#and when Antony claims he brought a hat back from the dream world because he accidentally ended the dream sequence with the hat

[narutos-sloppy-pussy]

I just watched Austentatious: The Queer Eye for the Regency Guy and it truly has everything. A man with the foulest walk who has a hyperfixation on Napoleon. A homosexual cousin. A woman whose father has been “dead” for seven years despite being alive up in the study the whole time. A murderous butler who’s gaslighting everyone. Saucy Sally’s Sausage Shop where all of the actors broke and one was in literal tears over the sexual innuendos. Dream sequence hats. The Chekov reference not being understood and that being baked into the sister’s character. Love wins. A marriage between two freaks who sat next to each other every day at Sunday (everyday) school who both love Napoleon. I’m obsessed.

[inthedayswhenlandswerefew]

But You Can Never Leave [Chapter 15: Midnight Manhattan]

A/N: Hi y’all! Thank you so much for your patience and support. I think it’ll be worth it...this chapter has something you’ve been waiting for. Only three more chapters left after this one! 💜

Chapter summary: A family visit turns awkward, Chrissie loses her cool, Roger and Y/N have a difficult conversation, John tells the truth.

This series is a work of fiction, and is (very) loosely inspired by real people and events. Absolutely no offense is meant to actual Queen or their families.

Song inspiration: Hotel California by The Eagles.

Chapter warnings: Language, babies, miscarriage, cute kids, drama, angst, more drama, more angst.

Chapter list (and all my writing) available HERE

Taglist: @queen-turtle-boiii @loveandbeloved29 @maggieroseevans @imnotvibingveryguccimrstark @im-an-adult-ish @queenlover05 @someforeigntragedy @imtheinvisiblequeen @joemazzmatazz @seven-seas-of-ham-on-rhye @namelesslosers @inthegardensofourminds @deacyblues @youngpastafanmug @sleepretreat @hardyshoe @bramblesforbreakfast @sevenseasofcats @tensecondvacation @queen-crue @jennyggggrrr @madeinheavxn @whatgoeson-itslate @brianssixpence @simonedk @herewegoagainniall @stardust-killer-queen @anotheronewritesthedust1 @pomjompish @writerxinthedark @culturefiendtrashqueen @allauraleigh​@deakydeacy​

Please yell at me if I forget to tag you! :)

They say losing a child will destroy a marriage, and you’re sure that’s often true; but it didn’t destroy yours.

Roger is the only one who can truly understand—who can feel that same aching and eternal, ravening absence in his bones—because he’s the only one who lost her too. He mourns with you, he stays awake through long nights with you, and when the future seems too oppressively bleak to imagine he drags you back into the light with tired daybreak smiles exchanged over mugs of tea and songs plucked on his acoustic guitar by the roaring fireplace, stories and jokes, walks through the green trellises of Hyde Park and the marble halls of the British Museum filled with ancient treasures stolen from Egypt and India and the Yucatan Peninsula, Italy and Greece, leaving craters of hollow memory littered across the planet like the imprint of the asteroid that killed the dinosaurs.

Together you bury her ashes in the garden behind the Surrey house. John brings you a pot of white calla lilies, and when the weather warms you plant them beside the small black stone carved with two names you never speak: Joan Aurora. Together you watch the blossoms grow up and grow old and wither back into the earth like everything does when the clock runs out, when the universe claims back the debt of life we borrow thinking that we own it. And through it all Roger is so persistently kind and patient and present that you’re willing to try for another pregnancy, despite the odds stacked against you like moving boxes, despite the crushing heartache that another loss would entail; despite your fearful, growing suspicion that in both casinos and the genetic lottery, the house always wins.

It never happens again, and you reach a sort of peace with this; but it’s a peace that makes you feel small and immaterial, like when you think too much about how vast the universe really is, like when you wake up restless before the dawn and wander out onto the cracked cobblestones in the garden as the sun burns the darkness off the world from east to west, watching the stars as they vanish in a sky bloodied with another world’s light.

