#and theres a difficult choice waiting for him?

[namelessprince]

they are so fucked as soon as they reopen the hole in the sea. theyre doomed to open it no matter what but man. if things seem bad now.....

[superm4ks]

Austria obvi been a doozy to process but 1 part of the conversation thats always interesting to me is how people are taking Max and Lando's battle as a textbook example of 'dirty' racing and comparing it wid other battles that are seen as 'clean'. Heres the thing tho, the choices both those drivers made in those laps dont have 'clean' alternatives that wud have benefited them in that moment. It was an inevitable type of confrontation. At least for the most part.

Clean/dirty racing in this generation of very wide cars literally just a matter of is there a significant enough delta to give one of the cars lap advantage or not. If there is, u get something like George and Landos lil dance in Spain. One of the cars has better tire wear, is faster, so its just a matter of waiting for the right time to make a move and build a gap. Its clean because its a waiting game, its not a battle at all. But if the cars are more evenly matched, and more importantly, if the driver defending/attacking is actually willing to defend/attack, thats when it becomes too close for comfort and as racing drivers what ur basically saying is, I am willing to take that risk because I need to gain ((or I need to keep)) advantage.

Something thats also been interesting is how people have perceived each drivers role in this particular 'dirty' battle.

I been reading and watching a lot of analysis of those laps and one of the things that jumps out immediately is that theres this assumption that Max had to get out of the way. He just had to. The fact that he didnt is what made the battle 'dirty' and the onus of 'cleaning' it was on him. When u press that narrative, and u ask the simple question of why wud a racing driver even consider allowing another one to pass him, the argument turns into endangerment. It was dangerous that Max didn't let Lando pass. The tactics Max employed to defend his line were dangerous. Follow up question, why does it matter if they're dangerous when ur literally racing cars 200 miles per hour. Oh, because what Max did specifically is not allowed'. And what is that, specifically. Then the 3 ghosts of under braking past come into ur house to offer Max a chance of redemption. And u think, why are they here. Wheres the telemetry, the wheel input, the driver cam, the stewarding precedence, the actual rule, that allows some hypothetical idea of intentional harm to even enter this conversation. But it doesn't matter anymore, because it has set the tone for how ur gonna deal wid Max's role in a 'dirty' battle vs Lando's. Lando will, inevitably, become a victim of Max, not an active participant in a battle for the lead. Max's tactics are dangerous, while Lando's were necessary.

Ant Davidson starts his analysis on skypad by comparing Max setting up a corner to Baku 2018. Baku happened in a straight, and both drivers were reprimanded for it. I personally think Max shud not have weaved in a straight like that, but thats my opinion, its not reflective of the sporting rules. Late maneuvers are dangerous but they're not necessarily illegal, not just when it comes to defending, but also attacking. What Ant Davidson does in this opening analogy is setting the tone of HIS opinion. And its interesting to me that he finishes the segment, in which at several points he talks of Lando's choices in first person, wid 'I rest my case'. The fact that he had a 'case' at all and feels comfortable admitting it is kind of shocking until u realize that the objective of his 'stewarding' is to turn defending into a punishable act because Max was the one doing it, and Max is 'dirty'. In no instance are Lando's late maneuvers questioned because, we go the back to the original point, Lando was entitled to make them. He was entitled to pass. Max, however, is not entitled to defend.

Johnny herbert who was one of the stewards in Austria, said that they looked at Max's defensive maneuvering and it was 'clever' and made Lando's life difficult but it was not clear it was under braking. He said Max positions his car very well but sometimes goes beyond the drivers 'unwritten code'. Then, regarding specifically the incident in t3, he says some people claim Lando could have moved and yes maybe but he was right not to, because it showed Max he was prepared to 'fight back' and he can 'beat Max at his own game'. Lando did not complete a single overtake in Austria. Not once did he get ahead of Max where he didnt have to fall back again. But because they bumped and Max was penalized, this is a net positive for him. The underlying implication here is that anything that threatens Max's position on track is a net positive for the driver, and for the sport. About how this battle will affect Lando, Johnny says, 'up until Austria Max had always won. Now he is not winning. It will be interesting to see how Lando responds. He will now be in a better place after what has happened. He has realized he knows he has a chance of beating Max at his own game.' Lando finished a race pointless the day after he got fleeced in a sprint. I dont think this was a positive grand prix for him. I think he engaged in a few laps of hard racing wid Max that ended in a puncture for both. Thats not important though. He challenged Max. Johnny seems content wid just that.

The issue is not that Lando isnt a victim because Max is, nor that pundits are not allowed to be biased, or that Max shud not have been penalized. Whats been bugging me about the reaction to Austria is that once something like that happens and it involves Max, its no longer about what actually took place or the dynamic between drivers that allowed it to escalate, its about deciding whether or not the battle was dirty, and how is that dirtiness attributed to a single actor. It takes motor racing and turns it into the weighing of souls. And Max's will always be heavier.

[thornswoggled]

yori is fumiki and heres why: my manifesto

or: wait, we werent all on the same page about this?

i should have written this when i first read chapter 98, but im only getting around to it now. this is less me trying to convince you, the reader, and more hoarding all my collected thoughts on why yori is absolutely fumiki, if its a red herring its a silly one, and if he isnt or if its left ambiguous forever i will eat crow. here we go:

before i start let me say most of my evidence is the way yamazaki frames him visually rather than solid "proof." comics are an artform, theres a reason things get framed the way they do, and her artistic choices in ch 98 (i feel) are meant to serve as a big blinking neon light that says "you should be feeling this way about xyz right now"

iic, there were rumblings of "the young auditor" being fumiki as far back as his introduction in ch 51 due to to his unique ability:

which is essentially a refined version of fumikis innate ability to keep fae away. we know yori is part of a "family business," and it seems appropriate that with the proper training, he would be able to freeze fae in their tracks rather than simply ward them off

unfortunately this is where "evidence" ends and "vibes" begin

chapter 51 didnt get adapted into what was otherwise a pretty faithful adaptation in season 2, and i understand why - theres a lot going on, and this chapter is fairly out of left field. but theres one other quip that got left out of season 2:

this is a one-off thought that wouldnt have been difficult to include in the anime. imo, i believe this line from ch 62 didnt get animated because we hadnt met fumiki yet like we did in the manga. now, onto more recent chapters... (under a read more because this is going to get pretty long)

chise and yoris first meeting is framed in a very purposeful way. in chapter 98, elias is preoccupied with ousting all the outsiders so that he and chise can be alone, stuck on the idea that "christmas is for family only:"

and three pages later, who do we meet?

im really struck by the way chise and yori are drawn together here. personally, i dont read this as "chise is meeting a new unimportant side character," this is "the strings of fate have pulled us miraculously back together again"

waiter! waiter! can i get an order of drifting sakura petals and sparkles with this panel? am i waxing poetic here or do you see it? the way theres no background drawn here, no other characters, even in later pages when we know elias is standing right behind chise, he doesnt get included in frame so that its just the two of them:

while im at it, can we appreciate how theyre wearing the same outfit? black pants and a hip-length dark coat/sweater with oversized pockets, a collar, and six left-sided buttons. yoris dark gloves also evoke chises cursed arm here but i dont want to risk looking like a maniac any more than i already do. i mean... dude, look at them, theyre matching

speaking of matching, lets pop back to 51 for a sec

both yori and chise have canine familiars! actually, it looks like yori might have multiple - look at all those pokeballs i mean bamboo tubes in his coat. if my memory serves, we didnt know yori was japanese at this point, but everyone assumed so because of the appearance of this familiar... which was another log on the "this might be fumiki" fire

fun fact: this little dude is almost certainly a kuda-kitsune, which were said to be kept in tubes and summoned by a soothsayer, who could use it to perform curses, or tell the past and future

and the drama with which we find out his "name":

