#and this lecturer is a top costume designer for film in the local industry
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finally finished a damn group project by myself. i better get recruited after this
#pegapersonal#okay so tbf the other group member gave me concepts to work with and flesh out#and some pitched in to add a few things#but it was ME doing 99% of the work!!#i understand people are busy with production but i Akdnkshdmdnfj#p.s. 'recruited': my lecturer said people who did this assignment right and was thorough and detailed might get recruited onto his artistic#team and work in that part of film#his team i mean#and this lecturer is a top costume designer for film in the local industry#now i will say film is far from my first choice but idk where i'm going and i'll be taking every chance i get#if i get to work in ffashion and design at least it would be bearble#until i can find a way to write again
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2021 Masquerade Awards and Judges
San Diego Comic-Con Category Awards
Graciously awarded by:
Our 2021 Masquerade Judges
Will be selecting a winner for each of the following categories: Best in Show, Judges’ Choice, Best Re-Creation, Best Original Design, Best Workmanship, Most Beautiful, Most Humorous, and Best Group.
All winners receive 2021 Masquerade Winners Medallions and complimentary tickets to San Diego Comic-Con 2022
Frank and Son Award for Most Outstanding Costume
$1,000 Cash Prize
Graciously awarded by:
The Frank & Son Collectible Show, of the City of Industry, California. Frank and Sons is a giant one-stop show for all things collectible at their bi-weekly mini-cons and has supported fan costuming at our conventions with generous cash prizes for many years.
The David C. Copley Award for Most Innovative Costume
$500 in Amazon Gift Cards
Graciously awarded by:
The UCLA David C. Copley Center for The Study of Costume Design, judged and awarded by Copley Center Director Deborah Nadoolman Landis.
The David C. Copley Center serves UCLA TFT students, the university, the international community of historians, filmmakers and professional costume designers. The Center provides a home for the study of costume design history, genre research, costume illustration as an art form, and the influence of costume design on fashion and popular culture.
Costume Designers Guild Spotlight Award
Costume Design Book, a copy of CDG Magazine, and a $100 gift card to Mood Fabrics, the largest online fabric store for designers and anyone who sews.
Graciously awarded by:
The Costume Designers Guild IATSE Local 892, representing Hollywood costume designers, assistant costume designers, and costume illustrators working at the highest levels of expertise in motion pictures, TV, commercials, music videos, and new media.
The CDG is part of the International Alliance of Theatrical and Stage Employees (I.A.T.S.E.)
Meet Our 2021 Masquerade Judges
Jennifer May Nickel
Is a Costume Designer for Television and Film. Classically trained in theatre, Jennifer holds an MFA in Costume Design from Carnegie Mellon University and also studied in England at Oxford University (St. Edmund’s College: Myth and Ritual in Theatre). A proud member of the Costume Designers’ Guild Jennifer has won the Elizabeth Schrader Kimberly Costume Design Award, The Cecilia Cohen Award for Excellence in Theatre and The WCDAC Achievement Award
Her Television Costume Design credits include Neflix’s Cabin with Bert Kreischer and Taylor Tomlinson: Quarter-Life Crisis, the CW’s Containment, Fox’s What Just Happened??! with Fred Savage, Syfy’s TV movie Miami Magma, the History Channel’s Legend of the Superstition Mountains, TLC’s TV movie The Secret Santa and Nickelodeon’s The Massively Mixed-Up Middle School Mystery. Jennifer has Costume Designed various CollegeHumor Originals, SMBC Theater’s hit web series Starpocalypse and pilots for E!, Nickelodeon, Relativity TV and CrisisLab.
