#and they’re such a sweet family. just thinking about joining them as Meg’s wife makes me so happy

[luffysprincess]

Thinking about little 11 yr old bachira talking animatedly to his mom about the new girl he met at the park today.

“She’s so cool and she runs so fast. I mean I guess that makes sense since she’s taller than me, but I bet you I’ll grow even taller than her! And then I’ll be the faster one..” etc etc and his mom clocks it right then and there. She knows right away that her sweet little boy has a crush, and she’s even more convinced when he can’t stop talking about her all week. So she makes note of her name and suggests he invite his new friend over so that this friendship can blossom into something more in the future.

A couple years go by and they’ve become distant, bachira and his crush, but mama megs knows he’s still in love with her. She sees it in the way he automatically cheers up whenever her name is mentioned or how he’s always waiting for her texts and calls. And also bc he still talks about her when he can, comparing his newer friends to her. (“…but amira figured out what was bugging me way before they did.” Or “yeah they’re fun to hang out with, but I still prefer when amira’s there. she’s really funny.”). So yeah, Yu Bachira knows her son still loves her.

And it’s not till years later that she finally gets to see the two reach their happy ending beginning when they’re standing facing each other, hands together, wide smiles on their faces as they say “I do.”

[princesssarisa]

Assorted thoughts on “Little Women”

 In no particular order.

*I’m glad I waited this long to read the original, unabridged novel. If I had read it as a teen or a preteen, I just might have followed countless girl readers’ example of having a crush on Laurie and being angry that Jo doesn’t marry him. Reading it now, I’m able to see him as the well-rounded, likable yet flawed character he is, not just as a girl’s prize, and realize that while he and Jo have a beautiful friendship, they wouldn’t have worked as a couple. The canon pairings of Jo/Friedrich and Amy/Laurie are the right ones.

*About the controversial issue of the characters’ ambitions... None of the young leads achieve their childhood dreams in the end; Alcott’s intended message was clearly  “We don’t always achieve our dreams, but life can still be happy in ways we never expected.” That’s all well and good. But apart from Meg’s gender-neutral dream of being rich, the characters’ “castles in the air” are all in defiance of their expected gender roles: Jo wants to be a famous author and Amy a famous artist, two fields normally reserved for men, while Laurie wants to be a composer instead of going into his grandfather’s business. And all three of their endings are distinctly more gender-conforming: Jo becomes a schoolmistress, Amy becomes a society lady, both become wives and mothers, and Laurie goes into business “like a man.” I think it’s fair for modern readers to be disappointed by that conformity, even while appreciating the realistic message about childhood dreams. Those feelings aren’t mutually exclusive. For modern audiences, I think the standard adaptational change of Jo publishing her own version of Little Women at the end (instead of 20 years later in the last sequel) is a good change.

*About Jo needing to control her temper... I understand why this annoys some feminists. So often women are expected to suppress all anger and never stand up for themselves. Maybe it is problematic that role model Marmee explicitly never shows her anger, but only purses her lips and leaves the room. But personally, I think it’s presented in a healthy, gender-neutral way. Jo’s anger isn’t a problem because it’s “unseemly” or “unfeminine,” but because it can lead her to do cruel things to others. The mistake that teaches her the lesson in “Jo Meets Appolyon,” letting Amy skate on the thin ice, isn’t a loud, aggressive act of rage, but a cold, silent act (or rather inaction) of spite. Besides “control your temper” doesn’t mean “never stand up for yourself.” The book has several examples of women calmly yet firmly calling out other people’s bad behavior (most often Laurie’s ^–^) and it’s portrayed as entirely right. And though it’s tempting to be annoyed by Mr. March putting his finger to his lips when he sees his wife starting to get angry, it’s also a nice subversion of gender stereotypes to see a marriage where the husband is gentler by nature than his wife and is a calming influence on her. Stereotypical couples are the other way around.