"i bet you were expecting me to say fumiki, huh. good luck im not giving you that this early you have to work for it." as far as aliases go, "ri" could be derived from "hatori," but neither of the kanji in "fumiki" can be read as "yo," so its probably just random

after yori leaves, we get another repetition of "christmas is for family," which at this point feels like yamazaki is leading us to water and dunking our head in it:

i think its awfully convenient that ruth was absent for chises exchange with yori. do you think he would have been able to smell that theyre related? or whiffed the kuda-kitsune in his coat?

right after this, too, we get this line from elias which i have been thinking about a lot:

theres a few different ways this could be read, so im not married to any one interpretation, but it could be foreshadowing "if chise decides to pursue a relationship with her estranged family, what will i do then?" as gabriella would say, "i hate to be a third wheel"

given what we have seen of yoris aloof personality, i have to imagine there will be drama if/when the reveal is made. sadly i can picture him actually pushing chise away if she tries to reestablish a relationship with him

now! that is pretty much where my thoughts end, but i do want to share questions/doubts i have:

if yori read all of simons reports to determine he was an unfit observer, there is no way he doesnt know chises full name. i wonder whether he had any reaction to it? he may assume that its just a coincidence. i briefly wondered if the hatori name was an invention by yuuki, until i remembered that the family chise stays with in the OVA also has the same name. unless yuuki was adopted by another family like seth...? dont mind me, im going pepe silvia mode over here

have i mentioned i talked about yuuki before in another theory post? take it with a grain of salt, i already got proven wrong on one front now that jasper has been introduced

will yuuki be reintroduced if fumiki is? i desperately want chise to get that closure, but this scene from ch 42 has a sense of finality to it, a sort of "you will never get to resolve things with your father or see his side of things" stank:

... actually, now that ive mentioned the kuda-kitsune, can we look at this thing again?

another word for the kuda-kitsune is "izuna," which is read in modern japanese as "weasel." could the critter whos watching yuuki here come from the same place as yoris familiars? yuuki leaves his family immediately after this - getting summoned maybe?

okay, okay, let me stop myself here before i start looking like im ranting and raving. can we talk about the mail, please, mac? ive been dying to talk about the mail with you all day, ok? "pepe silvia," this name keeps coming up over and over again. every day pepe's mail is getting sent back to me. pepe silvia! pepe silvia! i look in the mail, and this whole box is pepe silvia!

if youre a fence-sitter, what are your thoughts? do you think we just dont have enough evidence yet? inquiring minds want to know

[liquidstar]

chat i'm once again thinking abt how much i love the development of the emilia/subaru relationship. i just think they way they communicate with each other is so good.

both of them WANT to be together, they make that very clear. however their respective circumstances and traumas make that difficult at the moment, so they're kind of just hanging out. but everything is out in the open! they both know they like each other and wanna be together, but they're making the active choice to not act on it yet. given how fucked up they both are in the head... this is, like, remarkably healthy (and shows a lot of subaru's growth after feeling entitled! and emilia's growth in opening herself up to the idea that she could be loved!)

subaru constantly dotes on emilia, and its something she enjoys and feels comfort with. she feels like something is wrong when he doesnt (like in arc 6 w his amnesia). he tells her all the time that he loves her, expecting nothing back. shes not ready to commit to an "i love you," yet, but she's thankful to hear it, and she still wants to say it back someday. she outright says she can't marry anyone else because she's already chosen him! even if theyre not in a relationship, its like they're preparing for the day when they can be. they still both understand. and subaru is so patient with her about this now, he doesn't feel insecure about whether she likes him or not either. he knows! they both agreed to wait. they both know they're not fit for a real relationship but they're still committed to each other in this Just Hanging Out phase.

and from a writing standpoint i think this is GREAT because they can be a slow burn... and have open and honest communication about all their feelings for each other? thats so rare! literally no one is doing it like them. and i think their eventual relationship will have more payoff with less will they/won't they about the whole thing for it, imo. because 99% of the time w these kinds of stories, you know they will anyway, but what's cool here is that THEY also know they will.

i just think what they have going on is really cool and i love how it shows their growth. yes, its okay if theyre not "really" a fully romantic couple, that's too much for right now. but they can still be together in whatever way works for them, and slowly work their way into whatever comes next. they ARE working towards some kind of future together, but they're taking their time, testing the waters, and not settling into any specific roles just yet. just going with the flow, seeing how things turn out (especially w how hectic their lives are lol), but still undoubtedly loving each other (in emilia's case, even if she's not ready to commit to romantic love, you can't deny she loves subaru in a platonic way, or somewhere in-between).

its cool! its a cool dynamic that you dont get very often! but its also a very real one to me, they really feel like two troubled people just taking their time to figure stuff out with each other. not jumping into anything, but also preparing to eventually, and really communicating to make it work! that theyre both comfortable with how the other feels about them too, and easily settle into this nice peaceful dynamic they have in the meantime. theres no rush! they trust each other, and theyll get there.

[soobibabe]

scripted hearts teaser

pairings: jeon jungkook + reader. genre: romantic comedy (including eventual smut.) trope: actor/actress au, work romance, friends to lovers.

"And, scene. That's it for today everyone, good work!" the director shouts from behind the camera, wrapping off the recording.

But for you, there is a pause. The tension is so high in the room that for the first time, you can't distinguish yourself from your character anymore. Your co-stars' hands are around your waist, eyes meeting yours with so much intensity, it makes you dizzy.

The sound of the other actors calling your names for team dinner snaps you both back into reality. You're not sure what that was.

This isn't your first film with Jungkook. A few years ago, you worked together in your debut drama. It was one in which he was the second male lead and you were the main character's best friend.

Now, you're the main character. Jungkook, your leading man.

You're not used to romance dramas, you typically take on thriller roles. Maybe that's why filming scenes like these with close contact with him makes your heart pound out of your chest.

He clears his throat, "We should get going..." Did he feel it too? "yeah, let's go" you reply, reluctantly peeling yourself away from his embrace to return to your dressing room.

At dinner, Jungkook sits next to you and everyone's engaged in conversation. Perhaps you've had a little too much to drink, you're usually reserved but right now you can't help but feel so free. You're laughing at everything, smiling a lot more, and even making stupid jokes, your co-workers are perplexed.

"Cute".

You turn your head to Jungkook and he's already looking at you with the same enamored expression he has when you're filming 'Eternal Summer'. He's definitely not drunk, did he really say that?

"What is it?" you ask. "Nothing. You look pretty." he responds, causing you to blush at the unexpected compliment. What has gotten into him...

You wake up in your bed, not remembering when or how you got home. 'Did my manager pick me up?' There's a honey hangover on your nightstand. 'How thoughtful of Yura.'

Today's the day you have to do the promotion photoshoot with Jungkook. You're used to these, you recently shot one with Kim SO-Hyun for a commercial so it shouldn't be difficult, but this is Jeon Jungkook, the national heartthrob.

When you get there, your manager runs through the concept with you. "Thanks for the hangover curse by the way" Yura looks at you as you voice this, puzzled.

"Hey didn't I tell you not to drink if you can't remember what happened after?" She begins to scold.

"Oh! ahaha i was just kiddin-" you begin. "Y/n! Which outfit are we doing first?" Jungkook calls across the room, enraptured looking at the choices.

"Coming!" you yell back, smiling it Yura, thankful Jungkook's excitement saved you from an earful.

[after the shoot]

"Did you get the honey cure?" Jungkook inquires.

Your eyes widen at his sudden question. Theres no way you were that blacked-out. shit. "Wait, that was you?"

"Do you not remember?" his head tilts to the side, eyebrow quirking to match your confused expression.

You pause to think.

"Oh my god" you whisper under your breath, looking away from the taller figure, as the memories of last night run through your head like a 1900s stop-motion film.

