#and totally related to trauma when your family LITERALLY HUNTS MONSTERS
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acesammy · 2 months ago
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huh. crazy how the secrets sam keeps arent about trauma right?
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angerissue · 4 years ago
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Character Survey.
Real name: Dr. Robert Bruce Banner, Ph.D..
Single or taken: Single, and this probably isn't going to change anytime soon. He has a number of ingrained emotional issues, and ideological issues that pertain to his condition, that prevent him from seeking romantic relationships and even just becoming close to someone. One-night stands are possible, because they don’t involve emotional commitment from either party, but real relationships scare the hell out of him. The closer that someone gets to Bruce, the more he fears hurting them or being hurt himself.
Abilities or powers: He has an extremely high IQ, almost unprecedented intuition when it comes to the sciences and its numerous technologies, and a great ability to think outside the box and solve complicated, confounding problems. Also, he can turn big and green, which makes him capable of inhuman physical feats and gives him a ridiculous healing factor. This cannot be understated; he can literally recover from decapitation if the conditions are right. It's debatable whether these qualify as gifts or curses, because of the experiences they've created for Bruce in the past, but they're definitely abilities at the least.
Eye colour: Brown. Sometimes green if he’s in a mood.
Hair colour: Dark brown with some grey.
Family members: Rebecca Banner (mother / deceased), Brian Banner (father / incarcerated), Jennifer Walters (cousin / alive), Susan Drake (adoptive aunt / unknown), Elaine Banner (aunt / deceased).
Pets: In The Persistence, he owns a white knockout mouse named Eddie, who came from a selection of ailing lab mice that he experimented on with the Hulk's plasma. He doesn’t have pets in other verses, though he wouldn’t mind a cat, or a dog with a calm and mellow demeanour, as long as his living situation and overall routine is constant and undisturbed. Otherwise, it will never be a possibility. Back when General Ross' squad broke down his door in Brazil, he needed to abandon a mutt named Rick, and it hurt because he’d become very fond of him. He doesn't want to do this to another animal.
Hobbies or activities: He loves hiking and jogging (with trails in forested areas being his preferred location), cooking and baking, gardening, reading textbooks and science journalism, bait fishing, programming and experimenting, travelling, sightseeing, meditation, yoga, collecting and listening to vinyl records, and being a rebel by listening to police scanners and going after bad guys if he doesn't have much else to do. But even if it seems like he's not outwardly doing anything, he's probably still occupied — he tends to spend a profuse amount of time in his own head, ruminating and reflecting on future goals, whether it involves anticipating or dreading them. He also likes to contemplate new concepts and designs for technologies.
Animal that represents them: Definitely a pangolin, because you can’t look at a pangolin and the way it carries itself and not think of Banner from a purely visual perspective. Add on the fact that their bodies are covered in hardened scales for defense, and how they curl up into a ball whenever they're upset and threatened, and you have a metaphorical version of Bruce, who tends to shy away and retreat into himself whenever he's having a lower moment, and has a lot of deep-seated defensive mechanisms on display during social interactions. But seriously, these animals just want to walk around eating ants, minding their own business. They don’t have a bone to pick with anyone... Which is also similar to Bruce. And did I mention that pangolins are endangered, because they're frequently hunted and trapped by humans for their supposed “beneficial properties” in medicine (none of which are proven)? That's similar to how Banner has been followed all over the place by the U.S. military, just because they perceived his condition to be useful somehow.
Worst habits: Take your pick. Distancing himself from other people even when he could use the company, self-flagellation, humouring his guilt complex even when he's not responsible for certain negative outcomes, repressing or suppressing his emotions when he needs to express them (or the opposite, staying as the Hulk so he can stew in those strong emotions and therefore punish himself for whatever he “did wrong”), running away from connections that involve real commitment, especially romantic ones.
Role models: Steve Rogers for his patriotism and overall sense of morality, Neils Bohr for his defense of the Bohr atomic model (which had been a radical theory for the time) and subsequent successes, Ernest Rutherford for similar reasons, and his mother when he was younger, though he doesn’t remember much about her because he was only six when she died. Same goes for his aunt, Susan; while he spent more time around her than Rebecca in total, he was rather emotionally absent by this point because of all the trauma earlier in his childhood. In general, his role models tend to be people who remain strong in the face of adversity and judgement, and stick to their values for the benefit of others. All the above people qualify in that sense, for different reasons.
Sexual orientation: Heterosexual.
Thoughts on marriage and kids: Nope, and bigger nope. He would love to have a close connection with someone, however much he's actually repressed the desire for the time being, and some part of him does want to have a child — however, he always concludes that it wouldn't be worth it. Bruce believes marriage would be a shackle for anyone who's unfortunate enough to become his partner, and it would open them up to potential threats from people who could use them to get to him and his condition. And children are a no-go because Bruce doesn’t want them to have a father like him; he might be absent for a lot of their upbringing, and either unstable or otherwise unaccommodating in temperament if he’s upset. And he'll constantly be trying to hide his condition from them as well, because god forbid they find out their father is a monster, and they feel like a freak because of it. He's been in a position where he felt like an anomaly as a child, and he's not interested in subjecting his children to this. He also loathes the idea of bringing children into the world because he would not be able to ensure their safety — after all, he can’t even ensure his own. So to Bruce, he'd be setting them up for endangerment just because they’re related to him, similar to how his partner would become a target as well.
Style preferences: Safe and conservative, and not flamboyant by any means. He usually sticks to warmer and neutral palettes, and cuts/styles that are classic and unlikely to fall out of style; this includes his suits, jackets, pants, and shirts. We're talking chinos and slacks, poplin dress shirts, wool sport coats and blazers. Most occasions will see him wearing the dress shirt, slacks, and sport coat together. If he's feeling more adventurous, he'll pair a sport coat with a crewneck, or he could even go with a polo shirt and jeans, but the latter is rare. In general, Bruce's most interesting piece is a brown leather bomber jacket, which he usually wears in the warmer months; colder weather will bring out a peacoat (and he loves to pop the collar in lieu of using a scarf). As far as cost goes, Bruce is fairly well-off between the royalties from S.H.I.E.L.D. and other work he's done here and there, but even so, he doesn't purchase outrageously expensive clothing and tends to go for the mid-upper brands. He'll do made-to-measure, but not full bespoke. He finds any further spending to be superfluous.
Approach to friendships: Cautious and uncertain about them, and tends not to approach people first, because he would hate to overstep his boundaries / make someone uncomfortable. Rather accommodating to people he considers friends, but he's extremely quick to duck out if they can’t meet him eye-to-eye regarding touchy topics, like decisions that affect the well-being of many people. This is the reason he shunned his friendship with Tony after they debated about the Sokovia Accords. Being an introvert, he’s one of those people who doesn't like bothering his friends; even if they make it abundantly clear that he's welcome anytime, he'll hesitate, but he’s completely okay and even happy if those friends approach him instead. He doesn't always like when his personal space is invaded, or if someone touches him, but he'll start to make exceptions if he becomes more familiar with someone. He loves the people that he can consider friends, but he always views the friendships as something that could dissolve in a heartbeat. On some level, even unconscious, he's always expecting things to end.
Thoughts on pie: An acceptable desert. Bumbleberry, strawberry rhubarb, and pumpkin are his favourites. He prefers the homemade variety, and because of it, he tends to make his own, butter crust and all, avoiding store-bought unless it’s particularly memorable — or if someone buys a slice for him. He’s appreciative like that.
