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#and vanitas ending (stage)/opening (anime)
mistandbluemoon · 1 year
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i'd just realized uechan covered storm bringer stage ending theme?? which is also a granrodeo song?? and it's called passion??
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readreactrant · 19 days
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Hello, just want to say, thanks for your recs and reviews. I started Yatagarasu because of you, and I love it so much.....The story and characters are all amazing... I did not see the plot twist at all until the end....
Also, Yukiya and Wakamiya's dynamics are just so great....Found a new fav ship from the series....Thanks again, @readreactrant ....🤩😆
Oh, have you watched "Delico's Nursery" (maybe you'll like it, too)....?
Tf is a Delico's Nursery?!
Is what I would ask if I was uncultured 😏
More on that soon.
Dnana my precious you are very welcome, and I'm so happy you like Yatagarasu, helping people find some underrated shows they'll enjoy is definitely something I can’t help but be a lil stupid passionate about. Especially in a season that just seems to be choked with generic isekai and het incest/pseudo incest romance anime.
The queers, when will our generic gay isekai incest fantasy start 🥲😭 (More on Wistoria wand and sword in another post.)
Glad you like the ship too, let us all manifest them becoming popular so we might have some fics, fanart and doujins 🙏
I'd do it all myself but I'm in a writing slump and my art could give Satan nightmares.
Moving on lmao...Delico's Nursery is...all I would ever want from a vampire centred baby sitting anime.
I genuinely wanted to talk about this when I had draft and screenchots sorted out but fuck it we ball!
Imagine Buddy Daddies but Vampires with four dumbass homosexual fathers instead of two!!! What more can you ask for?!
"But Ren, they have/had wives 🤓☝"
Have a cup of whimsy once in a while is all I say to that.
If I had to pick 2 things I gripe with it very rarely those would be the names and the way the animation does my boys' faces so dirty at times.
They literally look like they're in agony in some still frames so be prepared for the plot, the ✨DRAMAAA✨ and character interactions to do some heavy lifting at times. Settings though are drop dead gorgeous with the most immersive atmospheric feel to them, everywhere is so washed and somber like I'd expect a vampire world to be, no shade to Case study of Vanitas, execution is key and both shows are nailing their moods for me.
Now for the names...tf name's their child Dali Delico??? Sounds like some Italian deserted I'd eat without hesitation.
Know who else I'd eat (out) without hesitation???
Gayhard Fra. (I know that's not how his name is spelt but it might as well be correct).
He is blond, he's a tsundere and his outfit is literally too sexy for me to think straight. Full coverage ain't hiding that snatched waist and the fact he would degrade me only makes it hotter. Not mention his son is absolutely the most adorable thing ever oh my God 🥰😍
Other members in our team of hopeless dads are *checks notes* Dino Classico and Henrique Lorca.....
All I have to say is, Behind the name probs wasn't used in the writer's room cuz these might have a sort of relation to the characters but they sound dumb, I'm sorry 😶
Now I'm done dissing names and simping for Gayhartron, go and watch Delico's Nursery I BEG OF YOU, ITS ACTUALLY GOOD RN. I really don't think it'll be disappointing but what will be is if we don't get a season two cuz it didn't turn a profit so move move move!!!
I don't have much to say rn without spoiling cuz this show is definitely something you should watch for yourself, unlike buddy Daddies though, I know it won't be for everyone, especially the animation. It seems like it's an anime original, or adapted from a stage play (I might be thinking of another show don't sue me) cuz I couldn't find a manga on my sites, so yeah if things don't end this season, our chances of getting more hang in the balance.
The opening is a bop though so stay every episode for that and the cute kids if nothing else interests you.
Thanks for reading my word vomit as always, and Dnana it's a pleasure anytime 💕
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Personal Project
The Lewis Dresser (working title)
The purpose of this project is to produce 10, A3 Fine Art images on a common theme, “The Lewis Dresser”. (15 types of photography genres to pursue as a professional photographer, 2020)
Creative idea: last year during my NQ I took images for my painting with light project of an old typewriter and an uncooked Plaice on a platter. The latter turned out fairly well, but more importantly it sparked within me an enthusiasm and desire to progress in this medium.