[summarised text-version:] 1. Falling asleep on Jeon Jungkook's shoulder at the table. The group was too busy chatting and drunk themselves to notice your head on his strong arms. 2. Jungkook, realizing your sleepy state, gently nudging you awake and offering to drive you home. You refuse. Insisting that you were perfectly fine to walk, much to Jungkook's amusement. 3. Defeatedly allowing him the grace of escorting you home. Him wrapping his arm around your waist to steady you as you wobbled out of the restaurant. You, in your drunken haze, telling him he smelled nice, causing him to laugh softly. 4. After lots of sulking the whole car ride about how you were totally fine and could have stayed for more drinks, you arrived at your estate. You fumbled with your keys until Jungkook finally took them from you, opening the door. Once you're inside, you're reminded of just how lonely this huge place is. 5. Inviting Jeon Jungkook into your home. Once you're inside, you're reminded of just how isolating this huge place is. "Can you stay a little longer? I'm not tired yet, and it's too lonely here to entertain myself to sleep." you asked in pout, slurring your words unknowingly. Jungkook's eyes scanned your face attempting to examine if you were being serious, the sadden expression you displayed told him all that he needed to know. "Sure, no problem." he flashed a smile. "What do you wanna do? Talk? Movies? Games?" "All of the above!" you exclaim, eyes closed and hand in the air throwing an excited grin. "Adorable" he whispers inaudibly to you and ruffles your hair. 6. Passing time with a beautiful man in your abode. You lead him into your kitchen where you show him your wine collection, your beer fridge, and finally, your pantry, all of which you make known that he can access at any time. You make your way to your living room where you set up the consoles while he does whatever he's doing in the kitchen. Shortly after, jungkook joins you with 2 beers and ramen, sitting beside you taking the console out of your hand. "Missed me?" he asked, jokingly. "Ramen! What a man you are, Jeon." you say with a teasing tone. You really do appreciate his effort. You play whilst waiting for the food to cool down, the tension in the room rising when you grow competitive, annoyed at how astonishingly good jungkook is at this stupid game. "hey! you're cheating!" you dodge when his hand sneaks up to your side, endeavoring to tickle you, eliciting a laugh from him. In the end, jungkook wins all 3 matches, poking fun at your post-loss temper. But after a while passes, you're back in your haze again, Jungkook doesn't miss the sadness in your eyes when you look at him. "Are you okay? How come you drank so much? I remember when we shot 'Ephemeral' you refused to drink at team gatherings." his tender eyes soften upon meeting yours. "You're more observant than I realised. I became more open to drinking after Seo-Joon and I broke up" that's all you say before chugging the rest of your beer.

"Oh, I'm sorry for bringing that up then," he starts, but you interrupt him by saying; "Don't be. He couldn't make me cum anyway." Jungkook's jaw drops, expression changing from guilt to one of shock, and... pity?

"But -- weren't you with him for... a year?" he speaks as though he can't believe what he's saying. "Yeah well, his ego was too big for me to have burst it by telling him I didn't finish, so I just faked it." the alcohol seemed to make you more honest.

"It is what it is," you laugh it off, "don't look so startled".

"What about now?" his question catches you off guard this time. "Have you been able to get off?" the alcohol is probably getting to him now.

"I haven't been with anyone else since if that's what you're asking, but sometimes I just don't have the time to you know - do it myself." you admit, and he's stunned.

"How about I help you?" with the face of the person asking, you don't need much convincing. "When? right now?" you ask, a little puzzled.

"Wow, I didn't know you wanted me that badly," he smirks "No silly, not now. When you're sober, if you need me, you can have me." with that being said, your cheeks are now a new shade of red and it's not from the alcohol.

"I'm gonna go get another beer," you announce before drifting out into the dark halls to your kitchen, ignoring that you can practically hear your heartbeat racing.

When you come back to the living room, Jungkook has already switched the videogames to Netflix, waiting for your return to start 'The Notebook'.

Halfway into the movie, you fall asleep on his shoulder for the second time that night. He cleans up, trying not to move too much in order to not wake you.

He lifts you bridal style -- like you were a feather, taking you to your room and tucking you into your bed. Before he leaves. he goes back into the fridge to take out the honey hangover remedy he made when you arrived, placing it on your bedside table for when you wake up.

[the end >.<] There are many gaps in the flashback of last night, however, that doesn’t stop you from being flushed with embarrassment. "Jungkook I am so sorry about-"

"I had fun. We should hang out more." he shuts down your apology, subsequently ridding you of any overthinking that was about to take place in your head.

“I agree,” you speak before giving much thought to your answer — did you answer too quickly?

“Like right now. My blood sugars low from all that losing i want a sweet treat” he interrupts before you can attempt to modify your response. It’s like he can see right through you.

You’re still processing Jungkook’s comment when he continues, a playful glint in his eye. “How about we head to that café down the street for some dessert? I heard they have the best pastries in town.”

The idea of spending more time with him, especially in a relaxed setting, fills you with a mix of excitement and apprehension. You nod, trying to keep your composure. “That sounds great. Let me just grab my jacket.”

A/N: Currently, there is no official release date for the full story. However, I am eager to hear your thoughts on the storyline so far.

To be added to the official taglist, please click here!

By joining the taglist, you will receive notifications when the story is published, as you will be tagged in the official announcement by the author.

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[t4transara]

alice in borderland headcanons that make me go insane 🚙 season 2 spoliers under the cut!

cw suicidal thoughts, attempted suicide, self loathing, mentions of blood, using cigarettes as a coping mechanism, implied arisu x usagi, angst overload ☆

kuina and chishiya had this secret meeting spot only both of them knew where they sometimes talk about anything that comes out of their head which eventually ends with one of them opening up about their life before the game along with their own struggles. when chishiya went missing after the king of spades appeared, sometimes kuina would go there hoping he would be there but he never showed up.

usagi and arisu sleep together in the same tent, sometimes when arisu is sleeping he tends to have nightmares about his friends which causes him to start crying in his sleep. usagi comforts arisu as tears fall out of his eyes, apologizing to her for being a burden and he needs to be strong if he wants to protect her. usagi continues reassuring arisu telling him he was never a burden and she is already happy with him in her life. the tears stopped dropping and arisu pulled usagi for a tight hug, both of them spared no words but continued to be each others arm for the entire night.

tatta never had real friends his entire life was filled with fake people and he could never express himself with others fearing that they would look down on him, it suddenly disappeared when he started to get more closer with arisu and expressing his personality and humor more. arisu never judged him but laughed and smiled at his stupid comments and remarks, tatta never felt more happier in his entire life.

chishiya smokes a cigarette when he needs get something off his head, he often reminisces about his life wandering whether the choices he made as a doctor was partially his fault. even though his boss told him it wasn’t still it hold no purpose for chishiya because it eats him up from the inside no matter how much he tries to deny it.

ann is interested in photography she owns a digital camera and captures of what she thinks is beautiful. in a world filled with so much despair and horrible things happening she wants to be reminded theres always something good waiting behind the dark.

arisu, chota, karube as a joke had matching bracelets for their friendship anniversary. when chota and karube died in the 7 of hearts game, arisu checked on them to see if they still had theirs to his shock they still wore their bracelets he took them from their bloody bodies and carries it with him to honor their death. whenever arisu is going through a difficult time he always manages to get a bit of strength knowing a piece of his bestfriends were with him.

aguni misses takeru alot, he misses his presence and memories he had with him he wonders whether if he should have died in the beach and joined his bestfriend instead. suicide lingers a lot in the back of his head sometimes he hears his bestfriends voice tempting him to do it. the thought eventually gets to him and he sets a date where he would then heiya unexpectedly appears in his life and a part of her reminds him of takeru but he doesnt know why, but he doesnt want to repeat his mistake again and he chooses to protect heiya. she eventually grows on aguni sometimes he accidentally calls her by his deceased bestfriends name, she gets confused about it but decides not to act upon it when she sees a slight spark in his eyes when he mentions that unfamiliar name.

chishiya knows how cruel the world is towards the unfortunate he seen it himself as a doctor. he came to the terms to suppress his feelings not expressing it to anyone, it eventually leads him to lack any empathy towards anyone. no matter how much he forces himself to understand he doesnt feel anything when he sees someone on their knees begging for their life after losing a game. so why did it feel different during the jack of heart game, when he saw his partner, ippeis lifeless body? this was supposed to be normal for him to see such a horrifying sight of someones life being taken during a game. instead he feels remorseful remembering how ippei wished for all of this to end so nobody else would die in a such sincere tone. chishiya himself remembers and heard countless last words of the people he was partnered before they got killed, so why does this feel different?