Favourite place to spend time: Somewhere he can guarantee that he's not being watched; these are most commonly his labs in the Northwind Observatory, quiet and secluded trails, or his chambers in the Crown City citadel on Sakaar. Not only do these locations ease his anxieties about being studied, inspected, or followed, but he feels less of a pressure to put on false pretenses and exhaust himself with social niceties, many of which may be fabricated. He doesn’t need much external stimulation, because he’s fine simply turning inward and thinking, without paying much attention to his surroundings, but he’ll certainly admit to spending a ton of time tinkering with pet projects if he’s in the labs. Obviously, Bruce prefers to be alone in most of these cases. But if he's with someone he cares about, whether a friend or a romantic partner, and can openly express himself around them, that's nice for him too.
Swim in the lake or ocean: Lakes, without question. He has some bad memories of being in the ocean, whether it’s about the time he was tossing and turning in glacial waters after his failed suicide attempt, or clawing his way out of a quinjet that crashed into the water while his alter started to take over. Bruce remembers all that, and it's not pleasant. The openness of oceans perturb him as well; lakes are usually far more intimate and amniotic because they’re often surrounded by forests, which allows him to feel safer and less exposed.
Their type: Someone who is, and is comfortable with showing, some semblance of dependence on him, which would placate his need to fill a provider role and not simply be a charity case; he's had enough of that between begging on the streets and asking Tony Stark for boarding. (This doesn't mean he's looking for someone who's a total pushover, cannot make their own decisions, or is emotionally needy, because those would make him run in the other direction, frankly.) Someone who can hold their own and stand up for their beliefs when necessary. Someone who can challenge him intellectually, though not necessarily in an academic sense; it really just depends on how much they can expand his own perspective by giving their own. Someone who really understands his needs and issues. And obviously, someone who isn't scared of his condition, because it's going to manifest a lot. It needs to; he doesn't really have a choice in the matter. Hulk is another story, but fortunately, he doesn't show up enough to really be an immediate concern, and Bruce and his partner can cross that bridge when they reach it. Physically, he's usually attracted to women who are slightly shorter than him; their hair can be anything from blonde to brown, and he prefers body types that are similar to his own; more on the slender side but not necessarily fragile.
Camping or indoors: He’d rather be indoors. He isn’t extremely fond of camping, if we’re using the most common definition of "pitching a tent, cooking with a fire made from sticks and tinder, and spending the night in the woods with the bears and the bugs". There are indeed occasions where he cannot stand to be indoors, whether because he’s feeling claustrophobic (a common symptom of abstaining a little too long from transformations), or he simply needs some time away from other people in the geographic sense, but in those cases, he’s more likely to go for a walk or hike, not set up an entire campsite and spend the rest of the night outdoors. For him, camping is meant for a survival-type situation rather than a recreational one. The closest thing to camping he'll do is living in a cabin with a wood stove and local water supply, which he’s done a few times over the years. He's even purchased a few cabins by the time his Persistence verse rolls around, so if one of the properties are compromised, he could always retreat to another one.
Tagged by: @mynameisanakin​! Tagging: @fallencomrade​ , @asgardianhammer​​ , @alongingwithin​ , and anyone else who wants to do this.
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elizabethrobertajones · 8 years ago
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12x20 watching notes
reblog if AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH
expectations: it's Yockey. Despite that, wee bit nervous he'll kill off one of the twins or their mom in a kill your darlings move since they're his original characters and they're MotW level people even if they're reoccurring - obvious character mirrors will be obvious, and also the show is having a pretty horrendous time of killing off PoC even for their usual standards. Which, I suppose, is kind of good they're having a few more roles but it's still like... that vet from 12x01 is still alive, and the witch twins and their mom, for now...
Still there's 3 of them, so I'm hoping at least 2 make it out the episode.
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also just gonna assume since we know nothing that the BMoL are behind it. Kinda terrified Mary is gonna be the MotW and she has no idea what she's doing, but she's emotionally tied to Asa and his family, is in this episode, and so far hasn't really stepped over any of the show's personal moral lines. Killing a "monster" who is actually a friendly witch/the mother of Asa's children/one OF Asa's children since she's attended a party with them and all, will be a good sort of thing to use to give her current trauma and something for them to use in their arguments about her actions. It also looked pretty clearly like Ketch turns on her/she turns on Ketch and if this happens it would be a good motivation for her to do it - we would EXPECT from what we've seen that Ketch would just immediately try to kill her, because he's been told to, but he seems to be thinking hard about her, and at the very least feeling like her recruitment is at least halfway successful even if she had a ridiculous idea she could do this and still hang out with her own sons - he may at least give her a chance/choice, so the unexpected while it seems he may be the threat and has immediate orders to eliminate the Winchesters, is that Mary lashes out first... Who even knows.
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Anyway that's the model of the episode I've constructed from spoilers, and I'm not wedded to it all, it just seems to make sense to me with what we see so far... And of course, the only way to know more is to watch, but this is where I'm coming from :P
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Recap! Dad's on a hunting trip - immediately back to the start, making me wish this is a backdoor pilot and the dynamic is the witch twins looking for their mom in a mirror to 1x01. Since it's Dabb era, maybe penance for Bloodlines. Look, I would understand if Dabb burned everything he could find that proved he wrote that episode, but on the other hand maybe he does have room to be contrite about it in the text of the show :P
Then an implication they hunt witches, a lore recap that witches can be evil/get their power from demons, and the Max and Alicia recap that they're witches that hunt.
Onto the BMoL, reminder of a bug, reminder that Ketch is jealous of Sam's shiny hair...
Caaaaaaaaaaaaaaaaas
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This is a nice looking house.
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Heee smart car.
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Okay I like the mom just because she drives one. She's a Smart Witch.
... Then she gets Old White Ladied and witchy bitches at her. Okay I love her now. I hope Old White Lady is the bad guy. She's doing something with yarn, which is not the promised twine from the title, but very possibly is creating a yarn/twine sort of dichotomy for some reason.
Awww Tasha has the twins as her lock screen. "All good?" Alicia asks. Tasha is too busy doing witchy things to answer.
Tentatively assigning her as a Dean mirror since he was the one keeping in contact with Mary at the start of the season, and Max did have a thing for Sam in 12x06, and we should probably just apply the destiel principle that crushes mirror each other.
PURPLE EYES.
I love Tasha even more. I think witchy magic has been coded purple a while - Rowena and Crowley both used stuff with purple effects. Possibly it happened more in witchy Buckleming episodes I didn't pay a whole lot of attention to.
Reminds me the Old White Lady had a purple ring that Tasha commented on.
Randomly a creepy doll in the background. Nephilim-related imagery, because creepy babies, or just a general comment that dolls are creepy. Of course, brings back 2x11 with that hotel, the creepy dolls, and all related issues (Sam having the freak out that he's a monster, can't save anyone, and Dean has to kill him if it comes to that - also unrelated, the "why does everyone assume we're gay" thing - both Tasha and Dean were judged as soon as they walked into the hotels, Dean for being gay, her for being black) which I'll have to remember to stow away the reference to talk about if they are relevant later...
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Her pendulum leads her to a basement with the sort of door that looks a LOT like the one most significantly used to keep Sam captive at the start of the season. The fact it reeks is used to show it's evil - you can see the silhouette of witchy herbs hanging from the rafters, but we don't get a good look around.
Also ARGH I got attached and now I hate everything. Poor Tasha >.>
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I mean I kind of figured something horrible happening to her would be the cold open but that was unexpectedly more horrible and harsh than I imagined :<
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At least the knife was all rusty and gross so probably not a slick BMoL kill.
I suppose the Mary stuff maybe be happening off in a bubble then.
