#and they're criticised for not doing enough

[tom-is-online]

not to be rude but ena and akito are. completely different in terms of personality and overall character😭 maybe someone likes akito but doesn’t fw ena’s personality or whatever. it’s fine

reacting to THIS POST

I don't know what you're reading, but I would never describe them as completely different. Sure, they ARE different characters, but if anything is similar about them, it is their personalities and the role they play in the story.

They are both very dedicated and passionate about their corresponding passions despite neither of them having "natural talent." Instead of giving up, they keep working hard to show themselves that they can follow the path they want to despite what others (Vivid Street (Arata) in Akitos's case and their dad in Ena's) around them have to say about it.

They're both very blunt whether they mean to be rude or not, but they both also care a lot about the people around them, especially their units and each other even if they don't show it in normal ways.

Their inferiority in their talents also brings the fact that both of them experience jealousy for people who show they have more talent which is shown in both of their focus events a lot

Neither of them is very academically gifted mostly through a lack of interest

And theres a lot more which im sure someone less tired than me would love to tell me in the notes :)

the 4komas even riff on them often acting very similar

+ Their BNW quotes literally mean the same thing

the whole thing with them both really like cheesecake and pancakes but hate carrots is also meant to be a nod to their similarities

people have a tendency to demonise Ena for being mean or violent or whatever people want to call her. but what Ena is usually criticised for Akito typically isn't (cough cough this fanbase has a history of being very male-biased which I hate)

Akito is also mean, he was a dick to everyone in his unit in the main story at some point and he often pulls pranks on the people in his school (Tsukasa) just to highlight a few easy things

AND FOR THE VIOLENT THING.

People have a tendency to highlight Ena scratching Akito when she was stressed out in middle school. and not to generalise. but. i am convinced you people are only children AND did not read the VBS main story

siblings fight, it's normal, especially in a household like the Shinonomes with the whole emotionally neglectful dad thing they got going on, i fought with my brother a lot as a kid and it happens. I'm not saying it's great and everyone should be attacking their siblings but the people who focus on Ena scratching Akito seem to magically forget.

AKITO PUNCHED TOYA HARD ENOUGH FOR HIM TO BE BRUISED IN THE MAIN STORY.

I've seen people make the argument that Akito can be excused cuz of the circumstances it happened being stressful and made him angry. But that clearly ignores what Ena was going through in middle school.

saying "Ena scratching Akito was a common occurrence but Akito only punched someone once" just does not feel like a good enough argument at all.

the last post gave a good argument on it so just go read that to lmao

I'll say it again. stop babying the male characters. if you're gonna excuse Akito punching Toya in the head and not excuse Ena when she was in MIDDLE SCHOOL then I don't know what to tell you

anyway.

i think a large part of their dynamic is carried by their similarities - they share a lot of the same key traits and they tend to but heads due to it but they do care about each other a lot in their own sibling way. I also just relate to them both a lot lmao

if someone wants to make a legitimate argument for how the Shinonomes are very different in personality, be my guest feel free to rb with what you think

but in my opinion at the VERY LEAST they share so much of their personalities and with how much Ena is demonised by some of this fandom it's a red flag to me to like Akito and hate Ena.

but yeah please rb with anything else u wanna add cuz I've definitely missed some stuff

[messrsrobyn]

for your anon concerned about tokenism which is a very important thing, it truly is. but what made me go easy on myself was realizing that fanfic is kinda not the place people should go for when looking for rep? now let me explain. it’s not that fics shouldn’t have rep, or that fic writers are exempted from having to incorporate it, because i don’t think it’s neither here and there. that’s not the argument we should be having. we should have rep in proper media, in things that actually make an impact in the world. that’s where the rep should happen and we should advocate for that etc etc. we also should be mindful of what we consume and how we do it and see if we only engage with cishet westernized stuff. but aside from that, if people are demanding from fic writers those things it’s kinda weird to me. like, my dude, you love the whitest, most cishet work of all times and that’s fine with you, but this random writer from xique xique bahia (brazilians will understand my joke) has to know all the intricacies of being a teen in the 70s in wales? or else they’re not doing a good work? like, maybe…! go read books that are diverse and engage in those fandoms too. a lot of HC are just like that anon said, so widely spread that just makes sense. desi harry is very dear to me. even if i also vibe with latino james. idk man, i think we can call off straight up problematic stuff. racist stuff. but if you go into fics trying to be educated maybe open a proper book and like, don’t expect fics to be a manifesto? i just want to see gay people kissing. and i think that’s the gist of it, i read books, i study, i educate myself so when i go into fanfiction im expecting to have a good time. i can also find amazing political stuff in it, but i don’t demand an academic work from writers. but some people are so braindead nowadays that the thought of actually opening a book and studying it too time consuming. so, anyways, yes please don’t be racist don’t be weird don’t be creepy, but also guys, maybe y’all should take fanfic less seriously and engage with other things outside of fandom.

I COULD NOT HAVE SAID IT BETTER MYSELF ‼️‼️‼️

the beauty of fanfiction is how chill it is !!! which is something that's been lost recently with all the moral debates (noisy jegulus haters, i'm looking at you and frowning) !!!

i'm doing a lit + pol degree, and that really shows the difference for me. yes, whilst i read these works for university i'm picking apart everything, i'm cross-referencing it with the politics of the time and how they've developed, at the back of my mind i've always got this idea of representation.

i don't with fanfiction. because that's not the point.

fanfiction is the a FREE and OPEN resource. we don't have to worry about whether publication companies find value in our ideas, we don't have to worry about whether our words hold as much worth as others. we just Write.

people get too concerned with the morality of fanfic, they expect perfection from people Doing A Hobby. and i get it, i get where frustrations come from, but at the end of the day this is a bit of fun.

and yes, diversity is SO important but at the end of the day, fanfiction is already the most diverse form of media out there. if you want deeper explorations, either write them, or take your frustrations out on the core material that fandoms are derived from. take your frustrations out on the fact that we have to add diversity to fandom spaces because it's not in original media.

fanfiction is fun, it's a hobby and i am getting So So So tired of people nitpicking and deciding what words have worth when that's the exact reason i criticise official publishers.

BONUS YAP: "i think that big authors needs to step up and-" NO ‼️‼️‼️ just because they have more hits does not mean fandom etiquette doesn't apply. just because their works have more kudos does not mean they owe anything !! maybe stop putting people who are Having Fun with a Hobby on a pedestal to be your moral light.

IT'S ALL SO FRUSTRATING IM SORRY. every time i open tiktok it takes a year off my life because it's not even FUN anymore 😭 why are we policing everything

[halorvic]

The danger is clear and present: COVID isn’t merely a respiratory illness; it’s a multi-dimensional threat impacting brain function, attacking almost all of the body’s organs, producing elevated risks of all kinds, and weakening our ability to fight off other diseases. Reinfections are thought to produce cumulative risks, and Long COVID is on the rise. Unfortunately, Long COVID is now being considered a long-term chronic illness — something many people will never fully recover from. Dr. Phillip Alvelda, a former program manager in DARPA’s Biological Technologies Office that pioneered the synthetic biology industry and the development of mRNA vaccine technology, is the founder of Medio Labs, a COVID diagnostic testing company. He has stepped forward as a strong critic of government COVID management, accusing health agencies of inadequacy and even deception. Alvelda is pushing for accountability and immediate action to tackle Long COVID and fend off future pandemics with stronger public health strategies. Contrary to public belief, he warns, COVID is not like the flu. New variants evolve much faster, making annual shots inadequate. He believes that if things continue as they are, with new COVID variants emerging and reinfections happening rapidly, the majority of Americans may eventually grapple with some form of Long COVID. Let’s repeat that: At the current rate of infection, most Americans may get Long COVID.

[...]

LP: A recent JAMA study found that US adults with Long COVID are more prone to depression and anxiety – and they’re struggling to afford treatment. Given the virus’s impact on the brain, I guess the link to mental health issues isn’t surprising. PA: There are all kinds of weird things going on that could be related to COVID’s cognitive effects. I’ll give you an example. We’ve noticed since the start of the pandemic that accidents are increasing. A report published by TRIP, a transportation research nonprofit, found that traffic fatalities in California increased by 22% from 2019 to 2022. They also found the likelihood of being killed in a traffic crash increased by 28% over that period. Other data, like studies from the National Highway Traffic Safety Administration, came to similar conclusions, reporting that traffic fatalities hit a 16-year high across the country in 2021. The TRIP report also looked at traffic fatalities on a national level and found that traffic fatalities increased by 19%. LP: What role might COVID play? PA: Research points to the various ways COVID attacks the brain. Some people who have been infected have suffered motor control damage, and that could be a factor in car crashes. News is beginning to emerge about other ways COVID impacts driving. For example, in Ireland, a driver’s COVID-related brain fog was linked to a crash that killed an elderly couple. Damage from COVID could be affecting people who are flying our planes, too. We’ve had pilots that had to quit because they couldn’t control the airplanes anymore. We know that medical events among U.S. military pilots were shown to have risen over 1,700% from 2019 to 2022, which the Pentagon attributes to the virus.

[...]