[teethkid67]

you begin your sunday on the couch, dress shoes still on, with a headache and a handful of stale gummy worms from the party last night. schlatt begins his with a cigar, and quackity starts with his arm as an ashtray. fundy is outside picking shotgun shells and fireball bottles out of the grass before you've even had time to say good morning.

it is not a good morning. dark like chew tobacco and slow as tar you realize no-one is coming to save you anymore. quackity won't look you in the eye, but he bites his cheek to keep his grin down as his gaze roams the walls like he can't wait to tear the place apart.

schlatt is the first to take something off the wall: an old, ugly painting wilbur picked up at a homegoods a million years ago. something he surely never gave much of a shit about, but you still flinch when schlatt lifts it from the nail and instructs you to get a garbage bag. but you fetch one and hold it open for him and then, when you put up no fight, and fundy is still outside, and quackity is still all shark smile, he tells you to start cleaning.

that is what it takes for them to begin picking your house to the bones. its methodically at first, dumping old takeaway boxes and draining vodka bottles, then harsh and uncaring like a flood or a struggle, toppling lamps and breaking mirrors. you dutifully pick up solo cups and half-empty pretzel bags and just as dutifully ignore anything that's not evidence of a party. eventually this catches up with you when schlatt tells you to kick it into fuckin' gear, kid, and jerks his chin at the fucking telephone of all things, this place isn't gonna clean itself.

a few minutes later quackity hands you an armful of everything that used to be pinned to your white fridge, looking a little sheepish but frankly not all that guilty. an old worksheet of fundy's is whats at the top of the stack, sunbleached from the window above the sink and with a broken chunk of now-gummy magnet stuck to the page.

WRITE about a time you had to make a difficult decision, it reads in big letters. explain what the decision was and what choice you made. At the top is a big, circled 100.

report cards and sticky notes and novelty magnets are joined by your vomit in the big bin at the curb. with your hands on your knees you take inventory. theres a box of shampoo and soap bars taken from the bathroom, and a bag of bedsheets and pillowcases. theres schlatt's car in your driveway and it makes your heart jackrabbit. wilbur doesn't drive. even if he did, his car wouldn't be out front.

you go back inside and take on the rest of the house with a newfound sense of numbness—emptying your stomach had probably helped. fundy has appeared again, and you help him bag up the books that schlatt had swiped off the mantle to make room for his shotgun. no matter what you do, he won't say a word to you.

eventually you are both led by an eager quackity to the backyard shed, where he hands you a hatchet and fundy a hacksaw and tells you to take down the fence.

schlatt says no more fence, he says, why would we need a fucking fence? so we gotta take the stupid thing down.

you swallow your pride with globs of spit and swing for the support beams so fundy, who quickly abandoned the hacksaw, can tear out the boards with his bare hands. he's mad, if the look on his face and the way he pries at the panels are any indication. at who is anyones guess. you're starting to think it might not be schlatt. quackity arms himself with a chainsaw and has a great, violent time laughing and breaking the wood into manageable sizes for your fireplace.

schlatt comes to lean against the railing on your raised porch and watches the three of you work, smoking what you think is his third cigar of the day. in his other hand is tommy's favorite glass, about a third full with whiskey and ice.

he and quackity shout over the roar of the chainsaw about next steps; living room paint color, new sheets for the bed, what to make for dinner. your arms shake and the afternoon sky darkens with clouds. when the temperature drops and the sky begins to spit down rain, schlatt and quackity duck inside with a shout to finish up out there.

by the time the fence is gone, the sun has set behind the woods, you're soaked to your skin, and your fingers are blue with cold and red with blood blisters. you collapse on the couch–the same one you've slept on for almost as long as you can remember–and shut your eyes against a living room you no longer recognize. fundy disappears into his bedroom and comes back in a set of dry clothes. quackity frowns and tells you to get up, you'll ruin the upholstery, then offers you a slice of mostly-cold pizza.

you slide to sit on the floor instead and pick the onions and bell peppers off the piece of pizza. your stomach turns. thuds and bangs echo through the house, and then its a terrible jerky screech as schlatt and quackity drag wilbur's old executive desk down the hall and through the front door. the corners dig lines into the linoleum and papers and knickknacks are strewn through the whole house.

there's tax records in there, you say, watching a wheat penny skid beneath the couch. they're in the second drawer on the left. and probably the deed, too.

schlatt makes a dismissive noise. don't need 'em. he doesn't say anything else, so you don't either.

as they're turning it through the front door, you watch schlatt grab a silver ring from a rolled-open drawer. he turns it over in his hand before passing it to quackity, who slips it on his finger and examines it under the light. don't get any ideas, honey, schlatt grumbles, and quackity squawks something about schlatt running out on him as they push the desk the rest of the way through the door. they both cackle as it tumbles down the front porch stairs.

you lean forward to pick up an old microwave manual and a receipt for a goodwill donation. for a moment, you can almost pretend you're just spring cleaning while wilbur files your stupid taxes; tommy shredding shit you don't need anymore and threatening to shove your fingers into the blades; fundy sorting grocery receipts. then schlatt slams the front door shut, and the house shakes, and they laugh the whole way down the hall to wilbur's room, quackity still watching the ring sparkle as he turns his hand this way and that. their conversation grows muffled behind the locked bedroom door.

you stare down the hall from your place on the floor. the rain rattles against the house. there're splinters in your hands. you feel like you missed your opportunity to cry about it all, so you finish your pizza instead, even the crusts. then you pull yourself to you feet, socks squelching in your dress shoes, and grab another trash bag and your hoodie from the coat closet.

slowly, you creep through the front door and down the steps, past schlatt's pontiac, and begin hunting through the bags and piles of your whole life for anything you can save.

[hello-there]

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[spacedlexi]

Of all the difficult choices in each season of TWDG, What would say are the ones that you struggled with the most for each season?

HMM good question. there are some choices i feel conflicted about when i get to them but these are for the most part the ones that i actively dread having to make (which i like 😏 those are the best choices). there are other choices throughout the series that i feel Bad about, but not necessarily conflicted. like. i Know what my choice is, but i still feel bad about the consequences 😔 these are the ones that i actually mentally find myself battling. i just love the kinds of choices that make me sit on a pause screen for too long when its really Not That Serious

S1: help lilly/help kenny - the circumstances of this choice are what make it hard. literally a ticking time bomb. do you try to save lillys father? even tho hes been nothing but a complete jackass to you AND the group this entire time and put himself in this situation? or do you try to save the group by destroying his brain before its too late? clem being there watching doesnt help because now theres the added layer of "do i brutally murder this man in front of this child even if it means saving her life?" i usually end up trying to help lilly just because i know kenny is gonna do it regardless (and i dont want her to feel completely ostracized by the group). the idea of puling this woman back from her dying father so we can brutally murder him in front of her is.... a lot. like.. you can TRY to save him you know?? even if he turns hed still have to get off the ground first just hold the salt lick ready kenny 💀 plus you still have to actually Die first before turning. theyd have a second to feel his pulse stop. but its a very hectic scene where youre forced to act first think later. and either way clem is forced to see it. the worst part about it is knowing kenny is gonna be on my ass about it even tho i side with him on LITERALLY EVERYTHING ELSE 😐😑

shoot lee/leave lee - its just 😭 telling this little girl to kill the one person she has left, moments after seeing her dead parents. its time for her to start doing the hard things. but to tell her to do THIS?? you are fucking that child up beyond belief. but also the guilt she'll carry if she DOESNT do it, knowing hes still in that jewelry store, possibly chained to it, forever (which the narrative impact of lee starting and ending the game in handcuffs (possibly a prisoner in his own body??) makes me SCREAM AND CRY LEEEEEEEEEEE THATS GOOD NARRATIVE BAYBEE).