A year passes, and then another, and then another; and every February 15th John sends you a new pot of white calla lilies to plant in the garden where other people’s children play.

~~~~~~~~~~

“Look, look, look!” Laszlo frenetically waves a crayon illustration in front of your face. On his head is the hat you knitted for him, green and featuring a large white L and with sprigs of fluffy brown hair like John’s peeking out around the edges. “I can draw like Daddy!”

It’s November 24th, 1981, and Queen is in Montreal. The band is playing two sold-out shows, one tonight and one tomorrow, and Brian and John have flown in their families for one last visit to tide their wives and children over until the touring break at Christmas. Laszlo is six years old now, Anna nearly five, Lena three, Antoni—fast asleep and presumably dreaming of such complexities as Hershey’s chocolate bars and Care Bear plushies—two; and there have been no additional Deacon children, a fact which seems to be the source of some disharmony between John and Veronica. What Laszlo has drawn with his rainbow of Crayolas most closely resembles a very chubby banana, but with black spots like a Dalmatian’s.

“Oh my goodness, you’re a young Picasso!” you exclaim. “It’s amazing! It’s a...it’s a...a...” Don’t fuck this up, don’t fuck this up. “It’s a...giraffe...?”

“Yeah!” Laszlo confirms, grinning.

Oh thank god.

“Very impressive,” John tells you. “I would have guessed pineapple with leprosy.”

“It’s not a leopard, Daddy,” Laszlo says seriously.

“Yes of course, I didn’t say leopard, I said leprosy, which is entirely different—”

“It’s not a leopard!” Laszlo insists.

“You heard the kid, Deaks,” Roger says, winking. “No leopards. Come over here, kiddo, let me see the nice giraffe...oh yes, it is so obviously a giraffe, you can tell by the expertly placed spots...”

“You’re so good with them,” Veronica marvels, perhaps not quite approvingly, noting how Antoni is dozing peacefully against your chest, a red hat stitched with a massive A snug over his jumble of auburn hair. “He never sleeps for anyone. Not even me.”

“Being comfortable to nap on is one of my many talents.”

“It’s true,” Roger notes, smiling, combing through the knots in his brittle bleached hair.

“No, no, no, don’t try to be modest, you’ve always been fantastically good at caring for people. I remember Brian was half dead when you brought him home from that hospital in Boston.” Chrissie is sitting on the floor of the dressing room with Anna and Lena, helping to facilitate a glamorous wedding for Barbie and Ken. Teddy and Evelyn, both four years old and with massive mops of dark ringlets, are scribbling on coloring book pages of screeching dinosaurs and plunging prehistoric comets above tangles of jungle treetops.

“Hmm,” Veronica agrees lukewarmly. “You’ll be a wonderful mother to your own one day.”

You wince, bite your lower lip, peer down at Antoni’s pacific little face. His eyes, when they’re open, are a greyish blue like John’s. Chrissie kicks Veronica’s ankle and glares at her. Brian glances over from where he’s tuning his Red Special, one rangy leg propped up on a chair.

“Not so sure that’s in the cards,” you demur.

“Keep praying, dear,” Veronica offers. “The Lord will provide in his own time.”

You blink at her. She stares pityingly back with infuriating, weepy eyes. Everyone is suddenly very quiet, except for Freddie; he starts humming Another One Bites The Dust and taps his white Adidas sneakers in rhythm.

“What uniquely helpful advice,” you reply.

“Well, surely one doesn’t need biological children to be fulfilled in life,” Roger tells Veronica lightly, like it’s a warning.

She looks thunderstruck, like this is such a novel concept, like Roger just shared with her the secret to time travel or immortal life. “Perhaps not, but you know...it’s so terribly important for most women.”

“How feminist,” Chrissie quips, lighting a cigarette, flicking the ashes away irritably.

John leans into Veronica. “Stop it,” you can just barely hear him say.

“It’s interesting you would bring up timing, Veronica,” you observe. “We were all so discrete about yours.”

Freddie snorts, tries to pretend it was a sneeze, smooths his moustache as he studies himself in the mirror.

“I’m just trying to help, love,” Veronica claims innocently. “All this can’t be good for you, this ceaseless globetrotting. Almost never waking up in the same place twice. The stress of it!”

“What do you want her to do?” Roger snaps. “Sit at home nine or ten months out of the year and, what, scrub the windows until I come back? Take up watercolor painting? Knit the world’s largest quilt?”

“I’m just saying that less physical and emotional strain might help with the situation.”

“Because you’re a freaking doctor, right?” Roger flares. Chrissie kicks Veronica again.

“People should spend more time close to home,” she continues, undaunted. “There’s nothing more important than family. Look at me, I should have another on the way by now, but the band’s schedule is simply murderous...”

“Trying for a football team?” you inquire. And in the same moment you realize: This isn’t about me at all. This is about her and John.

