#and well 'penetrating' is A Translation for 入

[himboblackdragon]

On Xunfeng

Was reading about the Eight Trigrams in Chinese mysticism, which I definitely don't grok fully but are an interesting exercise in the powers of 2 and whose existence I only know of because it's written the exact same way as the word for "gossip"... anyway I came across a familiar two characters:

name: 巽 xùn image in nature: 風 fēng (wind) phase: wood attribute: penetrating state: gentle entrance animal: 雞 jī (fowl/chicken) (but also a modern slang for penis is 小雞雞, little chicken)

Conclusion: Xunfeng's name is a dick joke *

[panicinthestudio]

議事論事：烽煙四起; 「見薇知著」嘉賓：邱誠武(運輸及房屋局前副局長)

網民連續多日發起三罷行動，警民衝突愈趨激烈，有途人遭示威者淋易燃物焚燒成火人；有警員向示威者開真槍；亦有警員駕駛電單車衝向示威者。多宗執法事件中，前線警員使用武力方式備受爭議，但警方一直未有公開《警察通例》中涉及「武力與槍械的使用」內容，令公眾無從判斷和監察警方有沒有過份使用武力。  

另一方面，防暴警察連續兩日攻入中大校園，施放數以百計枚催淚彈，至少數十名學生受傷，校長段祟智數度斡旋無效，校園內示威者與警方爆發多次衝突，有示威者向警方投擲汽油彈還擊，火光處處。入夜後，香港多處地點亦受到破壞，交通受阻。  

過去五個月來，警方執法及使用武器備受質疑，特首林鄭月娥意圖由監警會進行調查，但日前獲特區政府邀請出任監警會國際專家小組成員之一的Clifford Stott發聲明，表示監警會的權力及獨立調查能力不足以應付近期大規模的社會事件，建議下一步由獨立機構深入調查。在現行監警機制受限的情況下，難以深入調查警方的執法問題以及多宗社會事件的成因。警方向公眾開槍、向民居及入校園施放催淚彈等，有沒有遵守指引？如何能釋除公眾疑慮 ？

RTHK

LegCo Review: Fire and Smoke in All Directions (Confusion of War), in Cantonese with Chinese subtitles, November 14, 2019

Guest: Yau Shing Mu (Former Undersecretary for Transport and Housing)

Over the past few days netizens have called for a general strike of work, commerce, and school, intensifying clashes between police and citizens, and an incident where a man doused and set on fire apparently by a protester; police firing live rounds at demonstrators; and an officer driving their motorcycle into protesters. During the course of law enforcement, front-line police have used brute force tactics arousing controversy, however they have refused to release their Police General Orders with regard to the “Force Procedures Manual” on force and firearms, preventing the public from access to determine or investigate if the they has resorted to excessive force.

Meanwhile, in the last couple of days riot police have repeated charged into the Chinese University of Hong Kong campus, firing hundreds of tear gas bombs, with at least tens of students getting injured, vice-chancellor Rocky Tuan trying to mediate without success; demonstrators and police on campus coming into repeated violent conflict, and demonstrators throwing petrol bombs at police response, the glow of fire everywhere. Into the night, vandalism occurred across Hong Kong, and traffic obstructed.

Over the past five months, law enforcement and use of weapons have been called into question, Chief Executive Carrie Lam has used the Independent Police Complaints Council to carry out investigation; however a day ago a member of the International Experts Panel of the IPCC invited by the SAR government, Clifford Stott made a statement expressing their power and resources were insufficient as well as unable to cope with the scale of the societal situation, suggesting the next step was to create an independent organization to more thoroughly investigate. If independent review of police actions were to be restricted again, it would be difficult to penetrate the question of problems in law enforcement or the many incidents to the roots of the crisis. With the police firing tear gas and more at the public, in residential areas and on campus, have they respected the guidelines? How can the public’s misgivings be resolved?

Translation and inaccuracies are my own.

[sotrinogro]

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    Jessie Ayo on 3ds Max Activation Final Torrent Serial Free X Autodesk 3ds Max Keygen Full Version For Windows PC. Autodesk 3ds Max is an amazing software to make 3D modeling, 7 Crux Free Download full version Windows 7 Crux Edition For 32 and 64 bit PC.. 5 SP3 for 3D Max - 32/64 Bit WORKING full rapidshare & free from netload. 01 Crack Autodesk 3ds Max ソフトウェア製品のインストール プロセスには、3ds Max 製品に固有の部分があります。 重要: 3ds Max 製品をインストールする前に、システムとハードウェアがその製品を実行するための最低限の動作環境を満たしていることを確認し、リリース ノートを必ずお読みください。 「3ds The 3ds Max Scene Security Tools is Autodesk's recommended way to detect and remove known 3rd party malicious scripts identified as CRP\ADSL, ALC, ALC2, PhysXPluginMfx, MSCPROP, and their malicious scripts can corrupt the 3ds Max environment, cause data loss and instability, as well as spread to other systems through sharing of 3ds Max scene     

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概要. Autodesk 3ds Max Populate Data は、 Autodesk Inc.によって開発されたカテゴリ その他 の Shareware ソフトウェアです。 先月中に、クライアント アプリケーションUpdateStarのユーザー の更新時間をチェックしました。. Autodesk 3ds Max Populate Data の最新バージョン 19 /01/19 にリリースです。Operating System: Windows 3ds Max の 30 日間無償体験版をお試しください. 3D モデリング、アニメーション、レンダリングのためのプロフェッショナル向けソフトウェア. 無償体験版をダウンロード 3ds Max のサブスクリプションメンバーになると、最大 3 台のコンピュータまたは他のデバイスに 3ds Max をインストールできます。ただし、指名ユーザーがソフトウェアにサイン インして使用できるのは、一度に 1 台のコンピューターのみです。         

 如果下载新的版本后直接安装新的版本还是需要 ��载老版本后再安装新版本。谢谢（谷歌翻译一下）. very good very good very good very good very good very good very good very good very good very good.

A dialog box will pop up every time you open the scene, which is troublesome. Can you add an automatic clear function in quiet mode? Hello Jonike, I was unable to reproduce the issue you reported using 3ds Max or with the latest version of the Scene Security Tools, namely 2. I ran 3dsmax. exe -silent and opened a few files that contain the known malwares.

When 3ds Max is in silent mode, Scene Security Tools cleans the scene and environment automatically, and logs these actions to the Maxscript Listener and Max. log For example: ALC2 Security Tool 1. What version of 3ds Max and Scene Security Tools are using?

Dear Qing Su, thank you for your comment. Please contact Autodesk Support and share a 3ds Max scene or script file you suspect it's infected with a new malware or a variant of a known malware. Thank you. Google Translation 亲爱的苏青，谢谢您的评论。请联系Autodesk支持并共享一个3ds Max场景或脚本文件，如果您怀疑该场景或脚本文件感染了新的恶意软件或已知恶意软件的变体。谢谢你。. Dear Qing Su, we released the Scene Security Tools 2. Please download the new version. Thank you! Google Translation 亲爱的苏青，我们今天发布了Scene Security Tools 2. NO acaba de funcionar en archivos por ejemplo de las versiones abiertas en Debe instalarse en alguna carpeta en concreto?

I never download any 3dsmax software from malicious webservers. Only from Autodesk. I never has any problems with As far as i know the malware can be spread by 3d models and other assets you load into MAX. I had the. ALC problem a couple of months ago, Before this tool i used Prunescene. mzp wich is some sort of antivirus that runs inside MAX, detected and cleaned the infected scenes when opening and gives you the possibility to scan folders too, worked great.

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Be careful. It somehow penetrates the system folders, the system registry and creates its own Trojan generator. It is very difficult to remove it from the operating system. It prevents 3ds Max from starting and infects scenes.

Use Autodesk Security Tools Only! Are we the only one getting the error "Product failed to install"? We used to have a startup script for this but that does not work for , feel a little unprotected as a paying customer here and we've had data losses in the past due to this.

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The most dangerous thing is that this virus can download updates for itself and can be modified! This virus take next issues:. Thanks,it works perfectly. Okey , this is work for me.. i have a problem some crash about "undo" command, now its solved YES I LOVE YOU REALLY! I installed the software and it installed succesfully.

but when i start to working wih 3d max there was no message and the problem also did not solve please can you help me to make it work on 3dmax I had a trouble,when i opened the max the script controler tab crash the max.

I I searched about the problem and saw that it was a 3rd party plugin that was disturbing. Late i installed the security tools and solved my problem. Currently, I am using the 3dsmax version. Hopefully the tool will support 3ds max Many thanks. Autodesk, Inc. Digitally signed app. The malicious scripts can corrupt the 3ds Max environment, cause data loss and instability, as well as spread to other systems through sharing of 3ds Max scene files.

What's new in version 2. This option is enabled by default. Features: - Detects and removes the malicious scripts listed above from 3ds Max startup scripts and scene files regardless of how they are loaded.

log and to the MAXScript listener. Supported 3ds Max versions: Autodesk recommends that all customers running 3ds Max SP1 and newer, including 3ds Max educational licenses, 3ds Max Indie and 3ds Max Trial versions, download and install the 3ds Max Scene Security Tools application to help detect and resolve issues caused by 3rd party malicious scripts.

It is not intended as a general endpoint protection tool and should not be considered as such. Autodesk recommends that all users run a reputable antivirus or anti-malware program on their computers and keep both the program and its virus definitions updated regularly. Legal disclaimer: The 3ds Max Scene Security Tools is provided "AS-IS. Autodesk makes no offer for support of the software or your personal hardware and assumes no liability from damages incurred to your software or hardware due to your use of the tool.

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[seditious46]

Higuchi Hina Blog 589 - translation

日だまりのお部屋589*ひなちま A room in a sunny place 589 * Hinachima 5th December 2017 Original: http://blog.nogizaka46.com/hina.higuchi/2017/12/042040.php

こんばんは＊今日も1日お疲れ様です！

Good evening. ＊ Thank you for today!

寒さもひとしお身に染みる頃になりました* みなさん身体を温めて下さいね。

It has become penetrating cold. Everyone, please keep your body warm.

ひなは心も体もポカポカさせるために、お味噌汁かスープを、毎朝飲んでいるよ♡ あと、白湯！白湯は身体の中を起こすの。朝ごはんを食べる前にゆっくり飲む！

In order to keep both mind and body warm, I eat soup or miso soup every morning. ♡ Also, boiled water! Because boiled water flows through your body. I drink it slowly before breakfast!

明日21:30から、NHK Eテレで始まる、「趣味どきっ！簡単！極上！ヘルシー！わたしにご褒美スープ」放送スタートです。

Starting tomorrow 21:30, “Syumi doki! Kantan! Gokujou! Healthy! Watashi ni Gohoubi Soup” started broadcasting on NHK Educational TV.

この番組に携わることになってから、私生活でも、味を表現する言葉はどれだけあるのだろうと考えたり、朝食や夕飯を作ってみたり、お料理への関心が高まっています！！！

Since becoming involved in that program, even in my private life, I thought to what extend there are words that express flavor, I tried to make breakfast and dinner and my interest in cooking increased!!!

今度ね、玉ねぎの皮や、セロリの下の部分... 人参の皮などのくず野菜から野菜出汁をとって、スープを���ってみようかなって思っているの(#^.^#)

This time, I am thinking about trying to make vegetable dashi from vegetable waste like onion skin, the bottom part of celery and the skin of ginseng to make soup. (#^.^#)

もうすぐ20歳になるので、お料理もできる素敵な女性にならなきゃ！

Because I will become 20 years old very soon, I have to become a fine lady who can cook!

番組では、スムーズな手さばきができなかったり、拙い部分が多々ありますが...(*_*) 毎回とても楽しくお勉強させて頂いています！

In the program, I am not able to handle things smoothly, and there are a lot of amateurish parts… (*_*) But every time I am studying with lots of enjoyment!

明日の21:30から！NHK Eテレ！(本日2回目の告知。笑) ぜひ観てください♡ 宜しくお願いします！

Starting tomorrow at 21:30. NHK Educational TV! (2nd announcement of the day. lol) Please be sure to watch it. ♡ Thank you in advance!

そしてそして... 昨晩は、有線大賞に出演しました！

And also… yesterday evening, we performed at Yusen Taisho!

18thシングル「インフルエンサー」にて、有線音楽優秀賞を頂きました。とても思い入れのあるこの曲を、素敵な場所で披露させてもらえて、とても幸せ... 感無量です。

For our 18th* single “Influencer”, we were nominated for the Music Excellence Award. I am very happy... and filled with emotion that we were able to perform this song that holds good memories at this fantastic place.

[* She means the 17th single of course ^^. -Ed.]

いつも応援して下さっているみなさん、ありがとうございます。

Everyone that always supports us, thank you very much.

これからも精進してまいります！！！

From now on I will continue to devote myself!!!

