#and they're all tagged as row spoilers. check them out if you want

[yanban-san]

Binging the Eldritch Submas for that sweet sweet fluff with a dash of nervousness and not-quite-understanding-but-eager-to-learn-about-humanity monster content. 👌👌👌 That's the good stuff right there.

It's been said and written many times before that the twins tend to leak their true forms when flustered/in love/~spicy times~ happen, but could the same also be said when they're angered? Not annoyance or impatience, or "Gods not this twat again", but actual, unbridled pissed off anger.

Scenarios abound because brainrot real.

Emmet happens across a small group of onlookers while doing his rounds, curious to what caused the gathering. Lo and behold, Darling is there, dealing with a rude patron. He goes in to take care of it, but gets a front row seat to a sucker punch at Darling. He can feel his form starting to split as he not-so-gently shoves the attacker back towards the other Depot Agents, barely holding it together as he gives orders. When they leave and the gathering is ushered on their ways, he briskly leaves to the employee only areas, away from humanity's sight. Darling follows in concern, knowing that Emmets is barely held together with only force and will, and finds him cracking out of his human shape. Both travel to his office away from prying eyes, where Darling thankfully manages to convince him to not kill/erase the attacker or to not cause grevious harm, and comforts him with care and reaffirmations.

Ingo and Darling are in the tunnels for safety checks and maintinence, Darling on lights while Ingo's on the tracks. The light to their left's alright, the second one just started, when rapidly approaching footsteps catch their ears. Darling looks down in time to see a trio of troublemakers approaching before their ladder gives way with a shove. The world is alight with pain and stars in the air when they collide with the railing. When the world is clear again, they hear retreating footsteps and screams fading to the distance, and can feel the darkness surrounding them. Ingo's form is cracking, threatening to swallow the tunnel (perhaps beyond) with the little that's already out. Darling pushes up off the track, and Ingo is instantly next to them, focusing on them with the troublemakers pushed out of mind. His upper face is stuck in shadows with a few too many silver eyes, and is hugged all the same. Legs having turned to jelly, Darling is swept up by Ingo and carried down the tunnel. Reaffirmations carry down the tunnel softly as the pair travel down.

Put it under spoiler tag 'cause is long ^^

Emmet didn't bother walking, in truth. He took a step forward, and his destination became a far closer than a single mortal stride ever would take him.

An unruly passenger. Someone whose heart was overtaken by anger, over what? A train running late? A missing pass? What silly things to be so upset over.

They would have far more pressing concerns soon enough.

"…and FUCK you!"

"Please, Sir, I'm just following procedure- We can replace your pass, but I need to see your I.D-"

Oh?

The sound of your voice surprised and alarmed him- Weren't you on break?

And the way that mortal spoke to you-

"Out of my way." Emmet demanded, briskly moving towards the sound of your voice and across the clusters of customers and would-be passengers in front of him.

All that mattered was you-

"For the last fucking time, I ain't showing you shit-"

"I'm going to have to ask you to leave, sir. You're causing a disturbance-"

"Like hell I am! I'll cause as much of a disturbance as I want!"

You sighed heavily, trying your best to maintain your composure. Though to be fair- Would Emmet and Ingo even punish you if you didn't? Given how they treated you now, and especially now that you knew- Or well, sort of knew- What they were, they'd probably think it very endearing-

"…All because YOU won't do your fucking job!"

You shook your head, looking around, and barely paying attention to the insults being hurled at you- Few customers were watching, and fewer still were even in the area. You'd already called Gear Station Security, and all that was left was to wait the few minutes it would take for them to arrive. One way or another, this man wouldn't be getting a free pass, or even another ride on the train. How unfortunate. Not.

And then you heard a familiar clicking of heels. Not like the any of your coworkers walked, but a strange rhythmic, distinctive clicking- Of a man who was more like a oricorio then any human.

But who really wasn't a human at all, was he?

"Oh, Emme-!" You shouted, gesturing for him to come over- Anyone to deal with this slimeball- But your words faltered, looking at the glint of venomous ire in his eyes.

"Fucking pay attention-!"

And out of the corner of your eye, you saw the man approach- And specifically you saw his fist.

And closed your eyes, turning your head away in anticipation of the blow- That connected with your face, but far lighter than you'd thought he'd strike-

"What the- fucking-"

"Oh my. Someone isn't following proper safety procedures."

You turned to see not your attacker, but Emmet- Standing between you and the customer, holding their fist in his own hand-

Crack.

"Fucking- OW!"

The man winced, and Emmet kicked his legs out from under him- Still holding his clenched hand.

"Shut up." He continued, his voice as icy and dead as seemingly possible-

"Who the fuck-"

"I said. Shut up." Emmet repeated.

The man opened his mouth to speak- And nothing came out. His frame trembling, his eyes wide-

"Sir!"

"We're so sorry, we were responding-"

Your coworkers- And two security guards- Stopped when they saw you, lying on the ground with a slowly blooming bruise on your cheek- And their awe-inspiring Lord and Master holding down the worm had injured you.

"Em-Emmet-"

Emmet's attention lingered on the man a moment more before he shoved him backwards- Falling down to your side.

"My poor love-" "Are you alright?"

"It's- It's just a bruise, it'll heal-" You spoke carefully. If you made too light of it, they wouldn't pay attention to your words- If you made it too serious, they wouldn't be as merciful as you were trying to train them to be.

His smile was pained as his silver eyes scrutinized the blemish on your face. His hand caressed the corner of your face, squishing your cheek and making you wince. His eyes narrowed.

"You've been hurt." He remarked. Yes, you wanted to say, but that doesn't mean you need to erase this guy-

You pushed his hand away, making him flinch. "I'm fine, Emmet." You retorted. He opened his mouth to protest, but decided against it, turning his attention to the Depot Agents behind you.

"Ramses. Remove this man. He is not allowed in Gear Station. Or any station for that matter. Ever again. You three. Assist him."

Ramses nodded, and the rest of the depot agents followed his orders- And Emmet picked you up, dusting you off.

"You alright?" Ramses asked. He may not have been a particular kind Agent, but he wasn't apathetic, either- And the bruise on your cheek was turning an awful shade of reddish-brown, and rather quickly.

"I- I'm really okay, that was just a bit of a shock, really."

Emmet grabbed your shoulder tighter. His mouth split open again, but no voice came out.

"Emmet." You warned, noticing the dangerously bright glint in his slit-like pupils. His gaze turned back to you.

"Daaarling…" he pouted. "Fine. You need medical attention. Come with me."

"Wait-"

But he would not listen to your protests, and in a flurry of movement you were in the back hallways of Gear Station being lead away with your beloved, most likely towards a med station or something-

"Emmet," You began, trying to get his attention.

He kept walking, drumming his free hand against his lips- His mouth wordlessly opening and closing.

"Emmet-"

His stare intensified down the hallway, his pace picking up as he muttered to himself in a voice quite unlike the voice of Station Master Emmet. "He shouldn't be ali-"

"EMMET!" You raised your own voice, grabbing his arm with your free hand.

Emmet stopped walking, looking at you out of the corner of his eye.

"…Yes?" He finally answered.

"I- …I'm okay. You already banned the guy from Gear Station, you don't need to do anything else." You explained. "I'm okay."

His grip on your hand tightened.

"But that man hurt you."

You sighed. "Y-Yes he did, but that doesn't mean he deserves death."

Emmet's head tilted away from you. "He deserves worse-"

You shook your head, squeezing his hand back. "No, he really doesn't."

You continued on. "You don't need to react so strongly, Emmet- Yes, that guy did something bad, but- He's going to suffer enough being banned from the Subway, don't you think? Look at me."

He shook his head.

"Emmet… Please look at me."

"…No."

You looked down at his hand. One, two, three… Four, five, six- Seven- fingers? Clothed like the glove, but different.

"I don't mind what you look like." You offered. "You have extra fingers on your hand right now, you know."

He tried to pull his hand away. You held on. "All that means to me is I have more hand to hold. And I'm not letting go."

You squeezed it harder. "You were really cool back there, you know."

His body relaxed. Oh?

"It was thanks to you that this bruise wasn't worse. And it was super cool how you leapt out to save me. And how you grabbed his hand. And you shut him up just by intimidating him."

The face of your beloved began turning towards you.

"I'm so glad to have such a wonderfully strong boss who works so hard to protect me."

You leaned against him. "And I'm very glad you listened to me,"

"So won't you please look at me?"

Emmet turned his face to you- His smile pursed, his eyes- Cracking. Like dried up, ancient plaster, revealing a shadowy shape underneath- His mouth came open a little bit, the maw darkened within- His sideburns giving way to feathers and fur and silky-shimmering-ribbons of white and silver. His pupils were slits, glowing with the smallest hint of light- Yet still bright enough to make the lights of the hall seem dim and dull in comparison. You grabbed his cheek, holding his face in front of you.

"L-Love," He stuttered out, as you rubbed the corners of his cracked face.

"Shh. You've done good, Emmet." You remarked, gently tracing the edge of the visible feathers- They were soft, and cool and warm and perfect to touch. Your hand shivered as you brushed them, and he closed his eyes gently and slowly, watching you the whole time.