*As a person on the autism spectrum, I relate strongly to Beth. I fully embrace the headcanon that Beth herself is autistic and that Lizzie Alcott might have been diagnosed as such if she had lived today. So it hurts a little to see other readers call Beth “boring,” “annoying,” a “doormat” and “the worst of the sisters.” Although she is idealized because she was Alcott’s tribute to her dead little sister, she’s not the cardboard cutout of bland feminine virtue she’s so often been stereotyped as being. It’s clear from the start that Beth isn’t “normal,” either by our standards or by past ones. Her crippling shyness isn’t just “sweet Victorian modesty,” but portrayed as a real flaw that she struggles to overcome. She’s been homeschooled because as a child her social anxiety made regular school unbearable for her. She still plays with dolls, believes in Santa Claus and has imaginary friends at age 13. She has no desire to get married, or to have any kind of career, or ever to leave her parents’ house. And because of all this, she clearly has a low opinion of herself: hence she tells Jo that she was never meant to live long, because she would never have been anything but “stupid little Beth, trotting about at home.” But the narrative belies her words. In both of her illnesses, so many people rally around her and reveal how much they love her and how valuable her quiet kindness has been in their lives. Ultimately she dies in peace because she realizes her life hasn’t been worthless after all. With my own social struggles, my tendency to be “younger than my years,” and my own desire to have a quiet life close to my family instead of going out into the big, overwhelming world and doing big, overwhelming things, I find her storyline beautiful, because it gives me hope that my life is just as valuable as anyone else’s.

*I also relate to Jo, as so many readers do. The result is that I’m of two minds of the chapters “Calls” and “Consequences.” On the one hand, there’s no doubt that Jo is at fault in those chapters and does more-or-less deserves to lose the trip to Europe. She’s genuinely, purposefully rude to her aunts and to the other people they visit and she humiliates Amy and harms her social life – at the subsequent fair, the Chesters ban Amy from the art table because Jo insulted them. Plus the only reason why she has to join Amy in the calls in the first place is because she promised she would, so it’s hypocritical of her to whine about it. But on the other hand, I do empathize with Jo. With my own my social difficulties, I relate to her hating formal occasions where she has to dress up, mind her manners, make small talk about topics that don’t interest her with people she dislikes, and always be “agreeable” and “docile.” For Jo and for so many of us, it’s so hard to be that way, yet it’s the mold that all women were expected to stuff themselves into in the 19th century and to an extent still are today. Amy is lucky that she enjoys playing that social game and that it comes naturally to her. So it’s easy to sympathize with Jo’s envy when Amy is chosen to go to Europe, to feel as if Amy is rewarded for her social conformity while Jo is punished for failing to conform, and to feel as if the message is that all girls should conform like Amy. Fortunately, the book as a whole doesn’t send that message: even Amy achieves her ultimate happiness by letting herself be a bit more like Jo and call Laurie out on his laziness and apathy, when back in “Calls” she had argued that a lady should never show disapproval to a man.

*I don’t understand why some commentators think the chapter “On the Shelf” is so horribly sexist. Well, actually, I do. It’s tempting to find fault with John for being “jealous” that Meg is focusing more on their babies than on him and for “neglecting” Meg and spending carefree evenings out while she slaves away with the twins. And for Meg to be told by her mother that this is her own fault for “neglecting her duty to her husband” understandably rankles some feminists. But I honestly don’t think there’s any real problem. Meg genuinely neglects John and overtaxes herself by devoting every waking minute to the twins and letting neither John nor anyone else help her, because she’s afraid that otherwise she’ll be a bad mother. John isn’t jealous of the babies, he understandably feels ignored and useless. Nor (despite what some critics think) does he cheat on Meg, or want to. He just goes to a friend’s house rather than sit alone at home; Meg’s fear that his eye is roving to Mrs. Scott is just a product of her own stress. The resolution is arguably just the opposite of sexist: Meg finally lets John take an equal share of child-rearing duties, lets Hannah babysit often so they can both have time for themselves too, and steps out of her domestic sphere to share talks with John about politics, literature, etc. By the end of the chapter, their marriage is more egalitarian than ever.

