would not be an observation you'd be making (as he acts weird all the time so it's not worthy of note), but today he's been so odd, it's starting to bug you even more than his default level of being annoying.

He keeps just… staring blankly. At you. You don't know what you did to deserve this horrible treatment — perhaps you did not grovel enough after accidentally butting into His Majesty’s shoulder, or breathed in his direction too hard without permission, or some other similar tragedy — but it's getting unsettling.

Well, honestly, it was creepy to begin with, but it's making your skin crawl more and more the longer it goes on. Like, what does he want? Are you going to be on the news soon? His eyes are blue and lifeless and evil like always, so you know he can't be up to anything good each time he burns your body to a crisp with his stoic serial killer gaze. It's even worse when he smirks at you while he does it, that's how you know the torture you'll endure at his hands will be slow and painful, and he's already delighting in his demented plans before putting them into action.

Kaiser attempts to maintain his stare down with you while he makes his way out of the training room and you stay behind putting away whatever you need to, observing him in confusion and fear. Though, of course, you would not admit to something as lowly as letting Kaiser intimidate you out loud (since you don't want to partake in an action that seems to give him a mental orgasmic feeling), at least to yourself, you can concede you're on edge.

… That is, until his dedication towards being a scrote proves detrimental even to him because he runs into the wall, hitting about half his face. It seems tormenting you is too distracting for a sick sadist like Kaiser. He palms at his skin, probably seething to himself while trying to seem cool and collected and totally not on the brink of shitting himself in anger on the outside, as if such a small thing as a solid wall could not faze him or even cause him pain.

You point and laugh at him. Kaiser pretends not to see you and walks out tall and proud like nothing happened. This will have to do as your revenge, for now.

#2 Initiate conversation

“Did you have a nice weekend?” asks Kaiser.

“It's Tuesday,” you reply, once again confused. Why is he talking to you, does he have nothing better to do.

“Right,” he says in a casual tone, like he didn't just ask you an irrelevant dumbass question. “The weather is nice.”

You ignore that one, but you can't help wondering if something is wrong with him and if this is an obscure call for help. Blackmail from a drooling fan perhaps? After all, it's unlike him to say anything so boring and ordinary, and you don't imagine he would make small talk with you unless it's a complicated code to signal that his life is in danger.

“What restaurant would you recommend?” Kaiser tries again.

“What?”

There's an uncomfortable silence during which you're just looking at each other, you perplexed and him expressionless, the previous guise of pleasantries and fake sweet smile wiped off. It is possibly even more uncomfortable than anything else that has unfolded between you two in the past. Then Kaiser says, “You know, I think you're an ingrate.”

“What?!”

“You’re not appreciative enough of my efforts.”

“For what?!”

Kaiser scoffs, averse to elaborating due to humiliation (either because of his apparent failure or because it's plain embarrassing to state his intentions when you don't seem receptive to them or because being outright on the matter requires him to express himself, which is in nature disgusting). Then you watch while he walks away from you in a moody fit.

Well, at least if he has the energy to act temperamental, that must mean he's not in any shittier spirits than usual. It is way less unnerving than his earlier civility, for one.

#3 Compliment them

Kaiser has no respect for personal space. Or more like he only deems his need for such important and disregards everyone else's. You know this.

But you can't lie in good conscience that he's gotten this close to you before, examining you, leaning in way too close. Close enough that you feel Ness planning your murder from across the field. Close enough to warrant a harassment complaint.

You assume Kaiser must be looking for miniscule flaws to fake laugh at like a missing eyelash or the fact that you have pores, but instead of doing what you predicted, after a long while of making you almost throw up from nerves — what's with this guy and staring at you like a microbe under a telescope so much? — he says, “You have beautiful sclera.”

???

You bristle at the sound of the strange thing he said. Unperturbed by your visibility negative reaction, Kaiser continues,

“And I love the way you look at me, like you want to kill me. It gives me a thrill.”

What's wrong with this guy? you think to yourself.

“Your bone structure can almost rival mine-”

“Kaiser, stop talking nonsense and go… back to doing something else somewhere away from me.”

“Hmph.” He backs off to a more socially appropriate distance, crossing his arms. “I see you still haven't fixed your attitude.”

“Me? I need to fix my attitude?! When you're the one acting like a depraved person?”

“Wow, if you think that's what I'm doing, you must not understand anything about the world at all,” he says in a condescending tone, smirking at you with played up amusement.

“You have some nerve! Kaiser, go away before I take advantage of my position and put rat poison in your water bottle. It'd suit you to go out that way.”

“You're so obsessed with me.”

After that declaration, he whips around to make a dramatic and majestic exit, with a deliberate swat of his hair to your face. Maybe you'll be spitting out gross blue strands after this. You fume to yourself.

#4 Light touches

Once again, Kaiser is plaguing you. Today's method of inflicting trauma seems to involve more gratuitous touching than usual.

He awkwardly drags his hand over your shoulder.

You stare at him as if this is the most scandalous offense you've been on the receiving end of. Maybe it's not, but he's been walking on your nerves all day with other such inept attempts at caresses. “Did you just wipe something on my sleeve?”

“What?” he asks in a flat tone. “No. Are you dumb?”

Your expression doesn't show anything other than incredulity. Certainly not the fluster and admiration Kaiser is hoping for.

You then go right back to ignoring him like he is dust. This is outrageous, he's going to be sick. Kaiser takes fate into his hands and embraces you stiffly from behind (once again showing his lack of etiquette).

Startled, you ask, “Are you gonna put me in an octopus hold?”

“No? Do you always have to assume I'm going to do something bad to you?”

“Well, it's not like you ever do anything good.”

Kaiser lets go of you even though he doesn't want to — truly a moment of his character development you're witnessing —, his arms dropping limply by his sides while he frowns at you like a kicked kitty. Exquisite manipulation tactic, however, you're not moved by the display at all.

He says, “I still think you need to fix your attitude.”

You roll your eyes and let him have his little moment with his snide remark. An immediate retort hasn't come to mind after all, and you'd rather play it off as disregarding him than admit to the shameful lack of a comeback. It's not your fault his incomprehensible behavior leaves you speechless, anyway.

#5 Be there for them

Kaiser decides to skip this one as it's even more vile than when he lowered himself enough to the point he tried to hug you.

#6 Use humor

Kaiser stands in front of you, trying to think of something funny to say, which isn't an activity he engages in often (as the comedy of his existence is often unintentional or manifests in the form of being a bitch for no reason and antagonizing people unprovoked). During this process, you're once more forced to endure the weight of his unrelenting, vacant stare.

“I have a controversial football opinion,” says Kaiser, finally.

“As usual.”

“The ball is sentient and it hates getting kicked around like that.”

You tilt your head, not understanding why Michael Kaiser would say something so… silly? “Well, I'm sure you take some delight in imagining that,” you say in an unsure voice, not knowing how else to reply.

Kaiser smirks at you in an attempt to shrug off his latest failure and feign casualness. Then he tries again because his spirit is as tenacious as his gawping. “You should always make sure to distinguish between ‘I’m sorry’ and ‘I apologize’ at a funeral.”