LP: You’ve criticized the track record of the CDC and the WHO – particularly their stubborn denial that COVID is airborne. PA: They knew the dangers of airborne transmission but refused to admit it for too long. They were warned repeatedly by scientists who studied aerosols. They instituted protections for themselves and for their kids against airborne transmission, but they didn’t tell the rest of us to do that.

[...]

LP: How would you grade Biden on how he’s handled the pandemic? PA: I’d give him an F. In some ways, he fails worse than Trump because more people have actually died from COVID on his watch than on Trump’s, though blame has to be shared with Republican governors and legislators who picked ideological fights opposing things like responsible masking, testing, vaccination, and ventilation improvements for partisan reasons. Biden’s administration has continued to promote the false idea that the vaccine is all that is needed, perpetuating the notion that the pandemic is over and you don’t need to do anything about it. Biden stopped the funding for surveillance and he stopped the funding for renewing vaccine advancement research. Trump allowed 400,000 people to die unnecessarily. The Biden administration policies have allowed more than 800,000 to 900,000 and counting.

[...]

LP: The situation with bird flu is certainly getting more concerning with the CDC confirming that a third person in the U.S. has tested positive after being exposed to infected cows. PA: Unfortunately, we’re repeating many of the same mistakes because we now know that the bird flu has made the jump to several species. The most important one now, of course, is the dairy cows. The dairy farmers have been refusing to let the government come in and inspect and test the cows. A team from Ohio State tested milk from a supermarket and found that 50% of the milk they tested was positive for bird flu viral particles.

[...]

PA: There’s a serious risk now in allowing the virus to freely evolve within the cow population. Each cow acts as a breeding ground for countless genetic mutations, potentially leading to strains capable of jumping to other species. If any of those countless genetic experiments within each cow prove successful in developing a strain transmissible to humans, we could face another pandemic – only this one could have a 58% death rate. Did you see the movie “Contagion?” It was remarkably accurate in its apocalyptic nature. And that virus only had a 20% death rate. If the bird flu makes the jump to human-to-human transition with even half of its current lethality, that would be disastrous.

[whysamwhy123]

We could have gotten a fun Ruby/Angelo vs Saraya/Daddy Magic mixed tag match, but noooooooo, Tony had to go and do his whole ''Blonde women are all Evil Lying Whores'' thing again 😒

[lovifie]

Villager!Reader and Villager!Ghost They're in love but their families are enemies...

Masterlist - Smut | Fluff | 3489 words

💚A Village Apart💚

The Riley family, and yours, have a history of feuds and quarrels going back years, decades, and if there were writings to back it up, centuries.

It is a small village, where houses are inherited and everyone knows each other. Therefore, all the inhabitants of the small village are aware of the enmity between the families.

And being such a quiet village, the amusement of many arises from taking one side of the families and criticising the other.

It is natural at this point in the story, and each generation that is born the rest of the village waits for the children of each to marry so that they can see how the story continues.

The Riley family earned their name and respect for their construction work in the village. Rare is the house that his family did not build.

Simon began working in his father's shadow almost as soon as he could walk, and as soon as he could carry weight, he became a bishop in his father's small army of builders.

It was not because he was the boss's son that he had it easier, some even say he was the one who had it harder.

It is a hard job, with admirable physical effort, but unfortunately, it left most of the workers without energy to enjoy the little free time they had after a long day's work.

Simon found a reason to keep a little extra energy reserve for when his day was over.

And that reason is you.

Your family is not as well known as his, well, everyone knows each other in the village; but yours is accorded less respect than his.

Unlike his, your family is humble, with enough cattle to feed the family and sell the leftovers when there are any.

It is a humble job, with difficult working hours, considerable physical effort and often little profit or reward.

But there is always food on the table and animals to look after; the people may not appreciate your family's work as much as they should, but the innocent animal eyes you look into every day make it worth it.

Another reason driving you on was Simon.

It was difficult at first, as you both knew it was a forbidden relationship. Your families had told you again and again to stay away from each other's families.

"They are women, Simon. We haven't worked as hard as we have to stoop to that level."

"They think they're better than everyone else for moving stones, sweetheart. You don't deserve that treatment."

"If they see you hanging out with her, the rest of the people in the village will think they have the right to talk to us like we're equals too."

"They're machines, honey. They're not capable of producing emotions those Riley's, you deserve better than someone obsessed with money like that."

But still, despite everything; it was impossible to avoid the sidelong glances as you passed each other walking through town.

When you went to mass, when you went to the village fairs, when friends in common met.

Normally, for a girl like you to meet boys would be frowned upon; but with the village being so small, they were the boys you played with years ago and it was an idiotic feeling to deny such good friendships.

Besides, they were the perfect excuse for you to see him when he joined the meetings; which, curiously enIt had nothing to do with the fact that he would ask before attending if you were going to be there.

Many times in the evening Simon would be exhausted from working all day, but if he was told that you were going to be there, there was no physical exhaustion that would prevent him from seeing you.

Many times he would be on the verge of falling asleep when they were gathered together, waiting for the chance to be able to walk you home.

"A young lady like you shouldn't have to go home alone."

"It's a couple of steps, Simon."

"Not if we follow my route."

"Your route?"

"Yes... Do you want me to show it to you?"

It turned out, knowing the structure of all the houses in the village, Simon knew perfectly well what route to follow that kept you hidden from the eyes of all the villagers.

The first night, it was pretty much just awkward silence. Both of you still internally debating whether it was worth the possible quarrel with your families just to meet the other person.

But the second night you got back together, the decision was made and the conversation flowed as if you were lifelong friends.

Innocent questions about each other's lives evolved into questions about each other's future plans,

You both decided to ignore the voice in your mind that told you not to continue, if anyone in the village, and God willing, anyone in your families, found out; a war would break out.

Your family was much more permissive than his, which meant that if you dared to associate with Simon, they would send you to a convent or marry you off to someone else.

You knew that those were the good options, you preferred not to think about what might happen to him.

It was easier to forget the possible consequences, especially when your hands brushed as you walked. When you felt the heat emanating from Simon's body, warming the side of your body that walked beside him. He walked slower, both so you could keep up effortlessly and to slow down the walk so he could spend more time with you.

In spite of everything, and knowing full well everything you stood to lose if it was discovered. It was during the harvest festival that Simon kissed you for the first time. Hidden in the barn of your family's farm, lying on the hay.

You were both lying down, with you on your back and your head resting on Simon's arm and him lying next to you on his side.

His other hand, the one not under you, rested delicately on your waist, pulling you close to him as if afraid you were going to run away.

His lips were full and warm on yours; a kiss almost innocent and overflowing with inexperience on both sides. Your hand slowly moved up to his jawline, stroking the nascent hair of his beard.

You were both pushing against each other, needing each other's touch and proximity. A mess of tongues to the point that you no longer knew whose was which, as your hands travelled up and down each other's body.

It is because of that proximity that you found it impossible to ignore as Simon's shaft grew in size and hardened against your thigh, the discreet hip movements seeking more friction and rubbing.

"Simon" You called out to him, panic invading your senses.

"Easy... I don't mean to do anything but kiss your lips, sweetheart. But I can't help it when I finally have you in my arms after so long dreaming about it."

And he kept true to his word, his hands never went beyond your hips nor were his lips more daring than kisses at the corner of your lips.

If you noticed moisture on your thigh on the side where he was, you said nothing. Nor did you mention the growing wetness between your legs.

But once you tasted the honey, you couldn't help but visit the hive.

Until then, it had been easy to avoid temptation; you didn't know the sweet sensation, the warmth of each other, the security of being together, the desire, the passion, the possibilities....

But you had to continue to be careful, you didn't know when someone could surprise you.

But when the innocent kisses in the barn turned into something more than kisses on the lips, you could easily expect the punishment you were facing.

"Simon, we can't" You moaned as you noticed Simon's hand move up from your ankle up towards your thigh underneath your dress.

"Why, why delay the inevitable when I know you're the one for me?" he murmured with his lips pressed against the skin of your neck, kissing you wetly and raising every hair on your body.

"But we can't..." You tried to insist, but no longer with any strength against his hand. "I must come pure to the marriage, Simon. Our parents would never forgive."

"Then let us marry, my love. Here and now. The moon and the stars as witnesses that I am yours far more than you will ever be mine, that I was born decades ago but not until I joined you did my heart begin to beat. Witnesses of my love, that there will not be a day that you wake up that is not in my arms, that there will not be a day that you wake up that you do not feel loved. That my work in this life will be to love you each and every day of it. That I don't care if I go thirsty and hungry every day if at nightfall it is your arms that pick me up, that there is no wound or blow that hurts me like when you reject me, when you take me away from you. Don't you realise, love? Don't you realise that I need you more than air? I promise you, my love. That if you accept me you will never ever regret it."

One kiss from your lips was all the answer I needed, the seal of the contract of your unorthodox union.

He kissed you back with the same fervour, a moan escaping his throat as he finally savoured you without thoughts in his mind that would take him away from you and the now.

He moved his hand under your dress, lifting your petticoats in the same way so he could reach your wet folds.

You whimper against his mouth, the touch of the man igniting something inside of you that was waiting asleep in the depth of your body. It is easy for his finger to slip inside between the folds, arching your back at the feeling of the intrusion.