"You did good. Thank you."

---------------------------------------------------------------------

"Stay close to me," Ingo ordered. You nodded quietly and cautiously, and Ingo's arm went around your shoulders, pulling you close to him.

"We don't know what exactly is down here- You wanted to see what it might be?"

"…Yes." You nodded again, looking up at the Subway Boss. Despite the darkness, his silver eyes shone brighter than the light around you. It was frightening- The tunnels of the Subway were dark, twisting- And ever-shifting and ever-turning. Ever since you learnt the truth of your bosses, you'd learned the truth of Gear Station too- And how the tunnels were constently the subject of attacks from… Other things.

And your curiosity got the better of you.

You wanted to see these Other things, if you could. Besides, if Ingo and Emmet were as powerful as they said they were, resassuring you that you would never be hurt by those Other Things- Would it be such a problem if you wanted to encounter one? Especially with them to protect you.

Ingo wrapped his arm around you, even tighter. "I won't let you go."

You hugged him back.

The two of you walked carefully in the dark tunnels- Your footsteps clicking, yet not echoing- The light illuminating the edges of the tunnels seemed dimmed, somehow- Offset by the brightness of the fire-lights of Ingo's dear chandelure, floating around the two of you in contentment as it moved back and forth around the tunnel.

You stayed mostly silent, listening carefully as you approached the strange sound, echoing down the halls of the Subway Tunnel. It only grew louder and louder, a horrible screechy-groaning-grinding sound that reverberated in your ears and left them ringing. Ingo grabbed you harder, stepping forward- His silver eyes blinked slowly under the brim of his hat, less like a blink and more as though he were paying attention to something-

"Ah." He remarked- And you turned your head up to him, tilting your head curiously. "A T-junction is stuck, it seems. …I don't believe it's anything… Supernatural, my dear."

"You can tell all that, just from closing your eyes a second?" You asked, raising an eyebrow.

"…I can tell you anything I like about these tunnels, my Love." He drummed his hand along your shoulder, making you shiver. "Here, let us deal with that racket, first. It must hurt your ears."

You nodded, and the two of you approached the problem area, rounding the corner to see the T-junction beam bent out of shape, and several of the tunnel lights humming and flickering-

"Hmm." Ingo noted. "I'll handle the rail. Will you take a look at the lights?" You nodded in response, already rolling up your sleeves. The lights didn't seem to be out, but were certainly behaving strangely- No doubt due to some Joltiks having themselves a feast, you guessed.

Ingo hopped down over the railing of the maintenance trail and you settled in front of the circuit box for the lights, and- Yup, chewed through, frayed wires. Nothing a little electrical tape, and a few replacement wires, wouldn't fix, you were certain. You couldn't help but turn to Ingo while you taped some of the exposed bits up- Ever curious as to what he was doing. He looked down at the bent, twisted rail, grinding against itself, and suddenly it was engulfed in shadows- And a loud clunk and bang later, the shadows unraveled, and the rail was- Fine. Better than fine- It looked brand new.

You were about to ask him what exactly he'd done, when suddenly you heard a shuffling in the darkness of the tunnel- And you turned your head to see a large, heavy thing rapidly moving towards you- Falling on top of you. A ladder. What was a ladder doing here?

Ingo heard your yelp in surprise, and you flinched, unable to move.

"Holy shit-" "Bolt!" "Go!"

The impact never came.

"Are you alright?"

You opened your eyes nervously- The ladder that had been threatening to squish you like a wurmple was nowhere to be seen. Instead, Ingo was holding you. Tightly.

"A monster-!" "Holy fucking shit-"

You craned your neck to see the shadows of- Teens. Of course. Bolting their way up an access ladder back into a street above the tunnel, where sunlight poured down- But was blocked by a shadowy shape, reaching out into the rays, almost looking like they pulled at the light- Covering the walls and undulating like a living mass of darkness- Which is what it was, wasn't it?

"Darling?"

You turned your head to look at Ingo again- A shadowy figure dripping with darkness, with silver lights of eyes looking down at your figure. You felt the cold, smooth tentacles wrapping around your skin and cradling you tightly.

"I-I- I think I'm okay," You breathed heavily, feeling your heart beginning to settle from the shock. The shadowy figure picked you up, cradling you tightly against his chest-

"Y-You're a lot larger like this," You remarked. "All the better to protect you, my Dear." He purred back. "I would hate to think about what might have happened had you been injured…"

"Thank- Thank you, Ingo."

Your boss-turned-Sweetheart-turned-inhuman-monster cuddled you tighter. "Let us return to the safety of Gear Station… I would feel better if you were there, especially to recover…"

And off he went, carrying you- Settling back into a more human form, silvery-eyes looking at you from out of the darkness, closing the moment you made eye contact with them. "You're cute like this."

Ingo stopped for a second, the eyes shutting around him as the ones on his face widened. "W-What? What do you mean?"

"Your eyes. They're pretty. Like starlight. And your shadows, they're very comforting-" And you craned your neck, kissing him on the cheek-

"But not as comforting as having such a protective sweetheart like you around, Ingo."

"I- I-"

You almost giggled at how flustered he sounded, stuttering out words as his fingers dug into your sides where he carried you- And other hands grabbed, holding you tightly.

"That- That is, it would be- Expected, I would think-"

"Expected or not, thank you for protecting me, Love."

He took a deep breath. "Of course, My love." He gripped you even tighter- Almost painfully so. "Be a little cautious with your words," He breathed out, his voice strangely calm. "I have quite little patience when it comes to being so tormented by your affections, My dear."

You could feel a blush spreading across your face- And if there was any light left in the tunnels, you would've been able to see that Ingo had much the same across his own human features.

[cephalog0d]

Hey, Batfans, are you a weird completionist who likes sortable data way too much, like me? Do you want a giant spreadsheet of appearances of a bunch of Batfam members that you can filter across multiple people to see where they show up in the same issue together?

WELL GOOD NEWS because thanks to my hyperfixation I made a spreadsheet. (It's view-only but if you save a copy it should be editable for personal use.)

The Spreadsheet currently contains all post-crisis appearances for the following characters: Barbara Gordon, Cassandra Cain, Damian Wayne, Dick Grayson, Duke Thomas, Harper Row, Helena Bertinelli, Jace Fox, Jarro, Jason Todd, Jean-Paul Valley, Kate Kane, Luke Fox, Stephanie Brown and Tim Drake. I feel like that's most of the big ones (and several not-very-big-ones), but if there's a Bat-person missing you'd like to see on there, feel free to ask!

This is up to date through July 2023. I have intentions to keep updating it on a semi-monthly basis, but we'll see if that happens.

All sheets are conditionally formatted so if you enter "Y" in the Read column it will highlight the whole row in green to mark it off, if you're the kind of person who likes to keep track and mark things off a list.

The Master List is filterable by any character, and more importantly, multiple characters! Up to "all of them" although I don't think anything actually contains *all* of them.

(Some more notes below)

SOME NOTES:

Dates are the start of the series, since that's how a lot of places besides DC itself with their weird "volume" convention distinguish different runs.

These aren't sorted by preboot vs. New 52 vs. Rebirth vs. IF, sorry, that was too many sorting functions for now. You can kinda figure it out by date, though (New 52 was 2011, Rebirth was 2016, IF was 2022) or look up the issue on a wiki and see what version of the character is tagged.

On that note, all of this was pulled from the DC Wiki, and while I did a little bit of spot-checking as I went for things I knew off the top of my head it's entirely possible things are missing or mis-attributed. I'm happy to update accordingly if there are.

Similarly, I didn't go through every issue here to check what role people are appearing in, either in terms of what identity they're using (e.g. Spoiler vs Robin vs Batgirl) or if they're a major character or not. Some of these are as minor as background appearances or off-screen mentions. Some day I might add more metadata to sort for those things, but right now that's not part of it.

[nabrizoya]

honestly would LOVE to hear your thoughts on the nikolai duology because i really only see blanket praise or blanket hate for it whereas I see a lot of wasted potential. Bardugo's actual writing was beautiful as ever for the most part, but the choice of the plot/beats feels baffling to me. I love Nina, but her parts felt so separate from the rest of the book until the very end, and even that felt off. I liked the first 2/3 of KoS enough, dealing with the monster, political tensions, 1/2

and even the cult of the starless saint was at least interesting because dealing with people trying to rewrite the narrative of their greatest enemy (who hurt these young leaders in deeply PERSONAL ways) was really compelling (making him literally come back was. a choice) but I feel like somewhere in the last third, KoS went in a wholly differeent direction, and RoW has this vibe of feeling like she definitely wrote it after reading the show scripts or even seeing some footage. idk. 2/2

I will try to be brief (1/12)

Hey anon! Thank you so much for asking this even though it took 38756588247834 years to answer this I’m so sorry !! The Nikolai duology was good—wonderful too maybe because of the myriad of themes and topics it discussed and explored, all in addition to how beloved these characters are. For me, it’s the end of KoS as it is for you, and the entirety of RoW in particular that irk me the most.