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Deborah Nadoolman Landis, PhD
Costume designer, historian and endowed chair at UCLA’s School of Theater, Film and Television Landis is the Founding Director of the David C. Copley Center for Costume Design. Landis received an M.F.A. in costume design from UCLA and a Ph.D. in the history of design from the Royal College of Art, London. Her distinguished career includes Animal House (1978), The Blues Brothers (1980), An American Werewolf in London (1981), Raiders of the Lost Ark (1981), Trading Places (1983), The Three Amigos (1987), Coming to America (1988), for which she was nominated for an Academy Award, and the groundbreaking music video Michael Jackson’s Thriller (1983). Now considered ‘classic,’ characters she has designed, like Indiana Jones, have become international cultural icons. Her costume designs are found in the collections of museums including the Smithsonian Museum of American History (Raiders of the Lost Ark, Indiana Jones), the Rock n’ Roll Hall of Fame (Michael Jackson’s Thriller) and most recently, the National Museum of African American History and Culture (Coming to America).
A two-term past president of the Costume Designers Guild, Local 892, and a past-Governor of the Academy of Motion Picture Arts & Sciences (2013-2018), Landis sits on the Board of the National Film Preservation Foundation. She is the author of six books including Dressed: A Century of Hollywood Costume Design, FilmCraft: Costume Design, Hollywood Sketchbook: A Century of Costume Illustration and the catalogue for her landmark exhibition, Hollywood Costume, which she curated at the Victoria & Albert Museum in London in 2012. The exhibition, a celebration of one hundred years of costume design history while showcasing the designers’ contribution and process, open just three months, with an attendance of more than 265,000 visitors, became the most successful exhibition in the long history of that museum. The show then traveled to Melbourne, Australia, Phoenix, Arizona and Los Angeles. Landis is the editor-in-chief of the upcoming three-volume Bloomsbury Encyclopedia of Film and Television Costume Design (2021).
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Garnet Filo
Is a Costume Designer with more than 40 projects under her belt. Recently she’s Costume Design assisted on several sci-fi series including The Orville and The Mandalorian; further developing her skills by working closely with their Costume Designers. Garnet has always been fascinated by the futuristic and the fantastic and her passion to bring these to life only continues to grow. She is the chairperson for the Costume Designers Guild I.A.T.S.E. local 892 Comic-Con committee.
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Allan Lavigne
Is a self-taught costumer, make-up special effects artist, sculptor, and [MJ1] painter with 40 years’ experience in costume fabrication Formerly a top costume winner for many years at fan conventions around the USA, including many San Diego Comic-Cons, he brings with him great insight from having honed his costume skills as an on-stage contestant himself. Since then, he has gone on to do work for Disney, Lucasfilm, Sony Pictures, and more. In his Bronze Armory studio, in the San Francisco Bay Area, he creates, lectures, and teaches.
His costume work has been exhibited in museums, at film premieres and at numerous conventions. His current exhibit of screen-accurate motion picture and television costume reproductions “The Batman Armory” is featured at the San Francisco Cartoon Museum, requested by Warner Brothers to promote the new Batman encyclopedia: Batman: The Definitive History of the Dark Knight in Comics, Films and Beyond which Allan was technical advisor for. In a second gallery of the museum, his Wonder Woman costume re-creations accompany the featured exhibit about that character.
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Gigi “Fast Elk” Bannister (formerly Porter)
has been in the film industry for over 35 years as a SFX Artist, Director, Producer, and actor. Better known for her practical special effects and production work, Gigi is experienced on both sides of the camera. She has appeared in over a dozen films and television shows, and is a popular guest at horror conventions, film festivals, workshops, and seminars. For several years she has donated time at San Diego Comic-Cons to assist Masquerade contestants with their special effects make-up needs.
Gigi is credited as a Producer on Don Coscarelli and David Hartman’s “Phantasm V: Ravager” (2016) and Steve King’s “One For the Road” (2011) (Night Shift Anthology). As a character actor, she appeared in “Bloody Bloody Bible Camp” (2011), “Carnies” (2009), in “Small Town Saturday Night” (2009) (with Chris Pine, and John Hawkes), and again in Don Coscarelli’s “Bubba Ho-Tep” (2002) (Bruce Campbell, Reggie Bannister and Ozzie Davis). She has produced and directed on numerous projects including dozens of live events, fundraisers and seminars, six independent feature films, and six shows for television. More information on Gigi can be found on IMDb.
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