ちょこっと裏話... 最近ね、インフルエンサーを披露する時、私物のイヤリングをしているんだよ♪

A little inside story… the last time we performed Influencer, I was wearing my personal earrings. ♪

↑これ！！！衣装のイヤリングが壊れてしまったから、急遽！と思ったら...しっくりきちゃった♡

↑ These!!! Because the earrings from the costume broke, I thought “hurry up!”... they fitted nicely. ♡

「インフルエンサー」ダンスも歌も、衣装も！全て大好き☆ これからも大切にパフォーマンスします＊

Influencer’s dance, as well as the song and the costume, I love them all! ☆ I will to continue to perform it with great care. ＊

ふぁみりーさんへ(o^^o)

To my fans. (o^^o)

- 12月6日21:30～ NHK Eテレ 「趣味どきっ！簡単！極上！ヘルシー！わたしにご褒美スープ」

- 6th December 21:30~ NHK Educational TV “Syumi doki! Kantan! Gokujou! Healthy! Watashi ni Gohoubi Soup”

- 2018年1月10日発売のアンダーアルバム 個別握手会が開催されます！ - 2018年1月14日(日):神奈川・パシフィコ横浜 1～5部です☆ - 2018年2月17日(土):ポートメッセなごや ⚠︎この日は大阪で舞台本番のため、5部だけの参加です！

- On 10th January 2018 is the Under Album release. There will be individual handshake events! - 14th January 2018 (Sunday): Kanagawa - Pacifico Yokohama 1st to 5th round.☆ - 17th February 2018 (Saturday): Port Messe Nagoya ⚠︎ Because I have a theater performance that day, I will only participate on the 5th round!

-12月9日発売「BOMB」みなみとゆったんと3人です。 -12月15日発売「EX大衆」1人です。

- 9th December release “BOMB” together with Minami and Yuttan. - 15th December release “EX Taishu” individual.

[List of Birthdays]

☆HAPPY BIRTHDAY☆

素敵な1年になりますように...＊

I hope that this will be a wonderful year for you...＊

明日も皆さんが幸せであります様に☆

I wish you all a happy day tomorrow. ☆

大好き 日奈

Love, Hina

[japanessie]

Hiro REVIVER Interview with Famitsu July 2017

REVIVER is my favourite song from ALL LEAD TRACKS. Since my Japanese learning is not progressing anywhere and I still failed at memorizing Kanji, it was a good idea to make my demotivated brain go through another interview in which Hiro talked about REVIVER and the Hortensia Saga project.

This interview is pretty special because the interviewer is one of the music creators for Hortensia Saga, Mr. Makoto Sato from f4samurai *. I hope Google gave the correct pronunciation of his name.

* If you click on the f4samurai website link, you will be greeted by the background movie of their office with their “hi-tech” office chairs and all (^^)

Original Japanese text & photos: Famitsu.com Additional photo edits by me. Translation: Me. Ok, I retouched from Google quite extensively (wtf …. I edited it like crazy almost 90%!) to make things flow more naturally and most importantly more accessible and understandable to my brain. Sorry for any mistakes or incorrect nuances. The Japanese text is longer because I added the reading directly from Nihongodera furigana converter. So, the reading may have mistakes sometimes.

『オルサガ』第三部テーマ曲『REVIVER』収録のアルバム『ALL LEAD TRACKS』発売記念！MY FIRST STORYのボーカルHiroスペシャルインタビュー 『おるさが』だいさんぶてーまきょく『REVIVER』しゅうろくのあるばむ『ALL LEAD TRACKS』はつばいきねん！MY FIRST STORYのぼーかるHiroすぺしゃるいんたびゅ 2017-07-19 12:00 投稿 ( とうこう ) “Hortensia Saga” 3rd Edition theme song REVIVER recorded album ALL LEAD TRACKS release commemoration! Special interview with MY FIRST STORY vocalist Hiro. Posted on 2017-07-19

Hiro

ロックバンド“MY FIRST STORYのボーカル”。『REVIVER』の作詞・作曲を担当している。 ロックバンド “MY FIRST STORYの ボーカル” 。『REVIVER』のさくし・さっきょくをたんとうしている。 Rock band MY FIRST STORY’s vocalist. In charge of the lyrics and composition of “REVIVER.

これを記念して、マイファスのボーカルで楽曲の作詞・作曲を手掛けたHiro氏にインタビュー。制作時の出来事や歌詞に込めた想いなどを聞いた。お話の聞き手は、楽曲の制作に『オルサガ』側のクリエイターとして携わったf4samuraiの佐藤允紀氏にお願いした。 これをきねんして、 マイファスのボーカルでがっきょくのさくし・さっきょくをてがけたHiroし インタビュー 。せいさくじのできごとやかしにこめたおもいなどをきいた。おはなしのききては、がっきょくのせいさくに 『オルサガ』 がわの クリエイター としてたずさわったf4samuraiのさとうまこときのしにおねがいした。

To celebrate this, we interviewed MY FIRST STORY’s vocalist Mr. Hiro who worked on the songwriting and composition of the song. We heard what happened during the creation and the feelings incorporated in the lyrics. To be the listener of the story, we asked Mr.Makoto Sato* of f4samurai, who was involved as a creator for “Hortensia Saga” in the music production.

* I hope Google got his name reading correct

佐藤允紀氏（以下、佐藤）:　本題に入る前に、Hiroさんは普段スマホゲームは遊ばれますか？ 佐藤允紀氏（以下、佐藤） さとうまこときのし（いか、さとう）:　ほんだいにはいるまえに、Hiroさんはふだんすまほげーむはあそばれますか？さとうまこときのし（いか、さとう） Mr. Makoto Sato (hereinafter, Sato) : Before we get into the main subject, Hiro, do you usually play smartphone games?

Hiro氏（以下、Hiro）:　けっこうやっていますね。軽いものが中心ですが。やり始めるとどうしてものめり込んでしまっ て、仕事に影響が……。何度か注意されたこともあるので、いまは重いものは避けています。 Hiroし（いか、Hiro）:　けっこうやっていますね。かるいものがちゅうしんですが。やりは��めるとどうしてものめりこんでしまって、しごとにえいきょうが……。なんどかちゅういされたこともあるので、いまはおもいものはさけています。    Mr. Hiro (hereinafter, Hiro) : I do play them quite a bit. Although light things mainly. When I start doing it, I would be absolutely hogged on it and that is affecting my work …. . Since I have been warned (about it) several times, I avoid heavy things now.

佐藤 :　となると『オルサガ』は……重いほうですね（笑）。僕は仕事柄ゲームを多くプレイしますし、いろいろなエンタメコンテンツも吸収するのですが、 Hiroさんは普段どんなコンテンツを吸収して、インスピレーションを受けますか？ さとう:　となると『おるさが』は……おもいほうですね（えみ）。ぼくはしごとがらげーむをおおくぷれいしますし、いろいろなえんためこんてんつもきゅうしゅうするのですが、Hiroさんはふだんどんなこんてんつをきゅうしゅうして、いんすぴれーしょんをうけますか？ Sato: “Hortensia Saga" is … a heavy one (laugh). Though I play a lot of work-related games and absorb various entertainment contents but …. Hiro, what kind of contents do you usually absorb and receive inspiration from?

Hiro :　映画、ドラマ、マンガ、アニメ、本、RPGなど、物語性のあるものには影響を受けますね。主人公の成長物語が好きなんですよね。すぐ入り込んじゃっ て、よく感動して泣いていますね（笑）。 Hiro:　えいが、どらま、まんが、あにめ、ほん、RPGなど、ものがたりせいのあるものにはえいきょうをうけますね。しゅじんこうのせいちょうものがたりがすきなんですよね。すぐはいりこんじゃって、よくかんどうしてないていますね（えみ）。 Hiro : I get influences from movies, dramas, comics, animation, books, RPG and such, and narrative things. We like the growth story of a hero, don’t we? (The one) directly penetrating you and (with which) you would be deeply moved and then you would be crying (laugh).

  佐藤 :　では、そろそろ本題に。今回『オルサガ』第三部の主題歌を、ということでオファーさせていただいたのですが、正直受けていただけるとは思っていません でした（笑）。 さとう:　では、そろそろほんだいに。こんかい『おるさが』だいさんぶのしゅだいかを、ということでおふぁーさせていただいたのですが、しょうじきうけていただけるとはおもっていませんでした（えみ）。 Sato : Well then, it’s about time for the main question. Since you guys were offered this theme song of the third installment of “Hortensia Saga" this time, but I did not expect to get such honesty though (laugh).

Hiro :　いやいや（笑）、お話をいただけてうれしかったです。 Hiro:　いやいや（えみ）、おはなしをいただけてうれしかったです。    Hiro: No, no. (Laugh), we were glad to get to tell you that.

佐藤 :　ゲームの主題歌を制作するというのは初めてのことだったと思いますが、進め方なども含めていかがでしたか？ さとう:　げーむのしゅだいかをせいさくするというのははじめてのことだったとおもいますが、すすめかたなどもふくめていかがでしたか？ Sato : I think that it was the first time for you to produce the theme song of a game, but how was it, including how did you go about (doing it)?

Hiro :　そうですね、僕の場合、楽曲をなにもないところから作るよりも、なにかテーマがあったほうが作りやすいです。本当になんでもいいので。ですので、しっ かりとした世界観や物語がある『オルサガ』の楽曲制作はやりやすかったですね。 Hiro:　そうですね、ぼくのばあい、がっきょくをなにもないところからつくるよりも、なにかてーまがあったほうがつくりやすいです。ほんとうになんでもいいので。ですので、しっかりとしたせかいかんやものがたりがある『おるさが』のがっきょくせいさくはやりやすかったですね。 Hiro : Well, in my case, it would be easier to create a song from something with a theme than from nothing. Because really anything (that can provide the base to work from) is okay. So, it was easy to produce the music of “Hortensia Saga" as there are a solid world view and stories already.

佐藤 :　『オルサガ』には“命を継いでいく”というテーマがあります。資料もお渡ししましたが、ここまでのストーリー展開も含めて「テーマとしては少し重いか な？」という部分はこちらも気になっていました。 さとう:　『おるさが』には“いのちをついでいく”というてーまがあります。しりょうもおわたししましたが、ここまでのすとーりーてんかいもふくめて「てーまとしてはすこしおもいかな？」というぶぶんはこちらもきになっていました。 Sato : “Hortensia Saga" has the theme of “inochi o tsuideiku / inheriting/continuing the destiny*“. Although you were handed out the materials, including the story development up to this point, the part of “Is this maybe a little heavy as a theme?”, I’m curious of that one.

* I still can’t quite grasp the concept of “ 命 / inochi”. So, my chosen translation could still be off-the-mark. Kindly please refer to this 命 Kanji explanation. Also an in-depth meaning of “inochi” here by Professor Masahiro Morioka from Waseda University. It will better help you to understand the lyrics at least.

Hiro :　重い……重かったですね（笑）。正直、深すぎて歌詞やメロディにどこまで織り込めるのかなと。1曲じゃ収まらないんじゃ、というくらい。いただいた資 料も何回も読み返しました。 Hiro:　おもい……おもかったですね（えみ）。しょうじき、ふかすぎてかしやめろでぃにどこまでおりこめるのかなと。1きょくじゃおさまらないんじゃ、というくらい。いただいたしりょうもなんかいもよみかえしました。    Hiro : Heavy … yup it was heavy (laugh). Honestly, we were like, “How deeply can we incorporate the lyrics and melodies?”. “Can it fit in one song?”, it was like that. I read and reread the material I received many times as well.

佐藤 :　かなり悩まれている様子は、僕たちにも伝わってきましたね。 さとう:　かなりなやまれているようすは、ぼくたちにもつたわってきましたね。 Sato: It seems like that worried state of mind found its way to us too.

Hiro :　いちばん悩んだのは、主人公の気持ちになって詞を書いたほうがいいのか、物語を俯瞰的に見た僕として書いたほうがいいのかという点ですね。結局、俯瞰 的に書くのはプロローグやエピローグの雰囲気になってしまうのかな、ということで主人公に感情移入していくことにしました。マイファスもいろいろなものを 継いできたバンドですし、自分たちと重ね合わせたりしながら作り上げていきました。なので、かなり時間がかかってしまって（笑）。 Hiro:　いちばんなやんだのは、しゅじんこうのきもちになってことばをかいたほうがいいのか、ものがたりをふかんてきにみたぼくとしてかいたほうがいいのかというてんですね。けっきょく、ふかんてきにかくのはぷろろーぐやえぴろーぐのふんいきになってしまうのかな、ということでしゅじんこうにかんじょういにゅうしていくことにしました。まいふぁすもいろいろなものをついできたばんどですし、じぶんたちとかさねあわせたりしながらつくりあげていきました。なので、かなりじかんがかかってしまって（えみ）。    Hiro : The thing I was concerned the most was whether it was better to write the lyrics as the hero’s feelings, or whether I should write it as a bird’s eye view of the story. In the end, writing in bird’s eye view kind of turned into an atmosphere of prologue and epilogue, so by such a thing … that I decided to emphatize* with the hero. MY FIRST STORY is also a band that has continued on with various things, and I created it while overlapping with those. So because of that, it took quite some time (laugh).

* “transfer the feelings” to the hero

佐藤 :　あがってきたのがレコーディングギリギリでしたね（笑）。 Sato: It was like you got up and it was barely enough time for recording, huh (laugh)?

Hiro :　すみませんでした（笑）。 Hiro :  Oopss ….. sorry (laugh).