“Why? Do you speak from experience? Is that a little slip up from when you attended the funeral of one of all those people you killed?”

“No. I think if I killed someone, I'd be the type to facetiously say ‘rest in peace,’ just to piss them off in the afterlife.”

“I can imagine you doing that. Good for you I guess.”

Kaiser snickers to himself — maybe because he's enjoying imagining all his enemies dead — and plays with his fingers in an almost nervous manner, which makes you question if you're perhaps hallucinating. He ponders if he's funny or not.

#7 Text them

(04:55 AM) Michael Kaiser: [5 image attachments]

(06:32 AM) You: why are you sending me shirtless mirror pics lol

(06:46 AM) Michael Kaiser: Wrong person

(06:50 AM) You: did you mean to send that to ness

(07:02 AM) Michael Kaiser: No

(07:05 AM) Michael Kaiser: ???

(07:43 AM) You: well you only talk to me and him so if it's not for us who else could it be for

(07:44 AM) You: lol don't tell me you did that to seem sought after haha

(07:48 AM) Michael Kaiser: Let's stop talking for a little while.

#8 Give them attention

Kaiser gives you plenty of attention, and he doesn't even make you do tricks for it. Like for example right now, when he's poking you in the ribs while you're trying to fill out something unfinished on the tablet during your break.

You slap his hand away. “Kaiser. What.”

He moves onto poking your neck instead, forcing you to wiggle away from him as he continues his antics despite your dodging.

“What do you want?!”

“I just don't want you to feel neglected by me,” he says in a tone he probably believes is suave.

“I don't.”

“You're trying to seem brave, but your eyes give you away.”

“You're crazy,” you say, not even in shock or embarrassment, but rather a very apparent disorientation. “If anything I've been overdosing on you lately.”

“There’s never enough of me. You don't need to pretend just to humble me. It's not cute nor clever.”

“Kaiser, quit it before I cut off your finger and poke you with it instead.”

To your surprise, Kaiser stops. You watch him warily for a few seconds before feeling safe enough to turn around and try doing your work again.

Kaiser pokes you on the sides.

#9 Playful teasing

“You look like shit today,” greets Kaiser with a smirk, wrapping an arm around your shoulders. “Did they let the clown academy off early today?”

“Kaiser, you're so immature.” You shrug him off. Usually you'd allow the contact, granted he's not being rude or creepy, but he's done the former a nanosecond into the conversation, so you're not going to stand for it.

“I assume you're stupid or uptight enough to take me seriously. That's always fun.”

“Trust me, you're the last person in the world I'd take seriously.”

“No, but really, you're quite unencumbered by the standards of beauty today.”

“So I'm ugly and stupid? Awesome, thank you so much.”

His traitorous hand which had grabbed at your shoulder earlier moves lower around your waist instead, pulling you closer. At his actions, you squint your eyes and look at him as if he is a dirty wet sock. “Don't worry, I'd still take you though.”

This horrendous thing he just uttered makes you gape in shock. Then it morphs into disgust, and you smack him on the arm and retch at him.

#10 Mention being single

You expect something horrific to happen this time when Kaiser approaches you, but instead, out of the blue, unprovoked, nobody asked or moved — as most things are with him — he announces, “By the way, I'm single.”

You raise an eyebrow at him, not sure what to do with this information. “Yeah, that figures.”

“What do you mean? Tons of people want me, but I don't want them back. That's why I'm available, that's all.”

“Don't explain yourself to me, I don't care,” you say flippantly, crossing your arms and shifting your weight to one leg.

“Well, you should.”

“Sure, Mr. ‘Sorry Wrong Chat.’” You snort.

Kaiser upturns his nose and glares at you. “You’re mischaracterizing me and presenting that whole situation wrong. For one, I didn't say sorry.” Then he scoots closer to you, grinning without smiling with his eyes whatsoever. “Anyway, I'll forgive you. As long as you remember the main point, which is that I'm single.”

“I know, dipshit.”

“Wow, can't you rub your little brain cells together, the whole two of them, and understand what I've been getting at?” Kaiser snaps, frustrated that the fruits of his incompetent labor aren't ready for reaping yet.

“It's not my fault you can't say whatever you have to say properly,” you say, delivering your line in a pointed tone so that he can grasp the implication you're making this time.

Kaiser blinks with the small frown still on his face, a remnant of his earlier scowling. Then realization sets in and his lips form a thin line instead. His cheeks color slightly.

You're fucking with him on purpose.

___

Some slop I wrote on my phone on vacation in between drinking and sweltering in my own gooch in the sun. Enjoy or don't

[reallyromealone]

Please a part 2 to Surprise! You're a dad! Rindo x reader.

Title: surprise you're a dad!

Chapter: 2

Fandom: Tokyo revengers

Characters: Haitani brothers

Fic type: fluff, omegaverse

Pairings: Rindō Haitani x reader

Warnings: male reader, reader insert, omegaverse, mpreg, birthing, male giving birth, Omega male reader

Notes:

🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸

Did you know?

The brother of your baby daddy was somehow more persistent than the actual baby daddy?

Because apparently that was a thing!

Ran bad been persistent despite his brother keeping his distance, popping up randomly to spend apparent quality time with his 'brother-inlaw' and following him around like a lost puppy "do you have ultrasound photos?" He asked curiously as he sat in (name)s little house, Rindō may have not wanted to take a role in the babies life but Ran did.

Ran was deeply obsessed with family, the brothers having grown up without their parents and raised primarily by their grandfather whom they loved dearly "you know... You don't have to do this" (name) whispered, it felt nice to have support even if they were probably doing it out of guilt of their siblings negligence "I know Rindō doesn't think the pup is his and I know you're probably doing it from pi--" "did I ever say I was doing it from pity?" Ran cut the Omega off seriously "I'm not here for pity purposes, that's pathetic of me to do and I stated why I'm here."

The Alpha pointed to the others belly "I'm here for that little pup in your belly and by extension you, I know that kids a Haitani, you think I haven't done digging on you Mr Dean's list? Besides you reak of Rindō" he said simply and (name)s eyes watered, he had been alone for months and having his pups uncle support him made his heart melt "be this pups god father" he said simply and Ran smiled softly, already feeling a soft spot for the spikey omega "I'll make sure that kids cared for"

For the past month and a half, Ran had been a good support while Rindō seethed, he was unsure how to handle the fact he could be a father and outright refusing the omegas claims even if he didn't seek him out.

What if he was waiting to just drop the kid on him or collect child support when the kid was older! Guilt him with a baby!

He wasn't fucking having it.

And he was pissed that his brother would spend money on the Omega and all that shit, ignoring his inner instincts to be near the Omega who had his claim bite and dive harder into work to avoid dealing with the situation.

It wasn't until the dead of night when Rindō went into a convenience store to grab a drink, finding a particularly annoying job as Ran and kakucho waIted outside on their bikes "your total is 2.48, cash or card?" Rindō looked up from his phone to see (name) sitting there bored, staring at him with disinterest s his hand rested o his stomach "why the fuck are you here?" He snapped and (name) rolled his eyes "working? What else would I be doing, hosting the met?"

"It's like two am! Youre an Omega!"

