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gizmosisbuttons · 7 years ago

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Episode 4 was a fandom wide callout post.

all you fools too busy being pissed bc Coran went all show crazy and basically re-characterized the paladins to what the masses found entertaining, to notice that the entire episode was literally a fandom wide call out post. they literally called us out guys.

lets go over the list of things Coran said/did in ep 4 and compare them shall we?

let me preface this by saying he literally wasn't himself and i still love him just as much as before, my gorgeous man.

”I worked up very specific personas for each of you. This is going to help the audience connect on a much deeper level with each team member.”

as if they didn't already have defining personalities that make them very likable and awesome? sounds familiar right? its one thing to speculate and theorize based on what we know about a character especially if we don’t know a lot about said character. the writers put a lot of time and effort into developing these characters and even said during an interview once that one of the things that bugged them about og Voltron was that the only properly developed character was Keith. the other guys didn't get a chance to be loved. and that was what they aimed to do, to give every paladin and character the chance to be loved. since the beginning the fandom has been bad at this. taking one teeny trait from each character and twisting them so that the only thing that matters is that trait.

“lover-boy lance”

throughout the series lance is known to flirt with...pretty much every cute alien girl. of course. hes handsome, charming, girls love him. Coran wipes away all of the actually relatable things about his personality in favor of this charming flirt who would win over girls. Lance is insecure, he’s witty, he is the freaking sharpshooter, the teams sniper and their glue. he’s voltrons right hand now for a reason. he got into the garrison which is a military space exploration base, not just anyone gets in. hes incredibly intelligent and a great pilot. amazing really. bc simulations are always absolutely terrible and rarely help. oh yea, and hes charming.but god forbid anyone forget that hes a flirt. who cares about the other stuff that will actually help the audience connect with him.

“science wiz pidge”

its no secret that pidge is incredibly intelligent. she is one of the characters who haven't gotten their developing points until this season. in one of the first flashbacks we learned she nearly gave up studying because some kid decided to be a dick and bully her. Matt pulled her out of it and encouraged her to work hard. later on in ep 4 coran says that her science doesn't need to be factually correct because noone will understand her either way. he undermined her intelligence because . well. noone cares what she says as long as it sounds smart. fanfic writers do this a lot. like. a lot. i understand that you may not have the same knowledge that the girl who hacked herself into a military school base undercover at he age of 14-15 (if the theory that the garrison is a high school program is correct) because she had gotten banned for sneaking in and hacking into the computer system, but if you really do insist on focusing her on her smarts, do some research. no to mention. pidge may be the youngest, but she really is more than science and calculations. shes intelligent yes, but she can hold her own in battle (at the age range of 15-17 with no prior battle training), shes afraid of the possible reality that all her efforts are wasted and Matt and Sam are dead, she is actually pretty social with the paladins (she can even be seen hanging out in the kitchen while hunk makes glass cookies.) and beyond her intelligence, shes wise. shes not just random science facts, she knows how to hold her own in situations outside of battle and books. shes street smart.

“lone wolf keith”

now i know this was said to allura, and ill get to that. but if the keith vlog showed us anything, its that hes not just a moody loner teenager. i am very guilty of this myself. i portray keith as a human disaster. we don’t know hen he was left alone, we don’t really know much of his story. i head canon that his dad left him to fend for himself but every month woul drop off food or money or something. i head canon hes terrible about taking care of his body. but at least i don’t call him moody and move on. i give him a background to fill in the blank space, but sometimes i forget and focus too much on his folded arms and pouty face. he smiles. he laughs. hes an actual precious bean. but hes also afraid of being pushed away. hes guarded and does his best to be strong. he hides his feelings and protects his heart with everything he has. (geez boi who hurt you). he is not the human embodiment of “teenagers” by mcr. aka he has feelings too. not to mention he also got into the garrison, and was the top pilot regardless of how he got in, if it happened to be by recommendation like most people think.