You feel his lips on your jaw, travelling calmly to your ear where he stays professing his love for you, making you mewl when it mixes with the feeling between your legs.

“Simon!” You moan when he adds a second finger, the palm of his hand rubbing against your clit sending a shockwave up your column

You are still surrounded by the feeling of prohibition, the tension of possible discovery with its corresponding punishment. But the sensation of Simon's fingers so deep inside you leaves your mind blurred and you can only moan in moans and whispers of his name, urging him to continue, to give you more, to love you as intensely as you love him.

Your self of mere weeks ago would drag you away from the farmer, scolding you for this lack of decorum, this promiscuity.

But then you look into Simon's eyes, and you doubt which shines brighter; the love that overflows from his eyes or the moon that shines from the window.

"You are the most beautiful woman my eyes have ever had the grace to glimpse, my darling." He says suddenly, forcing you to tug at his shirt to crash your lips to his so he doesn't see your blush.

The man who is normally so stoic, perfectly cordial but not saying a word beyond the obligatory. Suddenly turned into a poet in your presence.

If it weren't for his broad fingers caressing that spot inside you that you didn't know existed and that has you swaying your hips to receive his every wrist movement, you would think beyond the now. Of how you will continue this without anyone knowing, how you will continue together when you know perfectly well that none of your families will allow it.

But not now, now all you can think about is how good Simon makes you feel and how you need him to give you more.

You find it impossible to ignore as Simon continues to move his hips against your side, the hardness of his crotch obvious and pressed against your thigh.

You lower your hand, feeling it's only fair to return the favour; but before you even reach the waistband of his pants, Simon takes your hand, raising it to his lips and kissing your knuckles.

"Don't worry about it, love. I just want to make you feel good, don't worry about me." His lips travel up to your neck once more, leaving wet kisses and licking the spot that makes you cry harder.

There's a knot in the centre of your stomach, which becomes tighter and tighter as Simon continues to touch you. Your hand gripping his shirt squeezes tighter and tighter as the knot tightens.

Never before have you felt this sensation that has you with your face tight, eyes closed, eyebrows furrowed and your lip between your teeth to prevent a scream from escaping.

This is futile when you feel the knot suddenly loosen, feeling as if your body is drained of energy. Biting your lip proves useless in preventing the moan that escapes your lips before Simon presses his hand over your mouth to prevent the entire village from hearing you.

His hand continues to move, slowing and slowly slipping out of you; the wet sound it emits as it leaves once again causing your cheeks to flush.

"Simon... Let's do it... You said it, why delay the inevitable." You say, repeating his words.

He again touches his lips to yours, letting your bodies speak when you are at a loss for words.

You notice him moving, sitting up to kneel between your legs. He lifts your dress, leaving you completely exposed to him with your legs wrapped around his wide hips.

Your glistering folds shine on the moonlight calling him in, but the pain on his groin makes him selfish enough to limit himself to free his hard shaft from his pants, slightly slapping your sweet cunt with it.

It makes your legs shake and a whimper to leave your lips, desperation flooding from you as your hand goes down between your legs. Simon can't help but stare as your inexpert hand finds his tip making his shudder when you press it against your wetness.

His hips move involuntarily pushing himself between your hand and your folds, making his moan your name. His hands lands on your hips, physically stopping himself from moving more against you knowing perfectly fine he wouldn't last long.

There are already beads of his milky seed threatening to spill from his tip, but it is your hand the one that slowly pushes him lower until it catches on your entrance making the both of you shudder.

He looks at you, catching you looking back at him; last chance to pull back. But your hand moves to his hip, silently urging him forward and he gladly complies.

He slowly pushes in, his length getting engulfed inch by inch into your warm cunt making him whine in unison with you. The stretch makes you hiss just for a second before the juices make it easy for him to move.

He moves back and forth torturously slow, entering inch by inch, moaning when he finally bottoms out. The two of you need a moment to adjust; you to the feeling of getting filled to the brim and him to the feeling on your tight muscles choking him in.

Simon is no stranger to the feeling of his callous hand around his length, already used to the constricting feeling; but never in a thousand years would it compare fairly to the feeling of you around him.

You clench around him, desperate for his movement; but it sends him to bend forwards, his hands resting beside your head. But then he comes face to face with the image of you sprawled under him.

Your legs spread to adjust to his wide hips between them, your folds just as spread to let his girth into your core, your soft hands resting on his ribs to feel him close, your hair messy resting on the hay, eyes half closed blinded by the lust, lips glistering with the mix of saliva from both and cheeks blushed as if by the cold of the morning.

He realises then and there that you are the only thing he needs to survive. That he will fight and kill God himself if he dares to try and pull you away from him, let alone a mere mortal. That he will love you for as long as you love him, and that when you stop doing it he will make you fall in love with him again. That he will travel to the deepest level of hell and back if Death feared to steal you from him.

His hips begin to move, making you arch your back when he finally does and it urges him to compose himself only to manage to feel you come undone around his length.

He has a clumsy rhythm to it, voluntary and involuntary thrust mixing together in a weird dance but still consistent enough to make you feel the knot on your stomach tighten again.

He feels it too, when you start to clench around his length. Softly crying his name as your hands move down to his thighs, urging him to move closer, deeper.

He sees how you close your eyes, head falling back with your mouth open in a silent cry with your wet cunt choking harder and harder his shaft, until you finally breathe out, a moan loud enough to awaken the dead from the tomb and wetness making his way around his length when you finally fall over the edge.

Simon barely has enough control to pull out, the first dribble of his milky sticky spent falling on your pubes before he spurt thick and heavy over your stomach; the change from you welcoming cunt to his dry hand almost keeping him from coming.

He looks down, his seed painting your body, marking you his, soft abdomen moving up and down with your difficulted breathing from the orgasm pulled from you.

“Do you really love me, Simon?” You suddenly ask, tears threatening to spill from your eyes. The fear of the consequences finally setting in on your minds now that lust is no longer driving it.

“I do, love. I love you more than anything on this land.” He says, still breathless as he bends down to kiss you again.

Tomorrow, when you meet across the church; the two of you will act as if you didn't know each other. You will ignore the dull pain between your legs and he will ignore the pull of his pants when he remembers how pretty you looked under him.

Every other night the two of you will meet, back in the barn. Professing love and exploring each other's bodies.

And in a couple of months, when you come crying to him, holding onto his shirt; about how your father has told you that he is marrying you to another man. He will hug you, consoling you, and tell you to meet again two days later.

When he will arrive, in his father's cart being pulled by his two better horses; and the two of you will disappear from the village at the crack of dawn, never to be seen again.

In the village there were no more arguments between the families, both ashamed that they lost their kid to their stubbornness. That if instead of fighting they would have supported the two of you, they would have met their grandkids years later and the eternal fight between the families would have ended in a love story.

Instead, Simon and you settled down far away from the village. Where nobody knew where any of you were, and where everyone was told to address you as Mrs. Riley. Where you build your home and your family, and you both lived happily ever after

[disconnectedkat]

On Judging Older Rep By Today's Standards

This wall of text inspired by this take that bioware are pussies for not having an all-pan romance cast until Veilguard. This idea that all past representation is mediocre or bad because today's is better is very irksome. I'm irked.

To begin, a little history:

Bioware has been including queer romance in their games since the early 2000s. First in 2004, when they released Star Wars: Knights of the Old Republic. This game had a character you could recruit named Juhani. Juhani would become the first LGBTQ+ Star Wars character. She could be romanced by a female player character, though it basically amounted to a couple lines of dialogue. Why so little? Because it was 2004 and they practically had to sneak even that much in.

In 2007, Mass Effect 1 released. This game had arguably the 'safest' queer rep, an attractive woman kissing and having a fade-to-black implied sex scene with another attractive (alien) woman. A while later a mainstream media outlet (Fox News, you may have heard of them) ran a hit piece on the game. They ran the usual stuff, degenerate porn simulator, think of the children, etc. This was a big deal, as having a mainstream, large and popular (unfortunately) news channel targeting your game is not great for several reasons.

Keep in mind this was the, again, arguably the safest queer rep you could go for, and it still received that level of attack.

In 2009 Dragon Age: Origins released. Not much to say here, some time had passed and DA managed to avoid the targeted hate that Mass Effect received, despite having a bisexual man and woman as romantic options.

Mass Effect 2 is believed to have suffered the most from the Fox News debacle. Jack was originally planned as a pansexual character, and while I don't recall if the devs have stated exactly why that was cut, the obvious guess is they feared another round of attacks.

Alrighty, history recap over. Now to address the issue:

"They should've done it years ago." Well, they actually did with DA2 and it received a good amount of flak. Because that was 2010, and this is 2024. Representation is a social thing. It changes and grows as we do. In 2004 Juhani, with a minimal amount of actual content, became the first LGBT Star Wars character. You do what you can and try to push the envelope a little more each time. People struggled and fought for all that old rep you see as not good enough by today's standards.

"They bowed to the bigots because of money." Games, and all media, take money to create. They then need to make money to create more. There would be no Veilguard without the successes of previous games. And unfortunately, in the past that sometimes meant choosing your battles. Frustration is understandable, but misplaced.

None of this is to say that Bioware, (or any company or media, this post is just focusing on them) is beyond reproach as long as they're trying. There will always be things to criticise, and areas to improve, of course. But that isn't what I'm seeing here.