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The platter was part of a collection that we had “rescued” from my late father-in-Law’s Croft on the Isle of Lewis before its sale, they have no real value apart from sentimental.
The croft is located near the cliff edge, overlooking the sea and is a beautiful windswept location just a few minutes’ walk from the lighthouse at the end of the Island.
As I have wanted to develop the idea further (I jot down potential ideas for projects in a wee notebook that I carry around with me) I have been considering ways I could do this.
Using the large collection of crockery we brought from the island I propose a series of still-life using a painting with light technique. I want to give it a flavour of the isles and as Lewis is known predominantly for its, fishing, weaving and crofting (The Isle Of Lewis, 2020).
My Initial thought was of limiting it to seafood which I would source through a  fishmongers who sell seafood caught from the Loch Fyne area , but in the current climate with shops closing every day, I may have to widen my food sources but keep within the theme of ingredients for traditional Scottish fare. (Redirecting..., 2020)
Technique: during this project I want to develop and improve my painting with light   technique.
As I said previously It is a medium that I have been interested in since it was first introduced to me in my NQ class and it has always been my intention to develop it, but the briefs this year have been fast and furious and opportunities to explore our own projects have been few .
I have been looking forward to this brief and the chance it offers to pursue my own interests.
Research: As part of this project I will expand my knowledge of photographers and artist who have inspired and influenced my work. (How to Plan a Photo Project * Anthony Epes, 2020)
Harold Ross
(PhotoBiography: Harold Ross | International Photography Magazine, 2020)
(MacDonald, 2020)
When painting with light my first thought is Harold Ross, I really admire his work. The way he uses light to accentuate the details of his subject creates stunning, surreal photos. Ross uses a variety sizes and softness of light tools to sculpt the images and builds up his photographic images incrementally building layer upon layer in Photoshop. He describes the process as more intuitive than technical and there is a great deal of artistry evident in his work.
This method requires the subject to be shot in a darkened room, the camera should be on timer and tripod mounted (as you are layering the camera needs to remain in a fixed position and at a fixed focal length.) I find it best to focus your subject in auto and once it is fixed, change to manual. If you try to shoot in auto the lens will move in and out of to focus when you paint the light onto your object.
The room needs to be darkened for this to be effective and I intend to shoot in late afternoon or early evening to avoid the “borrowed light” that comes in through the opening near the ceiling of my studio (if I am unable to access my studio I will set aside an area in the flat to work in).
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Ross advises that he shoots tethered and this is something I have never done but I would like to add this to my skills set and will research the method further. I have begun accessing online tutorials and been having discussions about this with other Olympus users on the Facebook group I am part of. (Step by Step Tutorial for How to Shoot Tethered, 2020)
Laura Letinsky  
(Laura Letinsky → THE DOG AND THE WOLF, 2020)
Letinsky is another photographer that I have come to admire since I began studying photography, I love the way she uses light, and the narrative quality of her work. Her compositions, which at first glance seem haphazard shots of the remnants of hurried meals, abandoned dishes, vestiges of parties, are in fact very carefully arranged.
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She uses light to pick out every crease, crumb and fragment within the frame, telling us not only what we see in front of us, but what happened before and what will come after. My earlier shots were very tightly focussed on the subject but perhaps there is scope to pull back and tell a bigger picture.
Mat Collinshaw
(Last Meals on Death Row, Texas - Photo Essays, 2020)
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Collinshaw is categorised along with Letinsky, and many notable others, such as Paulette Tavormina and Margriet Smulders, as a photographer who can be defined, at least in his still life, as “Vanitas”. (Still Life Photographers Who Give a Fresh Meaning to Vanitas, 2020). That is that the work either through lighting, content or context leans towards works of the old masters of the Dutch and Flemish painters of the 17th century. Messages such as the transience of life and the beauty of nature were intrinsic in these paintings and strong symbolism was seen in the inclusion of skulls, dead animals or dramatic chiaroscuro lighting.
These traits can be seen in the contemporary work of both Collinshaw, and Letinsky, she with her depictions of dead creatures and decaying food and flowers, he with his slightly voyeuristic look into the thoughts of the condemned man and his deeply dark lit photographs.  
There is something slightly morbid about working with a dead creature, particularly in the dark, exploring piece by piece, that I find chilling and it is important to ensure that the beauty of the subject exceeds this, a difficult balance I have found in the past.
