#and yes i mean ALL asian culture not just east asian

[usertoxicyaoi]

also! a very good desi gl movie that hit the bollywood mainstream that i would reeeeally rec is ek ladki ko dekha toh aisa laga (2019) available on netflix!

The Absence of India in Discussions on Queer Asian Media

So, yesterday @lurkingshan tagged me in an ask she got from @impala124 about the absence of India when we're talking about queer Asian media. I was intially just going to reblog it with my thought, but as it kept growing I figured it'd be best to just make my own post. Please read the ask linked above first so this makes sense.

*cracks knuckles* this is going to be the most fun I've had writing a post in ages. (For a little background, I'm a queer Indian, born and raised)

So, this is a very interesting question on a subject I've been rotating in my head for the past several months. There's a lot of different variables that contribute to the noticeable lack of discussion on Indian and South Asian queer media in general, so I'm just going to talk through the ones I've noticed a little randomly.

Talking about Asian media in general, it's well known that the mass popularity of kpop and anime has contributed massively to the increase in popularity of Asian media. If you've been in the Asian media fandom for any amount of time at all, you'll have noticed that media from Korea, Japan, and China gets by far the most attention from international audiences; all East Asian countries. There may be several reasons for this, but in particular, it's no secret that the fetishization of East Asians is a massive proponent in the popularity of media from these countries, while there's no such interest in South Asians. If we shift our focus to queer media specifically, media from these three countries is still extremely popular, with the addition of Thailand and the Philippines to some extent; both South East Asian countries. From what I've seen, there's very little international interest in media from South Asian countries (although, if we're talking about India specifically, I can't exactly say anything. Bollywood has not been good lately). If we talk about queer South Asian media, the scope of interest falls even further. If you'll notice, MyDramaList, one of the most commonly used websites for finding and tracking Asian shows only allows for East and South-East Asian shows. So, that's one reason—there's just not much international interest in Indian media in general. As Shan said in the initial post, it's partially because of a difference in priorities. Korea is notorious for using media to gain global standing, the role of the 'soft power' of Thai bls in the recent bills for equal marriage in Thailand has been widely discussed, the list goes on. Could racism also play a part in the massive gulf of interest in media from East Asian versus South Asian countries? Probably. But I'm not going to get into that too much.

Moving on, there's obviously a massive lack of queer media in India. I think this is greatly exacerbated by the fact that it's very hard to support the people making queer media beyond buying and/or streaming their work. The majority of people engaging with Indian queer media are queer Indians, and a lot of us have to do so in secret because of the society we live in. This means that creators that have to push through several obstacles to publish their work often receive little incentive to continue doing so because of the lack of engagement. Because of the lack of media, international fans are less likely to become interested in queer Indian media, and the cycle continues.

I will say though, contrary to what Shan said, I think Indian media, particularly anything that came out post 2019 might actually be on the easier end of the spectrum when it comes to access. This may simply be bias, so forgive me if I'm wrong here, but from what I've seen, a lot of queer Indian shows are in fact available on streaming sites, and at most you'd need a vpn to access them. I think the two main things that actually hold back queer Indian media from becoming more popular are a lack of noise and it's relatively lower quality.

The main way we find out about new shows in this space is through either word of mouth (well actually, post) or because we follow production houses known for producing media. Because of the sparse nature of both the media and the consumers, there's very few people who learn enough about the media to want to give it a shot. For example, there's a film on netflix called Badhaai Do (hindi for Congratulate Us) that I've been meaning to watch for a while. It centers around a lavender marriage and I've heard a lot of good things about it, so I was slightly surprised to see that most of the people on tumblr I interact with who have been engaging with queer media for far longer than me had never heard of it. There's also a, Indian BL from 2017 called Romil and Jugal that I've written about before here, and I would've never learned of it's existence if not for a friend hearing about it from another friend of hers.

Because there's so little queer indian media, it's natural that the quality leaves much to be desired. The main issue is, because the queer asian media market has become so saturated lately people are becoming a lot more selective with what they watch, and for good reason. This means that queer media from india is simply unable to grow and improve over time, leaving it stagnant. Back in 2016-2018, the overall dearth of queer media from Asia meant that a lot of people were willing to watch shows that were average or even worse. Thailand particularly seems to have benefitted from this, being able to grow and evolve its queer media due to the successes of shows like SOTUS, 2gehter, TharnType and more even recently, KinnPorsche. Queer Indian media will have a much, much harder time with this because of all of the factors I've talked about and more, meaning that it is much harder for queer media to evolve. Honestly, though I haven't been able to watch/read much queer media from India, the stuff I have seen is really quite decent, it's just that it tends to fail in comparison to some of the brilliant stuff we're seeing from other countries. A while a ago, I bought four queer books by Indian authors, and of the three I've read so far, I'd genuinely recommend two, albeit one with quite a few reservations (I'll be writing about them sometime in the future, just haven't found the time yet). While talking about this with @neuroticbookworm, she brought up the excellent point of how Indian media in general has just been of fairly poor quality lately. It seems to me that a lot of it is catered to more conservative audiences, which results in people like me becoming disillusioned with Indian media and simply moving onto things from other countries. It has been a long time since I've watched anything worthwhile come out of Bollywood. So, it becomes even harder for queer Indian shows to be found at all; a majority of their target audience has already forsaken Indian media as a lost cause.

So, those are a bunch of reasons because of which there's not a lot of discussion about queer Indian media in fandom spaces like Tumblr. Something else I'd like to point out is, it's very hard for queer shows in India to gain much traction whatsoever. Live television slots are ruled by the infamous Indian serials, the majority of the audience being people in their late thirties and older, particularly women. And while homophobia is just as prevalent amongst the youth of India as it is amongst older generations, younger people are far more likely to be engaging with queer media, in India at least. This means that it would be near impossible for queer shows to air on live television the way they do in countries like Thailand and Japan. The majority of Indian youth use global streaming services to watch shows, hence the greater concentration of queer shows on service platforms. (Romil and Jugal is something of a dark horse here—I don't believe it was ever aired, but it was produced by a producer who has a few decently popular serials under her belt and is available on an Indian steaming service—another reason I'm determined to research how tf this show ever came into existence) If we talk of movies, the industry is limited by the iron fist of Bollywood, another reason it's very hard for queer movies to be produced and why they're generally found on streaming sites.

There's just not a lot of people who have the balls it would take to make a queer Indian show/movie and push it to the Indian public beyond a streaming service. I mean, we're all seeing what's happening with the Love in The Big City drama right now, and believe me, public backlash in India would be the same, if not much worse. And if no one in India is watching these shows, why would anyone in any other part of the world? There's barely any public figures that would be willing to participate in such a project, so queer media stays underground. Currently, Karan Johar is the most popular—and one of the only—out celebrities in Bollywood, and, well, he's treated as something of a laughing stock by the public. He has one or two queer adjacent shows under his belt as a producer, but once again, they're barely known and available only on Netflix. There was a movie called Dostana in which he played a straight guy pretending to be gay but, well, that speaks for itself. And well, I can't exactly blame him for it, knowing how the Indian entertainment industry is.

To talk a little more about the specific comparison between India and Korea, I think you're fairly accurate in saying that the two countries seem to be roughly on par in terms of homophobia, although that's an extremely vague statement that's rather hard to either prove or disprove. While the difference in international attention towards Korean and Indian media is certainly a major component of the difference in discussion about the queer media from these countries, there's obviously other things that go into it as well. There's this video I watched some time ago on the progression of queer representation in K-dramas that's quite well researched. It's an hour and a half long, so in case you don't have the time to watch it (though I do recommend it), it basically talks about some of the dramas with queer rep that have aired on Korean television and their impact. While it's hard to gauge the level of impact of these shows on the availability of bls and gls in Korea, they certainly had an effect, if only telling the queer population of Korea that they are seen and heard. To my knowledge (although I may be mistaken), no such queer rep has ever aired on Indian television, meaning that there's nothing to push creators to put queer media out there. There have been old movies and shows that depict queerness, but none of them ever reached the sort of the scale where they may have some sort of impact on the industry. As I mentioned earlier, the widespread popularity of K-dramas (and k-pop) does make it easier for creators to make queer media since there's a much higher chance of the shows being successful thanks to the international audience. Bringing back Love In The Big City, the success of the book abroad and the high probability of the show being well received internationally is probably one of the reasons it was able to be produced amongst domestic backlash.

Now, I've been talking a lot about how it's difficult for queer Indian media to gain any sort of international recognition with domestic attention. However, it's not necessarily the case. Here's where I start rambling (I say, as if this post isn't verging on 2k words). It's been proven that the presence of the international market allows for greater creative freedom in spaces beyond television. The best example comes from Korea's very own 'soft power'; K-pop. There's a K-pop group called Dreamcatcher that debuted in 2017 with a rock sound and horror concept that was extremely rare in kpop at the time. They succeeded mainly by focusing most of their promotions to the foreign market, knowing that their concept would not be well liked in Korea. And they succeeded. Today, Dreamcatcher has a sizeable fandom and has even been growing in popularity in Korea, with the Korean public warming up to their genre and having influenced other girl groups to try out similar sounds. We've already talked about the lack of international attention for Indian media, but there's also the issue that the producers of queer Indian media aren't marketing to foreign audiences, which remain ignorant.

That's all I have, this is so long good lord. All in all, there's a bunch of factors that feed into each other creating a cycle which means that, unless there's a break somewhere, queer Indian media will remain unrecognized. I'm excited to see what other people have to say, because this is a topic close to my heart and I'd definitely enjoy seeing more discussions around it.