"I'm doing what I must to care for my pup, I don't need your concern" he waved Rindō off, already annoyed and the other rolled his eyes "clearly since you're taking handouts from ran" that struck a chord with (name) who stood up angrily "I haven't accepted shit from him, he comes over to see ultrasound photos and bother me for tea!" The Omega raged "I am not some gold digging Omega looking for a wallet, I was fine before this and I don't need you making wild accusations when I wasn't even seeking you out" (name) was not afraid to go toe to toe with the other, close to baring his fangs the sound of the doors chime went off "Yo Rinny, Kakuchos getting t...ired" ran looked at the angry Omega and his brother and sighed "Rindō can you behave for once? Sorry my brother was an iPad baby" Rindō looked betrayed at his brother who in turn looked at him "I think we need a family sit down" Rindō seethed out and Rindō wanted to pull his hair out.

"Sorry you were dragged here" (name) said to the Kanto Manji man who he learned was named kakucho, offering him tea as they sat in (name)s house, Ran buying the Omega new furniture despite the omegas protests "the fuck is even happening?'" the Haitani brothers were arguing in the backyard as (name) sighed "Rindō is the father to my pup, I don't want him to be in my pups life and he doesn't want to be in the pups life but is convinced I want to baby trap him despite me repeatedly telling him I don't want him in my life" the Omega said calmly and at a semi fast pace "Ran is hell-bent on being the uncle to his niece and keeps buying me things despite me not needing it and I just want to raise my child and not deal with any of this" kakucho was shocked at this as he looked at (name) who looked done.

"Wow"

"Yup"

"Rindō? Really?"

"Yeah..."

"Why don't you want him in the kids life?" Kakucho asked and (name) sighed "you know what job you have, what you do every day and what you're becoming... Could you imagine a child being mixed in that?" He looked serious as he stared at kakucho who didn't hesitate to answer "it would put a target on them" "exactly, my daughter would be targeted immediately... I just want to raise my kid in peace"

"Would you ever let him be in his kids life?"

"If he wanted sure but he doesn't and I'm not keen on someone who blames Soley me for something that takes two to tango" he grumbled and kakucho snorted "well I'm glad the kid has an uncle at least"

"Ran will be a good uncle, he's already obsessed with his niece" (name) joked as the Haitani brothers walked in bruised and quiet "Rindō what do we say"

"Sorry for being an asshole"

"And?"

"I am now aware you have no interest in baby trapping me for money" he grunted angrily and (name) rolled his eyes "glad you joined the party" (name) huffed as he sipped his tea "again sorry you had to be dragged into this" he said to kakucho who was fairly surprised at how calm the other was, being in the same room as some of the most dangerous men in Japan.

"This was surprisingly pleasant despite it all" he said back as (name) tried to get up to walk to the door, taking a moment before getting up triumphantly "thank you again for the tea"

"Of course, drive safe"

"I won't!"

"He's pleasant" (name) said simply as kakucho drove off and the Haitani brothers were sitting on the couch, (name) sitting on the comfy chair as they fell into silence "if you ever decide... That you want to be in this kids life, you're welcome to- don't worry you don't have to pay anything but if you ever decide you're welcome" an olive branch, Ran was already a big part in the pups life and he wanted Rindō to have the option if he wanted.

"I'll consider it when we do a paternity test"

"We can absolutely do one and I can't wait to tell you to pound sand when it comes back a match" (name) said calmly and Rindō glared and Ran sighed, these two were oil in water.

How did they even get far enough to mate?

Beyond him.

It would be six weeks later that (name) went into labor, terrified of being alone as a nurse comforted him as he had a contraction "I'm here for my niece" Ran said calmly, hair cut and in a suit and sunglasses. Thankfully that new tattoo he got covered by makeup as he plopped beside his almost brother in law "oh and you" he teased as (name) glared "not- fuck!- the time right now!"

Five hours it took for (name) to birth a beautiful baby girl, the first thing they noticed was her face, she had (name)s hair and skin but... She looked like Rindō even as a newborn "well we may not need that paternity test" Ran joked and (name) wanted to sleep.

But they did a paternity test and surprise surprise!

Rindō was a dad.

And ran watched as Rindō sat shocked "was there not a thought in your head that you could be the father of that child? You wanted (name) enough to claim him but so easily believed he was screwing other guys"

"I-i just..."

"Do you want to be in your daughter's life?" Ran asked genuinely and Rindō nodded slowly, head in hands "you for some ass kissing, he's not gonna trust you one bit"

"Fuuuuck"

"That's a weird way of apologizing"

[steddiealltheway]

For some reason, Steve and Eddie do not know how to greet each other. Maybe it's because their friendship is somewhat new, and they both don't know how to outright say, "How the hell am I supposed to say hello?"

So, it just kind of becomes a thing between the two of them to almost rapid-fire greetings until they land on a mutual one. And usually... it takes them a while.

This time is no exception.

Eddie sees Steve and lets his heart do a little flip that he knows isn't just nerves from their little greeting thing, but eventually, he'll learn how to push those feelings down. He just can't help it when Steve always looks like a- like.... okay, he's hot, and Eddie's brain goes to mush whenever he's around him.

Speaking of being around him...

"Hey!" Eddie says throwing his arms out wide for a hug while the kids walk around them.

Steve counters him by thrusting his hand forward going for a handshake while saying, "Hey, man!"

They both laugh at their awkward greeting and move on to the next one. For some reason, Eddie goes for a bow, and Steve does Eddie's signature devil horns while sticking his tongue out which really should not be so damn attractive.

Then, Eddie stands up straight and goes for a high five while Steve goes for a fist bump. "Almost had it," Steve says with a wide smile.

"We'll get it on this next one," Eddie states. Then, he moves his elbow forward as Steve does his little finger wave.

"I definitely should've seen that coming. That's on me," Steve says running a hand through his hair.

"No worries, man. But I won't lie, I'm starting to run out of greetings, and they're about to turn weird," Eddie admits, but this is usually the fun of this game. Somehow they always get to some mutually weird greeting that no human would actually ever do.

So, Eddie prepares himself when Steve gets a rare mischievous look in his eye and asks, "Ready?"

Eddie nods then jumps into the air as Steve raises his foot up, luckily not kicking him but getting fairly close.

"Were you trying to kick me?" Eddie asks with a laugh.

"Was going for a footfive," Steve replies with a smile.

That smile is going to be the death of Eddie one of these days. And for some reason, with that thought on his mind, Eddie suddenly remembers that sometimes people kiss each other on the cheeks as a greeting, and wouldn't that be funny?

"Ready?" Eddie asks, excited for his plan.

"Ready," Steve replies.

Unexpectedly, Steve steps forward as Eddie does the same. But Eddie doesn't chicken out of his plan. So, he quickly leans forward, but Steve must entirely misread him because suddenly he is kissing Eddie. Like... full-on kissing him. On the lips. With his hands gently cupping his face.

When he pulls away, Eddie is still a bit in shock, but Steve just raises his hand in a high five and excitedly yells, "We found a greeting!" Like they usually do as if he did not just kiss him.

So, Eddie does the only thing he can think of and celebrates with him as if nothing life-changing just happened.