Alicide d’Orbigny
(Dance of the Aymara People | Old Book Illustrations, 2020)
D’ Orbigny was neither a photographer nor an artist, he was a French Micro Palaeontologist in the early 19th century. (Alcide Dessalines d' Orbigny | French paleontologist, 2020)
His anatomical illustrations, particularly those of sea creatures are stunning. He not only created biologically accurate depictions but used colours which captured the vibrance and other worldliness that many of these creatures possessed and that caused so many myths to grow up around them.
I came upon one of his images as an illustration in a cookbook that I was gifted and was so struck by the beauty of it that I researched him and found a wealth of beautiful illustrations (sadly my knowledge of palaeontology has made no progress). I cite D’Orbigny as an inspiration for this project as I think painting with light reveals much hidden beauty in subjects such as sea-life and yet retains a realism.
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My “ambitious outcome” for this project is that I produce something that is well crafted, beautiful and could be considered fine art. I hope that the images will be finely detailed and that the process through which they are shot adds a dimension to them which cannot be captured in a single shot alone. This is hugely ambitious for one photograph but to produce 10 such images seems unimaginable. It is a very time-consuming process and time is limited but it will be a photography adventure and without doubt a learning experience.
Exhibition
The question “how would I like it to be viewed” is a complex one as ,first and foremost ,this is a personal journey and in a way a homage to the father-in-law I never met but have heard so much of, to his homeland and the place that is held dear in the heart of my husband and his family.
It is also a way of placing a new value on these old and fragile objects imbuing them with fresh life; sentimental and personal.
Alongside this is a need to show progression in my photography skills and my creative ability, both to friends and peers, and finally if the work holds any merit as fine art then I would like to organise a small exhibition.
The campus where my studio is based has an exhibition area which would be ideal for this type of informal exhibition preferably in conjunction with some of my fellow classmates. I have contacted the building’s owner* to check on the viability, the space is freely available to tenants for non-commercial ventures and has dates open for this year. At this stage I haven’t spoken to any of my classmates about it, but I am confident that there would be enough interest to set up a class launch.
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*see attached email.
I have given some thought on how I think I would display my work; prints sized A3 and mounted will be printed on Hahnemuble German etching, Hahnemuble photo rag ,or Hahnemuble smooth as I want the images to have a fine art textural quality to them and reduce any shine. I like the textures of each of these products but will obviously make a final decision once the images are edited and optimised.
Technically a good knowledge of the camera, use of lens, depth of field and focal point  and lighting techniques is essential, as is an understanding of the aesthetics of the technique, my skills in this area are adequate but I hope by the end of this project they will be considerably improved.
The main pieces of gear I will be using for this will be:
My Olympus EM1X DSLR mirrorless camera
An Olympus micro 4/3 lens 12- 40 mm Lens
A tripod
Light tools modelled on those demonstrated on Harold Ross’ websites
Black card flags
A reflector
A MacBook air with photoshop software.
Approximate settings: (based on previous shoots)
2.0 secs @ F8.00, ISO 100, focal length 18 mm
This type of shoot is really a solitary activity and, because of current restrictions due to the Corona virus precautions, is one of the main reasons I have chosen this rather than my other plan, I will be able to do it without assistance.
Materials needed;
Workroom which can be darkened.
Small backdrop and base
Seafood – I have already purchased and frozen a selection of this which can be thawed as required.
A selection of Lewis crockery
Consumable items as required, see costs:
Costs –
Backdrops/base materials - 4 backdrops from Black velvet - £36.00
Food products - Fish, meats vegetables                    Approx. £30.00
Printing costs - 10 prints @ £8.00                                             £80.00
Travel                N/a working from home
Misc                   Buffer for incidentals                                       £20.00
Total                                                                                           £166.00
1815 Words.
RISK ASSESSMENT
Project: The Lewis Dresser
Location Name: Home address
Tel:XXXXXXXXXXX
Tick any identified hazard.
o Access (blocked or restricted)            o Dangerous surfaces (slippery, wet)
o Vehicle parking at location                  X Trip Hazards Found
o Dangerous Services (elec/y, water).    o Derelict Buildings (unsafe floors)
X Working in confined spaces              oHazardous Substances (chemicals)
o Flammable Materials                            o Water (proximity to water)    
o Rubbish/Vermin                                     o Machinery (working, turning parts)
o Working at Height                                             o Working on/near roads            
o Driving in traffic                                     o Noise (high sound levels)
o Weapons                                                  o Stunts
o Extreme Heat/Cold                                o Physical Exertion            
o Using animals                                          o Hostile Environment (violence)          
o Special Needs (inexperienced, child, elderly)  o Public/ Crowds
o Other Hazards.