Freddie is still humming, modelling his Superman tank top and tight white jeans in the mirror, cinching and re-cinching his belt, sliding a red sweatband unto one wrist. The kids—all except the unconscious Antoni—are giggling and pushing each other around on the slippery linoleum floor, seemingly oblivious. John whispers something to Veronica, his face dark and furious.

“John should be home more,” she bursts out. “For me, for the children—”

Roger scoffs and rolls his eyes. “For christ’s sake, lady, he’s not your bloody lapdog!”

“You don’t really need him,” she protests, almost pleads. “He’s just the bassist, he thought this would be a hobby to fill his time on weekends when he was in school, he didn’t sign up to live this way and Queen could find another bassist and you don’t need him—”

“We do need him! He’s not just some bassist! He’s a genius and he’s irreplaceable and there’s absolutely no Queen without him, we swore to it, I’d leave if he ever did!”

“You did what?!” Brian exclaims. Freddie hums louder, stomping his sneakers to the beat, mock-boxing with his reflection in the mirror. John raises his eyebrows at Roger as if he had assumed Rog wouldn’t remember that, assumed he had never really meant it. Roger, flushed, fumbles with his lighter and finally lights a cigarette on his third attempt.

Antoni stirs, his eyes fluttering open, and Chrissie swoops in to take her turn holding him. She bounces him on her hip as she sashays around the dressing room, casting fierce scowls alternately at Veronica and John and Roger.

“You don’t understand,” Veronica hurls at Roger, lashing out like a cornered animal, her voice raw and splintering. “You’ve never sacrificed anything. Everything you’ve ever dreamed of just falls into your lap. No heartache. No consequences. You don’t know what it’s like to be one of the people who get burned.”

“You don’t know anything about me—!”

“Look, I get it,” you tell Veronica. “You want John to yourself. Anyone would. You want a normal life. But that’s the tradeoff when you love someone brilliant, isn’t it? You have to learn how to share them with the world. Because the world is so much better off with them in it.”

Veronica glowers, venomous and spiteful. She’s wearing makeup tonight, quite heavy makeup; she’s started doing that with increasing frequency. “I have no intention of sharing a husband the way you’ve had to.”

Roger stands, stalks to Veronica, towers over her, blows smoke into her stunned face. “Ma’am,” he says quietly, so the children won’t hear. “Go fuck yourself.”

“Okay, darlings!” Freddie flits over, pulls Roger away, fluffs his hair and straightens his black smock-like shirt as Roger glares around Fred’s shoulder at Veronica. “Fabulous. You look like a ten-year-old about to make a papier-mâché vase for his mum in art class. I adore it. Off you go.” He pushes open the door to the hallway and shoves Roger through it.

Roger nods for you to follow him, and you do.  

John frowns as you pass him. I’m so sorry, that expression says.

You shake your head in reply. Not your fault.

Roger slips his arm around your waist as you disappear into the hallway with him.

“That fucking miserable, judgmental, delusional, dogmatic bitch—”

“Shhhhh.” You cup his feverish cheek with your left hand, weighty with the ruby ring he gave you four years ago in New Orleans, and yank the white bandana out of his back pocket with your right. Then you knot it around his neck, smiling. “There. Now you look a little more rock and roll.”

“You’re not mad?” he asks in disbelief. “How are you not mad?”

“She’s clearly very unhappy. I feel sorry for her.” You tug on the bandana gently, fondly. You can hear Chrissie chastising Veronica behind the closed door of the dressing room. “Don’t let it ruin your show.”

“No, I would never.” But his eyes are still distant, unsettled, anxious in a way that is rare for him. “You are a freakishly good person, you know that?”

“I try. Don’t forget to smile so I can get some good pictures.”

“Oh, I’ll smile plenty. Just like this.” A grin splits through his face, and the Roger you know and love is back: bright, triumphant, flashing the daggerish points of his canine teeth. Then he draws you into him and kisses you, his rough hands in your hair, his lips smiling against yours. “Love of my life,” he whispers, rather pensively.

He shakes out his right arm—the one with the jagged scar along the soft vulnerable underside, the one he broke in a stairwell in Yokohama in the spring of 1975—and stretches the hand a few times. And you find yourself wondering, as you always do when he seems distracted like he does now, before he starts staying out late into the night, before he starts coming home drunk or high or not at all: Is he getting bad again? Is he?

I would never have to worry about that if I had married someone like John.

You fling that thought, that inconvenient and perpetual thought, back into the shadows where it came from; like a pebble tossed into the misted tree line of a forest, like a shell pitched into the sea.

“Rog, are you—?”

“I’m fine,” he cuts you off like a blade.  