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This is why you don't marry your speculation :P
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Okay so there was stuff I didn't say last night but wanted to about the scene opening with Dean's hands after the title card. I thought it might be the opening but I wasn't totally sure, and if they used it as a reaction shot that would have been even worse in a way. But we start with Dean wringing his hands, or nervously self-soothing by stroking the knuckles of one hand with the other... We leap right into the middle of a conversation with him and Sam about what Cas did, and Dean's hurt but defending Cas as not being Cas and his decisions being, well, exactly as we all said. Manipulated because the complete turn around on his faith and idea of the nephilim is just too much to credit for being Cas. Dean heard Cas say he has faith and if ANYONE knows how Cas feels about faith, it's Dean, because over 5x16/17 but all of season 5 up to that point in a way as well, they dealt with a joint storyline about faith, and had it shattered together in 5x16, before the conversation in 5x17 about their fathers which is the key Destiel scene in season 5, really.
And it starts with this:
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and now we have
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And of course this shattering was because of what Joshua said - who is now dead and aside from serving as an example of not marrying your speculation because this is season 12 and Dabb's steering the ship like Willy Wonka taking us into the chocolate river tunnel on the candy boat, he is representative of ALL this stuff about faith that happened with Cas and formed his whole arc, to the point of cold shouldering God at the end of the universe, to repeat myself from doing this last week. Now Dean is mirroring this exact position Cas sat in, which I have to feel serves as a tie back to that moment, if only to show it's part of this story - that Cas had that moment, that Dean witnessed it, bonded with him, tied their lives together over it, and it was a human moment for the both of them in the middle of all the epic apocalypse level shit. Lucifer and armageddon is too much to handle, but absent fathers? Dean knows how to be sympathetic about that :P And so he's got that human moment tying him to Cas's faith arc, which has not substantially changed since it broke back in season 5, except that he's explored his hopelessness and lack of faith from a whole lot of different angles, from trying to be god, to being a human sitting in a church questioning, or trying to pray and feeling disconnected and miserable about it, to refusing to engage with God when he returned.
And for Dean in this moment, mirroring to all that aside, shows how deeply he's involved in Cas's side of this argument that he's not able to represent himself so Dean will speak for him, Dean's feeling hurt and miserable and needing to self soothe. Like 12x18 opening on Cas's answerphone and Dean worrying about him, the first thing on screen is an emotional close up of Dean's hands, his reaction to what Cas did, and basically Destiel immediately into your eyeballs on the word "go". This close up without words really says EVERYTHING about Dean's position in this conversation...
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Sam, meanwhile, does NOT want to comment, and the camera switching to his face, shows he's conflicted, miserable, and what Dean is saying is deeply troubling him. He doesn't have a profound bond whatever that's supposed to be with Cas (to dip into his POV for a sec :P) but he is troubled by what Dean is saying. Whether he thinks Dean is putting too much faith in Cas after being screwed over AGAIN and he feels Dean is just going to get hurt and he's making excuses for Cas that go too far, or he got a totally different read of it and feels like he KNOWS Cas has committed to this path and troubling as it is, this is the wrong way to talk about it...
Point is, Sam and Dean have two different perspectives on what's happened, and as usual Dean is powering ahead leading by emotion and also gut instinct and a close understanding of Cas... Sam is being neutral and objective - prepare for the worst, what if Cas really has turned on us, we don't know how he thinks, maybe Lucifer jr really is that persuasive, etc. He says it doesn't make any sense but that means he's NOT wedded to Dean's reading of the situation.
He says they have to think of what Cas might do/think, to try and predict his actions, feeling like there might be a reasonable reading of what is to come and they can base it on past experience of Cas, and they can make a kind of... plot speculation... on what Cas might do next.
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Dean however is convinced that Cas is not Cas, and therefore lost to them in the sense of using Cas as a measure to predict his next actions; literally lost to them that it's not Cas in there, but also lost in the sense they can't find him.
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Sam deflects to look at their poor melted gun.
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Alicia interrupts them with a buzzing phone - they locate one that is presumably Mary's and seems to confirm the Bunker just endlessly charges their phones for them theory, because even with phones bought specifically for great snoozing battery life, when was the last time they saw Mary and how long has that phone been there
I mean this must imply they see her more often than we have seen them interact, and that months have been going by, but they have been out of contact a looong time per the show. This works like the mixtape moment to show that they have more interaction than we know about, but in a harmless, non-romantic way where it just shows she's been in and around the Bunker lately. She won't know it's bugged because that's info the BMoL'd keep from her, but they made a sort of truce after 12x14 and I don't think have interacted since. She hasn't been shown in the Bunker since she left after 12x13/14's argument.
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Witch twins!
("Like Max and Alicia?" - Dean knows everyone. I mean yeah he met them but Sam's weird about knowing people or remembering the people they encountered - more of the tiny bit of characterisation where Dean remembers all the hunters and so on that pass through their lives with very little prompting, or can guess something like Claire hanging around working the same case when Sam doesn't. At this point, basically ready to call it a parallel to Cas knowing every angel by their name and face instantly.)
Alicia is weird about Sam answering in a very awkward way that sounds like me on the phone, like, these are the exact noises and tones I make when trying to deal with someone calling/answering I did not expect :P I love her.
Alicia thought that Mary might help - and omg yes. A "we" - "nnuhuh" - "okay I" correction. Yeah, we had one where Dean corrected Sam for saying "we" were happy to have Cas back, but then he "we"'d Cas all the way through the rest of the episode to avoid love confessions, so maybe that got a bit lost or maybe we need a reminder of his hypocrisy about hiding behind that. Max will not let Alicia talk for him. Is Max a good Sam mirror for giving us the "oi don't involve me in this" we needed shouted from off-screen last episode?
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Max thinks Tasha is fine, Alicia is freaking out. Aside from involving someone else in all this, the 1x01 parallels would make her Dean and Max Sam as Sam was initially sceptical and Dean was already freaking out before we even met him as an adult, and had come to get Sam specifically for that.
Aaaand then Max says she's being dramatic, and mom's fine, because he's the Sam-est Sam mirror to ever Sam right now, literally using Sam's lines about mom being fine and telling Dean he's dramatic, while Alicia freaks out about their mom.
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Dean's like what the hell what about Cas immediately, which now tops some of those season 11 MotW openings where Sam had to wheedle him out of the house and away from researching how to save Cas, to be the no 1 "Dean worried about Cas he's not in this episode but we're gonna have to leave the house for plot formula reasons so this is how we justify it" moment.
I would like to take a moment to remember that some people think that Dean doesn't care about Cas or that the show isn't about Dean liking Cas when we've now had two seasons on the trot where this is the formula for the last half of the season
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Anyway they got Jody to help, which means she knows about the mytharc. Woah. Possibly the first time they've ever told her off screen and before she got embroiled in it herself or caught them dealing with the fallout of it :P They really try to protect her from the big stuff, but... Maybe Dean should take her up on the repeated offer to talk if he needs it. Happens so often in episodes by so many different writers that's clearly a Thing that the writers in general are working on including.
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Today on direct callbacks to previous things they have said on the show: Sam demonstrates that deep down he's still traumatised by 1x01 to the point of remembering the exact phrasing Dean used to get him out of the house.
Interesting use of it because it's Sam wheedling Dean to get out of the house using someone else's scenario that happens to be the same one that Dean used to get Sam to go with him. I'm thinking of their duty to the next generation of hunters - that legacy they talked about in 12x18, and the sense of what happens next. Them being more community-minded, answering someone else's call to adventure to help them out on the way, with aaaall their experience of what happens when your parent has been on a hunting trip and hasn't come home... And hopefully to help and at the very least reassure and comfort them with something they never had, being so isolated and chasing after John with no experience, no connection to the hunting community, nothing they thought they could rely on. I mean, Bobby was a "shit we're gonna die" last resort because they remembered how John parted with him, and clearly up to that point were worried that they'd get the same reaction.