When Steve walks away, Eddie can't help but get stuck on the fact that they're going to have to go through the same process when saying goodbye again. Is he allowed to test his luck?

He glances around and realizes that no one else witnessed their little moment, having gotten used to their antics long ago. But maybe when everyone is leaving and they're around the two, Eddie won't be so lucky. If anything, he can say he was going for a cheek kiss.

So, the night goes on, and Eddie tries as hard as he can to forget the kiss.

It does not work at all.

And before he knows it, people are starting to leave, and Steve is even looking at him expectantly. So, Eddie walks up to him and says, "Bye, man." And before he can even think of a way to say goodbye to cover how much he wants to kiss Steve again, Steve is already leaning in.

This time, Eddie easily meets him in the middle to properly kiss him which gives him butterflies in his stomach until he hears Dustin say, "What the fuck?"

Steve and Eddie jump apart breaking the kiss, but Steve quickly defends them. "We found our new greeting!"

Eddie thinks he might die on the spot. This is going to be a recurring thing? Jesus H. Christ. Steve is going to be the death of him.

"Good for you?" Max says as she walks out the door clearly weirded out but Eddie thinks she could care less.

Everyone else kind of dismisses it as well, but Dustin just stands there flabbergasted.

Steve takes a small step forward with his hands on his hips and his eyebrows raised. “You got a problem, Henderson?” Steve asks, more fearful than accusatory.

“No!” Dustin squeals then calmly continues, “No. it’s just I…” he trails off and looks between the two before shaking his head. “I don’t want to see any tongue,” he states.

“Gross, I would never in front of you kids!” Steve says shoving him out the door while ruffling his hair.

“No promises!” Eddie shouts after him, but then it hits him that Steve just said he would make out with him with the kids not around… and right now the kids are all gone.

Oh shit.

The door closes behind Dustin, and Eddie knows that he needs to leave the Harrington house. Especially because he’s the kids’ ride home.

He ducks his head, letting some strands fall in front of his face, and says, "Goodbye, Steve." He takes a few steps toward the door but is stopped by Steve's hand on his shoulder.

"Eddie?"

"Yeah?" Eddie asks, sounding a little too hopeful.

Steve just steps in front of him and cups his face. "This okay?"

Eddie melts into the touch and grabs Steve's hips. "More than okay."

He's not sure who moves first, but Steve is pinned against the door, and Eddie fulfills his secret wishes of taking Steve apart as he learns that Steve wasn't lying when he said no tongue only in front of the kids.

There's a loud knock on the door, and Dustin is suddenly yelling, "Hurry up in there! Some of us have a curfew!"

So, Steve and Eddie reluctantly pull apart, but Eddie can't help but kiss him one more time and wish him a good night.

In the car, the kids grill Eddie to answer when the hell they started dating, but Eddie assures them that they're not. Then, they all take bets on how long it will be, and Eddie chimes in that he's pretty sure he's not supposed to hear their bets.

(Secretly, he wants to make El's bet of two weeks come true.)

Eddie knows it's just a fluke though. Steve is probably just kissed starved after his series of failed dates, and Eddie is just an outlet.

It's pretty depressing when it's put like that but... Eddie is willing to take anything from Steve.

So, he can't be too upset when Steve kisses him the next time he sees him. And the time after that... And the time after that...

But, then it shifts to whenever Steve sees Eddie after he goes in another room, the bathroom, hell, sometimes Steve just says he hasn't looked in his direction in a while and misses him before he swoops in to kiss him.

It shifts even further when Steve starts purposely making excuses to get Eddie alone only to make out with him. They're not even good excuses. He once asks, "Eddie, can you come in here to observe the color of the inside of this door?"

But every time Eddie thinks maybe this is not good for my heart, Steve looks at him sweetly and says, "Hi," before leaning in to kiss him again.

And maybe it would be easier to distinguish whatever the hell this whole greeting thing is if only Steve wasn't acting all lovey-dovey outside of it. He starts insisting on sitting next to Eddie and slinging his arm around his shoulders. He even starts whispering flirty stuff in his ear that makes Eddie turn bright red - he didn't know someone could do that to him.

And the kids are getting worse in the van, insisting that they each have their bet in the bag with it being any day now.

And Eddie knows they're all wrong.

Steve has just hit a rough patch and he's content with using Eddie until the next girl comes along.

Once again… that sounds really bad. But it has to be the only way that Eddie deserves this.

But maybe he should end it before things go too far.

With that in mind, Eddie goes to Steve’s house unprompted and without anyone else for once. He needs to make it clear that a new greeting is needed.

He gets there quickly and rushes to the front door before he can change his mind. He can do this. He can set a boundary.

But then Steve opens the door and his whole face lights up when he sees Eddie. “Finally. I was wondering when it would just be you, but I didn’t want to push it.”

Instead of dodging the kiss once he’s through the doorway, Eddie completely gives in to the way Steve desperately throws himself at him practically devouring him. And Eddie is a very weak man.

Every kiss breaks his will and he begins to wonder why he should say anything and instead just accept anything he can.

Then, Steve starts kissing his jaw and down his neck and Eddie freezes up. Whatever comes next, he definitely does not want it to mean nothing.

Luckily, Steve notices and pulls back. “You okay?” He asks looking him in the eye.

Eddie shakes his head. He’s not. God, he really likes him. But he can’t go any further or this will tear him apart.

“Hey,” Steve says gently. “Talk to me. What’s wrong?”

Eddie thuds his head against the door and feels so dumb when his eyes start to burn and his bottom lip starts to tremble. “Please don’t hate me when I tell you this.”

“I could never hate you, Eddie.”

Eddie laughs humorlessly. He’s going to flip out when he finds out. “I like you, Steve. As in, I have feelings for you.”

Steve waits a moment, brows furrowed, and Eddie is sure he’s going to kick him out. Instead, he asks, “But…?”

Why is he prompting him? “No but. That’s it,” Eddie states. Maybe Steve just heard him wrong?

“Okay?” Steve says as if it was the most obvious confession in the world. “And why would I hate you when you told me that?”

Eddie’s eyes widen. Does he not get it? “Because I like you! Like… romantically! And I can’t have you kissing me since it means nothing to you and everything to me!” His heart pounds in his chest as Steve takes in what he’s saying.

“Holy shit,” Steve says having the realization.

“Yeah, holy shit.” Eddie thuds his head back against the door again. Hopefully he’ll let him down easy.

“No, I mean holy shit holy shit,” Steve crowds into his space and cups Eddie’s face. “Did you not think I had feelings for you too? Hell, I thought we were like… dating by now.” Steve pulls away and runs a hand through his hair anxiously. “Holy shit,” he mutters in disbelief.

Eddie just stares. “You thought we were dating? Like… you have feelings for me?”

“I thought I made them clear after the second time I kissed you! Why would I make out with you if we were just friends?”

“I don’t know!” Eddie yells back and runs his hands over his face. He laughs. “Oh god, none of the kids will win the bet because we have no idea when we started dating.”

“There’s a bet going on?” Steve asks with a small smile. “What did El say?”