S2: shoot kenny/look away - another "is clem ready to do this?" kind of moment. its time for her to start making her own choices. what does SHE want?? i think even a clem who shoots kenny is gonna be conflicted about it on some level. recently i played a clem who let kenny kill jane then shot him anyway. that was cool :) and the moment is way more dark than shooting him outright. no heartfelt goodbyes. just a tired "do it". oof. the set up for the kenny/jane fight is Not Good like we ALLLLLL KNOOWWW it shouldve been luke ok. but the choice itself is still a HUGE character moment for clem, and its one of my favorite and most dreaded choices in the series. how is clem feeling about kenny at this point? is shooting him something she can do?? before its too late?? or will she be paralyzed by choice? this is a choice she Never shouldve had to make, but here she is, and she has to. before time runs out. i like my clems alone so usually i either wait out the clock (no choice is still a choice. clem just cant do it but cant look away either) and stay at wellington (good alone ending), or i shoot him 1 of 2 ways (clem Can do it)(bad alone ending). shooting him after he kills jane is just like 2 birds one stone to me SHDHSJKDS 💀 and it hits that middle ground of being paralyzed by choice but still ultimately Making A Choice, just too late for it to matter to anyone but herself. and her line of dialogue finding aj alone "we're gonna be ok, we're gonna be ok" like shes trying to reassure herself more than anything WAAAHH i kinda liked it a Lot actually 👀

S3: ??? romancing kate or not i guess?? - its the only one that really made me feel conflicted (aside from maybe the conrad thing?? sorry clem but im gonna force you to stick around actually i like it for the Narrative and it makes gabe less annoying later. also conrads alright). do you respect your brother or do you get with his wife who hates him LOL. because its not one choice you make, not really. its one the game is constantly asking of you, putting you in situations where the choice needs to be made again and again until finally you make the Ultimate choice about it. people who complain about the game being so pushy about it are kinda funny to me because like, ya.. thats the whole point.... (ive pushed back defiantly Literally just because of how pushy the game is about it tho so like i get it) she is a temptation the game is intentionally dangling in front of javi. she is the Final source of conflict between the brothers. will he remain loyal or give into it? i say give in 😏 give david something to actually be mad about. ive both romanced her and not, and the game kinda feels stunted if you dont? like... i Get It. thats your brothers wife who is still wearing her ring after YEARS of him being gone. theres �� feelings there. but even if you dont romance her the game still punishes you by having her be weird about it in the garage in front of david anyway. i say do it even tho its messy. it makes the story more sound imo which S3 desperately needs at that point. javi can still feel bad about it. what DID david expect?? i love mess :)

S4: kill couple/send aj inside - i love a choice that gives me a lot to think about. even if the actual in game consequences are flimsy to none. with this choice specifically, what makes it hard is the fact that the couple asked to be left alone. if they were just two walkers it wouldve been a no brainer. but with their final request, it becomes a matter of respecting the dying wish of this sad couple (which becomes narratively relevant at the end of the game OUGH WHEN IT COMES BACK). and will you teach aj that respecting those wishes is important? he needs to learn to become self sufficient anyway. clem crawled through her own number of dangerous holes in her youth. but thats the other side of it. that clem, knowing personally how dangerous crawling into those spaces where no one could follow was, i dont know how comfortable she would be letting aj do the same. but also, she doesnt want him to grow up too hardened. if she kills this couple, its pushing him further into that hardened mindset. to do whatever you have to to survive, no matter the cost to others. its a choice i find myself sitting with the longest even tho its consequences are pretty much just 2 lines of dialogue ("that couple clem tried to Guilt me about" LMAO YEAH ITS TRUE AJ THIS IS A LEARNING MOMENT FOR YOU). but yeah this is a choice i have a 50/50 chance with going either way on. every time i kill the couple i feel so bad about it 😭 (and so does clem 🥺). it being more of a philosophical question instead of an actual gameplay decision is what i like about it

not sure/take things slow/girlfriends/kiss - NOT JOKING ABOUT THIS ONE its actually so hard for me HSDHSDJKSJKDJK i dont have a paragraph of reasons why tho i just love them all differently. the first two feel the most realistic. i do like the idea of taking things slow and the dialogue for it is really sweet. but also. they might die or be taken tonight. so one kiss before everything could come crashing down on them is nice. but also hearing them call each other girlfriends???? adds years to my life. vi in ep 3 being like "um so you said you wanted to be girlfriends 🥺?" and clem like "😏 ya" i just love hearing them say it 😭 Out Loud 👁👁. and then either way clem gets another chance to kiss her in the woods in ep 3 so it works out. and 2 more kisses in ep 4 from vi this time!! thank you devs for my life 🙏 what a wonderful choice

i love choice games so much just because of the questions they ask of you. i honestly LOVE looking through the player choice stats i find them SO INTERERSTING ESPECIALLY the ones that are split perfectly 50/50. i would literally look at the stats for every single choice im not joking. where are the stats

[definitelynotshouting]

hellooooo!!! tis i, bug anon. i have been VERY MUCH enjoying the hunger au snippets (very late comment ik, but they were wonderful little pick me ups whenever i saw them :))!! ALSO, glad to hear your editing is going well!! idk abt you, but editing is the HARDEST bit of writing stuff for me (so im glad its going well!!). if theres any worldbuilding you've wanted to share but nobody has asked about it yet, feel free to lay it on me! (or dont! your choice!) hope your cat is doing well also, i love him <3

-🐛

I have a few things i want to eventually make posts about, but my brain is admittedly a little boiled right now so they'll probably have to wait a little longer before i can write them out coherently 😂😂😂😂 UHHH SMALL TIDBITS SMALL TIDBITS..... OH OKAY OKAY so im trying to cook up more aspects of Watcher culture and i think. They use entire blocks as little beads for jewelry. Its very common for a Watcher to decorate themselves with jewelry that's made from an all-time favorite block. Imagine if these worms had necklaces and one of them was made from magenta glazed terracotta /silly<3

The editing is for sure difficult esp bc i am being extremely nitpicky with this one rn 😭😭😭😭 we're at whats hopefully the last three chapters of Arc 1 and i have very particular ideas for how i want them written so they hit JUST right. AAAA thank you so much for the encouragement!!!! Im really happy you like the snippets ive sent so far :D

ALSO YES Anarchy is doing great he scratched and wailed at my door this afternoon until i let him in so he could cuddle on my lap for a solid half hour🥰🥰🥰🥰🥰 sweetest boy on the earth here is a recent picture of him that has to be a top contender for second best Anarchy pic of all time:

[ryemackerel]

HALLO i was wondering how you get out of art block?? your art is very expressive and i absolutely adore all your colour choices and designs. ive been having trouble with art block for a very long time now so i’m just trying to ask other artists how they get outta it <3 i hope u have a niceday yesyes