I have very little issue with KoS, and I agree with everything you’ve said. The political tensions, the sort of urgency in trying to secure a country at the cost of personal reservations, preparing for a war that seems unforgivably near the door, etc. was all thrilling. After all, it is the first installment in the duology, and it’s supposed to set the course for the upcoming books.

KoS managed to introduce the stakes and the circumstances, lay the rails for what the characters will face and what it might mean to a vast set of entities connected to the events. And it’s hardly out of sense to expect Rule of Wolves to pick up where the previous book left off and carry forward the themes and plot points introduced in the first book.

Except, RoW failed spectacularly in that aspect.

Rule of Wolves: the second book, and the supposed finale to the Grishaverse and the Nikolai duology; it fails to continue the other number of threads that KoS set up for it, effectively compromising the characters, their characterizations, the themes and other political tensions and stakes. The due importance that should be given to the heavy set of topics that get brought up in the povs are not through, nor are the small details that Leigh added to the conversations evolve into something worth talking about, which are the actual points that could have been given some more page time to explore than just making them facts or points of nostalgia for the characters.

If you take a step back and analyze the whole timeline, events, characterization, objectives of the arcs and the plot points etc. etc., all the way from Crooked Kingdom to Rule of Wolves, there’s so much that is left out and tied in, quite haphazardly, which leads me to believe that Leigh wanted to attempt writing a duology that is more plot-driven than it is character driven. And we know that Leigh writes character driven stories brilliantly, and SoC, CK and TLoT are testament to the same. Heck, even TGT has more consistency than whatever TND has.

So, objectively? Plot possibilities? Characterization? Potential? Personal goals? Addressing the very serious themes it brought up, in little or major light, but give no proper elaboration about them?

The lost potential readily compromised the characterizations of many characters, and it all amounted to their arcs being very underwhelming.

I’m dividing this into four parts and here’s the basic outline.

Writing and Plotting

The Plot, Possibilities and Potential.

Characters, Characterization, Character Potential.

Remedy (what I think would've worked better to tie this all up)

This can get very looong, so be forewarned.

I. Writing & Plotting

Now, Leigh Bardugo’s writing is exceptional, no doubt. The sentences are short and flowy, and convey the tone, psyche, environment and the setting and its effects on the pov character marvellously. It's also immersive. It’s the same in Rule of Wolves, except, a little or a lot weaker.

The two main parts of this is that one, that Leigh slightly overdid showing a lot more than telling, and two, that the RoW (and perhaps KoS too), was more plot driven than character driven, the latter of which is actually Leigh’s strength.

In Rule of Wolves, Leigh’s writing seemed very choppy and snappish. The descriptions were lacking, or maybe that’s just me wishing for more internal conflict and dilemma, and going back and forth in one's own head for a bit. It felt like she showed more than she told.

Example being how Zoya ‘snaps’, ‘drawls’, ‘scoffs’, or ‘scowls’ less, and even if that’s supposed to be show Zoya beginning to be a little less unpleasant than she usually is, the tone in those chapters was not strong enough to distinguish how and why the character was acting a certain way. Nor pinpoint an explanation on what brought that change about. (And there were many instances like this with many other characters), which resulted in the characters themselves feeling so off to me.

Leigh’s characters are important to the story. They carry tremendous weight and actively contribute to the plot. Except, by focusing a lot more on the plot, some parts of these characters’ relevance was not up to the mark. It is greatly due to how weak the plotting and pacing of the book was, tbh, more than just her writing.

Consider: Mayu Kir Kaat. She is integral to the story, but she is thrust into responsibilities, and that doesn’t give us much time to see her as a person, and then as a person with a duty, like we see with most other characters. Whatever parts of her we did see were very circumstantial and timed, which is probably the reason why not many we’re unable to appreciate Mayu as much as we should. (Maybe fandom racism also plays a part, so, well,,,).

Like, we know from Six of Crows and with The Language of Thorns, how great care went into describing the characters’ state of mind, which further heavily influenced their choices and decisions. This time though, I think she wanted it to be more plot driven, hence the whole crowded feeling of the book and general worry about oh my god too much is happening, how will all this be solved and all that.

And this, I think, greatly hampered Leigh's writing, leading to unsettling and rather unsatisfying character arcs. Not to mention that there was quite little space given for the characters to develop or let them grow in a satisfying way which touches on most of the elements and themes that get brought up with regard to their powers and potential,,, and when it was indeed brought up, it was all in vain since they were never followed through.

That's one of the biggest problems for me in RoW: Plot points brought up in KoS were not brought forward in RoW.

II. The Plot, Possibilities and Potential.

Phew. Truly buckle up because this train has too many coaches. And to discuss them all, let’s keep the starting point as Crooked Kingdom.

a) Parem

Now, by the end of Crooked Kingdom, we know some important things about the parem.

It's dangerous asf for the Grisha who have to sacrifice their will and capabilities for a short time superpower high that they didn’t even ask for

Which means they are more often than not forced to consume the drug

Shu Han is the creator of the Parem and are also creating a new kind of soldiers called Khergud (who additionally require Ruthenium, but we’ll talk abt that later)

Fjerda snatched the formula after kidnapping Bo Yul-Bayur, keeping him away in the Ice Court and in their possession, and used the Parem to further their own heedlessly heinous agenda

I think it’s easy to understand how KoS started off on the right track, considering that Kuwei Yul Bo is mentioned, the antidote and jurda is brought up and so come the political tensions alongside it (what with the impending war, the demon, the lack of funds in the coffers and security and peace for the country alongside safety for the Grisha).

The point is, parem is a character of its own. CK was its inception, and its fate was decreed along with its lifespan and its doom. Ideally, by the end of RoW, parem should have been vanquished while addressing its nature as a deadly drug, the addiction and aftermath, and the key person who will guide the plot: Kuwei Yul Bo.

Parem is a political tool that pitted countries against each other, making one another their allies or enemies. (Though parem is not the only one factor). Ravka doesn’t yet know about Kerch’s neutrality. The Shu made their move to assassinate in the end, just as Fjerda cleared the air about their goals.

Point is, parem is weapon, a new kind of warfare that keeps getting alluded to in KoS. The first book gave a glimpse of how the Shu and Fjerda are using parem, thereby exploiting, prejudicing etc. the Grisha in their countries. Khergud whose humanity is washed away with parem + ruthenium, and the Fjerdan Grisha (are targeted) drugged and exploited while be subjected to torture, training and imminent death, parametres of these outcomes being severely gendered.

Ravka too wanted to weaponize it and create a usable strain that would still give the Grisha their powers but at a minimal cost, until Nikolai’s conversation with Grigori convinces him out of it and to use only the antidote for the Grisha.

And when are the contents of this conversation brought up again?

Never.

Another aspect of parem (that the conversation also covers) is this: that what was once merzost, parem is its strange cousin. Parem parallels breaking the bounds of Grisha norms unnaturally, while merzost takes it a step further to break the bounds of nature itself, which comes with a heavy price. They're both the same with little differences. Amplifiers are in tune with this discussion, hence the conversation between Zoya and Nikolai about how, and whether or not the abomination in him, the parem, and the amplifiers are tied together. This gets brought up again in the conversation with Grigori.

Parem parallels the superpowers, something that Zoya too manages to achieve once the corruption of the amplifier business is resolved, which makes her realize how in tune with nature the Grisha must be, and how limited the Grisha powers until then had been. And why the amplifiers were a corrupted piece of magic.

Zoya was supposed to be the conduit in that sense that she reversed the Grisha norms and understood the importance and nature of small science. This is alongisde parem getting abolished or resolved in the least, be given a redressal.

Yet instead in RoW, we barely see any of Zoya’s powers, nor even her experimentation and hunger for power which would give her protection. We don't see how she begins to realize that while power was indeed protection, it was also a responsibility. Not clearly, anyway.

So like, not only is this entire discussion thrown away in Rule of Wolves, but no matters are resolved either. Parem did not reach its end like it was supposed to. Merzost with regard to parem would have been an excellent thing to address, with or without the Darkling being present, because the blight is there. But that doesn’t happen.

What happens instead? We get one chapter of Grisha getting the antidote during the face off at the start of the book, the women in Fjerda are not brought up again and instead we jump to Shu Han. Kuwei is also conveniently forgotten because hey, the Zemeni are here so it’s all sorted!

RoW could have (should have actually) sought to address both the political and medical (?) aftermath and implications. Maybe it did succeed in showing the political side of it, with regard to Mayu, Ehri, Makhi and Tamar’s storylines. But that’s only in Shu Han, whose state of affairs we had NO idea of until RoW. No idea, so much that it was completely out of the blue.

And what we did know (get to know about in KoS) is Fjerda and the affairs there remained… unsolved.

(...sorry).

b) Grisha Powers

Re: From the conversation between Nikolai and Grigori, and Juris and Zoya, about how parem and the amplifiers are parallel to each other in terms of being abominations, a corruption of Grisha powers. Now the theory of it is not entirely explained, but we do know that the parem and whatever Zoya learnt from Juris was meant to move along in the same direction.