“That’s who I was hoping for! She said we would be dating two weeks from… Oh, that was two weeks ago exactly,” Eddie realizes with a big smile. Maybe she won fair and square after all.

“Want to make it official then since I somehow forgot to?” Steve asks with a big smile.

Eddie pretends to actually think about his answer before considering, “Maybe I should review all the bets first.”

“Eddie,” Steve says exasperated.

“I’m joking. I will be glad to be your boyfriend… if it means El wins the bet.”

“Eddie.”

Eddie can’t help but laugh at Steve’s irritation. He leans forward and easily kisses him. “You’re going to get tired of me so fast, boyfriend,” Eddie can’t help but tack on at the end.

“I’d like to see you try, boyfriend,” Steve replies before kissing him again.

From then on, their greetings only slightly change. In addition to the kiss, they always say some form of, “Hi, boyfriend.” The kids quickly get tired of it, but Steve and Eddie never do.

[peppermintquartz]

I'm feeling bitchily critical today so. Let's get critical.

Reasons why Season 8 of 911 (so far) sucks:

Bobby and Athena are aimless

They have no house. The logical development is for them to look for one, one for their future. That is theirs. Where are the house hunting woes? The disageeements and compromises? Are they ever going to have a chance to find a place they both love? Or build one, even?

Athena's job description is all over the place

She's giving school talks. She's conducting traffic stops. She's escorting a prisoner across state lines. She is mentoring new officers. She's a goddamn Sergeant but what is her job scope? Every single thing requiring the presence of police, apparently!

Hen and Karen have little direction for growth

The Mara adoption issue could have brought out more of their relationship, developed them in terms of relying on each other through a difficult time. The storyline with Ortiz could have really delved into the struggles of the foster care system, and how Hen and Karen broke rules designed to protect the kids. (Seriously, if a child is removed from a foster family, it's logical not allowing the foster parents to meet the child that was removed for the safety of the child). Where was the appeal to Ortiz as a mother? Where was the struggle? Where is the tension between the Wilsons and the Hans? Instead there was a Deux Ex Gerrard. And I am not even gonna start on the whole "why didn't you take leave for Halloween" shit, that stuff should have been settled when Denny was a baby. What are their next steps? Same old same old?

Gerrard is a joke

An established bigot and racist returns. He could have been a great way to show how the 118 has grown beyond him and his bullying. Instead they're cowed by him, and lets him yell at Buck? Whatever happened to the "who cares" courage in Season 7? And he gets the reward of his dream job?

Eddie is still not healed

He emotionally cheated on his girlfriend with his dead wife's doppelganger. Has he even processed what that actually means? No! His son moved to Texas. Has he coped with the loneliness in his house? Who knows? Certainly not the audience, since we don't see him go to therapy or, hell, have a full breakdown! He confides in people who aren't his friends, let alone his so-called best friend! Bobby gave him a prayer book but we don't even hear Eddie rage at a God who keeps putting devastation and challenges in his way. What wa the point of the prayer book then? He just danced in his underwear and somehow that made him smile and now he's moving across the country and, what, giving up on his home and his job? Is that really healing, Edmundo Díaz? Or are you just running from the problem again?

Chimney has no internal or external motivation

He was providing for Mara for a few months. Was he stressed about it? Did he think about seeking a promotion for a higher salary? Also, he is an immigrant. Does that influence how he teaches Jee? Has he and Maddie, white suburban raised Maddie, ever discussed the potential problems Jee might face? Or whether they wanna include some Korean culture in Jee's education, since they gave her a Korean name? Does he ever think about any of these issues? Is he at all conflicted? What does Chimney want?

Maddie

She was the one who wanted to meet Tommy. Has she done so outside of the wedding? What was her opinion of him? Is Maddie content to stay in Dispatch in the exact same position? Has she any career ambition? And about Jee: does she never think about the Korean part of Jee? Connecting to her own culture? Learning Korean, maybe? That would have been interesting because perhaps she wants her daughter to connect to that part of her roots but Chimney doesn't, for his own reasons. Also, if she wants to have a second kid, why didn't she discuss it with Chimney outright before the pregnancy? Was she not taking the pill? Were they careless again? What would she do if Chimney didn't want a second child? Abort? Given how the first pregnancy was traumatic for the whole family, including her brother, this development is showing her to be pretty self-centered, frankly. I don't know this Maddie. She's not the same one that gave Buck her Jeep to escape, knowing that she'll be hurt by an abusive husband.

Brad

Why is airtime devoted to a character that is barely connected to the 118? What is the reason behind giving him so much focus? Is he supposed to quit acting and become a firefighter or something? What is the rationale for his existence?

.

.

And I haven't even touched on Buck or Tommy.

[thejakeformerlyknownasprince]

one thing that I love about your eleutherophobia fics (among many many things) is that, despite being free of a Yeerk haunting his mind, Tom has now unwittingly replaced that with a reader listening to every thought and memory that he cares to share with us through the first person point of view. He’d be mortified if he ever broke the fourth wall ;)

thanks for your lovely writing and blog! definitely part of what’s keeping me going in these very weird times

Thank you! And yeah, I think a lot about the unique narration style in Animorphs, because I'm trying to imitate it. There's always an awareness that the characters are telling a story — the books open with the narrator going "I can't tell you my last name", and Marco especially will use imperatives like "don't tell anyone I said that." Clearly you is the reader, and each of the kids is meant to be aware that the reader is there.

There are some fascinating hints (handwaving Jake's line in #53) about who each narrator considers their audience. The Chronicles all state outright that each is an account of oneself (X) consciously crafted for one particular audience: Elfangor's talking to Tobias, Aldrea and Dak to Seerow Jr., Visser One to the Council (and Eva), and Toomin to Rachel. Ax says that he's narrating for his fellow andalites, so that they can better understand Earth (#8). Jake implies he's narrating for his great-grandkids: "I'll need to buy a footlocker" (#31). Tobias at one point implies he's talking to his imagined therapist (#23), but I also think you could argue that he's talking to the Ellimist (#13) or his dad (#33).

The others are a little trickier. Cassie seems to have Jake's same educational bent, but I'd argue she's trying to teach about the biology rather than the ethics of the war. Marco is probably talking to a kid his own age who thinks they're reading a sci fi novel. He's defensive ("call me Mr. Ruthless" as he feels empathy for baby seals), he's misdirecting ("now you know how I got a blowhole" instead of clarifying his role in the war), and he's desperate to impress ("I'm slightly not tall"). But he also references the reader "vegging out" and "watching TV." Rachel? I'd argue Rachel is talking to her own adult self. She doesn't care what others think of her, but she cares a lot about living with herself. She's trying to define who she is and who she wants to be, more than anyone else on the team.

[isalisewrites]

A Deep Dive into JKR's Terrible, Amateur Writing - Part One

Welcome to my new series, where I will prove to you, dear reader, that J.K. Rowling, author of the Harry Potter series and resident Twitter TERF, is actually a very, very poor writer.

And when I say 'poor writer,' I'm talking about her prose, her sentence structure, and her scenes. I am not going to discuss anything about the HP world nor the plots of the books.

This is all about the nitty gritty in the craft of writing itself.