~~~~~~~~~~

There’s someone screaming out in the hallway.

You reel out of bed in the darkness, step into your slippers, yank on your fuzzy white robe. The digital clock on the nightstand reads 4:11 a.m. Roger and Brian had stayed for one more round of drinks at the club when you and Chrissie left to go back to the hotel, Chrissie to relieve her nanny from kid duty, you to quiet a budding headache. You note—with a vague, drowsy sort of dread—that Roger is not in the bed beside you, his hair a disheveled blond mess peeking from beneath the covers, snoring softly, his calloused hands outstretched towards yours. Beyond the door there are earsplitting clashes of broken glass, thumps and pounding footsteps, people shouting. And now you can recognize Chrissie’s voice, shrieking and wrathful: “Now you’ve done it, now you’ve really done it, you’re going to fucking kill her!”

You throw open the door to see Roger crouched against the hallway wall, covering his head with his hands; he is surrounded by shards of glass, tiny hotel shampoo and mouthwash bottles, Bibles ripped from nightstand drawers. He’s dripping with what smells like a combination of every kind of alcohol you’ve ever tasted, and maybe some you haven’t as well.

“I wish she’d never fucking met you!” Chrissie screams, launching a bottle of Grey Goose from the minibar in her room at Roger. It explodes against the wall just above his head, and glass and vodka rain down on him. Brian is unsuccessfully attempting to coax Chrissie back into their room as she ignores him. “I wish she’d never stepped off that fucking plane because the day she agreed to come to London with you was the worst day of her life!”

“Will you stop?!” Roger yells. “Jesus christ, Chris!”

“She saved you,” Chrissie hisses, landing an elbow into Brian’s gut and sending him flying backwards. “She saved your life and this is how you repay her, you disgusting degenerate bastard!”

A bottle of Captain Morgan hits the wall and detonates two inches from Roger’s face.

“What’s going on?!” you shout at Chrissie, your arms crossed over your chest.

A few rooms down the hallway, a door opens and Freddie wanders out in a pink kimono. After a moment, John and Veronica appear from their own room in their pajamas, rubbing bleary eyes.

“I couldn’t sleep so I phoned my mum and guess what’s on the cover of the News Of The World this week.” Chrissie points at Roger. “Go on. Tell her. Tell her what you did.”

He knows; he doesn’t say anything, but he knows. You can see that he does. It’s lurking in the shallow cerulean pools of his glistening eyes like a shadow, like a ghost.

“What did you do?” John asks him, mystified.

Roger doesn’t answer. He’s looking at you, at Chrissie, back to you. It isn’t often that Roger is fearful, acutely and bone-rattlingly afraid; but he is now.

“Fine, you don’t want to own up to it? I’ll do it. I’ll tell her, you coward.” Chrissie spins to you. “Dominique Beyrand is seven months pregnant.”

I’m surrounded by goddamn mothers. “Okay. Good for her.”

Chrissie waits for it to hit you. And then it does.

Oh. Oh.