They want to be Bobby before everything goes to hell for someone else.
Or, well.
Sam does.
In that Sam gets a dog, is the next Bobby, Dean n Cas get married and do their own thing endgame scenario.
(Aaaah)
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Jesus we get a shot of Dean where for a moment he holds his head the same angle as in 1x01 (thanks Speight) and he looks the frikkin same as he did in season 1.
I hate his face.
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I hate that he spells it Cass.
his recent calls from oldest to newest are Sam Sam Sam Cass Mom Sam, all listed as "yesterday" which for them was the events of 12x19, so I guess the Cas call is where he figured Cas ditched his phone, the Sam ones are filler because Dean and Sam might talk for 17 minutes arguing about what groceries to bring home, but the mom one is listed in his recent calls from "yesterday" that he already attempted to phone her once, apparently immediately after calling Cas and getting no answer. I will take that as him wanting to reach out to his mom because he was upset about Cas >.>
Mittens and I just talked over that it's spring so the fact it was dark in 12x19 doesn't mean it was midnight, so they have time to fit in a lot of panicking if they woke up not long after Cas booped them, especially if they split up to look for them for a bit, hence Dean having called Sam 4 times before midnight.
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Anvil heavy parallel about moms in peril and not answering their phones starting with the shapeshifter who they have captured with bolts in it, and in Mary's form, obviously a fake out that Ketch has randomly skipped ahead in the plot and captured Mary and is torturing her. Mary herself is fine, just ignoring her phone while Ketch works over the shapeshifter. We're just left with the unsettling possibility that Mary might stop not answering her phone because she's busy and not answer it because she's in peril.
I'm reminded of 6x10 and Crowley interrogating himself but this is interesting because it's casually using 2 of the same person in the room stuff while Mary isn't even the one confronting herself - because she's avoiding introspection to work with Ketch. Meanwhile Ketch is working "her" over and also talking directly to the shapeshifter Mary to ask her to turn her phone off, in the sort of anger where it sounds like he's asking her.
He has no lines between Mary as she is and a Mary-looking monster he's allowed to hurt. The only reason he's NOT hurting our Mary is because she's still useful to him.
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Awww Dean wants her to help. He doesn't mention Asa, just that they're "the witch twins!" because he thinks they're as adorable as I do. Listen to him being a cutie.
And then his voice breaks and he asks her to call him back just to talk because he's upset, and we have him leaning on the table in the library, the room associated with home, and family, and the job but in a good way, with the view of the war room behind him, the dark part of the job, where it's a burden, a war they're drafted into... lurking over him like a thought bubble. Whether they face in or out of that room is important >.>
It also shows Dean being very, very alone, because of course the Mary and Cas parallels are still very much a thing, and as they were set up from 12x03 onward, because they're gone, and this time it's that they're both deliberately not answering for one reason or another, while in the earlier part of the season they were taking personal time, and in the middle of the season they were in it together while Sam and Dean were gone... Then they both get distracted taking on a mission with the BMoL and the nephilim, which were okay-ish but uncomfortable for a while, and now we have it turn on them, I assume 12x19 for Cas and this episode for Mary because yeeesh the use of the shapeshifter.
I suppose it amuses you to take Mary's form.
Ketch says it will do nothing to inspire hesitation. Mary has to watch him say that and then drive a spike into the shifter.
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Ooh that was clever use of pronouns - Mary calls the shifter "he" I assume because of how they met it, which draws attention to pronouns... and then Ketch is like "It!" very emphatically.
Also Mary calling it "he" distances from the shape it's currently in. It's not *her* because that's both a pronoun and literally, not her. She sees a difference - Ketch really doesn't, or doesn't care not to.
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He also sounds like he "cares" about people, in a sort of repeating my training monsters are bad because they kill people, I'm gonna dexter my way through it and kill monsters and who the BMoL tell me to instead of innocent people... Use them as a moral guide for what's okay to kill, and gives him an abstract idea that there are people who should not be killed. He doesn't CARE and probably WOULD kill them because he doesn't actually have this concept of innocent humanity who should be protected, but it's a rationale from the job to make killing as acceptable as possible for him. Anyway he spouts the justification that the shifter killed people.
It laughs at him looking SUPER evil and creepy. Mary's face has been used a LOT for evil or to say and do horrible things across the years. The last time we saw her before season 12 was as Eve. The time before that, 5x16 when Zach used her image to torture Dean. (I mean I like Eve and think she was good in her own way and only acting as a neutral force that had a separate morality but was a good mom to her monsters... but for the sake of argument, WAS a big bad who wanted to turn all humans into monsters and killed a bunch of people to get there - a literal reverse this year of Mary trying to get RID of all monsters...)
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"Your eye twitches when you lie" "My eye twitches all the time" - I mean we're gonna have to go back and watch how many times Ketch winks this season. Anyway the shifter takes his form, and they stare each other down, and like I said about MARY not doing any self-reflecting but only seeing what Ketch might do to her in that? Remember the shifters download memories after they contact people, and Ketch snapped and punched it instead of sticking spikes in it at a careful remove. He's just given the shifter a chance to copy him, and now it can get inside his head too.
Both Ketch and Mary have a visible reaction to this change. Mary is kind of fascinated what happens here - will the shifter betray anything else about Ketch to her?
AAAH it's not using the aaaaccccccccentttttttttttttttt IS THIS DHJ'S ACTUAL VOICE? I HAVE BEEN WONDERING ALL YEAR
"Well I guess I know aaall about you."
Ketch just smirks and takes another spike.
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Nyoooom
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mountains and laaaakes
Max sits on the bench like Sam does
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"Anything else?" "I got the bartender's phone number" *grin*
*Sam parallel comes screeching to a halt* *turns into Dean parallel suddenly when it's about picking dudes up*
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Also... gender neutral bartender pronoun. As far as on screen conversations go, Dean does not know Max is gay which is gonna amuse me as long as this lasts :P
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Uh but also they tracked their mom by asking around at the vegan restaurant because of course she's a vegan. She drives a smart car. This is like the dead opposite of finding John's grimy motel room full of abandoned burger wrappers
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Okay no I unpaused and Max complimented the car specifically to Dean and Dean offered him a tour. Pls.
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They disappear off and Sam stays behind to have the Serious Conversation with Alicia - like, Max and Dean having a chill conversation in the background about cars is the reason to separate them off for the real stuff
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Okay first we get some more grenade baiting.
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Anyway Max seems to know their mom better - which is a Dean thing, that he THOUGHT he knew her better, even if he's still arguing from the 'she's fine' Sam position - because they have more in common, both being natural witches.
And Alicia has no magic, even though they're the "witch twins" which, ouch. "Magic is definitely their thing" but she's always getting lumped in as being a witch or associated with them. If we take that as a family business season 1 parallel, Sam was the outsider there to Dean and John at least to start with, because Dean had been hunting those missing years, on his own or with John, and was immediately picking up the burden of "saving people hunting things" and cajoling Sam onto the track - which took until John's death and 2x02 to get a real change on but then of course it was in reaction to grief, though Sam had chosen family in 1x22, it all gets messed up by John's death... Less a victory and more something that alarms Dean about Sam's coping methods :P Anyway Dean in season 1 was firmly family business coded, and Sam was dragged along with it while he had personal reasons to be on the revenge mission, but initially little interest in the family business. I mean the whole point that Dean had to give him the saving people hunting things speech in the first place was this.