Disclaimer for all readers: I'm going to sound very confident in my posts. I'm going to be working under the assumption that I'm a better writer than JKR. Because I am. My apologies if this rubs you the wrong way. You're just witnessing two and half decades of experience with the intensity from a neurodivergent who is hyperfocused on her special interest. I didn't just learn how to create stories; I learned the craft of writing to a minutia of details.

After years of being beaten down by others, I will no longer tolerate that.

I will be using my writing to compare with hers to make some of my points. Some of what I say in these posts could be considered stylistic choices. However, in my humble opinion, most of this is a difference of skill, which can be learned. Yes, everything I'm going to teach and cover in this series can be learned. There's no 'talent' here. You can learn how to become a better writer right here and now. You only have to understand the craft of writing and sentence structure to better improve your prose and scenes.

I don't have fame and money.

I don't need them to teach you how to write better than JKR.

You're free to disagree with my stances about this and about everything I cover, of course. But if you're a writer, you might gain some insight from this post and I sincerely hope you are enriched by my efforts in this. I spent quite a few hours on this post. Helping others become a better writer than JKR is one of the greatest contributions I can give to society.

Thus, take what resonates and leave what doesn't.

I have stated before: JKR's writing is bloated in the wrong places, underwritten in others, and the prose is poor. These problems show up in all of her HP books.

Buckle up, my writing friends. Grab a snack. Hydrate. Let's begin.

Class is in session.

In this post, we're going to dissect a page from HP4.

There's so much wrong with this page and the three pages of this scene overall. So much to go over. Bullet points I'll cover from this page:

Disconnected Dialogue Lines

The Great Sin of Adverbs

Too much fucking dialogue!

Wrong focus altogether in this scene

Out of POV writing

First point. This is a huge ongoing issue I see in all of the HP books. There are a lot of disconnected dialogue lines, which become confusing over time. This could be an issue of the publisher, but it's still a problem. In the middle of this page, we have:

Sirius hesitated. "I've been hearing some very strange things," he said slowly.

Wait, wait, wait. Who said this? Listen, I know. I know it's Sirius. However, this is an improper placement on the page and can become confusing because Harry also goes by he/him pronouns and he's also in this scene. While the dialogue here suggests Sirius is talking, it could easily be misinterpreted if there were other characters or if he said something that Harry could've just as easily said.

To make this dialogue more clear for the reader, it should go as follows:

Sirius hesitated. "I've been hearing some very strange things," he said slowly.

Second point. JKR is an adverb sinner, a criminal. Jail. "Do not pass go; do not collect $200." Arrest her for these blatant crimes, please, for the love of god.

Look, I love adverbs. They're great. Don't fucking listen to anyone who outright demonizes them (including your huffy, uppity literature professors). Adverbs are the seasonings of writing. You season your food; you also need to season your writing when the case asks for it.

However...

Adverbs should always be used sparingly when connected to dialogue tags. The setting in this scene is: Harry is in the Gryffindor Common Room at night crouched in front of the fireplace where Sirius is in the fire in a floo call. I read through the whole scene, though I've only shown one page here.

Harry says a line of dialogue 'slowly' three times and Sirius says a line of dialogue 'slowly' two times.

The same adverb 'slowly' is used FIVE FUCKING TIMES IN THREE PAGES.

I want to scream, not gonna lie here. Set this adverb on fire!

What does this adverb do for us in this conversation? What is so important that we have to be told that five lines of dialogue were said slowly? What do they contribute? Spoiler alert: nothing. What are their facial expressions? Harry is 14. He's exhausted since it's well after 1am or so and he's burdened with the new knowledge of dragons for the first task. He's kneeling in front of a very hot fireplace. There's fire fumes and smoke, potentially. Is he fidgeting? Is he yawning? Rubbing his eyes? Bouncing a leg? Is he picking at the carpet or rug?

Harry is a tired, burdened child.

Show me this!

Now I'm not saying that you can't use adverbs in your dialogue tags. There's a huge difference between "he said softly" and "he whispered." It's about balancing the moment when an adverb says just enough versus an adverb replacing well needed scene enrichment. Let's compare this with a section from my HP time travel fanfiction, Terrible, But Great, Chapter Thirty.

Dumbledore nodded at Monty, pocketing his wand. “Mr. Potter.” “Lo, Professor,” said Monty, pout gone, but still a watchful light in his gaze. “Is there a problem?” asked Dumbledore in a mild tone. Ice slipped in between Tom’s ribs, piercing his flesh. Monty tilted his head. “No, sir.” Oh, but Tom knew better. He could see through that innocent facade. The man could’ve been a Slytherin for how much he was cataloguing every little detail, from Tom’s appearance, to the content of the selected books, and to the supplies of ink, quill, and parchment scattered on the surface of the table. Tom masked the raw, whirling feelings in his chest with a well practiced blank, emotionless expression. He willed himself to hide.  “Nothing at all, sir,” said Tom lightly. “Young Mr. Potter was regaling me about his friendship with Miss Malfoy.” Monty glanced at Tom, brows furrowing. Those blue eyes were piercing, filled with suspicion. “Was he now?” Dumbledore said; though his tone was still without direct accusation, Tom could hear the hint of it. “Then, may I ask, why a silencing charm was necessary for such a benign conversation?” Tom wet his lips. His throat was dry. “I thought it wise to avoid disturbing others in the library.” “I am awfully loud,” said Monty with a sage nod. “Ah. A noble intent. However, it is not an appropriate use of magic in the library,” said Dumbledore, his gaze firm as it bore down on Tom. “Ten points from Slytherin. I think it’d be wise to take your studies to your common room, Mr. Riddle.” “Yes, sir,” whispered Tom.

I only used "said Tom lightly" once in this section to show Tom attempting to be unaffected by Dumbledore's interference. I did not dialogue dump information in giant chunks. I did utilized actions tags versus adverbs, like Monty tilting his head or Tom licking his lips. I suspect that if JKR had written this scene, she'd have used lines like:

"No, sir," said Monty curiously.

or

"I thought it wise to avoid disturbing others in the library," said Tom nervously.

The adverbs that JKR's uses add nothing to her scenes. They're just thrown into them without a thought. Did she even reread this scene after she wrote it? I cringe in agony if I use an uncommon word more than three or four times in an entire 4,000 to 7,000 word chapter, let alone the same adverb five times in three pages. Good grief.

There are two other adverbs used in this page, hastily and bitterly. Hastily does nothing for the scene and is connected to another issue, but I'll go over that in the end. However, bitterly is one of the adverbs I'd keep. It gives us a glimpse into Harry's feelings here. We need more of this, but we got nothing.

Thus, the overuse of adverbs in JKR's dialogue detracts and steals so much from the scene.

Third point: there's too much dialogue and no description whatsoever. Again, the adverbs are a pathetic attempt to give us something, but they're thrown in there without a damn forethought. We're missing the crackle of the fire and the smell of it. We're missing Sirius' facial expressions. We're missing Harry moving around on the floor, fidgeting, yawning, rubbing his eyes, feeling the heat of the fire, bouncing his legs, picking at the rug, something, anything, etc.