[saintjosie]

apologies if you’ve talked about something this before, but your post on experiencing exclusion in trans fem circles on account of being an east asian woman who speaks up came up on my dash and it reminded me of something that‘a been troublingme.

i’m also asian and trans, and i’m always really sent off-kilter when i see white trans people idealizing japanese aesthetics and asian people in general. so many white trans people use anime tropes and aesthetics while also othering real asian people, esp other asian trans people. does it feel appropriative/fetishistic to you?

i guess it’s just something that echoes general white-centric society but it feels like a lot of white trans people focus more on their transness and forget that their whiteness doesn’t just go away or get excused, if that makes sense

this is a great ask with no easy answer. the short answer is yes, you’re absolutely right, but there is also a lot of nuance that’s very important to address too.

white people in general have an enormous problem with misunderstanding the difference between appropriation and appreciation. and that applies to appropriating the culture of all people of color because appropriation is a symptom of colonization. part of that is because it’s very difficult to have a catch-all definition that clarifies the distinction between the two because each person approaches the things they consume in a different way, with varying levels of excitement. i simply cannot point a finger at all white people who enjoy anime and say, “this is bad”, because it simply is not true. it would be just as harmful if a white person were to say, “i would never watch anime because i think it’s weird”, because while appropriation is objectively a form of colonization, appreciation is a celebration of diversity. and celebration of diversity is good!

but i think you hit the nail on the head when you say that a lot of white queer and trans people forget that even though that they are oppressed by cis heterosexual patriarchy, the intersection of oppression that exists between oppressed identities and race means that as white people, they still have white privilege. full stop. and so we often have this issue, especially with young queer and trans people (young as in newly realized queerness and transness, not age) where there is a pause in deconstructing whiteness because they are too focused on deconstructing the privilege that they have suddenly lost by embracing their marginalized identities.

and the issue goes even deeper when you realize that people of color also struggle to realize that we often also perpetuate and contribute to oppression of other people of color as well. east asian people in particular forget that even though we are people of color, we do not face the same kind of oppression that black and brown people of color do, and often we perpetuate racism through appropriation of black culture and also just straight up racism. i think most asian people can attest to how often asian people can be racist as fuck. and i’ve definitely seen asian people who think it’s acceptable to make aave and using the n-slur a part of their personality. and at the same time there is an enormous problem with black people fetishizing asian people and latching on to anime and k-pop in ways that perpetuate the oppression of asian people, as well as just being racist towards asians in general.

and root of the issue is that white supremacy affects all of us. EVERYONE has whiteness to deconstruct because we all live in a system that was built on white supremecy, even if we do not have white privilege ourselves. the answer is that everyone period must bear the burden of constantly deconstructing whiteness, deconstructing our own privilege, and doing our part to lift each other up. and while it is true that white people often have the most work to do in deconstructing their own privilege, none of us are absolved.

[shiny-jr]

Loved all your info about Empyrean with my last ask and left comments/reblog to it, and so sorry to spam your asks especially when you’re still working on this idea, but I’m just curious and want to hear whatever ramblings you’d like to share!

You mentioned Heartslabyul being inspired by Europe with a dash of volcanos via borders and I’m sure there’s going to be lots of references to the regions of origin for the fairytales/Disney movies for each. But are there other places of the world you’re drawing inspiration from, whether in real life or from Genshin too?

You’ve given teasers about Leona and Idia, along with the original premise post for a few of the other archons, are there any other backstories you’ve been developing for the archons or even the other characters?

Again, sorry to spam your asks but the more I look into Genshin, the more I’m excited by Empyrean and wishing you all the best in writing~!

So if y'all recall, my biggest qualm with Genshin Impact was the amalgamation of cultures and cultures as costume. I am NOT trying to do that here. However, here's the problem when it comes to implementing the twst x genshin au: a majority of the stories are based in Europe or have European origins. So that means that most of the world, if we go by that logic, would be European, which doesn't sit right with me.

So for story's sake, I think I'll imply in the story that the seven nations are the ones of the known world, and the most recognized due to their archon's power. I've considered maybe changing the setting of a nation, but that doesn't exactly sit right with me either. So that's why I stated here and like I said, it will be implied in the story, that there is another part of the world not even really known. That being said, I probably won't lean too heavily into the cultural aspect of the story. However, there will be mentions here and there. Keep in mind though, I belong to none of these cultures, so I'll try to research to the best of my ability but it's also why, like I just said, I don't want to heavily into the cultural aspect of the story, because by no means do I want to get something wrong and offend anyone.

Here's my thought process for the inspiration of each. Keep in mind, this is still very much a work in progress.

Heartslabyul: British Isles

If you thought this was gonna be any other place, then what the hell are you thinking? Riddle definitely has a British accent. The tea, the tarts, all that stuff? Very British, if you ask me. Of course there's the fact that the original author of Alice's Adventures in Wonderland is from Britain.

Savanaclaw: East Africa

After bit of research, I found several things. Such as the fact that many of the names from The Lion King movie are based off the Swahili language. Zulu is apparently also spoken in the opening song, The Circle of Life. Additionally, the Pride Lands are said to be set in either Tanzania or Kenya.

Octavinelle: Scandinavia(?)

I know a lot of people like to debate where The Little Mermaid takes place, but I'm basing this on the origins of the author, as he is Danish. Also, if you recall, I believe there's in game dialogue where one of the Octavinelle characters mentions how ice often makes it difficult for them to return home, thus suggesting that their homeland is very cold. Originally I did want to add a tropical location, but this complicates things.

Scarabia: Arabian Peninsula(?)

Yes, yes, there's the fact that the movie of Aladdin takes inspiration from Indian and other Southeast Asian cultures, but from what I've seen, the story seems to mainly derive from Arabic cultures. Aside for the fact that the story of Aladdin is said to come from the Islamic Golden Age and is from a collection of Middle Eastern folktales. If you research names like Kalim or Jamil, they do have Arabic origins.

Pomefiore: Central/Eastern Europe(?)

We all know the Brothers Grimm, yes? Authors of many fairytales, one of which being Snow White. Well, they're German. And, I mean, the archon is going to be Vil SCHOENHEIT, if that's not German sounding last name, then I dunno what is. Why did I include Eastern Europe? Because I personally HC a lot of the characters with accents and the accent I imagine Epel with is some type of Slavic. God, I love creative freedom.

Ignihyde: Greece

This one isn't even a debate. I don't gotta say why.

Diasomnia: Western Europe(?)

It is said that one of the earliest records of Sleeping Beauty was in a French book. If we look at some of the inspiration from the movie, it's said to take place in a French medieval kingdom. So yeah, it just made sense in my mind.

[rarepairqueenmochi]

Monster High and East Asian Representation

Alright MH fans, we need to have a semi-serious conversation about how East Asian rep has been handled in the franchise. Representation itself has been a big point of conversation in the community, so it's important to talk about all of its aspects. The good, the bad, and the ill-conceived.

For context, I am an East Asian-American who has seen time and time again her culture be misrepresented, boiled down to stereotypes, and even mocked by other Asian cultures. Am I the all-time expert? Absolutely not, which is why I encourage other East Asian/Asian-American fans to give their comments about the franchise's handling of Asian characters.

Now then, we'll start with G1 since it probably has some of the most infamous pieces of representation

There is a lot to unpack with G1 Jinafire's design and personality. Not only the choice of golden skin, the misguided outfit choices, and emphasis on honor and discipline, but also the oriental riff often accompanying her in every backing scene. Highly encourage people to look into the Asian Dragon Lady stereotype, because unfortunately, that is what Jinafire is.

It is acknowledgeable that Jinafire's voice actress, Stephanie Sheh, is also Chinese, but there is still error with her character as a whole. Jinafire was personally one of the first Asian characters in media that I was introduced too, so it's upsetting to reflect on how negative her character design is.

Shibooya is... not great. The exchange program as a whole feels like a minefield of issues (though I don't have much liberty to discuss the other transfers), and this one especially rubbed me the wrong way. They gave the vampires of Shibooya yellow skin, and the doll is supposed to kimono-inspired while hardly even resembling one.

Harajuku style was right there and easily fit the fashions of Monster High. There are also a number of Japanese yokai that could've been featured within the short and would have likely been better representation than the vampires.

Kiyomi is okay, and certainly an improvement compared to the previous G1 characters. She's based off the Noppera-bo, aka the faceless ghost, and it's used decently in her design. However, her personality is boiled down into being shy, quiet, and reserved, which is a stereotype many Asian girls face under the name "Lotus Blossoms". She even has blossoms on her dress sleeves, and her outfit again is a loose interpretation of a kimono.

There are a number of modern Japanese outfit designs that could be used, and kimonos are often associated with modesty and respect. Kimonos are not meant to be revealing in any way, covering the body in full and being intricately wrapped. I personally take issue with the designers noting her chains meaning to resemble the sailor collar, which is used in middle school uniforms, not high school uniforms.

Kiyomi is, of course, hardly mentioned and refined to a movie role, in which she copies and mimics the personality/style of an European character.

Now onto G3!

Honestly, nothing really to critique here! Draculaura's been canonically been confirmed to be at least half-Taiwanese and speaks Mandarin. Now would it be nicer to get more appearances of her culture other than a couple throw-away lines? Yes it would, but there isn't anything really negative about this portrayal. I think it'd be interesting if Draculaura had a Taiwanese name she went by around her mother, or just casual moments of her eating scallion pancakes or aiyu jelly.

aaaaaand here's where we automatically fall back on representation. This may not seem that major to people, but considering this is the first Japanese character we get in G3, it's not great. Points for the writers looking past the most common yokai, but I don't know any person that wants to be represented by an animal.

I really do need people to realize how this is compared to the other characters. I wasn't initially reactive to Kuma's introduction until I realized they were making him a consistent character. Considering we don't have many other anthro/fully monstrous characters, and they chose to make him the Japanese representation doesn't seem right. Especially since they gave him the lead in the cultural appropriation vs. appreciation episode. An excellent episode, but it loses some sentiment coming from a literal bear.

Plus I would implore you all to rewatch Horrorscare and take a close look at the Japanese water dragon Pearl. And I'll remind you she exists in the same world as Jinafire.

now this is what I'm talking about! Not only has the skin issue been resolved, but the creators took a step in the right direction and made Jinafire more akin to Chinese dragons, who are often connected to storms and rain. Her outfit is also much more akin to street fashion in China. I still wish there was more to see with Jinafire's character, but she absolutely an improvement to her G1 iteration!