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fffffffffffff Sam just confirmed this analysis for me so take that as a deeper explanation on why he said exactly this and thinks John and Dean had a greater bond over hunting. I don't think Dean and John necessarily had more of a "bond" than him and Sam because that "spent it on ammo" conversation, but Dean was definitely closer to the JOB than Sam.
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LOL "what about with Mary"
Awwwkward
Sam mumbles something which explains metaphorically Mary's absence all their lives, and how she acts now, and does NOT give a personal relationship kind of answer in the same way as talking about their bonds and relationships for all the other dynamics.
"Not a great hugger" though - the only thing Sam and Mary HAVE is that hug in 12x02. Puts it in stark relief how that's ALL they shared.
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Sam uses the power of awkwardness to further the case. Incredible. he's finally harnessed it. The weirdo guy who came out the basement and possibly killed Tasha but is blatantly connected since he was just in there so must know something or other, just kinda stares at them. Sam gives him a super awkward wave, the sort that can be the only answer to awkward staring, and the man does not break and seem at all empathetic to the by now CRUSHING awkwardness of this scene, merely turns and walks off. Sam being a goober proved that there was something shady about this guy. I'm just... yeah. Brilliant application of characterisation. No one exploits Sam's awkwardness and it's RIGHT THERE for the taking :D
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Tasha pulls a knife, storms into the hotel and is met by the adorable desk guy, holding flowers, butter wouldn't melt in his mouth etc
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oooh dear, Tasha has her shirt half-tucked in, which is how Mary's been wearing just about everything this year. We've seen it so many times on her, that I can't help but read it as another reference.
Also hi Tasha but wtf you're supposed to be dead?
Also are you the same actress who was making out with Asa? I forgot to check earlier. *goes to re-watch his Up montage*
Nah, I don't think it's the same actress, although I still guess she could be the younger self of Tasha, since it was however long ago the twins are old, we'd have to assume.
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Mittens keeps screeching to me about mirrors flipping, so I guess this is a formal note that all the stuff I was talking about earlier about not marrying speculation and how Dabb era is a totally wild ride where it yanks expectations out from under your feet is a thing being very very deliberately applied here by the show. They built up a Max > Sam, Alicia > Dean, Tasha > John backstory, but once Max said he hit on the bartender, we suddenly get Max > Dean, Alicia > Sam, Tasha > Mary thing going on.
As I was talking about 2x02, Sam and Dean flipped roles there. And in season 10 onwards we had a Sam is the new Dean theme going on where THEY flipped a ton of symbolic roles. It still happens from time to time depending on what themes you're looking at - swapping back to try out a theme on the other brother.
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Max is snarky about Tasha being in peril, after i over-used that word >.>
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Wine! Dean hasn't got to have wine since they were hanging out being fancy with Jody in 11x12
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oh my GOD Alicia "we"s the anxiety over Tasha and gets corrected by Max AGAIN for using "we" intead of "i"
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The room has a wood pattern all over the wall which reminds me of 3x10 but also the fairy episode
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Tahsa says her phone wasn't charging which just amuses me that Mary left one of her phones and it was fully charged to get the call from Alicia
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Okay that was gross. Is Tasha an actual zombie now? I guess being dead makes you fragile or something because there's no way a normal hand dislocates like that opening wine. I guess you're more brittle or something???
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She is dead, right?
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Is this zombie wine
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Dean is holding his wine glass like an animal. Dude.
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Sam goes to get their vegan food and Dean helps himself to a free top up of the zombie wine. I detect a faint note of 5x15 and Karen Singer's zombie pie - Dean being given treats by a dead mother figure and helping himself happily... Of course back then they knew something was wrong as soon as they got into town.
They should have heard the snapping of fingers because honestly I can make my joints pop loud enough to hear across the room, surely relocating your entire finger like that is even louder, as per the revolting sound effects?
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I wonder why she's keeping it from them - I feel like this maaay be a Cas parallel to the mind control or whatever he's under now, that it's showing her behaving somewhat to totally normally, except for the parts where she's shifty about whats's happened to her. Is it a trap? Aside from lack of communication she did nothing to draw them there, they just stumbled onto her. She knows something's up with her but why is she hiding it? Is she totally lost and this is what's left of her, or is she changed, concerned but not sharing out of protecting them?
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Ew killing things turns Ketch on - confirmed. >.> I mean not that that's a hard reach to make but it's very very clear now when he just asks her outright for sex because he's pumping with adrenaline now >.>
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Mary having Ketchy second thoughts. Talking back to him way too easily as she tries to call him out for too much torture fun.
"That shifter was never going to betray his family" oo-er themes of family betrayal then.
"Sometimes pain works" You're really scary, you know.
Mary reveals she NEVER saw that side of Ketch before - the side that enjoys torturing. She's been missing the signs all along then, but what can you do about it :P She wanted to believe this was going to be a good thing.
He immediately says she's not going to become the Jiminy Cricket of the BMoL - of course, Dean already has volunteered that work to souless!Sam in season 6, and there are more than enough parallels to the scary work they do to the Campbells or how Souless!Sam acted towards hunting, with again that very unnerving idea of why they do the job - saving people as a sort of abstract idea or goal, while Dean will cry for random humanity that he's never met but he knows will suffer/have suffered.
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Anyway Ketch fobs her off on Mick, who won't answer... He's just using her for as long as he can get work out of her until he has to kill her, and obviously seeing the signs this isn't going to last much longer if she's starting to question "ends justify the means"... I assume he tells her to call Dean as a way to let her say goodbye if he was compassionate - or to put one more phone call between them and the length of time it takes for Dean to realise she hasn't answered for weeks and run riot on the BMoL to find out what happened to her. If she checks in, he just thinks she doesn't love him and goes weeks without talking to him, and buys Ketch literal weeks before her not answering becomes a problem for Dean aside from the obvious trauma :P And Mick is also giving the illusion there's a higher up authority who cares/the human face of the faceless terrifying organisation, which, of course, he's killed off. It's JUST him there and the random heavies they've hired.
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Dean checking his messages - nothing from Cas or Mary
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He must be at that part of drinking wine where you get moody
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Tasha also says he must be drunk and Dean's like pfft on wine so I think he's going to get unexpectedly sloshed because wine can really hit you if you're not expecting it even if you drink a lot reguarly :P
Max is trying to talk Alicia into letting him take the jeep to go hook up with the bartender, I guess, and Alicia is having none of it.
Dean gets into a deep conversation about parenting with Tasha, which can do nothing to make him feel good because his hunter mom has been not answering his calls, while he sees love and support here, stuff like "always call on day 4 of a hunt" for example.
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Dean gets to field the question about where Mary was when they were being raised - her death portrayed by both Sam and Dean now as complicated, a situation of her being absent which sort of implies intent. Selling it this way for lack of awkwardness is exactly the problem I have with writing her in an unnamed terrible AU of mine, because now to match her current characterisation but where you can't kill her off for 30 years, she has to turn out to be a pretty flaky parent and mirror the season 12 characterisation all the way down the line. Like, what, she just got depressed and disappeared on them or something?? How do you handle her coming back into their lives, or the contact she would or wouldn't have had with them? Her death becomes negligence when you have to pretend she's been in their lives the entire time instead of dead, because both Sam and Dean are caught out speaking of their lives as if Mary was never there, because she WASN'T.