“Bleeding christ,” you hear Freddie sigh, rubbing his forehead. Veronica covers her gaping mouth with one pale hand, and she doesn’t look smug or vindicated or condemnatory; she looks terrified. John is watching you, you can see him on the periphery of your vision; you are dimly aware of him edging closer as you gaze at Roger, your eyes wide and blurring with tears, your throat burning.  

You can’t understand it, can’t imagine it, and then suddenly you can: his fingers threading through her glossy black hair, his lips skating over her neck, promises whispered through nightscape phone calls, haphazard lies whispered to you; reckless, small-boned, doe-eyed children with Dom’s olive skin and Roger’s sharp little canine teeth.

This is the part where I wake up. This is the part where it turns out to be just a hellacious dream.

But you don’t wake up, because this is real.

“Oh,” you exhale, brainlessly, helplessly.

Roger doesn’t sputter some desperate apology, he doesn’t beg you to forgive him. He stares at you with huge, starry blue eyes, booze dripping from his hair, surrender etched into the concave slump of his back and shoulders.

You ask him, already knowing the answer: “It’s not just a fling, is it?”

“No,” he replies miserably. “I thought it was, but it isn’t.”

You nod, those first hot tears spilling down your cheeks. “Okay,” you concede, your words brittle and fracturing. “I’ll file as soon as we get back to London.” File for divorce. File this entire misadventure away in my mind as a horrific and juvenile mistake. Shred the good memories into oblivion so I can’t remember how alive he once made me feel.

That seems to bother Roger, jolts him into urgency. The white bandana is still tied around his neck. “You don’t have to do that—”

“Are you fucking joking?” you pitch at him. “Are you not done humiliating me yet? Am I not ruined enough? Do I somehow still look remotely whole to you?”

John’s hand closes around your wrist. “Don’t,” he tells you gently.

Roger begins: “I never wanted to hurt—”

“But you did,” you seethe, tears slithering down your face. It’s sinking in now, it’s becoming real, it’s materializing from years of gnawing distrust into fact. They were all right about him. They were always right. John’s arms circle you, holding you back as you struggle against him. “You fucking did and I forgave you like an idiot just so you could prove to me over and over and over again how exceptionally little you cared.”

“That’s not true—!”

“You’ve done enough!” Chrissie roars at him. Brian wrestles a bottle of Don Julio out of her grasp. “You deplorable slut, can’t you see that you’ve done enough?!”

Freddie approaches Roger, dusts the glinting flecks of glass out of his hair, wrenches him staggering to his feet.

“Come on,” John murmurs, towing you towards your room. Veronica is tracking him with blazing eyes. “Come on, let’s go.”

“Go ahead, Roger!” you shout as John drags you away, as Roger is corralled into Freddie’s room. “Get clean for her, get clean for her children, tell her she’s the love of your life and marry her and give her a ring but don’t forget to remind her that none of it means a single fucking thing—!”

John stumbles with you into your hotel room. He slams the door behind him, and the world goes deathly quiet. You reel aimlessly, collapse onto the edge of the bed, dazed, staring at the bland landscape paintings on the wall, ticking down the mental list of things you’ll need to get from the Surrey house: photographs, paperwork, John’s sketches, the conch shell from Ostia.

What about the calla lilies? What about her grave?

And there’s another list as well, whether you want there to be or not; a list of things you’ll never feel again.

His teeth grazing my knuckles, his palms cradling my face, his raspy voice as he writes songs on quiet nights, the way he loved our daughter, the way he sets souls alight like wildfire.

John just stands in the middle of the hotel room, heaving in ragged breaths, his hands on his waist. And for a long time, neither of you speak at all.

“Do you want me to stay?” John says finally.

“You can’t,” you reply, thinking of Veronica and the children.

“That’s not what I asked.”

“No. I’m fine. I want to be alone.”