The dialogue is bloated with a terribly boring conversation. It's just endless dialogue with nothing else. No, it's awful. Welcome to the fourth bullet point. This scene focuses on the entirely wrong point. This scene is 100% a plot device and it's terribly done as well. It's three pages about Karkaroff being a Death Eater--oh no he might be trying to kill you, Harry, aaaaaa--and something about Bertha Jorkins being near Voldemort's last location. Meh. Who cares. Somebody has been trying to kill Harry in every book thus far. This isn't a new development, sweetie.

We been done know this, okay? Come on.

This is a stilted, unnatural conversation between Harry and Sirius. It's not realistic. It's not normal. Telling Harry about the Karkaroff's past is boring and does nothing for him. One line, maybe two, for Sirius to say, "Hey, keep an eye out for Karkaroff. He's an old Death Eater." Done. End of Karkaroff information. And cut Bertha Jorkins out altogether. I'm sorry, but why the hell are we talking about a dead woman to a 14 year old kid whose biggest problem at the moment is dealing with a jealous friend, school ostracization, and a giant fire breathing lizard???

These points are important to the plot, but they're not important to Harry.

The plot isn't important. No, it's not.

Harry is the POV character.

Harry is the single most important aspect in every scene and should be treated as such.

The plot should weave around Harry, slowly revealing itself to both Harry and the reader. Harry should not be the weaver of the plot. He should not be used in plot devices.

Do you know what part of the conversation was summarized in the prose between Harry and Sirius in a single paragraph versus the three pages about Karkaroff?

Harry talking about how no one believes him about not putting his name in the Goblet of Fire. About the school hating him. About Ron, about his betrayal and his jealousy. About Rita Skeeter. About seeing the dragons as the first task. These are all important to Harry. These all are causing pain to Harry's heart right now. Somebody give this child a hug, please.

We missed out on exploring Harry's feelings here. The author skips the MOST important part of the conversation, what could've been a deeply emotional, either positive or negative, conversation between Harry and Sirius.

Oh, this scene could've been so good. It could've been amazing. There are so many paths that could've been explored here, too.

We could've had a callous Sirius, who doesn't notice Harry's state of being, and just goes on and on about nothing of importance where Harry clams up. Or we've could've had a comforting Sirius, who attempts to give Harry some actual advice about his friendship with Ron. We could've seen Harry opening up in his body language, connecting with this parental figure in his life. We could've heard a story of Sirius' time as a kid at school with Harry's father and the marauders.

We were robbed of an important moment between Harry and Sirius.

Instead, the author puts the focus on the red herring 'foreshadowing' of Karkaroff. What a waste. She's trying to put suspicion on him, rather than Moody/Barty Crouch Jr., the real Death Eater in disguise. Again, who cares. It's not about them. It's about Harry and how his experiences are affecting him. It's about how he reacts to them.

This scene is a waste of time and paper. It's empty of emotion and movement/flow. It's just there for a set up and it's glaringly obvious during a second read of the book.

When I say, "The writing is bloated and underwritten at the same time." this is what I mean. We're focusing on the wrong things here.

Fifth point. JKR breaks the POV character with the following line:

"--and reading between the lines of that Skeeter woman's article last month, Moody was attacked the night before he started at Hogwarts. Yes, I know she says it was another false alarm," Sirius said hastily, seeing Harry about to speak, "but...

Harry is the POV character. Sirius 'seeing Harry about to speak' should NOT be occurring in the prose whatsoever. To fix this with the bare minimum of effort for this poorly written dialogue line:

"--and reading between the lines of that Skeeter woman's article last month, Moody was attacked the night before he started at Hogwarts--" Harry opened his mouth to interject, but Sirius said hastily, "Yes, I know she says it was another false alarm, but..."

I wouldn't write these lines like this, by the way. I just don't want to rewrite this. It's a poor paragraph overall, but this is an example of returning the POV back to Harry. Sirius isn't 'seeing' anything anymore. Harry is doing an action and Sirius reacts to his action.

Breaking POV is a rule that can be occasionally broken, but should be done so with intent and purpose. I'm pretty confident when I say that JKR probably had no idea that this was a mistake on her part in the prose.

All right then.

We have come to an end of Part One in this series. We have dissected a single page and a single scene in JKR's Harry Potter and the Goblet of Fire. The page in question is 333 should you wish to look it up and study the scene yourself.

More to follow because I have lots of pages to go over. This will definitely be series, ah dear.

And so, please do the world the greatest of favors and write better than J.K. Rowling. I promise, it's not that hard once you see the differences.

Until next time.

Isa

[4-the-l0ve-0f-art]

I might or might not be thinking about the LADS love interests 24/7 so here are some of my random thoughts/notes on their personalities and relationship with the MC (not spoiler free):

I've seen a lot of people across platforms comparing zayne and sylus and stating they seem very similar even though that's not true at all.

On the surface, both of them do seem reserved and cold, but when you really analyze their characters and play through various stories it's evident that they're quite different. Even on the surface, Zayne, whether considered cold by his colleagues and interns or not, is popular and respected for both his research work and extra care towards his patients. Sylus, on the other hand, is feared and envied due to his power and control over the N-109 zone. He's known to be merciless and difficult to work with.

In terms of how they are with MC, both of them joke around with her and show their love in their own ways, just like the rest of the LIs. Zayne tries to make her laugh with his dry humor and shows his affection for her by being extra careful about her health and daily schedule outside of their doctor-patient relationship, but in a more "boyfriend" way like reminding her to sleep and eat on time (which MC does for him too) and offering to cook delicious yet nutritional meals to eat together. He also tells her he loves her through his words but in a more subtle/indirect way rather than outright stating it; saying "The moon is beautiful tonight, isn't it?" on multiple occasions like the Abyssal Chaos special ending for him and some chats and event dialogues. He also likes to make time for her whenever he can, especially on the weekends, like the implied pottery workshop date from his affinity card. They're also physically intimate with each other like MC casually sitting on his lap in the heartbreaker rythm event, or Zayne patting her head on multiple occasions. In short, his preferred love language most of the time is acts of service, quality time, and physical touch.

Meanwhile, Sylus is playful and challenging towards the MC. He's bold and straightforward with his words; "I adore you." from an audio story or "I'm never annoyed when we do things together." from a claw machine voiceline. He also likes to buy things for her, like the gun he gifted her, custom clothes like a dress he mentions on his homepage voiceline at night (and the outfit you see MC wearing in his main storyline auction), a limited time plushie from a voicecall that the MC really wanted but couldn't get. He also gives MC access to the resources he accumulated over the years as the boss of Onychinus. His safe houses, armouries, and the base itself in the N-109 zone. Grand gestures like setting up fireworks outside her workplace as she clocks out and dinner date somewhere private for their anniversary is also something he does.We also know from his midnight secrets that they like to cuddle while sleeping or he likes to hold her hand or have a hand around her waist (from the main storyline chapters). In short, his preferred love language is words of affirmation, buying gifts, and physical touch most of the time.

Something random about Zayne and Sylus:

Zayne and MC like to write love letters and notes to each other (from the heartbreaker text you get after 3 starring the final bounty, I'm pretty sure.) Zayne also leaves some of his clothes at MC's place at times (a tie from an audio story). He also keeps mementos or items that remind him of MC in his hospital office (like a cup they made together in pottery class or the notes/letters MC writes for him.)