Well that's a lot to unpack there! Again, I am in no way the expert on East Asian representation and I'm going to miss some things. I encourage other fans to think about these characters and how you feel about them, and maybe even point out things I missed, good or bad! I did this simply out of my own feelings and wanted to see if anyone else felt the same.

[edenfenixblogs]

Look what Google just recommended to me!!!!

I already own (and love) Shabbat and Portico.

But I am OBSESSED with the rest and must acquire them immediately.

Top of my list is Love Japan because LOOK AT THIS BEAUITFUL BOWL OF MATZO BALL RAMEN!!!!!

We hear a lot about Jewish people in Europe and MENA, but we do not hear a lot about Jewish culture as it blends with East Asian cultures, and that’s a shame. Not just because it erases the centuries of Jewish populations there, but also because there are plenty of people of mixed decent. People who may not have come directly from Jewish communities in East Asia, but people who have a Japanese Father and a Jewish Mother, for example. Or people in intercultural marriages. These are all real and valuable members of the Jewish community, and we should be celebrating them more. This cookbook focuses on Jewish Japanese American cuisine and I am delighted to learn more as soon as possible. The people who wrote this book run the restaurant Shalom Japan, which is the most adorable name I’ve ever heard. Everything about this book excites and delights me.

And of course, after that, I’m most interested in “Kugels and Collards” (as if you had any doubts about that after the #kugel discourse, if you were following me then).

This is actually written in conjunction with an organization of the same name devoted to preserving the food and culture of Jews in South Carolina!

I’m especially excited to read this one, because I have recently acquired the book Kosher Soul by the fantastic, inimitable Michael J. Twitty, which famously explores faith and food in African American Jewish culture. I’m excited to see how Jewish soul food and traditions in South Carolina specifically compare and contrast with Twitty’s writings.

I’m also excited for all the other books on this list!

A while ago, someone inboxed me privately to ask what I recommended for people to read in order to learn more about Jewish culture. I wrote out a long list of historical resources attempting to cover all the intricate details and historic pressure points that molded Jewish culture into what it is today. After a while I wrote back a second message that was much shorter. I said:

Actually, no. Scratch everything I just said. Read that other stuff if you want to know Jewish history.

But if you want to know Jewish culture? Cookbooks.

Read every Jewish cookbook you can find.

Even if you don’t cook, Jewish cookbooks contain our culture in a tangible form. They often explain not only the physical processes by which we make our meals, but also the culture and conditions that give rise to them. The food is often linked to specific times and places and events in diaspora. Or they explain the biblical root or the meaning behind the holidays associated with a given food.

I cannot speak for all Jews. No one can. But in my personal observation and experience—outside of actual religious tradition—food has often been the primary means of passing Jewish culture and history from generation to generation.

It is a way to commune with our ancestors. I made a recipe for chicken soup or stuffed cabbage and I know that my great grandmother and her own mother in their little Hungarian shtetl. I’ll never know the relatives of theirs who died in the Holocaust and I’ll never meet the cousins I should have had if they were allowed to live. But I can make the same food and know that their mother also made it for them. I have dishes I make that connect me to my lost ancestors in France and Mongolia and Russia and Latvia and Lithuania and, yes, Israel—where my relatives have lived continuously since the Roman occupation even after the expulsions. (They were Levites and Cohens and caretakers of synagogues and tradition and we have a pretty detailed family tree of their presence going back quite a long time. No idea how they managed to stay/hide for so long. That info is lost to history.)

I think there’s a strong tendency—aided by modern recipe bloggers—to view anything besides the actual recipe and procedures as fluff. There is an urge for many people to press “jump to recipe” and just start cooking. And I get that. We are all busy and when we want to make dinner we just want to make dinner.

But if your goal isn’t just to make dinner. If your goal is to actually develop an understanding of and empathy for Jewish people and our culture, then that’s my advice:

Read cookbooks.

[wrotelovelytears]

Pluto might be in Aquarius

But that's only half the story.

Now I'm not one to believe only the planets inspire change in people but the environment they live in, their disposition and their current state of being impacts them just as much. Astrology without the consideration of culture and context is just astronomy. It has the body but not the soul.

I start with that because of all the current global happenings. I understand the importance of spiritual and religious practices, and they don't exist in a bubble of their own. It is highly related to the cultural movements and ethnic practices of a region. If we are going to be honest religions/spirituality would not exist with out those cultural foundations. Literally there would be nothing if ethnic and cultural differences didn't play a role.

Hoodoo wouldn't exist if African Americans didn't. The Greek Pantheon wouldn't be a thing if the ancient Greeks didn't interact with the Egyptians, Nubians and Macedonians. And it should be very well known the Romans stole their whole flow and rebranded. The same Romans who took Christianity and set the foundation for the many versions we see today.

I say all that because I've noticed a lack of connecting between the social/political climate, traditions and belief systems. We can't pretend that Vedic astrology isn't an actual part of Hinduism because it wouldn't exist if Hinduism wasn't here. And Hinduism is the result of two very different populations interacting with one getting colonized and pushed south and the other needing a system/ belief to justify it. We can't pretend that tropical astrology isn't a more Eurocentric method because the signs, planets and their meanings are not the same outside of Western/Eurocentric ideology. In fact it's heavily based off of Roman and Greek interpretations, the base of Western Society as a whole.

I'm not going to pretend that Pluto moving into Aquarius is the only reason why we suddenly "see" more social changes, more standoffish behavior, more coldness to our fellow human. All Aquarius is doing is putting it on the internet. It sent a tweet out and we all saw it. These issues aren't a magical happening, they are the result of centuries of bs pilling up. Of cultures merging in ways that weren't possible before modern technology. Of colonization. Imperialism. Chattel Slavery. The Arab Slave trade. Ethnic cleansings.

People weren't passive before the shift into Aquarius, people were ignoring it. It's really easy to do when you have no personal reason to care, in fact it's probably something all humans can relate to on one topic or another. Trust me I was heavily into activism spaces a decade ago, everything being talked about in media now was talking about then. It was talkes about when my parents were growing up in the 60s. My grandparents in the 20s/30s and so on. Aquarius just put it in our faces (again, and will continue to do so) and said "now what? ".

I want people to not just lean in to spiritual/religious practices because they are popular but to look into the actual meanings they have. I want people to understand that yes you can be spiritual/religious and your ethnic background does impact how you practice. I want people to understand these changes we see in France (they lost their standing in Africa, literally all their former colonies told it to cope, and that's leading to their collapse), South Korea (this is not the first, and sadly won't be the last time, power has been abused under the name of "anti communism", in fact ask South East Asians how they treated there and you'll see this was going to happen), the United States (a country founded on genocide and racism isn't going to magically be less of those because a Black woman got to run for office) etc aren't solely a shift in the Star positions.

I see people point out the French Revolution happened the last time Pluto was in Aquarius (but they also had lost all the land in the US and Haiti told them to fuck off, so it wasn't just not eating cake, it was the lack of slave labor to fund their empire). Or America getting it's freedom (Britain was getting close to abolishing chattel slavery (again free labor, people hate to lose their free labor), the Irish and Scottish were also giving the English a hard time, they had to pick between the people next door or the ones over the Ocean). At that time it was the lack of free labor that pushed those movements, yeah everyone didn't have slaves but they all benefited from that system.

So many astrologers say don't let the stars determine your life but literally turn around and do that. Astrology is a tool at the end of the day. That's it, because if someone doesn't believe in it that doesn't change what happens. Conformation bias would have us believe differently but that's just part of our nature to lean towards that which supports us, not questions us. It's a practice that spans the globe and millennia because we can all look up and see the same stars at night. Maybe not as bright because light pollution, not the same positions because stars go supernova and the solar system moves, but it's still up for everyone on the planet. It's something that regardless of where you go, there's some meaning to it, maybe not always spiritual but a reason nonetheless. And it's never the same, obviously or else this would be a very boring plane of existence, and there's overlap because humans gonna human no matter where we are.

I implore you to think on your upbringing. Think on your ethnic group(s). Think on your current country of residence. Think on what you were taught in school. Think on your family. Because that's what's impacting you. That's what makes you make the decisions you do. Not just Mars moving through your third house (this is just an example, if that's happening for you good for you or I hope it gets better idk) .

Pluto in Aquarius isn't bring change. It's humans and our individual motives that are and always have.

Aquarius is a sign that puts the spot light on things already in motion. It makes you think because if you don't you can't understand. It makes you detached because if you feel it too much you might get hurt. It makes you remember because this isn't the first, nor the last time it will happen. Aquarius is the personal motive made public part of human nature. The selfish desires that push for survival. The seeking of like mindedness. The drive for community, but only if it's the same as you. Aquarius is the when of the story.

[marengogo]

Rambling in INFJese - Part 10: Queerful In South Korea

SGMB and RPWP focused playlist

[Music is a very big part of my life and I’m MOSTLY INCAPABLE of writing without music, so I just thought I'd share what I am listening to while writing this]

🐺 — 🐺 — 🐺—

Gurls, Bois and Enbies … Hellooooooooooo 📢 Yes, I’m finally, officially, back from my travels.

Am I feeling relaxed and refreshed?

NO.

In fact, I’m pretty sure I’m more tired than when I left 😬. You see, there was more excitement than I thought, or even budgeted for, but, lowkey highkey I knew it was going to turn out like that, so, it was what it was and it was unforgettable 😊💜. 

Now, on to the topic of today!

As the title kinda spoils, I would like to bring forth the topic of queerness in present day Korea, touching upon specific sub-subjects within this main-theme, which you will discover as you keep reading.