   Please specify
HAZARD SEVERITY - H / M / L  Confined space - Low,  Trip hazards - Low
People at Risk - Who photographer, how many? -1
Likelihood. H / M / L
Risk Control Adequate - Yes / No
Are the precautions proportionate to the overall risk?
Please expand this document as required to properly assess your risk
Details of Activity
Photography, low light photography using darkened room, tripod ,handheld lights.
Set up will be confined to blocked of area of 1 room, wire to be secured using heavy duty tracking.
Confined space in darkened room.
Trip Hazards
Ensure floor is clear of obstacles before switching off lights.
Use of headlamp for safe visibility.
Make sure no items are near edges or trailing. Secure cables with heavy duty cable.
Source of safety advice at location
Name : Julie Balfour
Signed:
Julie Balfour
Date:
25.03.2020
College Contact
Name:
Faculty Admin Assistance
Tel:
0141 375 5226
Signed:
(Donna Wilkins)
Date:
Session 2019/ 20
Risk Assessment undertaken by:
This must be signed before the Shoot can go ahead.
I have read the above risk assessment and am satisfied that:
·      Constitutes a proper and adequate risk assessment in respect of the programme activity.
·      The precautions identified above are sufficient to control the risks.
·      Adequate arrangements are in place to communicate risk assessment findings and to co-ordinate the safety arrangements of all those affected.
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Plan your first 8steps – whilst this is likely to change, it can provide a loose framework Remember to account for additional opportunities
As I have a small studio space it is my intention to work from there, if however the studio has to close for any reason I will relocate to a space in my flat.
I have ordered some online backdrops which may compliment my compositions
I will be visiting the local fishmongers and buying in the foods I plan to shoot, these can be frozen until needed.
I will set up my backdrops and experiment with lighting etc until I am happy with the set up.
From my research it seems that it would be beneficial if I could shoot tethered so I will be researching how to do this while I await feedback on my proposal.
I have a number of Light tools already but I will research this further and add to these.
I will continue to work on my photoshopping skills so that I can get the best possible results from layered images.
As I want the final images to be in the Fine Art genre I will be printing on a Hahnemuble paper, type to be decided.
References
Anthony Epes. 2020. How To Plan A Photo Project * Anthony Epes. [online] Available at: <https://www.citiesatdawn.com/how-to-plan-a-photo-project/> [Accessed 25 March 2020].
Digital Photography School. 2020. Step By Step Tutorial For How To Shoot Tethered. [online] Available at: <https://digital-photography-school.com/tutorial-shoot-tethered/> [Accessed 25 March 2020].
Encyclopedia Britannica. 2020. Alcide Dessalines D' Orbigny | French Paleontologist. [online] Available at: <https://www.britannica.com/biography/Alcide-Dessalines-d-Orbigny> [Accessed 25 March 2020].
Facebook.com. 2020. Redirecting.... [online] Available at: <https://www.facebook.com/pg/kennycaedonia/about/?ref=page_internal> [Accessed 25 March 2020].
Internationalphotomag.com. 2020. Photobiography: Harold Ross | International Photography Magazine. [online] Available at: <http://internationalphotomag.com/harold-ross-photo-biography/> [Accessed 25 March 2020].
Isleoflewischessset.co.uk. 2020. The Isle Of Lewis. [online] Available at: <https://www.isleoflewischessset.co.uk/isle-lewis.html> [Accessed 25 March 2020].
Lauraletinsky.com. 2020. Laura Letinsky → THE DOG AND THE WOLF. [online] Available at: <https://lauraletinsky.com/photographs/the-dog-and-the-wolf/> [Accessed 25 March 2020].