*I’d like to read a fanfic where Jo meets Rodolfo from La Bohéme. I wouldn’t ship them, since they’re even more “too much alike” than Jo and Laurie are, but I’d like to see them meet. They’re both lively, passionate, temperamental ENFP writers, whose minds are full of “castles in the air” (they both use that exact phrase), yet whose lives both turn out differently than they had hoped, although Jo’s outcome is much happier. Both also adore a sweet, gentle, sickly young girl (Jo’s sister Beth/Rodolfo’s love interest Mimí) whose death they both regard as the end of their own youth. Furthermore, both of their authors modeled them after themselves. Jo is more down-to-earth than Rodolfo, though, and I’m not sure if they’d be friends or hate each other – Jo would definitely be indignant to learn how Rodolfo emotionally abused and broke up with Mimí because he couldn’t bear to watch her die, when she herself nursed Beth day and night through both of her illnesses and never left her side. But it would be an interesting meeting.

@fairychamber, @thatvermilionflycatcher

[ziracona]

Hi! I just realised I havn't popped in in awhile. Do you have any headcanons u feel like sharing about the newer survivors?? (I love them all, they're so cool but I think imma have to say cheryl is my bby gurl. she's tired. let her rest.) also. i am. going insane. from a toothache :) - Sleepy

Hey! Hope your tooth pain clears up! I’m so sorry—that’s one of the worst. : /

Hmmm, I do, but I’m trying to think of ones I haven’t said in asks before. 😬 Unfortunately my memory of fictional characters is great, and my memory of what I said in asks is shitty. :’-]

I don’t know the newer survivors—except Nancy and Steve—as well as I do the older ones, because I’ve never written them, and I haven’t played Silent Hill. I like Zarina, Yui, and Cheryl a lot though. Poor fkn Cheryl can join Quentin in the “Please God, just one good day?” Existence. Rip to them both. 😭

Poor kid gets out of hell once, and ya throw her back in. :’-]

Let’s see—headcanon I am fairly sure I haven’t already shared. I think Yui and Min would get along really well, and Jane and Zarina would too.

Yui hates the serial killers especially, from her own personal experience, and goes to bat hard against them every time.

Ash flirts with everyone to a point it’s even more than Ace does, and for a while it becomes a competition between them to see who can flirt more and better than the other (not in a shitty way—everybody knows they have the competition going on and it’s more a ‘I can act better than you’ than a ‘I can win more hearts’ one.) Ace is declared the winner in class, Ash the winner in sheer quantity he’s able to churn out, and they agree to call it a semi-draw. It’s actually a really fun week for everyone, because they’re all constantly being complemented and flirted with in a way they know is performative and seeks 0 real actions from them in return, so essentially they are just showererd with ‘drunk girl in a bar bathroom’ levels of praise for seven days.

Felix and Nancy are the only two with significant others waiting back home, and they bond over talking about their wife/boyfriend and sharing stories and having someone around who understands that specific brand of pain and can encourage them that they’ll make it back home.

Tapp is a dad, so he gives Felix a lot of advice on stuff since he was an expecting father. Not so much “do this” advice, since his relationship with his family didn’t go so well, and he feels like he’s in absolutely no position to teach—more like “It’s okay. Women have been giving birth for thousands of years. She’s gonna make it just fine even if you’re not home yet, and you’ll get back to them. And I’m gonna teach you some of the tricks so you’ll be ready when you do. You can even surprise her by already knowing how to change a diaper and warm a formula bottle. I’ll show you how to do it,” and talking him through some of the stuff he would have been able to learn from infant care books. It’s sweet, but Tapp almost dies when Jane says its “Very heartwarming” and teases him, so they cut him some slack. Felix is really appreciative. Laurie has taken care of a ton of kids, and gives him some advice too, and so does Nancy, who had two younger siblings.

Steve is a disaster who suffers from “I like you and you are a girl, so *pigeon meme* Is this falling in love?” syndrome. Gets shot down hard by Laurie, who is ridiculously pissed at him for bringing it up during a trial when their lives are on the line, but after he gets over being super awkward around her, and she reaches out to be like, ‘Look, dumbass, why did you even like me?’ And he’s like ‘...because you’re, uh, really cool? A-and pretty? And...’ and eventually she’s like ‘Buddy, you don’t even really know me. You’re just lonely. You’re not in love with me, you just want to be, because you want to be in love with somebody, and that’s not gonna cut it, for me, or anyone. Be in love with a person—not with the concept of being in love. And for that to happen, you have to know them first.” And since Steve is good af self-improvement, he realizes she’s got a real point, and tries to find his worth outside of needing a girlfriend, and becomes both a lot happier, and one of Laurie’s closer friends. (Side note—this extends probably only to my initial Steve ideas. I had the idea batted around that in that universe, Stranger Things /is/ an existing show, but it’s based on a mix of urban legend and history from the 80s, and Nancy and Steve are the version from the actual 80s, and I think in that pitch Steve is dating Barb, who is still alive, and already worked through this specific issue, because many things happened differently for wild comedic ‘But in the show’ effect, becuase both them repeatedly going “WELL REALITY WAS A LITTLE DIFFERENT” when like, monster hunting shit from the show won’t work on the Demogorgan, and *Spit take* “THEY HAD ME HIT ON ROBIN?” “Ewwww” “YEAH ewww! She’s basically my lesbian little sister! We’ve been best friends since grade school! What the fuck :’-]” make for amazing joke potential. )