In order to provide more context and understanding, I’ll have to bring up a bit of Geography, a tad of Politics and a lot of History, and let me make this clear, even though I have been out of politics for quite some time I used to be very invested in world politics … I am presently indeed somewhat annoyed, because there seems to be a lot of misinformation that has been going around with regards to what it might mean to be gay/queer person in South Korea, in the big year of 2024, which is why I’d also like to encourage us to be proactive and do some research, on our own, with the available resources that are out there. I know it sounds heavy, but I promise I’ll try and make it as least cumbersome, and as much relatable to what might concern all Queer people, and JK and JM of course, as possible ✌🏾.

Let’s start with some Geography.

Asia … is a big ass continent. Because it is so big, amongst the people who make these kind of decisions, it was decided that this continent would have to be divided into 5 regions: Central, East, South, Southeast and West. The regions we are going to be concerned with are East and Southeast also known as ASEAN. The East has a total of 8 countries, out of which we are going to focus on 4 being; China, Japan, South Korea and Taiwan, while the Southeast has a total of 11, out of which we are only going to concentrate on 1, being Thailand … aaand that was all for Geography; painless right?

Great. So now it is time for some of History. We are now going to be talking about the history of the BL genre and the Queer art genre within two particular cultures; Eastern and Western.

BL, otherwise known as Boy’s Love, is a genre that was born in Japan in the 1970s. To properly discuss the world of BL it would take way too many blogs, so I’m afraid I won’t delve too deep into it, but in order to proceed with our discourse I need for everyone to at least understand the substantial difference between, for example, a series like The Eight Sense and Heartstopper. The first is a BL and the other is a Queer Coming-of-Age Drama. These two series are the I most point out very positive outcome of a lot of struggle and progress within both the BL and Queer art genre through the years.

The East and BLs - BL was created by women to be consumed by other women in Japan. It had nothing to do with creating content for gay/queer people, and this is very fundamental for everyone to understand. The thing is that it doesn’t matter where in the world you are, if you are or were a girl/woman you know the struggles are real. Different parts of the world deal with this frustration in different ways, and Japan and eventually the other 4 Asian countries I listed above found this to be one of them. The BL genre is basically having two men in a forbidden relationship, driven by mad passion, and who would always choose each other over the rest of the world. Star crossed-lovers where one of them would always be the Seme/Top or male-male and the other the Uke/Bottom or female-male. At the core of it all, BL was intended to be escapism, which eventually turned into fetishism and now can be all the above and something else entirely; evolution aye?

Mainly Asian women perhaps used BL to feel like their opinions and emotions could matter, in an environment where like also many other countries in Africa men are the ones that have the last say, or just any say at all. So they fulfilled their fantasy of being heard, and having power, while at the same time having the “strongest/most ideal” of men fall desperately in love with this male version of themselves. It is obviously much more complex than my two line sentence explanation, but for now, kindly keep this image in your mind.

Moving on!

The West and Queer Art - The queer genre in the West for the longest time was almost always a guaranteed tragedy. Interestingly enough, even though the first movie that mentioned homosexuality was in the 1960, the beginning of Queer culture in movies was, also for the West, in the 1970s. I can’t tell you the amount of books and films I have read and seen in my day says the woman in her thirties LOL and, despite the heart-wrenching looming tragedy, I would still enjoy finding comfort during those few chapters/scenes when the couple/pairing was happy, even though I knew for a fact that either one of them or both would die, or be eternally separated, or some other kind of tragedy.

The funny thing is that I would just accept it, because why not? Is not like my reality showed any different. It wasn’t like I was aware of happy and successful queer people around me, so why would I expect to read or watch anything else? Also I am a nasty ass angsty person so really I have no excuse. 

… are y’all following me thus far?

Now, let’s take a bit of a leap into the 2000s where money-makers finally clocked in on the fact that there is mad-money that can be made with BL in the East and Queerness in the West. In the East we start adopting fanservice within boybands and Asian-Dramas, we start printing thousands of BL mangas, and producing as many animes to match. In the West we keep having the token queer comedian appear on every show as well as making movies of historic queer figures who have impacted the world somehow, so that the queers can feel represented, even though all the actors are for the most part straight, because at this point in time, even though we acknowledge that Queer people exist, coming out is still very meh.

As the 2000s progress and we enter the 2010s thanks to actual progress within some western countries, the interweb and social media it becomes increasingly easier for an Eastern Fujoshi/Fudanshi/Fujin (Bl lover girl/boy/enby) to find themselves in say the UK, which has areas that breathe queerness and queer history and for a Western Queer to find themselves in say Japan where they can easily buy a manga about “queers” in happy relationship or, somewhere in South Korea, can easily see two very attractive boys/girls from a random kpop band openly kiss.

And then, in the midst of this “cultural” exchange, and awakening, something happens.

The Eastern Fujoshi/Fudanshi/Fujin realise that there are actual real queer people in the world sounds stupid, but believe me, it is not. That queer people are not just characters in a book, or anime, and that in fact there really are people in the world who are for example of the same sex and truly wanna be together and, if gay, for example, can also be both very masculine and still want to be together. At the same time the Western Queer realise that they actually can be happy, and that they deserves a happy ending, because some of this BLs aren’t half as bad and they sometimes make valid points and then you find out that actual queer people are now also writing BLs so things start to make some sense. 

As I mentioned, society was also changing, Queer people in the West started gaining a few rights, such as being able to get married in America and some European countries, and as a consequence, in the following decade, we now have series and movies that have Queer protagonist, with happy endings to boot! In the East, things are either not moving at all or moving a bit differently, or kinda slowly, but still it is movement. Within the countries that are moving differently, talking about Queerness is still heavy but has finally become something that they “don’t mind” just talking about and the gay neighbour is actually seen as the gay neighbour, whether they will talk to them is debatable, but at least they are recognised as such and not absurdly explained away or their existence ignored.

Now back to geography. The reason why I mentioned those 5 countries (China, Japan, South Korea, Taiwan and Thailand) is because at some point in the 2010s they were the main producers, and consumers, of BL within the Asian continent, and yes, while still being hella homophobic and, but let’s be real for a second, queer people have been around since the beginning of time, so even though BL was made and intended for women, our Queer Eastern Siblings would find a way to secretly also consume BL, being the closest thing to reading about a queer relationship, so added to the westerner consumption as well, it is no surprise that these 5 countries suddenly had a boom, despite having been being homophobic. 

Hence, it can be said that these 5 countries were on the same wavelength in the early 2010s, but what about now? With the considerable change in behaviour and thought with regards to Queer people in these countries in the early 2020s where do these 5 countries stand with regards to their Queer people and politics? Well, China has now banned BLs entirely, and I will not delve into their further lack of queer rights. Taiwan and Thailand have legalised Queer marriage. Then there is Japan which is making progress towards trying to legalise Queer marriage with to my greatest joy a successful ruling that happened this year in March related to same-sex unions … so, what about South Korea?

Well … SK is so close 🥹 … Yet so far 😫

It’s like they are taking 4 steps forward and 3 steps backwards, constantly. They are well far from China-levels which is a fucking relief I tell you! but they are dragging their feet to be at Japan-levels (and Japan is very close to Thailand and Taiwan Queer status currently). Yet, it is not as negative as it seems, or as some people try to portray it. You look around social media and they depict SK as if it were China. SK is currently facing a situation where it notices that things are changing and change is scary y’all. Resistance is the usual reaction to change, and the older generations, mainly those led by the Christian groups are not really where is at. SK’s youth and older liberal generations hold the answer to the Queer Korea questions.

So what exactly makes SK look hopeful? Well, time to get back to some History again 😘

The first Queer organisation in SK was formed in 1993 by 3 gay men and 3 lesbian women. The following year the 6 separated into 2 groups and formed the first gay organisation and the first lesbian one respectively. In 1997 we have the first demonstration for gay and lesbian rights, which then lead into 2000, the year of the first Pride Parade, which is one of the events of the very first Seol Queer Culture Festival Daegu Queer Culture Festival will be created in 2009, do keep this in mind … but another major event happened in the year 2000.

Y’all know that saying X walked so that Y could run? Well Hong Seok Cheon was basically forced to walk so that Queer Korean could learn how to properly train to run.

Though Seok-cheon is presently back to being somewhat popular again, his coming out was pretty traumatic. His career as comedian/actor started in 1994 and he was quite popular which landed him a good number of acting roles, and a lot of placements in comedy shows, as well as a kids show. In 2000 he was asked about his sexuality and he had no qualms in replying that he was gay. The show editors decided to cut out that part but a journalist gotta love them 🙃 got a hold of the footage and forced him to “elaborate”. Upon confirming, Seok-cheon lost all his jobs and was shunned verbally abused, discrimination and the lot, oh yes … by his own country. 

Not surprisingly, given that nobody in his own country wanted to interact with him, he at first thought of moving to the US to start afresh, but then decided against it. Seok-cheon decided to stay and prove to everyone in his country that he could make it and be successful again. And that he did. In 2002 he opened the first of what now is a high end chain of 9 restaurants in Itaewon. 2004 he joined the Democratic Labor Party and was selected by Time magazine as the Asian Hero of that year and in the following years Seok-cheon will keep racking up achievements  🎶🎵Did you see my bag? Did you see my bag? 🎶🎵 Namean?! (I’m not gonna list them all but you should definitely look him up and learn a bit about him, if you are interested).

But how does that connect to today? In 2008 he started his own talk show Coming Out and though there was a bit of resistance at the beginning as expected, the youth came in force and he started gaining audiences and boom! He was back on TV and slowly he’d get also a few cameos on prominent media, such as the Netflix drama Itaewon Class. Now let’s leave the lime-light for a second and let's look at the military 😬. It is vitally important that people understand that being gay is not illegal in any of the 5 countries we’ve been talking about yes, even China, but the public opinion and beliefs of each country greatly influence how their queer communities are thought of and treated.