佐藤 :　ギリギリだったので心配したのですが、あがってきたものを一読して「これはスゴイものを作っていただいたな」と思いました。加えて、レコーディングの 様子にも驚かされましたね。一小節づつ時間をか��て調整していくというやり方、あれは一般的な手法なのでしょうか？ さとう:　ぎりぎりだったのでしんぱいしたのですが、あがってきたものをいちどくして「これはすごいものをつくっていただいたな」とおもいました。くわえて、れこーでぃんぐのようすにもおどろかされましたね。いち��ょうせつづつじかんをかけてちょうせいしていくというやりかた、あれはいっぱんてきなしゅほうなのでしょうか？ Sato : Though you were worried because it was barely enough time (for recording), but then I perused through the stuff you got up for and thought that “You made this awesome thing!“. At the same time, I was surprised by the state of the recording. How do you adjust over each bar, is that a common technique?

Hiro :　いえ、一般的ではないですね。ふつうは通して何回か歌って、そのなかからいいところをつまんで行くことが多いと思います。僕は、タイアップだったり明 確なテーマがあったりするときは、一小節づつ手を入れながら作っていく方が合うと思います。ゲームやアニメといった非日常的なものはとくにそうですね。そ れから、今回はすばらしい映像も作っていただいて、そこに曲が乗ることも決まっていたので、映像に合わせる意味でも細かくやっていきました。    Hiro:　いえ、いっぱんてきではないですね。ふつうはとおしてなんかいかうたって、そのなかからいいところをつまんでいくことがおおいとおもいます。ぼくは、たいあっぷだったりあきらなてーまがあったりするときは、いちしょうせつづつしゅをいれながらつくっていくほうがあうとおもいます。げーむやあにめといったひにちじょうてきなものはとくにそうですね。それから、こんかいはすばらしいえいぞうもつくっていただいて、そこにきょくがのることもきまっていたので、えいぞうにあわせるいみでもこまかくやっていきました。 Hiro : No, it is not common. Usually I sometimes go through and sing a few times, I think that it is often that you pick up a good place from among those. As for me, when I’m doing a tie-up or when there is a clear theme, I think that it is more suitable to touch up each bar while you’re making it. Especially with unusual things such as games and animation. Also, this time we had made a wonderful video, and since we had decided to put a song on that as well, so we went with doing it in fine details in the sense that it matches the video too.

佐藤 :　こんなに丁寧に時間を掛けて作っていくものなんだな、と本当に驚きました。レコーディングも8時間ほどスタジオを押さえていただいていたのですが、ま さかフルで使うことになるとは……。 さとう:　こんなにていねいにじかんをかけてつくっていくものなんだな、とほんとうにおどろきました。れこーでぃんぐも8じかんほどすたじおをおさえていただいていたのですが、まさかふるでつかうことになるとは……。 Sato : I was really surprised that the time you took was spent so carefully. Recording also held the studio down for about eight hours, but it indeed being turned out to be used in full … ….

Hiro :　やり方としては、どうしても時間がかかってしまいますね（笑）。 Hiro : For any method, no matter what, things will take a bit of time absolutely (laugh).

佐藤 :　レコーディングのときにHiroさんがものすごく気にかけて僕に話しかけてくださったのも印象的でした。レコーディングの時は会話などは極力しないも のなのかなと思っていました。 さとう:　れこーでぃんぐのときにHiroさんがものすごくきにかけてぼくにはなしかけてくださったのもいんしょうてきでした。れこーでぃんぐのときはかいわなどはきょくりょくしないものなのかなとおもっていました。 Sato :  I was also impressed that you Hiro suddenly caught up with me when you were recording. When doing recording, I thought that you shouldn’t be making conversations as much as possible.

Hiro :　自分でひとつテーマを掲げて作るときはエンジニアさんとしか話さないということもありますが、主題が自分ではない場合はディスカッションやコミュニ ケーションを重視しますね。今回であれば『オルサガ』を作っている方となんでもいいので色々と話して、そこから制作意図にしっかり合わせたいということで すね。それから、畑が違うものどうしの共同作業になるので、なんでも言いやすい雰囲気作りの面もあります。絶対あると思うんですよね「この歌詞は違うな」 とか「ここの歌いかたはこうしてほしいな」とか。そういうときに、主題を作った人たちからちゃんと意見を言ってもらえたほうが、いいものができますから。 Hiro:　じぶんでひとつてーまをかかげてつくるときはえんじにあさんとしかはなさないということもありますが、しゅだいがじぶんではないばあいはでぃすかっしょんやこみゅにけーしょんをじゅうししますね。こんかいであれば『おるさが』をつくっているほうとなんでもいいのでいろいろとはなして、そこからせいさくいとにしっかりあわせたいということですね。それから、はたけがちがうものどうしのきょうどうさぎょうになるので、なんでもいいやすいふんいきづくりのめんもあります。ぜったいあるとおもうんですよね「このかしはちがうな」とか「ここのうたいかたはこうしてほしいな」とか。そういうときに、しゅだいをつくったひとたちからちゃんといけんをいってもらえたほうが、いいものができますから。     Hiro : Sometimes we talk only with the engineers when we create a theme by ourselves, but we focus on discussions and communication if the subject is not by ourselves. This time, with anyone who makes “Hortensia Saga”, anything at all, we do a lot of talking (with them) and from there we want to tightly match to the design intention of the production, so to speak. And then, through the team work of different specialized fields, there would also be an aspect of having the atmosphere where it is easy to say anything. I think it will always be there, you know, things like “These lyrics are different” or “I want to do this singing method here” and such. At such times, through properly getting the opinions of the people who created the subject, we would be able to create something good.

佐藤 :　『オルサガ』はおかげさまで長く続くタイトルになりまして、チームとしても思い入れが強いですから、Hiroさんのようなスタンスで受け止めていただ けたのは本当にうれしいです。 さとう:　『おるさが』はおかげさまでながくつづくたいとるになりまして、ちーむとしてもおもいいれがつよいですから、Hiroさんのようなすたんすでうけとめていただけたのはほんとうにうれしいです。 Sato : Thanks to “Hortensia Saga” that has become a long-continuing title, and myself as a team member* too, since my emotional attachment to it is strong, I’m so so glad to be receiving a standpoint like yours, Hiro.

* Sato-san is one of the creative team members for Hortensia Saga

Hiro :　主役は『オルサガ』ですから。そこに僕たちのエッセンスが乗って、ファンによろんでいただけるものができれば。 Hiro:　しゅやくは『おるさが』ですから。そこにぼくたちのえっせんすがのって、ふぁんによろんでいただけるものができれば。 Hiro : The leading role (in this project) is “Hortensia Saga”. Our essence (as a band) is carried on it, it is something that we can do for our fans if that’s possible.

佐藤 :　では最後に『オルサガ』ファンにメッセージをお願します。 さとう:　ではさいごに『おるさが』ふぁんにめっせーじをおねがいします。 Sato : Finally, please give a message to “Hortensia Saga” fans.

Hiro :　まず『オルサガ』を遊んでいる方には、聴いて頂ければいろいろと詰め込んでいることがわかっていただけると思います。なので、曲の説明は不要です （笑）。ぜひ聴いてみてください。あえて直接的な言葉を使っていないところもありますが、いろいろと想像してもらえたらうれしいですね。逆に、 『REVIVER』を聴いて「いいな」と思ったら、『オルサガ』を遊んでみてほしいですね。より曲を楽しめると思います。『オルサガ』とマイファス、双方 のファンがつながるキッカケにもなればと思いますので、よろしくお願いします。 Hiro:　まず『おるさが』をあそんでいるほうには、きいていただければいろいろとつめこんでいることがわかっていただけるとおもいます。なので、きょくのせつめいはふようです（えみ）。ぜひきいてみてください。あえてちょくせつてきなことばをつかっていないところもありますが、いろいろとそうぞうしてもらえたらうれしいですね。ぎゃくに、『REVIVER』をきいて「いいな」とおもったら、『おるさが』をあそんでみてほしいですね。よりきょくをたのしめるとおもいます。『おるさが』とまいふぁす、そうほうのふぁんがつながるきっかけにもなればとおもいますので、よろしくおねがいします。 Hiro : First of all, I think that those who are playing “Hortensia Saga" will find that if you have the chance to listen to it, you will (already) cram in (your head) a lot of things. So, the explanation of the song is unnecessary (laugh). I hope for you to please try to listen to it. There are places where I didn't use direct words, but I’m happy if you can imagine various things. Conversely, if you think “Oh, this is good!“ by listening to REVIVER, I want you to try to play “Hortensia Saga”. I think you can enjoy the song more (that way). I think that for “Hortensia Saga" and MY FIRST STORY, even if both fans are mutually connected, please support us both.

佐藤 :　今日は本当に、ありがとうございました。 さとう:　きょうはほんとうに、ありがとうございました。 Sato :  Thank you very much for today.

© 2017 Gzbrain Inc.

[muthur9000]

Prometheus Japanese Novelisation - Ending

Translated by @420justlikebart

意外と早くに、デイヴィッドは見つかった。 She(Elizabeth Shaw) found David with surprising ease. エリザベスを踏み潰しかけた残骸のほうに宇宙船のブリッジがあって、しかもその場所は、千切れた機体の断面の近くだった。 Right as she entered the ruins, she found herself in the center of the ship’s bridge. デイヴィッドは部屋の隅に、首と胴体が離れた状態で転がっていた。そこは床ではなく元々は天井であった部分で、天と地はひっくり返っていた。その状態下でふたつのパーツを繋げていたのは三本の細かいコードだけであった。 David had been thrown into the corner of the room, his head and body separated. The ship had been overturned, he lay where the floor once was with his two parts connected only by three slender cords.