I don't know if the blame will actually fall on her or not but I think there's a hell of a lot of resentment they were never allowed to feel that their lives were this way and Mary made a deal and kicked it all off for them... sure greater circumstances, blah blah apocalypse was fated and the demons and angels both would do anything to ensure that... But on a human level, on a family level, it begins with Mary's deal. Her absence was still an accidental death but it happened. And now she's back, being a flaky, complicated parent with huge absences they have to explain when writing an AU of their lives where she didn't die to avoid explaining it... It sounds bad >.>
(I am of course fully on Mary's team and loving it, but for Sam and Dean's positive development, addressing this blame to Mary and bringing her to a level where they can DARE express it is a great goal to aim for here >.>)
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"Parents always seem smart and strong and perfect. It's only when you grow up that you realise they're just people."
That is what Dean has needed to hear since well, ever
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Mary finally listens to Dean's message, and looks deeply concerned. But being in Ketch's vicinity ruins her chance to deal with it. Dean coincidentally calls her right then, and she has to hang up because drama
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Mick kindly lets Mary know he's going to be gone a few more weeks. Does that mean Ketch is buying a few more weeks where Mary isn't suspicious? He's dragging out killing her if he was supposed to do it already. You can say bugging the bunker was tactical because Sam and Dean might be dangerous enemies and at the very least you need to learn their patterns if you're going to attack.
But Mary's like, right here.
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I sort of feel like the vegan food thing is dangerously close to zombie!Tasha snapping and eating someone. Just... they are really making a deal out it :P
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gosh creepy cellar guy is creepy no way
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Dean no don't leave your phone unattended while going to go investigate
I mean, Mary potentially calling you aside, that's leaving yourself stupidly vulnerable to not having a phone on you if crap goes down
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Oh, there's the creepy twine
And the twigs
brrrr
knew she was evil
it was the wool that tipped me off
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I have a question. That has bothered me almost the entire show. They always use "dean's other OTHER cell" answerphone but is that just his main phone these days and the main no. is like one of his generic work phones they keep in the glove compartment (the "batphone") and... what. I mean I know they use the recording because it is useful to show someone's tried calling all 3 of his phones, but it implies Dean constantly has up to 3 phones on him and he leaves them all behind. So are all the messages on the other OTHER phone all going to the one he leaves in the car, in the Bunker, the emergency one he sews into the lining of his coat, what?
I mean it always seems to imply they're missing the call on the phone Dean keeps on him at all times, e.g. his main phone, the one we'd casually think of us "our phone" if it was ours, and all the others are emergency work related ones somehow or other. If the one he plays words with friends on is his other OTHER cell, why on earth is it the 3rd resort number phone as per his answerphone message? Or is it just a friend privilege to know that other OTHER cell is the one he's most likely to answer first?
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Oh dear the "I love you" message is always the one that is really portentous that Mary's gonna be in trouuuble. That's what Dean only gets to hear at the end of the episode and by then we know something dreadful has happened to her.
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"Ugh, smells like death" - didn't need to know that. Also how does it not seep out further than this.
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Little bit worried that Max has excused himself and the bartender he's going to go hook up with is at the vegan restaurant (which has a bar apparently). I mean I'm just going off the endlessly relevant 9x05 and what Dean said about the source of all evil being at a vegan restaurant.
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Also it's split him and Alicia up and at the moment Alicia's alone with Tasha, who is, well... signs don't point to very well :P
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Oh cripes we're only halfway through the episode so I may be speculating as if it's a short MotW but we also have to splice it with the Mary stuff...
ew dead people and oh noooo the poor perky hotel clerk
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Tasha noooo
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She looks really dead.
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Oh no, Max.
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She was not fine after all :<
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Meanwhile Mary
isn't this the exact same room you were knocked out in last time you couldn't trust someone working with the BMoL
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Wait that coffin sized box was MICK okay that's horrible
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Also weirdly paralleling what Max just found with his mom. It's dead body discovery time. At least that sort of defuses the Mary anxiety for a moment - Max found Tasha and Mary finds Mick.
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Need to know the rest of the episode to comment on what this means for Mary and Cas... Doesn't look good that this is a copy but then if it's not Tasha but transformed, but something entirely other using her heart... well, Cas's heart has been hijacked to be used in defence of the nephilim it seems... Mary is in danger of losing her heart? Which is Sam and Dean?? Who knows
stop speculating mid-episode Lizzy
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Oh dear, they have the demon!Dean Gas n Sip murder footage as Dean's picture on the wall. Also Garth (eep only one not to be in the season... so far...) Eileen, Claire, Dean, Mary and Sam... Eileen and Claire, the Winchesters basically lead them to, and Garth they only had to namedrop before they got some intel enough to give him a screen.
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Mary Winchester - Age: 63 - SEE FILE NOTES
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FILE: "WTF"
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they have garth's naked CCTV footage from 9x12!
Claire confirmed to be 20, also I recognise that pic of her and I'm not sure where from but I have a weird feeling 10x20 and they're just reusing it as some CCTV footage
Eileen they have somehow got footage of her on the case in 11x11. Hrm. I suppose CCTV again and they've gone deep but they did encounter her much more recently than that and could have found out her more recent movements a bit more easily :P
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Oh dear, Ketch knew she was in there. He probably stood patiently out there knowing she'd have to open the door sooner or later and what better way to get the element of surprise :P
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Well that hastens their confrontation
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"A werewolf shot him in the head" "it's not impossible"
I mean, Sam got shot by a werewolf just this time-ish last year
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*loud yelling about the fight* AAAH MARY
She's getting knocked around so much I can TELL she's a Winchester. Wall slams for Dean and head trauma for Sam. It's genetic. And she is a vicious fighter herself as we've known since 4x03, but I mean, she once fist fought an angel :P
She breaks his arm like Dagon broke Dean's which is a weird parallel until you consider Dagon is the ultimate dark Mary mirror in a season concerned with mothers - she, Mary and Kelly make a weird collection except that motherhood links them. And Ketch of course is the dark Dean mirror. So good Dean gets arm broke by bad Mary, and good Mary breaks bad Dean's arm.
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Ketch is going full villain monologue
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He offers her protection if she just plays her part - and plays nice. Look, mate, I just watched 9x18 in the last couple of hours and am still hyped up about Metatron being the best thing that ever happened on the show, so you're kind of failing there :P But the "play your part" thing is something they're told all the time, especially in season 5 because TFW namedrop and 5x08 and all. Now Mary has a threat to HER free will - to become, well, the thing I wrote about in A World Without Monsters after 12x14 - Ketch's passive wife who does what he says and goes where he wants, who dresses her up in expensive clothes and keeps her at his side like a trophy >.>
God I'm just so amused at the directors these last 2 episodes. Naomi directs Cas having his agency taken away, and Gabriel directing Mary being told to play her part.
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Mary doesn't play nice :D
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I can't believe he didn't think the brass knuckles would work on him. Like, they're SO caught up in all their fancy technology and all their ways of doing things, that they forget the practical resourceful side >.>
The not-quite line about not being an angel was hilarious though.
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I mean the BMoL HAVE been paralleled to Heaven all season but... Well, brass knuckles are brass knuckles
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Ketch "wins" the fight with cheating after Mary utterly destroys and emasculates him
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I really love Mary
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ALSO MAX IS GREAT. Look at him chucking a guy through a window!
Everyone has glowing eyes - the stick people have white eyes. It's very similar to the original flavour nephilim eyes from 8x22, which were just a bit more golden. And angels have nearly white eyes but more blue when they glow. Pure white is associated with Alastair and Lilith, but theirs were kind of sick demonic eyes, while these are very obviously an inner glow of magic taking over them. The fact it's a taking over effect makes me even more certain the twig mom is a parallel to Cas.