This to me is indicative of a common sentiment I've been seeing far too often in queer and leftist spaces recently, people judging older rep by today's standards and decrying it and it's creators without understanding the history.

[enemywasp]

Alright so someone on tiktok sent me a link to a compiled list of arguments against proshippers and so I wanted to put a sort of brief response of my own thoughts of each point.

Long post warning!

"Proshippers are non-offending minor attracted people in a fresh paint of coat"

What a start, am I right? Okay so first off this is a huge generalisation, not every proshipper engages with or is even comfortable with anything that sexualises fictional children, or ships them with adults. And of those that do ship adult/minor ships, it doesn't always mean they're attracted to the character themselves or gains any sexual pleasure from that.

They then went on to say that although they might be non-offending, they still fantasise about and romanticise children- in the case of proshippers by creating art and stories. And I am not personally educated enough on how people's minds works to go in depth here, but I do know a lot of pedophilic thoughts can be intrusive and unwanted. And I would much rather people engage in this and deal with their thoughts through fiction where no actual children are harmed, than actually go touch a real child or engage is any form of CSEM.

“People can draw and ship whatever they want!”

Here they went on to say that surely to ship and create content you must justify these things in some capacity regardless of them being fictional. And immediately I'd argue, the justification it that they're fictional. And that sometimes you want to read about things you'd never approve of in real life, it's a natural curiosity. And again, regardless of what the dark content is I would take someone engaging in fiction over harming a real person any day.

They compared this to alt-right groups and dark humour justifying racism and transphobia, etc. And whilst I think something we should always be aware of in fiction is stereotypes and how we may be representing people. Youtube videos like this are usually a type of propaganda that AIM to change people's mindsets and turn them against groups. Whereas fiction tells a story, some may have meanings and connections to real life, be a political piece, etc. Not everything is that serious and has a clear distinction from reality.

Think for example, reading/watching about murder and gore. More on that in a second.

"Fiction doesn't affect reality!"

I'm going to be honest I rolled my eyes at this as their main example was slenderman. If you don't know about that, those girls were schizophrenic. Anything could of set off and caused delusions, it just so happened to be fiction. Those girls needed help- not to just read purer content. They also basically brought up propaganda again, which is again deliberate and designed to warp peoples perceptions. Its based of lying and spreading misinformation and passing it as facts. The only thing I strongly believe can be directly harmful is stereotypes if not handled with care. But I think that's something for anyone who writes and consumes content should be aware of regardless of their stances.

Again here they implied that all proshippers are peodophiles. And that they normalise abuse of children. I'd also like to point out that most proshippers I've interacted with online have age boundaries to avoid interacting with minors depending on how graphic or sexual their content is.

"What do you think all stories about murder should stop existing?"

Here they basically argued that killing in media isn't the same as its not romanticised or condoned. YA Novels disagree- mafia stories being the most immediate example to spring to mind. Furthermore, morally grey villains. One of my favourite films is Mr Right. It's about a hitman killing people. Anna kendrick falls in love with him and its framed as a romantic comedy. Funny how its only fanfiction that's criticised like this? I actually have more thoughts on this if anyones interested.

Again they bring up kids not knowing adults pursuing children is wrong, and I'm questioning why children this young are unsupervised on the Internet. How young were you when you were allowed to watch anything with graphic blood or violence? This content isn't made for kids! Especially not anyone so young they can't seperate fiction from reality as most sites have a specific age you have to be to join. And I'm sorry to say it, but on websites and social media where adults can interact with kids, anything can be used to groom kids. (The real thing you should be mad about here is how there's no websites aimed just for children and safe spaces on the Internet anymore cause it can't be monetised as easily)

"Artists are allowed to draw and write about dark people"

They basically said, yes but it's not the same as promoting. Writing something under a romantic light and not saying "Don't do at home!" Isn't promoting. No ones encouraging these things in real life. Or rather, if they are its not because they're a proshipper but rather who they are as a person and their intentions.

The trans example they used is very extreme and honestly something I agree with a little more, fiction can definitely be used as an excuse to say and act out hateful and discriminatory things. Whilst I do think it's something we should discuss and unpack more, I'm not certain of my view on how I would fix this without risking silencing people talking about their experiences.

"Its not my responsibility to look after other people, just block me and the tags"

Here they threw all kinds of accusations. And says that we're making traumatised people jump through hoops to avoid getting retraumatised. I hate this argument, you know people have actual triggers they may not be able to avoid in real life? The world can't bend around you. And I am very sorry if any content online is traumatising to you, but someone could also be traumatised by a certain breed of dog and not want to see it. Should no one post dogs online ever again? A bald man reminds you of an abusive ex? Bald men get off the Internet! You see how this thing can just keep escalating? The tags and warnings are important because they're the best you can get. You can't control the world to protect everyone from everything ever. No ones forcing you to interact, and if you're on any algorithm based content that will encourage that content on your for your page more.

The only thing I think we should take from this is the reminder that warnings and tags are always important.

"You only care about censoring creativity"

Here they defend themselves that oh wouldn't you want freaks out the community! Which again immediately makes me lose respect for you, if you're just going to brand us all as freaks as an argument and generalize us.

No comment on that first line when you can easily argue antishipper do the same.

"Proshippers are not remotely innocent of targeted harrasement" Neither are antis. There's people who take things too far both sides and I'm not going to defend either for that.

"Real kids get assaulted and all you care about is censoring people online!"

Here they shout "oh I can care about both!" But what I don't think they realise is censorship can make it difficult for kids and to learn about how to speak up and to look for signs, or to speak up about their experiences. How do you plan on removing the topic from the Internet whilst also letting victims speak up? And people may want to write fiction based off their experiences. Who are you to go through it and proclaim what is too far, what romanticises it too much? More on this later.

"Antis are reducing my trauma"

They compared this to saying "date rape victims are reducing my trauma because they weren't taken advantage of in the same way as me" which is a disgusting parallel?? Date rape is still rape. Someone writing about something isn't the same as it happening. Although it can be used as harrasment, grooming, etc if directly addressed to you or being constantly sent to you, written about you. But the content existing in general? No.

"I'm coping"

Compared it to self harm, and such. Poetry and diaries are also used to write about your experiences and unpack trauma. Some of which may write it in an unrealistically positive light cause that's how they want to unpack it or explain those thoughts. And yes these things get posted online.

I can't imagine a single therapist or professional psychiatrist of any kind disapproving of creative writing because, again, it's much better than any alternatives of doing real harm to yourself or people around you. Although I do agree that if something is traumatising for you to read about and just upsets you further, be aware of your own boundaries but not everyone is the same so how are you going to police people's own thoughts and emotions.

Also I can't remember who or where as it was years ago now, but I have heard of people who actually realised they were being groomed or abused and just how bad it was through reading about it in a fanfic and seeing it in an outside perspective.

They also say to do it in private, but doesn't everyone on the Internet now have an understanding of finding a community and looking out for eachother and sharing experiences?

"There's more nuance here than just calling proshippers peodophiles"

Here they say no matter what it still comes down to whether it's ever okay to sexualise minors in certain contexts. And again, not every proshipper does this or is even comfortable with engaging in this kind of content. And further, no one is sexualising real minors in this context.

"I'm a proshipper and a minor tho!"

I'd agree minors should be wary of the spaces they're in but proship spaces aren't always necessarily sexual, graphic or 18+. Saying they're being groomed feels like you're watering down that term. I was a proshipper at age 13, I didn't interact with anyone online about it though, I didn't even know that was the term. I just came to the conclusion that it's just fiction all on my own. Minors aren't idiots.

At then end they talk about their own experience being groomed and I'm obviously not going to nitpick or criticise their experiences. I will point out that one person being bad and taking advantage of you and using content to do so doesn't mean everyone is like that. I am sorry to anyone who has been taken advantage of by someone who claims they're a proshipper though. There are people who have turned out to be horrible on both sides.

I am ill and it's late but I want to get this up sooner rather than later so please ask for clarification on anything. I'm always up for a discussion on this topic as I do believe some of these points do have merits at times and that this whole topic is not black and white

[beanghostprincess]

Rayleigh and Buggy reunion, but Rayleigh is being over the top judgemental about everything, like idk if u are familiar with crazy ex girlfriend the TV show but Rayleigh shows up and acts exactly like Rebecca's mom does. Overcritical of his life choices and dismissive of what he perceives as excuses coming from Buggy, because he knows Buggy's true potential and is annoyed with Buggy not living up to it. He gives Crocodile a once over and goes "is that what you found to replace Shanks with" and moves on and Crocodile doesn't even have a moment to compute the way he was just insulted because Rayleigh has moved on to criticising Mihawk's cooking instead. Worst part is, this all comes from a genuine place of love and care, Rayleigh is legitimately worried sick about his baby clown son of 39 years, but he cannot express that worry without being extremely invasive about everything. Buggy isn't even responding, he just shoots ppl apologetic looks and rolls his eyes when Rayleigh isn't looking because of course he does this obviously Buggy is never good enough for him and Shanks had always been the favourite (you ask Shanks or any other Roger pirate and they will tell you that Buggy is Rayleigh's baby boy and absolute favourite with utmost confidence, too bad the emotional constipation runs in the crew). Dinner is awkward as fuck, because Rayleigh makes attempts at being easygoing but his motherhenning nature irt Buggy shines through, his conviction that Buggy would be happier with Shanks by his side is making him be overcritical of everyone in that dinner and he keeps discussing the good old days and subtly hinting at Buggy that there is still time for him to go back to Shanks....and Buggy looks close to frustrated tears (and everyone agrees, Crocodile has snapped 5 cigars in half with his teeth and Mihawk is 5 seconds away from banging his head on the table).