「よく切れなかったわね」 “I guess he didn’t break you after all.” 驚きと感心をまじえた声で、エリザベスは言った。 Elizabeth remarked, with a mixture of surprise and admiration. 「運がよかったのでしょう」 “Perhaps I should consider myself lucky.” The head suggested. 首だけのデイヴィッドが言った。巨大な宇宙船の機体の一片は、地面に突き刺すように墜落衝突して、転倒したのだ。このブリッジも床があちらこちらにひっくり返ったり衝撃が何度も伝わってきたりと、中にいた者たちは相当振りまわされたはずだ。現にウェイランドやフォードの死体は、通路の外まで飛ばされていた。それだえの衝撃に、三本の細かいコードは耐えたのだ。 When the ship crash-landed, the collision was strong enough to penetrate the ground beneath it. Everything from the bridge to the alcove had been flipped and tossed about. In fact, Weyland and Ford’s bodies had been thrown into the hallway. Yet even with such a strong impact, those three cords managed to remain. 「繋げて頂けますか？　緑のコードを繋げていただけるだけでいいんです。あとは自分でできますから」 “Can you please reconnect me? Simply connecting the green cord will do. I can do the rest on my own.” 頭部と胴体と両断面からのびている緑のコードは、人工知能と運動神経回路とを繋げるものだという。 Elizabeth figured that must have meant that the green cord extending from his head to his torso, was what controlled his AI and motor skills. 「繋げる前に、答えて」 “Before I do that, I need you to answer something.”  Elizabeth gave a firm request コードから碧い眼に視線を移すと、エリザベスは声に硬いものを含ませた。 Her blue eyes fixated on the cords. 「何でしょう？」 “What might that be?” 「チャーリーを死なせたのは、あなたなの？」 “Were you the reason Charlie died?” 「どういう意味でしょうか？」 “Whatever do you mean?” 「あなたもウェイランドも、チャーリーのあの��状の原因が空気感染でないと知っていた。それはなぜ？あなたがチャーリーと一緒にお酒を飲んだとき、密かに黒い液体を混入させたからじゃないの？」 “Both you and Weyland knew that Charlie’s sickness wasn’t airborne. How did you know that? It was because you mixed that black liquid into his drink when you two were drinking together, wasn’t it?” そのことにエリザベスはさっき気づいた。延命を渇望していたウェイランドに忠実だったデイヴィッドは、チャーリーに人体実験を施したのだ。そのことをウェイランドに報告していたのだろう。 Elizabeth had only just realized it. David used Charlie as a human lab-rat in order to satiate Weyland’s lust for a longer life. That had to be why David was reporting back to him. 「お答できません」 “I cannot answer that.” 「どうして？」 “Why?” 「その件に関しましては、口外してはいけないと、ウェイランド総帥に命じられております」 “I have been ordered by Mister Weyland to keep that incident in utmost secrecy.” 「ウェイランドは死んだ。あなたは自由になるべきよ」 “Weyland is dead. You’re free to do what you want.” エリザベスがそう言ったら、デイヴィッドは黙り込んでしまった。 David fell silent at Elizabeth’s words. 「それにウェイランドが言ってなかった？次からはあなたの状況判断に応じて、言えって」 “Besides, Weyland said it himself. You should choose your words based on your own judgement.” 少し間を置いてから、感情のない声で、デイヴィッドは言った。 After a brief lull in the conversation, David spoke in a voice devoid of emotion. 「私はホロウェイ博士のウィスキーのグラスに、黒い液体を混入しました」 “I mixed that black liquid into Professor Holloway’s whiskey.” エリザベスは息を吐た。やるせない息だ。吐き終えると宇宙服のポケットからナイフを取り出し、首と胴体のあいだの三本のコードに刃をあてた。 Elizabeth exhaled, hopelessness evident in her breath. She reached into the pocket of her spacesuit, retrieving her knife. She then pressed the blade against the three cords connecting David’s body. 「何をなさるのです？」 “What do you plan to do?” やはり感情のない声で、デイヴィッドは訊いた。 David questioned in the same emotionless voice as always. 「……今のあたしの気持ち、あなたに言っても無駄でしょうね」 “…There’s no way you could possibly understand what I’m feeling right now.” エリザベスはナイフを持つ手に力をこめた。あとひと押しで、コードは切断される。 Elizabeth’s grip on the knife tightened. With one small push, she could easily cut the cords. 「それらのコードを切断したら、私は全機能を失います。エンジニアの宇宙船を動かすこと不可能になり、ショウ博士は地球に戻れなくなります」 “Should you cut those cords, I will lose all of my functions. You cannot pilot the engineers’ ship. You will be stranded here with no hope of returning to Earth.” 「構わない」 “I don’t care.” 「なぜです？」 “Why is that?” 「それが人間だから」 “Because I’m human.” 「アンドロイドでも、ショウ博士が私になぜ殺意を抱くのが、その理由を理解することはできますよ」 “Though I may be an android, I am fully capable of understanding why you feel you must kill me.” 悪びれのない冷静な声に、エリザエスは苛立った。またナイフを持つ手に力をこめる。一本が切断された。 The apathetic tone in his voice was infuriating to her. With her grip tightening around the handle of her knife, she cut one of the cords. 「……ホロウェイ……博士を…愛……していた……からです……」 “…It is… Because you… loved… Professor… Holloway…” デイヴィッドの話し方がおかしくなった。人口言語中枢に支障が出たのかもしれない。いい気味だ。このまま機能を失って、無に還ればいい。死ねばいい。 David’s speech became distorted. She must have damaged his speech processing. It felt fantastic. If she kept going, he would lose all functionality and become nothing more than a shell. He could die for all she cared. 「……私を……許して……下さ……い……」 “…Please… For… give… me…” 震える声で、デイヴィッドはそう訴えてきた。まるで愛する者を失った人間の気持ちを察して、その悲しさを理解したような、切ない声だった。 David’s voice quivered, as if he were hazarding to guess what it felt like when a human being loses a loved one. 「……許さない」 “…I’m not going to.” 涙声で言ったエリザベスは手を止め、二本のコードからナイフを離した。本当に許せないのは、このアンドロイドではない。それを創った人間たちだ。鼻をすする。 Elizabeth responded with a shaky voice and removed the knife from the remaining two cords. It wasn’t the android itself that she couldn’t forgive. It was the people who created him. 「許さない代わりに、あなたを地球には、帰さない」 “Instead, I’m going to make sure you never get back to Earth.” 「……しかし……ショウ博士ひと……りでは……地球に帰還するこ…とはできません……が……」 “…But… You cann…ot… make it… home… alo…ne…” 「地球には帰らない。エンジニアの母星に行きたいの。あなたにできる？」 “I’m not going home. I want to go to the Engineers’ planet. You can take me there, can’t you?” エリザベスは立ちあがり、天井を見上げた。さっきまで自分たちが踏みしめていた床があり、その上では見たこともない銀河が、星図に浮かんでいた。それは子供の頃に夢見た、行きたかった宇宙なのかもしれない。 Elizabeth stood, and gazed at the ceiling. The floor where they once stood now showed a map of galaxies and stars she’d never known. It was the same universe she’d always dreamt of exploring as a child. 「……できま……す…が……なぜ？」 “I can… but… why…?” 「人類を創って滅ぼそうとした理由が知りたいの。―-それだけ」 “I want to know why they created us, only to try and destroy us. That’s all.” 生きて地球に帰ろうとは、エリザベスは思っていなかった。生きて帰ろうとしたの乗員たちを、自分は死なせたのだ。人類を護るために、自分も同じことを果たさなければならない。 Elizabeth had no intentions of returning to Earth. She was responsible for the deaths of the entire crew of the Prometheus. In order to protect all of mankind, she had to be willing to die as well. 感情を持たない非人間的な存在であるアンドロイドを創り続ける人類に、いつかエンジニアのようなまちがいを、犯させないためにも。 Mankind continued to create robots with no concept of emotion. She couldn’t allow them to make the same mistakes as the Engineers. 「……創った……理由は……わかり……ます……」 “…I know… why… they cre… ated you…” 「どうして？」 “Why is that?” 視線を落とすと見たこともない笑みを浮かべた、デイヴィッドがいた。 When she looked back to David, he had an expression she’d never seen before. He was smiling. 「……創れた……からじゃ……ないで…すか？」 “…Perhaps… it was… simply… because they could.” デイヴィッドが表情を緩めて、そう言った。 David expression softened as he spoke. 「かもね」 “You might be right.” エリザベスは小さく笑った。なぜだか心が満たされて、この世で一番大好きな笑顔が浮かんできた。 Elizabeth chuckled quietly. For some reason, she felt whole once more, as she recalled the smile of the man she loved.

[fuyonggu]

Tian Yu SGZ Draft (With ZZTJ Mentions)

The SGZ text is mine. ZZTJ translations are from Rafe de Crespigny’s To Establish Peace and from Achilles Fang’s Chronicles of the Three Kingdoms, with very minor edits by me. Some of Fang’s translations of SGZ passages are also included. The excerpt from the Zuo Commentary uses James Legge’s translation.

田豫字国让，渔阳雍奴人也。刘备之奔公孙瓚也，豫时年少，自讬於备，备甚奇之。备为豫州刺史，豫以母老求归，备涕泣与别，曰：“恨不与君共成大事也。”

Tian Yu, styled Guorang, was a native of Yongnu in Yuyang. When Liu Bei abandoned Gongsun Zan, Tian Yu was still very young, and he entrusted himself to Liu Bei, who greatly appreciated him. By the time that Liu Bei became Inspector of Yuzhou, Tian Yu asked that he be allowed to return home to look after his aging mother. Liu Bei bade him a tearful farewell, telling him, "I regret that you and I shall not be able to achieve the grand design together."

公孙瓚使豫守东州令，瓚将王门叛瓚，为袁绍将万餘人来攻。众惧欲降。豫登城谓门曰：“卿为公孙所厚而去，意有所不得已也；今还作贼，乃知卿乱人耳。夫挈瓶之智，守不假器，吾既受之矣；何不急攻乎？”门惭而退。瓚虽知豫有权谋而不能任也。瓚败而鲜于辅为国人所推，行太守事，素善豫，以为长史。时雄杰并起，辅莫知所从。豫谓辅曰：“终能定天下者，必曹氏也。宜速归命，无后祸期。”辅从其计，用受封宠。太祖召豫为丞相军谋掾，除颍阴、朗陵令，迁弋阳太守，所在有治。

Gongsun Zan sent Tian Yu to serve as Prefect of Dongzhou. Gongsun Zan's general Wang Men betrayed him, leading more than ten thousand men on behalf of Yuan Shao to come attack Dongzhou. Many people in the city, frightened, wished to surrender. Tian Yu mounted the walls of the city and said to Wang Men, "For you to have abandoned Master Gongsun Zan, who treated you so well, might have been due to circumstances beyond your control. But since you now return, playing the part of a bandit, I know that you are nothing more than a rebel. 'Though a man have only knowledge enough to carry a pitcher, as he is in charge of it, he must not lend it to another.' I have such a charge. So why not bring on your attack?" Wang Ren, ashamed, led his troops away.

(Tian Yu quotes from the Zuo Commentary to the Spring and Autumn Annals; Zhao 7.4.)

Although Gongsun Zan knew of Tian Yu's abilities and insights, he was unable to properly employ him. After Gongsun Zan was defeated, Xianyu Fu was acclaimed by the people of the state, and he took over the affairs of the commandary as Administrator. He was good friends with Tian Yu, and so employed him as his Chief Clerk. It was during this time that heroes were rising up and joining together, and Xianyu Fu was unsure whom he should follow. Tian Yu said to him, "In the end, the one who will pacify the realm will definitely be Master Cao Cao. We should hasten to submit to his authority, to prevent any future disaster." Xianyu Fu followed his suggestion, and thus received use and found favor. Cao Cao summoned Tian Yu and appointed him as an army advisor to the Prime Minister's office. He later served as Prefect of Yingyin and of Langling, and then became Administrator of Yiyang. In all these roles, he was an adept administrator.

漁陽田豫說太守鮮于輔曰：〈輔旣斬鄒丹，遂領漁陽太守。〉「曹氏奉天子以令諸侯，終能定天下，宜早從之。」輔乃率其衆以奉王命。詔以輔爲建忠將軍，都督幽州六郡。(ZZTJ 63, 199.1)

Tian Yu of Yuyang said to his Grand Administrator Xianyu Fu, "Cao Cao supports the Son of Heaven and so commands the lords. In the end he will settle the empire. You should be among the first to join him." So Xianyu Fu and all his associates sent messages of allegiance. An edict appointed him General Who Establishes Loyalty and Chief Controller of six commanderies in You province.

(Hu Sanxing commented: Since Xianyu Fu had beheaded Zou Dan, he was thus the acting Administrator of Yuyang.)

鄢陵侯彰征代郡，以豫为相。军次易北，虏伏骑击之，军人扰乱，莫知所为。豫因地形，回车结圜陈，弓弩持满於内，疑兵塞其隙。胡不能进，散去。追击，大破之，遂前平代，皆豫策也。

When the Marquis of Yanling, Cao Zhang, campaigned in Dai commandary, he employed Tian Yu as his Chancellor there. The army advanced north easily at first, until they were ambushed by tribal cavalry and attacked. The army was thrown into confusion, with no one knowing what to do. Tian Yu, analyzing the terrain they were on, had all the carts form up into a defensive circle array; the interior was filled with archers and crossbowmen, while he used soldiers to guard the choke points in the array and mislead the enemy. The tribesmen could find no way to advance against them, and they scattered and fled. The army pursued and attacked them, and greatly routed them. Dai was thus pacified, all thanks to Tian Yu's strategies.

迁南阳太守。先时，郡人侯音反，众数千人在山中为群盗，大为郡患。前太守收其党与五百餘人，表奏皆当死。豫悉见诸系囚，慰谕，开其自新之路，一时破械遣之。诸囚皆叩头，原自效，即相告语，群贼一朝解散，郡内清静。具以状上，太祖善之。

Tian Yu was transferred to be Administrator of Nanyang. Before his assignment there, a man from that commandary, Hou Yin, had started a rebellion, and he had a band of several thousand men among the hills acting as bandits. He was a great scourge upon the commandary. The previous Administrator had arrested his partisans and more than five hundred people, and had submitted a petition claiming that they all deserved death. Tian Yu went to visit all of the prisoners. He consoled and instructed them, showing them how they might set out on new paths in life. Then he broke their fetters and let them go. All of the prisoners kowtowed before him, each of them willingly following his example. They went and told everyone they knew of what had happened. Within a short time, the rebels broke up and melted away, and peace was restored to the commandary. When Tian Yu's method for resolving the situation became generally known, Cao Cao appreciated him.

文帝初，北狄强盛，侵扰边塞，乃使豫持节护乌丸校尉，牵招、解俊并护鲜卑。自高柳以东，濊貊以西，鲜卑数十部，比能、弥加、素利割地统御，各有分界；乃共要誓，皆不得以马与中国市。豫以戎狄为一，非中国之利，乃先构离之，使自为雠敌，互相攻伐。素利违盟，出马千匹与官，为比能所攻，求救於豫。豫恐遂相兼并，为害滋深，宜救善讨恶，示信众狄。单将锐卒，深入虏庭，胡人众多，钞军前后，断截归路。豫乃进军，去虏十餘里结屯营，多聚牛马粪然之，从他道引去。胡见烟火不绝，以为尚在，去，行数十里乃知之。追豫到马城，围之十重，豫密严，使司马建旌旗，鸣鼓吹，将步骑从南门出，胡人皆属目往赴之。

At the beginning of Cao Pi's reign, the northern tribes had grown very powerful, and they raided the border regions. So Tian Yu was appointed as Credential Bearer and Colonel Who Protects The Wuhuan, while Qian Zhao and Xie Jun were both commissioned as Colonels Who Protect The Xianbei. Within the area east of Gaoliu and west of the Yemaek people, there were several tens of Xianbei groups. Kebineng, Mijia, and Suli divided the land and led and guarded their own sections, each one having his own domain.

(Achilles Fang’s translation: In the beginning of Cao Pi's reign, the Northern Di were powerful; they invaded and disturbed the frontiers. He then conferred the Tally on Tian Yu and appointed him to be Protector of the Wuwan (Wuwan jiaoyu), Qian Zhao and Xie Jun being appointed to be Protector of the Xianbei (hu Xianbei [jiaoyu]). From the east of Gaoliu to the west of the last of the Weimo, there were several tens of the Xianbei tribes. Kebineng, Mijia and Suli divided the territory among themselves, each ruling over his own domain.)