“humourous hunk”

as a hunk stan this one annoys me the most. throughout the episode hunk is consistently embarrassed, and even protests the fart noises, fart jokes, etc. he is purposely tripped for laughs. the fandom forgets that hes not just the fat funny guy, or just the personal chef. hes overcome so much since babies first lion flight, he used to get sick, constantly had to be the voice of reason to keep his teammates out of trouble, he is just as intelligent as pidge and is actually one of the only people that can keep up with her science stuff. keith and lance even stated that they didnt understand anything they'd said. hes a fantastic engineer even if he had a few tummy mishaps. hes an amazing pilot too, and extremely sassy. he and pidge probably rigged the game console to work in space, And hes pretty friendly and cautious. he is NOT meant to be the comic relief. (say it louder for people in the back)

“shiro the hero”

a lot of the fandom has taken to calling shiro daddy, sexualizing him (”now put on this tight shirt”) and focusing on shiro and only shiro (shiros the “favorite character” of corans little show). hes great. he really is. and the man needs a break. voltron is a kids show. he isnt meant to be sexualized, none of them are. hes more than his arms and his leadership abilities. the biggest issue i have with the whole shiro thing. regardless of if hes a clone, when shiro returned he cut his hair differently, and wore short sleeves. everyone i know, including me, said they'd be fine with the clone if he had kept his hair long and “as much as i love the arm view” and didnt change his outfit. its a kid show. his body shouldn't matter.i am also guilty of this, and ep 4 opened my eyes to it. coran lifted shiros arm as if to prove that thats what the audience really wanted. he treats shiro differently bc hes the real star here and everyone should know it. ofc, hes the black paladin. (i wonder where the whole “the black paladin is the only one who really matters here” mindset came from. looking @ u ‘84). shiros may have ptsd, and hes constantly trying to hold himself together for his team, and its obviously not easy. maybe thats why hes got a cute white floof. the stress.

alluras erasure

another point that always bugged me. the fandom either forgets allura exists, or that she is just stealing lances place temporarily. Allura is the blue paladin. while keith is gone, she is not filling in. shes a paladin now too. for coran to call her keith, and constantly call her keith, even though she obviously has a few choice words to say about it, its distrespectful. she says his plan is working and he replies with “why thank you keith...i like to keep you in character” once again, erasing her existence. now im not as well versed in this particular topic, but id like you to keep in mind that he talks to his princess with that mouth, and that she IS the princess and not a fill in while keith leads. feel free to elaborate on this more.

coran “fires “ team voltron.

this. i find extremely entertaining. remember that legal trouble last year bc of the leaks? and right around that time the klance shipper started threatening them if they didn't make it gayer and put keith and lance together? the fandom, who wanted all of this to happen their way, were threatening to get it cancelled and such just because things didnt go their way. shiro, the leader, disagreed with coran and tries to shut him down. and coran in fit of rage says:

you're a bunch of quitters! quitters! i’m a visionary! i have thoughts, ideas, i dont need you anyway. ill rewrite the show, get rid of the whole lot of you, replace you with new paladins! and the show will be better than ever before!...except for you shiro, ill never get rid of you, you're our most popular character!

this is essentially what the fandom was saying. now, was this definitely their plan, to call us out with this bit, in not sure, but honestly, its almost too coincidental.

the writers have made it clear that they heard us, and have always been listening. and really, thats why i love ep4. you're angry because you know you got called out but haven't admitted it to yourself. the writers do their best to bring us the best show possible, but they cant satisfy everyone. why cant we just be happy about Actual Meme (tm) Matt, and look forward to season five instead of fighting them because we got our shit handed right back to us. weve gotten a taste of our own medicine, so chill. i enjoy them keeping us on our toes, surprising us with every turn, theyre great writers.who cares if one or two things pissed you off? we both know youre not gonna stop watching.

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namitaylor99 · 5 years ago

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Project Proposal and Research

12/5/20

Idea: Comfort food/human’s conciseness/ figural and its significance in photography

Comfort food, providing a consolation or a feeling of well-being. Everybody has their own sweet and savoury craving, wether its after a long day, a midnight snack or a Sunday morning brunch, we all have one. This personal series will undergo individuals close to me including family and friends, capturing their personality and of course their most desired comfort food. Each image will have its own uniqueness reflecting the person’s characteristics. Constructing an aesthetic series using complimentary colours and artificial lighting to capture theatrical scenes, will tie in each image all possessing the same quality and idea of an individuals own comfort food. I believe this concept connects very nicely to project three, as I will be undergoing this notion of the figural. Figural being a form of significance which relies on imagery and association, capturing symbolic meaning in ones person life. Inspired by Anne Hardy and Henry Hargreaves, and their ability to capture empty spaces and aesthetic foods, still possessing this notion of the lack of human body except its clear that their soul and presence still remain in the image. This feeling of emotion is what I would like to portray and capture in my series.