But we don't see another mention of it, except maybe we could dig a little deeper and realize that it all adds up because Zoya is the Grisha Queen of Ravka, Summoner, Soldier, Saint, all of it rushed and unnecessarily magical in a war so dire and realistic in RoW.

Welp.

c) Spy business

Just… genuinely what even was Nina up to in RoW? A spy, sure, but only to garner information on the pretender?

Why couldn’t there have been two responsibilities for her to uncover: the lies or truths about the pretender while the Apparat causes hindrances, and Nina trying to seek out more documents of the locations and labs where the Grisha women are being tormented and the other Grisha being weaponized? It could have been a leverage to discredit Fjerda in front of everybody in the Os Kervo scene. Imagine if Nina whipped out the documents of Grisha labs and brought the truth of the exploitation and killing and kidnapping etc. in front of the convention of all nations. All of it together would have upped the political tensions by quite the notch.

Even then, there’s a possibility that it wouldn’t matter either because the Grisha aren’t exactly valuable to all the nations. But killing and exploiting is still wrong so maybe it might have worked? Or see, even if it wouldn’t have, the slow and sluggish realization of Mila’s identity by Brum, and alongside writing it as a tragedy where Nina’s efforts seem to have gone to waste, or where Nina is telling Zoya about not accounting for Prince Rasmus’ word and she informs her about the documents she has snatched? Something could have been done here?

The point is, KoS focused on Fjerda and its unraveling, and it wasn’t continued with and through in Rule of Wolves. Instead it sought to find the problem in a whole new country, Shu Han, and fixed it within the same book leaving the other country as it is.

d) Ruthenium and the Blight

Ruthenium, the metal that is an alloy of regular metal and Grisha made steel, could have been utilized more significantly in the books.

I mention it in association with the blight because while on one hand it is true that the blight is an area full of nothingness, ruthenium as a metal could have been utilized to show the effects of rushed industrialization that is leading to the ground losing its essence. This is supposed to be advanced warfare after all. Besides, Makhi loses someone very dear to her. Perhaps ruthenium is more dangerous in Shu Han because the Shu use it to create the khergud, so the constant manufacturing of it has been leading to the metal leeching the lands of their fertility, along with the blight.

And so also to broker peace, Ravka could have provided aid in some ways. :

1) The Darkling sacrificed himself, as a result of which the blight vanishes. While the blight took away her niece, the possibility of a blight persisting despite the ending of RoW could be attributed to ruthenium.

2) Ravka could provide the reversing effect to the alloy of ruthenium and metal using Grisha and otkazt’sya engineering and ingenuity to replenish the lands.

All in addition to whatever will be Shu Han’s policies to bring lushness to their lands.

e) Women and War:

Holy fucking Shit, where do I start with this?

Whatever we saw in Fjerda was haunting, and we see it from Nina’s chapters. There’s literally no resolution for it, nor is it ever brought up again, at all. In Zoya’s chapters, we see through her eyes the brunt that Grisha faced with the war, and in a country that has refused to recognize Grisha as the citizens and considers them expendable.

Add to it her own narrative of how the women are never mentioned, let alone the ones that she has lost or has known to suffer, at the hands of the war, at the Darkling's torture and powers. The description of these women suffering, often being forgotten and thrown aside as mere casualties… where or when was it ever going to be brought up again?

Like, switching between such horrifying things happening in Fjerda to whatever was happening with Zoya and Nikolai and Isaak is such a contrast, horrifyingly demeaning and insulting, even more so when it failed to align with the importance of parem and offer a solution to both these problems.

Now switch to Rule of Wolves, where the Tavgahard women immolate themselves on Queen Makhi’s orders. Not only is that such a cheap and insensitive thing to do, it gets treated a simple fucking plot point in the book, and it barely gets addressed afterwards. Women in Asia have a vastly complex and complicated history with fire, and this is a serious criticism that culturally affects readers in personal ways. And what gets done about it? Fine, Zoya feels baaaad, sorry oops why would the women do that?!?!?

Where is the adequate sensitivity to the topic? Where is the continuation of the pain Zoya feels for many people, despite them being the enemy? How does she honour them? Where is all that dilemma and pain? Why does she not think of them or just get a line or two to talk about them?

Where is the due importance for this suffering given? Structurally and culturally?

f) Soldier, Summoner, Saint / Yaromir the Great

We never really get any explanation for why Zoya deserves to be the Queen, and why she is the best. But we do get to see why Nikolai isn’t the one supposed to be on the throne, and it’s not just because of his parentage but also because of his failings and doubts and the need for acceptance with the secrets he carried.

Here's the thing though; it’s not just about her showing mercy. It’s very subtle, and in good sense, should actually have been given a little bit more importance that be loosely brought up at random times.

Keeping aside the fact that Zoya is representative of Ravka—a woman, a Grisha, a Suli girl who changed the course of war and who knew what it was like living in poverty, being as an underprivileged person of the society in addition to the trauma from then and the state of living at her aunt’s place—which is meant to be covertly apparent, the other reason tracks back to Yaromir the First, who with the help of Sankt Feliks of the Apple Boughs—the one who raised the thornwood—lead Ravka at that time into the age of peace.

The Darkling testified that in his POVs, that while Feliks and Yaromir worked in tandem for Ravka, Aleksander worked for safeguarding the Grisha. In one sense, Zoya is supposed to reflect that moment in history in the present moment, except she is Queen and Sankta, and Grisha, all three at once.

It is brought up in one of the Darkling’s POVs and once in the conversation with Yuri in KoS. Other than that, we never actually get any more hints of this explanation in the text, which is the reason why the entire ending felt so so rushed, and like a fever dream, that even if it was a plot twist, it was kinda very baseless when it should have been more ohhhhh sort of a thing.

g) The Starless Cult and Saint Worship

This cult had immense potential to blossom into many things, some of which were indeed touched upon in KoS when Zoya says that she saw a bit of herself in Yuri, and brings up time and again how easily she’d been led and had not been aware enough of what’s right and wrong, just as she supposes Yuri is too. And to some extent, there is truth there, because in the Lives of Saints, we do see why Yrui comes about to hail the Darkling and how it parallels Zoya’s, of being helpless and ten being saved by a different power/ their own power, respectively.

That’s where it forks, that Zoya is older and realizes the path that Yuri has chosen and understands that it won't happen until he realizes it himself because the Darkling’s crimes are so obvious.

Even then, there’s still more potential: This cult could have been the mirror that would make Zoya reflect on the questionable methods of the Darkling, and the ways in which she might be mirroring them, despite or not it is the necessity because of the war. How she is training soldiers too, just as the Darkling did, and while the need to take children away from their homes just as soon as they were discovered Grisha was abolished, it was war, and they needed soldiers.

So like, there’s quite a big narrative going on here, how mere children are pushed into one path of becoming a soldier and the whole system that was that the Darkling followed to train the Grisha and all of that. All of this in addition to the juxtaposition to the Grisha being seen as elite despite them being hunted, and the people who are not Grisha frowning upon them. This is also the work of the Darkling, which actually paves the way to see how there can be a world where the Grisha are not feared or seen as abnormal, despite or not they are given a Saint-like narrative.

This cult could also have been the segue to discussing Yuri and his brainwashing, and the sort of cult-ish behaviour of believing in something firm when you couldn’t believe in yourself, or not seeing the magnitude of the crimes of their supposed Saint, alongside always staying focused on becoming a soldier only and never actually thinking beyond what is told.

Some of these are very subtle and some are brought up, but never given too much of an explanation.

Genya brings up another good point in the funeral chapter, about how Fjerda seemingly taking into the whole Saints thing could mean that if the Darkling moved there, he could very well sprawl his influence there to bring in supporters. Which leads to another discussion that gets brought up towards the end of the book: about Nina telling about the Ravkan Saints to Hanne and therefore to the Fjerdans,,, which doesn’t exactly sit right with me. It’s still a very nascent topic, and I think SoC3 will explore this path of faith and personal beliefs etc. but leaving it just there, while talking so much about Saints in both the countries,,, don’t exactly know how to put it into thoughts here.

But regardless, the cult of the Starless had different potential to talk of (blind) worshipping of an ideal without critically examining why the person must be put on the pedestal in the first place (and if it is simply power, then there is actually a narrative right there, which RoW gets right, about the people valuing the power still, as a result of which the monarchy still persists at the end of RoW. Even then, there’s more discussion awaiting there).

Not sure if any of this makes sense, but I’ll leave it at this here for now.

edit: 05/07/2021 | I think what I was trying to say here is that we do not have any kind of narrative evidence to seeing how and why it seems right that the Fjerdans will worship Ravkan Saints; is it merely because they are all Grisha? Or is it because of the segue explore this path of faith and personal beliefs and all of that, of the talk of the monastery and the Grisha there being of all identities, that a monastery is in Shu Han, that it has Djel's sacred Ash tree so far away from Fjerda... much to think about.

III. Characters, Characterization, Character Potential.

Mostly going to be about Nina and Zoya, but I’ll bunch up the rest of them at the end.

a) Nina

*head in hands*

I severely mourned how poorly Zoya was written in RoW, but then I realized that more than Zoya, it’s Nina whose potential was severely undermined and wasted. On one hand, I’m glad she uses her powers and quick thinking,observation and her own tactics to analyze the population and opt for the best way to make them see the truth she wants to show them (eg: making Leoni and Adrik and Zoya saints and also showing that the Grisha are the children of Djel via people’s belief to Joran and Rasmus’s mother).