MacDonald, F., 2020. Sculpting A Photograph With Light. [online] Lens Blog. Available at: <https://lens.blogs.nytimes.com/2012/01/05/with-light-sculpting-a-photograph/> [Accessed 25 March 2020].
Old Book Illustrations. 2020. Dance Of The Aymara People | Old Book Illustrations. [online] Available at: <https://www.oldbookillustrations.com/writers/orbigny-alcide/> [Accessed 25 March 2020].
Pixpa. 2020. 15 Types Of Photography Genres To Pursue As A Professional Photographer. [online] Available at: <https://www.pixpa.com/blog/types-of-photography> [Accessed 25 March 2020].
TIME.com. 2020. Last Meals On Death Row, Texas - Photo Essays. [online] Available at: <http://content.time.com/time/photogallery/0,29307,2095889_2316169,00.html> [Accessed 25 March 2020].
Widewalls. 2020. Still Life Photographers Who Give A Fresh Meaning To Vanitas. [online] Available at: <https://www.widewalls.ch/still-life-photographers/> [Accessed 25 March 2020].
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toradh · 7 years
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And for the top 5, I’m sending your ask right back at you! =D Top 5 (or 500) pieces of video game music!
HAHAHA EVERYTHING YOU DO IN LIFE COMES BACK TO YOUOK HERE YOU GO, IN NO PARTICULAR ORDER (except alphabetical per game lol)
I’m gonna… put this under a cut for length. Oh boy.
Chrono Cross (fun fact: I’ve never played the game but I own a copy of the soundtrack):-Scars of Time-Fields Of Time - Home World-On The Beach Of Dreams - Another World-Departed Souls-Dragon Knight-Prisoners Of Fate-Magical Dreamers - The Wind, Stars, And Waves ~-The Dream That Time Dreams-Dragon God-Life ~ A Distant Promise
Assassin’s Creed II:-Earth-Ezio’s Family-Venice Rooftops (my first contact ever with AC was the Soul Calibur version of Venice Rooftops and at that very moment I KNEW I had to play the game that it originally belonged to. No kidding!)-Master Assassin (it’s from Brotherhood but yada yada)
Assassin’s Creed III:-Main Theme-Ratohnhaké:tonThe Liberation soundtrack was also amazing, I could listen to the Main Theme for days.
Dissidia Final Fantasy:-the openings and ending medleys, and also that new version of The Man with the Machine Gun is killer
Final Fantasy IV:-the goddamn opening of the Nintendo DS remake
Final Fantasy VI:-Terra’s Theme
Final Fantasy VII:-the battle theme and boss battle theme, who doesn’t love it-the main theme once you had spent enough time in the menue to actually ever hear the end of it-Cosmo Canyon AKA Valley Where Stars Fall whatever and Become a Great Soldier-Words Extinguished by Fireworks-Listen to the Voice of the Stars-and of course Aerith’ theme-Towards the Mountain-The Day of Our Last Moments-Perfect Jenova-Carmina Burana reloaded uhm I mean One Winged Angel, too, of course-also the opening and ending credits from Crisis Core which is a mediocre game, but it let me hack n slay, had the infinitely more lovable protagonist, and it had some cool music remixes
Final Fantasy VIII (oh boy, the FFVIII OST is my fav right after IX, although the latter wins every other race in the franchise)-Liberi Fatali and also the Overture AKA the motherfucking opening credits when you insert Disc 1 for the first time-The Landing-Force Your Way (honestly this game has some of my favourite of favourite battle themes EVER; the feeling of beating up bosses after spending hours, HOURS in the menue to set up your team is incredible lol; like OH MY GOD MY PLAN ACTUALLY WORKED)-The Mission-The Stage Is Set-Fithos Lusec Wecos Vinosec-Premonition-Drifting-The Oath-Trust Me-Lunatic Pandora (gives you a headache if you listen to it for too long tho lol)-Compression of Time-The Castle-Legendary Beast-Maybe I’m A Lion-The Extreme-the Ending Theme (yep, including Eyes One Me! I mean it’s cheesy but it kinda grew on me…)(basically the entire end of the 4th disc is a blast, not gonna lie)