Journal Articles

The Chicago School of Media Theory: Figurative/Figural

Theorist Micheal Fried, explores the relationship between the figure and literal within the modern art world.

Fried’s understanding of the modern age, views art as literalist and minimalist, suggesting that the whole work “they are what they are nothing more” than shapes, colour and form.

Literal can be seen and used as a metaphor

The introducing of anthropomorphism can be only depended on literalist art once a person seeks a hidden meaning.

Anthropomorphism can be seen as a symbol seen from a singles of a shape.

Literalist art proclaims its object hood

Referring back to literal and the figure, Fried suggest that literalist art is almost seen as non-art because it rejects the representation of art that calls the attention to in the term figure.

The status of an object within Literalist works are further emphasised between the relationship of the view to the artwork in space.

Fried draw attentions around the dichotomy betwen the liter and the furfural and figurative, as he further implies the way in which these dichotomy dissipated within the modern art movement.

Identifying the figure and the literal, yes photography can be seen very literal as we capture something that is clearly identified by all. However once the audience starts to connect the dots (anthropomorphism) thats when the image itself creates it’s own meaning and symbolism.

https://lucian.uchicago.edu/blogs/mediatheory/keywords/figurativefigural/

Comfort Food: Nourishing Our Collective Stomachs and Our Collective Minds by Jordan D. Troisi1 and Julian W. C. Wright1

Food is a powerful motivator in human functioning—it serves a biological need, as emotional support, and as a cultural symbol.

Comfort food in the media is seem as unhealthy, often consumed in moments of stress or sadness

But for anyone who has a love of food and of eating, it will come as no surprise that food also has emotional, cultural, and symbolic mean- ing as well.

Food satisfies our collective minds

Comfort food serve as a memory based link to close others and that those with secure attachment styles would have favorable associations with foods associated with other people.

This article provides information on how society identifies comfort as it can be seen through two perspective, as stress eating (unhealthy food) causing anxiety and is something tradi- tional, cultural, regional, familial, or otherwise imbued with meaning

Eating is the perfect social psychological variable, because it is connected to almost every social variable or process you can think of! (Herman, as cited in Baumeister & Bushman, 2014, p. xxi)

Given the need for humans to consume food in order to maintain numerous homeostatic processes, such topics also seem relevant for courses in biopsychology. Furthermore, there is clear evidence that stressful experiences have numerous bio- logical implications.

This article provides insight on what comfort can really represent for ones individual - it’s a guilty pleasure meal that is close to their hearts. It can be something that endure and crave if feeling overwhelmed or stress which is why some may seem to be fatty and fills with sugar and oil however comfort food isn’t always seen as that. It possess cultural aspects and symbolises their homes - when feeling home sick.

https://journals-sagepub-com.ezproxy2.library.usyd.edu.au/doi/pdf/10.1177/0098628316679972

Artists of Inspiration

Through my online journal I have briefly discussed Anne Hardy and Henry Hargreaves, both strongly influencing me for my idea for project three. I have also done research of artist Jeff Wall. I will be elaborating further below on what aspect of these artists works have influenced me and how I will use this to create a capture my own innovative series.

Anne Hardy

Hardy’s work transforms sculpture into photographic ‘paintings’. Though her scenes are built in actuality, their compositions are developed to be viewed from one vantage point only and it’s only their 2 dimensional images that are shown. Hardy uses the devices inherent within photography to heighten her work’s painterly illusion. In Cipher, aspects such as the hazy aura around the fluorescent lights, faux grotto walls, and the spatial defiance of the hanging ropes, give allusion to gesture and drawn lines.