But then, it’s like you said; her parts were so offbeat and outpaced and completely disjointed, when in fact, Nina is the thread that ties all the characters, their plotlines and potential, together. Nina is connected to Zoya and Hanne, two equally important characters and main characters of the duology. Whatever scope Nina has, they are greatly in parallel to Zoya and Hanne. And it’s all literally there, in the text! What a waste.

Though keeping aside these parallels, Nina’s own journey from Ketterdam to Ravka to Fjerda, while is spoken about, doesn’t touch some other parts that I see potential in. Or this is just meta.

Nina has grief not just from Matthias’ death but also from the loss of her powers as Heartrender. So much of the Second Army was built on being a soldier, and perhaps the Darkling was not outright disdainful of racial differences in his army, yet he still stripped every part of the children away until they weren’t children anymore in his view. They’re all soldiers… (albeit his soldiers, preparing them to do his bidding because hey, give and take right?). Nina was a soldier, and she is a soldier still under Zoya’s role as a General, but an ‘other’ of a soldier. That’s her only identity, and the loss of her powers means that she’s a different kind of soldier.

I imagine that this entire time, some small part of Nina longed for normalcy, or whatever settled as normal for a life like hers. In the sense that she wants to go back, but what is back and where exactly did she want to go back to? What was the before and after and where did things go wrong or change? There’s tragedy in the realization that whatever you were before what you became is not a place you can return to, and that’s a different kind of loss that she has to bear, and all by herself. She has powers over the dead now, a strange power she learns to grow to, but all the places she has been, all the lives she has led and people she had been, everything might seem like they’ve all been locked away in some strange place leaving her barren and indisposable.

She’s off to Fjerda as someone she isn’t, figuratively and literally. In KoS, Nina brings up many times how odd she feels as Mila and in some capacity longs to be Nina Zenik again. This ties in with the previous point of returning to somewhere, but where?, but is also a segue towards body dysmorphia, the thing that Nina and Hanne’s storylines parallel and connect too with in a small way. It’s a great line to follow to discuss what her discomfort with her body means to herself while it means something entirely different to Hanne, who is also not entirely comfortable being who they are. (This discomfort further which leads to gender dysphoria, while for Nina, it will be about learning to accept her powers. I’ll add on to this in a bit,).

I'm mourning the lost potential of that experience being a parallel to Hanne’s own feelings, of a discussion between people being uncomfortable with their bodies, something that can mean multitudes to each person and on their own accord.

In parallel to Zoya, I like to draw it from the fact about Nina wanting to go back to who she was, while Zoya actively tries to lock her past away and drown it somewhere or throw it to the storm, never to hear of it again. She has no identity other than being a soldier, and that’s enough for Zoya, because who she was before she was a soldier is not pleasant. But moving from being just another expendable shell of soldier under the Darkling’s rule, Zoya becomes the one third of the Triumvirate, and then the King’s general, all of which bring self-awareness of Zoya’s capabilities and challenges that are bound to excite her. But all of these also compel Zoya to be many other people to others as she slowly grows to realize that power is not just protection but also a responsibility, and it will inadvertently mean confronting her past of her lost identity, realizing the how of the Darkling, and how harmful it was. As Genya puts it perfectly in Rule of Wolves, that they were all taken away when they were young kids, not even barely children, and then thrust into responsibilities that didn’t allow them to be anything else other than what the Darkling told them to be.

Back to Nina; a few other great parts about Nina’s arc could have been about her connection to languages, as language being a mode of strengthening identity, in addition to growing to her powers. In RoW, there’s this line that goes ‘how sweet it was to speak her language [Ravkan] again’, and the feeling of homesickness. Like, Nina is trying to connect to Ravka through what she knows best—language, and then stories. In that, Nina realizes a part of her identity, which could also act as a segue to Zoya reclaiming her own heritage and ethnicity. Not only that but Zoya and Nina’s stories are literally so intertwined that it’s hard not to see how their choices and line of thought affect one another’s arcs, in the grief they have and how they choose to treat it, and also show why Zoya is particularly protective of Nina (and keeps wishing that she doesn’t become the monster Zoya had become, in the sense that Nina is more mature in handling her grief than Zoya was and the entire mercy plotline ties Nina, Zoya and even Genya together. More meta, haH).

And that’s why the ending doesn’t make sense. Even though the part about her not being comfortable as Mila is not brought up many times in the continuing chapters (and that’s why perhaps naming Nina’s discomfort as body dysmorphia may be wrong), there’s still the part of Nina readily accepting to be who she was a Mila and remain in Fjerda that seems iffy to me. Especially when Nina and Hanne literally a few chapters ago think about running away (it may be just another alternative they might be fantasizing about, but I think it still means that they both want to be their true selves without hiding any parts of it away). So her staying as Mila… well, it doesn’t exactly add up.

I’d also add the part of Nina’s story mirroring Leoni’s, and how she is from Novyi Zem and being a part of the Second Army meant that she had little to no connection with her past, her culture etc. But maybe that’s just wishful thinking on my part that Leigh went for that arc.

edit: 05/07/2021 | I don't agree with my point anymore about Nina not having the kind of ending I assumed she might have, considering that it is very well possible for Nina to treat her identity as Mila as a fresh start, as a Grisha with a command over the the dead and begin a new normal that is suited for her. You can read more here.

b) Zoya

For one, white passing Zoya is not canon to me. I simply pretend I do not see it.

See, her race was handled very badly. Making her half-Suli was supposed to show the struggles and the trauma that the ridiculing of her identity by other people has caused to her. Except, not enough time nor text is given to thoroughly discuss it. Not to forget how problematic of a narrative in itself it is to make Zoya white passing.

It would have made more sense to make her dark skinned and predominantly Suli-looking than whatever yt bs she was put through. Her not being white-passing would have led to conversations about tokenization, or people caring little about her and not giving her any respect because she is Suli. Or being called beautiful to the face and praised just for it or a harmless tumble in their point of view.

So like, instead of making the ‘mistake’ of seeking for acceptance, seeking appreciation and love, from her mother at first and then the Darkling, Zoya instead makes herself someone to be feared, if respect was not what she deserved. The iciness is a part of her and has always been, but all of it soon became a shield, an armour that she vowed to harden her heart with. Just the sheer impact of this narrative and her reluctance, and seeing Nikolai love her for beyond who she thinks she is… if all of this was canon, I’m pretty sure I’d have built a shrine for this duology.

Let’s now talk about her grief, and...

…

Okay it’s not for me to point fingers at how Leigh chose to write about grief because there’s no one way or one proper approach to go through that pain, and if that’s how she chose to write about grief for Zoya, fine! But I really wish we’d have gotten a little more into her head to see how the trauma has affected her thoughts and how she struggles against why and what exactly it is that Juris wants her to do. That enough time and text was dedicated to Zoya’s feelings and the mayhem it caused her, as a result of which the dragon’s eye took its cue and made things more unbearable to her because she was the only one to bear them all.

Like, I feel like Zoya was overwhelmed throughout the book and in between she had some skyhigh responsibilities to discharge and it’s all so inconsistent and poorly woven,,, it completely dissolved her character from KoS and made it 10000000x more miserable for me to read her POVs. And honestly, what even were her assignments that the Kirkus review mentioned? Never an inch of text in RoW is given to decipher her complications of her mind, the muddled sense of hopelessness and fear that grips her time and again. Why overwhelm her so much that you fail to do her mental state and capacity any justice?

I’m not going to be harsh about how much David’s death bothered me-- no actually fuck that; what’s the point? Fine, he died. All because you wanted to make his death a plot device to make Zoya reconcile with loss and deal with it? Where was Genya’s grief? Literally no point of having a death in the book at all, and it didn’t even achieve anything. (I’m still trying to wrap my head around why David’s death was important and maybe if I find some straws, I’ll consider…)

There were so many other ways around it; could have brought back Lada and killed her off, or have the Darkling piss her off so badly or just. Something. Instead of whatever happened with David. I think this is too harsh and insensitive of me to say about Leigh, but still… there’s a myriad of other ways to have gone about it. Helping Zoya deal with her grief with Nikolai at her side, to understand that the rage that was fueled from her loneliness, like it had been in the past, could now be a weight that Nikolai was willing to carry with her… Helping someone with their grief, staying and choosing is also a love language you know?

So in that regard, I won’t regret saying how flat the garden scene was to me. Zoya’s lines, though tinged with grief, were so out of what I would expect KoS Zoya to say. Maybe it’s also because of how bitter I was reading about David's death, despite that part being spoiled for me.

The cost shouldn’t have been David’s death, especially not when his death too wasn’t properly handled at all, and Genya’s grief was never spared a second thought beyond bringing Titanium.