The tribes all swore an oath together, vowing not to sell their horses to the markets of the Middle Kingdom. Tian Yu felt that if the tribes were united, that would not be of any benefit to the Middle Kingdom. So he sowed discord among them, making them enemies of one another, until the tribes broke out into civil warfare. Suli broke the oath, and sent a thousand horses to the imperial government. He was attacked by Kebineng, so he begged for aid from Tian Yu. Tian Yu, concerned that the tribes might annex each other, and so deepen the threat, felt that he should act to assist the good and punish the evil, as a display of trust to all the tribes. So he had a lone commander with keen troops penetrate deep into the enemy camp. The tribesmen were numerous, and all around the imperial soldiers, so they cut their way out and returned to the road.

Then Tian Yu advanced with his army. He halted more than ten li from the tribesmen and set up his camp, where he gathered great stores of cow and horse dung and lit it, having had it strewn along the road between them. When the tribesmen saw the unending smoke and fire, they believed that their enemy was nearly upon them, and they fled for several tens of li before they realized the truth. They then pursued Tian Yu to Macheng, where they laid a heavy siege on the city. Tian Yu secretly prepared his soldiers. He sent his marshals to mount flags and banners and beat the drums. He sent some of his infantry and cavalry out through the southern gate, and the tribesmen all had their attention focused on this group.

豫将精锐自北门出，鼓譟而起，两头俱发，出虏不意，虏众散乱，皆弃弓马步走，追讨二十餘里，僵尸蔽地。又乌丸王骨进桀黠不恭，豫因出塞案行，单将麾下百餘骑入进部。进逆拜，遂使左右斩进，显其罪恶以令众。众皆怖慴不敢动，便以进弟代进。自是胡人破胆，威震沙漠。山贼高艾，众数千人，寇钞，为幽、冀害，豫诱使鲜卑素利部斩艾，传首京都。封豫长乐亭侯。为校尉九年，其御夷狄，恆摧抑兼并，乖散强猾。凡逋亡奸宄，为胡作计不利官者，豫皆构刺搅离，使凶邪之谋不遂，聚居之类不安。事业未究，而幽州刺史王雄支党欲令雄领乌丸校尉，毁豫乱边，为国生事。遂转豫为汝南太守，加殄夷将军。

Then Tian Yu himself led his elite troops out of the north gate, where they raised a great clamor. Both groups then advanced as one, catching the tribesmen off guard. The enemy host scattered in confusion, abandoning their bows and horses to flee on foot. Tian Yu pursued them for more than twenty li, and their corpses littered the ground.

The Wuhuan King, Qujin, was a cruel and crafty man, lacking in respect. Because of that, Tian Yu went forth beyond the borders to deal with his infamy. He went with over a hundred riders and entered Qujin's camp. Qujin refused to pay his respects, so Tian Yu sent his followers to behead Qujin, and announce his crimes and infamies to the crowd. The crowd, fearful and awed, dared not make a move. Tian Yu had Qujin's younger brother replace him. From then on, the resolve of the tribes was broken, and Tian Yu's might was felt throughout the deserts.

The mountain bandit Gao Ai had a band of several tens of thousands; they plundered Youzhou and Jizhou. Tian Yu inveigled Suli's group into executing Gao Ai, and had his head sent to the capital. Tian Yu was appointed as Marquis of Changleting.

Tian Yu served in his post as Colonel for nine years, during which time he restrained the tribes, kept them from consolidating their power, and exploited their divisions through strength and cunning. He did away with evil-doers, and whenever there were tribes whose plans ran counter to the interests of the dynasty, Tian Yu always stirred up trouble against them and kept them divided. He ensured that wild schemes did not come to fruition, and kept the gathered groups from knowing peace.

But before the full effects could be realized, the supporters of the Inspector of Youzhou, Wang Xiong, wanted to have Wang Xiong take over the role of Colonel Who Leads The Wuhuan. So they defamed Tian Yu as having caused instability on the borders, and having brought about problems for the state. Tian Yu was transferred to be Administrator of Runan, and appointed as General Who Exterminates Barbarians.

(Achilles Fang’s translation: ...But the followers of Wang Xiong, the Inspector of Yuzhou, wished to have Wang Xiong appointed hu Wuwan jiaoyu, so they slandered Tian Yu, saying he had been making trouble for the state by causing disturbances on the frontiers. In the end, Tian Yu was transferred to be Administrator of Runan, with the additional title of chenyi jiangjun.)

軻比能部落近塞，中國人多亡叛歸之；素利等在遼西、右北平、漁陽塞外，道遠，故不爲邊患。帝以平虜校尉牽招爲護鮮卑校尉，南陽太守田豫爲護烏桓校尉，使鎭撫之。(ZZTJ 69, 221.25)

Kebineng’s tribe being near the imperial frontier, a large number of subjects deserted their country and went over to him. Suli and the others were west of the Liao (river), beyond the frontiers of Youbeiping and Yuyang; the way being far, they did not cause any trouble for the frontier regions. Cao Pi appointed the Colonel Who Pacificies Insurgents, Qian Zhao, to be Colonel Who Protects The Xianbei, and the Administrator of Nanyang, Tian Yu, to be Colonel Who Protects the Wuhuan; they were to keep them [Xianbei and Wuhuan respectively] under protection and pacified.

太和末，公孙渊以辽东叛，帝欲征之而难其人，中领军杨暨举豫应选。〈臣松之案：暨字休先，荥阳人，事见刘晔传。暨子肇，晋荆州刺史。山涛启事称肇有才能。肇子潭字道元，次歆字公嗣，潭子彧字长文，次经字仲武，皆见潘岳集。〉乃使豫以本官督青州诸军，假节，往讨之。会吴贼遣使与��相结，帝以贼众多，又以渡海，诏豫使罢军。豫度贼船垂还，岁晚风急，必畏漂浪，东随无岸，当赴成山。成山无藏船之处，辄便循海，案行地势，及诸山岛，徼截险要，列兵屯守。自入成山，登汉武之观。贼还，果遇恶风，船皆触山沈没，波荡著岸，无所蒙窜，尽虏其众。初，诸将皆笑於空地待贼，及贼破，竞欲与谋，求入海钩取浪船。豫惧穷虏死战，皆不听。初，豫以太守督青州，青州刺史程喜内怀不服，军事之际，多相违错。喜知帝宝爱明珠，乃密上：“豫虽有战功而禁令宽弛，所得器仗珠金甚多，放散皆不纳官。”由是功不见列。

At the end of the Taihe era (233), Gongsun Yuan rebelled in Liaodong. Cao Rui wished to campaign against him, but had difficulty finding the right man for the job. The General Who Leads The Army of the Center, Yang Ji, recommended that Tian Yu be sent. So Tian Yu was dispatched from his current office to take charge of the armies of Qingzhou, appointed as Credential Holder, and sent to campaign against Gongsun Yuan. At that time, Wu dispatched envoys to make an alliance with Gongsun Yuan. As the enemy was very numerous, and they would have to cross the sea, Cao Rui recalled Tian Yu and cancelled his assignment.

(Your servant Pei Songzhi remarks: The Yang Ji mentioned here, styled Xiuxian, was a native of Xingyang; he is mentioned more in the Biography of Liu Ye. Yang Ji had a son, Yang Zhao, who was Jin's Inspector of Jingzhou. When Shan Tao handled affairs, he considered Yang Zhao to have great talent and ability. Yang Zhao had one son, Yang Tan, styled Daoyuan, and another son, Yang Xin, styled Gongci. Yang Tan had one son, Yang Yu, styled Changwen, and another son, Yang Jing, styled Zhongwu. All of them are mentioned in the writings of Pan Yue.)

Tian Yu considered that the boats of the Wu envoys would return soon. Near the end of the year, the winds were especially fierce, and there was certainly the danger that they could cause the boats to scatter. With no shore to the east to follow along, the boats would have to gather at Mount Cheng. But there was no place at Mount Cheng for the boats to shelter: they would be at the mercy of the ocean current. So Tian Yu scouted out the area, studying the various hills and islets there. He discovered the critical points to hold, and sent soldiers to each place to guard them. Then he went to Mount Cheng, and mounted Hanwu to observe what would happen. When the enemy envoys were returning from Liaodong, as expected, they encountered an evil wind, and their boats either sank or ran aground at the mountain. With no place to hide or run to, all of them were taken prisoner. Before it had happened, the generals had all laughed at this plan for stationing troops at a deserted place to await the enemy. After the enemy had been routed, plotting among themselves, they begged to be allowed to go into the sea to rescue the sunken boats. Tian Yu feared that the captives, faced with such extremes, would risk death in battle, so he refused to allow it.

Since Tian Yu, although only an Administrator, had been given military command over Qingzhou, the Inspector of Qingzhou, Cheng Xi, resented it. He had a mind not to cooperate with Tian Yu, and in handling military matters he did many contrary or mistaken things. Cheng Xi knew that Cao Rui greatly treasured fine jewels and pearls. So after the battle, he sent a secret report, stating, "Although Tian Yu has made an achievement of this battle, he has been lax in discipline. He acquired a great number of equipment, weapons, pearls, and gold, but he has distributed it away instead of handing it over to the government." So Tian Yu's achievement was tarnished.

(Achilles Fang’s translation: At the end of the Taihe period, Gongsun Yuan had revolted in Liaodong. Cao Rui wished to send an expedition against him, but could not find a satisfactory man for it. The zhonglingjun Yang Ji recommended Tian Yu, while retaining his former office, to direct the various troops of Qingzhou, and lent him the Tally. In this capacity, he proceeded to make a campaign against Gongsun Yuan. At that time the Wu rebels sent envoys to join Gongsun Yuan. Since the rebels were superior in number and Tian Yu had to cross the sea besides, Cao Rui commanded Tian Yu to disband the troops…

When they were returning, the rebels, as he had anticipated, met with a strong wind. Their ships all ran against the mountains and sank beneath the waves, and those who reached coast could not escape him. He captured all their forces. At first his generals all laughed at him for waiting for the rebels in empty places. But when the rebels were defeated, they were eager to enter the sea and catch the ships from the waves with hooks. Fearing that the desperate enemy would fight to the death, Tian Yu did not permit this...)

公孫淵陰懷貳心，數與吳通。帝使汝南太守田豫督青州諸軍自海道，幽州刺史王雄自陸道討之，〈海道自東萊浮海，陸道自遼西渡遼水。〉...豫等往皆無功，詔令罷軍。 豫以吳使周賀等垂還，歲晚風急，必畏漂浪，東道無岸，當赴成山，成山無藏船之處，遂輒以兵屯據成山。賀等還至成山，〈班《志》：成山在東萊郡不夜縣；後漢省不夜縣。《括地志》：成山在萊州文登縣西北百九十里。〉遇風，豫勒兵擊賀等，斬之。(ZZTJ 72, 232.9)

Gongsun Yuan secretly harbored disloyalty to Wei and made frequent contacts with Wu. Cao Rui had Tian Yu, the Administrator of Runan, proceed against him by sea, commanding the various troops of Qingzhou, and had Wang Xiong, Governor of Yu-zhou, proceed by land to make a campaign against him... Tian Yu and his men went, but did not achieve anything, and Cao Rui commanded them to disband the troops.

Tian Yu calculated that the Wu envoys, Zhou He and the others, would soon be returning. The year being at its end, the wind would blow fiercely, so that they would surely be in fear of being blown adrift; and as there was no coast to the east, they would be certain to proceed to Chengshan. And at Chengshan there was no place where ships could be harbored in safety. So he stationed his troops at Chengshan. When Zhou He and his men reached Chengshan on their return journey, they encountered wind; Tian Yu commanded his troops to attack Zhou He and his men, whom they killed.

(Hu Sanxing commented: The routes of invasion against Gongsun Yuan were for the water route to be from Donglai, crossing the sea, and for the land route to be from Liaodong, crossing the Liao River.

Ban's Annotations states, "Mount Cheng is in Buye County in Donglai commandary; Later Han abolished Buye County." The Comprehensive Gazetteer states, "Mount Cheng is a hundred and ninety li northwest of Wendeng County in Laizhou.")

后孙权号十万众攻新城，征东将军满宠欲率诸军救之。豫曰：“贼悉众大举，非徒投射小利，欲质新城以致大军耳。宜听使攻城，挫其锐气，不当与争锋也。城不可拔，众必罢怠；罢怠然后击之，可大克也。若贼见计，必不攻城，势将自走。若便进兵，適入其计。又大军相向，当使难知，不当使自画也。”豫辄上状，天子从之。会贼遁走。后吴复来寇，豫往拒之，贼即退。诸军夜惊，云：“贼复来！”豫卧不起，令众“敢动者斩”。有顷，竟无贼。

Later on, Sun Quan amassed an army of a hundred thousand to attack Xincheng. The General Who Conquers The East, Man Chong, wished to lead the Cao-Wei armies to rescue Xincheng. Tian Yu said, "The enemy has undertaken this grand movement for more than to throw themselves against a city for little profit. They wish to use Xincheng as a lure for our army. We should wait and listen for how their attack on the city goes. Their zeal will diminish, and then they will be in no shape for fighting. When they cannot take the city, they will be sure to become idle; once they are idle, then we may attack them, and we can achieve great success. And if the enemy sees through our plan, they will certainly not attack the city, and will withdraw of their own accord. But if we advance, that will just be falling into their trap. And when our armies do advance, we should keep the enemy from knowing, and not let them become aware." Tian Yu having thus explained the situation, Cao Rui followed his advice. Soon, the Wu army withdrew.

