#and using the admiration argument as if that line isnt precisely there to say he admired him in the BEGINNING

[ghostinthetumbchine]

Literally watch me drop an equivalent of my monthly salary on english versions of tolkiens legendarium because this fandom has over the years created a version of characters and events that is so far from anything tolkien presented and acting like its not against canon that im gonna need to be able to pull quotations directly from og text

[blueincandescence]

A Non-Toxic Reading of TLJ

http://scavengersholocron.com/category/home/why-the-last-jedi-isnt-just-bad-its-toxic/

This article — “Why The Last Jedi isn’t just Bad: It’s Toxic” — is going around tumblr as the best compilation of TLJ’s faults. I read it eagerly, hoping to understand what I missed. It’s a very thoughtful read and it made me think a lot about my assumptions. 

I still feel that there is a valid non-toxic reading of TLJ, because the arguments are predicated on two beliefs that I simply don’t share.

1) Kylo Ren is portrayed as sympathetic.

I never felt that. Fuck Kylo Ren. He gets a deeper backstory. Luke isn’t perfect. It’s more complicated. Blah, blah. In the end, he isn’t redeemed; his redemption is shown to be a lost cause.

From the article:

In other words, there’s nothing relatable when you think about a wealthy white male growing up sure of his place in the world and deciding to leave it all behind to join a fascist organization.

Exactly! That’s what the movie shows.

So the argument is that Johnson says that Kylo “is relatable because of his angst.” And, yeah, that piece may be somewhat relatable to some people. I find it insufferable and I’ve been rolling my eyes at this trash character from day one. But he’s a perfect example of millennial fascism. Kylo Ren is the living embodiment of, “Cool story, bro. It’s still murder.”

But wait, wouldn’t that mean that Rey’s entire role in the movie basically focused on developing Kylo Ren as a character? It does, and you wouldn’t be wrong to think that way.

I was pretty checked out during the Rey/Ren scenes and was really hoping they would go nowhere. Which they did! Rey does the Luke Skywalker thing of trying to save the villain but the villain doesn’t want to be saved because he is the worst so she leaves him to his fate. Subverted!

The Kylo Ren I watched on screen is not sympathetic. He’s pathetic. Will that stop shippers from glorifying him? No, but Rey rejects Kylo’s millennial fascism our-version-of-Nazisim-is-different-we’ll-be-benevolent-violent-dictators bullshit outright, so they’re still stuck in la la land.

2) That characters have to be perfect for us to love them.

They don’t! Heroes are fallible! NO ONE IS PERFECT. We all have lessons to learn. The good guys in this movie learn their lessons and become more admirable. The bad guys (spoiler! Kylo Ren) do not learn their lesson and doom themselves. 

Finn:

Again, from the article:

Until The Last Jedi where Finn is again painted as selfish and cowardly, and the film does not shy away from this fact.

Here’s some meta I wrote about Finn’s arc in TLJ. Finn’s arc isn’t that he’s a coward who becomes brave. It’s that he’s mistrustful of causes. Why on earth should he put his life on the line for the Resistance? Finn sees the world as morally gray. He tries to leave in TFA because he wants to live and, after all the terrible things he’s been through, he deserves it. His arc is about coming to terms with his identity as “rebel scum.”

Not to mention, it’s Rose who ultimately has to teach Finn about the seedy belly of Canto Bight and how it operates: through slave labor. Another character shouldn’t have to explain to Finn, of all characters, the tortures and ills of slavery. After all, that’s the only life Finn’s known, taken as his family and raised in a life of servitude as a Stormtrooper to the First Order.

Rose doesn’t teach Finn about the horrors of slavery. She prompts him to see it under the glitz and glamour of a freedom he’s never gotten to enjoy. The instant Finn realizes that slavery and torture are behind Canto Bright he rejects the whole place. Precisely because he doesn’t need to be taught that. His experience of slavery is much more stark and, well, fascist than Rose’s. But he never tries to deny that they’re equally bad. 

Finn is tempted by the gray side. But Benecio’s character snaps him out of that funk right quick. He takes his place as a leader of the Resistance. Destiny doesn’t tell him he has to be. No one passes on the mantle. He figures out what his morality is and makes a stand. That’s heroic!

Poe:

Painting him as a cocky flyboy with a chip on his shoulder just doesn’t work when it goes against everything we’ve been told about his character. The “lesson” Poe was supposed to learn was one he already knew.

What do we learn about Poe in TFA? He’s the best and he has the ear of General Leia. The rest is fanon and outside texts that a fraction of the audience have read. Poe is reckless in the way that action movies reward all male heroes for being. 

I didn’t feel less sympathetic toward Poe because of this. The whole plot is predicated on the idea that the audience will be on Poe’s side and mistrust Holdo. Poe is the character we care about, so it’s a surprise to learn that he can be wrong. In that way, “the action-oriented hero saves the day” trope is deconstructed.

Is it done well? Eh. The Holdo plot was contrived. There needed to be a better reason to keep the info secret — some stuff about spies or whatever, fine. Make an effort. But Holdo’s mistake makes us more sympathetic to Poe, even though he’s wrong his heart was in the right place. 

That’s precisely why he is rewarded in the end with command of the entire Resistance from General Leia herself. He’s learned that the best strategy for the Resistance is not the one that does the most damage to the First Order — the Resistance protects its people whenever humanly possible.

This is the feminist (in the philosophical sense; not the guy vs. girl bullshit) identity of the resistance that sets it apart from the masculine military-industrial complex the film abhors: Life is sacred. But, as we learn through Finn’s arc, choosing to put your life on the line is a heroic act. And thus we have balance. Finn and Poe make some mistakes along the way, but they end up exactly where they should be: The Leaders of the Resistance.

Rose:

Despite Kelly Marie Tran’s boundless enthusiasm for her role, Rose Tico is ultimately underwhelming as a character. Despite mourning the death of her sister, her ultimate presence in the film seemed to be reduced to a girl with a bad crush on Finn.

No!!!!!! Rose is fabulous. Rose stands up for herself at all times. Rose goes from hero worship to taser in ten seconds flat. And yes tasering a black man is in horrible taste given the world we live in. What standing up to Finn demonstrates about her character is that she’s representative of Ride or Die Resistance. She knows the world and its horrors. She mourns her sister but she’s proud as hell. She understands she’s only a tech but when she has expertise in something she doesn’t let the two most famous men in the Resistance talk over her.

Her crush on Finn is active. When Finn disappoints her, her conception of him changes. When Finn amazes her, her feelings take root. She does something about her crush. She saves his life. She kisses him. Rey is no longer the center of Finn’s universe. His capacity care grows and he grows, too. He still feels for Rey, sure, but Rose Tico is amazing and he knows it and the audience knows it.

...

All that said.

I will acknowledge that it is entirely possible I’m giving the movie too much credit. Maybe I'm willfully interpreting things not as they were meant, but as I would like them to be.

But isn’t that how fiction works?

I’m not saying TLJ is a perfect film or I wouldn’t have wanted less Kylo (please, lord, give me less Kylo). I would never say that other people’s interpretation of the film’s racism and misogyny is wrong. I’m going to continue to read articles on this topic and educate myself and try to grow in my understanding.

But is it wrong to celebrate the message I left the theater with if I can point to concrete moments and ways I read it as progressive? Is it wrong for me to love these characters and see the best in their arcs?