‘Cipher’ 2007

Henry Hargreaves

Photographer Henry Hargreaves and installation artist Nicole Heffron have spent the past year imaging how famous directors might celebrate their birthdays in order to recreate the scenes for a unique photo series. Pictured: The bloodied samurai sword suggests that this cake was intended for Kill Bill director Quentin Tarantino

The image of the staircase on this birthday cake suggests that this birthday cake was intended for the Vertigo director Alfred Hitchcock

The bear-shaped cake here is an instant giveaway that this is the birthday cake of Ted director Seth Macfarlane

The glass of milk in this set up is a subtle suggestion that this sterile birthday is that of the Clockwork Orange director Stanley Kubrick

The scene at Martin Scorsese's knees-up has elements of New York's Little Italy as well as the gambling and cigars of Casino and his first hit Mean Streets

John Waters' identity is given away by his Pink Flamingos cake, a reference to the title of the 1972 movie starring drag queen Divine

What I love the most of Hargreaves food images is how he can create these bloody to half eaten food scenes look so pleasing to the eye even when it should make you feel a little gross out. Food photography I feel is very difficult to capture and the same goes in films. It’s so easy for people to be gross out by them especially when their hands and mouths involved, however Hargreaves manages to create these aesthetic food series, almost making me hungry and wanting to eat those cakes. Hargreaves has inspired in the past with previous food photographs, and he still manages to continue to inspire me now. His work is so intriguing and the use of colour and composition overall ties in the image very nicely. However, instead of capturing celebrities and prisoners on death row, for my own work I want it to be personal. Using the pope around me such as family and friends and capture what their own comfort food is their favourite and what it means to them. Is it a stress comfort food or is something that reminds them of home, child hood or a distant memory. Even for myself and capturing my own comfort food and exploring why I have chosen that specific meal. I believe exploring on this idea of food and the figural, it will ultimately challenge me, and let me undergo such research and even an experience of capturing something more than just a photograph of food but the human soul behind that.

Jeff Wall

I begin by not photographing.

—Jeff Wall

This quote really speaks to me on what art really means to myself. I believe their is so much more than just taking a photo. Behind the scenes artists have to create this ideal image before capturing the photo itself. I love constructing and forming this perfect composition in my mind and capturing it with a camera allows that form to last forever however just creating art itself bringing forth this new world of what photography can really say.

Jeff Wall’s work synthesizes the essentials of photography with elements from other art forms—including painting, cinema, and literature—in a complex mode that he calls “cinematography.” His pictures range from classical reportage to elaborate constructions and montages, usually produced at the larger scale traditionally identified with painting

Some of Wall’s early pictures evoke the history of image making by overtly referring to other artworks: The Destroyed Room (1978) explores themes of violence and eroticism inspired by Eugène Delacroix’s monumental painting The Death of Sardanapalus (1827), while Picture for Women (1979) recalls Édouard Manet’s A Bar at the Folies-Bergère (1882) and brings the implications of that famous painting into the context of the cultural politics of the late 1970s. These two pictures are models of a thread in Wall’s work that the artist calls “blatant artifice”: pictures that foreground the theatricality of both their subject and their production. Dead Troops Talk (1991–92), a large image depicting a hallucinatory moment from the Soviet war in Afghanistan, is a central example, and was one of the first works to employ digital-imaging technology, which has since transformed the landscape of photography. Wall was a pioneer in exploring this dimension and remains at the forefront of its development.

Doing research on Wall and his work, it’s clear he really wants to capture these somewhat candid images however, behind these image unfold stories and visions. His work in a way have these capturing aesthetic scenes that drawn the audience in. It creates a sense of narrative and story lines by one single picture. I did find the “Destroyed Room” to be very fascinating and it held many similarities on what I wanted to create. However after viewing his other works I couldn’t help but be intrigued by his image “Changing Room”, the image itself look as if it’s some kind of painting. I think it also ties in with this theme figure and figural topic. The top half of the body looks as if it's some kind of bird especially the animal pattern on the fabric. However, on the bottom half it’s clear that a women is simply just getting change. The figure itself seems to be part human and animal, thats how I view the image as a whole. And I do believe thats what Wall was trying to capture this weirdly human figure or it could have been by accident of the lady putting the shirt or another from of dress and it just seemed as if it was a bird. Overall Wall’ work is absolutely amazing, it has this sense of allude affect on the scenes, drawing myself within the images, trying to figure this narrative by just viewing one image. I wanna be able to incorporate this whole emotional effect on my own images and creating this sense of narrative.