Later, Wu again came to invade. Tian Yu went forth to oppose them, so the Wu army withdrew. During the night, the Cao-Wei armies panicked, saying, "The enemy is coming back!" Tian Yu was lying down and did not get up; he simply gave the order, "Anyone who dares to move will be executed." Within a short while, there was no sign of the enemy.

(Achilles Fang’s translation: ...Tian Yu immediately memorialized the throne, and Cao Rui followed him. It turned out that the rebels took to flight.

Later on, the Wu made another invasion. Tian Yu went forth to resist them, and the rebels thereupon retreated. His various troops were alarmed in the night, saying that the rebels were coming again. Tian Yu kept to his bed and did not get up, ordering that any of the troops making a stir would be put to death. After a while, it turned out that no rebels came.)

六月，滿寵欲率諸軍救新城，殄夷將軍田豫曰：〈殄夷將軍，蓋魏所置，然不在沈約《志》所謂四十號將軍之數。〉「賊悉衆大舉，非圖小利，欲質新城以致大軍耳。宜聽使攻城，挫其銳氣，不當與爭鋒也。城不可拔，衆必罷怠；罷怠然後擊之，可大克也。若賊見計，〈言窺見吾所以待敵之計也。〉必不攻城，勢將自走。若便進兵，適入其計矣。」(ZZTJ 72, 234.7)

In the sixth month (July 14 - Aug. 12), Man Chong wished to lead his various troops to reinforce the New City of Hefei. The zhenyi jiangjun Tian Yu said, "The rebels have mobilized their entire forces; they are planning for no small profit, but are using the New City as a bait for attracting our main forces. We ought to let them attack the City and dissipate their initial vigor; we should not fight them while their strength is rampant. Failing to take the City, their troops will be fatigued and off guard; we are sure to win a great victory. If the rebels become aware of our scheme, they will be forced to withdraw. To advance our troops at this point will be only to fall into their trap. Furthermore, when our forces advance toward them, we should do it so that it will be difficult for the advance to be known. We should not allow them to take appropriate measures."

(Hu Sanxing commented: The title General Who Exterminates Barbarians was created by Cao-Wei, although it does not appear listed among the forty General titles in Shen Yue's Annotations.

Tian Yu meant, if Wu was able to detect their plan to await the enemy forces.)

景初末，增邑三百，并前五百户。正始初，迁使持节护匈奴中郎将，加振威将军，领并州刺史。外胡闻其威名，相率来献。州界宁肃，百姓怀之。徵为卫尉。屡乞逊位，太傅司马宣王以为豫克壮，书喻未听。豫书答曰：“年过七十而以居位，譬犹钟鸣漏尽而夜行不休，是罪人也。”遂固称疾笃。��太中大夫，食卿禄。年八十二薨。子彭祖嗣。〈魏略曰：豫罢官归，居魏县。会汝南遣健步诣征北，感豫宿恩，过拜之。豫为杀鸡炊黍，送诣至陌头，谓之曰：“罢老，苦汝来过。无能有益，若何？”健步愍其贫羸，流涕而去，还为故吏民说之。汝南为具资数千匹，遣人饷豫，豫一不受。会病亡，戒其妻子曰：“葬我必於西门豹边。”妻之难之，言：“西门豹古之神人，那可葬於其边乎？”豫言：“豹所履行与我敌等耳，使死而有灵，必与我善。”妻子从之。汝南闻其死也，悲之，既为画像，又就为立碑铭。〉

At the end of the Jingchu era (239), Tian Yu's fief was increased by three hundred villages, in addition to his earlier fief of five hundred households. At the beginning of the Zhengshi era (240), he was transferred to be Commissioner Bearing Credentials and General of the Household Gentlemen Who Protects The Xiongnu. He was further promoted to General Who Displays Might, and appointed as acting Inspector of Bingzhou. When the foreign tribes heard of his power and reputation, they all came to offer tribute. The provincial domain was peaceful and quiet, and the common people cherished him.

Tian Yu was summoned as Commandant of the Guard. Several times he asked to resign his post. Grand Tutor Sima Yi, valuing Tian Yu's successes, wrote to him to explain why he could not do so. Tian Yu wrote back in response, "I am more than seventy years old, yet you would have me take up this post. That would be like sounding the bell when it is not the hour, or traveling at night instead of sleeping. It is criminal." In the end, he resigned his post pleading illness. He was conferred the title of Grand Counselor of the Palace, and given a high minister's pension.

At the age of eighty-two, he passed away. His son Tian Pengzu inherited his positions.

(The Weilue states, "When Tian Yu resigned his offices and retired, he resided in Wei County. At that time, Runan dispatched Jian Bu on a campaign north. In order to repay Tian Yu's former grace towards him, Jian Bu came to call on him. Tian Yu killed a chicken and cooked some millet for him, and escorted him as far as the road side. Tian Yu said to him, ‘I am just an old retired fellow, and yet you troubled yourself to come see me. I can do nothing good for you; why go to the trouble?’ Jian Bu felt sympathy for Tian Yu, because he was now poor and lean. He left him with tears in his eyes, and went to tell the local officials about the matter. Runan had several thousand items of wares, and they sent someone to bring them to Tian Yu to help sustain him, but Tian Yu would not accept any of it.

“When Tian Yu soon became ill and close to death, he charged his wife and son, ‘When you bury me, you must bury me beside the leopard at the west gate.’ His wife, finding that hard to stomach, asked him, ‘The leopard at the west gate is an old spirit; how can we bury you beside it?’ Tian Yu replied, ‘It's just that the leopard has carried out as much as I have. If anything unusual happens after I die, it must be pleased with me.’ So his wife and son did as he asked. When Runan heard that Tian Yu had died, there was great sorrow for him. They made an image of him, and raised a stele for him as well.")

豫清俭约素，赏赐皆散之将士。每胡、狄私遗，悉簿藏官，不入家；家常贫匮。虽殊类，咸高豫节。〈魏略曰：鲜卑素利等数来客见，多以牛马遗豫；豫转送官。胡以为前所与豫物显露，不如持金。乃密怀金三十斤，谓豫曰：“原避左右，我欲有所道。”豫从之，胡因跪曰：“我见公贫，故前后遗公牛马，公辄送官，今密以此上公，可以为家资。”豫张袖受之，答其厚意。胡去之后，皆悉付外，具以状闻。於是诏褒之曰：“昔魏绛开怀以纳戎，今卿举袖以受狄金，朕甚嘉焉。”乃即赐绢五百匹。豫得赐，分以其半藏小府，后胡复来，以半与之。〉嘉平六年，下诏褒扬，赐其家钱谷。语在徐邈传。

Tian Yu was honest, thrifty, and simple. All of the items and rewards he was given, he distributed among his officers and men. Whenever the tribes sent him gifts, he had them noted and stored with the government, and never kept them for his family. In fact, his family was often poor and lacking. Even among outstanding people, Tian Yu was especially honored.

In the sixth year of Jiaping (254), an edict was sent out commending him, and rewarding his family with money and grain. This is further mentioned in the Biography of Xu Miao.

(The Weilue states, "The Xianbei leaders, Suli and others, came many times as guests to see Tian Yu. They often presented him with cows and horses as gifts, but Tian Yu always handed these over to the government.

“One tribesman believed that in order to make Tian Yu show his true colors, it would be better to offer him gold. So he secretly carried with him thirty catties of gold, and he said to Tian Yu, ‘You should send away your attendants; I wish to speak with you.’ Once Tian Yu did so, the tribesman knelt and said to him, ‘Lord, I have seen that you are a poor man, and that was why before, when you were offered cows and horses, you always gave them over to the government. But now I secretly present you with this, so that you may use it for your family's sake.’ Tian Yu opened his sleeves and took the gold, and treated the tribesman with courtesy.

“After the tribesman had left, Tian Yu gave all the gold away, and thus the story spread. An imperial edict was issued commending him, stating, ‘In former times, Wei Jiang through peaceful means won over the Rong tribes. Now, you have lifted your sleeves and accepted the tribes' gold. We deeply commend you.’ So Tian Yu was awarded with five hundred bolts of silk. When Tian Yu received the silk, he divided it and stored half in a small office. When the tribesman later returned, he split that silk with him.")

(Wei Jiang is mentioned in the Zuo Commentary to the Spring and Autumn Annals: “At this time the marquis of Jin was fond of hunting, and therefore Wei Jiang took the opportunity to touch on the subject. The marquis then said, ‘Well then, will it not be our best plan to be on good terms with the Rong?’ Wei Jiang replied, ‘To be on good terms with the Rong has five advantages. The Rong and Di are continually changing their residence, and are fond of exchanging land for goods. Their lands can be purchased;—this is the first advantage. Our borders will not be kept in apprehension. The people can labour on their fields, and the husbandmen complete their toils;—this is the second. When the Rong and Di serve Jin, our neighbours all round will be terrified, and the States will be awed and cherish our friendship;—this is the third. Tranquillizing the Rong by our goodness, our armies will not be toiled, and weapons will not be broken;—this is the fourth. Taking warning from the sovereign Yi, and using only measures of virtue, the remote will come to us, and the near will be at rest;—this is the fifth.” The marquis was pleased, and sent Wei Jiang to make a covenant with all the Rong. He also attended to the business of the people, and hunted [only] at the proper seasons. (Xiang 4.7)”)

田豫居身清白，规略明练。而豫位止小州，招终於郡守，未尽其用也。

Chen Shou’s commentary: Tian Yu was blameless and pure in life and residence, disciplined, calculating, perceptive, and practiced. Alas that Tian Yu's position never rose higher than a small province, and Qian Zhao ultimately commanded no more than a commandary; full use of their talents was never realized.

[redux-pain]

FORT Info: ETC

[I’ve been holding back on this one because I don’t have access to the manual to figure out the horrible Term Memory/”memory word” snarl... but this is the best I can do for now. I many come back to fix things later on. The terminology is confusing enough without localization errors, since apparently we really needed the English words FIRST, ORIGINAL, and PRIMARY to mean three separate things]

ＳＩＬＥＮＴ（サイレント）

精神寄生体。古くは「悪魔」「悪霊」などと呼ばれていた闇の存在。だがそれが人や動物の精神に感染し伝染する精神体であることが判明し静かなる恐怖としてＳＩＬＥＮＴ＝サイレントと名づけられた。サイレントは人の思念の奥深くに侵入し、最終的には

その人の意識を乗っ取る。サイレント自体はいくつもの種類が確認されており、人の精神に巣食うということは同じだが感染方法、感染された人間に及ぼす精神変容などはサイレントによってさまざまである。

Ｓｉｌｅｎｔ

Ｍｉｎｄ　ｐａｒａｓｉｔｅ．　Ｔｈｅ　ｄａｒｋ－ ｎｅｓｓ　ｏｎｃｅ　ｃａｌｌｅｄ　”ｅｖｉｌ ｓｐｉｒｉｔｓ”　＆　”ｄｅｍｏｎｓ．” Ｉｔ　ｗａｓ　ｄｉｓｃｏｖｅｒｅｄ　ｔｏ　ｂｅ ｐａｒａｓｉｔｉｃ　ａｎｄ　ｗａｓ　ｎａｍｅｄ Ｓｉｌｅｎｔ，　ｂｅｉｎｇ　ａ　”ｑｕｉｅｔ ｔｅｒｒｏｒ”．　Ｓｉｌｅｎｔ　ｅｎｔｅｒｓ ｉｎｔｏ　ｔｈｅ　Ｓｈｉｎｅｎ　ｏｆ

ｌｉｖｉｎｇ　ｂｅｉｎｇｓ　＆　ｆｉｎａｌｌｙ ｈｉｊａｃｋｓ　ｔｈｅｉｒ　ｍｉｎｄｓ． Ｓｅｖｅｒａｌ　ｔｙｐｅｓ　ｅｘｉｓｔ，　ａｎｄ ａｌｌ　ｅａｔ　ａｔ　ｔｈｅ　ｍｉｎｄ，　ｂｕｔ ｅｆｆｅｃｔｓ　ａｎｄ　ｉｎｆｅｃｔｉｏｎ ｍｅｔｈｏｄｓ　ｖａｒｙ．

SILENT A [mental/spiritual] parasite. Creatures of darkness once called “devils” or “demons”. But since they’ve been identified as infections that spread through the spirits of people or animals, a “quiet terror”, they’ve been termed Silent. Silent burrows deep into people’s Thoughts, and ultimately...

...takes over their consciousness. Many different types of Silent have been identified. All of them nest within a person’s spirit, but methods and the change they exert on a person’s spirit are as numerous and varied as the Silent themselves.