OUGHH HELLO!!! holy crap, art block is the WORST. everytime i encounter it, its always hard to beat it D: theres days where i feel like i WANT to draw something so badly but my brain just. cant function

i dont have a definitive solution for art block, but whenever i do, i have a few ways to cope with it. sometimes they work, sometimes they dont? but whenever the time comes and im just sitting at a brick wall, i got some survival tips

1. come up with random silly ideas,, it could be anything: random words, phrases, scenarios. they can be as nonsensical as you want them to be. during art blocks, my mind is completely dry with ideas, so i always try to compile a list of ideas from the past so i can come back to them later on. i try to come up with random duos or something as simple as “mcdonalds date”. i might not work on these now, but maybe some random lil word can spark that creativity in me

heres my art ideas list… i have some ideas that are like 8 months old in there BGAHSGA, but i save em there till i feel like working on them

2. STRUGGLE DOODLES!! i like to make a bunch of doodles of random scenes that i think about in my head. doodle practically anything. your favorite person, favorite animal, something you see outside your window, frogs?

heres a few of mine. most of the time, i NEVER get to finishing them. however, during art blocks sometimes i like to go back to really old, incomplete guidelines and add some new, random addition to it. sometimes i forget what my sketches were exactly meant to be? and i guess thats the fun about interpreting stuff and giving things a new spin to them. during art blocks, i HATE trying to come up with new drawings from a blank canvas (since i dont even have any ideas to begin with). but working on old wips, or completely revising them? sometimes these can be super fun :]

[and bonus tip!! and this is like, a golden tip that everyone loves: going back to super old drawings and redrawing them!! its my favorite. i absolutely love seeing the improvement ive made over the years. its also pretty easy to work with since you dont have to stress about coming up with completely new ideas from a blank slate! GAHH i should do that more often.]

3. search up your favorite fanart, go on pinterest, anything. i love this one.

search up some really cool photos of outfits, aesthetic backgrounds?? i find myself searching up a lot of fanart of fandoms im in, any word with “aesthetic” at the end, casino aesthetic, anything! pinterest has always been my go-to platform to find ideas. i go on the app and not even a second in, im blown with all of this cool art n character designs. i have a problem saving almost everything i find into my boards, but at least i saved a chock-full of ideas i can work with. :)

a thing about me: ive never been the type to try and force my art block out. whenever im facing a block, its extremely difficult for me to come up with things on my own. sometimes i let it wait for a while, but that tends to take a REALLY long time. D: if i dont feel like drawing, or doodling, or really doing anything? i always like scrolling through really pretty photos. that tends to spark a small idea in me i can work with, and sometimes i manage to get out of art block from there. it starts out small, then over time it gets even better.

these photos especially gave me WAY more motivation than i ever had to draw wilbur during an art block moment. i started off making small random doodles of him in a neon city and over time it kinda turned into a fixation for neon cities. i LOVE imagining characters in random photos i find on pinterest.

wishing you the bestest in your art journey!! this crap’s tough but i know you can break it yo. thank you so much for the ask!

feel free to reblog and add your own ideas below :] i was only able to come up with a few, but if youd like to add on, go right ahead! /noforce

[themagicmusicman]

idk why but something that’s been on my mind loads today is how shitty parents who dont support their children transitioning are.

i think it goes without saying that this is a negative thing for adults to do to their kids, but thinking about it deeper, it really sucks. this might have been brought on by listening to an episode of a podcast about that critikal and sneako situation, and how the people on this podcast were talking about “should children be allowed to transition?”

i feel like for me personally, giving an answer to this is very easy. socially, yes, absolutely they should. medically, i think waiting until they’re 18 is the best choice. a lot of people would disagree with this but here’s my logic:

socially transitioning is harmless. there’s no irreversible change done to the body, so therefore i think it’s fine. social transitioning generally consists of changing your name, pronouns and how you present yourself (clothes, hair, etc).

think about it, are any of these things irreversible? you can always change your name or pronouns back to what they originally were, or to change them multiple times. if a child originally used she/her, then used he/him, and now wants to use she/her again, that’s a very doable thing. obviously it would be a difficult change for peers, friends, family and so on, but it’s a realistic thing that can be done.

same with wearing different clothes, or changing your hair. if someone cuts their hair and then decides they want it long again, they can just grow it out. same the other way; if someone grows their hair out long and then wants it short again, they can just cut it.

another option for people who are socially transitioning is things like binding, packing, tucking and padding. for trans males or individuals who want to look more masculine, binding is a great way to get a flatter looking chest. there are a lot of different options for it (commercial binders, binding tape, certain bras or shirts), and it can be dangerous is done in the wrong way, but theres a lot of online recourses to help bind safely (i’ll be linking a website at the end of this post where you can read about safe binding, packing, tucking and padding)

packing is another option for people who want to look more masc; again, with quite a few options, including diy packers and prosthetics. this can be as simple as a pair of socks shaped like a penis that you can put in your underwear to resemble a bulge.

as for the transfem options, im a lot less familiar with them, so again, see the link at the end to find out more. however, i do know theres are options such as tucking (positioning male genitals such as the penis and testes to make them less prominent) and padding (using undergarments to resemble boobs, can also be used for hips or ass)

my point is, there are so many ways to socially transition, and they’re all safe and reversible if need be. why as a parent would you want to take this away from your own child?

it isn’t hurting anyone, be it the child or other people, and it makes the child themselves more comfortable and happy with who they are, even if it is for a small amount of time. surely that’s more important than your own beliefs?

once they are 18, they have the choice to get surgery or hormones if they choose to, and that’s fine in my opinion. i think it is a good idea to first see a medical professional or psychiatrist (although i think that’s something people have to do before medically transitioning in most countries) but it’s their choice at that point.

before then, help your child accept themselves for who they are by using their preferred name or pronouns, helping get them the clothes, prosthetics or haircut they want, and just supporting them in their decisions.

have a great day yall, and remember :

Trans rights are human rights 🏳️‍⚧️

[ancientgoddessofegypt]

I’m so interested to learn your opinion on Pluto in Scorpio in the 12th house? If you don’t mind explaining what you know about it. I honestly suck at astrology 😭 even though I’ve learned a lot about it. But I love hearing other peoples perspectives. i feel like I trigger people just by walking into a room and I don’t understand why. And is it solely due to having the 12th house in Scorpio?

Pluto in the 12th house is a masterful placement to me. Its like when deep oceans figures out its also space itself. There is a universe inside of your mind that shows you the riches of all things impossible and possible. Secret realms hidden in your mind waiting for its escape, for better or for worse. You can control the psychic abilities that come out, however at some point you should allow them to go full swing as your gifts are trying to show you something. Seer abilities are powerful here, and I could see being an oracle/decoder with this placement. You could have insight into other peoples past, present and future. And although this can make you uncomfortable this could be something that can help them.

I got a vision of a girl from tiktok, who talked about how she was on a bus and something kept egging her to tell this boy to not go this particular street because he would die. She felt crazy but she ended up not telling him and ending up feeling back. My spirit is telling me your gift is similar to that, and you may have come across others who may have needed your guidance but because you didnt know them you passed by the chance to tell them. I know this can feel weird but one of your gifts is in helping others with choices, something about being at the crossroads and your like the deity of the cross roads that helps them figure it out.

Now back to my explanation lol. House of hidden enemies people could really hate the knowledge that comes out of you naturally. What takes them forever it takes you 20 minutes or none at all. Youre connected to the cosmos and sometimes you can see things you truly did not want to see, but its for you to know so you can get a better understanding of how this world works. Its not really black or white. Its just is what it is. Your psychic abilities can be strengthened through dreams, especially astral traveling. Messages from people you know and dont know could come to you, and for anyone you dont know you might meet them later.