Now, SK Military has become pretty infamous within the queer community for conducting witch-hunts in order to find out and humiliate gay soldiers, so much so that organisations such as Amnesty eventually had to step in. That being said, let's be real real real for a second. Though it is appalling what they have done to the queer soldiers, the SK military was also very famous for hazing, assaulting, causing cadets regardless of sexuality to want to unalive themselves and what more. All of the aforementioned, which put SK’s military on the map in a not so positive light globally, added to the increase in suicides, made the government address the situation, and they eventually came up with solutions such as the buddy system, which was first implemented in 2003. But, back to the gays. The most popular witch-hunt happened in 2017 where two soldiers amongst others were outed, but these particular two were found guilty of having sex off-base, during off hours.

In 2022 this conviction was overturned, the soldiers were no longer guilty and it is now no longer illegal, for queer soldiers, to have sex off-base during off-hours. You know what else happened in 2022? SK aired their first Queer reality shows, one being To Me(a)rry Queer and and the other being His Man. In 2023, His Man 2 will give us our first successful real-life queer couple, who are our beloved couple Junseong and Seongho (together known as Junseongho). They are the first queer couple to ever appear on Dazed magazine and we are all familiar with Dazed, it is not the front page like our boys get, but we all know how big of a deal this is, right?

You know what else happened in 2023? Remember that Daegu Queer Culture Festival I was talking about? The Mayor of Daegu (big Christian sympathiser) tried to stop this festival which includes the Parade and many other events, even though the Court ruled it was okay for the Festival to be carried out. The Mayor gathered other supporters and pulled up to the group, but the Daegu Police protected the Festival and removed the mayor and his “friends” from the premises. This was big and made news worldwide. 

In fact, Daegu’s Queer Culture Festival is the second largest one in the country, after Seoul’s. This is mainly possible because the Local Authorities (such as the police) are quite independent in belief from their present Mayor and the Christian factions. In contrast, for example, Busan’s Queer Culture Festival had a two year run but was then cancelled in 2019. Unfortunately, in Busan, The Mayor, the Local Authorities and the Christian factions are buddy-buddies making it much harder to get protection and permissions, aaaaaand things like that, kids, is why it is super important to vote for your local administration as well.

Even though these are all very important stepping stones, SK is nowhere close to being the UK, obviously. The LGBTQ community still has to get all their core rights being legalised, and queer people can still be subject to random ass attacks, such as the singer Holland had in 2022, which, by the way, also still occasionally does happen in the UK and everywhere else in the Queer World. Which is a general minority reality I’m afraid.

Furthermore, it is still illegal to have sex on base, which the country maintains that they are upholding because they are trying to prevent possible sexual assaults not too mad about this tbh, which is a valid concern, but most importantly they now know that the world is watching and why is that important? Because, for example, even though they are now separated, one of the boys from the Me(a)rry Queer couples enlisted around the same time with JK & JM and from his posts and photo-booth pictures that other soldiers posted of him, he seems to be making friends and to be comfy as comfy as you can get while serving, kinda like Joonie and most likely JM & JK

View this post on Instagram

A post shared by 박보성 (@park_bosung)

Not quite the attitude of someone fearing a witch-hunt, right? But then again, there isn’t much to hunt when you are already out, it is afterall illegal to hunt people and the world is now aware; is there? …

Now back to the general people of SK. According to a survey conducted in 2023 last year, 56% of South Koreans still oppose same-sex marriage (in comparison with only 26% of Japanese). 56% is not bad but then 72% don’t want queer people in their neighbourhoods and  workplace, though 81% think that it is not right to terminate people because of their sexual orientation 4 steps ➡️3 steps ⬅️… … … Basically it’s okay to be queer here as in SK, but not here-here, perhaps over there like a queer only neighbourhood or something which at the moment is the Itaewon district. 

So yes, 2024 Queer SK is still struggling though they are not going to be overtly nasty about it, because the world is watching. I mean, don’t get me wrong, progress is progress and we love to see that, it is actually amazing, but there still needs to be a general environment where LGBTQ rights in SK need to be recognised and for queer Koreans to not be discriminated against in their social/work/family life. It is also great that Queer media is trying to transition more and more from only BL to actual Queer Drama, for example I am really looking forward to watching Love In The Big City which btw also stars Kim Go Eun.

There is still work to be done, but I think Jung Cueri, a lesbian woman who helps with the Seoul Queer Culture Festival, says it best (here is the full article https://www.dw.com/en/why-are-south-koreans-less-welcoming-of-lgbtq-neighbors/a-68698268 ):

“I think the attitudes of younger generations of Koreans are getting better," she said, pointing out that young LGBTQ+ individuals "tend to come out sooner to their families, in their workplaces and schools than my generation because they are more aware of their sexuality through social media and exposure to various discussions that are more tolerant of LGBTQ+ people." And the cultural festival can help to be a catalyst to change further, she believes. "It will get better," she said. "And that is why the organizers and everyone else involved in the festival are working so hard; they know that Korean society will get better, and they want to contribute to that.

From where I stand it seems Hopeful, Queerful, if you may.

So, Fighting!, Queer South Korea!

Always respectfully yours,

Marengo. 

[abyss-ice]

Food fantasy diversity issue

Gotta put the word. I'm mad.

Food fantasy isn't the worst game about diversity and skin color... I know but.

It isn't the game with the best rep AT ALL.

You know, I love this game, I love the lore. But this doesn't mean I should be boot licking everything. I have the right to criticize and ask for improvement.

Let's start with the first issue. Skin color. The game of course has more east Asian and European food so it's natural that white skinned characters are the majority. However I noticed that more than half the design of the supposedly more tan or melanined characters are pale or ashey asf. I swear I know they are darker than the white white, but damn I'm as tan as them but I'm actually not tan and I'm white skinned. Artists, please stop being scared to color your character's skin with actual COLOR. Also almost all of them are white haired for some reason. I won't lie about the design some white haired were peak ( Ganache, Reuben, Tomahawk) but a lot of them only have white hair to make their skin appear darker. Also btw the excuse "yeah but you know that not all people of this country are dark skinned" is invalid. Ganache and Reuben are respectively French and United-Statizen. Both these countries are mainly white. So heh.

Ganache and Reuben

Second issue, the orientalism. When I see the dark skinned characters and especially the Middle East food souls, they are often portrayed wearing revealing clothes. If you do some research, it's very weird with their culture. "Yeah but the white characters also wear revealing clothes" Que Neni. If you compare the ratio, obviously dark skinned or just the tan ones are a lot more "fetishized". Always revealing their belly and for what ? Nothing because their outfits are based on fantasm and stereotyped views (belly dancer) about what the middle east looks like not the real traditional clothes which is a shame for a game about food diversity. Food eaten in Muslim countries for Ramadan wearing these ....

Knafeh and Shawarma the worst of them all

And third issue. A lot of them just don't have ethnic physical features. I can understand that this clashes with the artist's art style but I swear it's not that difficult to draw curly and kinky hair. You know it's not that hard to download brush on CSP. Brushes that help you to draw afro hair style.

This food IS FROM ZAMBIA but man looks like a Middle East/American native. Not African from Zambia.

And this is the end of my rant.

"the game company is Asian that's why they don't add a lot of diversity." First research, second, Dislyte, Pokemon both are Asian companies with rad black and poc design. Excuse refused. Don't try to justify culture erasure even if it's not done with a malicious intent. ( And Hoyoverse is NOT a role model. Being better than hoyo at skin diversity isn't a feat. It's the bare minimum)

And yes maybe I'm just a hater "You should just go play another game if you are just gonna hate", man. The bar is so low that I can't even wish for improvement for a game that was my first Gacha Game and a part of my teenage years ?? If you thought like everything I wrote between the quotation marks, I urge you to broaden your horizon and learn about these often misrepresented cultures.

Bye

[elderscrollsconceptart]

I love elder scrolls but I'm sad about how orientalist it can be

I didn't specialize in it, but The College and department I went to specialized in South East Asian studies. So for a long time I've been acutely aware of the obvious artistic and creative influences on various TES societies, art styles, motifs, etc.

Orientalism has a bizarre mix of pandering assumptive stereotypes, romanticism, and at its worst, pure racism. Orientalism originated via dangerous and racist western attitudes of past centuries which were used to simplify and insultingly coddle and ostracize non-western cultures while also allowing westerners to access said cultures via a smug sense of superiority and curiosity.

There are a lot of East Asian, South Asian, North African, Middle Eastern influences in the various societies and cultures of TES.

I cannot speak for how people of those backgrounds may feel about how the various artistic styles and inspirations have influenced the art and lore of TES.

All I can say is there is a lot of IRL cultural influence in TES. Creating a vast fantasy world and *not* taking IRL cultural inspiration is hard. IMO it's practically unavoidable unless you want to get REAL WEIRD with the lore and art in the way Michael Kirkbride does (he can create genuinely alien cultures).

I am of the personal opinion that cultural artistic inspiration is fine as long as it is done with *deep* respect, care, and dignity towards the civilization it is taking inspiration from.

I personally feel TES does more than enough to go beyond simple cultural artistic inspirations and creates something that is both very familiar and also entirely new.

For example, let's look at how Argonian art and culture is depicted in TES.

Besides the Kukri knives which are of South Asian origin, were largely looking at a fictitious culture that has extreme aesthetic similarities to indigenous cultures of Central and South America.

I myself am descended from such people IRL.

I have direct family connections to specific tribes in Northern and central Mexico. Am I bothered seeing a fictional series taking direct artistic inspiration from the ancient cultures of my ancestors? And that our culture is applied to a bunch of weird lizard people no less?

Yes, it does bother me a little. However, when I think about it I also realize there is nothing ignoble about the Argonian people or how they are represented in game or art. I mean look at them. What is there to be ashamed of when you look at them, talk to them, *see* the Argonians and how they live?

The Argonians are quite frankly, super fucking cool badasses. They have a complicated, dark, heroic, and fascinating history. Just like my ancestors. Why would I shy away from seeing the culture of my ancestors inspiring a proud fictional civilization?