ＦＩＲＳＴ

サイレントに１次感染した人間を指してＦＩＲＳＴ（ファースト）と呼ぶ。それに順じ２次、３次感染した者は、ＳＥＣＯＮＤ、ＴＨＩＲＤと呼ばれる。２次、３次感染した者は、サイレントの一部が感染することに対してファーストは本体そのものが感染していることが特徴である。

本体が感染することから、その感染力などはセカンドなどに比べ、格段に大きい。

ＦＩＲＳＴ

Ｔｈｅ　１ｓｔ　ｐｅｒｓｏｎ　ｔｏ　ｂｅ ｉｎｆｅｃｔｅｄ　ｂｙ　Ｓｉｌｅｎｔ．　Ｔｈｅ ｎｅｘｔ　ｉｎ　ｌｉｎｅ　ａｒｅ　ｃａｌｌｅｄ ２ｎｄ　＆　３ｒｄ．　２ｎｄ　＆　ｕｐ　ａｒｅ ｏｎｌｙ　ｉｎｆｅｃｔｅｄ　ｐａｒｔｌｙ　ｂｙ Ｓｉｌｅｎｔ，　ｗｈｅｒｅａｓ　１ｓｔ　ｉｓ ｉｎｆｅｃｔｅｄ　ｃｏｍｐｌｅｔｅｌｙ． Ｂｅｃａｕｓｅ　ｏｆ　ｔｈｉｓ，　ｃｏｍｐａ－

ｒｅｄ　ｔｏ　２ｎｄ　＆　３ｒｄ，　１ｓｔ ｉｓ　ｉｎｆｅｃｔｅｄ　ｍｕｃｈ　ｍｏｒｅ ｓｔｒｏｎｇｌｙ．

FIRST

The first person to be infected by a Silent is termed the FIRST. The next, numbers 2 and 3 to be infected, are called the SECOND and THIRD in that order. Infectees 2 and 3 are infected by part of the Silent, while the FIRST is infected by the body itself.

Because they are infected by the main body, the [FIRST’s] infectivity and so on are much greater than that of the SECOND and those following.

オリジナル

サイレント本体を指してＯＲＩＧＩＮＡＬ（オリジナル）と呼ばれる。オリジナルに感染した者は、他者に対して、思念誘導や思念操作することが可能である。そして思念への影響を通じて感染させる。

その時に、感染した者はオリジナルの一部が入りこむ形になり、感染者の プライマリィの侵食を始める。本体であるオリジナルと、オリジナルの一部を総称して、サイレントと呼称する。

ＯＲＩＧＩＮＡＬ

Ｔｈｅ　Ｏｒｉｇｉｎａｌ　ｓｔｒａｉｎ　ｏｆ Ｓｉｌｅｎｔ．　Ｔｈｏｓｅ　ｉｎｆｅｃｔｅｄ ｂｙ　ｔｈｅ　Ｏｒｉｇｉｎａｌ　ｈａｖｅ　ｔｈｅ ｐｏｗｅｒ　ｔｏ　ｃｈａｎｇｅ　＆　ｃｏｎ－ ｔｒｏｌ　ｏｔｈｅｒｓ’　Ｓｈｉｎｅｎ， ｉｎｆｅｃｔｉｎｇ　ｔｈｅｍ　ａｓ　ｗｅｌｌ．

Ｔｈｅｎ　ｔｈｅ　ｉｎｆｅｃｔｅｄ ｐａｔｉｅｎｔｓ　ｅｎｔｅｒ　ａ　ｐａｒｔ ｏｆ　Ｏｒｉｇｉｎａｌ　ａｎｄ　ｐｒｉｍａｒｙ ｃｏｒｒｏｓｉｏｎ　ｂｅｇｉｎｓ．　 Ｏｒｉｇｉｎａｌ　ａｎｄ　ｉｔ’ｓ　ｐａｒｔｓ ａｒｅ　ｃａｌｌｅｄ　Ｓｉｌｅｎｔ．

ORIGINAL

The Silent’s main body is termed the ORIGINAL. The person infected by the ORIGINAL can guide and control the Thoughts of others. And through the influence over their Thoughts, [those others] become [vulnerable to] infection.

At that point, the infected person turns part of the ORIGINAL into its penetrating form, and begins corrosion of the infectee’s PRIMARY. Silent is the general name for both the ORIGINAL as main body and parts of that ORIGINAL.

[note: The “primary corrosion” mix-up happened because PRIMARY is defined later on, and it’s written here in katakana instead of romaji, which is a flub on the JP side. However, corroding the PRIMARY is exactly what Silent do, so there’s no mistaking the intention.]

ＨＡＺＡＲＤ

街など、フォートの規定した区域内におけるサイレントに感染した感染者数や、割合を示すときに使用される。ＨＡＺＡＲＤ　５０％など。８０％を越えた地域は、フォートにより処理が行われる。

ＨＡＺＡＲＤ

Ｔｈｅ　ＦＯＲＴ　ｕｓｅｓ　ｔｈｉｓ　ｔｏ ｓｈｏｗ　ｔｈｅ　ｉｎｆｅｃｔｉｏｎ　ｌｅｖｅｌ ＆　Ｎｏ．　ｏｆ　ｉｎｆｅｃｔｅｅｓ　ｏｆ Ｓｉｌｅｎｔ　ｉｎ　ａｎ　ａｒｅａ．　Ａｒｅａｓ ｏｖｅｒ　８０％　ａｒｅ　ｃｌｅａｎｅｄ ｂｙ　ｔｈｅ　ＦＯＲＴ．

HAZARD

The amount/percentage of infectees infected by Silent within a zone designated by FORT, such as towns, etc. For example, HAZARD 50%. Areas exceeded 80% are completely disposed of by FORT.

ＷＯＲＭ

心象シーンで出現する、線形の小さなエーテル体。それを発見し、削りだすことで心象風景（記憶文字）を導き出すことができる。

ＷＯＲＭ

Ｅｔｈｅｒａｌ　ｂｏｄｉｅｓ　ｔｈａｔ　ｃｏｍｅ ｏｕｔ　ｉｎ　ｉｍｐｒｅｓｓｉｏｎ ｓｃｅｎｅｓ．　Ｂｙ　ｆｉｎｄｉｎｇ　＆ ｓｃｒａｐｉｎｇ　ｔｈｅｍ　ａｗａｙ， Ｉｍｐｒｅｓｓｉｏｎ　Ｖｉｅｗｓ　（ｍｅｍｏｒｙ ｗｏｒｄｓ）　ｃａｎ　ｂｅ　ｄｅｒｉｖｅｄ．

WORM

A small, linear formation of ETHER that shows up in Impression View. By finding and scraping them away, you can derive Term Memories.

[notes:

God help me

 心象風景: a scene or view that you’re imagining. I really need to replay the rest of the game, but I’m guessing this is the word for the View you get when peeking around in people’s brains.

The file that contains descriptions of the regular Shinen/Thoughts that you pull out is called “term mem”, so I’m guessing 記憶文字, literally “memory words”, is supposed to be Term Memory.

The file with descriptions of the Shinen/Thoughts that you carry around with you to ask about is called “term imp”, so I’m guessing that was supposed to be Term Impression.

All of this is more stuff probably grabbed from an English dictionary that's really annoying to translate, since everything makes way more sense if they’re called Memory Terms (poke to open up a thought or memory in the moment) and Impression/Imprint Terms (carry around to ask about or Impress/Imprint later on).

Just to make things more fun, you access the terms located in “term imp” by clicking on the “MEMORY” button in-game, and the “term mem” file describes the Shinen you Imprint immediately.]

ＥＴＨＥＲ（エーテル）

人や動物など、思考を持ち合わせている生き物が持っている思念。（感情や記憶）アツキやナツキといったΣの力を持っている者には、それら思念をビジュアルとして見ることができる。

ＥＴＨＥＲ

Ｓｈｉｎｅｎ　（ｍｅｍｏｒｉｅｓ　＆　ｆｅｅｌ－ ｌｉｎｇｓ）　ｉｎｓｉｄｅ　ｌｉｖｉｎｇ ｂｅｉｎｇｓ　ｓｕｃｈ　ａｓ　ｈｕｍａｎｓ　＆ ａｎｉｍａｌｓ．　Σ　ｕｓｅｒｓ　ｌｉｋｅ Ａｔｓｕｋｉ　＆　Ｎａｔｓｕｋｉ　ｃａｎ ｔｕｒｎ　ｔｈｅｍ　ｉｎｔｏ　ｖｉｓｕａｌ ｉｍａｇｅｓ　＆　ｖｉｅｗ　ｔｈｅｍ．

The Thoughts (feelings and memories) possessed by living beings with the capacity to think, like people or animals. Those with Σ power like Atsuki and Natsuki can see those Thoughts as visuals.

ＺＯＮＥ－ＥＴＨＥＲ（残留思念）

いわゆる残留思念である。人や動物が強い思念を発すると、その場所にこびりついて、一定期間残っている場合がある。残存期間は、思念によって異なるが、特に死の瞬間の思念は強く、長期間その場に留まる。アツキはΣの力によって読み取ることができる。

ＺＯＮＥ－ＥＴＨＥＲ

Ｒｅｓｉｄｕａｌ　Ｓｈｉｎｅｎ．　Ｗｈｅｎ ｌｉｖｉｎｇ　ｂｅｉｎｇｓ　ｈａｖｅ　ａ ｓｔｒｏｎｇ　ｔｈｏｕｇｈｔ，　ｉｔ　ｓｔａｙｓ ｉｎ　ｔｈｅ　ａｒｅａ　ｆｏｒ　ａｗｈｉｌｅ． Ｄｅａｔｈ　Ｓｈｉｎｅｎ　ｌｉｎｇｅｒｓ　ｆｏｒ ａ　ｌｏｎｇ　ｔｉｍｅ．　Ａｔｓｕｋｉ　ｃａｎ ｒｅａｄ　ｉｔ　ｗｉｔｈ　ｈｉｓ　Σ．

ZONE-ETHER (Residual Thoughts[/Shinen])

“Residual” Thoughts, so to speak. When a person or animal gives off a powerful Thought, it will remain where they were for a certain amount of time. The time it stays behind will vary according to the Thought, but when someone’s Thought at the moment of their death is an especially strong one, it will remain at the spot for a long time. Atsuki can read these using Σ.

[note: Yes. ETHER is given in Japanese as the English word Ether, but in ZONE-ETHER it’s given as 思念, 'Shinen’. So just remember the simple fact that ETHER is エーテル, which is Shinen, which is Thoughts, which are feelings and memories, and you’ll be fine!]

ＰＲＩＭＡＲＹ（精神世界）

深層意識下の世界を指して、ＰＲＩＭＡＲＹ－ＳＰＡＣＥ（プライマリィ・スペース）もしくは単純にプライマリィと呼ぶ。そこには、その人物が昔に体験した記憶、またはトラウマで心の奥そこに隠してしまった思念が存在する。

主にサイレントはプライマリィ部分に感染し、その人物の意識を喰らっていく。

ＰＲＩＭＡＲＹ

Ｐｒｉｍａｒｙ－Ｓｐａｃｅ　ｒｅｆｅｒｓ　ｔｏ ｔｈｅ　Ｄｅｅｐ　Ｓｕｂｃｏｎｓｃｉｏｕｓ ｗｏｒｌｄ．　ＡＫＡ　Ｐｒｉｍａｒｙ． Ｓｈｉｎｅｎ　ｆｒｏｍ　ｏｌｄ　ｍｅｍｏｒｉｅｓ ａｎｄ　ｔｒａｕｍａ　ｈｉｄｉｎｇ　ｄｅｅｐ ｉｎ　ｔｈｅ　ｍｉｎｄ　ｒｅｓｉｄｅ　ｈｅｒｅ． Ｓｉｌｅｎｔ　ｉｎｆｅｃｔｓ　ｔｈｅ　Ｐｒｉ－

ｍａｒｙ　ｒｅｇｉｏｎｓ　ａｎｄ　ｅａｔｓ ａｗａｙ　ａｔ　ｔｈｅ　ｉｎｆｅｃｔｅｅ’ｓ ｍｉｎｄ．

PRIMARY (one’s inner psychological world)

PRIMARY-SPACE, or PRIMARY for short, refers to the depths of the subconscious mind. Here exist memories once experienced by the person in question, or Thoughts hidden within their minds by trauma.

Silent generally infect the PRIMARY region and devour [the infectee’s] consciousness.

ノスフェラトゥ

最近若者に絶大な人気を得ている対戦型オンラインゲーム。架空のヨーロッパの村を舞台にした、人間に化けた吸血鬼と村人達との戦いをテーマにしたゲームである。別サーバーで、パソコン版とアーケード版が存在し、チャット機能も非常に充実している。

Ｎｏｓｆｅｒａｔｕ

Ａｎ　ｏｎｌｉｎｅ　ｇａｍｅ　ｖｅｒｙ　ｐｏｐ－ ｕｌａｒ　ｗｉｔｈ　ｙｏｕｎｇ　ｐｅｏｐｌｅ ｒｅｃｅｎｔｌｙ．　Ｂａｓｅｄ　ｉｎ　ａｎ ｉｍａｇｉｎａｒｙ　Ｅｕｒｏｐｅａｎ　ｔｏｗｎ， ��ｕｍａｎｓ　ｆｉｇｈｔ　ａｇａｉｎｓｔ　ｖａ－ ｍｐｉｒｅｓ．　ＰＣ　＆　ａｒｃａｄｅ ｖｅｒｓｉｏｎｓ　ｅｘｉｓｔ，　ａｓ　ｄｏｅｓ ａ　ｃｈａｔ　ｆｕｎｃｔｉｏｎ　ａｓ　ｗｅｌｌ．

Nosferatu

An online PVP game that’s tremendously popular among young people lately. The game is set in a fictional European village, and its gimmick is a battle between villagers and vampires who are disguised as humans. There's a PC version and an arcade version on different servers, as well as a very extensive chat function.