I didn't explain it being in scorpio however when its in scorpio it becomes way more beneficial in the house. However scorpio is also intense so its always going to rear its ugly side of its darkness from time to time.

All in all, your personal power is tremendous in the house of the subconscious mind. This side of you goes through many transformations and you come out a different person every time. I feel like shadow work here is a very special thing because you can quickly get into the deep parts of your psyche and get the answers for whatever it is you seek, then go through a process of elimination. Theres so much to right here so ill just do a part two! really can go on all day about how the psyche goes through roller coasters on a day to day basis which can drive anyone crazy. Pluto in any house calls for every day challenges in order to rebirth so I know this placement can be a little difficult at times.

Something about lilith is coming up for you strongly... I didnt want to pass up on it so I have to ask... is it in the 12th house too? or is it somewhere else strongly I your chart?

[cinnamostar]

hiiii again! :)

just wanted to share my thoughts on 'Four Dates to Fall in Love.'

I hope you are doing well ❤️

I loved the start with Chris—how you incorporated him as someone reader can share their feelings with and sort out their thoughts. It adds so much to the story and the characters. Especially when the reader goes on about wanting to keep having fun with Hyunjin but struggles when memories and emotions about the past years come back. I loved how Chan validated both feelings and helped the reader find a way to deal with the situation. This whole situation takes a lot of emotional intelligence, maturity, empathy, and firm boundaries. I'm so happy to see this portrayed in fanfiction. 🫶

Besides that, I also really enjoyed them cooking together—the teasing, their smiles, and the reader's hands over Hyunjin's. It was such a good read, and the underlying awkwardness was so tangible!

"[...] suddenly hyper aware of the strange warmth in your stomach that was also accompanied by the feeling of your stomach dropping. It was an uncomfortable feeling, one you didn't know how to explain or ever experienced before, but you did know you didn't want that combination of symptoms again for whatever emotion this was." I think I died reading that part. Way too good. YOU ARE SO TALENTED. I've said it so often, but the way you describe feelings—especially those opposing feelings—it's perfect.

AAAAAND you did justice to Hyunjin and his feelings in this part! How he struggles with what he has done, the reader's friendliness, the guilt, and the hate he almost has on himself.

"[...] shame paralyzed his body, the warm sensation behind his eyes reminding him to blink, reminding him he shouldn't be so selfish in his pain when he was the cause of so much discomfort." Shame is such an underrated emotion and is rarely acknowledged, but yet it is so powerful. Loved that you incorporated this emotion.

Last but not least, the last part broke me. How the reader chose to comfort Hyunjin, their inner conflict with their choice—"[...] despite what your mind screamed at you, you chose to listen to your heart, you chose him over himself".... I was fr dead on the floor after reading this. I mean—I know how hard it is to be in this situation, and I probably would do the same, but I screamed with the reader's mind.

Sooooo - in conclusion, I love how you portray them so humanly, all their struggles... I can really see myself in them. I can't wait to finally get them together.

And I wanted to point out: taking a rest from writing has paid off. Your dialogs were just perfect. I loved the slow burn. You did really well. ❤️

YOUR MESSAGES ALWAYS MAKE MY DAY SO MUCH BETTER T - T THANK YOU SO MUCH!!!!!!!!!! AHHHHHHH it makes me genuinely so happy that someone finds my work that impactful so it always so appreciated :')!

my intention from the start was to always have chris there as someone the reader could rely on and have candid conversations regarding their emotions! its one thing to write how the reader is feeling, but i think its another for the reader to talk to someone else abt it bc i feel like it can reveal a lil more about the characters and their relationship with each other! like yeaaa chris is reader's manager, but also a great friend over the years theyve known each other!

and yeah, they both have a lot of emotions to process and figure out! its really hard to be either of them in that position because shame/guilt is such a difficult feeling to digest, especially when the other party still hasn't forgiven. so tbh, its hard for hyunjin to know what to do or how to handle anything bc ultimately, it is up to the reader on how they wanna handle their relationship w him... hyunjin can only hope for forgiveness, but has been blessed with kindness too!

reader is also in a hard position because if it wasn't for the fact there wasn't an acting project on the line, reader would've probably been a lot more callous towards hyunjin. but theres a role on the line that the reader really wants, so reader gotta suck it up a little. while the reader did chose to be kind to hyunjin, a lot of it has to do with just spending time with him. i think no matter how angry you can be with someone, if you miss a friendship and are able to see them for who they really are, its hard to be a total dickhead to them JKLFDSJ especially if they seem super apologetic.

BUUUUUUUUUT reader choosing this doesnt mean their hurt goes away.............. I HAVE PLANS, I CANNOT SAY MORE, BUT THERE ARE PLANS FOR THIS SERIES NSJKDFNA emotions are complex and hard so this entire series is just gonna be That (but also im avoiding being repetitive too so that was an added challenge when i outlined this series)

personally, reader is actually a lot better than me, im a hater til i die, but then this story wouldnt be going anywhere...

after this chapter, there are only three dates left and then one extra chapter... i have had this all planned out, im excited and hope u enjoy whats next !!<333 thank u sm again i literally love seeing ur messages in my inbox . and yes!!! the break helped a lot :') thank u for encouraging the writing break tooMMMMMMWAH

[yuukei-yikes]

takane and shintaros post str codependency is making me insane because theyre both way too emotionally attached to each other and want to beat each other up so bad at the same time. they were all the other had for the longest time and have such a raw unspoken understanding of each other and literally goes insane they remove my brain function and the way you characterize them is so real

NO LITERALLY THEYVE BEEN IN MY FUCKING BRAIN FOR WEEKS AND WEEKS . their feelings for each other are the same and also completely different bc shintaro was takane's entire life and purpose while shintaro didnt KNOW it was even takane so he has to reconcile with that fact and OUGH the i can fix him/i guess i can let her fix me dynamic. they cannot live without each other and its so so so unhealthy and messed up .

ok but relationship therapy for shintaro and takane. and also ayano and haruka are here (haruka organized it) the therapists like i seriously dont fucking understand whos dating who and haruka's like THATS THE FUCKING PROBLEM sry im so insane abt shintaro bringing insanity to harutaka and takane bringing (even more than they already have) insanity to shinaya.

haruka's literally the ONLy one on the fucking loop of whats happening bc ayanos like. she's got so many issues of her own and her relationship with shintaros a mess as well so its not like shes got the emotional tools to do something other than be sad abt it. i think if ayanos the one to say anything she still shields behind haruka like HARUKA ALSO THINKS ITS MESSED UP RIGHT HARUKA? RIGHT RIGHT? PLEAAASE HELP MY CASE and harukas like COME ON. but yeah haruka calling takane out but hes so soft abt it it takes takane like a fucking minute to realise wait are we having a....fight and harukas like i GUESS and takanes like ooooh. ohhhhhhhh thats not good.

haruka tries to be understanding bc IT IS understandable that theyre like this but hes like is it too much to fucking ask that takane stops canceling on me all the damn time. and shintaro is so comfortable with just trusting on takane for everything bc hes like she's so pathetic abt wanting to know whats going on with me and she is THE ONE who saw me at my worst so who else would i turn to lol like takanes more comfortable for him. otherwise whats he supposed to do. open up to a whole new person. hes terrified of the outcome of having someone else(ayano) know him that way.