+

Now let’s talk about how Out of Character Zoya was throughout the book. Her punchy attitude was missing, and even if she was warming up to her friends, we see little of the iciness she continues to retain. Another part of this is about exploring her relationships, particularly with Nikolai and her growing feelings for him. I wish we’d have seen them grapple with more of their confusion and propriety, if only for the yearning™. Besides, no matter how cute their scenes were, they were mostly (like maybe some. 70%) awful to read them, simply because it felt so odd to see Zoya be so open with Nikolai, all of a sudden.

A part of this definitely has to be the fact that we don’t know just how much time has passed between the end of KoS and the start of RoW, and we never, never see any description of they regarded their feelings for each other and how they understood it themselves. I don’t actually know how exactly I can put this into words in a manner that will make sense, but the only scenes where I appreciated Zoyalai were in the Ketterdam chapters, ONLY. The rest was… bleh lmao. Their scenes were so cute and brilliant, and if only we’d seen more of the internal conflict and had given some more time for them to practically approach their feelings but still end up in the puddle of it. If only.

Their scenes apart were the good ones, because that’s where we finally see Nikolai feeling the loss, no matter how temporary (on the verge of being permanent since it’s the war), of not having Zoya with him, of not being there with Zoya because who else would it be if it wasn’t her? Zoyalai had good scenes but they barely lived up to the mark lol. Their feelings are never thoroughly explored, nor their mental capacities.

While we’re talking about Zoyalai, let’s also talk about how lame it was for Zoya to say that Nikolai was the golden spirited hero all along, from the very start, when canonically we know Zoya had little to do with him in the earlier books, that she may have only been physically attracted to him and never saw him as more than just some guy with a responsibility to manage, and had sooooooo much distrust about him. And that it was only in the next few years of working with him and alongside did she grow to recognize his efforts and relish in the hope that he was building for Ravka, inadvertently making Zoya hopeful too.

Nope. Instead, we’ll just throw in some destiny bs that he was the one all along rather than show that the beauty of their relationship did not stem what they perceived of each other, but was instead built on strong respect and admiration for one another and their capabilities. 100% destroyed their relationship for me.

+

Some good parts about Zoya’s arc in RoW was how she acknowledged her past mistakes, and the nuance that was touched upon in seeing sense in becoming a soldier from the start, that offered her a chance to be anything other than a bride. That some part of her was grateful for the Darkling for teaching her how to fight, while still keeping Genya’s words in mind about how they were mere kids, children who had only one path to traverse because the Darkling (who wanted their acceptance and loyalty) nor the Kings of the country let the Grisha be anything else other than pawns of the war. That she recognizes her mistakes as a teen and how self centred she was, that her being snotty had at times cost some peoples’ lives too. And she doesn’t take the blame all up on herself, because it’s not hers alone to bear. Super good.

Also, the way Zoya comes to view power as responsibility instead of merely as protection was something cool to read about. It’s not clear in the books, but Zoya actively tried to not be the Darkling while still continuing to build an army for the war out of necessity, and actually sharing some parts of the dream that the Darkling had for the Grisha. I can’t articulate this so perfectly, but the point is, Zoya trying to avoid becoming a tyrant like the Darkling was an active process that she was constantly trying to change, and where Zoya could not recognize her own feelings and inherent thoughts about warfare that in some ways did mirror the Darkling’s, by the end of book, Zoya is much more self-aware and conscious of herself and her power than she was at the start of the book. And this was well done.

+

Now, what is up with YA and making people turn into giants or animals lol wtf. Why couldn’t we have seen Zoya use her dragon powers in a way that symbolizes the conditions of her dragon amplifier and the power of the knowledge she obtained from Juris? She is a Saint, and we’ve seen that their powers allowed them to cause ‘miracles’ and such, as we see at the start of KoS and at the end.

Why couldn’t we have seen Zoya dabble with her newfound powers and completely lose her shit in anger during the wae, only to rein back in mercy, just as someone from Fjerda begs for forgiveness since they see her then as a Saint? Adrik and Leoni used their powers in Fjerda, so having Zoya bring about a conundrum of all orders and do something about it would also have been cool, wouldn’t it? In the funeral scene we see her turn water into ice, thereby making a path for Genya. Why couldn’t we have had more exploration of the importance of the dragon’s eye and the general nausea of being overly empathetic every. damn. time? Why didn’t we get to see her powers? Why couldn’t we have seen her fail in them and realize that the reason she was not perfect was because she was trying to be strong on her own and was not relying on others and joint effort?

Her turning into a dragon was genuinely the most baffling part bc here’s a war that’s so serious and dire with metals and bombs, and then here’s this magic that will solve all of it entirely. Like I’m not saying it was bad, (I am actually saying just that) but I also don’t know what I am saying, except that the ending felt like a fever dream.

…?

Not sure if I’ve managed to convey it properly, but well. Zoya felt out of character throughout RoW, and that the only place I saw KoS Zoya was in the final Os Kervo scene where Zoya finally agrees to be the queen.

c) Nikolai

Nikolai’s arc was very satisfying and brilliant to read about in RoW. In KoS, he seemed very much like a passive character, one of the reasons why his stunt with the Shu in RoW was appreciable, no matter how ill-timed of a plot turn it was. His journey throughout this book was also introspective to see why others deemed him unfit as the King, and even if they were his enemies who thought that in want to dispose him from the throne, Nikolai realizes that him being on the throne is not of much value and that this book was entirely about him seeing his privilege and making decisions to counter and correct the mistakes he’s made. That was nice. Oh, also his father not being an antagonist was a pleasant surprise.

I don’t have many complaints about him, except perhaps wanting some more internal conflict and elaboration about his feelings for Zoya. Them being apart was where it was satisfying, and then in the Ketterdam chapters. His arc could have been better in KoS, but that’s to blame the plot for the characterization.

d) Hanne

Now, from the very start, their arc was super good and it only got better and better until… the ending. Except it’s so odd that Hanne, a poc, has to now live as white person, while feeling comfortable in their transmasc identity. Icky, no? That you need to eliminate one part of your identity in order to feel safe and comfortable about another? Add to this the whole white-passing Zoya thing,,, doesn't exactly send off the right message.

Together with Nina, the ending seems uncharacteristic for both of them. Them coming to accept their powers and knowing to use their powers on their own accord was brilliant, though the entire husband business felt very,,, eh to me, even if it did make sense. The ending about their name and their new identity was too vague.

e) Genya, Leoni and Adrik, Kuwei, Mayu,

Genya is the one who faced the most disservice along with David. While there were exceptional parts to both of their plotlines, it's still sad that even if David's death was necessary, we don't get to see the entirety of her grief and the possible anger, and that her kindness is simply used as the justification for lack of portrayal of grief.

It really did take me by surprise, mostly because I wasn't a fan of the original Shadow and Bone book, but seeing David's conscience and self-awareness, along with Genya's (and Zoya thinking of how she wouldn't let any harm come to them, which shows a bit of her development towards her character development), was plenty refreshing. David and Genya were genuinely the highlights of the book and to kill David off was just. doesn't sit right with me.

Leoni and Adrik deserved more page time. They’re saints and immensely capable (no wonder they’re now the Triumvirate), but a few more pages for them to shine would not only have been nice, but also a necessity.

And now, Kuwei...

....

I mean,,, parem should have been the plot, alongside the entire weaponry and the discussion of making a city killer. But uh… that didn’t happen.

There's not much I have to say about Mayu, Tamar and Ehri, except that their plot was superb, only very badly timed.

There's more to talk about them in the remedy tho.

IV. Remedy

Here’s the deal. Before KoS release, there should have been a Nina novella.

Nina is a very important character. All of her potential, alongside many other parts of her personality--from dealing with grief, to accustoming to her powers, to growing stronger--there could be so much to do with her as a protagonist, alongside another character: Mayu.

A whole book dedicated to Nina in Fjerda with Hanne? Brilliant. Show Stopping. Mind blowing. It gives SO much page time to explore not just Nina and Mayu, Hanne, but also Zoya, Leoni and Inej. All together.

How?

Nina’s plotline carries the entire medical effects of the use of parem, just as Mayu’s will carry the pain she feels about her brother being a part of the khergud program. The novella will give ample time to flesh them out as characters and protagonists, each dealing with plot problems and problems of their own--like the loss of ones powers and newfound responsibilities, and the shared loss of a beloved person in parallel, even if neither Nina or Mayu interact on page.

Fjerda and Shu Han could be tied together with one chapter as a POV from Zoya (or maybe two), who, along with the Triumvirate and Nikolai, are completely at loss with the political scenario in the country, and are debating over what should be the course of action. Zoya receives news from the scouts, and missives from Nina, and Tamar takes care of the information she garners from the rest of the network, including Shu Han.

Like, the entire surprise of finding a Zoya POV, from a character whom until CK we’ve known as cold hearted and stern and not giving a fuck about anything or anyone, be humanized in that one chapter, thereby building up the anticipation for her arc,,, the very potential,,, *chef's kiss*.

And by the end of book, we could have an POV--or maybe a cameo if not a POV--of Inej meeting Nina on one of her travels of slave hunting. Inej could help take care that the women that Nina has rescued (as Nina does in KoS) reach the Ravkan shorelines safely. But, for a price.