石像

如月市の各地区に最低一個は置いてある石像。この地の魔を封じるために作られた物だと言う説があり、この如月という街は、異国から来たある人物が作り上げた。この石像も、その異国人が作ったと言われている。だが、寝る間も惜しんであまりにも必死に作るものだから、

村人たちは気味が悪くなって忠告をした。村人がいくら止めても、彼は「これをやらなければ我々に待つのは永劫なる闇だ」と、目を血走らせくり返すばかりだったらしい。そして彼は何かに取り付かれた様に一心不乱に石像を作り続けた。

Ｓｔａｔｕｅ

Ｅａｃｈ　ｐａｒｔ　ｏｆ　Ｋｉｓａｒａｇｉ ｈａｓ　ａｔ　ｌｅａｓｔ　ｏｎｅ　ｓｔｏｎｅ ｓｔａｔｕｅ．　Ｔｈｅｙ’ｒｅ　ｓａｉｄ　ｔｏ ｈａｖｅ　ｂｅｅｎ　ｂｕｉｌｔ　ｔｏ　ｓｅａｌ ｉｎ　ｄｅｍｏｎｓ　ｂｙ　ａ　ｖｉｓｉｔｏｒ ｆｒｏｍ　ｏｖｅｒｓｅａｓ，　ｗｈｏ　ａｌｓｏ ｆｏｕｎｄｅｄ　Ｋｉｓａｒａｇｉ．　Ｈｅ ｗｏｒｋｅｄ　ｓｏ　ｈａｒｄ　ｔｏ　ｍａｋｅ

ｔｈｅｍ　ｔｈａｔ　ｔｈｅ　ｔｏｗｎｓｐｅｏ－ ｐｌｅ　ｗａｒｎｅｄ　ｈｉｍ．　Ｈｅ’ｄ ｒｅｐｌｙ　ｗｉｔｈ　”Ｉｆ　Ｉ　ｓｔｏｐ　ｗｅ ｗｉｌｌ　ａｌｌ　ｇｏ　ｉｎｔｏ　ｅｔｅｒｎａｌ ｄａｒｋｎｅｓｓ”．　Ｈｅ　ｃｏｎｔｉｎｕｅｄ ｗｏｒｋｉｎｇ　ｏｎ　ｎｏｔｈｉｎｇ　ｂｕｔ ｔｈｅ　ｓｔａｔｕｅｓ．

Statues

At least one stone statue has been erected in each district of Kisaragi City. Legend states that they were built to seal the area’s demons. A man from foreign lands founded the village called Kisaragi. It’s said that the foreigner built these statues too. But because he built them so quickly, barely sparing time for sleep...

...the villagers were disturbed and warned him [to slow down]. No matter how much they tried to stop him, he kept going, his eyes bloodshot, saying, “If I stop, what awaits us is eternal darkness.” And so, like one possessed, he kept on pouring all his energy into building statues.

静震理論

如月学園歴史教師の高野レイジが独自に構築した理論。どうやら土地の「オド」を基にあらゆる事が解析できるらしい。（本人談）オド測定器と言う、不思議な機械をかかえ、今日も街を走り回っている。

Ｑｕｉｅｔ　Ｑｕａｋｅ　Ｔｈｅｏｒｙ

Ｔｈｅｏｒｙ　ｏｆ　Ｒｅｉｊｉ　Ｔａｋａｎｏ， Ｋｉｓａｒａｇｉ　Ｓｃｈｏｏｌ　ｈｉｓｔｏｒｙ ｔｅａｃｈｅｒ．　Ｈｅ　ｔｈｉｎｋｓ　ｔｈａｔ ｅｖｅｒｙｔｈｉｎｇ　ｉｓ　ｍａｄｅ　ｆｒｏｍ ”Ｏｄ”．　Ｈｅ　ｒｕｎｓ　ａｒｏｕｎｄ ｔｏｗｎ　ｗｉｔｈ　ｈｉｓ　ｗｅｉｒｄ　Ｏｄ ｍｅａｓｕｒｉｎｇ　ｍａｃｈｉｎｅ．

Seishin Theory

A theory devised personally by Kisaragi Academy history teacher Takano Reiji. Apparently just about everything can be analyzed based on the land’s “Odo” (according to him). He runs around town every day with a strange machine called an Odo-measuring device.

[note: as noted elsewhere, 静震 is made of characters for “quiet” and “quaking/shaking/trembling”. It’s a pun on the word 精神, seishin, meaning spirit/mind/heart/etc. Something I just noticed is that オドオド, odoodo, is onomatopoeia for trembling or being hesitant, which may be linked to the second character’s meaning (or just coincidence).]

ＱＲカード

ＡＭＳ銀行が発行したカード。個人で、メールアドレスなどを、親しくなった友人に渡したりしている。受け取った側はそのカードを端末などの機能で読み取ることで、相手の個人情報を入手することが出来るカード���個人情報だけにとどまらず。色んなメッセージなどをのせている。

ＱＲ　Ｃａｒｄ

Ｃａｒｄ　ｄｉｓｔｒｉｂｕｔｅｄ　ｂｙ　ＡＭＳ Ｂａｎｋ．　Ｕｓｕａｌｌｙ　ｇｉｖｅｎ　ｔｏ ｆｒｉｅｎｄｓ，　ｉｔ　ｈｏｌｄｓ　ｃｏｎｔａｃｔ ｉｎｆｏ，　ａｃｃｅｓｓｉｂｌｅ　ｂｙ　ｐｕｔ－ ｔｉｎｇ　ｔｈｅ　ｃａｒｄ　ｉｎｔｏ　ａ　ＰＣ． Ｉｔ　ｃａｎ　ａｌｓｏ　ｈｏｌｄ　ｖａｒｉｏｕｓ ｍｅｓｓａｇｅｓ　ａｎｄ　ｏｔｈｅｒ　ｉｎｆｏ ａｓ　ｗｅｌｌ．

QR Cards

Cards issued by AMS Bank. You put your email address on them and give them to new friends. The one receiving it can use a computer terminal to read it and acquire your contact information. You can put various messages on them, too, not just your contact info.

如月ＢＢＳ

如月市を愛する人が発足した掲示板。特に如月市民が日々の雑談場として使用している。如月市で起こっている事件、個人の趣味と、趣旨問わずに話題に上げられているので、掲示板が初めての人でもすぐに打ち解ける事が出来るだろう。

Ｋｉｓａｒａｇｉ　ＢＢＳ

ＢＢＳ　ｂｙ　＆　ｆｏｒ　ｐｅｏｐｌｅ　ｗｈｏ ｌｏｖｅ　Ｋｉｓａｒａｇｉ　Ｃｉｔｙ．　Ａｌｌ ｋｉｎｄｓ　ｏｆ　ｉｎｆｏ，　ｆｒｏｍ　ｒｅｃ－ ｅｎｔ　ｉｎｃｉｄｅｎｔｓ　ｔｏ　ｐｒｉｖａｔｅ ｈｏｂｂｉｅｓ，　ｉｓ　ｕｐｌｏａｄｅｄ，　ｓｏ ｅｖｅｎ　ａ　ＢＢＳ　ｂｅｇｉｎｎｅｒ　ｃａｎ ｕｓｅ　ｔｈｉｓ　ｍｅｓｓａｇｅ　ｂｏａｒｄ ｗｉｔｈ　ｅａｓｅ．

Kisaragi BBS

A bulletin board started by people who love Kisaragi City. Residents of Kisaragi make especial use of it for chatting. It can be used to post about all kinds of subjects, from things that happened in Kisaragi to your personal hobbies, and even first-time BBS users can post without being shy.

黒ＱＲカード

通常の、個人データが書かれたＱＲカードとは異なり、不特定多数の人向けに作られたＱＲカード。どちらかと言うと、作成した人の日記や観察記などに使用されることが多く、作成者を特定するのは非常に難しい物となっている。大勢の人に見てもらうことを基本に

作成されているので、街中でばらまいていたり、店に置いてもらったりしているので、如月市の色々な場所で入手することが出来るだろう。

Ｂｌａｃｋ　ＱＲ　Ｃａｒｄ

Ｄｉｆｆｅｒｅｎｔ　ｆｒｏｍ　ａ　ｎｏｒｍａｌ ＱＲ　ｃａｒｄ，　ｔｈｉｓ　ｉｓ　ａ　ＱＲ ｃａｒｄ　ｍａｄｅ　ｆｏｒ　ｔｈｅ　ｇｅｎｅｒ－ ａｌ　ｐｕｂｌｉｃ　＆　ｉｎ　ｓｕｃｈ　ａ ｗａｙ　ｔｈａｔ　ｉｔ’ｓ　ｖｅｒｙ　ｈａｒｄ ｄｉｓｃｏｖｅｒ　ｔｈｅ　ｍａｋｅｒ．　Ｔｈｅｙ ａｒｅ　ａｌｌ　ｏｖｅｒ　Ｋｉｓａｒａｇｉ Ｃｉｔｙ，　ａｎｄ　ａｒｅ　ｅａｓｙ　ｔｏ

ｇｅｔ．　Ｔｈｅｙ　ａｒｅ　ｍａｉｎｌｙ ｕｓｅｄ　ｆｏｒ　ｐｅｏｐｌｅ’ｓ ｊｏｕｒｎａｌｓ　＆　ｒｅｃｏｒｄｓ．

Black QR Cards

Different from regular QR cards used to store personal information, these QR cards are meant to be given to all and sundry. Essentially, it’s a diary or a record of observations for the person who makes it. It can be used for many things, and it’s very difficult to figure out the author. Since they’re intended to be shown to lots of people...

...they’re scattered through the town, left at stores, and can be found just about anywhere in Kisaragi City.

オド測定器

高野レイジの理論、静震理論を証明するため必要不可欠な機械。「オド」という物を測定するため作られた。何と１台約５００万以上も掛かっているらしい。今の測定器は３台目とのことだ。

Ｏｄ　Ｍｅａｓｕｒｉｎｇ　Ｍａｃｈｉｎｅ

Ａ　ｍａｃｈｉｎｅ　ｎｅｃｅｓｓａｒｙ　ｆｏｒ ｐｒｏｖｉｎｇ　Ｒｅｉｊｉ　Ｔａｋａｎｏ’ｓ Ｑｕｉｅｔ　Ｑｕａｋｅ　Ｔｈｅｏｒｙ．　Ｉｔ ｍｅａｓｕｒｅｓ　”Ｏｄ”　ｌｅｖｅｌｓ． １　ｃｏｓｔｓ　＄５　ｍｉｌｌｉｏｎ，　ａｎｄ ｔｈｉｓ　ｉｓ　ｈｉｓ　３ｒｄ　ｏｎｅ．

Odo-measuring device

A machine vital to proving Takano Reiji’s theory, Seishin Theory. He built it to measure something called Odo. Apparently each one costs about 5 million yen. The current measuring device is his third one. 

[note: 5 million yen is currently about 44,000 USD.]

[gotojobin]

Nyūnai suzume #Nyūnai #suzume #Nyūnaisuzume #入内雀 #にゅうないすずめ TRANSLATION: imperial palace-penetrating sparrow ALTERNATE NAMES: sanekata suzume (Sanekata sparrow) HABITAT: the imperial palace of ancient Kyoto DIET: all of the emperor’s breakfast APPEARANCE: Nyūnai suzume has the appearance of an ordinary russet sparrow, but in reality it is the ghost of an imperial attendant named Fujiwara no Sanekata. LEGENDS: During the reign of Emperor Ichijō (960-1011 CE) lived a nobleman named Fujiwara no Sanekata. One day he got into a quarrel over some gossip started by Fujiwara no Yukinari, and in a rage, Sanekata snatched Yukinari’s hat and threw it away. For his bad temper, Sanekata was demoted and exiled far away to a solitary island in Mutsu province in the northeast. There, Sanekata nursed his resentment towards those back in the court at Kyoto, growing ever more resentful of them. Three years into his exile, he died, with thoughts of vengeance poisoning his heart. When the news of Sanekata’s death reached Kyoto, a strange thing began to happen: every morning, when the servants would place food out for the imperial court to eat at the Seiryōden palace, the nyūnai suzume would swoop in and gobble up all of the food in an instant, and then fly off. No matter how much food was laid out, the sparrow would devour every grain of rice, leaving nothing for the palace inhabitants. It was not long before the court began to grow very scared of this bird. It began destroy all of the crops in the fields, as well, and nobody knew how to stop the sparrow’s attacks.Rumors began to spread that the sparrow could only be the vengeful ghost, or onryō, of Fujiwara no Sanekata, desperate to return and take revenge upon the imperial court.