200 word Project Proposal

Looking at a variety of artists and articles surrounding this whole notion of the figural within art has allowed me to compose a solid idea of what I will be exploring within project 3. Comfort food is known for providing a consolation or a feeling of well-being. Reading 'Comfort Food: Nourishing Our Collective Stomachs and Our Collective Minds’ it provides insight into what comfort food really means for an individual. It can be seen through two perspectives, including stress and anxiety eating, this makes people crave more unhealthy sugary or high fat food, or is something tradi- tional, cultural, regional, familial, or otherwise imbued with meaning to an individual. Gathering both research on the figural/literal themes within art and this whole concept of comfort food, I believe both have similar qualities and can be captured in a unique form. Wanting to approach this project in a more personal outlook, I will be exploring and capturing my friends and families own comfort food and what it means to them. I will also be using myself and my own desired comfort food, to explore and ask questions what makes comfort food comfort?. Inspired by Anne Hardy, Jeff Wall and Henry Hargreaves, each artists has provided a source of inspiration that I will be incorporating within my own work, however still creating an innovative personal series of my own.

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adambstingus · 7 years ago

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Inside The Handmaiden: A Lesbian Erotic Thriller and the Sexiest Film of the Year

Acclaimed filmmaker Park Chan-wook (‘Oldboy’) opens up about his upcoming film over beers with Jen Yamato in Austin, Texas. “>

Halfway through his first trip to Texas, Korean auteur Park Chan-wook found himself on a tour of a picturesque religious compound notorious for the sex crimes of a cult-like spiritual leader. Five years ago, its once-venerated guru Prakashanand Saraswati fled the country, escaping a trial that saw him sentencedin absentiato over two centuries in prison. On a hot Texas afternoon in September, the director ofOldboystrolled the grounds with his Leica taking in the palatial white granite architecture.

Park was taken by the sights and the lurid true tale, soaking in the experience as he seems to all his travels. The director and avid photographer had come to Austin to screen his Cannes hitThe Handmaidenat Fantastic Fest following its Toronto premiere. Hed tasted Texas BBQ. Hed shopped for trinkets along South Congress Ave. When we met to discuss his period lesbian love-thriller over fine Texan beers this week, he was still marveling at the beauty and hidden perversity forever tied to the Barsana Dham.

It reminded me a little of Uncle Kouzuki inThe Handmaiden, he joked of one of the many deliciously complex characters in his new film, speaking through his traveling companion and translator, Wonjo Jeong. Im a photographer. I thought going to a place like this Id be able to capture some absurd images on my camera. The power that religion has over people, how it draws people in, is always amazing.

Park, arguably Koreas most famed and celebrated filmmaker, made his directorial debut in 1992 and scored his first huge hit in 2000 with the record-breakingJ.S.A.: Joint Security Area, a military thriller about a mysterious murder between soldiers from North and South Korea. In 2003 he released his intoxicatingly elegiac revenge thrillerOldboyand became forever synonymous with its brand of hyperviolent, perverse brutality.

But there are stratums to Parks films, even as they tend toward the extremes of genre, from the two other films that round out hisVengeance Trilogyto his vampire taleThirstto 2013sStoker, the gothic potboiler that marked his English-language Hollywood debut. Consider: When he describes to me the walrus carved from walrus tusk hed just bought at one of Austins eclectic thrift stores, the conversation winds its way to a documentary hed enjoyed, also on the subject of discovering extraordinary objects in the most unexpected places.

It was a documentary calledFinding Vivian Maier, Park recalled. She worked as a nanny to children and at one estate sale one young man bought a lot of her films, and thats how this photographer Vivian Maier came to light. It provided lots of inspiration forCarol, starring Rooney Mara.

Seated at a long wooden table in the corner of a bustling Austin brewery armed with sampler flights of local craft beers, we toasted with a Bavarian-style lager dubbed the Hell Yes, and Park admitted that he prefers Texas BBQ to Korean BBQ. I just dont like marinated meat, he smiled. Please know this: Not all Koreans are fans ofbulgogi. He is, however, something of a beer connoisseur, although homegrown suds have a ways to go. Im really into the Belgian beers, Belgian ales. Korean beer is notorious for being the worst beer in the entire world, he lamented. But recently, a savior has risen in Korea! One of the big beer breweries has started to brew ales. Its very good.

Back home with friends when bar-hopping turns to karaokepractically a national pastimethats my cue to go home.

I envy those people who can play like that, he mused. But I wasnt born that way, unfortunately. Ive overcome a lot of my shyness over the years. Now I can do interviews and go onstage to introduce my films. Its always a difficult thing to do but the work has transformed me. Still, when I walk down the street and see myself on one of those big LED screens on the side of the building, I cringe.