The entire parallels between Leoni and Hanne and Nina could be set up, while also building up the narrative for the Saints’ plotline with Adrik's, Leoni's and Nina’s powers (like it was at the end of KoS). KoS and RoW would thereby continue it by tackling the weaponization and the antidote, Sainthood and the rest of the politics of it all.

Coming to Shu Han: one key aspect that I’d love to have explored would be the importance of art, during or despite the war. Of how war or pain chips away culture, while detailing on the ill effects of it from the commoners' perspectives, from the soldiers etc. Art is integral to Shu Han and could be portrayed by Mayu’s pain finding balm in poetry, of seeing glimpses of Ehri poring over poetry also mayri ftw, of politics that Makhi is weaving against Ravka, etc.

Or also add some more length to Zoya’s POV and explore a bit of Tamar and Tolya and Kuwei’s interactions and perspective added to it, of missing a home that they seemed to not know, or know; of discussing culture and differences on the basis of where they’re from (maybe the twins are from the borders, while Kuwei grew up near the capital or somewhere distant from the borders etc.), all while directly pointing at Zoya’s heritage and how it ebbs at her conscience, no matter how much she wants to bury it.

POTENTIAL !!!

Like,,, Nina novella would have been too powerful. It would have been perfect. I think I’d excuse bringing back the Darkling too if this was the case. (Or maybe not).

But welp.

Hey, thanks for reading! Not sure if you could make it this far, but if you have, you honestly deserve a medal for sitting through this all. I can’t imagine how tiring it must be to read through this, considering it seemed to take it more than month to compile this there’s also me procrastinating on it too so i’,mbhbdhshfsdn

Drop an ask if you want to talk more about this!

Sincerely, thank you!!!

[finding-fallen-stars]

YGO Questionnaire Part 2 Electric Boogaloo

So, my gf/bf @howaboutalittlehelpneos tagged me to do this again a... good long while ago, and I had wanted to wait until I'd finished my GX rewatch before trying this again. But ouch oof I accidentally also got through all of 5Ds again before getting to this lol

But the 5Ds rewatch definitely reshaped a lot of my thoughts, so... cracks knuckles. This won't be spoiler free, fair warning~

Favorite Series: ugh the formatting killed my original essay on this but okay GX and 5Ds are pretty tied in my book, now-- I love them equally, but in different ways! GX fulfills my love for subversive coming-of-age stories with a heartwarming, humorous, and also soulcrushing touch, and I love how each season brings a new story and new characters-- it's like reading installments of a novel series, and I think the formatting works wonders for it as a whole. It has some absolutely phenomenal character writing, too-- even the characters I dislike are ones I can appreciate for what they introduce to the story! And honestly, not enough people give the first two seasons of GX the credit it deserves: they're half the charm, really. How are you going to feel the full impact of the heartbreaking content in seasons 3 and 4 if you aren't properly attached to the characters?

But on 5Ds's side of things... it fulfills my love for stories with time loops, found family, human nature, and of course, love and death and how they intertwine. I love how the leading characters are just a bunch of broken kids from broken circumstances who all find a home with each other, and of course, how it highlights class disparity and how fucked up the prison/"justice" systems are. Yea, sure, maybe it underwent executive meddling and all, but I genuinely love it for what it is and I wish more people appreciated it... my only problem with 5Ds is the untwist with Z-ONE and then the ending s m h I adore it overall and I could go off for a long while on it. Overall, these are my two instinctive recommendations for anyone getting into Yugioh!

(look at these boys they're so important) Favorite Protagonist: Oh, believe me, absolutely nothing has changed here-- Yusei Fudo is and always will be my favorite protagonist, and my rewatch only solidified that.

I just... love him so much? He's seen so much hell in his life and carries so much guilt on his shoulders, but he still has room in his heart to believe in others and to believe that anyone can defy fate and find hope even at rock bottom. I love that he's initially introduced as this quiet, brooding figure when he really just turns out to be a huge softie who wears his heart on his sleeve half the time and wants to bring about change for Satellite and its people. Plus I just really love that his greatest flaw is something that would ordinarily be a positive trait-- he's Overly self-sacrificial, to the point where he's basically setting himself on fire to keep others warm, and that's not really framed as something Heroic

Just... he makes me so happy. I have two Yusei charms that I ordinarily keep on my keys (one was a gift from Zenzen) and they're a constant source of serotonin for me. He's Peak comfort character for me. Best protag in my book Favorite Rival: Same deal here-- still Manjoume!

look at him he's so important

While he spends a lot of the anime getting the good old damsel in distress treatment (getting suckered into a cult, getting knocked into a coma, becoming a zombie, getting fucking Killed, etc), I still think his character arc is really well-written overall and I only appreciated it even more when I watched GX again. I love the fact that he's got a soft heart he buries beneath the edgy facade, and that he's simultaneously really sharp and also kind of dense lol. He's just a fun character and watching how he evolves from episode one to episode one hundred eighty is such a satisfying journey.

Plus, props to him for being such a versatile duelist-- 50 wins in a row is HARD as is, let alone with a deck full of cards he just found laying around in the Arctic. Three ace monsters, three different archetypes... he's a really good duelist and I'm proud of him for it

Oh, but honestly, I don't really dislike any of the rivals-- I'm neutral towards Revolver and Reiji, but the remaining four (Kaiba, Manjoume, Jack, and Shark) compel me. yes I accidentally wound up liking Jack Atlas shhh Favorite BFF: Honestly, I really like most of the characters who fit this archetype-- Joey, Crow, Gongenzaka, Soulburner... I still lean a little bit more towards Joey, but I really appreciate all four of them. I'm gonna say Joey again, just because I find his evolution as a character the most compelling, but I appreciate the other three a lot. Soulburner has the best design though Favorite GFF: Oh absolutely still Aki, but I honestly... really love most female Yugioh characters? I'm assuming this is lead girls only, but like. I'm dumb and gay and I love Girls so this is naturally the most difficult one for me to answer lol

Aki just resonates with me the most because she's the prime example of how trauma doesn't always manifest in palatable ways-- when we first meet her, she's angry and lashes out at anyone and anything just because she wants the world to suffer in the same ways she's suffered, and then... we get to watch her grow from that, once she's free from Divine and able to heal the way she needs to heal. I know the second half of 5Ds didn't give her character the attention it deserved, but I'm still proud of her for winding up on the path she did-- seeing her channel her power and energy into wanting to heal and help others was just so good and was one of the few things I really Loved about the 5Ds ending.

oh, but like. Asuka Tenjoin and Aoi Zaizen are very close seconds for me!!! Aki just has a vice grip on my heart Favorite Villain: Okay, it's still technically Vector-- I think he's the most entertaining, well-written, and effective villain out of all of the ones we've seen so far, but... I also want to add Takuma Saiou and then all of Yliaster as honorable mentions?

As someone fond of tarot myself, I was naturally pretty intrigued by Saiou the first time I watched GX, but my attachment to him only grew the second time around where I actually got the chance to understand his character better. Plus, like... the visuals with him are fucking astounding and he's always so interesting to watch.

As for Yliaster, I just... really love how the big bad of 5Ds turned out to just essentially be a broken man desperate to save anyone and anything and three robotic reconstructions of the friends he'd lost. I still think the untwist with Z-ONE was stupid and I much prefer the idea of him and Yusei being the same person, but I'm still compelled by the other three-- well. Paradox less so, because we don't get a lot of Paradox lore, but. Aporia and Antinomy for sure.

ugh Yugioh has some damn good villains

Favorite Card: now that I actually play the TCG game...

Stardust is always going to be my favorite of all cards because it checks every box for me (my favorite YGO character's ace monster, space theme, what more could I want), but Aromaseraphy Rosemary has really become one of my aces in my best TCG deck! I'm still mastering irl plays, but I'm happy with my progress and I love my plant gang...

Favorite Episode: alright, here's where there's actually been a Lot of change, so...

Season 0: Episode 16: "Turnabout by a Hair's Breadth - The White-Robed Crisis" -- The more I think about this one, the more I love it; there's a... lot of corruption in the medical industry, and I've seen a lot of it firsthand, so just. Seeing a corrupt doctor get what he deserved at the end was cathartic, in a way? Plus, a Jounouchi-centric episode is always a good time.

Duel Monsters: Episodes 96-97: "Darkness vs. Darkness/One Turn Kill" -- this hasn't changed, I still love seeing Marik and Bakura bitch at each other for two whole episodes LMAO

GX: Episode 152: "Activate Super-Fusion! Rainbow Neos" -- This one hasn't changed and it likely never will-- I take so much pride in seeing Judai push forward, past the fear and guilt he's carrying, all to save Johan... it's cathartic and I never get sick of watching it.