Oh! Soul eater had white eyes for its possessed people (aka Dean) in 11x16. Nice.
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Also Max and Dean have paired off while Alicia and Sam are dealing with twig mom.
I know this has all been pretty instinctive running around but I like that the story chose to put Dean and Max in one place and Sam and Alicia in another.
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At this point the line between "stressed about Cas" and "my boyfriend has been abducted by Lucifer's unborn child" put Deaan in sketchy grounds for a hook up and also Max is an acquaintance, someone in the life, which makes it more real, so sadly I can not root for them to hook up. But I do approve them being parallels and working together :P
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Also Max was gonna go on his date but got distracted onto the case again and found out the truth - as Dean often does because him going to the bar is almost always a motivator to actually finding out vital info or getting dragged into things.
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The stick people are terrifying. I'd love a longer episode about them.
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Set them on fire. usually works.
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(I'm hiding behind my fingers so no typing)
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Aaaah the witch wants someone to take her magic?? Max don't do it! If you think it will save your mom it's not worth going to hell foooor you're already a good witch without it!!
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Oh god Dean can see this too but MAX
Oh god
*reaches for him through the screen*
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MAX SAID NO
Good, don't get into the Winchester's cycles. She's gone, she's just a memory now. >.>
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(AAAAH not thinking about what other symbolism yeeeet)
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OH NO SHE'S MAKING THE OFFER AGAIN
MAX YOU BETTER SAY NO AGAIN
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ALICIA NO
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Oh god Maaaaaaaaaaaaaaaaax
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THERE IS TOO MUCH SCREAMING TO BE DONE WHO DO I SCREAM FOR FIRST?
I'M NOT DONE SCREAMING ABOUT ANYTHING
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Oh god Dean saved his mirror but Sam's got a stabbed, dying Alicia to deal with
And Dean saving Max from going down a bad bad bad bad mark of cain looking path means Max may lose his entire family (although Tasha was already lost, let's be real, taking a doll home of her is as unrealistic and painful as a happy ending as Linda taking home Kevin's ghost)
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Welp, they're all dead except poor old Max, who thought everything was fine and he was gonna go out and get laid, and instead his entire family died >.>
And he got to watch his mom die in excruciating detail
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He wishes he'd just listened to his sister when she was trying to tell him she was worried. Hm.
Sam has said both Mary and Cas are fiiine this year, and Cas is now, well, a stick person, and Mary has has the BMoL thing bite her in the ass, so that's all going great. >.>
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nyooom (over the same stretch of road as they were driving in the opposite direction to get to California... Uh.)
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(I giffed it in the last couple of weeks while layering snarky captions over the background, I'm not that weird :P)
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Oh no "You saved him" "he didn't look saved"
But letting him do a demon deal to keep his family alive? Nope. Sometimes you have to let it go
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"Happy family - the kind we should have had"
well that's not massively depressing after they both had to explain their family history with no Mary in it to someone else
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Whoopsie he went and picked up the ring
right as Sam was saying they couldn't let him do a deal for his soul
"we do terrible things all the time to save each other - that's what you do for family"
it's kind of horrifying this is the lesson about family they've learned, when it's the whole new better ways thing that's basically trying to find ways out of having to do this for each other, even while Mary and Cas are busy doing terrible things for their family >.>
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Maybe the horror of thinking another set of siblings would be as dumb as them about saving each other is enough of an objective viewpoint to make them think about it.
Meanwhile, Max. Going and doing an actual demonstration of what not to do in the case of grief, when you know there's a magic spell out there that will make it all better.
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She's his twig sister now
You can get all philosophical about it but in this world it depends on where the soul is or isn't. He has her heart and her memories... Did any of the other missing people act soulless? None of them really did - they were just under the witch's thrall when she needed them to be. I think she's not functionally human, but she is functionally living... The real bad part is not what she has transformed into, but that Max now has her under his thrall. Even if he NEVER uses that power, he HAS the capability to, and he's on a moral slide now, having made the choice to resurrect his sister using the dark witchy powers.
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Kind of horrifying once you think about it, that it probably WAS for all intents and purposes, Tasha that they were talking to until the witch made her turn on them.
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But yeah I think Dean read when Max was telling them to leave that he might do it -  because Dean knew he would do it, or would have done it, in the same circumstance. He's worried and tends to know. He knows how hurt Max is, and like, "I'm not so sure" about Max being alright.
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Max taking the journal also reminds me of Sam in 3x15 - if Dean hadn't stopped him, he'd have taken the creepy doc's journal and used its power to keep Dean alive at any cost - even having seen what a Frankenstien's monster that turned the doc into
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Finally, Dean listens to his messages, and aside from an eyeroll about mentioning Ketch, takes the first message okay
but then...
we have a problem
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... uh, why won't Sam wake up
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Lol, Mary's in the exact same chair that the shapeshifter was in what a surpriiiise
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Oh the grey suits messed me up, I thought that was Ketch.
Toni comes out of the same corner that Mary was lurking in hiding behind her own shapeshifter while they were making you think that that was Mary in the chair.
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I guess the Mary stuff was just escalating the tension and moving on the plot while mirroring here and there what was going on - she and Cas are main plot things with their two sides of the story, so they are what the other stuff mirrors... I think the twig control thing is obvious enough for the nephilim control - not an exact thing because Cas presumably isn't dead, though the heart detail is interesting when Cas - "too much heart" etc, and the season 8 stuff where heart imagery was liberally splashed around and connected to him because of that line. But the partial control, the sense of self outside of anything relating to the control - the obliviousness to what HAS happened, like Alicia leaving her own dead body behind. I still feel like Cas might not necessarily think that he's been controlled. And that he's just himself, as Tasha did when they confronted her, and as Alicia does as she walks out the door, more concerned about the blood on her brother's hands without realising it's her own. (Symbolic.) 
And then they parallel Sam and Dean but back and forth - some parts Sam some parts Dean. Max's final action, Dean says they've both done terrible things, and so Max stands for them both, mirroring things like 3x15 and Gadreel just for starters, never mind selling his soul to get his sister back, as Dean did and Sam tried to do. So it's really the social stuff which is interesting (Max's Dean-like behaviour, but Sam-like attitude to his family being fine, and Alicia's reflection on family getting some needed vocalisation of how Sam feels about it all, and the thing about hugging and all...)
Kind of wish we had more of the twig people but we had to fit in all the Mary stuff and she was brilliant this episode. I've been waiting for someone to get in a few good hits on Ketch and that fight was brutal, and let Mary get bloody and fight dirty, which was great...
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In conclusion: AAAAAAAAAAAAAH
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mittensmorgul · 8 years ago
Text
Okay, I’m back. Took an hour off before starting 2.02 because I could (yay, blu ray! I’m not chained to the TNT loop! or commercials!)
Time Has Come Today (has flashes of the Tick Tick... Tick promo from 12.12)
FREAKING CLOWNS.