Just overbearing father Rayleigh being stifling and trying to overcompensate for his shit parenting choices during Buggy's childhood and Buggy having his daddy issues expanded upon (and Crocodile and Mihawk gaining insight to Buggy's entire deal)

"Idk if u are familiar with crazy ex girlfriend the TV sho-" My therapist literally told me to stop watching it so much because it was affecting my mental health. So. Yes. I know the show. It's one of my favorite shows EVER. Rebecca is just like me fr my beloved. All of them my beloveds. The songs my beloveds. Don't make me go into CEG x OP because I won't finish. And as you can see, I did not listen to my therapist.

Even though I've always seen Rayleigh as the one who understands Buggy the most (Roger and him love Shanks and Buggy equally but it is quite obvious they put more pressure on Shanks to be more like Roger and that only made things worse by making Buggy's inferiority complex exist) and the one who stands up more for him and comforts him when needed, it is true that he might be more judgemental and he'd be worried for Buggy. Like. Think about it. Roger died and the kids (their kids) ended up alone and going their own separate ways. For Rayleigh, finding out Shanks and Buggy aren't together is just?? So weird?? Because they've always been together. Birds of a feather (if somebody mentions the song 'Two Birds' I am punching them because I can't handle that song today please). And it's just... Well, surprising. 'But as long as they're okay' but they're obviously not okay!!! And it's not that Rayleigh is judging Buggy. In fact, I think he would do the same with Shanks. The second Rayleigh sees Shanks he's already saying he drinks too much (even for a pirate) and that he's been acting recklessly and "What the fuck are you doing without Buggy? Is this because of Buggy?" / "I do not drink because of him. It's- It's not about him. He left-" / "HE LEFT AND YOU DIDN'T DO ANYTHING?????" / "I hate it when you get like this" / "Like what?" / "Like you want to still do something about my life. I'm an adult, thank you very much-" / "No, you're not if you keep acting this way". And I personally think Rayleigh would just be worried for the both of them and also feel extremely guilty because he wasn't there to fix things when they fought, the way he always did. "The second I left you alone you two start a fight that lasts two decades?" and he would say this to both of them and they would hate it.

But yeah, going back to Buggy I think he'd be worried because. Well. Have you seen Crocodile and Mihawk? I mean. They're kind of on good terms with Buggy now (more or... More or less. Kind of. They're not equals but they're some sort of weird thing and they respect and care for each other. More or less. It's- It's complicated. Don't ask) but they're still them. And Rayleigh can't help but see the situation and be like "I'm proud you made a name of yourself, kid, but you don't have to do this if you don't want to" (meaning: You could go back to Shanks any time you wanted) and Buggy takes it as an "You could go back to Shanks any time you wanted because you'd be safer with him" instead of the real "You could go back to Shanks any time you wanted because you'd be happier with him and this war of pride and hearts you have going on is dumb". And he understands Buggy needs to be away from Shanks to grow, but it's just so, so sad to see them like this when they used to love each other so damn much.

Also, I think Buggy would be going through the worst moment of his life and Crocodile and Mihawk would be so done for different reasons. First, they don't give a fuck about all of this drama. And second, they are starting to see Buggy more like a person and understand why he is the way he is, and the things Rayleigh is saying are bothering them a lot. They've been trying to make the clown move on from his past so he's useful for once (because when he believes in himself he's actually not a burden and more interesting) and now this guy (that they respect because it's Silvers Fucking Rayleigh) comes and tries to change things around here? Nope. Not happening.

So basically, what you're trying to tell me is that Rayleigh regrets raising the boys that way and now he's overcompensating and it's overwhelming for everyone, right? I- I love it. Great plot. 10/10. In character. Perfect. It makes me go insane. I love their daddy issues.

(Also, can we talk about how "This Was a Shit Show" and "What'll it be" are extremely Buggy songs??? Because- Because now I want to-)

[bambinambi]

Nobody Is Your Friend

Life as a Jyeshta native

I've always struggled with maintaining friendships. I always considered myself to be a really good friend; putting in a ton of energy into my friends' birthdays, checking up on them regularly and always being there for them but I don't believe I've ever recieved the same energy back. Oftentimes, my so-called "friends" wouldn't even wish my happy birthday, get me anything, or plan anything for my birthday. They would rarely bother to check on me, even during COVID. I've had "friends" constantly put me down by ridiculing my physical appearance or intelligence. I've had friends purposefully leave me out of plans because I was no longer fun to be around after my grandmother passed away.

I've had "friends" that I cut off, turn around, and harrass and bully after the fact. I've had friends tell me I was 'trauma dumping' onto them whenever I decided to be vulnerable despite being there for them whenever they needed anyone to talk to, even being told I am not a "good enough support system" despite ALWAYS being there. I've generally had friends demand things of me that they were never willing to reciprocate. As a consequence, I've become quite jaded to the idea of befriending people. I realise that I don't hold friends to a degree that others do because I've seen all the worst sides of how friendship can turn out. I have a solid 5 friendships, and even then, I know they're not as great as the friendships I've witnessed in my life.

Whenever I pursue a relationship with someone, they often end up acting in ways that make me pull back, like deciding they suddenly hate me, talking behind my back, being unnecessarily hypercritical of me, telling people the things I've said to them in confidence, making fun of me behind my back, the list goes on.

On the other side of things, I've noticed an obsessiveness towards me (which I partly contributed to having a Mrigashira moon) relating to this incessant need I've realised that some people have to almost "breaking me down" or "taking me off my high horse" (even when having low confidence), especially if I've "bruised" their ego in a way. I remember two months after I stopped talking to this guy (he would constantly try to prove his intellectual superiority over me), he and his friends posted a video in which he tried to make it seem like he was never interested in me, inspite of the fact that I only started really noticing him because my friends would point out how he and his friends (sometimes in his absence) would always used to stare at me, and try to get close to me.

Thankfully, I've study people enough to recognise that the things people have criticised me about are usually the things they themselves are insecure about in themselves, so I don't take it too personally, but it does get draining.

Another thing I've noticed about the "obsessiveness" is people copying me, like A LOT (watching Claire Nakti's video of Jyeshta confirmed this to me). After adopting my entire personality, dress sense, music taste, and mannerism, these individuals would end up discarding me. It's like they would steal my very essence. That's how I felt after my last friendship that felt like this. At the end of friendship, I was a shell of myself.

Romantic relationships haven't been able to fill the void either, as I feel like the men who are evidently attracted to me always feel a need to humble me or sexualising me but not being serious about being in longterm relationships with me (definitely blame my Lilith and Pluto aspecting almost all my personal planets), and so I remain quite lonely in the world. I also have Jyeshta in the 10th house (the house public image and perception) and Lilith in the 11th house closely conjunct my venus, which opposes a Punarvasu North Node so to say relationships are difficult would be an understatement.

- This is just another unfiltered rant. I feel like one of these days, I should post something more positive, but this year has been nothing but disappointments, and I always keep it real

[picnokinesis]

Thoughts on Different Types of Representation in Doctor Who (and how fandom responds to it)

So I watched Rogue last night and - okay first, oh my days, absolutely ADORED it, this is definitely my favourite episode of this season, it was just so much FUN and it hooked me right from the start. And then the queerness! I was actually thinking to myself whilst watching it how wonderful it was because it felt like a queer story in a way that wasn't like, showboating about how progressive it was? [editorial aside: this is not comparing it to anything in particular, just a general observation]. The characters were just queer, within this wild and wonderful sci-fi story, but also their queerness wasn't the Only Character Trait they had and their story didn't resolve around their queerness, but their queerness was crucial to the plot in a way that was just lovely to see - and as a writer myself, it's personally the way I love to see our stories being told.

But then I made the mistake of going into the tag - always a foolish thing to do, because for some reason everyone loves to praise this era by criticising the previous era (as if it hasn't been criticised enough...like we know most of y'all hate Chris Chibnall for committing no worse crimes than Moffat and RTD before him...we know). And I found a couple of folks talking about how this episode alone did more for queer representation than the entirety of thirteen's era, whiiiiich at first really Peeved Me Off - like didn't these people understand how important Yaz's arc (especially Eve of the Daleks) was to a LOT of people? But then I was like 'well actually this is interesting', right? Because I think there's two very different kinds of representation going on here - and they're both very important in different ways, but one tends to get lauded as brilliant rep and one always gets put down as not good enough, or even bad rep. And what's the main difference? Whether the characters have a gay kiss or not.

So I just thought I'd share some of my thoughts and feelings on this, and why I think both these kinds of rep are equally important! To be clear from the get-go though - this is definitely not me ragging on anyone who likes more about one than the other (in fact, I think everyone likes one more than the other). This is merely a personal essay about it and the frustrations that comes when people in general do lift one up over the other. I'm gonna put it under the cut though, because it might get a bit long!