5Ds: sweats. still all of Crash Town, but also episodes 137-147-- the Ark Cradle is one of my favorite parts of 5Ds and one of my favorite YGO arcs period, and even though each duel is a fucking gut punch, I love the emotional intensity and weight in each episode... It hurts but in a mostly good way

Zexal: Episode 143: "The Aloof Duelist 'Nasch': The Destined Final Duel" -- this one hasn't changed! Still hurts, still love it, I still weep over Ryouga Shark Kamishiro on a daily basis

Arc-V: Episodes 81-82: "Our Respective Battlefields/The Ultimate Falcon VS The Black-Feathered Thunder" -- Okay, honestly, this was hard because I... genuinely. really don't like Arc-V very much at all lol (it's just not my cup of tea, but more power to those who do like it!), but I thought this duel was a lot of fun! Shun is my absolute favorite from Arc-V and I really like the friendship he struck up with Crow a lot, so here we are

VRAINS (so far): Episode 25-26: "Virus Deck Operation/Three Draws Leading to Hope" -- honestly I am so biased because I just really love Blue Angel and I loved seeing her get a well-deserved victory like this lol. I'm not done with VRAINS, so this is probably gonna change, but anytime Blue Angel or Soulburner are on screen, I'm happy

Favorite Decks to Use: Aromages will always have my heart, but I adore Cyber Angels too! I'm building my Trickstar deck, my Synchron/Stardust deck (just waiting on Dawn of Majesty...), and my Magician Girls deck, too! Fusion, Ritual, Synchro, XYZ, Pendulum, or Link?: Synchros my beloved... but also Ritual Years in fandom: I've been here for just a little over one year now! and I wuv it... I'm never looking back Who am I tagging: no one I'm too shy

[courtneyyharper]

10 Christmas Gifts ‘for her’ if you’re completely clueless

Since it's apparently time to start thinking about that time of year I thought I'd jump on and attempt to give you some help in an attempt to spark​ some ideas. Whether you're using this list for ideas for your other half, your mum or sister, or even if you are that person that likes something on this list why don't you send it over as a wee hint... the irony of this is that I've banned my boyfriend from looking at this list as there's a few spoilers on here for his gifts! (Hope he enjoys a wee eyeshadow palette😬).

So let’s start...

1. AIRPODS

I'm sure this will be a big gift this year and a perfect gift if you know they'll be getting a new phone or laptop! Perfect for a music lover or just the person that always needs to have the next big thing! I'd recommend planning to get a pair of these bad boys from Amazon or Currys during the Black Friday sale.

2. STUDIO LIGHT

A gift my mum got me unexpectedly a few years back and I haven't looked back. Not just for the MUA or photography student in your life but even just for every day make up application and I know my friends always use mine for checking their outfits or taking selfies before a night out! I've shown in the product photo how you can get a full sized one or a desk sized one easily on Amazon, your choice. Along this line would also be a Hollywood mirror, the big vanity mirrors with the bright lights installed but they can be hard to source as they're so popular and you need to make sure they're the bright studio lights. Top tip would just be to check the dimensions so you know what you're getting.

3. POLAROID CAMERA

I wanna say this is a cult favourite. I don't know many girls who don't have one of these now but if your gift recipient is one of them then it'd be a great gift! They're a great idea for Christmas, birthdays and anniversaries because it means you can capture the memories and of course ironically take a photo of the polaroid with your phone and post it to Instagram!! They come in a variety of colours and you can purchase accessories and refillable polaroid packs for other special occasions after, making it the gift that keeps on giving.

4. VINYL PLAYERS

Another gift that keeps on giving. If they're a real music lover and always have Spotify going in their room, and with the lack of concerts this year, this would be a very thoughtful gift. You can get these lads pretty cheap on Amazon or fork out for the pricey ones from UO. The only downside is that the actual Vinyl records themselves is where this gifts will cost you the most, but at least you'll always have an idea for next years present.

5. FOREVER ROSES

Now these guys can be quite boujee and I remember them being really popular a few years ago. If you type 'forever roses' into google or, probably better yet, Instagram you'll get a lot of companies selling gift sets of these specially preserved roses that can last for years. An incredibly romantic and surprising gift, this one can cost you big bucks but if you shop around enough you can get single roses for around £20 or major bunches for a few hundred but it's sure to win you major brownie points.

6. LUSH

This is the standard gift and perfect for a Christmas Eve bath. If you couldn't come up with this present on your own then please pay close attention to this blog because oh buddy you will need it! There are so many gift boxes to choose from at Lush and the great thing is you can't go wrong with any of them. Not to worry if you don't have a bath too because I also have you covered with these Lush sprays which are sooo good that you won't need to work out what their favourite perfume is for the third year in a row. (Also a great brand to support for its morals which is a bonus!!)

7. BLANKETS

Not only perfect for those cosy Winter and lockdown nights but also a great home decor item that is so popular on Instagram! These massive knit blankets can get incredibly pricey online, ranging from 20ish quid for a tiny one to a few hundred for the massive ones, so if you're willing to pay that then go ahead but top tip is to have a look in Home Bargains because they had these guys in all year for £25 and even Primark Home had a few in recently but I'd get ahead of the game for this one before they sell out...

8. JEWELLERY

Now I'm not a massive jewellery fan myself but some girls just go ga-ga for a princess ring. If you're wondering if your girlfriend/sister/daughter is one of them you can identify these people by their less-than-subtle 'just gonna post this here xx' social media posts sharing the Pandora sales. I know most boys get scared to choose jewellery in case the person 'doesn't like it' blah blah but chances are unless they've told you somethng they specifically want or you've been missing some massive hints (ie. ring photos 'accidentally' sent to you) then they'll appreciate literally anything you choose. It's the idea you've went and chosen something specifically for them more than the item itself that matters. If you like it, they'll like it more. The big site is Pandora and many sites like it will have 'Christmas Gift Guide' sections to make it super easy for you. Top tip: you could do a wee price low-high if this is just an add-on gift and although it's horrible to say they will most likely look it up and check how much you spent on it... sorry about that!

9. EYESHADOW PALETTE

Now this is one you will most likely skip over because it feels like delving into a massive jungle with no map and no water and actually no shoes and no clue whatsoever of where to start. That's what boys feel like trying to buy girls make up and I really can't blame you. In fact, if you haven't been told exactly what to buy then who could blame you but if you're really looking to impress and go the extra mile and know they like make up then I'm going to attempt to help you as best I can and try and keep it really simple! So, first of all you'll need to somehow have a look at their collection when they're getting ready or be super stealthy and just double check they don't have the palette you're going to get them.

This is important. Right, so question one is do they watch YouTubers do make up? Because if they do then simply find out who they watch and check if that influencer has a palette or collab with a makeup brand because then your job is done for you!! If they've told you all about the James Charles/Tatti/Jefree Starr drama that encapsulated YouTube in the past then find out who's side they support because all three of those guys have palettes! James Charles x Morphe Artistry palette, Tatti has her own brand, or if they came out supporting Jeffree Starr and Shane Dawson in the whole fiasco then the Jeffree Starr 'Conspiracy palette' is for you. To each their own. These two main palettes I've featured on the left below for you to have a look at.

The top right palette is the new HUDA Beauty Naughty Nude palette and it's the one I'd go for if you're really unsure still! It's a new release so doubtful they have it and there's no crazy colours so can be used by everyone. It would be my top recommendation for make up this Christmas.

The three below that are all YouTuber/Influencer collabs with makeup brands that have been pretty popular this year. From the left: BPerfect x Stacey Marie Carnival III Love Tahiti Palette is one to get if you know they love doing colourful and adventurous looks, middle: Carli Bybel Palette x Anastasia Beverly Hills and far right: BPerfect x Jah Makeup Artist Clientele Palette are both perfect for more simple looks or if they don't go wild with colour and are both from big brands so will be very much appreciated!

God, this really could have been its own post where I explained it a bit better but alas...

10. HAIR CURLERS/WAVER

Maybe they're not as into makeup and prefer hair, or maybe they just love both? Then a Beauty Works hair styler would be a boujee gift for them. So, for this you can do the standard version of the products (gold) or you can do the newer versions in the collab with Molly Mae (pink). It's up to you. These products are pricey but great quality. First is the hair curler (Professional styler) which is great if both you and they love their hair curly, and you can't go wrong with Molly Mae's signature bouncy curls. The second option is a new trend in hair his year, The Waver, which creates the mermaid waves that I've pictured Molly Mae wearing below (and yes boys they’re different than curls) and a great gift if they already have the curler. Top tip: is to get these lads while ASOS have 20% off because you're grabbing yourself a bargain or if you're really on a budget many brands do these products without the hefty price tag.

BONUS: GIFT ADVENT CALENDER

This year there is a major boom in the idea of gift advent calendars, so behind every door is a small gift instead of chocolate. Now what would be super adorable is to buy advent boxes online and fill them yourself with personalised gifts but luckily many brands have brought out their own versions! The best one I have saw so far this year is this PrettyLittleThing beauty calendar but it has been sold out for some time now! ASOS etc. are doing their own versions and there have even been adorable versions in the likes of HomeBargains and B&Ms where you can get candle or even alcohol versions.

Well, I hope this helped even a little bit! If you're really on the ball you'll have noticed I haven't included anything like the staple Primark pyjamas or everything seems catered towards girlfriends or 'for her' but not to worry I've many more versions planned, including 'for him', 'on a budget', and 'how to dress up your present'!

Happy (very early) Christmas!🎁🎄