I’m just copy/pasting the Azazel As Clowns chat I had with Lizbob earlier today, edited a little bit for coherency:
mittensmorgul: ack, they really did skip 2.02. I'm getting out the dvd so I can watch it. Everyone loves a clown...
elizabethrobertajones: yeah... huh. there doesn't seem to be much logic to that
elizabethrobertajones: is that the end of the loop or are they giong right to 2x03? that's a huge episode because it's all "you're a killer Dean" with Gordon doing the same thing Ketch did 10 years later, and being a hell of a lot more successful. Dean learned :P
mittensmorgul: they went right to 2.03, which I'll watch later, but I at least want to skim through 2.02, because there's a lot of Dean's guilt, Sam and Dean dealing with John's death, plus the introduction of Ellen, Jo, and Ash...
elizabethrobertajones: yeah. 2x02 does so much hard work >.> it's the ~real start of the season in the same way 9x02 sort of has to be because Sam wasn't present in the same way in the first episode :P
mittensmorgul:  child bringing an evil into a house, and the evil thing ends up destroying their entire family... sorta huge for Sam there too
elizabethrobertajones: but the child is totally innocent >.> nothing THEY do makes them evil. they're victims as much as the parents. even if they live
elizabethrobertajones: I'd joke about Azazel being a clown, but there's literally a yellow-eyed thing in the funhouse. like, no wonder Sam has this issue
mittensmorgul: and each time, the parent probably could've prevented it. One father even ENCOURAGED his kid to be friendly to the clowns... another parent dismissed the child's fascination with the clown too.
(we went on to talk about how there was a clown mobile over the baby’s crib in 1.21 when Sam ran in to kill the demon... there’s a LOT of connection between Azazel and clowns, which I’ll get back to in a bit)
The episode starts out with John burning, the same way s1 started with Mary burning. Meanwhile Dean’s trying to rebuild the Impala, beginning the connection between the State of Baby with the state of Dean’s soul.
(heh, the Bunker Brothers Circus... sort of describes Sam and Dean’s lives since they found the bunker...)
SAM: Don't patronize me, Dean, Dad is dead. The Colt is gone, and it seems pretty damn likely that the demon is behind all of this, and you're acting like nothing happened. DEAN: What do you want me to say? SAM: Say something, all right? Hell, say anything! Aren't you angry? Don't you want revenge? But all you do is sit out here all day long buried underneath this damn car.
And here we go, back to the story being some sort of revenge quest. Sam assumes that Dean would be all aboard the revenge train now, but Dean’s too busy rebuilding Baby. He’s focused on the things he CAN do rather than rushing out in a fit of fury and lashing out at the entire world.
DEAN:  Sounds good. You got any leads on where the demon is? Making heads or tails of any of Dad's research? Because I sure ain't. But you know, if we do finally find it - oh. No, wait, like you said. The Colt's gone. But I'm sure you've figured out another way to kill it. We've got nothing, Sam. Nothing, okay? So you know the only thing I can do? Is I can work on the car.
I’m not even gonna bother talking about Dean not hitting on Jo here, because with John dead he doesn’t feel the need to keep up that appearance anymore... I think this episode has been deconstructed into oblivion for the bi Dean subtext already, and I’m more interested in the family dynamics aspects that relate directly to s12 (not that bi Dean isn’t part of that too, but it’s just not the part that the narrative of s12 is hinging on, so back to yellow eyes and revenge and all that...)
Then we see this father, who is pointing out all the “scary” things in the funhouse to his son:
DAD: Check it out. Hey, look, Evan! Scary! EVAN: Yeah, dad. Scary. DAD: No, it's over here. Wow. You know, when I was your age this would have scared the pants off of me.
What is this dad pointing at? A rather demonic looking yellow-eyed monster thing:
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Yeah, I’m sure we’re not supposed to conflate that with Azazel at all...
But the boy’s distracted by something else, and the father gives him some prophetically HORRIBLE advice:
EVAN: I... I saw a clown! DAD: Don't be afraid of clowns. They're nice, they're your friends. Okay? Come on.
Trust me, Evan. That clown is not your friend.
There’s so much here about intentional miscommunication, with the dude we eventually find out is the Rakshasa that’s killing people, willfully misinterprets Dean’s conversation, attempting to unbalance him. Sam just finds it amusing to watch Dean flounder. It’s a tactic the Rakshasa pulls on Dean throughout the episode.
(which is reminiscent of another post I made the other day on this same subject, of what it takes to deflect Dean’s internal lie detector, point to the way he was manipulated in 2.15, in 4.14, in 8.13, and how he seems FAR more in control in 12.14 and 12.15... not that he’s immune to it, but that he’s much more grounded and sure of himself, and less prone to letting himself be rattled and manipulated this way)
A little girl spotting the “invisible” clown pings Sam and Dean’s attention, and knowing the monster’s pattern, they follow the girl and her family home, saving them from becoming the monster’s next victims (and in turn risking their own safety... plus they have to give up their Soccer Mom Van and are left stranded essentially...)
In response to Cooper’s assertion that Sam and Dean should “live normal” and stay out of circus life (heh, too late, they’re already the Bunker Brothers): 
DEAN: That whole, uh, I don't want to go back to school thing. Were you just saying that to Cooper or were you, you know, saying it? Sam? SAM: I don't know. DEAN: You don't know? I thought that once the demon was dead and the fat lady sings that you were gonna take off, head back to Wussy State. SAM: I'm having second thoughts. DEAN: Really? SAM: Yeah. I think. Dad would have wanted me to stick with the job. DEAN: Since when do you give a damn what Dad wanted? You spent half your life doing exactly what he didn't want, Sam. SAM: Since he died, okay? Do you have a problem with that? DEAN: Naw, I don't have a problem at all. 
So Sam, at this point in his life, was choosing hunting as some sort of memorial to the dead. THIS is how his “revenge” mission manifests in s2. It’s just as destructive a choice as sacrificing his own life to kill the demon in s1 would’ve been for him. It’s the same mission with the same goals, just from a different point of view.
And here we have a MAJOR parallel to s12, in the two very different ways Sam and Dean deal with emotional trauma:
DEAN: You know what, back off, all right? Just because I'm not caring and sharing like you want me to. SAM: No, no, no, that's not what this is about, Dean. I don't care how you deal with this. But you have to deal with it, man. Listen, I'm your brother, all right? I just want to make sure you're okay. DEAN: Dude, I'm okay. I'm okay, okay? I swear, the next person who asks me if I'm okay, I'm gonna start throwing punches. These are your issues, quit dumping them on me! SAM: What are you talking about? DEAN: I just think it's really interesting, this sudden obedience you have to Dad. It's like, oh, what would Dad want me to do? Sam, you spent your entire life slugging it out with that man. I mean, hell, you, you picked a fight with him the last time you ever saw him. And now that he's dead, now you want to make it right? Well, I'm sorry Sam, but you can't, it's too little, too late. SAM: Why are you saying this to me? DEAN: Because I want you to be honest with yourself about this. I'm dealing with Dad's death! Are you?
Sam’s the one who needs to talk things out. Dean works through his problems internally. Sam projects his own needs onto Dean, Dean internalizes.
Just like in 12.05 when Sam was pushing Dean to talk about his issues with Mary, and they had their little moment about “sublimation.” Kinda Dean’s thing.
SAM: You were right. DEAN: About what? SAM: About me and Dad. I'm sorry that the last time I was with him I tried to pick a fight. I'm sorry that I spent most of my life angry at him. I mean, for all I know he died thinking that I hate him. So you're right. What I'm doing right now, it's too little. It's too late. I miss him, man. And I feel guilty as hell. And I'm not all right. Not at all. But neither are you. That much I know. I'll let you get back to work.
Thing is, Dean’s NEVER been “all right.” And more than even the loss of John is hurting him, he’s freaking ANGRY. Angry at what John saddled him with. He never asked for any of this crap, being his Brother’s Keeper, watching over Sam and trying to save him... or even worse making the decision that he must kill Sam instead...
That whole scene at the end of the episode of him taking it all out on the Impala, that up until Dean finishes rebuilding her has always been a symbol of John. Well, this was Dean reclaiming her for himself.
Yeah, he’s fucking pissed at John. At least now in s12, he might be pissed at Mary, but at least she’s alive to work things out with. It’s not too little, too late. At least not yet.
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