There's nothing to be ashamed of when I see my culture represented or taken inspiration from as long as it is not being used in a demeaning or insulting manner.

I don't feel Bethesda is acting with racist or ill intentions when they take artistic inspirations from real cultures. I want to give them credit. A lot of very intelligent and learned people work for Bethesda. Many of their creatives come from all over the world and from many different cultural backgrounds.

For example! Many of the artists who worked on the western inspired civilizations of Cyrodiil and Skyrim were of East Asian, South Asian, and African descent. They took it upon themselves to learn the artistic cultural stylings they wanted to take inspiration from and to represent them in an authentic but still creative and unique way. This is what any good fantasy series should be able to do.

They know the world is huge and every culture is endlessly diverse. There should be no shame in depicting or taking inspiration from a culture or their artistic style as long as such inspiration and depiction is done diligently, honestly, and with respect.

I feel that the art and artists of TES have faced up to this challenge and expectation and have (largely) met it. There are some examples that do make me roll my eyes, but even these are largely just cases of lazy artistic expression or generic inspiration.

All in all, artists and creatives absolutely can and should do more to ensure their inspirations from non-western cultures are done with tact and respect. I personally feel the creative behind TES have been meeting expectations in this regard and have done a fair job of taking inspiration without being insulting.

[thelamentknight]

I am not trying to say this to be rude or mean.

With Natlan coming very soon, we have seen the character designs of some Natlan characters. Needless to say, it’s Sumeru all over again. Some are not happy with the skin tones of the characters.

I genuinely mean no disrespect to Mihoyo and its designers. But I do wish they made the characters have more variety in skin tone. Sumeru is based on the Middle East while Natlan is based on Hispanic and African cultures and mythology. Both are places with people with many types of skin tones. Hell, Asians can have a variety of skin tones as well, yet Liyue and Inazuma have almost no dark skinned people.

Yes, they CAN have light/pale skin. I’m not saying that none of them should be pale. The problem is that the majority of them are pale. I will give Natlan this: a few of them are tan. But that’s the thing: at best the dark skinned characters are tanned. So the variety is basically “extremely pale” to “a sort of light tan.”

Again, I’m not trying to be rude, and I’m not trying to say that pale skin is bad. No skin tone is better than the other, and they are all beautiful. And I don’t want to act like I know how diversity works. I just wish Mihoyo would make more characters with darker skin tones. Because while it isn’t asinine that pale Sumeru and Natlan characters exist, it’s kind of ridiculous how SO MANY are pale.

P.S.: If you are going to criticize Mihoyo about this, can you NOT threaten, harass, or doxx them

[potionwine]

One of the PF prompts for October is superstition, and I've had this idea for ages—it's in my fic but I just want to keep a record of it in a more expository form.

The following headcanon concept is in extreme danger of being jossed as soon as the devs decide to release official birthdates or anything, like in the upcoming lore book. But while I have the room to explore—

Since there are Eikons tied to certain specific nations, the people of those countries might start to develop internal superstitions about the best season in which their Dominant should be born, as a good omen of sorts. This superstition/folk belief is heavily inspired by the east Asian astrologies that calculate the date and hour etc. of a child’s birth to predict a person’s life and destiny (and also the compatibility of couples).

Rosaria would obviously think it best for the Dominant of Fire to be born during summer, and places like the Northern Territories would want their Shiva born in winter to signify a strong, divinely blessed Dominant. Maybe the people of the Water want theirs born during the monsoon or peak rainy season, not that I know whether or not Valisthea even has monsoons. So in this concept, coincidentally Rosaria and Sanbreque have the same cultural superstition: that the Dominant of Fire or Light born during summer, and particularly near the solstice, would symbolise luck and power, like a favoured child of destiny. Rosaria because it’s the hottest, brightest season, and similar for Sanbreque, because it is the brightest, longest light.

And in a situation of such folk beliefs being widely held, I would want Dion born exactly on the summer solstice, literally the specialest, most auspicious day, in a “all our stars have aligned” way, the absolute height of divine favour smiling onto Sanbreque to produce this shining godsend (goddess-send), and this is the first, but by no means the last, of the things about Dion that wholly convince his people that their new Bahamut is blessing personified, is the radiant chosen one of Greagor, to usher the empire into a new golden age and defend her against all their enemies and deliver them from penury (the encroaching blight).

(Privately, if I'm honest, Cancer is the least suitable western astrological sign to assign to Dion, not that there’s any real scientific basis in any of it.)

In the reverse, I would want Joshua born in deep winter, which is worrying and ominous for Rosaria. Ideally I really want him on the winter solstice, but he can’t be in “December” [or its equivalent] and remain in the same calendar year as Dion (in my heart of hearts I really want 25 December to go full Jesus on Joshua), but a birthday right at the start of “January” would be great, when it is dark and cold and bleak, a fierce bitter winter that augurs ill, and therefore the Rosarians whispered quiet fears about this, blamed Anabella about this, and when Joshua turned out so sickly and weak, also blamed and doubted the child of ill-fate. A fire of no warmth and little light.

Love heaping the pressure onto Dion and Joshua in opposing and complementary ways. Dion’s countrymen think he’s absolutely perfect, the pinnacle of Bahamuts, an unprecedented prodigy that made his father’s political enemies sweat from the moment of his birth, and when Sylvestre ascended the throne the people looked at their new prince, their guiding light, their radiant star—and approved of it, approved of him, like yes, yes, this is our destiny. This is Sanbreque’s future. This is what the Goddess has ordained.

So: Dion is strong and perfect, is told by everyone all the time that he is strong and perfect; he can only be strong, he was made perfect, he cannot be anything except strong and perfect. Weakness is not only forbidden, it is impossible, for the Goddess’ blessing is flawless and cannot fail, and any personal weakness wouldn’t concern only him, it would spell disaster for his whole country. Which is the sort of thing that gives a child a very particular sort of damage.

And the winter-born Phoenix, imperfect from the wrong and unlucky season of his birth and frail throughout his childhood, knows his people don’t believe in him, that they have no confidence in him and think of him as weak—born flawed and continues to be flawed, with a fragile constitution, frequently ill. The thing about superstitions is that it is worsened by pre-existing doubt or concurrent fears, and since Joshua’s physical condition does not inspire confidence in the troops or the populace, their confirmation bias will amplify their worries and negative gut feelings. It’s a vicious cycle. Child!Joshua, who perfectly perceives and understands his people’s lack of faith in him, will naturally learn to feel self-doubt and inferior, because that’s what happens when children are bombarded by consistent messages from their environment.

We know for a fact he knows this, because at Phoenix Gate he literally says “they don’t believe in me”. He says “I don’t have what it takes”, he says “I don’t have the strength”. And he says to Clive, “it should have been you.” The sense of inadequacy is deep, cutting, persistent, and profound. There is a standard to meet, and he understands how badly he falls short. “They don’t believe in me, they believe in the power of the Dominant.” Will his full prime Phoenix form hold up in battle? This seems like a question that should lowkey eat away at everyone in the prologue. Everyone is hoping that the full primed Phoenix will be enough, the way the Eikon has always been enough, because the current Dominant clearly isn’t. Putting aside how self-doubt tends to lead to self-sabotage, for a 10-year-old to say something that hopeless and crushing in his quiet little voice, this is more than a hushed confession of weakness, it is resignation—and as we discover, he does not even need to enter war to experience defeat, and it is only the first in a string of massive defeats to come. His lack of strength doesn’t concern only him, it spells disaster for his whole country. Which is the sort of thing that gives a child a very particular sort of damage, and makes for a beautifully poetic counterpart to summer-Dion.

It's the contrast and foil between the lucky child/the unlucky child—who is which cannot be clearly defined—and between the weak child/the strong child—or, the child who was always told he’s weak, the child who was always told he’s strong. Which leads into the onscreen transformation over the course of gameplay: the exalted Sanbrequois prince who plummets into weakness and has to learn how not to break, the vanquished Rosarian prince who rises to strength and has to learn how to survive, finding each other as adults who embrace and comfort each other’s weaknesses, and become each other’s strength.

Supplementary notes:

Clive should be born in summer too, probably “August” or something when it was unseasonably hot and dry that year, and even the non-superstitious thought Anabella did a splendid job and were super enthusiastic for their new Dominant to wake—he’s going to be a proper fire Dominant, this one, the world is already scorching at his arrival. I love anything that exacerbates Rosfield family dysfunction.

One of the most amusing things about such a superstition would be that certain Motes would try extremely hard to conceive at certain times. The tribes in the Northern Territories would be like omg time for a new Shiva, we are 8-10 months out from winter, everyone get down to business!!!

People should blame Anabella, illogically, for the time of Joshua's birth and add to the sense of persecution and disgrace she seems to feel about her children. I've a strong headcanon, even without this superstition, that Joshua is a preemie. It's such a but of course concept to me, that Joshua is a premature baby, and not just a little bit premature, but the kind of premature that could never have survived in medieval times without the Phoenix. So if the pregnancy had remained on track, perhaps Josh would have been a "February" baby—still winter, not great, but without turn of the year notions of upheaval and change. So smoll, scrunchy, very premature Joshua pops out at the worst time, and the birth was sudden and horrendous and arduous, and some people think it must be because Anabella didn't take proper care.

This is a phoenixflare post, therefore the point of all this, of course, is that Joshua is the hope in the despairing dark, and Dion is the enduring light, and the Sanbreque astrologers will find upon calculation that they are the perfect complementary match.

[kimyoonmiauthor]

I thought it might be fun to list "Best cultures for", imo, BTW, doesn't include SK in most cases.

So using my Anthro degree for something. This is Academic interest. I'm only giving the loose reasons why. I'm not particularly promoting fetishization here. I'm saying, do the research into this specific culture for this specific cultural aspect. rather than blind worship.

Agriculture

Of the three major regions, (West Asia, Southern China-ish, Meso America/Northern South America) hands down, The Americas.