He comes to you, lifts your chin with one careful hand, touches his forehead to yours before he leaves. “You are never going to be alone.”

~~~~~~~~~~

You hear the key clatter in the lock, and your hotel room door creaks open. You’re laying on the floor after Queen’s second show in Montreal, staring blankly up at the ceiling, counting the black dots in the tiles like stars, imagining constellations of monsters and heroes and doomed love.

John appears above you, his brow furrowed. He shuttled all of Roger’s things to Freddie’s room after you packed them up this morning, then he took Roger’s key. “What are you doing?”

“Fantasizing about my own death.”

He checks his watch. “Will you be done in twelve minutes?”

“What happens in twelve minutes?”

“We have to leave for the afterparty on a yacht.”

You groan, sitting upright, rubbing your sore and sleepless eyes with the heels of your hands. “I can’t do it, John. I don’t have it in me tonight. I can’t mingle with all of those obnoxious music industry people. ‘Yes, hi, hello, yes it’s true, I am the sad barren soon-to-be-ex-wife, oh what a charming nineteen-year-old model mistress you have on your arm there, I too was once young and desirable and disastrously stupid.’”

He smiles. “You’re still somewhat desirable.”

“Thanks.” You reach up, take his hands, let him help you to your feet.

“You realize if you don’t go I’m going to have to hide in the corner and compulsively eat miniature quiches all by myself.”

“Your enchanting wife isn’t attending?”

“She wanted to stay with the children. Also, she hates me.”

You chuckle. “She doesn’t hate you. She passionately does not hate you, which is the problem.”

“So you’ll come with me.”

You mull this over. “Can I get so drunk I forget I exist?”

“Sure. If you promise to stay near me and away from the water.”

“Yes, I suppose that you, as a convicted felon, would be high on the list of suspects if I was to go overboard.”

“Losing you would be the worst thing that ever happened to me. Who would I call to post my bail?”

You laugh as you beam up at him, knot your fingertips through his hair, see your silhouette reflected in his greyish eyes that today remind you of storm clouds, of torrential autumn rain, of thunder. “Okay. Fine. I’ll go to your torturous yacht party.”

“Aww, what a tragedy, being forced to enjoy all the trappings of stardom” John teases, and then you can see the regret wrinkle across his face; because people don’t joke about things like tragedies around you anymore.

“It’s a hard life,” you agree. “But it feels a little easier when you’re around.”

You slip into a dark blue dress and heels and your bomber jacket that doesn’t match at all. John meets you in the hallway in a black suit. You share a limo with Brian and Chrissie, who chatter nervously about anything they can think of that doesn’t involve Roger or marriage or children or love. Bri points out constellations through the open moonroof as frigid Canadian air pours in and rattles your dangling diamond earrings, whips through your hair. John smooths the runaway strands, rests his arm across the back of your seat, smiles in a tranquil sort of way and actually appears to pay attention as Brian narrates the stories of the stars and their celestial families: Pegasus, Aquarius, Pisces, tiny Triangulum, the lightning strike zigzag of Lacerta, Perseus.

“You look gorgeous,” Chrissie tells you, and she seems to mean it.

“Thank you,” you reply politely. “If only I was also French and fertile.”

The yacht is docked on the bank of the Saint Lawrence River, an island of roaring laughter and music and twinkling strands of lights in an ocean of night. John leads you onboard, waves at the photographers who douse you in flashbulb luminescence, stands with you by the railing at the stern of the vessel as it pulls out into the river. Periodically some palpably accomplished stranger will appear, shake John’s hand, start asking him about You’re My Best Friend or Another One Bites The Dust or Under Pressure; but mostly the two of you are left alone. You drain flute after flute of pink champagne as John nurses his Manhattans, debating the merits of the various appetizers; you—ever the proud Bostonian—are partial to the bite-sized lobster rolls, while John prefers the Swedish meatballs speared on puzzlingly tropical toothpick umbrellas.

Roger is on the yacht too of course, and every once in a while you catch a glimpse of his blond hair or his blush-colored polka dot suit, hear his voice carried on the cold November wind; and you ignore this as much as you can. Twice he starts migrating towards you, and you and John pretend not to notice, dart through the crowds to the other side of the boat, your hand clasped in John’s as he weaves relatively anonymously through ballgowns and suits and reporters’ microphones. And he peeks back at you, grinning, and says: “I bet you’re thrilled no one knows who I am tonight.”