anyways haruka works on it with takane bc he's like drilling into its head the whole thing and takanes more and more aware of it as it goes on and then sort of has to make the choice to have this sort of messed up break up without dating with shintaro. also maybe around the same time shintaro breaks up with ayano for reals in case uve read my shinaya post. shintaro just got dumped x2 and turns to haruka in his emotional breakdown and since haruka responds not mean spirited or angry at him at all, but kinda tells him u brought it upon yourself like ive been telling u abt this for months so shintaro gets angry at him bc he resorts to being irrational BC HE JUST GOT DUMPEDX2 COME ON so to harukas hes like OHHH SO ITS UR FAULT UVE ALWAYS BEEN JEALOUS OF ME AND TAKANE LIKE EVEN IN HS and harukas like wow. im gonna walk away now. but shintaro to takane is like but ayano just left me?? and this is an issue for haruka too??? maybe we should just be together???RIGHT??? and takanes like WOOOOOOOOOOOW HARUKA WAS RIGHT THIS IS RLY FUCKING WEIRD so now things are weird between haruka and shintaro x2 because he just essentially asked takane to breakup with him. shintaro sort of tries blaming his breakup with ayano solely on what happened with takane when in reality theres just so many other things and its so messy

its a yuukei quartet messy fallout baby. it is so fucking funny.

for ayanos part i think she sorta shuts down for a bit while she seeks help in therapy and stuff and shintaros like spiraling so hes more difficult and for takane its SUPER SUPER hard to not run to shintaro seeing him like That so haruka has to keep her grounded but its not like things are super great between them either bc takanes like shaking with anxiety and haruka feels so guilty and has no one to ask advice to so hes not sure if he did the right thing or not. basically ayanos in therapy keeping distance shintaros sort of having a tough falling back to old habits (goes neet for like a month) and harutaka are trying to work on their relationship lol. thru it all the dans also around so theyre especially of help with ayano and shintaro's episodes.

sorry like this is funny to me ofc they all make up like they come around. shintaro and ayano get back together. shintaro and takane talk to each other like normal people and maybe hug and cry a little bit. haruka wants to sleep for like 2 days.

they make up so its FINE thats why to me this is comedy central like is it not super funny come on. but a little post str misery arc for shintaro there

[utilitycaster]

I love the taste of salt. Unpopular opinion: i will defend to the death with a 5000 word essay that this campaign isnt any more railroaded than the other CR campaigns, and people saying C3 is more-so than c1 especially have never been a DM. The cliffnotes of my argument;

1. Dnd is a game. Games are meant to be fun. While i believe Matt’s table knows they have the world at their fingertips, why on earth wouldnt they follow the haunted moon god eater plot?? Thats Maximum Fun, especially for their playstyle. Any player short of a 13 year old keen on breaking the world and nothing else would be psyched about that kind of a plot.

2. I think its very difficult to judge a specific campaign on its own as more or less railroaded without the context of others to compare to- thankfully, we have 2 other campaigns we can look at. C2 stands out as being distinctly more sandboxed and character driven than the other two, while c1 and c2 are much more strongly story driven as opposed to character driven imo. But every action any character has taken has always appeared to me as being made of the players own free will.

3. I think theres a distinction that needs to be made between whats meant by “railroading” in the ttrpg sphere, and whats effective story telling. One of the greatest pieces of advice ive ever taken as a DM, is that in an engaging world and an engaging story, the bad guy is always moving forward with their plans regardless of whatever the players are doing. Ludinus wasnt waiting on BH to come and stop his evil plot - that was always going to happen. The players were given a choice to engage, or let it be, and they chose to be heroes. If they had chosen different, Ludinus wouldnt know or frankly care - and we’d be witnessing a much different story line, likely equally as engaging as the current one imo. Its almost certain that Matt knew his players would choose to be heroes and fight Ludinus’ plans, but to me thats more a factor of him knowing his players and the kinds of games they like to play quite intimately, rather than him forcing them into the ruidus story.

Thank you for being the vanguard of salt and unpopular opinions to carve a path for the rest of us in the CR fanspace

Disagree. I am a DM and I do think this is more heavily railroaded than past campaigns so there's your counterexample already but just to address this briefly:

Point 1 doesn't address railroading at all but rather says it's fun, which is not the argument at hand. I don't disagree with this, but the thesis statement isn't "this is fun or not"; it's "is this campaign more railroaded."

Point 2 begins tautologically (you can't compare things without comparing things to things) but also presumes a definition of railroading that hasn't been provided. I don't think railroading is "the DM deprives the players of making choices of their own free will"; I think it's "the DM lays out a goal that has only one real solution."

Point 3 is similarly to point 1 not untrue but also completely irrelevant. In fact, if we look to point 2, the same was true during Campaign 2: Essek, Ludinus, Vess, Trent, Uk'otoa, the Tombtakers - all of them kept making their plans regardless of what the party was doing, and you say yourself that that was a more sandboxed campaign. This also is debunked by my definition in point 2: fighting Ludinus is the goal, but while there was a variance in the potential degree to which they could mitigate what happened in episode 51, they were never really going to truly stop it and many of the events in question were in fact cut scenes. Which again: I don't think is bad, and I think the reason this entire argument doesn't hold together is that it's trying to defend Campaign 3, rather than argue it's not railroaded. I happen to think railroading is a neutral state, and so a defense isn't needed; what's needed is the stated argument re: railroading.

Were I to play devil's advocate to myself in order to structure this argument, I would first come up with a coherent definition of railroading as "the bad guy will do things and the players will want to stop them" is not, in fact, true, as many DMs can attest. What makes C2 more of a sandbox? Articulating that will then set the groundwork for the rest of the argument.

I would then I think focus especially on Campaign 1 and Campaign 3 connections because I do think the campaign is now much more open; the party had a degree of choice without being beholden to a patron or an existing quest in deciding to go to Molaesmyr just now that I don't think they had earlier in the campaign. It was not the only real avenue forward towards the larger goal. Since we didn't see Campaign 1 before around level 9, then I think you can reasonably argue that early Campaign 3 was more railroaded than late Campaign 1 but that is also not a fair comparison, and move from there.

[leolingo]

(ask game) 1 and 2 for qcellbit and 25 for both qroier and qcellbit? :D

SORRY FOR THE WAIT I FORGOT

(qcell) 1. Why do you like or dislike this character? well first of all i ADORE him :3 i dont often Rank the qsmp characters but he's one of my favorites and im confident enough to say hes usually my number one guy even....

i guess the best way i can articulate this is just that i love the Experience of witnessing the qsmp through his pov <3 i like how deliberate cc!cellbit is with his storytelling choices and it ties in with how complex qcellbit is as a character. i personally love the Sides of him we get to see throughout the story and how it relates to the chronology of the character -- the places he's been, the things he's done. how he's such a complicated person who keeps SO MUCH to himself and will only trust a select handful of people but even then almost never fully, and how this makes it so its extremely difficult from other povs to really understand why he does the things he does.

it feels IMMERSIVE and it feels like being a part of something. like being a viewer, being there to watch his every step is just really something and i fell in love with him from the very first week lol i cant lie as a brazilian i never really had a cellbit phase growing up but his qsmp D-1 vod had me hooked from the start <3

(qcell) 2. Favorite canon thing about this character? god so many jsdfhjgshkfk how devoted of a husband he is,

the way he loves children and gets surprised when they love him back

the fact he's a fussy interior designer and VERY particular about furniture choices

hard not to mention the cannibalism. big fan

theres just so much about him that i love!!!!!!!!!

(qcell) 25. What was your first impression of this character? How about now? i remember thinking he was sooooooooooo stoic and so serious! SO focused and goal-oriented! i never did think he was going to be such a major player in the big story arcs either! when cc!cellbit introduced the concept of being a photographer/investigator i mostly thought he was going to use that gimmick to explore the plot points that came before him and revisit that kind of stuff and that was it...... then he quite literally knocked it out of the park and got super mega involved with most of the active storylines of that time + created so many new story branches lol

today i see how messy he is . how LAME! i love him even more

now QROIER 25. i dont actually remember jsdjnjkkhndf i started watching roiers pov pretty early on like ever since the eggs got introduced i think and i really dont remember specifics all i know is he was so entertaining i for a while got my mom to watch his streams taking care of bobby with me on our tv