Parks films, however, are quite the opposite: Bold, ballsy, stylish, and often intensely brutal, theyve come to represent the pinnacle of Koreas art house extreme. His is a signature thats difficult to replicate. But despite not yet having seen Spike Lees American remake of Oldboyitself an adaptation of a Japanese mangahes all for the reinterpretation of art. If he had to remake one of Lees films, Park mulled, it would be Jungle Fever.

InThe Handmaiden, Octobers sweeping and engrossing thriller set during Japanese colonial rule in Korea and adapted loosely from Sarah Waters England-set novelFingersmith, director Parks stamp is as evident as ever. Newcomer Kim Tae-ri stars as Sook-hee, a young Korean woman whos sent to work as the new handmaiden to Japanese noblewoman Lady Hideko (Kim Min-hee), who lives in quiet obedience to a Korean-born uncle whos obsessed with Japanese and Western culture. The twistat least, thefirsttwistis that Sook-hees really there to help swindle Hideko out of her fortune and take her place. The rest of The Handmaidens sublime treasures are best unspoiled save for the fact that the two women fall headlong in lovemaking for some steamy lesbian sex scenes that seized critics attention out of Cannes, as well as Parks most romantic film to date.

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Park had wanted for a long time to portray a homosexual character onscreen, particularly in a Korean society that rarely sees such stories told. I knew I wanted to deal with the subject someday, he said. What kind of homosexual film? The kind where the protagonist, who is homosexual, is not afraid of his or her sexualityand is not suffering under the critical eye of a conservative society. I wanted to make a film free of all that.

He sips another sampler glass, a crisp pilsner a little too dry for his tastes. In this film, for the characters who have fallen in love with each other, its just a matter of course. Theres no question about it. The issue they have to overcome is entirely something else, in that one is supposed to be deceiving the other:Am I allowed to love the person Im tricking?There are other issues besides being the same sex.

In addition to depicting the magnetic attraction between its two female protagonists in tender and exquisite detail, The Handmaiden features some of the most frankly sensual lesbian lovemaking scenes sinceBlue is the Warmest Color. Like that films same-sex sex scenes, the film risks incurring criticisms of a leering male gaze, but they also unfold with a keen sense of humor that makes the steamy symmetry of his actresses nude gymnastics less lascivious and more lovingly real.

The humor is the crux, he emphasized. These sex scenes arent all about the panting, the sweating, the going through the motions. They constantly talk to each other, and they look at each others face, and they make jokes.

Sook-hee and Hideko are also two complex characters whose inner workings reflect bigger themes asThe Handmaidenunspools one layer after another. In transplanting the original novels setting to colonial Korea, Park seeded The Handmaidenwith pointed cultural criticisms loaded with meaning for the Korea of today as much as that of yesterday.

Films in Korea thus far which have depicted the colonial period were all about independent movements or resistance fighters, he said. But this film is all about falling in love with a Japanese woman. The villain is actually of Korean ethnicity. His mind, his inner workings, shows that of a typical Japanese sympathizercolonial lackeyat the time. We have enough stories and films about those who fought against Japanese imperialists. Why dont we show and talk about the Koreans who worshipped the Japanese?

He elaborated: My point is that this continues to this day. The only thing thats different is they no longer worship the Japanese imperialistsin their place, they worship the Americans. And rather than idolize American values, they have internalized American values.

In recent years, Park lent his voice to public petitions protesting his governments arms sales to Israel and the censorship of the Busan Film Festival (Compared to the people who put everything they have on the line for these fights and causes, its nothing, he said.) But its no coincidence that Park says what worries him the most about the world is the unequal distribution of wealth both at home in Korea and across the world at large.

Im not saying that everything about America is wrong, he said. Neither am I saying that everything from overseas is wrong. Im saying that everything needs to be in balance between whats our own and whats foreign, among those who have the money, the power, and the informationthe ruling class. One of the reasons some Americans say that this election is pointless is that whoever wins the election, well end up with the same world where capitalism is king.

Park also saw in The Handmaiden the chance to actively battle an industry-wide problem hed started to notice: The underrepresentation of female characters in film. Certainly my interest in young women has gone up because Im the father of a daughter, he said, raising a hoppy IPA to his lips, and it helped me to realize how in cinema there arent many films that deal with the desires of a young woman in an honest way. Films dont tend to portray women as the main subject. It helped me become aware of this problem.