So, back when Eve of the Daleks aired, I remember having a lot of conversations about the representation in that episode - in particular with a very good friend of mine, who is a lesbian. And we realised that when it came to rep, we both actually wanted pretty different things. I'm aroace and genderfluid, and so a lot of what I saw in how thirteen was written - especially in terms of her gender (or lack thereof), and also her apparent lack of attraction (at least, in how I read it) was just incredibly affirming to me. I've never EVER seen a character on screen that I could see myself in both in terms of sexuality and gender. Whereas my friend saw things quite differently - thirteen was a lesbian, and they wanted to see that kiss between these two characters, because for them too, it was so rare to see that, and, in their words, they wanted to have their cake and eat it too. And we both realised that the reason that queer representation can feel so intense and important is, simply, because there isn't enough of it. We're all desperately reaching for the same small portion - and none of it is ever going to please everyone, or resonate with everyone. The stakes are too high.

So then, when there wasn't this dramatic romantic ending to Yaz's story, when there was no queer kiss, I was very sad for my friend, who didn't get that representation, but so painfully relieved for myself - because I got mine. So then it sucked a lot to see a lot of people getting really angry that this wasn't queer representation, that this was even homophobic - I even had someone tell me that aromantic representation in this regard was always going to be homophobic, because no-one would ever write it to be aro rep, and would instead only ever write it to avoid writing a gay kiss. And the thing that got me the most was that, REGARDLESS of whether they kissed or not, regardless of how you read either of the characters, there was one thing that was certain:

Yaz was queer. In text. Her emotional plotline centred around her realising that she was attracted to the Doctor (who was presenting as a woman - although, again, I don't think she really identified as such). The fact that she and the Doctor didn't get together by the end does not erase that fact.

They didn't kiss - but so what? Are queer people only queer when they're kissing someone of the same gender, or having gay sex? Are queer people not queer in their day to day lives, when they're not doing any of those things? Are queer people not queer when they're not dating? Are queer people not queer when they're trans, when they're ace, when they're aro, when their queerness doesn't resolve around attraction to the same gender?

And, to be honest, I think a lot of my feelings around this stem from the sort of exclusionist rhetoric that we saw a LOT of towards the ace/aro community back in 2012 that we still see now, that we're seeing towards the trans community now, that we're still seeing towards bi people, for pete's sake. It's this in-community infighting, pushing each other down to try and get up to the top, to keep all the "resources" for "the people who really need it", and it causes a serious amount of harm - but the truth is (and to bring this back to doctor who) that it all comes back to what me and my friend were discussing. We're all scared, all desperate to be seen - and when we are seen, it's the most incredible experience and the idea of losing that (or having someone else undermine it) feels inexpressibly awful. Having the thirteenth doctor...I suddenly realised this is what all the straight cis white dudes get all the time. She was like me, and that was indescribable. And then losing her - and having RTD not even be able to have a man wear her clothes because he was too worried about what the tabloids would say to be able to show a gnc person on tv...and then constantly described her as The Woman Doctor for the next entire episode - that hurt. A lot.

I've spoken to other friends who felt so seen in the character of Yaz - those people who realised they were queer later in life, those who fall in love with people and it doesn't end up going anywhere, those who don't get the whirlwind queer romances that people often call 'good representation'. Myself and many of my aspec friends have felt so seen in thirteen's almost entirely romance-less arc, and myself and my trans/genderqueer friends felt very seen in the way that thirteen's character would have been exactly the same if she'd been a man - the only difference was how the other characters around her interacted with her. Gender was something that happened to her. And when I watch episodes like Rogue, even though I don't relate to that representation, I just feel overwhelmed with joy because I know how important it will be to others that I care about. I think my sadness then comes from the fact that the way Thirteen and Yaz were written are just as important to me and many people that I know, but because they didn't kiss, it's not considered queer enough. Am I not queer enough, then? Are my friends not queer enough?

We need more episodes like Rogue, like The Parting of Ways, like Praxeus, like The Doctor Falls, because they are unquestionably and unapologetically queer, in a way that can't be avoided. We also need more episodes like Eve of the Daleks, like The Haunting of the Villa Diodati, like the rest of thirteen's era where the representation is an undercurrent throughout the whole story - but also undeniable, in a way that Yaz's story arc is, even if it doesn't end in a kiss, even if it doesn't end neatly and happily. Personally, I definitely would love to see more stories focused on aromanticism and on transness (especially ones that are written by trans people for trans people, rather than by cis people for cis people), but that's probably going to be down to people like me and other writers that I know actually getting into the script writing industry - and that depends on the people who are already there letting us in. One thing that I've always appreciated about Chibnall is that, after leaving Doctor Who, he began a programme for training up new showrunners with ITV, because: "showrunners are the gatekeepers and too many of the gatekeepers look like me."

Anyway, I probably have more thoughts that I've forgotten, but that's generally the gist of it. I think the more we fight over whether rep is 'good' or 'bad', relating to whether we see ourselves in it or not (rather than 'is this genuinely harmful or unhelpful', which I think is a more crucial question) the more the waters get muddied. We have different needs and wants, and no single episode is going to represent every facet of our community. But each episode, each story like this is a step in the right direction - and even rep that isn't perfect (I have thoughts about The Star Beast, for example) is still extremely positive and important, and definitely something that should be celebrated, even as we keep looking to the future for what we would like to see done differently, done better. And some day, I hope, there'll be so much queer rep, it'll be so normal, that those stakes won't feel so high anymore. It won't feel like everything hangs on how a certain show or storyline or episode is written. We'll all be seen. And that will be absolutely fantastic.

[leonawriter]

To add to "Hakuba wasn't the one throwing the most shade at Hattori," I'm heading into the case itself, since I didn't last time.

Let's start with the fact that Hattori found blood on the doorknob and instantly tried to knock the door down. Hakuba, Junya, and Natsuki all look shocked, Natsuki even saying "Hey, wait a-"

Shinichi's the only one who isn't shown protesting, but he's also not shown actively helping to break down the door. He's right there, yes, but going just by the manga alone, we don't see him in action.

Later on, we get this-

Once Hakuba's said about how the "producer" was still alive, Hattori unties him.

Closely followed by...

First Junya, then Hakuba, saying that he's done things wrong. That he's incompetent.

In fact, Junya says "Even if [Hattori] is a very incompetent detective" while Hakuba says "I'll admit that your actions were unacceptable."

Of the two statements, Junya's is the more offensive to me - there's a difference between "unacceptable actions" and calling someone "incompetent." For instance, Detective Yamamura of the Gunma police is "incompetent" because he barely meets the base criteria to be a police officer, let alone someone in charge of a crime scene. Hattori isn't on that level. His actions were, however, unacceptable.

Moving on, and we see Hakuba point out, in detail, why they should have taken their time.

It's Junya, again, who goes on the offensive, assuming that Hattori was "[eager] to reach the crime scene before anyone else" and "not suited for being a detective." Hakuba says neither of these things. He's judgemental, yes, but he doesn't make things personal.

Funnily enough, Shinichi has a damn good point here. It ISN'T that Hattori is unsuited to being a detective! He is, however, hot-blooded, which does affect how he goes about things.

That isn't a bad thing, all of the time, and if it was, then Shinichi would have been joining the others in criticising Hattori. Thing is, Shinichi knows Hattori, and neither overly defends him (they're kinda right, after all) nor attacks him further (he knows why Hattori is how he is).

Later-

By this point, Hakuba has already seen Hattori acting "rashly" and "not thinking things through" so he feels he has a good reason to make remarks like these.

After that, however, when they do find the person they're after, he's visible from the outside, leaning against the window, bleeding.

This time, it's Hakuba who suggests going back inside and busting the door open, but before he can, Hattori is jumping up to bust through the window.

We're shown him breaking the glass, then unlocking the bolt on the window, in order to get in - unlike the first time, where it's just "bust open, get in."

In other words, we're shown his process.

What's important, to me at least?

Once the investigation gets underway, and now that Junya (rest in fucking pieces, dipshit) is out of the way, Hattori and Hakuba are... able to talk to each other with far more civility.

Sure, there's some checking of "you didn't mess something up again, did you?" but that's a valid question that one of them would ask during any other investigation as well, at some point or other.

That said...

It's only after they've done their preliminary investigation and the actual suspects are mostly out of the way that Hakuba suggests that Hattori be kept away from the crime scenes, since when he's been involved, the crime scene has been messed up, damaged, and... he's basically made a mess of it.

Thing is, this is where it's viable for them to have come to loggerheads with each other!

Hakuba is cool-headed and logical, while Hattori is hot-blooded and emotional.

I've even said before about how they're written as narrative foils to one another, being the rivals and closest male friends of their respective protagonists!

That said... for all that they butt heads here, they're back to collaborating not long after.

And when one of them brings up a point, the other listens. Hakuba doesn't discredit what Hattori's saying just because he's hot-blooded, and Hattori doesn't ignore what Hakuba's saying just because he doesn't like the guy/has bias against him.

On to the finale, and each of our detective protagonists has a different conclusion.