Chrissie steals you away briefly to keep her company when Brian gets snared into an excruciatingly dull interview about Queen’s next album; and when Brian comes to collect her, John greets you with a fresh glass of champagne in one hand and his fourth Manhattan in the other.

“You better make sure you don’t go overboard, Mr. Deacon,” you say, taking the champagne flute and resting your forearms on the yacht’s railing as waves break against the hull. Freshwater mist peppers your cheeks, your collarbones, the backs of your hands. Through the speakers pluck the opening notes of Hotel California. “Oh god. This song.”

“Fond memories?” John asks with a smirk. “That whole night is a blur to me.”

“It makes me think of sharks for some reason. And the Olympics.”

“It makes me feel...” He considers this. “Overwhelmed with self-loathing.”

“That’s ridiculous. You’re the least loathable person I’ve ever met.” You sip your champagne, gaze out into the moonlit currents that run from the Great Lakes to the Atlantic Ocean, to the shores of every place you’ve ever called your own. “How long did Dante live in exile from Florence?”

“Twenty years.”

You whistle. “That’s a long time to be away from home.” The fingers of your left hand clutch the railing, which is gold and sturdy and stingingly cold. “I feel a little like him sometimes. Except as you get older, home starts to feel less like places and more like people.” You twist off your ruby ring, glance down at it fleetingly, and toss it out into the glistening black waters of the Saint Lawrence River.

John looks over at you. “It’s really over, isn’t it?”

You nod slowly, mournfully. “Yeah. It’s really over.”

“And how are we feeling about that?”

“Relieved. Petrified. Exhausted. Mostly I’m just sad.”

“I’m sorry,” he says sincerely. “For everything.”

“Why? None of it was your fault.” You sigh, shake your head, peer out into the river, into the night sky, into the stars. “Maybe this is a good thing, you know? A blessing in disguise or whatever. I can move on knowing I did everything I could to salvage the marriage. I can be free. No more waiting up at night for someone who isn’t coming home. No more searching through pockets and suitcases for white powder or used needles. No more News Of The World headlines.”

John is still staring at you.

“What?” you ask, smiling warily.

He downs the rest of his Manhattan, twirls the glass as the ice cubes clink against each other. Finally, he says: “I could have given you a very different kind of life.”

Your lips, slick with gloss and tingling with sharp carbonation from the champagne, part to ask John what he means; but then you know. Your voice is a quivering, astonished whisper. “It was about me. You’re My Best Friend.”

“Yeah, it was. And most of the others were too.”

It was about me. All those years ago, that song was about me. And it still is.

“John...”

“I watched you fall in love with Roger, watched him fall in love with you. Watched this agonizing fucking dance that you do...he can’t give you what you want, you can’t be happy with less...and I just kept waiting to wake up one day and not want you anymore. And it never happened.” He laughs, briefly, bitterly. “I mean, for christ’s sake, I refused to propose to the mother of my child until I was sure you’d stay with Roger because I thought...I thought...you know, maybe. Maybe one day you’d change your mind. And I wanted to be there if you did.”

You gaze at him, soaking him in, unambiguously aware that there is no part of you that is afraid, no part of you that is shuddering or surrendering or apprehensive; there is no instinctive chorus begging you not to fall in love with him. There’s no sensation of falling at all. It feels like you’re somewhere you’ve never left.

“I know that next to someone like Roger Taylor I don’t look like much,” John confesses. “That I don’t feel like much. That I don’t light anything up the way he does. And if you can’t imagine a future with someone who isn’t him, someone who isn’t like him...then I completely accept that. But you’re always going to feel like home to me.”

You’re My Best Friend. You And I. Spread Your Wings. In Only Seven Days. Need Your Loving Tonight.

They were all about me. They were always about me.

“John...”

You don’t know what to say. You know exactly what to say.

From the crowd, a man dressed in a blue pinstripe suit and holding a Cuban cigar bellows for John. He whirls, offers a shy wave, trots over to say hello. But as they discuss concerts and albums and tours, John’s eyes meet yours through the sea of strangers and cigarette smoke, through the shifting shadows cast by flickering incandescence and moonshine.

And you watch him as the constellations and all their stars rage above, the same stars that in the time of Dante sailors read to point them home.