I mean, if you look at the genetics and origin of the potato, that itself is super impressive. Through domestication alone, they managed to make the potato grow in all environments, AND changed the amount of genes the potato has. !@#$ What? Really? And then you have things like Amaranth, corn, squash, beans of different kinds, quinoa, tomatoes which is related to nightshade, which is used more than eggplant worldwide, and Sweet Potatoes which they gave to Polynesians. Also single handedly through the Potato and Sweet Potato saved China, Korea, Ireland, and several other places from famine, thus also helping to end the slavery cycle in Korea, China and Japan. I mean... who are you going to rank the highest in that case?

Second place ranking I have to give to Western Asia. Daaaaamn, you have wheat, oats, barley, sheep, goats, cows, horses (supposedly), pigs. That's pretty impressive.

Third place Southern China—rice production, most of the world's commercial flowers, soybeans, a lot of the fruits including citrus. You also get honey.

Honorable mention to South Asia for Chickens. (Indonesia and India specifically)

Despite this, apples are my favorite fruit. lol I need to eat a Courtland apple please. I can eat them by the bushel.

Sea navigation

Hands down, Polynesians, beats the pants off of everyone else by a nautical league. When you can feel sea currents with your hands, be able to get your people first to the South Pacific from China, and then navigate ALLLLL the way to the Americas and beat Europeans, Yes, definitely they get the crown several times over. I mean... think hard about it. When you memorize stick charts, casually and then don't have them at sea and sometimes your tattoos are only brief reminders, FLOORED.

Make Europeans in the same time period look terrible.

House design

I'm looking at passive solar, specifically rather than aesthetics. For me, this is kinda toss up. Indigenous peoples rocked it pretty hard, especially in the South West US into Mexico region. They were exceptionally good at regulating air flow. But Koreans invented underfloor heating. And Chinese figured out Feng Shui which is just Passive solar+ a bunch of other stuff that's practical. (Such as your bathroom shouldn't be above your kitchen). But I have to admit I also admire some of the Indian Passive solar efforts (subcontinent). This one is hard to decide. But if you're researching, I'd look there.

Gender

My favorite to point to is Bugis people of Indonesia. 5 different genders. Freaking awesome. Of course it's a bit disciplined these days by the government, but it's worth investigating.

As I wrote before East Asian gender systems of the past were often more fluid and flexible and still are compared to European ideologues.

Clothing?

No one has impressed me that much, tbh. It's a pick and choose. I can choose the most impractical, but not the one that wins my heart for inventiveness.

Crakows, though, crack me up every single last time. Especially for the Phallic nature and that they were associated with men. But that's on the impractical list. That's also why I submitted it for review on History Hit's fashion list. I haven't gotten over it since I first saw it, I think it was on a Dan Snow documentary about British kings. I mean look at them and resist laughing your butt off.

Religion

I personally think that real Voudoun is much cooler than what's in the movies, which is really racist 98% of the time. It is a Synchronized religion, and it is Christian-based in some ways, but c'mon, look it up and be impressed.

BTW, I really dislike the conflation of zombies with Voudou, granted as an outsider, since it belongs to Bokor and is a warning against *becoming a slave* not about white people trying to shoot zombies with grey and darker faces because OMG, slave uprising psychology.

Zonbis, are cooler than zombies since it's about overcoming and resisting masters, rather than about masters mass killing their slaves, which is what the later meaning seems to say. Ad Zombie movies are at their best when they symbolically get the original concept and meaning. So like becoming a work drone.

^^ I still have a soft spot for Muism as a Korean, but ya know, Korean. I lean towards liking shamanism, probably because of the historical acceptance of LGBTQIA and disability.

Shamanism is also appealing in some ways because often shamanism says that if everything in your life is going wrong, then that might be a sign of powers or spirits calling to you, rather than saying in the old Christian ideology that you've sinned deeply, so you need to repent.

But this is usually not what people are asking about when they are thinking about religions. They usually want the polytheistic, Jade Emperor, Greek, Roman, Egyptians, Norse route. Or Monotheism. Kinda dull, really. Where are the other types in fiction. I mean, Druids?

Give me some totemism for once.

Government System

Look up Wigan Council. I might also be biased towards it because of Gaya, but it's a way to play with things and also allow for more LGBTQIA royalty. Royalty without autocracy?

Inventions?

Hands down, no doubt, Islamic Empire. I mean, when you have Automatons without electricity, you're winning without question. When your people are inventing surgery, calculating the size of the Earth, allowing women to read, learn and write, inventing the lens, which is the cornerstone of so many inventions, and you got Europe's Bacon by inventing the Scientific Method first, historical crush does't cut it. I mean, when you can calculate a pointed arch, do geometric mosaics with mathematical principles, I am floored beyond reason.

Conclusion

This isn't to say I'm not impressed by specific things from other cultures as well, but this is broad strokes. Vedanta Hinduism, for me, is impressive from India. And I really like the practicality of Hanbok. (Why hanbok over hanfu is a long, long post) And I've raved over kimchi before multiple, multiple times, more than you know (quora... I think I have the most answers and I also answer with the food science of Kimchi down to the bacteria.) BTW, dumplings are damned clever.

What are your favorite culture for specific things from those cultures? Would you choose different cultures for each of these things? If so, why? What impressive things have I missed that have floored you?

[sureokyeahwhatever]

i finished vampire the masquerade bloodlines after chipping away at it for a couple weeks after work. Those first 2/3rds of the game are a genuine masterpiece, but man, that last third gets really, really weird and racist.

The thing is, is that I actually have very little to say about that first 2/3rds. It's just good. The design is great, it's well balanced, it's open ended, it has great characters. It's wonderful. This part of the game feels like a real, worthy successor to Deux Ex. There's just nothing more to say, I think.

...

And that's why I almost have a hard time believing it's written by the same people as the last bit. The whole game up to that point (up to just before chinatown) is pretty darn smartly written with some relatively cogent social commentary. The quality of the missions also takes a really, really steep dive in that section too (lots of run and gun hallways, lots of extremely buggy areas, shitty boss fights, etc. But that's honestly understandable because balancing the endgame of an ImSim is practically impossible). Idk, it feels like a totally different game. I could almost just forgive all of that though, if it weren't for the ungodly and seemingly genuine racism with regards to the east Asian vampires.

Like. Ok. If we're being VERY charitable and we just flatly forgive all of the misguided-though-not-malintentioned 2000s era attempts at humor-via-stereotype (dialogue options referencing "tentacles" directed at a young japanese woman; old chinese guys who are always loud and drunk; jingoistic WWII-surviving japanese soldier; Chinese businessman speaking in riddles and mentioning the I-Ching; so on and so on) the whole handling of the "chinese vampire" storyline is psychotically racist.

You first hear of these guys -- the Kuei-Jin, which I learn from the wiki is a portmanteau of the Mandarin word for ghost and a the Japanese word for person, which... ok. -- as being basically like animals. They slaughter who ever they see, lots of people in the bourgeois faction see them as a nuisance, the people in the anarchist faction see them as "invaders from the east," which already had me like "Jesus fucking Christ, maybe these anarchist guys aren't cool after all". But anyway, you go to Chinatown to talk to them and -- by my estimation -- they were basically the same as everyone else. They're protective of their territory, they're secretive, they're paranoid of outsiders... I mean, yeah, they're fucking vampires and apparently all the other vampires see them as sub-human, so yeah, I'd be paranoid and secretive around me too.

The thing is, is that you have this anarchist friend who you tell everything to -- Jack -- and I wanted to go tell him "hey, I don't think these guys are so bad. Maybe we misjudged them" or something like that. And there was a dialogue option along the lines of that, but when I said it, his response was something to the effect of "don't let them sweet talk you with their 'spiritual path' bullshit. That stuff ain't for /us/". Which, I heard and again, said "ah! Interesting writing decision! We're learning that Jack ALSO has flaws like everyone else! he's not just some perfectly cool, levelheaded badass -- he has unjustified prejudices just like everyone else!" So I continued the story under the assumption that, yes, while the surface level of the whole "Chinese vampire" thing was being handled in a really immature, racist way, and in-universe all the other factions seemed to see them as exactly that -- racist stereotypes of conniving, backstabbing Chinese mafia goons -- this was all setting up an interesting "let's all learn to put our cultural differences aside and defeat those rich assholes who want to rule LA"-style ending. This would not be the case.

There was a moment towards the end that I THOUGHT confirmed my suspicion. You are told by the leader of the bourgeois faction to convince the anarchist faction to ally with them so they can, together, take down the Kuei-Jin. Around this time you also are intercepted by the leader of the Kuei-Jin who straight up warns you "hey, that bourgeois guy set me up. He's about to set you up too. Be careful. I hope we can be friends in the future." So I get this information and go straight to the anarchist faction with the intention to say "Ok, bourgeois guys are obviously doing a power play. Now's the time to join with the Kuei-Jin and take them out. We'll settle our petty differences later." (Side note, yes, I understand they were recently at war, but war happens in these situations. The best way to prevent another war is actively making peace. Not by just constantly threatening to go BACK to war). But no such option was available. Instead, all the options were different variations on "Let's join with the bourgeois faction and kill those Chinese guys!" What? But I don't want to kill those guys! And I don't really trust either of these other factions either because the anarchists are racists and the bourgeois guys are, well, bourgeois guys.

So eventually the "ending-tron 3000" comes up in the form of a conversation with a taxi driver which, as far as ending-trons go, is pretty cute. If you decide to ally with the Kuei-Jin two things happen: one, everyone hates you because it's completely impossible to convince anyone that they are anything other than parasites, and two, they kill you in a cutscene and you die in the ocean, which, all things considered, is probably the worst possible way this whole story line could have been handled. There was an opportunity here to have an exceptionally interesting moment where you bring people together to fight in solidarity against those who seek to concentrate their power over the city and all it's inhabitants. There could have been an ending where you work together with the Kuei-Jin and the anarchists to get rid of the bourgeois faction, render the "anarchist" faction system redundant, and allow LA vampires to establish their own federated society where people can live where and how they please without the iron fist of some Ivory tower pretty boys telling everyone how to live their lives. You could establish a system of vampire democracy across LA, with all the benefits and negatives that it brings. Would LA then be crushed under the heel of the bourgeois faction coming in from other cities? Or would it be able to stand the test of time and serve as an example for other cities to rise up and do the same? There's some interesting stuff here, both politically and for individual characters as perhaps you have to work extra hard to get Jack and the rest of the anarchists to believe that the Kuei-Jin are, despite superficial differences, just vampires like they are and that they all share common interests.