Cheryl starts having nightmares where she sees things from the Entity’s eyes she was never meant to see, and finding out dangerous amounts of information this way. The Entity decides at some point this is too big a threat, but because it’s proud, it doesn’t want to just kill her, as that would be admitting a human is a threat, so it starts having killers gun for her mercilessly to try to get her to give up, and the poor girl is in agony.

Zarina documents stuff form the realm constantly, and has a careful scrapbook collection of all notes and paraphernalia from past survivors. She also keeps conspiracy pages tacked together trying to figure out who they were becuase they deserve at least the justice of people somehow knowing how they died and what they went through. Laurie is a big help with this, and so is Claudette, who has been keeping stuff for a long time.

Yui is very no-nonsense, and protective. She gives off strong big sister vibes. She especially also loves board games/puzzles/other games like Shogi or Go and such, and Dwight and Adam create game pieces for her to play Go with when she mentions how much she used to like that kind of thing, and Yui is incredibly touched, and makes several other ones for people to play with too, and it becomes a very enjoyed pastime between trials. It’s engaging and competitive, but much more relaxed and low energy than sports or training or going for a run, so it’s a great alternative. Meg gets super into making puzzles, and all the artists do too, and take turns painting pictures on boards, cutting them into puzzle pieces with extreme painstakingly slow care, and then doing puzzles together. Jake is invaluable in the actual cutting pieces out area, but actually enjoys to do it.

Felix knows a lot more than anyone else about the Entity when he’s taken, so he spends a bunch of time with the research team trying to recall whatever he can from his childhood and sharing any information he has, then just stays on it because he wants to. He’s desperate to meet Benedict Baker someday himself, becuase that man seems to get around, and he really wants to know what happend to his father.

Everyone becomes protective as fuck of Cheryl when the Entity starts targeting her, and someone—I think Kate and or Meg—probably both together—as a one-off joke call themselves her knights at some point, becuase they’re running such dedicated protection detail, but it becomes a whole thing, and several more start to do it. They’ll like ‘fist clasped arm across chest at attention, quick bow’ when they see her, and it’s goofy as fuck, but it helps a lot making Cheryl’s reality more bearable. Plus, it’s really sweet. Nea gets in on this and comes back one day with a little daisy chain she made cause she was bored, sees Cheryl, it clicks, runs over and offers it as a ‘favor’. Zarina sees and comes back later that day from a trial and kneels and presents Cheryl with a rescued toolbox with a brand new part. This becomes increasingly common and extravagant, and Cheryl /cannot/ deal, but it’s like, genius, becuase it takes exactly this level of surreal goofy friend bullshit to distract from the hell she is living. She ends up just regularly having someone come back from a trial or trip to the woods, salute with an arm across their chest, bow, and present her with anything from a pinecone or pretty rock, to flowers or a medkit, to a salt statue or key, to a painting or hand made bracelet, to a makeshift weapon or a pillow. Everyone always tries to outdo each other, so the gifts tend to be extravagant. Zarina considers herself Cheryl’s righthand woman/personal knight by chocie, because she wanted a cause to fight for and has found one she truly loves, and she makes Cheryl her favorite gift so far, coming up to her at the end of a long day, after a very bad trial where Cheryl was mercilessly and slowly killed by the Pig, kneeling, and offering a thick shard of stained glass from the chapel, made sturdy and held in place with a few chunks of soldered and wrapped iron along the blade and down the grip, forming a razor sharp and reinforced stained glass knife.