He started showing his films to his daughter, whos now studying art at university, when she was a childwell, all of them except forOldboy, for obvious reasons. Because there was a father-daughter relationship I couldnt bring myself to show it to her, he said. She saw it when she went to university. Fortunately she likes my films. Both women in his life nameThe Handmaidenas their favorite movie of his.

I have heard there is a debate at this film festival where a verbal debate is followed by a boxing match, he smiled, referring to the annual Fantastic Fest spectacle known as the Fantastic Debates, where filmmakers and critics face off over vital cinematic topics and determine the ultimate winner by pounding it out in the ring. I wouldlovefor someone to step up and put this to the test: Prove that all of Park Chan-wooks films are romantic films.

Its ironic to Park, and perhaps a bit frustrating, that he might be known as an artist most concerned with stories of violent revengealthough his films, includingThe Handmaiden, have that, too. Deep down, hes got a romantic streak. It peeks out when he describes how, years ago, he met his wife and saw Vertigo for the first time, and thus fell in love twice on the same day. Creatively I ask her for her opinions and I take a lot of her suggestions, he said. And shes my first love.

Why, then, does he think his films tend toward boundary-pushing extremes of human behavior, like incest, betrayal, mutilation, and extreme violence? Because Ive lived such a boring and mundane life, he shrugged. Every storyteller should never confine themselves to the very small limits of their own experience. Rather, they should be able to put themselves in the position of every different kind of human beingand sometimes non-human beings, as well.

If Park has the ability to put himself in the paws of animals for the sake of art, does he feel bad even years later, for the poor octopi that gave their lives to be eaten by Choi Min-sik inOldboy, in whats still one of the most indelible scenes hes ever filmed?

He considered it, sipping a hoppy red named the Big Mama, a dish of bacon-wrapped quail between us. Not really, he said. In Korea, live octopus is served sliced into pieces, still wriggling on the plate. What difference does it make if its eaten chopped or whole?

Some cephalopod enthusiasts argue that octopi, with their uncanny abilities to liberate themselves from tanks and multitask, are creatures of consciousness who maybe even have souls. I explained how its a thought that haunts me every time I rewatch that scene in Oldboy, the tentacles writhing in Oh Dae-sus mouth as he renders its owner apartarguably that films most sensual and sensory moment, a visceral collision of art, life, and real violence.

Director Park gave it another moments thought. Im not sure whether the existence of a soul equates to your level of intellectual ability. Do we say that snappers dont have souls, but octopi do? If thats the case, what about cows and pigs? he countered, a twinkle in his eye. Youve seenBabe, right?

from All Of Beer http://allofbeer.com/2017/06/25/inside-the-handmaiden-a-lesbian-erotic-thriller-and-the-sexiest-film-of-the-year/ from All of Beer https://allofbeercom.tumblr.com/post/162228109327

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samanthasroberts · 7 years ago

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Inside The Handmaiden: A Lesbian Erotic Thriller and the Sexiest Film of the Year

Acclaimed filmmaker Park Chan-wook (‘Oldboy’) opens up about his upcoming film over beers with Jen Yamato in Austin, Texas. “>

Back home with friends when bar-hopping turns to karaokepractically a national pastimethats my cue to go home.

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Source: http://allofbeer.com/2017/06/25/inside-the-handmaiden-a-lesbian-erotic-thriller-and-the-sexiest-film-of-the-year/

from All of Beer https://allofbeer.wordpress.com/2017/06/25/inside-the-handmaiden-a-lesbian-erotic-thriller-and-the-sexiest-film-of-the-year/

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allofbeercom · 7 years ago

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Inside The Handmaiden: A Lesbian Erotic Thriller and the Sexiest Film of the Year

Acclaimed filmmaker Park Chan-wook (‘Oldboy’) opens up about his upcoming film over beers with Jen Yamato in Austin, Texas. “>

Back home with friends when bar-hopping turns to karaokepractically a national pastimethats my cue to go home.

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By clicking "Subscribe," you agree to have read the TermsofUse and PrivacyPolicy

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from All Of Beer http://allofbeer.com/2017/06/25/inside-the-handmaiden-a-lesbian-erotic-thriller-and-the-sexiest-film-of-the-year/

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