Instead, the game goes hard in the other direction. It calls you an idiot for trusting those eastern invaders and basically says "you should have listened to everyone else when they were mumbling under their breath about how you can't trust those Kuei-Jin as far as you can throw them". i.e., you were an idiot for not being racist enough. Like, I can understand the general theme of "trust no one", since it permeates through the whole game, but to literally introduce a faction of "conniving foreigners" who everyone hates, and then to have that hate be perfectly justified just feels boring, hateful, and honestly like a waste of a third of what was otherwise a great, great game.

Anyway. The game is good. Great, even! It's really hard to make an ImSim, so even though the last third has some rough (ROUGH) design flaws and bugs, I'm happy to look past that. However, it's really easy to not just put Chinese people in your game and make them evil stereotypes that everyone rightfully hates, so that's harder to look past.

I would say the ideal way to experience the game is to marathon the first chapter up to downtown, play less and less frequently from downtown up until the end of hollywood or so, and gradually lose interest around the time that you're asked to go to Chinatown. I think if you did that, you'd end up remembering the game very fondly.

[pink-strawberry-kissess]

If my memory serves me right I remember you saying Ada would like sweet food (or has a sweet tooth?). But wouldn't it be the opposite? Given most asians don't really like sweet food, preferring them to be less sweeter. I imagine her taking a bite of chocolate cake and immediately giving it to Leon because she's one bite away from gagging. 😂 And I also think she'd be lactose intolerant too (because she's East Asian, and about 70-100 percent are lactose intolerant) so her eating ice cream would be less likely tbh.

No hate, just giving my thoughts as a fellow asian myself! 😅

i like the idea of ada having a sweet tooth (mostly because i like the symmetry of her having a sweet spot for leon) lol

so even if she does, i kinda think she wouldn't indulge very often. or would do so very rarely.

IM GONNA BE HONEST (about the lactose intolerance thing)

(i have a lot of very strong opinions about this)

i do think there's a lot of nuance with understanding lactose intolerance in asian people and people in general. i do think it's funny that i am also asian (and also have asian friends that are all not lactose intolerant, myself included) while having several white friends that are ALL severely lactose intolerant.

the other thing is that i think it's kinda weird to place this on an asian character, based on the fact that's it's a possibility for asian people. it doesn't really change much for her story other than she "can't have milk" and im like - that's.. weird lol. to attribute that to her for just being asian. (like it feels like one of those not necessarily racist characteristics, but it feels weird to attach this to her JUST BECAUSE she's asian)

also especially since it's not something that's ALWAYS occuring with asian people. sure, it's a higher percentage. but europeans also have a high chance of being lactose intolerant, along with many other people from different parts of the world.)

this also doesn't include the fact that many asian countries along with the west, that have also developed milks that have less lactose and or are lactose free. so it's entirely possible for someone to be lactose intolerant consume a bunch of dairy products and be fine. (or be like my white friends that are lactose intolerant and just shit their brains out later)

another thing that i think would be weird is to write like - a korean character not sweating or smelling because they might have the gene that makes it so that they don't smell. - like that's fucking weird right? to bring up in a fic?

or the chinese alcohol flush thing, which yes, many people have it (myself included.) but it doesn't seem important enough to write in? or maybe just mention a small flush and then move on??

another thing to note is that i do hc that ada spent most of her life in america or an english speaking country. i don't hc that she was in china for most of her life. mostly because it's not typical for asians in asian countries to remain in asia up until their mid teens and to not retain some sort of accent. since ada has no accent imo (even in the remakes,) i've always hc that she lived longer in an english speaking country.

SO that would also mean her diet was westernized at some point. so she would have probably acclimated to the diet.

I DUNNO

i like thinking about these things lol

another thing to note, i think it's more important to write about a character's culture, rather than statistical likelihoods. if i feel like an asian trait doesn't necessarily align with what i hc ada to have, i'm not going to write it. and that's the fun - if you like that, then write it yourself!

when writing stop and smell the roses, which was my first fic to really dabble more with chinese culture and also the language. i focused on things that were moreso in line with traditions and cultures - not just likelihoods of what asian people might have.

i think the only reason why im bringing this up is because it's very easy to box a character into their race when you write this way. and it can easily lead into racial stereotypes when you write in things that aren't necessarily required for a character. if you can work it in a way that doesn't highlight the fact that it's a race thing, then i think that's fine.

but i'm not going to write a character this way - it just seems unnecessary.

[lazagnalovingcat]

Okay small rant but I really don't understand the point of tagging x reader fics where you specify on the looks of the reader likr for example chubby!reader or short!reader like unless that actually matters to the plot of the fic or drabble youre writing why include it? I get the fact that they want to focus on a group that are normally overlooked but I don't think I've ever read a fic where they specify on the tag itself the looks and body of the reader and if they do for example write things like "her pale white skin" or "Her bony back" then I can say with chest that, that is shit writing the whole point of x reader fics is that everyone can insert themselves into the plot but the looks of the reader neverrr should have mattered, it could be the actions of reader or the readers background in relation to the character but IT WAS NEVER ABOUT HOW THE READER LOOKS. Beauty is subjective so if the canon character said "youre beautiful" to the reader it shouldnt matter what the reader looks like AND THATS THE POINT. The worse part of these tagged fics is that they say reader is chubby or black or petite or stuff like that and only mention it ONCE if ever, like for example for a chubby reader they would write stuff like "He pinches her chubby waist" AND THEN THATS IT. Bro what is the point of tagging reader as something when at the end of the day it isnt gonna matter to the plot! For an x reader simply saying "He pinches her waist" is enough! Because no where else does the fic imply what the readers body type is! I really don't understand it because its not like tags like witch!reader or vampire!reader or forager!reader because these are non physical traits and actually change the plott! And even if you say there are certain traits assigned to certain reader tags that stuff can still be debatable like if a vampire has really pale skin or just ordinary skin tone like in castlevania. Anyway my point is if youre going to mention a physical trait it better matter in the plot and if not then why bother?? Why tag it as x reader when the oc tag is available! Im talking about purely physical traits not stuff like adhd!reader or mentallyill!reader because those things can show up in different ways and are not purely objective, physical traits are! If its representation youre aiming for youre doing a shit job if the only time its mentioned is in the tags and offhandedly in the dialouge where the noun or adjective can literaly be changed with any other noun or adjective with no change to the plot. As a south east asian woman I would love a fic that specified the ethnicity of the reader and it happens to be the same as mine but I dont just want "She ate [insert cultural food], and shared it with [insert character] and he really enjoyed it!" BRO THAT MEANS NOTHING TO MEE. If you cant tackle complex readers with cultural, historical and physical attributes other than shallow traits then dont do it! Believe me the people you want to represent would much rather enjoy a good x reader fic that doesnt focus on physical attributes than one that does but only offhandedly or doesnt even mention it!. Anyway the whole point of this rant is to say that if you cant write an x reader fic that remains engaging but vgaue on the readers physical traits so that everyone can insert themselves in the fic(the whole purpose of x reader fics) then youre not a good x reader fic writer and you should just stick to oc writing. Yes writing is a form of expression but I hope if you are for example a black writer that you express yourself better than just "she brushes her 4c hair" okay? BE CREATIVE EVERYONE DONT JUST RELY ON TAGS TO REACH A COMMUNITY QUALITY REPRESENTATION IS STILL IMPORTANT!!! thats all.

[annoyed-lesbian-rants]

There is a thing I want to talk about and it's newgen bayo fans

I don't care personally if people came to the game late or from tiktok edits or because people were mentioning the genshin character that looks like Bayo, but I noticed many people getting pissed at Jeanne and Bayo ship, or, beside this post infinite comments calling them "best friends!" like if it wasn't a part of the fandom FOR YEARS and probably beated Luka x Bayo on numbers

Now, in Bayonetta 3 personally it's ok and fun to see a more sweet Bayo, and yes I hated her being with Luka but they kinda made it work? I started liking it tho I still can't get over my hate for the daughter. Beside all this bs, it looks like many people only picked up 3 and see Bayo as that version, when it's the most different one, my problem is that these fans completely go over the very implied relationship Jeanne and Bayo had in the second game, and act like Bayo isn't clearly queer, even if we cut out her relationships, she vouges & her alternative design (at least in the first games) do recall queer culture.

"then why didn't they make them canon🥺" because you will never see canon lesbians in an east asian videogame unless it's the main topic or side characters made to be purely sexualized, because Bayo 1 & 2 came out in 2009 & 2015, gamermate just started in 2014, it hasn't even reached Asia YET, queer relationships in most east Asian media will be only implied in video games, in part because it's still a lot taboo in part because the male audience might lose their heads and boycott the company, and a good example of that is Honkai Impact, Sakura and Kellen are canon LOVERS in the manga, they kiss, if I'm not wrong in the animated series too, in the game it had to be cutted because it was against chinese laws, even tho China and Japan are different countries it does not mean that the people have different opinions on queer people (and I'm not saying the west is paradise since I've never seen more lesbian erasure than ever).

This all to say that Jeanne and Bayo makes very much sense, that a witch that fights angels in a game that is a parody of Christianity being a bisexual character makes completely sense, and if you don't think that I'm sorry but bayo 3 isn't the only bayo that exists. So don't come at Jeanne x Bayo fans when we were literally clenching teeths for years waiting for it to become canon

Nothing I just wanted to rant bye