Hattori explains his idea of who the culprit is, only to be cut off by Hakuba, who comes in with his own, in a very disparaging way - "How many more times must you disappoint me," he says, only to be proven wrong and realise that he'd been letting his own bias (that a thief must be the culprit) get in the way of his deductions. Hattori continues with his explanation, which Shinichi tries to say "no, you're wrong!" about... only to prove that he knew exactly what he was doing and catch the real killer trying to hide evidence.

Effectively, this all proves that Hattori is just as good of a detective as any of the rest of them, especially so given the culprit's words at the end:

In other words: those things were done on purpose, knowing what kind of person Hattori is, and she respects him for being the kind of person who hopes that the victim is alive until proven dead. Who hopes for life, more than just another mystery to solve.

In this point here, as well as in assuming that the culprit had to be the same person as the thief, Hakuba is wrong, because he assumed that acting in a "hot-blooded" way was wrong since doing so would disrupt the crime scene.

What he should have been worrying about - and I wonder if this was a minor lesson for him - was "is the person inside still hanging onto life, and if they are, will taking the long route around take too long, and cause them to die?"

So, in these later parts, we do see that:

1 - It isn't even Hakuba, even after Hattori has said things that would legitimately upset him, who throws the first stone in antagonising him.

2 - It's only after seeing behaviour that could be seen as "rash" that Hattori hadn't thought through (unfitting of a detective) that he starts to bite back.

3 - They still work together with respect whenever it's about the actual investigation, and at no point do they get in each other's way, and-

4 - When Hakuba makes a mistake about his deductions, as well as when admitting no one knows where he is, for one thing he accepts his mistakes with grace, and for another thing Hattori doesn't gloat about it.

I wouldn't say that things are mended between them - first impressions count for a lot, and they didn't have a good one no matter how you look at it - but I'd hardly say that they have a non-functioning working relationship, or that they'd constantly be at each other's throats.

[youneedsomeprompts]

~ AND THEY WERE ROOMMATES ~ SECRET AFFECTION PROMPTS

requested by: anonymous request: roommates out of convenience arguing all the time but secretly liking each other

Feel free to use and reblog!

criticising the other's quirks while secretly adoring them

quietly looking out for the other when they're not feeling well

being worried when the other comes home late

making enough food that the other can have some too

liking the sound of their voice

considering what the other might think, even though they actually 'don't care'

"You have your own room! Why are you always sitting here?"

being weirdly disappointed when the other is in their room all the time

stealing their food/stuff because they have an immaculate taste

secretly enjoying spending the nights in with the other

"If you are leaving your clothes lying around like this, I warn you I'll adopt them as mine."

"You know, I might find a better place to live. This is only temporary after all." "What?!"

humming the songs the other always puts on full volume

being in a much more stable place since living together, even though the other irritates them to no end

"Stop inviting your friends over all the time! You alone are enough to deal with."

"Okay, bye! Love you!" "What did you just say?" "Sorry, it's a habit. It has nothing to do with you!"

"What do you mean, you're going to be away for a week?"

keeping on the lights because they know the other hates darkness

"By the way, there was someone asking for you, but I send them away. They were no good for you."

arguing like mad about the chores but hey, it's still an excuse to talk with each other

[autistic-daniil-dankovsky]

remember this? well. let's go!

both ena and an have pretty famous fathers, and it was always somewhat expected of them to be worthy of their legacy, in some way. both of them were told, "of course you're good at art - you're shinei's daughter!" and "of course you're good at singing - you're ken's daughter!" respectively.

they were always perceived via their fathers, not allowed to step outside their shadow and be seen for themselves. they couldn't be ena or an.

and, you know, for a time, they went along with it. i mean, they were good at what they were doing.

but then... all comes crashing down.

for ena, there's the obvious bullshit that's going on with shinei. completely destroying her. because she admired her father, because he was the reason she wanted to do art to begin with, and he told her to her face that she would never be good enough.

her entire world fell apart, that day.

because no matter what she says, ena wants the approval of her father more than anything else. she wants him to tell her that she's worthy of being his daughter, that all her hard work amounts to something; anything.

but then, there's the eventual revelation that she wasn't anything, actually. she wasn't special.

everyone was better than her.

before, ena was a fish in a small pond, and of course, she was among the best. but now she's been dropped in a vast ocean, and she's small, and insignificant.

devoured by all the other fish.

one of them - and admittedly, the most important of them all - being futaba. she joined after ena, but she proved herself in much less time than her. and, even succeeded where ena failed - she never gave up, even when she was harshly criticised. never regressing artistically. never running away from art.

and there's something else, somewhere deep down - a fear. a fear that nightcord will abandon her when they realise she can't keep up with them. that she's not as good as they thought she was.

what will happen of her, then? she'll be all alone. unloved.

an goes through something similar.

she meets kohane, and she decides that this person is going to be her partner. that they're going to surpass THE rad weekend together, that no one could be better for this task but her.

but when she starts that relationship, it's with the assumption that she'll always be the teacher and that kohane will always be the student.

not in a mean, or pretentious way, no, not at all. simply, an was always told there was no way she couldn't surpass rad weekend, since she was ken's daughter. in her small pond, she was also among the very best.

but then, an realises something, too.

kohane is much better at everything than she is.

very similarly to ena's situation with futaba, kohane made much more progress in barely a year than an has in years. taiga - one of the old RADers, and somewhat of an uncle for an - recognised her potential, and asked to train her. not an, but kohane.

and of course, an is happy to know that! because that's her partner and friend, and an is happy to see her grow more confident and get better every day. because she cares. because she loves her.

but there's something in her chest - something that hurts and aches. she has to face the fact that she's not as good as she thought she was, that she isn't worthy of her father's legacy. that she isn't worthy of being kohane's partner, that she might be holding her back.

that she might be abandoned. left behind to rot.

what will happen of her, then? she'll be all alone. unloved.

to me - ena and an are two kids suffering under the weight of a legacy that's too heavy for them to carry, but that they can't let go of. they're also struggling with seeing their peers succeed where they repeatedly fail. they're all about being terrified of being abandoned because they're not good enough.

they're both confronted by this fact.

and it terrorises them.

[lunamond]

"And yet you toil still in service to men. Your father, your husband, your son. You desire not to be free, but to make a window in the wall of your prison. Have you ever imagined yourself on the Iron Throne?"

Rhaenys Targaryen, Ep 9

There are a lot of moments in Hotd that are quite dumb. But this is probably one of my most hated quotes in the whole show.

What does Rhaenys even mean by this?

"You toil in service of men"???

Ehm, Rhaenys?? That's literally all you've been doing this whole season?!

There could definitely have been a version of Rhaenys (based on the book) who is ambitious and focused on her own power, but that is absolutely not show!Rhaenys. Throughout the show, Rhaenys continuously helps Corlys to advance his various schemes to build his legacy.

Not her or even their legacy, no, it's all about HIS legacy.

She is even willing to sacrifice her children for this purpose (marrying Laena to Viserys, and Laenor to Rhaenyra). And while she is critical of this both times, she still goes along with her husband’s demands.

Her behaviour perfectly lines up with what Alicent says:

“We do not rule, but we may guide the men that do.”

And then the most offensive parts:

"You desire not to be free, but to make a window in the wall of your prison."

Ok? What should Alicent do then? Just casually dismantle the entire system of patriarchy?

This line is just utterly baffling to me. It would be one thing if this moment revealed a deep internal bias on Rhaenys' part, but based on the way this entire scene is framed and discussed by the fandom, it seems to be meant as a badass moment in which Rhaenys really calls out Alicent.

But, if we take this prison metaphor a bit further:

If Westerosi patriarchy is the prison and Alicent crowning her son and exerting power only through her influence over him is merely a window, then what does that mean for every Targaryen dragonriding princess or queen that have come before her?

What have they done to dismantle this prison?

I'm personally confused about what exactly Rhaenys is calling Alicent out for? Is she criticising Alicent for not elevating other women? Is she criticising her for not breaking herself out and seizing power?

If it is the former, then Rhaenys is being quite hypocritical, considering that Rhaenyra, in the previous episode, just convinced her to give Driftmark to Lucerys instead of Baela.

Rhaenys herself has scarcely done anything to liberate herself, her daughter or her granddaughter.

If it is the latter, then this is quite tone deaf, considering Rhaenys is part of the ruling dynasty, almost became ruling queen, and in her big show of defiance is literally breaking through the ground massacring hundreds on a dragon.

Rhaenys calling out another woman who has none of these things for not breaking free of these constraints while she herself couldn’t even manage it is quite frankly dumb as hell.

"Have you ever imagined yourself on the Iron Throne?"

This last sentence is probably the dumbest part of this entire quote.

I'm quite honestly baffled by what Rhaenys is even supposed to mean with this. Is she asking if Alicent ever considered ruling through her husband/son? Then, yeah, that's literally what she is trying to do.

But if Rhaenys is asking if Alicent imagined herself literally sitting the throne in her own right.

Like, no? Alicent is only a consort?! Should she do a coup? Overthrow the Targaryen dynasty?

Ultimately, this scene is just really indicative of Hotd's greatest flaw. The writers are aware that the driving source of conflict in both Alicent and Rhaenyra's lifes is the misogyny they experience, but not enough to comprehend this struggle in a nuanced and complicated way.