Final Fantasy IX (buckle your seatbelts!):-Place I Call Home/A Place to Call Home/whatever AKA the opening credits-Living by the Sword-Hunter’s Chance-Marsh of the Q Tribe-Sword of Confusion-Eternally Good Harvest-Roses of May-City Under Siege-Protecting my Devotion-Light of Destiny-Chamber of a Thousand Faces-Mount Gulug-Four Mirrors-Concurrent Battles-Terra-You Are Not Alone-Assault of the Silver Dragons-Organum (which is an obscure organ version of the opening credit theme which gets a billion variations throughout the game anyway; it’s on a bonus soundtrack CD that I bought at one point before I finally got my hands on a copy of the actual OST)-and of course the One True Melodies of Life
Actually 90% of the soundtrack
Final Fantasy X:-People of the North Pole-A Fleeting Dream-Suteki Da Ne, too
Final Fantasy XII-the boss battle theme-the Esper battle theme-also the Imperial March I mean Theme of the Empire
Final Fantasy XIII:-Blinded by Light (VIOLIN BATTLE THEME VIOLIN BATTLE THEME)-Saber’s Edge-Lightning’s Theme-Caius’ Theme from FFXIII-2 (which was a waste of time BUT it had Liam O’Brien. Can I just have a poster of Liam O’Brien’s voice pls)
Final Fantasy XV (I still haven’t played this thing lol):-Too Much Is Never Enough (I bought sheet music lol)-Somnus (both instrumental and /w lyrics)-Departure-Wanderlust-Ardyn and Ardyn II-Labyrinthine-The Hydraeans Wrath-Homecoming
(notice a pattern lol)BTW every single Distant World CD is a fucking gem and you should buy them
Kingdom Hearts whatever (I’m not gonna go through the individual titles):-Dearly Beloved in all versions ever released-Disappeared-Another Side-all of Vanitas’ battle themes-Ventus’ themeand of course Hikaru Utada’s songs I love that woman; and also the orchestral/instrumental arrangements that were used in the trailers.
Tales of Berseria:-BURN (why is it capslocked tho)
Tales of Destiny:-Yume De Aru Youni-Irony of Fate in that goddamn epic remix from that orchestra CD thingy
Tales of Symphonia:-Starry Heavens and the sweet instrumental version that plays when you thought you had lost all your teammates but they come back and help you while you rescue that one team mate whose affection for Lloyd was highest
Tales of Vesperia:-Ring a Bell
Tales of Xillia:-Progress
Tales of Zestiria:-White Light-Zaveid the Exile-Flaming Bonds are Being Tested-Melody of Water is the Guide in Spiritual Mist (can we set a petition for Mikleo to play his own trial theme on the piano, yes, sign here, thank you)-Competing with the Honor of the Land-Fight Between the Wind and the Blinking Sky-Rising Up
(why do these trials themes have so long names bleurgh. So yeah AKA ALL THE TRIAL THEMES)
(basically all the Tales openings lol)
The Legend of Zelda… oh god why are there so many games.So I’m only gonna go through my two favs:
Ocarina of Time:-Lost Woods-Windmill Hut (aka the Song of Storms)-Gerudo Valley
The Wind Waker:-Dragon Roost Island-Molgera’s boss fight theme
also the bonus orchestra CD from Skyword Sword was so good :O
Valkyrie Profile:-Take A Flight
Xenogears:-Stars of Tears-Grahf, Dark Conqueror (only a JRPG would name a villain Grahf tho lol)-Premonition-Awakening-The One Who Bares Fangs at God-Small Two of Pieces (PLEASE I NEED SHEET MUSIC FOR THIS WHERE CAN I FIND SOME; legally if possible lol)-the battle themes aren’s bad, either(fun fact: I’ve never played this game, either)
Xenosaga stuffz(never played that either lol. I didn’t listen to the complete soundtracks, either, only bits)-The Miracle-Kokoro (whoever came up with that song title has guts, but it’s seriously super beautiful, and Joanne Hogg makes a comeback on vocals!)
BTW I never played anything Wild Arms, either, but I really the openings for the first and third game in the series, respectively.Oh and that one boss battle theme from Shadow Hearts II! (I think it’s called Hardcore to the Brain?) I actually never played that thing, but I watched my sister (who’s super fond of the game!) for like 90% of the plot I think.
…Would you believe that this a selectionI… I’ll better not go into movie soundtracks*faints*
…Uhm, do anime songs count lol
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