Sylus likes to show off when MC wins something at the claw machine (we know this from his voiceline about announcing it to the N-109 zone but we don't know if he actually does it) or gets a rare meow badge (from a moment post). He also has set of clothes ready for MC at his base and mansion (from an audio story). Sylus also likes to take MC on rides on his bike (I can't recall the source for this :sadface:). They also exchange music recommendations with each other.

Some of my notes on Xavier's personality and relationship with the MC:

Xavier and MC go on spontaneous food dates whenever both of them are free and hungry. They also read books together on a routinely basis (we know this from his birthday event) and also go on study dates sometimes to the library (this is from an audio story where MC was studying for her Hunter's exam in the library and Xavier was doing his own thing beside her)

Aside from how Xavier is with the MC, he doesn't seem to interact with people much and only keeps in touch with Jeremiah and some bookstore owner who he's friends with and spends most of his time either sleeping, fighting wanderers, or with MC. This is probably because he has had to change his identity alot while staying on Earth since he doesn't age.

Xavier isn't necessarily interested in botany but has a lot of plants in his apartment which also attracts birds of all kinds. The plants also seem to be thriving even though he doesn't go above and beyond to take care of them (I don't remember where this is from.) The reason he has alot of plants in his apartment though is because it was originally Jeremiah's apartment (from one of his anecdotes).

Xavier and MC like to people-watch together from their balconies. Xavier likes to text her when he sees something interesting (like the text about a cat outside their apartment or him spotting MC doing something). They also have a specific chat where they decide to people-watch together from their balconies though I can't remember the rest.

Xavier is an avid reader and has been following certain book series since their release (from an audio story where MC runs into him at a bookstore). He also lets MC borrow books from him (from a claw machine voiceline).

Some of my notes on Rafayel's personality and relationship with the MC:

Rafayel likes to spend time with MC and keep her around under the excuse of her being his bodyguard. Sending her on errands like buying art supplies for him and attending exhibitions and PR events with her (mentioned in multiple chats and moments). Thomas also likes to make use of this by having MC check on his painting progress occasionally and keep an eye/spy on him when he looks like he's going to do something suspicious (from an audio story where MC tails Rafayel on Thomas's request).

Rafeyel and MC go on beach dates and walks together often (This is from multiple texts, moments and stories). They also collect seashells for each other. I personally really love the whole ocean theme/symbolism Rafayel's character revolves around due to his Lemurian origin and connection with the sea. His love for his culture and his connection with anything sea related comes out in so many things related to him, from the location of his studio at Whitesand Bay to all the fish related jokes and comparisons he makes. His artwork from what we have seen in the chapter 1 end and the memory where he teaches MC how to paint also uses shades of blue commonly. (I think I like him so much because I love art myself LMAO)

Rafayel can cook seafood really well. Him and MC cook together sometimes and go on seafood dates (we know this from some of his audio stories and midnight secrets).

Rafayel and MC go diving into the deep sea together. Rafayel even showed her a whale whistle from his childhood that he kept in a Lemurian ruin (from an audio story where MC wanted to find a whale).

Rafayel does makeup really well and also has a certain knack for perfumes. He was invited to a perfume exhibition with MC in an audio story and did her makeup for her in another.

Aside from visual arts, Rafayel is a man of many talents. He can sculpt (from an audio story where he restored old sculptures), can sing and play many instruments, speaks multiple languages, has performed in Operas before, has good photography skills, and is well-versed in history and tradtions of many different cultures.

Rafayel and MC go to concerts and other performance dates together. He even keeps himself updated on MC's interests like live events of an artist she likes or following game updates of a game she plays (this is from their chats about concerts and game updates).

From what we have seen in world underneath stories or his anecdotes, Rafayel is cold towards people aside from MC and keeps everyone at a distance. His personality with MC is very open and carefree compared to people who approach him on their own like reporters or other lore related characters like bounty hunters from Ever group. He also seemed to be travelling to many places alone before he met MC in the main storyline and had Opera or other performances under a hidden identity.

All the LIs have killed someone for some reason or the other according to their lore.

Sylus' kills are the most obvious due to the nature of his work and him quite literally being a wanted criminal. From his first interaction with the MC in the main storyline to his anecdotes about raiding planets, we don't even have to expand on this.

Xavier and Rafayel have both killed people in their anecdotes right before the main storyline takes place, either to protect themselves or MC. Xavier was killing people from his home planet who were after him and Rafayel killed a bounty hunter. Interestingly so, both of them have huge bounties on their heads (Xavier's Lumiere identity has a bounty on it that we see put up in The Nest in one of the chapters). Rafayel, on the other hand, had an anecdote where he kills a bounty hunter from Ever who was after him. Another interesting thing is that Rafayel, Xavier, and Sylus all three seem to be connected to The Nest in some way or the other. Rafayel was at the Nest with MC in the main storyline, Xavier went there to gather information, and I'm not sure how Sylus might be related but I have a suspicion that he is LOL

Zayne's kills are the least obvious. Zayne, from what we know, hasn't killed anyone on purpose in the main timeline so far aside from his colleague William who turned into a wanderer at Mount Eternal. All of his kills have been in a different timeline even in his Anecdotes. Dawnbreaker does mercy killings in his world and the Foreseer has been implied to have killed the people who entered his tower.

This got surprisingly long LMAO

I might make a myth version on a seperate post for their individual myths once I play through them. And I'll probably be adding more onto this post if I have any other things I want to note down

Aside from that this is all basically just word vomit about the shit I think about related to them 😔

[serial-unaliver]

dumb question but how does one help someone with psychosis? Like I know you said that telling someone "it's not real, it won't hurt you" type of talking wouldn't help. So what would? /gen

treat the delusion "neutrally" - don't outright deny it exists or accept it exists. ask the person things like "how did you conclude that?" or "have you found evidence?" etc. to gain insight on what they're afraid of. in the context of the delusion, make the situation less scary by using logic you'd lose if you believed what the other person was. ask things such as "if we do X or cover Y would we be safer?" ultimately gain as much insight on the person's fears as you can without appearing untrustworthy or hostile by denying everything.I was doing badly yesterday and today I see texts I send my stepdad asking him to check the news for alerts that didn't exist. he 'checked' and confirmed there weren't any and this calmed me down a little. also if you can, lead the person to an environment where they're less likely to cause harm and where they can be calmer. usually my parents have me go in my room with the shades rolled down. we also have some cameras outside and I can see the footage. also it's good for other trusted friends or family members to know in case you aren't available. sometimes a neighbor will check on me if i'm home alone. I don't know how much this helps but it's just what my family learned to do...and it's better for loved ones to help than institutionalization or law enforcement involvement (has happened to me before, extremely traumatizing).

ultimately this is not a fun situation for anyone to be in and every person is different. but one important thing to remember is that it's possible for someone in a psychotic state to view others with suspicion and if you're targeted as part of a delusion the person doesn't *actually* hate you, they are just not experiencing the world around them as "normal".