So instead, they end up putting their female characters in anti female oppression and pro oppression categories.

Either they're rebellious punk rock and not like other girls, or they are a prudish trade wife and are part of women for trump. Either they're Team Black or Team Green.

This is just super disappointing because for one feudal patriarchy doesn't work like that, but it also takes away all sympathy from the women who don't have the ability for open defiance out.

In the end, the show is more concerned with giving the "good" women, badass girlboss moments, showing how they defy the system.

[queerheadcanoncentral]

James Wilson sfw alphabet.

Prompts from @imagineimagineimagine (I just changed one)

—⁠☆—⁠☆—⁠☆—⁠☆—⁠☆—⁠☆—⁠☆—⁠☆—⁠☆—⁠☆—⁠☆—⁠☆—

A = Attractive (What do they find attractive about their partner?)

Physically: Their neck, hands, eyes.

Mentally: Them being more confident than him.

B = Baby (Do they want a family? Why/Why not?)

He definitely wants kids, but he is afraid that he would be an absent father because of his work and because House would constantly drag him away and criticise him for not spending more time with his kid/s.

C = Cuddle (How do they like to cuddle?)

He likes to be the big spoon, make you feel secure and warm, but after a hard day at work he’d like to be the little spoon.

D = Dreams (How do they picture their future with their S/O?)

After three failed marriages he isn’t sure that he wants to get married again. He would put it off for a long time until you finally get sick of waiting and propose to him.

E = Exception (Are they willing to cross their boundaries for you?)

Yes.

F = Feelings (When did they know they're in love?)

You and James have been dating for just a few months and in that time you have been spending at least half of the nights at his place. One night you were cooking dinner in his kitchen and you heard loud knocking on the door. When you looked through the peephole you saw a pair of bright blue eyes looking back at you. You opened the door unsure if it’s the right thing to do. 

“To be honest I expected a female hooker, but I guess Wilson likes some variety.”

 “Ah, you must be House, come on in.” He had a slightly bewildered look on his face but he followed you inside and into the kitchen.

“People usually don’t mention their  best friend to a one night stand.”

“I’m dating him, he’s in the shower right now, should be out soon.”

“Whatcha cookin?”

“Falafel, pita bread with some vegetables and hummus. Want some?”

“No, I don’t want to be eating your dinner.”

“It’s fine. Some of it was gonna be for his lunch tomorrow and from what James tells me you usually eat it anyway so might as well eat it warm.”

“I like you.” Just as he said it James walked into the living room in time to hear a part of your conversation.

“What did you say to them? What did he say to you? What did you say to him?” he said panicked. But who can blame him. It’s dangerous to leave House alone with someone you care about.

“I offered him to stay for dinner, I heard a lot about him and want to see what’s actually true.”

That night you talked for hours. You dogged every jab and rude joke that House threw your way. By the time that your plates were clear and wine glasses empty, you and House became quite good friends and James saw that there might be a long future with you.

G = Gratitude (How grateful are they in general? Are they aware of what their S/O does for them?)

There are times when he is just too exhausted all the time to notice you doing nice things for him and just responds with a half-hearted thank you. When he finally feels better and gets out of the rough patch, he realises that he wasn’t grateful enough, so for the next week or so when you do something nice for him, even as simple as passing a water bottle, he looks you in the eyes and with a smile says thank you. He will also randomly tell you how much he love you and how lucky he is to be dating you. 

H = Honesty (Do they have secrets they hide from their S/O?)

The biggest secret that he would have would be his feelings. He wouldn’t mention his depression or what annoys him about you. For the good of your relationship you would have to pry it out of him.

I = Injury (How would they react if you got hurt?)

He would absolutely freak out. Even if it wasn’t a complicated injury (like you broke an arm of something because you fell) he would still be overprotective and boss around any doctor that is taking care of you. He would insist on taking you to PPTH even if another hospital is closer.

J = Jealousy (Do they get jealous? How do they deal with it?)

Oh yes he does! Because he cheated on his wives he is “slightly” paranoid about you cheating. He usually bottles it up and doesn't want to talk about it so you have to bring it up and reassure him that you would never cheat on him.

K = Kiss (How do they kiss you? How do they like to be kissed?)

He likes slow and passionate. If you are trying to give him a quick peck on the lips he will pull you back in for a longer one.

L = Love (Who says ‘I love you’ first?)

He does. I mean…have you seen him? He moves faster than U-haul lesbians.

M = Memory (What’s their favorite memory together?)

Getting drunk at night at some medical conference and sneaking away to an orchard to cuddle and have a makeout session(maybe more).

N = Nickel (Do they spoil? Do they buy the person they love everything?)

Absolutely yes. He never asks for anything back tho. Especially when he feels guilty about something (even if there is nothing to feel guilty about). But when you buy something expensive for him he’ll be like “No, you didn’t have to. Are you sure? Let me repay you with a nice dinner.”.

O = On Cloud Nine (What are they like when they're in love? Is it obvious for others? How do they express their feelings?)

It’s very obvious to everyone. He is immediately in a good mood and has a pep in his step. Before he confesses his feelings he's more cuddly, hangs out with you more and buys you gifts all the time. “I saw it and it reminded me of you so I bought it. You look good in it- I mean you always look good- I mean-”

P = Pet names (What pet names do they use?)

Darling, Honey, Babie, Sweetheart.

Q = Questions (What are the questions they’re always asking?)

Are you okay? How was your day? How do I look? Wanna go grab dinner? Is it okay if House joins us?

R = Rainy Day (What do they like to do on a rainy day?)

Read, cook, cuddle, and watch movies together.

S = Sad (How do they cheer themselves/S/O up?)

Cuddles, tea, words of reassurance, doing anything you want, stupid movies.

T = Talking (What do they like to talk about?)

We know from the show that he is a bit of a movie buff, so probably movies and anything film related.

U = Understanding (How well do they know their partner? Are they empathetic?)

He wants to know the whole you. Always listens and asks about your feelings. He’s afraid of making the same mistakes he made in his previous relationships and losing you.

V = Value (How important is the relationship to them? What is it worth in comparison to other things in their life?)

Absolutely. When James Evan Wilson loves, he loves with his entire heart. If you asked him to move to Alaska with you, he would.

W = Wedding (When, where, and how do they propose?)

If he is the one to propose, he proposes in a place that reminds him of the first time he met you.

X = XOXO (How affectionate are they? In public/in private)

He doesn’t really like PDA (except when he’s drunk). In private he can’t get his hand off of you.

Y = Yearning (How well do they cope when they're separated from their S/O?)

Depends. If he has nothing to do he is completely love sick and mopes a lot. If he is busy with work or with House, he mostly forgets that you exist.

Z = Zeal (Are they willing to go to great lengths for the relationship?)

Yes! (I don’t think I need to justify that. Just look at what he has done for House.)

[rookflower]

seeing nightheart arguments again as with every asc release so once again, a reminder that when people say "nightheart's arc (or that of any other warrior cats character for that matter) is sexist", 99% of the time they are not calling the character, themselves, within the universe, a misogynist. nightheart in the books does not hate women. liking nightheart is not misogyny. what IS sexist there is the choices the authors make when they are writing a character. because at the end of the day, the characters themselves are not real.

in nightheart's case, at the start of his story almost every female character in his life (sparkpelt, finchlight, squirrelflight, lilyheart, myrtlebloom, etc) was written as being needlessly cruel to him, in spite of their own characters, and the male characters in his life (bramblestar, alderheart, bayshine) were written as far kinder or more reasonable towards him. the issue was not the FACT people were being mean to him, but the blatant trend and malicious gendered stereotypes going on with how it was handled.

"but they've been redeemed by Thunder! they're all being nicer to him now!" yeah, but isn't it super fucking weird that it was written like that in the first place? that finchlight changed personality like the weather when she should have been a prominent enough character to have an established one, that sparkpelt needs to redeem herself for absences in squirrelflight's hope and tbc that were unfairly out of her control and were not even considered an issue until now it's convienent to make her son sad, that squirrelflight was treated as antagonistic and cruel over asking her adult grandson to do some chores or whatever?

"but that's the author's fault, not the character's!" the character is not real though. he doesn't have feelings that can be hurt, what is there are the words on the page, and a lot of people will look at a character's arc rather than imagining them as a real person or making up headcanons to fill in gaps. there is also nothing wrong with people disliking a character you like. that is always going to happen forever.

"so are you saying i'm sexist because i like or relate to nightheart?" no, nobody is saying this. nightheart is an insecure angsty young adult protagonist in a tonally silly book series who has a complicated relationship with his family and gets into relationship drama, of course a bunch of people are going to latch on to him, and there's nothing wrong with that. i know a ton of nightheart fans. people criticising him is not a personal attack on you or anyone.

"you're looking into this too deeply" man this is warrior cats tumblr, what are any of us doing here. sometimes engaging critically with a text is fun. sometimes, texts have genuine flaws and harmful biases within their writing and it's useful to learn to identify and analyse them. warrior cats is not and never will be peak literature and i don't think anybody expects it to be but that doesn't mean people aren't allowed to take critical approaches to it on anything more than a surface level.